#DC / Marvel All Access
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phoenixcatch7 · 1 year ago
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Cap should be allowed to teleport to the rock with his transformation lightning. I mean that's where it's coming from, after all.
He would use it to get out of so many situations XD.
Batman: captain, do you have a minute to stay after this meeting?
Billy, going to be late for school if he doesn't hup to: um haha sorry the wizard wants me back at the rock I'm already pushing it hahaSHAXAM
The wizard, looking up from his orb: *raises an eyebrow*
Cap, transforming back with more lightning and rushing for his bag: I'm sorry I'm sorry Mrs Ermine is going to KILL me if I'm late again this week!
The wizard, to his rapidly retreating back: this is the seventh time this month you've used me as an excuse.
Billy, halfway down the hall of sins, voice echoing: I said I'm sorrrryyyyyyy!!
Batman, left all the way on the watchtower: :|
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sbd-laytall · 10 months ago
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These panels are just so aesthetically pleasing, I just love the art in this miniseries.
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DC/Marvel: All Access (1996) #3-4
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cryptocollectibles · 5 days ago
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Marvel DC Crossover 12 Issue Lot (1996-1997) by DC and Marvel Comics
Written and drawn by various.
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prontaentrega · 7 months ago
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should i make a comics liveblog tag . or liveblog tags in general
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just-about-nothing · 1 year ago
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it’s literally so easy to find reading guides & also find the comics online i’m so done w people who complain about accessibility
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alvivaarts · 3 months ago
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AO3 is Removing 'All Media Types' without Public Input or Announcement. What Can We Do?
What's Happening?
For those who don't yet know: AO3 and the Tag Wranglers have begun to slowly remove the 'All Media Types' tag for older fandoms. Aka, removing the 'umbrella' tag for many franchises, and forcing franchises to be split by media, or to be shoved under one umbrella that does not accurately reflect the types of fics or source medias they come from. This has been slowly occurring with no official announcement, under the pretense that things will be 'easier' to manage, or that some users claimed that the 'All Media Types' tag was confusing. This has begun in secrecy, without genuine input from the userbase, and without any public announcement. (As of 9/5/2024 9:30 AM PST) Many of us are pretty confident in AO3 staff's decisions, but the fact that this decision is not only incredibly impactful, but made without public input, has deeply violated the condition of the site as an archive... an archive of OUR own.
Current seen issues and active risks:
Removal of 'All Media Types' automatically makes fics from different sources in the same franchise a 'crossover', forcing users to consider non-crossover fics 'crossovers'. So, any fanfic that spans or implements elements from multiple pieces of media in a franchise are now considered a 'crossover', despite being from the same franchise and not a crossover.
Removal of 'All Media Types' forces users to manually search for the fics and ships they want one by one through each fandom tag in a related franchise. (Imagine looking through all the separate DC or MARVEL movies one by one).
The 'include crossovers' and 'exclude crossovers' filters are now useless, and removing genuine crossovers (crossovers between franchises) must be done manually through the filter system, which can take upwards of half an hour, if not longer, with the amount of one-off genuine crossovers that exist.
Slightly smaller franchises are being shoved under the umbrella of a single, super popular fandom. (See, Sherlock Holmes. All Sherlock Holmes media has been relegated to the tag 'Sherlock TV', which confuses users, as the tag now includes not only BBC Sherlock, which is the umbrella tag, but any works based off of Arthur Conan Doyle's original works, the 2009 Sherlock Holmes films, and the 16+ Sherlock Holmes adaptations and international TV shows... none of which are BBC Sherlock.)
Anime and manga fandoms (especially smaller ones) are being automatically split by media type, without regard to the fact that many anime and manga adaptations are very similar, and/or authors tend to often implement elements from both anime and manga.
As far as we are aware, no one is going to be correcting any improper sorting resulting from this.
Accounts that are no longer active/accessible, memorial accounts, and orphaned fics and no longer be corrected by their original authors and are at risk of being misplaced into incorrect fandom tags. Unfortunately, no one can fix this but the tag wranglers, who were supposedly removing 'All Media Types' in the first place to prevent MORE work. Counter intuitive, isn't it?
Already, fandoms are being improperly split, others being improperly merged, and still more being far more confusingly sorted. This deeply damages AO3's integrity as an ARCHIVE.
What Can I Do?
As soon as it's back up again, make sure to stop by the Contact Support page! There, you're able to let them know exactly how you feel about this, and what fandoms your fear will be impacted by these changes. Many already have been.
In the meantime, make sure to contact AO3 on Twitter (or X): ao3org (AO3's general twitter page), ao3_wranglers (AO3's tag wrangler page), and OTW_news (the parent host of AO3).
There is also tumblr: ao3org (AO3's tumblr page) and transformativeworks (OTW's tumblr page).
And finally, the Organization for Transformative Works contact page.
If you are aware of any additional medias, please add them below to ensure that AO3 thoroughly understands the negative impact of this decision, especially the violation of trust resulting from making such a massive choice without impact. Be sure to share this information elsewhere, repost, share the links, and make a stink. Furthermore, if you are able, letting AO3 know that you are no longer comfortable financially supporting them in the future.
Be sure to also repost and list any fandoms you have personally noticed have been impacted by this change!
Already Impacted Fandoms:
MARVEL, MCU, Marvel Comics, Avengers, and related tags
Any Sherlock Holmes based Media
A Song of Ice and Fire (Game of Thrones, House of the Dragon)
World of Warcraft
Assassin's Creed
Monogatari
BanG Dream!
Jujutsu Kaisen
Disney (all media, now: Disney Theatrical Animated Universe)
DC and DC Comics
AND MANY, MANY MORE!
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hana-no-seiiki · 1 year ago
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╰┈➤ 𝐖𝐇𝐀𝐓’𝐒 𝐔𝐏 𝐃𝐀𝐍𝐆𝐄𝐑 ? : MASTERLIST (remake)
pairings: yandere various (batfam, spiderverse) x miles morales! reader
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���┈➤ 𝐀𝐂𝐓 𝟏 : 𝐖𝐇𝐀𝐓’𝐒 𝐔𝐏 𝐃𝐀𝐍𝐆𝐄𝐑?
summary: having been bitten by a radioactive spider is one thing, having the most infamous vigilantes in the city of gotham obsessing over you is another. now dealing with all that in addition to hiding your powers and trying to survive til christmas is a neigh impossible, dangerous task
but you were never one to back down from danger.
[ ch one ] — with great ability comes great accountability.
[ ch two ] — leap of faith
[ ch three ] — great expectations
╰┈➤ 𝐀𝐂𝐓 𝟐: 𝐈 𝐆𝐎𝐓𝐓𝐀 𝐄𝐋𝐄𝐕𝐀𝐓𝐄
summary: you’ve managed to save the multiverse, your relationship with your father, and your grades at school.
what now? you gotta pick a side.
aka batfam hijinks.
- tba
╰┈➤ 𝐀𝐂𝐓 𝟑: 𝐒𝐓𝐀𝐑𝐓 𝐀 𝐑𝐈𝐎𝐓
summary: hijinks ensue as the bat family pursues you. you don’t know if things get better or worse when a portal opens up to the multiverse.
aka the chaos that batfam v spiderfam
- tba
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taglist: @yell0wdreams @humanoid606 @holybatflapexpert @girlcrafter408 @imbiafandbored @pinkandpurplejellyfish @miwsolovely @manduse @gamersansblog @kiyomisan @vanessa-boo @w31rdg1rl @hakudaru @sleepy-maenad @violet2507 @whoseaweeb @crystalsbirds @rosa11215 @literalawkwardsimp @guy-who-loves-writing-shit @ghestie93 @bussinbussiz @animelover745-blog @phoenixgurl030 @speckle-meow-meow @mysteriouslyfantasticthief
to keep things organized and easy to access only those that reply to this post will be added to the taglist !
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©️ hana.no.seiiki - yun - marvel/dc | 2023
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turtle-steverogers · 16 days ago
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Steve going to the Smithsonian not infrequently in his free time after he moved down to DC. Finding a refuge in the accessibility of the museums. Blending in with the crowds. But especially taking advantage of the National Gallery and spending HOURSSSS looking at the art.
Following his own little routine as he trails through the halls, first starting in the West Building and scanning through works by Monet and Rembrandt. Marveling at the architecture of the Rotunda and how magnificent it all is before making his way down to the concourse where he gets himself a coffee from the gelato bar and sits in the little cafe, watching the waterfall from the fountain above ground pour water through the glass:
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Then making his way deeper through the concourse to the East Building to look at the contemporary works and getting stuck EVERY time on the moving walkway that has the huge light installation around it:
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And truly, I picture him as such a visual guy. Like sounds overwhelm him, but he gets so much stimulation from bright, moving lights that he spends so much time just staring at the wall and ceilings of the moving walkway.
And his world might have ended and the world around him might be falling apart and his name and his home and his title might not belong to him anymore. The world might have picked those things apart.
But this is just for him. His own little refuge that he's built for himself.
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catpriciousmarjara · 1 year ago
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Dp x Dc fic idea
Part 2
So I've been re-watching Yu Yu Hakusho lately and was struck with an idea. What if there was a tradition in the Infinite Realms that the Ghost King would conduct a multiverse level fighting tournament? It probably started as control measure of some sort or stress relief for extremely powerful beings and the Ghost King is the only one who's true neutral enough to judge and powerful enough to kick their asses if they misbehave.
And the final prize is that the Ghost King would grant you a wish? As well as one time access to Zeroth Hour? And that's a reward no one can resist.
I'm imagining a scenario where Darksied or something was gearing up to once again invade Earth, and the JL and affiliated all prepared to defend the planet but before the attack could be launched, a green blob appeared right in front of Darkseid and somehow it actually makes the tyrant flinch. That made everyone pay attention. And then the blob announces the beginning of the tournament and Darkseid promptly packs up and leaves, leaving the heroes dumbfounded.
So something like this:
The air was rife with tension. All eyes were on Metropolis, at the gaping maw of the portal opening right above the city. The forces of Apokolips were once again invading. Darkseid had declared war.
Earth's heroes stood grim, ready to give their lives in defence of the planet. Their gazes were fixed on Darkseid, standing in front of his army, surveying his opponents. His general stood behind him, primed for combat.
Abruptly the pressure doubled, and the heroes tensed, readying for battle.
Darkseid raised his left hand, to light the spark of war. But before he could bring it down, the space between the two factions, right there in the middle, twisted.
And from the distortion, a titanic, green, humanoid...blob appeared.
The heroes stared. The New Gods stared. The creature did not stare, as it had no eyes, nor did it care.
It then spoke, with a solid, booming voice completely incongruous with its make.
"Uxas of Apokolips!"
The heroes watched in bafflement as their greatest foe jolted.
"The Infinite Realms hereby declares the beginning of the Grand Tourney. You are cordially invited to participate on behalf of Apokolips."
Among the Earth forces, one John Constantine felt dread overcome his body as he realized what exactly was happening. Shit, was it that time of the millennium already?
Captain Marvel seemed to be on the same vein of thought as the Wisdom of Solomon as well as the knowledge of his predecessors filled him in on what was going on.
The Dark members in the know had similar reactions. All across the planet, and in the dimension, magical entities who had tuned into watch the fatal confrontation, felt excitement racing through them as they realized what this meant. Other beings? Not so much.
Batman was cataloguing these strange turn of events carefully. Superman was puzzled but still held himself ready. Green Lantern was trying to figure out why exactly his ring was behaving strangely and giving out sparks. Martian Manhunter was analyzing the curious psionic readings he was getting from the creature.
Wonder Woman and Aquaman however had the dawning expression of recognition on their faces, which did not go unnoticed by their Gothamite colleague.
Surprisingly the Flash was looking at the creature as if it wasn't the first time he saw it. That too was noted by the Dark Knight.
On the Apokolips side however, there were no signs of puzzlement. Instead it looked like excitement was spreading like wildfire through the army, and even Darkseid looked eager.
The creature took note of none of these developments and continued.
"The first event is the Great Hunt. As an invited participant, a hint would be provided to you should you accept".
It bent its great, gelatinous head towards the Apokoliptian ruler.
"Do you accept, Uxas of Apokolips?"
In response, Darkseid stepped forward. "I accept."
And in a flash, before the New God appeared a pitch black card, and the creature announced, "Uxas, Ruler of Apokolips, Participant Number R813."
It straightened to its full height. "Your first hint is on Apokolips, young ruler."
And the next second it was gone, with the same exact warping of space it had come from.
The two factions were left alone, sans eldritch green goop.
Most of the heroes had one thought: What the fuck just happened and did the green goop thing call Darkseid young?"
Darkseid did not waste anytime however. He turned to his army and ordered, "Retreat!"
And just like that the great army filtered back through the portal they had come from, and the mortals heroes of Earth watched, perplexed. They still held themselves at the ready, in case this was all a ploy of some sort, and half of them believed it was. After all, what could make an obsessive tyrant like Darkseid turn back?
A good portion of the heroes were trying to figure out what the Grand Tourney the creature had mentioned was.
And those in the know? Well they knew chaos was incoming.
The portal closed and just like that, Earth lived to see another day. Via interruption by magical goop.
..............................................................................................................................
And there you have it! Personally I think a scenario like this is hilarious. Imagine you're on the battlefield, facing a gargantuan, godly army, readying yourself for a battle that could kill you. And then the battle was cancelled cause your opponent had somewhere urgent to be.
I don't have a clear cut idea on what Zeroth Hour is beyond it being a great timey-wimey, wibbly-wobbly thing, so any ideas are welcome.
The Tourney only happens once every 100,000 years, and it takes place across the omniverse, on different terrains, different timelines, different dimensions and so on. The card that Darkseid got acts as an access key to tournament sites he doesn't normally have access to. The card also monitors participants and is programmed to hell and back to not allow the participants to misuse it. There are dire consequences if you do.
There are 14 stages in total, and the final, combat stage is conducted in a ever evolving, ever changing battle ground on the edges of the Ghost Zone.
Faerie here is not the Fair Lands in DC, and does not follow the dc fictional mythology.
Infinite Beings do not take part in the Tourney.
The last victor was a half dragon, half god prince from Dimension 976123065. He asked for the opportunity to court Princess Dorothea. It was a reality show moment for the Ghost Zone.
Also some extra details:
The JL would of course come to know what the Grand Tourney is, and then realize that if Darkseid won, he would get the anti-life equation that way. And before they could panic their mind would be blown by the fact that apparently, Darkseid is not likely to win at all, cos there are bigger players in the game.
Constantine would be forced to admit that even if you don't get an invitation, you can still participate if you register. Though you won't get the opening hint or any other boosts until Stage 5. He can't understand why anyone would want to considering that those who do get invitations are on the level of Darkseid and higher.
Batman would insist they check it out.
Constantine would say that he has no idea where the registration office is.
Captain Marvel would chime in that the office was most likely in the Faerie.
Constantine would then insist that they have no business messing around in the Faerie. JL Dark would nod vehemently in agreement.
Batman insists they at least watch the tournament. Constantine gets conned into organizing a watch party.
PART 2
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pulaasul · 1 month ago
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One for All and Captain Marvel/Shazam
I once found it neat that Horikoshi referenced Fawcett Comics's Captain Marvel, specifically Captain Marvel Jr., during the early days of My Hero Academia.
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The reference in question was how young Izuku has "All Might Jr." as a hero name listed among a myriad of hero names he has thought up.
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I am also not surprised that the reference went over a lot of people's heads considering how Captain Marvel, or was it already Shazam, didn't have a modern theatrical release at the time and the hero was only in the minds of avid comic book readers and/or DC animation watchers and DC video game players (He's called Captain Marvel in Mortal Kombat vs. DC)
Now that I think more about it, the more I think that One For All works the same as the lightning that gives Captain Marvel his powers.
So for the uninitiated, SHAZAM stands for
Wisdom of Solomon
Strength of Hercules
Stamina of Atlas
Power of Zeus
Courage of Achilles
Speed of Mercury
With the reveal of how One For All worked, it assimilated six quirks from previous users, that are as follows.
Kudo's Gearshift
Bruce's Fa Jin
Shinomori Hikage's Danger Sense
Banjo Daigoro's Black Whip
Tayutai En's Smokescreen
Shimura Nana's Float.
Would you look at that, there are also six quirks to parallel the six "general" powers of the gods that Captain Marvel gets whenever he assumes his champion form.
Both Deku and Captain Marvel can call upon the specific powerset at will.
The main difference here is that for Deku, he needs to "activate" it whereas Captain Marvel doesn't need to, in fact his ability to speak every known language in existence, which he got from the Wisdom of Solomon, comes to him spontaneously whenever he talks to someone who doesn't have English as their first language, or whenever someone is talking to him in another language.
Main point is that both of them have access to all of them at any time.
I really had no point to prove, I just want to point out that My Hero Academia took more inspiration from Captain Marvel/Shazam then either Captain America or Superman as a lot of media outlets claim.
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threewaysdivided · 11 months ago
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compared to the other hero's in YJ how do you think Phantom stands up power wise. like Future Danny ripped the world apart and i know in some fanfiction that it is used as an indicator that he is high up there, but i'm interested in your thoughts.
This is an interesting question nonnie!
I generally agree with the idea that Phantom is in the upper-tier of crossover superhero powers, but I do have more specific thoughts so let’s break it down:
Danny’s power level
Just looking at the variety and strength of ghost-powers that Phantom displays in his show, I would put him in the higher rankings of most heroes when it comes to raw ability.  I alluded to this in my main DP x YJ Deathly Weapons fanfic, but to me Phantom shows signs of a pretty common power-scaling differential that happens when a solo-protagonist hero gets transplanted into an ensemble setting.  Within his own setting, Phantom had to be (or become) powerful enough to solve most problems/ fights all by himself – and some of those ghosts he ended up facing towards the end of his canon were impressively strong.  By comparison ensemble heroes are generally less-powerful because working as a collective means they don’t have the same need for aggressive self-sufficiency and also so that no one character upstages or outmodes the rest of the group from a writing perspective.
There’s also the nature of ghost powers.  Phantom needed to develop the raw strength to fill the role of solo combat heavy-hitter, but his base powers are versatile to the point of unsettling.  He has to physically fight against other ghosts because they have (and to some extent are immune to) the same abilities as him, but in a fight against other species he could potentially avoid, manipulate or exhaust an opponent with strategic use of invisibility/ intangibility/ overshadowing.
The back of Dinah’s neck prickled.  With flight to mask footsteps and intangibility rendering them undetectable by touch…  Nonthreatening as Phantom generally appeared, she was starting to understand why his kind had developed such an unsettling reputation.  The idea that a ghost could be present at any time - eavesdropping, spying, interfering - without any of them being the wiser was… disquieting to say the least. - Deathly Weapons, Chapter 17: Assessment
On top of that, he seems to be in a similar boat to Superman when it comes to physical weaknesses – he doesn’t have that many, and they’re often quite specific or hard-to-find.   The most easily-exploitable one is that Danny can run out of power, be slowly starved of ectoplasm or be knocked unconscious; all of which would forcibly revert him back to his weaker human state.  After that, he’s vulnerable to certain magics and ghostly-artefacts, which are more likely to be accessible to various DC/ Marvel heroes (although they might not know exactly which spells/items will be most effective or why).  Beyond those two, most of his weaknesses need to be specifically known about and actively sought out – anti-ecto-technology is obtainable but not mainstream, blood blossoms naturally repel/hurt ghosts but they seem to be rare in nature (or even extinct in the modern day) and then assuming you acknowledge Phantom Planet there’s ectoranium which is basically ghost-Kryptonite in rarity (and possibly even the same mineral in DP x DC settings depending on the crossover).  Much like with Superman, the most reliable ways to take down Phantom require actively knowing what he is and having prepared accordingly.
Based on those metrics, I want to place Phantom in the same power-band as Superman or the Martian Manhunter.  I’d consider their powers to be equivalent incomparibles – it’s hard to stack their abilities side-by-side and say one is objectively better than the others.  A no-holds-barred, knock-down drag-out fight between those three could get very nasty but it would be hard to confidently call a winner without knowing more about the external factors around them.
That said, I think the thing holding Danny back from being fully at that level is his experience: or rather his lack thereof.   Danny hasn’t had much formal training (except maybe some basic self-defence instruction from Maddie/Jack) and he doesn’t have a proper mentor either.  His personal experience mostly fits the narrow niche of direct open combat with other ghosts, mostly throughout Amity Park and surrounds (although occasionally in the Ghost Zone or further from town). 
Phantom has enough raw power and innate talent as a strategic lateral-thinker to get by, but I think that hyperspecialisation and lack of guidance would leave him with a lot of blind-spots.  His hand-to-hand is self-taught and probably missing a lot of best-practice basic techniques.  He’s also never had an experienced third party to observe him in the field and offer suggestions on alternative approaches to using his powers/ keep him from developing bad habits.  This is something Danny actually comments on in canon; he can take a long time to identify solutions (even obvious ones) that deviate too far from his default throw hands approach to fighting.  His powers could be more effectively deployed as a precision-instrument but a lack of coaching means he tends to falls back on using them as a blunt hammer because that was the pattern that came naturally when he was first starting out, and no-one was around to keep that habit from ingraining.
The place where you can see this lack of experience hurting him the most is in his lack of soft-skills.  Phantom didn’t have anyone to advise him on de-escalation, damage control, comforting civilians, interacting with authorities etc.  Add in the naturally-frightening nature of many ghosts and it was easy for him to fall into a public perception of being “the town menace”.  Danny is pretty decent at rallying both humans and ghosts (even erstwhile enemies) to his side in crisis situations but no-one has taught him how manage public relations outside of that.  He says it himself: he needs a PR agent.
On the other hand, Phantom’s heroics have inadvertently earned him a decent amount of potential political pull in the Ghost Zone.  He has enough positive rapport that some regular rogues will take his side or even actively seek him out for help in the right circumstances, and other more antagonistic ones have at least developed a degree of grudging respect.  There are several powerful ghosts that either have direct debts of gratitude to him/his team (Princess Dorothea, Pandora) or who hold him in high esteem for re-sealing Pariah Dark (The Far Frozen).  It’s possible that defeating Pariah might even have granted him a potential candidature/claim to an official position, and judging by the way the Observants and Clockwork pay attention to him, it seems that Phantom’s slow accumulation of power/influence isn’t going completely unnoticed.  However, again, Danny doesn’t have the awareness, experience or training needed to leverage that effectively – heck, he’s not even doing it on purpose.
With all that taken into account, I think Phantom would rank very highly in terms of overall potential, but at his current level he’d be in the lower ranks of the A-tier.  He could become a much more powerful figure with the right guidance but in his canonical state he’s underutilising or outright overlooking a lot of his most effective tools.
TUE Future/ “Dark Phantom”
The “Dark Phantom” presented in the TUE Bad-Future is interesting to me because while he’s a very powerful figure within that story, I don't think he’s a very good reflection of canon-Danny’s potential to do harm.
Gonna complain about The Ultimate Enemy for a bit: I’ve tag-muttered about this before but I’m one of the Phandom members who finds The Ultimate Enemy to be a frustratingly weak episode.  It has a potentially fascinating core premise (the “evil future/alternate self”) but the execution is so convoluted and driven by improbable contrivances that the whole ends up being far less than the sum of its parts.   
One of the biggest problems is that, rather than being a straight future/alternate version of Danny, “Dark Phantom” is actually a hybrid of Phantom and Plasmius’ worse sides.  He’s a distinct, separate entity which means he can’t work as an effective dark mirror to either of them.  (Compare and contrast the Justice League episode A Better World in which the Justice Lords acted as a dark mirror of what the actual Justice League members could become if they chose to abandon their morals and compassion in favour of seizing control and instating a totalitarian system of draconian crime prevention.)
The episode also tried to graft on a really mismatched moral of “don’t be a cheat”.  Rather than being a lesson on choices/ values/ power/ responsibility, Dark Phantom almost ends up being an offhand biproduct of Danny getting caught cheating on a freshman/sophomore-year career-aptitude test.  Instead of learning a lesson about himself/ his ideals/ his personal faults, Danny comes away from the episode with a cool new superpower after deciding not to cheat on the test after all.  Not exactly satisfying.
That mismatch and the convoluted levels of moon-logic required to make it fit severely undermine the idea that this version of Dark Phantom is “inevitable”.  There are too many steps that are too highly-specific and too easily-avoidable for the threat to feel real: Danny has to care enough about an early-highschool CAT to want to cheat, he has to somehow get the answers which he wasn’t intending to do in the canon timelineand only does as a result of Clockwork’s meddling, making it a self-fulfilling situation, he has to get caught using them, Mister Lancer has to hold the resulting parent-teacher meeting at Nasty Burger rather than a school office for some reason, the Nasty Burger Sauce has to 1. be dangerously explosive and 2. coincidentally explode while not only Danny’s parents but his friends and sister are inside, Danny has to be placed in Vlad’s custody rather than with his Aunt Alicia or closer family-friends, Danny has to ask Vlad to remove his Phantom-half and finally, Vlad himself has to agree to do it.  Take away any of those steps and this version of Dark Phantom doesn’t happen.  That’s not inevitable, it’s contrived.
But anyway, let’s look at Dark Phantom as his own entity:
One of the things that makes Dark Phantom much more potentially dangerous is that he combines Phantom’s raw power with Plasmius’ experience.  Like I was saying before, one of Danny’s biggest handicaps is that he lacks training/guidance and tends to underutilise his most effective abilities.  Vlad meanwhile has had years of relative freedom to practice and finesse a lower raw-power level; he’s much more skilled at advanced techniques like duplication and overshadowing (which he canonically used to force through his fortune-making business deals), as well as ecto-constructs.  Plasmius is also a lot more tactical and manipulative in how he applies their common powers.  Plus, the TUE version of Dark Phantom is a full-ghost, which means he doesn’t have a vulnerable mortal state that can be exploited as a weakness.
This is why I think it would be possible for TUE!Dark Phantom to successfully decimate other heroes in shared-universe crossover situations where ghosts aren’t common knowledge.  He’d be an unexpected, unknown enemy that the heroes have no effective way to fight (outside of a few magic users).  Combine that with many of the most powerful heroes being visible as public figures, and Dark Phantom having inherited Plasmius’ strategic/manipulative traits and it could be very easy for Dark Phantom to basically launch a premeditated paranormal blitzkrieg attack, using Plasmius’ skill with duplicates and overshadowing to subjugate any hero he couldn’t overwhelm with Phantom’s raw power level.  It would also make sense that Amity Park would become one of the remaining bastions in any TUE-style future, since having advanced knowledge of ghostly abilities and access to anti-ecto technology would tilt the balance more evenly and allow them to at least keep the danger out.
Mentally, it’s also worth noting that Dark Phantom is a lot more dangerous than either Phantom or Plasmius.  He’s basically the most toxic traits from both of them, removed from their more moderating/ compassionate instincts.  Based on the canonical explanation given, TUE!Danny had Phantom forcibly removed in attempt to remove the pain/ rage/ grief he was feeling over the death of his family.  This isn’t a model-hero-persona conceptualisation of Phantom a la Splitting Images; the TUE-version of his ghost half is a big ball of churning negative emotion.  And what are some of Danny’s toxic traits when it comes to negative emotions: he lashes out, falls into self-blame and self-destructs.  Then we add in Vlad’s toxic traits: he’s egocentric to the point of narcissism, he projects negative feelings/ blame onto others rather than accept responsibility for his own actions and he has a controlling/ sadistic streak.   
TUE’s Dark Phantom is the worst possible combination of an emotionally devastated teenager and an emotionally immature adult.  He’s a ball of pain and rage that blames the world for that pain, lashes out at it, feels worse for doing so and then blames the world for making him feel worse because he doesn’t have the emotional capacity to accept that he’s the one causing it.  Grief is love persevering but the feelings of love, connection and guilt that contextualise his pain were left in the human shells that remained of Danny and Vlad.  It’s possible that the Dark Phantom presented in TUE might not have the capacity to feel positive emotions or compassion.  He was never meant to exist as his own entity – he was an attempt to destroy Daniel Fenton’s negative emotions which went horribly wrong.  In some ways it seems like his reign of terror could be an angrier version of Dracula’s scheme from Netflix’s Castlevania or Haliax’s goal from the Kingkiller Chronicles – a drawn-out suicide note from an undead being who’s been dead inside for much longer, destroying whatever peace/happiness he encounters in revenge for being denied it himself, until such time as he either attains catharsis or finally ends the pain by destroying reality and himself along with it.  That’s the final thing that makes TUE’s Dark Phantom more dangerous than either Phantom or Plasmius – he has nothing to lose and no “better nature” or personal dreams that other heroes could try to appeal to.
So yeah, the TUE version of Dark Phantom could absolutely rip the world and other heroes apart, but I don’t think he’s a particularly good reflection of Danny’s capabilities in terms of either powers or personality.  There’s too much Vlad in the mix, and even then he represents such a narrow and extreme edge-case for each of their personalities that it’s barely representative at all.  At best he’s a warning for what these kinds of powers could be capable of in the wrong hands.
Meta-question: What is “power” in narrative?
Alright, now that I’ve (hopefully) answered the question, let’s finish with a self-indulgent thought exercise for extra credit.
There’s an anecdote which I’ve heard attributed to the Stan Lee, in which a fan apparently asked him “who would win in a fight between Superman and the Hulk?”  To which Stan apparently replied, “whoever the writer wants.”
While it can be fun to make tier-lists and try to rank how strong different heroes/villains/creatures are based on the rules of their respective universes, I think it can also be helpful to consider that– like all things in storytelling – power is a narrative device.  It’s a tool that the character(s) and storyteller(s) can use to create and solve problems.
A character can be extremely physically strong/ skilled/ knowledgeable/ influential in a specific area but how much narrative power they have depends on how well their abilities allow them to influence or resolve story problems.   And, as the omnipotent god(s) of the narrative, the storyteller(s) can choose whether to confront them with challenges that play to their existing strengths, or that force them to find other solutions.  What’s the best way to kill a vampire?
This is actually part of what makes Lex Luthor such an effective Superman villain.  Objectively most versions of Lex are just A Guy™ – on a physical level he doesn’t have anything close to Kal El’s Kryptonian strength or superpowers.  But he feels like a serious threat because he often comes after Superman in ways that Clark can’t easily steamroll with that brute strength.  Lex uses manipulation, money, influence, connections, politics, public opinion; Superman can’t physically fight him without playing into Luthor’s plans, and trying to face him in those other fields requires tools that Clark wasn’t handed as part of his Kryptonian heritage.  An invading alien army is objectively a bigger physical threat to Earth, but a competent Lex Luthor scheme feels more dangerous because – while we feel confident that Superman can beat down a legion of monsters – when it comes to the question of whether he can outwit Luthor, the outcome is a lot less certain.
Situational disempowerment is another of the ways a narrative can reign in an otherwise “overpowered” character: placing them in circumstances where they either aren’t given many opportunities to showcase their best strengths, or are kept from using them because the drawbacks/ risks/ consequences of using their abilities makes their power(s) a liability.  I’ve mentioned it before, but this is actually one of the tricks I’m personally using to keep Phantom’s massive powerset balanced against the other proteges in Deathly Weapons.  It’s also something I’ve been struggling with when it comes to Conner’s place in that story since the stealth-mission plot structure doesn’t allow as much room to highlight his core powers and personal strengths.   
Stories can create additional stakes for powerful characters by giving them emotional arcs which their powers can’t resolve.   For a published example, consider the series One Punch Man and Mob Psycho 100.  Despite how high-ranked Saitama and Mob are within the power-scaling of their respective stories, those powers don’t kill the emotional stakes because the things they actually want/ need can only be gained through self-improvement or making connections in ways separate from their powers (and in some regards their power level actively gets in the way of that).  This is also something I’m doing with Danny’s main grief arc in DW.   
Final Conclusion time
In terms of physical strength and range of abilities, I think Phantom would be pretty near the top of the power-scale in most superhero crossovers.  While the Dark Phantom presented in TUE might not be a particularly good reflection of Danny’s specific potential, a crossover version of the TUE timeline offers a pretty good litmus-test for how dangerous a strong ghost could be in a given universe: the combination of power level, ability range and highly-specific/ inaccessible weak-points poses a strong strategic threat.
On the other hand, physical strength isn’t the only strength.  Phantom has a decent level of potential political sway as well, but he also lacks a lot of the soft skills and experience needed to make use of his toolset to its full ability.
Stepping back further, the answer to how powerful Danny is in a narrative sense is really just “however much the writer wants”.  Phantom’s narrative power depends on the kind of story he’s in and the challenges placed around him – there are as many ways to situationally nerf our ghost-boy as make him OP, all without needing to alter his on-paper powers.
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robo-bud · 4 months ago
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[Image description: A plain doodle of Jason Todd gesturing towards a large palestine flag. / End ID.]
@dcufans4palestine COMMISSION SHEET.
general info:
— commissions are paid for through a donation to any of the options listed on the dcufans4palestine's carrd. while this commission sheet is for a dc centered event, i'd also be willing to do stuff for marvel (and possibly invincible and dead by daylight). at around 70%-80% completion (with copymarked wips along the way if you want. to see how the process is going) you must send proof of donation and then I'll handle the finished piece likely a day or two afterwards.
— you can contact me here on dms, or more preferably at robo.bud (discord). please reach out to me before sending money through as i'd like to access whether i'd be comfortable and/or able to take on your commission.
— writing and art will likely take around 3-5 days, especially as i'm doing a monthly art challenge at the same time right now. i only have 4 slots open (0/4).
— nsfw pieces aren't something i've done much, but i'd be willing to try with a $5 discount. (unless you're commissioning something already priced at $5) only for 18+.
— i have examples linked, but most of everything is older stuff since i haven't posted much for awhile.
— if there's a * symbol beside a point, it means you should discuss exactly what you want from me and we can talk prices.
commissions:
writing: examples.
— $5: around 0.5k words.
— $10: around 1.5k words.
— $15: around 2.0k words.
— * $20 or $25: around 3.0k to 4.0k.
art: examples.
# proportional length. (starting prices are for single, colored + shaded sketches.)
— $5: bust.
— $10: half body. (usually cut off under stomach, pelvic, or right over belly button.)
— $15: full body.
# additional add-ons.
— + $10: clean lineart.
— + $15: for every additional character.
— * + $5: sketch background. (i'm not the best at them, but i'd be willing to try sketches.)
will and won't do: ask if what exactly you want isn't mentioned.
— okay with: the main stuff (fluff, angst, hurt/comfort), major character death, alternate universes, character references, plot heavy fics, polyamorous relationships, * mini comics, self insert, original characters, oc x canon.
— not okay with: heavy gore, aging up minors for nsfw, underage nsfw, pedophilia, incestous relationships (all forms, whether that be step, foster, and familial figure), celebrities/actors, a/b/o, and yandere.
— relationships i'm the most comfortable doing: clark kent/lois lane, clark kent/bruce wayne, bruce wayne/selina kyle, (non-movie) bruce wayne/eddie nygma, mary jane watson/peter parker, (atsv) miles morales/hobby brown, dick grayson/koriand'r, tim drake/kon-el kent, cole cash/zannah of khera, cole cash/bruce wayne, michael carter/ted kord, vic sage/helena bertinelli.
— (nsfw) kinks i'm the most comfortable doing: breeding, (minor) blood kink, (minor) knife/gun play, praise/degradation, pegging, bondage, petplay, feminization/masculinzation, cockwarming, brat taming, spit kink, boot kink, and daddy/mommy kink.
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fatsamsgrandslamspeakeasy · 3 months ago
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Some warnings before you venture further  - - - 
1) This is your first, last, and only warning about content on my page.  If you do not like conservative views or are a liberal, you have been warned and I accept no responsibility for your interpretations, right or wrong, about items I post because frankly, IDGAF.  This includes my views on abortion, LGBTQ, Christianity, Donald Trump, Biden and his administration, gun control, or anything else you find that offends your senses.  Grow up buttercup, the world does not care about your feelings, and that goes double for MOI...!! 
2) If you are a minor, come back when your are over the age of majority in your locality.  If I catch you on here, I will block you for all eternity from access to my page!!
3) My views are somewhat controversial on some topics, so if you come across something that offends your fine sensibilities, just keep scrolling because I really do not care about liberal comments and you will not get a rise out of me because guess what – I DO NOT CARE ABOUT YOUR PRECIOUS FEELINGS!! I would also respectfully remind you to simply ignore my offending posts the way you have ignored the obvious corruption in our government under Biden's watch.
4) If you want to make a keen observation with a conservative viewpoint and/or would like to have an adult discussion about a post without resorting to name calling, please feel free to message me.  Otherwise, just shut your yap and keep scrolling.  I like to have discussions that are respectful and bring out points without being called names. However, if you insist on being an asshole, please know that I can be 100X the asshole you can be. You will find out very quickly that it's a hell of a lot easier to jump on, than it is to jump off!
5) If you try to hit me up for donations for the Palestinian cause, you are so wasting your time. These will be deleted post-haste! Why, you ask??? Simple: I remember only too clearly when the news came back on on September 12, 2001, the live footage of the Palestinians in Gaza, and muslims in Libya, Lebanon and other nations in the Mid-East proudly burning the American flag and openly celebrating the destruction of the WTC Twin Towers and the deaths of thousands of American citizens. YOU made the choice then to have me as your eternal enemy and so you and your cause can go take a flying fucking leap into the void......
6)  I am an older man (early 60’s) and happily married to my wife.  I’m not here for hookups.  I had to put this out there, believe it or not, because there is a whole brand of females out there that are attracted to older men. And if you are a scammer, using a pretty face to try to solicit $$$ from me, WOW!! did you choose the wrong blog. I ain't no love-starved kid looking to get laid. You won't get a red cent so move along....nothing to see here!
7) I am a HUGE fan of JAWS, PAUL WILLIAMS, DARK SHADOWS, UNIVERSAL MONSTERS, BONANZA, ABBOTT & COSTELLO, LAUREL & HARDY, THE 3 STOOGES, VINTAGE MARVEL & DC COMICS, and ANIMALS (especially DOGS) so there will be more than a fair smattering of posts on those topics.
8) I DO NOT FOLLOW EMPTY BLOGS.  If you like my stuff and want me to follow you, you need to have some content.
9) Have a nice day and stay cool out there!! 😎
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genericpuff · 6 months ago
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How should someone write for a comic? I want to start a comic but I’m a bit in the dark for how to write one
This is a very, VERY broad subject that, like the question of "how to draw comics", is very multi-faceted and impossible to tackle in one response. Especially because I myself also will not have all the answers.
What I will say is that regarding writing comics, let's say webcomics, it's not an uncommon thing in the slightest to see writers come into communities like /r/webtoons and ask for people to help them draw their passion project and to that I say... please don't LOL That's not to say that's what you were going to do at all, just wanted to throw that out there as an initial opening disclaimer. Ultimately the reality is that in webcomics, many of the people creating these projects are artists first and writers second (as one of those skillsets is way more accessible than the other), and already have their own passion projects that they're working on. So if you're going into purely writing comics, you're gonna need to manage your perspective on the industry and how it functions from a writer's POV rather than the POV of an artist who picked up writing as a consequence of wanting to get into comics.
That said, the beauty of writing comics is that, in general, it requires a lot less overhead than drawing a comic. That's not to say that it's necessarily easier, because god knows writing presents its own unique challenges, but writing a script generally takes less overhead and resources than turning that script into a comic. I can pump out 10 episodes of rough scripts for Rekindled in a day or two, with tweaking and editing along the way, but actually drawing those episodes takes weeks LMAO (and I wouldn't be able to pull off a lot of the stuff I do now without the help of my assistant @banshriek who not only provides a lot of expertise in drawing backgrounds, but lightens the workload in their help with shading and rendering! they also provide great feedback when it comes to the roughs stage <3)
So if you're starting out, just like the advice I give to budding webcomic artists, it's about starting. Build that experience, get some projects under your belt no matter the size or length that you can use to show your skills (and shop around for feedback from those willing to give it!), etc. Familiarize yourself with various genres, both writing AND reading! Like scripts for film, writing a comic script doesn't HAVE to come with the visuals even if that's the end goal, you don't HAVE to relegate yourself to finding an artist to draw your comic and then posting it online in the hopes it'll get seen. There's a lot that can be done with a simple comic script, whether it's sharing it to the world as is, adapting it to a novel, or pitching it to publishers/agents. Being a comic writer comes with a lot more flexibility in that way than being just a comic artist with no script (though, again, most indie comic artists will simply pick up writing to create their passion projects, it's a much bigger task for writers to pick up art for the sake of creating a comic).
Also establish your goals. Is your plan to write for some major industry some day? Or would you rather stick to writing for smaller productions? Just like with drawing webcomics, you should be setting your expectations in places that are reasonable to meet, rather than shooting for the top of the game right off the bat. If you're wanting to get into writing comics, your first major goal should be something like writing a complete script and NOT, say, getting to write for Marvel/DC lmao
As for the actual writing of comics, I highly recommend you read Scott McCloud's Understanding Comics, it delves into both the history and technical aspects of writing, drafting, and pitching comics in a very easy to understand way (it's a comic about making comics!)
Here are some other helpful resources I was sent by a pal recently that might also help familiarize you with the process of getting into the actual industry as a comic writer!
I hope this gives you at least a good place to start from! Again, it's ultimately a very broad topic that will vary from person to person (esp when it comes to the differences between genres and target demographics, ex. someone writing an action comic isn't likely going to use the exact same processes as someone who writes romance), but I hope this at least helps you find some direction in it all so you can establish your goals and start making steps in the direction you want to go in.
Good luck!!! <3
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wander-wren · 8 months ago
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sometimes i wonder about what fandom is going to look like in 5 or 10 years. i think we might have already started to see a shift.
because, look, most of the oldest, biggest fandoms are from tv shows and movies, in particular ones that go on for years and scores of episodes. star trek, star wars, stargate (is everything star?), doctor who, supernatural…even sherlock really got its biggest popularity boosts in the modern day from tv adaptations. marvel and dc were comics first, too, but movies made them more accessible; their “cinematic universe” tags are the biggest on ao3 by far.
but what tv shows are we getting now? short, 8-episode things that get canceled two or three seasons in, that are usually less-than-faithful adaptations of other media anyway.
what movies are we getting? well, marvel turns more to slop every day, and everything else is remakes and sequels no one asked for. the general populace will still go see them and find some good movies that they like, but there’s not much really for fandom to grasp onto.
the best shows for fandom that we’ve had recently, that i can think of, are stranger things, game of thrones, and maybe our flag means death. stranger things is dying off, especially since they’re looking at a 3-4 YEAR gap between s4 and s5. game of thrones’s popularity plummeted after its final season, we all know that. our flag means death is still chugging fairly okay, but after that second season a lot of the fandom dropped it, and with it now being cancelled, i don’t see it sticking around.
yes, we can chalk part of this up to a new generation to of fans having this growing idea that fandom is super temporary, to be abandoned as soon as its not on trend. but media used to be on trend for a whole lot longer than it is now. seasons were longer, we had filler episodes, things were lower quality sometimes but at least they came out on a consistent schedule. i don’t mind if supernatural isn’t an artistic masterpiece, but if i was a stranger things fan waiting until 2026 for the final season, i would be annoyed if it wasn’t damn near perfect. that’s assuming i watched it at all—we’re all so used to not getting endings and moving on, so why would i bother?
i think there are two types of shows doing sort of okay about this. one is procedurals—9-1-1 is a popular one i’ve run into, and it started in 2018, around the beginning of the decline, but it’s managed 7 seasons in those six years, most of them with 18 episodes. the other is, honestly, anime—though we can and SHOULD talk about the terrible working conditions that make the fast turnarounds there possible. look at how big some anime fandoms are.
judging by the relative fandom popularity of other procedural dramas (grey’s anatomy, law & order, criminal minds), i think that’s going to remain sort of niche. fandom likes fantasy and scifi best, and they just don’t tend to have as strong of an overarching arc to dig into. at least, that’s why i wouldn’t watch them. i think there’s also a good chance these will start to die out in the coming years as well.
anime could also die out a little bit. better working conditions would necessitate less/slower content, and it’s true that most of the popular anime fandoms have been around for years, even decades.
so, what, no new, lasting tv show or movie fandoms anymore?
what will the biggest fandoms be in 5-10 years?
podcast fandoms have a shot. the magnus archives is still going strong, and i’ve been seeing a lot about dungeons and daddies. i think we’re kind of almost past the golden age for podcasts, but i am an outsider, so maybe that will change.
book fandoms seem like a kind of obvious choice, but they just don’t get as big without, you guessed it, a movie or show adaptation. and the downsizing has hit them, too—can you think of anything from the last 5 or 10 years that rivals harry potter, percy jackson, warriors, lord of the rings, hunger games, acotar…even game of thrones (asoiaf) again? i can’t. the collapse of the publishing industry is another post entirely.
2020 is really what cemented these changes, though they were starting in the late 2010s, at least. with actual industries shutting down, there was room for indie creators making things alone in their houses to pop up, and people had more time on their hands to try new things out and get into them.
the two things that have really been on the rise since 2020 is rpf and video game fic—often both combined. we’ve got genshin impact, call of duty, minecraft of course being huge, rpf of various youtubers, and k-pop rpf. now, i think rpf is contentious enough that it won’t really become the main fandom, but video game fic…might be it.
even video blogging rpf can often be a blurred enough line that people are more comfortable with it. and the thing is…youtube creators are actually more reliable than mainstream television these days. they need to be, to maintain their platforms. they need to not cancel series and to live up to their own hype as best they can and to not abandon the channel for 3 or 4 years at a time. and again, you can talk about burnout and unrealistic expectations and all of those things, but it’s still true.
maybe i’m completely wrong. maybe in 10 years the film and publishing industries will all sort themselves out and we’ll go back to the status quo. but i think this position fandom is finding itself in is interesting, and i wouldn’t necessarily be surprised if what’s most popular (both in the specific source material sense and the medium/genre sense) is different some time down the road.
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zahri-melitor · 5 months ago
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If you want to read comics and you want to test the waters:-
Yes, RCO and clones exist, everyone uses them, I do it weekly too for titles I cannot access any other way (The Warlord) but let me tell you, it’s not the only option, particularly if you want to read reasonably modern comics back issues rather than deliberately suppressed obscure stuff. Plus, don’t you want to look at comics without worrying about getting viruses?
Your Local Library: your library probably has comics as trade paperbacks, and inter library loan will have more. It’s not the most consistent way to find things, but you should definitely look them up, there’s probably something there you’d be interested in reading. Good for having multiple presses, and most take suggestions for their collections, which is a slow but free way to read titles with highly detailed art like Wonder Woman Historia in person.
Digital libraries: my local libraries have ComicsPlus subscriptions, which I can use for free. Now you won’t get DC or Marvel on them, but BOOM!, Dark Horse, Image, Oni Press, Papercutz? All options. A really helpful way to easily sample other presses.
Internet Archive Library: the IA is again going to have an eclectic collection and be difficult to search, but it’s there and it has a lot of stuff and you’re not going to be worrying about computer viruses.
DCUI: if you’re in US, UK, Canada, AU or NZ, you can get a DCUI account. There’s a free trial available of course, and if what you’re interested in trying was published more than 6 months ago, you don’t even need to shell out for Ultra. It costs me less than a Netflix subscription per month, even for Ultra. There’s also a small handful of comics you’ll be able to access for free without ANY subscription - essentially advertising for new runs etc.
MU: just like DCUI, only Marvel, and available more places. Also runs on a subscription model. MU also has the quirk that you can manage digital ownership of individual issues also through their app (if you buy Marvel floppies there is a mechanism to obtain a legal digital copy within ~6 months of the publication date)
Local Comics Shops: you can also…buy floppies and trade paperbacks for yourself. If you really love a story and it’s out in trade, I highly recommend buying it for yourself to have forever. It just sidesteps so many future problems. An LCS is also more likely to have a back catalogue of titles available - if you’re looking for a trade published 8 years ago, they might have it while an ordinary bookshop won’t. If you’re less certain, events like Free Comic Book Day and Batman Day are largely a marketing exercise more than new original material these days, but they’re also a good way to get to handle and own actual comic books if you’ve never done that before.
Other bookshops: if you don’t have a local bookshop with a specialist comics and manga collection (I do) it’s going to be a bit like trying to find comics at your local library: you’ll see lots of stuff with Batman and Joker in the title, and a random selection of anything else. Sometimes you can get surprisingly good deals from them as collectors are less likely to use them to get titles.
Overstock/Remainder Sellers: always worth a look, particularly if you’re trying to pick up titles printed several years ago. My local one has found some absolute gems for me, at a significant discount (I have picked up parts of Dixon’s Nightwing run, Bennett’s Batwoman run, Rowell’s Runaways, some Wonder Woman trades from Rucka and Perez, Gotham Central, I just managed to get the second n52 Blue Beetle trade…)
EBay/second hand shops/Abebooks/Biblio: a decent way to measure what the actual value of a comic title is on the second hand market. Sometimes you can find that the market value is far lower than you expected (Cassie’s Wonder Girl series is remarkably affordable). In other occasions you realise DC is leaving a LOT of money on the table by not reprinting (look up Red Robin trade prices and weep).
Friends: do you know anyone else who likes comics? They may already own stuff they can loan to you! (Once I lent out my Birds of Prey collection to a friend and he returned it with the first two n52 titles added. Still unsure if that was meant to be a kindness or just letting me store them)
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