#DVDs would be the bare minimum?!
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Zaslav: I AM BIG MAD SUCCESSION LEFT MONEY ON THE TABLE. 😠 I AM AXING OFMD RIGHT NOW BECAUSE THEY STUPIDLY ONLY WANT ONE MORE SEASON. HOW ARE WE SUPPOSED TO MAKE MONEY OFF OF THAT?!
Also Zaslav: never bothers to release DVDs or more than a smattering of merch despite the fact the show has a rabid fan base and would buy literally ANYTHING if it was actually FUCKING AVAILABLE
#ofmd#DVDs would be the bare minimum?!#and seriously they could go full TSwift levels of capitalism#give me a special edition Blu Ray release with a fuchsia case instead of a standard black one#and absolutely I'll pay an extra $50#oh there's another version with David doing commentary on every ep?#hell yeah I'll give you another $100#what the fuck is WRONG with him#how is a man THIS incompetent in charge and making SO MUCH FUCKING MONEY
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once again frustrated by the new york public library musical archival system
#IF YIU HAVE IT ON RECORDING AND RHE SHOW ISNT RUNNING WHY WOULD YOU NOT LET THE GENERAL PUBLIC USE IT#OR FOR GODS SAKE HAVE IT ON ANYTHING OTHER THAN ONE VERY VERY RESTRICTED DV FUCKING D#YOU HAVE TO HAVE THE FUCKING POPE SIGN OFF ON AN INTERLIBRARY LOAN#JUST MAKE IT DIGITAL AND AVAILABLR TO ACADEMIC INSTITUTIONS. BARE MINIMUM.#PUBLIC LIBRARIES#NOT ONE DVD.#GOD
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❝ 𝐒𝐮𝐫𝐞, 𝐭𝐡𝐞𝐫𝐞 𝐚𝐫𝐞 𝐭𝐡𝐢𝐧𝐠𝐬 𝐈 𝐜𝐨𝐮𝐥𝐝 𝐝𝐨 𝐢𝐟 𝐈 𝐰𝐚𝐬 𝐡𝐚𝐥𝐟-𝐩𝐫𝐞𝐩𝐚𝐫𝐞𝐝 𝐭𝐨 𝐩𝐫𝐨𝐯𝐞 𝐭𝐨 𝐞𝐚𝐜𝐡 𝐨𝐭𝐡𝐞𝐫 𝐭𝐡𝐚𝐭 𝐫𝐨𝐦𝐚𝐧𝐜𝐞 𝐢𝐬 𝐛𝐨𝐫𝐢𝐧𝐠. ❞
𝐏𝐚𝐢𝐫𝐢𝐧𝐠 (𝐬) ⋮ Daisuke x AFAB! Reader
𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭 ⋮ 3.4k
𝐒𝐞𝐫𝐢𝐞𝐬 ⋮ 1 | 2 |
𝐃𝐞𝐬𝐜𝐫𝐢𝐩𝐭𝐢𝐨𝐧 ⋮ Your best friend from high school is working at the same internship as you!
𝐓𝐚𝐠𝐬 ⋮ Cross-Posted on AO3 | Second Person Point of View | Angst | References to sex | Series? | Marijuana Use | Alcohol Use
𝐓𝐡𝐨𝐮𝐠𝐡𝐭𝐬 ⋮ BINGO BANGO BABY!!!! I’ll be honest that I’m weighing on making this a series, I want o but I’m looking for the push
There’s a familiar warmness that breaks from the open window, you smack your lips as you feel your tongue roll against the roof of your mouth, the taste of fruity alcohol mixed with marijuana has nestled into your tastebuds.
You miss the tongue in your mouth that helped implant it, stirring around and you couldn’t be happier to have someone, you held in such high regard, mix with you. You clutch the blankets and pull them to your chest—
What is there left to hide from him?
You slowly pull yourself from under the blankets, your naked top now feels the sun beat onto your chest, you try to recollect last night and think about what your next actions should be. There’s familiarity in the room, the old scratched up records pinned to a wall with an acoustic guitar that was never played properly, work out bean bags, and a small round table with scratched up games' controllers on it. There’s a box of pizza, one slice left—
“You can have it, just heat it up in the morning.”
You don’t take it, no matter how much you feel the vibration in your stomach, you suck it up and began to collect your clothes scattered around the area. You see the familiar Sonic CD rug in the center of the room just before the bed, there you find your underwear, you see your shirt on top of the lava lamp next to his bed, and you find your bottoms next to your school bag.
Your shoes are downstairs, his parents always had slippers to offer at the door whenever you and/or his other friends would come over. It was the only thing they were really strict on when it came to him. You look inside your bag, nothing but schoolbooks and the binder you used for all your note taking, you throw it out the window and into one of the bushes in front of his house.
You look for your phone, on the dresser with some old DVDs of movies that his mother still had, none of them were really interesting except for this one you really enjoyed. ‘Your Name Engraved Herein’, it always made him cry, you had to comfort him after the movie but no matter how many times you tried to tell him that it’s okay, he just continued to bawl into your shoulder about how amazing this movie was.
Maybe it was because you didn’t pay attention to the movie, more focused on his expression as he experienced the movie, he’d tell you little tid bits and explained it to you afterwards when you told him you didn’t really understand. There was always commentary with him when it came to movies, you loved every second of his little movie watching sessions, friends would throw popcorn and hush him, but you eagerly leaned in to hear him whisper small facts about the movies he’d have you all watch.
Even when he finished explaining the movie you didn’t get it, but he told you: “I cried every time I’ve watched this movie without fail, ever since I was like in middle school, my mom would watch this movie, and it would be me and her crying our eyes out over it.”
You grabbed your phone, around the 20% mark it was mainly just texts from your mother about spending the night at his again, she would tell you that you were messing up the future she was perfectly crafting for you and that you needed to learn more discipline before college started. It was always grades, attendance, and extracurriculars with her.
You only did the bare minimum, average grades, average attendance, and chess club.
Your mother hated it.
“He's bringing you down! His parents don't even care about what he's up to! You think I'm gonna let you mess everything I have going for you for some low life boy who can't even follow something as simple as wearing a uniform to school?”
You defended him, like you always did, why wouldn't you? He was there for you when you were down, always there for you, like he was there for you this weekend. You kept scrolling through messages; besides your mother, it was only him who would text you daily.
You had people you studied with, your mother’s friends’ kids, and the family you were already distant with. You had to get home. You slid all your clothes on before you peeped your head through the door, the sound of the shower running and music coming from the speaker he took in the shower with him blaring through the empty house.
His father worked on weekends and his mother went grocery shopping Sunday, “Was it Sunday?” You thought out loud, you couldn’t think about the time you were last back at your house, you made your way down the stairs and towards the door when you found your shoes.
You slip them on and then make your way out; after closing the door you pick up the rock from the little pond, they had next his porch, you lock the door and place the key back where it belongs. You go through the bushes, searching for your bag and a huff out of frustration when you dust the dirt off of it.
There's another huff as you sling the bag over your shoulder and then silence, there's sounds of nature from his neighborhood and now her you were just walking down the street, hoping on the next bus and another back towards the apartment your mother and you shared.
As you unlock the door your mother sits on the couch, she's watching her programs with the same 4 speakers on the different channels she's gone through in the past
“At his place again?” And the way she can't even say his name, it melts off her tongue like a slur and you can't help but bite back a response before she gets up. “Well, how was it? His family feed you?” You shook your head, “No, ma'am. His parents weren't home.”
Why would you say that?
You see the anger in her face, “Oh?” The woman makes her way over to you, there's no hesitation in your stature as it's a routine check. The way she pulls down the collar of your shirt leaves your breath to hitch, you try to snatch her wrist only for her long and jagged nails to scratch at the skin of your palm leaving you to hiss in pain.
There's no surprise with the number of dark marks that were collected by the boy, it was his first time as much as it was yours. You feel the warmness in your cheeks before your mother's eyes burn into you, her stare boiling you alive as you do nothing but just stare at the ground.
“Look at me when I talk to you,” Your name is a bark of a command, called out like a show dog to those she wants to impress then kicked at like a mutt the rest of the time. You pull your head up, you don't want anymore imprints in your cheeks, your acne already fucking up your face as is.
“What did you two do?” You roll your eyes, mumbling ‘Nothing.’ before she snatches up your jaw, those nails now cut up the pimples on your face to leave the pus to pop out You want to whine, cry like a child, ‘Mommy! Stop! You're hurting me!’ You, unfortunately, allow this with your eyes creasing and a small frown rugging on your lips that seems don't only make her madder.
“Your breath reeks of weed and alcohol. I can't believe you'd go and mess around with that boy, after everything I told you!” The woman lets out a pained sigh, as if her coming to spit in your face and yell at you was somehow your puppeteering her to do so. “What if he got you pregnant? How could you do something so dumb! It doesn't even surprise me, he probably talked you into it–Knowing his little delinquent self and his little gang he's probably riddled with some type of disease.”
You want to tell her off, he would never do something like that, all his friends are different from him, they're all a bunch of party goers that just want to do narcotics and fuck each other silly.
“He's not like that.” You strained out of your pursed lips, your mother's tongue smacks against the roof of her mouth, “The boy is nothing but spoiled. His parents just give, give, give, give, and give to some little freeloader who's going to do nothing for his life besides leaching off his parents' money.” You can't hear this anymore.
“He's actually trying to get a job!” Your mother cackles, “Oh yeah? He's getting a job?” “Yes!” “Well, why doesn't he already have one like you do? You got your own job at the library when you were 14, you were obedient then, before you met that little…” There's a seething rage in the woman, she's sucking at her teeth, and she'll be grinding them into a fine powder if she continues.
You bite your tongue, he had definitely had an impact on you, like he always has. You wanted to try and dye your hair one day with him, layer your outfits, be outside of the uniform, wear make up, dress up on those days where you were allowed casual dress, and take your time with life in general.
Those nights he'd stare at stars on the roof with you, he'd point up and explain how sometimes he felt so small in this world. “This is really the one way I can try and be in impact on such a big world!” He gestures to his brightly colored outfit; you find yourself lost in his expression as it's just a nice mix of brightly colored acrylics that melded with his tanned skin.
You admire him.
Even as spit hits your face you're left with the same rant over and over again, “I work hard at my job so you have all the tools not to end up like me, slaving away for some ungrateful brat of a child, instead never having kids and being happy you don't have to waste your money on some freeloader until it's too late.”
Your mother took responsibility to raise you, even after your father was distant to the idea, it be some apparent that these two were working in separate directions that only pulled you apart.
Honestly, if it wasn't for him, you'd be on the ground with a full bottle of pills being guzzled down your throat.
Your mother notices your expression and she huff, “Stop being around, hanging around him, being around him, he'll do nothing but drag you down and he won't be doing you any good in the future other than a book up for narcotics.” The woman gets all in your face, “You wanna end up like me? I only stopped doing all those things once I found out I was pregnant with you! Do you really want to end up like me?”
Strikes a nerve.
You never wanted to be like your mother, her sad life with a child who could only resent their mother, her boyfriend who abandoned her to go do more drugs, and no one to fall on. It's sad, you feel for her, you see where she's coming from you, and you sigh upon seeing her fall to her knees to grab at yours.
The woman sobs into your thighs, wincing at the familiar grip from the night before most definitely bruising them from such harsh treatment, “Pl-ease!” The squeak in her voice as she says your name, she is begging and all you can do is try to comfort a woman who has never taught you how to comfort someone. You rub her head, and she sighs, sniffling a bit before she continues, “I don't want you to end up like me! Don't love someone who's only going to bring you down! I know you can do better!”
Your mother wouldn't tell you it now, but you were now stuck with this. Your mother always knew if you were around him, she worked there as the librarian. You were called to stay later helping your mother, doing more on campus, and a demand for straight as after a C in an AP course came up.
It wasn't surprising since the both of you took the same class.
You couldn't let your mother win but here you were, letting her win, and you could do nothing as you found her beginning to bring the hammer down. “I can't let ever you make a mistake that big again.” You were tested for everything; she kept track of your periods and was around you whenever you had free time.
“You've been summoned to the library,” The dreaded phone call before you left class, it killed something in you when you and he could barely talk most days. You guys didn't really share class, even when he went out his way to take APs it became apparent to him how much harder it was for him to really keep up with you.
Those daily ‘Good morning!’ messages fell into weekly ‘Have a good week!” texts. Not because of him, but because of you. You couldn't even keep up with everything, once your mother pinpointed the college you needed to get into or she'd kick you out, simply if you applied yourself the way your mother wanted.
But it meant you'd have to leave him behind…
D-S ▼・ᴥ・▼
Hey! I know last night was a lot. I'm sorry if I messed up, I know I wasn't going to be the best but I’m sure you'll have other people do it way better than me!
1:30 PM 9/05
Good morning! Good morning! Good morning!
9:45 AM 9/06
When do you get off work today?
4:30 PM 9/06
I'm getting pizza, do you want me to get you a box???
2:49 PM 9/14
Y'know one for now, one for when you're depressed! I finally got the reference!
2:58 PM 9/14
Are you okay?
3:24 AM 9/30
Did I do something wrong?
3:25 AM 9/30
I'm sorry if I did anything wrong
3:29 AM 9/30
I mean that, I'm really sorry
3:33 AM 9/30
Can we talk?
3:34 AM 9/30
We haven't like sleep called in forever, and it would give us time to talk stuff out, whatever I did wrong you can tell me.
3:45 AM 9/30
Please?
3:48 AM 9/30
I didn't know you and Ange became friends I always thought you both hated each other.
12:39 PM 10/19
I didn't do our matching costumes it felt like a disservice if it wasn't with you.
4:29 PM 10/30
Dude, family's being weird, wish you were here!
7:38 PM 11/28
Happy Holidays, I got you something! Do you know when I can come over and give it to you?
11:29 AM 12/25
Hey, I'm having this new year party! Y'know like new year new me! I plan on trying out for stuff like sports and getting on my academics!
9:28 AM 12/31
I'm tryna get like you!
9:40 AM 12/31
My parents asked about you today, they were like ‘When are you coming over?’ and ‘What are you up to these days?’
10:02PM 1/17
Happy Valentine's Day, I know you got a lot of stuff cause you're just cool like that
10:38AM 2/14
Even I got you something!
10:38 AM 2/14
Lmk when I can give it to you!
10:38 AM 2/14
I'm sorry for being annoying this year, I really am sorry for anything I did to you. Have a good time in college!
11:00 AM 6/30
You began to avoid him, he'd go to the library to rent out a book and watch as you restock, he'd text you and you'd have the read receipt there just to think about responding to him only to put the phone down, you walk around campus without a care, cordial whenever faced with head on confrontation, and that's how it was until you graduated.
You went off, pursued your own interest in space your mother said it was your choice to study nut it needed to make enough money for you and her. Now you were just as excited to get on and do things outside of your mother now that you were finally free from the woman. You decided to take all your classes online, you'd had this internship lined up for you and nothing could bring you more joy than joining the manpower in space.
There's a big smile on your face as you meet your comrades, Curly, your pilot and Jimmy, the Co-Pilot, you'd be shadowing the two for tour duration of their trip on the Pony Express. Anya, the nurse, who would be the only woman on the ship, you loved to be around her and her little jokes. Then there was Swansea, he wouldn’t stop complaining about having some intern, “They better pull their weight.” The man grumbled out.
You weren’t shocked to find out you guys were waiting on another guy, the two of you added last minute on behalf of the Pony Express, finally a guy popped through the door, explaining that he was at a party the night before celebrating Earth before he had to leave. Your eyes crease as you examine the man’s features, ‘No fucking way.’
That lovingly sun kissed complexion that had the contrast of his brighter highlights against his already chestnut colored hair. There, on his face, stood the markers for where you kissed on him that night, a mole under his right eye and the left mole lower down his round cheeks.
The fact that he couldn't even wear the uniform alone almost made you fall before him, he hadn't changed in ways you thought he would, and it tore at your heartstrings to realize how much you missed him. The familiar sound of the two bangles on his wrist that contrasted the red wrist band he wore that you also had from the first party he took you to.
There's a plethora of excuses that rush out of his mouth, and you just listen to now his voice only be one softer to your ears. Earning its way into your eardrums to nestle in your memory in order to haunt you for the rest of your stay.
While the group continues to get everything on the ship there's a silence that falls between the two of you when his eyes finally land on you. Your friend was a day you could never forget, the morning after your happiest night alive, you'd coo into his ear that you loved him, and he'd do the same with a chaste kiss on your forehead.
Yet, here you were, reliving those memories and wondering how the fuck do you even start the conversation. You watch as he makes his way over, your rib cage encased around your organs before crushing them like a corset.
With each step your breath hitches, your eyes faltering between looking him in the eyes only for your nostrils to fill with disgustingly sweet peach cologne he had to have. Why wear something like that for all these years? You're grateful he would even wear something like this to this day.
There's a hand on front of you, wide open with some rings on his fingers, his fingers spread a bit and when you take one last inhale of his cologne you pull your head up to look him in the eyes. There's a warmness in his face, it hasn't worn down and has only brightened since you last saw him, you feel your heart clench as you hear his voice.
“Heya! I'm Daisuke, I’m psyched to be working with someone as new as me!”
©ouchthathurts please don't translate, claim as yours, redistribute and/or plagiarize in any way. likes, comments, and reblogs are greatly appreciated!
#mouthwashing#ouchlovesthem#ouchlovesdaisuke#ouchlovesmouthwashing#daisuke mouthwashing#daisuke x reader#mouthwashing x reader#mouthwashing game#mouthwashing fanfic
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hey guys. what the fuck?
#do people just go into fandoms heart first nowadays#back in MY time if I wanted to get into something enough to have a blog about it#it would have to involve several months of research#and the bare minimum here is like. if you watched the speak now world tour DVD extras 💀#or read any speak now era article ever like. hello??? the agency??? do people not know what the agency is anymore#pls don't answer I have a feeling you guys will just say no again. and I might just start crying
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resonant ch31 dvd commentary
This one was a doozy, as everyone on Tumblr had a front row view of. I wasn't thrilled with the draft on Thursday, but after some additional eyes and another comprehensive round of edits, I'm happy with how it turned out.
You can really see my struggles with it in the words cut, which were a minimum of 1500 (those are the ones where I extracted more than one paragraph into my scraps doc).
Favorite line(s):
The walk back to the holdfast was like a slow wakening from a dream, and yet Daemon felt desperately tired, his body aching with a fatigue so deep it seemed to scrape the very marrow of his bones.
I was quite proud of the visceral feel of this one.
Jon stood without meaning to, Jon Redfort’s hurt mingling with the rage that surged within his chest. “She hated him. She hated every reminder of him. They dyed Rhaegar’s hair until they couldn’t, and even before that, she could barely look at him. She loved me,” he said, the words choking him, the truth of it almost unbearable, Lady Stark’s love through a distorted mirror, only this time, he was Robb. “And Raymar would cry himself to sleep, convinced it was his own failing.”
The theme of Jon's role being flipped so that he is now in Robb's shoes is one we've been exploring since chapter one, where he notices the way Raymar is treated vs him. It's such a painful thing to deal with, because it both stirs memories of his own treatment by Lady Stark, and the guilt that Jon Redfort has always felt about it. Even though it's not directed at him, the secondhand experience through Raymar reopens those wounds.
Jon dealing with the part of him that is Jon Redfort is another theme we'll explore later on, particularly during the Runestone arc, but we're seeding some of his struggles now.
(Jon continually urging Rhaegar not to mourn Rhea is partly born of this, too. On some level, he believes she does not deserve his grief. And it's easier for him to ignore his own grief that way, or avoid dealing with the guilt-tangled love her feels for her.)
Favorite Details
Marriage hunt
Since the harvest ball is approaching and pretty much all of the marriage-minded misses of the court have been carrying out their pursuits offscreen/in non-canon missing scenes, it felt appropriate to sprinkle in a few hints of what's going on in the background as Daemon and the twins deal with more pressing matters.
Daemon's chair
It's hard to explain in narrative format where Jon was sitting/where Daemon always sits, but it's basically at the end/"head" of the table, while Viserys usually sits at the end of the side facing the window. It killed me a little when I realized that's where I've always written Daemon sitting in his scenes there with Viserys, and it's so obvious why: it's the closest Daemon can get to feeling like his brother's Hand. Similarly, Viserys seats him in an inverted version of that during their supper the first night in King's Landing, with Viserys at the head and Daemon to his side.
Dynamics
Jon & Viserys
This was a fun one to finally write, since we've only had brief interactions between them, from other POVs (Daemon, Otto, Rhaenys). Viserys sees Jon as a mixture of Daemon and Baelon throughout this scene, with Baelon coming out more toward the end. And we can see Viserys respond to Daemon-y Jon in a similar way that he might to Daemon, by getting defensive/frustrated.
Viserys is in a weird place with the candle business where he accepts, generally, that magic is a thing. The boys are fireproof, there is a prophecy that he thinks they will fulfill, he's read about the distant communication made possible by the dragonglass candles of Valyria, and he's seen the red candle spark to life, just as the black ones did once or twice when he was a boy.
But Jon is a child, and unlike Daemon, Viserys has a fairly good understanding of what an eight-year-old is generally like, so he approaches wild claims of high magic with a fair bit of skepticism. Over time, I expect this will change.
I enjoyed weaving in both Baelon and Daemon through the conversation, and the past bond Viserys had with his brother. Viserys absolutely cut little!Daemon's apples for him when he was old enough to carry his own knife. (As did Baelon.) And even throwing in some of Jon's impressions of Viserys and Daemon are alike and not.
And even a few small parallels between Viserys and Jon that I doubt many people will draw: an unwillingness to give up control (Jon not wanting to tell Daemon about the drag marks in the secret passage) and not trusting their brother (Jon, at the end, deciding to "protect" Rhaegar by not letting him in on his plan to go after the candle). They both are convinced of their own mandate to solve problems (the prophecy for Viserys, the candle for Jon).
Daemon & Rhaegar
Rhaegar was in a special hell with Daemon in the latter part of the chapter. He's operating at maximum Aerys damage-control mode there, reading Daemon at speeds enviable by modern CPUs so that he can figure out how to defuse the situation / "fix" him before any (unintentional) harm is done. And the parallels with Aerys's paranoia are incredibly uncomfortable, even if he understands that Daemon is suffering under an outside influence.
It's also terrifying being an eight-year-old child and being dragged along to the dragon enclosure by a father who doesn't seem to hear a word you're saying (or care, if it were Aerys), and you're pretty convinced this is some candle magic at work, but how do you stop him if he decides to take off with you on dragonback? And even if he's unwilling to force you, can you really let him go by himself, in such a vulnerable state?
Meanwhile, Rhaegar better be careful about his plan to claim that the bruise is the result of a training accident, because a blow from a wooden blade doesn't go all the way around the arm, kiddo. Imagine Daemon thinking he's trying to protect Cole after being handled roughly by him. Or just his response in general to his sons downplaying injuries that were clearly dealt by an adult.
@inkykate asked for Rhaegar's POV here for the upcoming winter promptathon, and I'm very tempted!
Quick-hitters
Lady Sera and Lady Dynessa are both from this little impromptu ficlet.
Originally, there was a plot thread where Jon and Rhaegar discussed telling Erryk and Arryk about the candle. At one point, it was in their debriefing at the start of the chapter, a request from Jon to Viserys during their breakfast scene, and even the start of a scene where they actually tell the Cargyll brothers. I cut it because there was a lot going on already and we can revisit it later.
The Rhea grief/anger outburst from Jon caught me by as much surprise as Viserys, but it was lurking beneath the surface. And I cry at a dime, so you can bet I was a mess writing it.
Can we appreciate for a moment the breathtaking gall of Viserys telling Jon he should be grateful for him repeatedly banishing Daemon because it resulted in his birth? Imagine him saying as much to Daemon himself!
The candle is candling hard.
I didn't go into the dragon dynamics with Daemon because this is already quite long, but there was some interesting stuff there for those with a keen eye, including hints at how some of the candle's (sorcerer's?) magic works.
Daemon actually did something so unthinkable (hurting Rhaegar) that Qelebrys hissed at her beloved not-Rhaegar. The heartbreak!
Lots of people keeping things to themselves. So far, for example, Daemon hasn't mentioned the bounty on him to anyone.
I have fun with Rhaegar's strengths vs Jon's, especially when it comes to dragons. Jon has a fairly significant leg-up with his warging experiences and his former quasi-bond with Rhaegal, but Rhaegar is basically a horse girl, except with dragons, so what he lacked for originally in experience, he's making up quickly. But I also like to throw in nods to Jon being able to pick things up that he's discovered very quickly, once shown/pointed out.
Finally, there were quite a few bits cut out of the chapter. I'll probably throw them in a separate post later, since this is pretty long!
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Random Denji ( and Aki ) headcanon that came Outta nowhere :
Inspired by the opening song: Aki taught Denji how to cook. Atleast the basics since Aki would internally panic every time either Power or Denji so much as stepped into the kitchen. But later when Denji got more curious about how Aki cooks, Aki reluctantly taught him, starting from the very basics like how to crack and whisk the egg, how to make an omelette without burning down the kitchen, which later turned into full blown cooking classes Denji religiously took from Aki in every chance he can get.
That's why when Aki lost his arm, Denji would help him out in the kitchen.
Denji is surprisingly a fast learner. So Aki secretly likes teaching him new things and lowkey feels proud of him lmao.
Denji is like the middle child out of the trio who does the chore when Aki is not around or after Aki. This habit didn't come from the start. But after staying with the other guy he started to take up his habits to keep the place tidy ( or trying to do so atleast )
Alongside teaching him how to write his name correctly, Aki also taught him bits and pieces of other subjects like geography and history.
Denji is a curious child. He likes asking questions and sometimes they are batshit insane ( Aki would stare at him for a good while before finally giving a response ) and some are more tame. His questions are sometimes surprisingly innocent to which Aki feels a pang of sympathy for him. When the questions get more weird and weirder Aki would just stop mid sentence and go, "you know what? Ask Kishibe-san."
Denji helped Aki tie his hair up after he lost his arm cuz ain't no way that ponytail would be so upright and perfect with a single hand, Hayakawa 💀
And of course he has a lot of experience in handling long hair thanks to Power.
Surprisingly, no matter how gross he is, Denji likes to keep himself clean. His days before joining public safety has made him develop a bit of a knack for keeping himself clean because if he forgets to take a bath for at least one day, he would feel like he's back at the street with the yakuza after his ass for money. Dirty and hungry.
Denji likes watching movies. He would collect Random DVDs when Aki was still around ( and I think he's the type to be into slasher films and would probably not give two shit's about reviews )
Money management? That's Denji. His days in the streets made him really meticulous as to how to spend his money. And that returned ten folds after Aki died.
He's good at subtraction, addition and multiplication. The bare minimum but after he got into school I feel like he's the type to be really fucking suck at maths but can do really hard calculations in seconds.
#csm denji#csm#denji hayakawa#denji#chainsaw man#csm headcanons#csm spoilers#aki hayakawa#power#power hayakawa#chainsaw man manga#akiden#hayakawa family#csm part 1#csm part 2#chainsaw man part 2#Akira's#Akira rants
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Hello dear Sarah, I hope you are well, I want to ask you a question since you are very expert on the subject, When kalafina existed (it hurts to say that😭) I was a teenager I couldn't buy their merchandise now that I can I want to know if I buy something from them, do they still make a profit or not?My friend says not anymore, if I want to support them, I better buy their materials as soloists. Please give me some advice.
Hello there!
I am so, so sorry! This reply is long overdue. I had this in my drafts for way too long. These days, I've really been struggling with summer fatigue and can't get motivated to do anything except the bare minimum. As a result, lots of asks have remained unanswered in my inbox/drafts.
Without further ado, let's get to your question〈(•ˇ‿ˇ•)-→
Disclaimer: Take everything you read here with a grain of salt. Even though I would consider myself to be quite knowledgeable on the matter, I don't have all the facts.
I think your friend is correct. If you are buying Kalafina releases (CDs, DVDs/BDs/etc) or merchandise (live goods etc) right now, it is very unlikely that the girls will profit from it.
The way the Japanese entertainment industry works, idols/singers often don't have any rights to their music (especially in a case like this where they don't have an active part in the creative process). From what we know, the members of Kalafina were most likely managed in a very common and traditional "employment dynamic" with their talent agency "Space Craft" , meaning that after the label (Sony/SACRA MUSIC) got its sizeable share, the agency basically pocketed all remaining earnings from Kalafina's activities and then distributed a contractually agreed upon percentage to the members in the form of a monthly salary. As the creative force behind everything, I would assume that Yuki Kajiura probably had a more favourable arrangement with Space Craft along the lines of a client <=> management relationship and therefore received earnings directly with a certain percentage going to the agency but I'm only speculating here. Considering the amounts of money that went to the label, the agency and Yuki Kajiura, it is likely that the girls received a quite meager share compared to everyone else involved. Not saying they weren't paid decently, it was obviously more than enough to allow all three of them to live comfortably (or luxuriously in Keiko's case - keep in mind tho that her family is well-off) but certainly nothing too crazy.
After leaving Space Craft, I very much doubt that Keiko and Hikaru would have financial gains from any Kalafina-related sales. Wakana on the other hand might profit indirectly from such purchases because she's still signed up with Space Craft. Some official Kalafina merch is still available in the Space Craft online store so if you buy anything from there, the money would obviously go to the agency. All other merchandise items that are floating around online or in stores are almost certainly second-hand goods so no profit is made except by the seller/thrift shop. As for music releases from official shops or distribution partners, I'm actually not sure if Space Craft would still receive a cut from that. I guess it depends on their arrangement with the label. I definitely wouldn't rule it out. (YK is probably getting something).
Long story short, if you want to support the girls, the best option currently is to buy their solo stuff. However, that doesn't mean that you should give up on your dream to buy Kalafina releases and merch. Even if the group is disbanded, it is a good thing to signal that there is still demand for them. Also, if you ask me, nothing feels better than to own physical merch/releases. My Kalafina shrine is one of my biggest sources of happiness and pride.
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Random thoughts on the Earthspark cancelation and what comes next for the Transformers brand
What a week, huh? So, we got confirmation Earthspark was canceled, Hasbro put the absolute bare minimum effort into their 40th anniversary celebration leading to many people going to the movie theaters expecting Transformers the Movie and not DVD-quality episodes of the TV series with many demanding refunds, and some good news, Transformers from Skybound being nominated for several Eisner awards, the first time a Transformers comic has ever been nominated for the comic book world's Oscar equivalent.
So once again, the brand, the sole surviving Western mecha brand at this point unless that J-Lo movie next week somehow launches a new franchise (doubtful) is at a crossroads, especially with their enduring business partner Paramount in complete turmoil, with more senior executives jumping ship and an official NDA signed between Paramount and Sony yesterday which allows Sony access to Paramount's record-keeping in order to ascertain the value for a bid.
So with all that said, rambling about the franchise under the cut.
Earthspark is done after this season, and it's easy to see why. While many right-wing grifter types will point to the nebulous "wokeness", an ill-defined term at this point that means little besides "bad non-traditional thing", the reasons are pretty simple. Kids weren't interested, the toyline didn't sell, and the show, whether due to being distributed on a streaming service people only get for Sonic stuff and the occasional South Park special, had very poor ratings. If you're making a kids show and you bore the kids, you're done, no matter how "important" you think the stories are. The days of Ted Turner funding Captain Planet out of his own pocket are long gone.
Since Earthspark is dead, but another series is in development, it looks like Hasbro will not be letting the franchise rest for any set period of time. The most likely follow-up for Earthspark is a spin-off of Transformers One similar to what Tales of the TMNT is for Mutant Mayhem after the latter's box-office success. It's a pretty low-risk venture to boot, with the biggest issue being the usual problems with a movie spin-off (lower quality visuals, sound-alikes since you can't pay the celebrity actors to do the voices week in and week out) so long as the movie is a success. It also lets the franchise establish some needed distance from Earthspark's lack of success.
Now, the question of "What if One isn't a success?" definitely is one that Hasbro is contemplating. For all the ragging on Snake-Eyes GI Joe Origins as a box office bomb, Rise of the Beasts was widely viewed by Hollywood as a flop and the lowest-grossing film in the history of the franchise. While a lot of that may be due to the wishy-washy way the continuity has been handled and the inability to commit to a full reboot (Madame Web producer Lorenzo di Bonaventura has been insistent that all the Michael Bay movies are still canon, even though that makes no real sense), if One isn't successful, the franchise may need to step back for a year or two.
Any other new concept for a series that fans have wanted is simply not feasible due to time and budget. With Hasbro joined at the hip with Paramount (apparently Hasbro board members own Paramount stock, hence their desire to keep the relationship going so long as Paramount exists), they don't have access to or funds for numerous studios. Studio Trigger have been asking to do a Transformers show for years now, hence all the shout-outs in stuff like SSSS.Gridman and even Panty and Stocking. Studio Orange's head took to the internet earlier in the week asking to be able to do a mecha show. Neither is getting the call from Hasbro because Paramount would rather use local Western studios and save money.
That of course leads to the final option for an adaptation, a 1:1 or similar of the Energon Universe. The problem with that is simply put, it's way too soon. While it would assuredly get a lot of attention just by putting down "From the creator of Invincible and The Walking Dead" in the promos, animation lead times mean that it would be impossible to do at this point without overtaking the entire stock of comics and either resulting in huge delays between seasons, or filler. Neither of which would be helpful.
So I guess tl:dr - Earthspark bombed not because of a non-binary owl, but because the kids were bored by it, with even the Fox News controversy failing to get the show any real positive attention with its main demographic of families. As horrible for Hollywood as it may be to see Paramount be sold for parts to Sony, it may actually be Hasbro's best bet at making its tie-in brands successful again on the big and small screens. And if One doesn't succeed, they are going to be in big trouble because nothing else is realistically ready yet.
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I bought a box set of Bones dvds because the usual site I use to watch it wanted me to pay for each season, which would've been BARE MINIMUM $120+ when the dvds + the player were only like $70, so now I have a new protective case for the dvds and I need sticker ideas to put on it
yoooo that’s so cool! (also i have a site, you need ad blockers to actually use it but if anyone wants it feel feee to dm)
for sticker ideas you should do things that characters like maybe? like for example a pig because brennan likes pigs, bugs for hodgins, art supplies for angela, etc. and ya know bones/anatomy stickers of course :)
also would love to see the sticker cases when you finish them 👀
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WAIT I'VE JUST HAD A HORRIBLE THOUGHT
(This is a midnight stream of thought, so I'm sorry if I got some details or quotes slightly off, but you should get the idea of what I am saying)
So Peirce's bequeathings in the hospital were all to do with torturing the recipient, right? (apart from Annie, his favourite) Each 'gift' having a front that seemed like something nice, or at the very least cathartic (Shirley's dvd)
Abed seemed to be another exception, but what if he wasn't? He wasn't as affected as the others, but that doesn't necessarily mean Peirce didn't try.
Peirce at the bare minimum knows Abed likes movies. Knows he likes recording things. So he asks Abed to record the events at the hospital. This matches the thread of his choices seeming on the surface to be nice. He's giving Abed an opportunity to do something he enjoys, placing a creative project onto his lap.
Abed thinks of himself as the outsider of the group, the observer. (he says as much after the chicken mafia ends). He also considers himself to pretty much not exist within the events in front of him once he is behind a camera ('I'm not in this scene'). Peirce, by getting Abed to point his camera at the rest of the group, ensures Abed isolates himself from them. Ensures that Abed's thoughts become true.
He cements this division from the rest by telling the camera (and therefore Abed) about his plan. Abed now cannot join the others in ignorance. He is in on it, the rest are not. Or to put it another way, they are a part of this event, and he is not.
Of course, there is nothing stopping Abed from putting down the camera and joining them as an active party. To tell the others what is going on so that everyone is in on it.
But he wouldn't. Abed wouldn't even consider breaking his personal code as a creative. He is, naturally, going to put the authenticity of the documentary over the 'right thing to do' as a friend (it isn't called friend business, it's show business'). He can only watch. If he does any more than that the entire situation is destroyed. The plot of the documentary, of the episode, vanishes.
The more chaos the situation devolves into, the more the incentive to keep quiet grows. The possibility that the others might be angry with Abed for knowing and staying silent. Of watching them rip themselves apart without a word. It helps that this gives Peirce the bonus that he might not have to face the flames completely alone. If Abed is the outsider, Peirce is the outcast. As much as he would vitriolically deny it, Peirce needs to attach himself to others far more than Abed, even if it is just to drag them down with him.
I think the reason that this isn't ever touched on in the episode is that Abed is used to his position as the lone watcher. It doesn't bother him as much, he has long become comfortable with it. He frames the world through his position as a viewer. Being able to do so from inside the room is a nice change. Being an outcast is different, I think that role would upset him, it's far closer to abandonment. Observing is far more intentional, a choice to step back.
Even in this line of thinking, I don't think Peirce would have considered his approach to Abed too far below the surface level. He is generally rather dismissive of him, so I doubt he'd care about 'teaching him a lesson' as much as he would for, say, Jeff.
He also probably doesn't know Abed's vulnerable spots like he knows the rest of the groups. He spends far more time either trying to impress them or tear them down, through which he learns more about them. Peirce may well have some sense for Abed's fear of abandonment, he was there to hear the letter about his mother's new family that made Abed shut down. (If he was REALLY trying to hurt Abed he could have used that, though that may have been more effort than he was willing to go to for Abed). Though Peirce is sometimes not the best at picking up on stuff, so he might have let the abandonment issues slip him by.
Peirce certainly doesn't know where Abed hurts the same way Troy would, or even Annie later on. Troy can rip Abed apart with a text far more effectively with a text than Peirce could with a gift.
In some way it's preferable to think that Abed was included in some twisted way to the bequeathings of Peirce Hawthorne than him just leaving Abed out of his death wishes twice.
It's funny, Peirce and Abed are a pair whose relationship with one another seems to actively get worse across the show. It starts with unintentional racism being met with nonchalance (I think that's the right word? Thinking of when Peirce asks if what he said to Abed was offensive and Abed says 'sure' and the script direction says 'with the tone of someone asked if they want water' or something like that).
Across the first few seasons they get to a point where I would almost call them friends. Little moments like a mention of Abed calling Peirce for help with a squirrel(I think? It's mentioned in the STD episode), or how Peirce defends Abed from Duncan near the end of the stop motion episode even though he has nothing to gain from it (perhaps it was solidarity, he had lost his own mother not long before), or the clip episode snippets. Those add up to them being more than acquaintances, even though there is nothing of real substance on camera. No friendship B plots. And then those little bits utterly disintegrate until they are barely acquaintances. In following seasons when Peirce calls Abed a terrorist or freak, or Abed says he hates Peirce for what he did to the US inspector spacetime, there is nothing to balance it. We can only take it at face value. And then it ends with a parting insult and an obligatory gift everyone else got, with no secondary personal gift. And then Troy's personal gift means he has to leave (Maybe Peirce did know how to properly wound Abed. He was jealous when Troy left to live with Abed, enough to give a mean housewarming gift)
But they hadn't reached that point when Peirce asked Abed to film at the hospital. It could be that Peirce still saw Abed as someone worth hurting then, as utterly fucked as that is (Peirce is NOT a good guy). Or he was trying to cause pain at both bequeathings. Or he spared no thought for Abed at all. They all seem possible. Turns out there are more ways to read all of this than I thought.
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For DVD commentary, can you do walk a mile? Starting from "He considers leaving the room altogether," and ending at "There are drawings too, every now and then, detailed ones that are better than anything Hitoshi could do."
ooh, an old one! interesting to look back on because the decisions i made in that fic were long enough ago now that it feels like someone else made them
fun fact: i wrote this fic on a train, or specifically on two trains and in a coffee shop, because i accidentally got on a train that went an hour in the wrong direction before it stopped. and then spent an hour waiting in a coffee shop for a train that would go back the right way, and then for a couple of hours on a train going back.
and so while i was doing all that waiting, i wrote this fic on my phone (insane to me now). i think i may have typed a bit of it on a laptop when i got home finally, and i also think i may have posted it that same day??? kind of wild looking back on how blasé i used to be about some stuff (i would never dream of posting something now without days of editing)
i was also writing shinsou exclusively from sports festival and fanon. joint training arc wasn't in the anime yet at that time, and i was anime-only back then. so i'd probably write him differently now, but also if i'm gonna say that i should put my money where my mouth is and actually do that!
anyway!!! the passage:
He considers leaving the room altogether, roaming some dream version of the dorms, but he's still not convinced things aren't about to disintegrate the way they so often do when he manages to sleep, familiar landscapes draining away like sand, floors he's walked a thousand times suddenly giving way, dark things rising up out of the shadows. Those dreams are worst when they're in places he knows, leaving him uneasy for days afterwards in whatever place they've decided to ruin this time. Better to stay in his invented version of Midoriya's room, even if it makes him feel bitter, and then bitter at his own bitterness. He's your classmate now, Hitoshi reminds himself. The scales are still vastly unbalanced, but for once he's moving in the right direction.
...it is very difficult to not mentally line-edit this as i'm reading it. anyway. that thing where dreams will ruin stuff is deeply annoying. it happens to me more often with people than with places, but it is so frustrating to be like well i feel weird talking to this person now because my brain decided to write a play where we had an argument or something. projecting my annoyance with that onto Probable Sleep Issues guy
i do think bitter about your own bitterness could be a fun thing to play with more. like, the very fact that you're envying someone reminds you how far apart you are, which just drives more envy and frustration. also the dramatic irony of shinsou not understanding that midoriya also feels so behind and like he has such a shaky claim to this world is delightful and frustrating to me in almost equal measure (i need. them to be friends)
He tries to distract himself by snooping, unsure who he’ll really be learning more about. Mostly he gets the impression of an overwhelming amount of stuff. Hitoshi knows his own attitude to possessions isn’t exactly typical. He’d moved so often growing up that he’d started to take a kind of spiteful satisfaction in adding more and more of his things to the ‘give away’ pile with each move, insisting his parents couldn’t make him pack anything he didn’t want, looking around at his sparse, personality-less room and feeling like one thing was within his control. It was partly why he hadn’t wanted anyone in his UA dorm room - he had school supplies tucked away in drawers, the bare minimum of clothes secluded in closets, and that was mostly it. Even with books, which he loved, he’d gotten used to getting from libraries rather than keeping any. He had plain black sheets on the bed. The thought of changing things, of adding more stuff, even when he was in theory going to be in the same place for the next two and half years, made him feel twitchy and strange.
this is fun to look back on, because i don't think back in 2020 i had really acknowledged the ways in which i am weird about Stuff. not in this way exactly - none of my living spaces could be described as minimalist - but i have a real hatred of clutter (it feels like it's sending my brain notifications all the time and i can't make it stop), and a weird guilt thing about having too many things or having to get rid of things (i got offered a free book the other week and was filled with a weird panic at the idea of bringing something into my space without having thought carefully about whether it has a place there. like the "now i gotta be responsible for this water bottle" tweet but with every possession in my home. makes me feel, one might say, twitchy and strange)
anyway, as usual this isn't so much a fixed headcanon for shinsou as a thing i felt like exploring. one of the ways people try to gain a sense of control, especially for children and teenagers who control so few things. shinsou as a book-lover is a pretty consistent fond headcanon of mine (i like the light novel bit where he's baffled by people doing anything but studying on the weekends. books are a good hobby for a studious little guy, plus escapism, plus the lonely kid tradition of hiding away with a book)
His imagined version of Midoriya’s room is the opposite extreme. Every wall is adorned with posters, every surface covered with mostly All Might themed memorabilia, but also books, lamps, trinkets. He inspects dream-Midoriya’s book collection, finding a surprising amount of nonfiction, and also an intriguing stack of worn notebooks, at least a dozen. He snags one from the pile at random and flips it open. It takes him a while to make out the small, messy handwriting, and even longer to start drawing meaning from the scribbled, lengthy notes, written in a way that suggests the writer wasn’t trying to make them comprehensible for anyone except his future self. For the most part, the notebook is full of narrative regarding current active pro heroes - descriptions of fights witnessed in person or from internet footage; analysis of techniques, costumes, approach to publicity and interviews, varying between the kinds of paragraphs that wouldn’t seem out of place in a school essay to more personal, over-excited commentary. There are drawings too, every now and then, detailed ones that are better than anything Hitoshi could do.
midoriya, on the other hand, strikes me much more as a primarily nonfic reader than a fiction one. frenzied researcher vibes
anyway, midoriya's notebooks my beloved <3 them being revealed to various people is a v common trope in bnha fic, often with people marveling at the quality of analysis in them. and i'm fond of that! i think he is very good at analysing situations and this was obvs a learned skill. love when people appreciate my boy. but i also think he's an excited little fanboy, and a young teenager who has no real access to the world he's writing about, and also is writing for himself with no expectation of it needing to be comprehensible to anyone else. so i more imagine them as a fun mishmash of analysis and excitement, like real fan spaces
and as is referenced in the parts of the fic that follow on from this, i'm kind of less interested in the notebooks' quality than in them as like...an artifact of long-term loneliness. not having friends at a formative age will fuck you up, because humans are fundamentally social creatures who develop a sense of their own identity through interactions with others. so when those interactions are absent are largely negative, people can end up with thoughts kind of stoppered up inside themselves with nowhere to go. and i thought about that a lot with izuku, who has no one to share his love of heroes with
okay that's a sad note to end on again, oops, but this was fun to look back on, ty!!
#asks#bnha posting#thank you for the ask!!#honestly consider me open for these whenever. love to do a little ramble#i can't believe i haven't written more shinsous honestly#gotta fix that
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the other problem with all the research dives I do for this fic (beyond making it take forever to write because i do the research instead of writing) is that when i do finally finish a chapter... the note is huge.
And it's like... I'm just trying to keep it to the bare minimum needed for people to understand what's going on. I try and leave anything extra for when I have tiny notes and can fit in the fun facts and just tell people to ask about things if they're curious. and then people don't :<
I've got 200 words and it's JUST on the languages/vocab for the chapter. Nothing about any of the other things i'd also love to talk about but would just be bonus dvd content not "here's important information to help you understand what's going on."
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As a black woman,It is not okay that you draw characters of color with natural hair given that you are a white woman claiming to be an ally but openly drawing racist drawings of sailor moon and the day of the dead when you do not celebrate neither Asian nor latin culture.
Hello anon. I'm not sure what prompted this, but I tried to give it some thought before replying.
I don't think it is somehow "not okay" to draw characters of color with natural hair; natural hair is beautiful. Curly, wavy, and textured hair of all types is beautiful. Hairstyles from different cultures are a variety of creative and cute. I think it is important to learn how to draw characters like this better, to celebrate this. While it can be a problem when people outside of certain cultures- and in particular, white people- don't know how to draw different features and hairstyles properly, the answer isn't "Only draw people who look like you". That is... kind of a big issue with white-washing characters, and entire casts of characters looking too cookie-cutter. Words like "progressive" and "inclusive" have been over-used, but it's still important to remember; we need to keep moving forward with how we think and what we create. We need to acknowledge differences in positive ways, and learn from other people when they share important things about negative portrayals.
I would agree that certain things that are very special and specific to different cultures would be best depicted by somebody truly connected to it. That still doesn't mean "white people should only draw more white people". Since you brought up Sailor Moon and Day of the Dead, I can only assume this was in reference to some of my Sailor Moon re-designs and fan-art from the Book of Life? In regards to myself, I can only say that I very much DO care about NOT spreading racism with my art, so I'll have to look at what I've done, try to improve on myself, and apologize.
While it may not be your intent, this has actually reminded me of something I've been thinking of on my own; occasionally, I do re-draws of various scenes from movies or TV shows. If I have a DVD, I'll pause on the scene I want to draw so I can look at it. Occasionally, I find a screen-shot to look at. I've done this with many different movies and shows... and I have genuinely wondered if it is just unfair imitation; the source is already something beautiful, and I'm just copying it. In terms of me being a white person, is it wrong for me to "get attention" when I copy something that is based on characters of color? I don't want to somehow steal recognition from artists who are part of these backgrounds, or be praised for something mediocre when others deserve to be seen.
This is not a confessional, you aren't a priest, and I'm not Catholic. So I won't get into every thing I hate about myself or regret doing in my life; but just regarding THIS, misrepresenting myself as an "ally" while not putting in the effort to AVOID doing something negative, or worse, doing something wrong and just "not caring enough"... that is something I would want to change. I think it is also an over-used phrase when a white person gets accused of something racist, and then stumbles through and apology while saying "I'm still learning". I won't give out any excuses or empty promises. I have wasted enough years of my life being unaware and uncaring. I have made enough bad decisions when I was old enough to know better. I don't want pity, or coddling for doing the bare minimum. I want to be able to look at myself someday, and be happy with who I am. I want to change what isn't good about me. Even though I don't agree with the beginning of this ask- the idea that it isn't alright to draw characters of color with natural hair, when you are white- I am still going to think about what it means to be a white artist, and try to be more respectful in the future
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Okay, I'm sorry, I got myself a little too heated answering that last ask, but something that used to really bother me in the Okami fandom was when people would whole-heartedly insist that Waka is only 200 years old.
I'll admit this isn't something I've noticed in this run in the fandom, so I could very well be bitching about a problem that no longer occurs, but all we know, canonically, about Waka's age is that the Tao Troopers are 200 years old, and Waka has been their only recorded Captain.
So we know the bare minimum amount of time Waka has been on Earth. Not alive, just on Earth.
I remember being like 13 and seeing 20+ year olds claim Waka had to be only 200 because that's what they said in the game, and getting blood-red mad, 'cause no, that is not what they said in the game, and if you cleaned the dried cum out of your ears and used that singular half-dead braincell still rattling around in your skull like a DVD logo for half a second, you'd fucking know that!
Like I just think it's common sense that if he's been the Tao Trooper Captain for 200 years, then he has to be at least 100 years older than that to have already been an adult, as implied, when he gets to the Celestial Plain, and then live a bit of a life there before Orochi showed up.
#Okami#again I may very well be complaining about a problem that doesn't happen any more#but this still bothers me when I think about it#getting heated anytime I have to think about Waka's age lol
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How to edit captions with your video track
Why: I like making edits of my favorite series, but I hate redo captioning. But I also know quality captions are vital to some viewers (I also use them). To me adding captions is the bare minimum for release, but also hearing all the words and timing them or even re-timing existing captions is very hard with my disabilities and this has been a barrier to me releasing edits. But no more!
DaVinci Resolve lets you add a SubRip (SRT) subtitle track to any video and then edit it at the same time as the video. It also counts as an edit for the Go To Previous/Next Edit button. Con: You can't use the button to jump to big cuts in the video. Pro: You can now easily jump to the an existing timing for someone starting to talk.
DaVinci Resolve:
DaVinci Resolve is a professional video editor with widespread industry use that also has a no-strings-attached perpetual free version. It's got a ton of features in the free version that will more than cover basic editing. It's relatively easy to use (basic tutorials help). If you need more advanced tools you can upgrade to a full license. They don't pester you about it in the free version unless you try to use the advanced tools. I would already recommend using this program to anyone looking to get into video editing.
SRT Subtitles
The SRT subtitle standard is a type of text file that includes subtitles with timings and no formatting. They can be stored separately from a video file or embedded into certain files like MP4s. This is what you'll get if you download captions from YouTube (some YouTube downloaders embed them in the video, some don't). DVD rippers usually have several options. You want an SRT file. And there are websites that host fan-made or fan ripped subtitles for less officially obtained material. You can also make your own SRT file with timings within DaVinci Resolve or with an SRT editor. You can also use this to improve on official captions while making your edit.
A pro feature of DaVinci is it can do machine captioning and then you clean it up. You can also do this for free using YouTube by privately uploading the video, letting it auto-caption, and then editing the captions. You MUST edit machine captions. They are not accurate enough on their own to be accessible. But they can be a step in helping you get it done.
Extracting Embedded SRTs
DaVinci needs an SRT file to import captions. It doesn't seem to extract embedded SRT files from MP4s. Fortunately, it's very easy to extract them.
Subtitle Edit is an open source subtitle editor. It's a great tool if you're making your subtitles from scratch or editing existing ones.
For our purposes, simply open the video with the embedded subtitle track. Click save. Save the SRT file with a useful name somewhere convenient. I recommend using the same name as video it goes with in the same folder.
Adding a Subtitle Track to DaVinci
Rev Tutorial with text and video
Open your project in DaVinci Resolve. Add your SRT file to the bin.
Under "File" select "Import" then "Subtitle."
Or click the Import Media button and add it as normal.
From the bin, select your video and subtitles. Right-click them and select "Create New Timeline Using Selected Clips".
You should now have a timeline where the video and captions are reunited and can be edited together.
Editing the Subtitles
You can now move around the subtitles like any text overlay, including making them longer or shorter. If you click a subtitle you can edit the text and exact timing using numbers. Or edit the timing visually using the timeline. The Go To Previous/Next Edit button can now help you skip to a timing someone else made for you which is usually good enough for a fan cut, making your job easier. From the Edit view you can see the audio track visualizer along with the captions for a perfect cut.
Putting Your Tracks Together
If you're making a compilations, where's where things start to suck. The subtitles are not brought along when you next your clips. They will play over the video, but they won't export to an SRT video or be embedded. You're going to have to manually copy them. But at least now they're the correct length and you have them synced up. I would highly recommend you start your subtitles right at the beginning of the clip or put a fake one in to delete later.
Add your Timelines to a new timeline as usual.
Go to the timeline of the first clip.
With the clip at the beginning, right click the seeker bar and click the select to right button on the circular menu.
Use CTRL + left click to deselect the video/audio tracks. Copy the subtitle track.
Go to the combined timeline. Go to the start of your clip.
Paste the subtitles. You may have to add a subtitle track.
Copy the subtitles from the next clip.
Go to the combined timeline and move to the start of the that clip. Paste the new set in.
Rename your subtitle tracks with the language they're in or type.
Export
Go to the deliver tab. Choose the file name and location. If you're posting to YouTube, render as a single clip, and export to MP4. Under the Subtitle Settings, select "Export Subtitle", Format "As a separate file", and Export As "SRT Without Formatting". Select the subtitle tracks you want to export with the video.
Add to Render Queue. Then render the clips over on the right.
Uploading to YouTube
Upload the video as normal. At the Video Elements step, add subtitles. Select upload file, then with timings. Your subtitles should show up on the timeline and you can check they're correct and fix anything last minute. Do this for each language you add. Continue uploading as normal.
Conclusion
That's my process for adding existing subtitles to my videos. I've wanted something like this for ages so I was super pleased to learn Davinci Resolve has it. I hope this encourages other clip makers with some access to pre-made captions to use them for their videos. It's easy, free, and can even help speed up the editing process. It makes your videos much more accessible and creates a transcript that's searchable and timestamped for easy navigation and quote copying. I really recommend working this into your process so more fans who need captions can share in your work.
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Just an opinion
Well, this post is very personal and you don't have to agree with me. But I need to do it, for whoever wants to read it and share some of my povs...
Today's content in Weverse (BTS investment Club) seems a lil absurd to me. I don't know if it will be the prelude of something to come. And if so, maybe it will make a little more sense. But for the moment, it strikes me as the bare minimum effort at engagement with very young fans.
And it gives me the opportunity to write about something I've been thinking about for a long time, but which I didn't talk about publicly, so as not to create a negative buzz (this chapter 2 is hard enough to bear).
I think any artist should grow with their initial fandom. Especially if said artist started out very young (a teenager) and is now bordering on 30 years old.
Can you imagine if Timberlake, Bieber or Miley Cirus continued with their initial style? I don't think so. These people have married (and divorced). They have evolved their fans, attracted some new ones, and have remained at the top thanks to their talent.
They don't need to make fans believe that they will be their boyfriends for life. They don't have to hide their love life. And they don't have to keep making people believe that they have a crush on each other (although they may joke about it 😋).
Yes, South Korea is different when it comes to some cultural and social issues, and I know K-pop culture as well. But BTS has transcended this and a biggest part of their fandom is now outside the borders of their country. I think BTS are magical enough as artists to shine currently, without needing to keep doing some things.
I don't understand how Hybe keeps creating certain content - even promotional - about them aimed at preschoolers (caugh caugh xilitol). They are almost 30 years old and Jin is doing military service...for crying out loud! (and then we are surprised at the attitude of some immature fans on daily basis..🙄).
I think their music and messages are adult enough to understand where they are in their lives. And I'm not just talking about BTS, but the solo works that have been released so far, and for sure the ones to come. Just pay attention to the lyrics.
If they had the need to stop, for many reasons, let's at least listen to them.
Particularly, I don't like the way Hybe is handling this second chapter either. I understand that in order to release their solo works, they should put them in a kind of sequential "order" to manage production and promotion efficiently. But I don't understand how, in the meantime, they can't properly promote the rest, and provide them with content. But this deserves another separate post...
That said, as a fan who buys a lot of their online content and dvds, I think the investment table should be fulfilled by me 🤣🤣. Ask me and all the armys who spend the money .... I'm sure that the music content (concert dvds) and the memories would win by a landslide. Why? Because in them there is music, and cute interactions from them. Because we love to watch them work, rehearse, see their energy, and see their real dynamics.
And if we admire and love them, we will have to respect their evolution as artists and as people. It is a bit cringe to see how they want to move on to this second chapter and show themselves as they are, and still see this type of content, more in line with previous eras.
Anyway... I don't want to get long.... I have nothing against these particular tables... they just don't deliver anything to me..., and they are at the level of the 2021 " sticker" era.
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