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4mrplumi · 3 days ago
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SCAVENGERY masterlist ── platonic batfamily x killer reader
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#plotline . they are irritating and incompetent, your family. not fit to clean gotham. you'll take the burden of this duty on yourself, and you're lucky they don't pay any mind.
your little gang of shrikes does good work, so why are they perturbed? why are they looking for the person responsible for your crimes with horror instead of satisfaction?
so ungrateful.
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#disclaimers gn reader, bug taxidermy, guns, unhealthy coping mechanisms, sociopathic tendencies, death, physical abuse, self-harm, violence, murder, assault, substance abuse, eventual fem love interest, toxic relationships, reader is not a good person!! mental disorders, bpd, underage drinking, etcetra.
&& author's note: playlist here. dooo send in recs, regardless of genre!
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ZERO : i, ii, iii
ONE . chapter one
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drabbles ^_^
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( taglist ) ask to be added/removed... ♡
@.boredselkie @.shirp-collector-of-fixations @.randomlyappearingartist @.bat1212 @.maicenitas @.xjesterxjacksx @.heartjwonie @.lucienneb1ue @.vikkus-main @.adornedlace @.cuntiesweet @.minorlyatfall @.staarflowerr @.ithoughtthinks
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4mrplumi · 3 days ago
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ZERO : SCAVENGERY . (ms/next)
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-> plot synopsis - you don't think you're as odd and horrifying as the news makes you out to be. but you have never much cared for the validation of others, and certainly not theirs.
-> batfamily x serial killer reader. playlist (wip) ask 2b added to taglist
-> tw; gn reader, guns, referenced assault, violence, toxic relationships, eventual fem love interest, bug taxidermy, unhealthy coping mechanisms, murder, sociopathic tendencies, full on master list.
-> a/n; horribly in love with the idea of a self-sufficient classy mean judge. reblogs and interactions appreciated!! a lot (●'◡'●)
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in fact, you are grateful for their ignorance. you do not need their recognition, their thanks.
you won’t say you’re not petty, not childish, not absurd and not disgusting for what you’re doing, but you’ve heard it innumerable times before, and don’t mind it now. in a matter of days, the limits you’ve placed on yourself have become the bane of your existence.
bright, technicoloured posters with you favourite bands and characters hang on the walls, music playing merrily on a small portable speaker you’d bought with your self-earned pocket money. it all provided the perfect image of a regular teenager, to the extent that you weren’t really creating a civilian identity like your family, but living through it. normally.
it makes you giddy, and you know it shouldn’t, to be so unsuspecting. your grades are mediocre, but your teachers praise your work, you’re not popular enough to go be invited to every party, but enough to be friends with three quarters of the grade, not dedicated enough to a franchise to know it super well, but still enjoy it through multiple perspectives. normal, exceptional, and normal.
that’s what makes it all the more rewarding to do what you do. since being adopted at eleven, you’ve pieced together the caped identities of the monolith you call your family with lovely colour-coded pin boards and pictures. you know they escape into the night to fight not criminals, but fight crime, beating and getting beat in the process.
you think it’s tedious, but you never comment. there’s not much you remember prior to coming into the manor, except the raw experiences from fleeing cheerfully down unkempt, spray painted, molding stairway chambers with your friends away from an angry neighbour, laughing the whole way down. sharing fries for one among six to seven people, since money was hard to get by and harder to go around and listening to the one person who could afford school talk about it. pushing your friends on the swings and them tying your laces in return, since the swings were too far from the ground to push yourself, and scratchy velcro was for “sissies”.
you could say your childhood was rugged, but fairly kind for a gothamite. you weren’t given the life of a gilded richman’s son like tim, or the hard street crime life of jason. you weren’t raised by assassins or masters like damian and cassandra, not clever and determined like duke, not gifted with athleticism like dick. normal, incredibly. lucky, even.
you cannot think of anyone when you think of family. you considered your group of friends (acquaintances does your relationship better justice, but at ten, everyone was a friend if they didn’t wear a badge and a cap) family, but you knew that’s not what the word meant. they’d go back home to fighting parents, single mothers, thieving fathers, earning siblings or aging aunts and uncles. you would go home to a quiet one-room apartment and a poor quality mattress.
it’s not fair to say you weren’t cared for. the neighbourhood considered you their darling child, your friends’ parents sending you food, aunties reading you stories and elderly residents providing comfort when you wanted the rare support of an adult. but you had no family because by your accord, you would have to return home to them for someone to be family.
it’s the opposite now. you return home from school to bruce wayne and his entourage of misplaced children, but your interactions are stiff as stone. you go out to diners and have the most soulless conversations, stay in the house and refuse to partake in their exchanges.
because you are different. their morals are aligned to your guardian’s, of justice and strength and so on, so on. your morals are aligned with your survival, no one else's, selfish, scavenging. you cannot get along on a base value, because you don’t belong to their nest of canaries. you are, as a silly buzzfeed quiz at five in the morning said, a shrike.
yet still, you seeked the warmth of family. the resurgence of that feeling you once had in your old life. you could never return, having now experienced the fruits of luxury, having lived too far from “home” for far too long, with the added weight of a bruce wayne shaped shadow that followed you. the immense danger it would bring to yourself and those around you would be preposterous, unimaginable, but no more horrifying than the awkwardness you'd receive from you old not-family. scrutinising stares, untrusting glances, forced waves. no, no, it wouldn’t do. you don’t want to feel miserable. 
it’s enough that your presumed family already gives you those looks. sneers from damian, concerned glances from cassandra, brief unease from dick, ignorance from tim, you could go on and on and on. and you’re not stupid. you only have yourself to blame.
your vanity, as the buzzfeed quiz had said, in curling cursive font that sometimes turned to boxes on the ui, presented itself as a horrifying ignorance. unlike a peacock’s gushing beauty, your pretty-factor extended only as far into first impressions. when someone gets closer, enough to see the white of your eyes, they shrink away.
crude comments, satirical dismissal, and sharp judgement are things that have, in air quotes, made you unlikable. when watching a documentary about bug-taxidermy on one of the tvs, damian had walked in and commented on the generous “inhumanity” of it. instead of justifying the practice with explanations of how ethical it was, you’d scoffed and called him dramatic. he antagonised you, and you couldn't care less.
mean things left your mouth without hesitation, “who cares” and “you’re doing too much” at the simplest things. but you didn’t do it on purpose. growing up, kindness was reserved only for people in your circle, barterers of goods and generosity. you were polite to the old ladies who brought you food, nice to the new kid who looked at you for guidance, and offered support to people who’d offered that to you too.
you had no obligation to be kind to the wayne household. they had done nothing for you, other than pulling you out of a blood stained alley and providing you a home you didn’t ask for. you weren’t let in on their family bonds and not given the chance to create mutual trust with them, and were not keen on it after their whitewashed kidnapping either. 
perhaps you had the frayed edges of low-class living from gotham’s alleys, but you also had firmly set, stich, stern and strict guidelines about your behaviour. you would not make the first move, and you would not do more than fulfill debts. one favour for another, never more.
that’s what makes your secretive secret side job exhilarating. you have no need to do what you do, except for a sense of duty. the term itself, obligation, is unfamiliar, exciting. like many, but not the majority, the batman and his menagerie’s morals seem too high standing for the crevices of gotham’s underworld. only the red hood can relate, and even he is too far from the truth in your eyes.
death was a permanent solution to the wrongs of people. but you could not simply just wipe out a criminal from the street and call it a day. the only striking similarity between you and bruce wayne, was that the two of you didn’t fight criminals, but fought crime. you snuffed it out as it started hinting at the surface, not waiting for a track record or a ticket list on a license. nothing was forgiven, because you were not obliged to forgive.
you did not forgive, but did excuse. the theft of food, the death of someone too touchy, the fractured ribs of a parent too cruel, were excused. because like you, the suspect, the criminal, was also simply bartering. a favour for a favour, a wicked death for a wicked life. they would be let off from your radar, until someone else got to them. you were not obliged to save them. you are duty-bound only to rid. 
out of habit really, you resorted to violence. seeing a lady bothered by a fellow too close a few months back, you did what came naturally without the supervision of domineering adults and officers and shot him point blank. for a second, the woman stilled, painted in blood from the spray that arced to her, before screaming in horror and fleeing, without so much as a glance in your direction. 
you were unperturbed by the lack of thanks, with a hint of humour at the thought, since it meant you were not indebted to her and she was not to you. 
but it’s the realisation that comes shortly after, that a fine or a scolding would not similarly scare away the man, and he was now well taken care of. and you think of the other scummy people hiding gotham’s crowded basements, and think of their freedom. it makes you angry, it always has, truly it does. death was not an uncommon occurrence in gotham, the murders and abductions, cruelty and pain all as abundant as the trash, poverty and crime within the city. why was it only an offense when it came to the people who perpetuated it?
comfort does little to save victims. a bag of cash and a pat on the back will not rid them of their memories, sadness, or their losses. you are neither sympathetic nor can you relate, but you are angry. have been angry. on their behalf. the world is a rotten and sick place, and this city is especially so. and while batman is a poor janitor, the red hood one too late, and the monolith of your family too distant, you are decided. you’ll wash this place clean like a broken truck, knowing it’ll never work again, but look pretty as it remains.
and you, a good-for-nothing, always scorning, useless kid, are unsuspecting. you are grateful for their ignorance. you do not need their recognition or their thanks.
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-> a/n i think this is a solid part one for a prologue bit. the crow choir series is getting a bit neglected because i want to think over its intricacies a bit better. in contrast, this is a very kick and throw kind of plot line, more fun to write for.
i've been super nervous to post on tumblr but am enjoying it. hopefully will upload the next bits soon, interactions so very very appreciated! esp ideas in comments or asks, because it makes me feel like i'm not wiling away the time i should use for other things (T_T) overall just feels nice too.
thank you for reading!!
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4mrplumi · 18 hours ago
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ONE : SCAVENGERY . (ms/prev/next)
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-> plot synopsis - you don't think you're as odd and horrifying as the news makes you out to be. but you have never much cared for the validation of others, and certainly not theirs. 
-> batfamily x serial killer reader. playlist (wip) ask 2b added to taglist
-> tw; gn reader, toxic relationships, fem love interest, unhealthy coping mechanisms, obsessive compulsive disorder, paranoia, murder, sociopathic tendencies, full on master list.
> a/n; this entry is skippable! while ive done work to establish the laws and details for the insert and the world around them, the batfamily moments one would look for scattered across. the prologue is planned for this world building exactly, and the next part will be focused on the family.
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you have to be prepared. profiled. planned. not paranoid. you are not paranoid.
plans upon plans, plots behind plots, ploys behind ploys. by sixteen, you had your entire life planned out, exactly what you'd do, what you’d do if that didn’t work out, and another two back up plans just in case. you were prepared for yourself to get moved around like this too, driving into the third option you’d laid for your life. with its own backup plans, own what if’s and what not’s, probables and situations.
order. organisation. prepared.
it only makes you a little sick to see your behaviour mirrored on the man of the house, with his contingencies and protocols. but you’re not that stuck up, surely. you do it only out of resentment, you're nothing like him. he and your family are unable to save the scraps they've left, you have to do this to make up for the mess they've created.
you make sure none of your outings, meeting areas, contact lists or even the names you sign on grocery bills are the same. you can’t let any common clue stick out, whether it’s in your civilian life, or under the duty you’ve taken up. even though you’re relatively low on their radar right now, studying the world’s greatest detective’s tactics and those of his rogues has taught you that a frayed past never does anyone any good. it was a backup plan, a just in case, in the event you gained too much unwanted attention.
you want your family out of your business. it’s funny how the teenage, "i’m my own person" phase has so morbidly warped in your life. but you mean it. you don’t trust them with their rules, and will not risk anything trying to correct their errors and making yourself a target. they can live in oblivion, but you won't let them intrude. you don’t trust them.
to ensure your “friends”, as you have termed them, stay similarly in line, you make sure they update you on everything. no detail of common interest is hidden, because everything is common, aligned, on your principles and clues. everything must be known, not because you are paranoid. you check in on them, their health, their whereabouts, their families. they’re in debt, with not much space to refuse, taking the burner phones you force into their hands wearily. but sentimental isn’t the best word to use for you.
you are concerned for the wellbeing of your accomplices only to the extent that they remain in your line of work, alive. yes, you will feed their families and see to their wounds, but only and only to tip the scales of their debts towards you. it’s the exact reason why you make sure the work you put on them isn’t too much, so that there's a low chance that scale could be imbalanced, this time, against your favour. they need to remain in your control, to propel your movements and wipe out the instance of a snitch, a tattle tale.
in a way, with much reluctance, this is a trait you’ve picked up from the batman. you’ve learnt that his training comprises many different things, how to stop a man from running, how to disarm their guns, how to keep them from fleeing. but never how to kill.
of course, you don’t do as much fighting as he does, but you’ve taken the liberty to curve his ways to suit you. you’ll teach the people who work for you how to figure out plots, hidden intentions, the next move and the one after that. but never your next move.
you’ve wondered morbidly, only once, if he’d be proud of you, if your skills were somewhere more suitable, per say. but you have no intentions to change your ways for his peace of mind. you do not care for his pride.
you’ve made of yourself an independent dependant, unreliable. you'd caught on early that having expectations from others and expectations on yourself was an unnecessary burden. your first year in the manor was terrible, and it has improved only out of your isolation, your distrust.
you trusted just about no one, and made sure no one trusted you. no debt, no obligation.
you had to know everything, but not because you were paranoid.
there are only five people out of the handful you keep, allowed into your inner circle. people to confide in and accompany you when you need a plus one. they’re the easiest to keep in line, students or workers, and of course, her. your ‘girlfriend’ who too was a device for your plotting.
however, with her drawling voice and less than weary affections, you need to remind her of it often. you’ve heard very little endearment from people in your life; called “kid” or “doll” by the people in your childhood, your proper legal name by your ‘family’, and a plethora of less pleasant things by self-proclaimed rivals in school and on the streets.
so when she takes to calling you angel, you pause from smacking her hand away from curling in your hair. in an attempt to decipher her intentions, knowing damn well she did all this to gain your favour (you would not so kindly give it), you think upon it. for more hours than considered normal.
is she calling you inhumane? damian had said the same thing to you once, coming across your little hobby in the greenhouse once. is she calling you frightening? you were kinder to her than the others, just by a sliver. dick grayson had looked at you with weariness once, perhaps seeing the hint of a familiar scowl on you. or is she genuinely, as genuine as the glorified scum of your accomplices get, being genuine? an angel
 you.
you don’t dwell on it any longer after that, pushing her hand aside and her legs off off of yours, leaving. you were not weak, and if that was what she was trying from you, it would not work. you were not weak, and not ashamed to show that you weren’t. people deserve to know their faults. and you’re no exception.
you did not ever, ever hide your disappointment nor disgust. damian wayne was scorned out loud for his empathy, dick grayson scowled at for his sensitivity and tim drake hissed at for his distance. jason todd for his dramatics, but not to his face, and duke for his concerns.
you judged, as an interrupting scoff that broke their peace, and did none of it for fun. you did not gain anything by irritating your brothers, nor did you hope to lose anything. you were speaking your mind, what they deserved to know.
if they resented you for it, fine! you couldn't care less, since you didn’t owe each other anything for it. you wanted them out of the way, and needed none of their kindness. you are unbothered.
you are not paranoid, but you can always be more prepared.
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-> a/n; i hope i’ve made a good effort to build on the mindset here. i had to rewrite this whole chapter cus the styles weren’t matching up (- - ;;) the prologues are super just set ins. plot starts from ch1 that i'm hoping to get out before my exams.
i’m incredibly happy that people are finding interest in this!! however, i need opinions on the relationship dynamics you think would be visible with the “friends”. i will expand on it maybe in a drabble? even though this is something i’m writing, i think it's important to know what kind of thoughts my sentences create. this means valid criticism on the writing is also appreciated (just please don’t be mean).
thank you for reading!!
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taglist: @boredselkie @shirp-collector-of-fixations @randomlyappearingartist @bat1212 @maicenitas @xjesterxjacksx @heartjwonie @lucienneb1ue @vikkus-main @adornedlace @cuntiesweet @minorlyatfall @staarflowerr
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4mrplumi · 1 month ago
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( crow choir. entry one ) ── dust of snow ( m.s | prev/next )
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author's note at the end
you have three brothers- no, two brothers. you’ve only heard of the third. you can hardly think of them as such, feeling traitorous to your old family
 families. but you are also a lonely child, so you give them permission to be props of your plain life.
the eldest, with stark blue eyes and dimples at his near-permanent smiles is named richard grayson. he’d given you a warm grin the day you arrived, that somewhat wavered at the blank look you hoped you gave him. you don’t talk to him, but sometimes you wish you did.
you know nothing of the second, apart from his first name; jason. the usual answers to unasked questions, that piece together via general conversations, don’t form here, and you can’t be bothered to ask. you wonder where he is, does he not come to visit?
the youngest of the three is younger than you too, tim drake the butler says, by maybe one or two years, you never tried to figure it out. he came to the house about a few months after you arrived, but seems far more involved with bruce’s business than you ever will be (ever hope to be). there’s a familiar twitch to his brows, and you relate it to old inquisitive roommates, the ones that tried to figure you out without asking questions and always gave up eventually. 
it's a relief he doesn't even try at all.
it does feel a little odd, to not have to talk to anyone just to shoo them away. you strangely miss it, the feeling of being irritated at bothersome small talk. in the silence of the manor, which had not much for a child to do, you start to feel lonely
you've never felt lonely before. alone, yes, isolated, absolutely, but lonely? you've never wanted company. not from anyone who wasn't... forget it.
and thus, you're in an odd situation. you want to be a part of the family, but you have no interest in talking to them. why, the mere idea makes you sweat all over, and you prefer your few meals in your room.
you don't like it. wanting so badly to converse with your brothers, get to know them the way you knew your old previous foster-care siblings, but not being able to.
in your old houses, the children would be somewhat put into forced proximity, there was no choice other than to call out for company. you'd gotten absurdly used to being reached out to without having to do it yourself. your brothers must be busy, or you must be too quiet for them to notice you around.
so with all the courage you could muster, you crept up to an idle older brother, visiting after so long from bludhaven. you might implode from the short moment where he looked at you with confusion, not knowing who you are, before giving you a awkward smile of acknowledgement. no matter, it's not his fault.
he nods off your subtle attempt at asking for his time, maybe you're not being clear enough? it's enough to put you off, so you leave quickly after he gives you a small promise to talk later, maybe get out of the house for a while.
it's such a small thing, but it makes you embarrassed. you try to build up a little stubbornness, and look to find tim. but when you find him immersed deeply in a book, a journal of some sort, you decide otherwise and leave.
it's okay. you'll try again! when you're feeling better. better and livelier.
livelier.
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your patterned quilt does little to keep away the monstrous cold of gotham's winter nights, and does it wreck though your nerves and leave you shivering.
the butler; alfred, had given you a good understanding of the room's systems, yet another thing that'd take time to get used to, and you knew the switches that would connect your vents to the central heating system.
but it feels so surreal, and the familiarity of huddling into your own ice cold limbs for warmth is a comfort you can't let go off just yet. you mustn't allow these new privileges to make you forget who you are. what you are, and what you deserve.
you recall a young boy in one of your old homes, discussing earnestly with your 'sisters' about what he'd do if he had all of gotham's money. the prospect of being filthy rich had always irked you to a small degree, to be well-off when others struggle. was it guilt? 
he'd gone on and on about the different things he'd get. a curly-haired poodle, a shining red bicycle, clothes that made him look like a proper gentleman, from a gentler city. you wonder solemnly where he is now, wishing you could share the fortunes you've been shoved into with him. someone who wanted it, deserved it.
deserving... deserving something is odd. whatever makes an individual deserving of something? the hardships they recieve, and the hardships they pass out?
you don’t remember your mother, having gained metaphorical consciousness at the age of six, when your sister started taking care of you instead. you made out from her teary, drunk mumblings that she was an awfully sophisticated woman. she’d colour herself with red blushes and redder lip stains, wear family jewels she refused to sell to her ‘business’ meetings. thin-framed glasses with the eyes of a vixen’s. 
what your sister muttered most about was her many nights away from home. one-sided conversations that plunged a small anchor to your heart, because you knew you were a product of one of them. 
when she was in a bitter mood, your sister never shied away from berating you for your existence. she, unlike you, was born in wedlock. yes, to an unhappy couple, who threw picture frames and cheap souvenirs at each other before splitting up, but she knew her father.
a ridiculously strange thing to hold above one’s head. “i knew my absent father. no one knows yours.” but your depraved heart and dull mind took it so deeply. so, so deeply. 
were those hardships? did you deserve them? others have it worse, right? so do you deserve this? this wealth?
now that you do know your father, you can’t help but resent the idea of knowing. did he know? that he left his child to an unbecoming family and an irresponsible sister? did he know that the guilt of starving your sister to eat yourself made you so incredibly weak-minded at the idea of being full? did he know that you refuse to switch the heater on in the cold, because you don’t know if your old foster siblings got the same luxury? all while the elites of gotham stay in their glasshouses with their rose gardens and wine cupboards.
you can’t put your finger to it. it’s not jealousy, it’s not resentment, it’s not hatred for his absence so far
 is it guilt?
you don't know what to do with this abundance of luxury. you’ve lived a lifetime of pet mice from old caretakers, mice that died from the dust that creeped out of cracked floor boards and owls that haunted your window sills. a lifetime of reminiscing about a sobbing woman in your apartment, thinking about all your promises of providing a better life for her, only for her to die in front your eyes. a lifetime of wondering why mommy didn’t come back. why daddy's never there. who daddy even is.
someone else should have it. someone else should have the option to ask the butler for a piece of chocolate pastry at an odd time. to know about their father after countless days of not knowing him. to feel pretty in new dress suits after years of wearing the same two sets of clothes every week.
someone who deserves it more.
your sister.
you miss her.
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small events make you change too fast for even your own liking. small things made you so desperately attached to your big sister, small things made you so frightened, so ill, to try to talk to brothers who barely knew you only by your shadow. small things made you tolerate your father more, and mourn the fact you couldn't ever connect to him the way the others did.
small, small things. that troubeled you too much, made you decide it was time to leave. running away from reality in the comfort of your mind when you zone out, is not much different from physically running away, right? troublesome things are not worth the trouble. so you'll run away, and you'll be free. of duties you were never given.
yet another one of gotham’s teenage misfortunes. who leaves a home of riches with a light mind, with the desires of soaring through lost years in gotham like the daftest of pigeons, with no worries or vows. they leave a home of blood and bonds with a heavy heart, lamenting that this time, the choice to leave a permanent, forever family lay on them. they left unspoken conversations unsaid, and imaginary memories within their imagination.
...but, these conversations, these fake memories, become the objects of obsession, for those left behind.
where's the little crow who stalked the corridors, whose naive, cloudy eyes watched from behind walls?
alfred, where's (name)?
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INTERACTIONS AND REBLOGS VV APPRECIATED !! incase it was unclear, the sections jump around in the timeline. i did want to leave it to reader interpretation, but since this is the footer, there's no harm in explaining. "you have three brothers..." and "your patterned quilt does little..." are interchangeable within the plot. both are placed after tim's given the mantle of robin, but before jason's re-entry as the red hood. the last part however, is well after both, and damian's entry. anyway you can consider this entry as like, a vague plot summary? there's a lot that happens in between and after, most of the story is about after, but i like setting the ground for this stuff.
once again, if you are interested in the series, do interact! comments, reblogs, etc are so appriciated, to anyone who posts on tumblr! i'll try to get the next entry in soon, but i can't confirm anything!
thank you for reading!!
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4mrplumi · 5 days ago
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(concept: redstart) batfamily x reforming criminal reader
tw: vv small description of burning bodies.
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> reader, who used to scramble around the depths of another city, homeless, hungry and orphaned at nine. naturally became independent, turning to petty crime and sometimes even violence to survive.
> gets caught in the middle of a brawl between adults and almost dies, then caught again by an unmeaning police officer, who relocates you to a children's home.
> your adoption is coerced by the odd head-lady, who justifies it by claiming a strict, but caring family could reform you from your "unruly behaviour" within the centre halls.
> she was right about the strict, not about the caring. father was a hyper-militaristic, obsessed with proving worth through strength type of guy. even had a whole base of operations dealing in organised crime, without even doing so much as hobby-boxing.
> you were incredibly indoctrinated into "goods" and "bads" and how to solve the issue of corruption by a moralistic, anti-moral man. he was the corruption, but painted himself in bright lights.
> you were a lonely child. you began to look up to him. obsessing over everything he said and did and holding it like a knife to your throat.
> adoptive father never much considered you as much compared to his other two, older sons, and treated you as a tool for some unmade project.
> life was like lucid dreaming. you had full control, but none, none, at all.
> concious enough to feel hurt by his treatment and dismissal, but felt too indebted to ever complain, or speak about it. grew up knowing little outside of subservierence. brothers were shadows in the backgrounds, implied ghosts of what you wish you could've been.
> not allowed to be a part of society. father considered it weakness, a threat, a vulnerability. the one time you did get friends, you were punished for it harshly, and isolated further.
> no personal aspirations outside of hoping, barely, to make the man who so tediously took you in proud.
> trained obssesively, five times harder than the brother's you'd never outshine, with ten times less the recognition or support.
> firmly believes your father's course in life is correct, and wants to support it, but can't because he doesn't trust you enough to tell you his goals.
> completely in a frienzied panic when your father and brothers drop dead. your way of life, your identity, all gone with them. completely. a mere child, with nothing to live for.
> batman bad come originally as an 'ally', to take your father's side jn subduing crime worldwide. but you had identified his ploy to take down your father's plans immently as soon as he earned his trust.
> your father was not a clever man. did not think batman knew of his intentions, his mannerisms. believed himself to always be superior.
> but he didn't believe you when you told him, and you watched as their conversations progressed with desperation. he believed this old bat more in these few days than he had you in your whole life.
> when batman reveals his intentions, an accident causes your father to set off an esplosive he himself had planted incase of emergencies. you couldn't help, watching with raw agony as his skin burnt away to reveal boiling flesh. watched with uncontrolable shaking at the batman trying to put it out, trying to perhaps save him and your brothers.
> lunging at him with such practiced fervour, he was caught off guard for a second. realising that the man had another child (not knowing of their mistreatment), he felt immensly guilty and indebted. to stop you from trying to claw his face off, your weapons hidden away by your father before his death, he knocks you out.
> when you wake up, two days later; not due to the force of his hit, but sheer exhausation from all the gruelling work you did daily, you're suprisingly compliant.
> even as an eldey man dressed in a deep black suit, accompanied by a tall black-haired boy you're sure you don't recognise, you don't struggle or scowl.
> they had expected you to.
> maybe it was slow adaptibility, shock, subconcious relief and unconcious reasoning that resulted in your quiet demeanor. without the antics of your usual routine, you were a little timid, like a little doe.
> the boy takes to you immediately, speaking warmly, introducing himself as dick grayson. the name strikes no bells, and you only stare in response. he talks of friends, family, getting better and getting up, but you listen only to half of what he says, nodding once in acknowledgement.
> and so begins the guilt-ridden journey of the batman, trying to protect gotham, the world, and reform a child whose parent he didn't kill, but couldn't save. you begin shadowing your guardian and his... guards (so you term them) on patrols, stalking behind them at gatherings, make appearences in a civilian identity crafted for you on the media. everything you do feels lost, like a deer caught in traffic.
> later, when they talk to you more about your life before the manor, jason simply says, "bruce didn't not do anything. he didn't do anything at all."
> you think he might be sad.
> you piece together the little memories you have, training, fighting, eating, sulking and sleeping with both eyes open into a big, big story. you look at the family come together atleast once a month, a warmth from them you've felt so very rarely, from a distance.
> you feel bruce's reassuring pat on your shoulder, encouraging you to join them.
> you think you might be sad.
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INTERACTIONS & Reblogs appriciated !
gahhh i love this idea thingy in my head. so much angst potential. fluff potential. character expansion, relations, dynamic potential... cass, damian, steph, on your end of the coin. tim, dick, duke, on the other... jason, on the edge. i think the whole concept of wanting but not feeling like you deserve what u want is such a batfam thing, a reader with that attribute would be a puzzle piece locking in, or the exact opposite.
anyway, hoped u liked this little drabble. tell me if u think this is smth worth going after.
thank you for reading!!
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4mrplumi · 1 month ago
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( crow choir. prologue ) ── fame is a fickle food. (m.s/next)
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author's note at the end, pls read! (l/n) is not the direct insert.
even when she knows she’s got money stashed away, notes she’ll never use to replace the stale, gray oats she’s ploughing through with a flimsy plastic spoon, money she’ll use instead for a bottle of cheap ecstasy later instead, (l/n) doesn’t think she’s a bad sister. 
even as she forces the spoon through the little mouth of her dear little (name), holding their head to keep them from babbling and gagging at the meal, (l/n) is not a bad sister.
scummy business doesn’t pay much in gotham. where pretty powder packets and cloudy liquid injections make thousands on the streets of a better city, it’s too average a dealing here. “home-made” a customer joked once, “gotham’s specialty.” (l/n) gave him a wry smile, in acknowledgment, not humor. 
irritated, is an easy way to put it. (l/n) is frustrated. she used to dream of being a singer, a big, famous singer, with the voice of a nightingale piercing through the monotonous black and whites of the city with the deep blue of her solemn voice.
she had her story all planned out. young (l/n) knew only her mother and her rented apartment, forced to share commodities with a bastard child from her mother’s many affairs. but ah, she was so welcoming and kind-hearted! a true teresa, treating the kid like an angel sent just to her, performing her little do-re-mis to a giggling toddler, who pulled at her hair and pawed at her face in affection.
the vocals classes her mother weaseled her into, would have the teachers notice her wonderful voice, urging her and encouraging her to perform professionally. she’d make her way into a big gala, people would applaud, and she'd be as wealthy as the other filthy rich socialites in gotham. eventually, she’d help her mom, and her baby sibling leave the mean tenant’s apartment, and they’d eat soft bread and smooth butter, nothing like the grainy spreads on hard loafs they ate now.
but a city covered in gargoyle statuettes has no place for the dreams of a little grosbeak.
their mother didn’t come home one day. and she didn’t come home the next day either. when (l/n) opened the door on the third day in tears, hoping hysterically it was mummy dearest, she had to break down again at the sight of a stone-faced policeman.
she’s allowed to feel resentful, isn’t she? dreams punctured before they even had the chance to take flight, burdened with the duty of caring for a ditzy little kid at just eighteen. 
none of her old teachers, none of the old shrinking men who regularly asked her to sing at their clubs, parties, helped. not even the slightest comfort came to the miserable, mourning girl. nobody wanted to have the stain of commissioning a helpless girl, what were they, taking advantage of a poor child’s misfortune?
in desperation, in poverty, she quit her part job as a cashier, having no time for it and turned to a less pleasant way of work. scouring through the dirty, shit-smelling allies of gotham to sell lame drugs and smoke to worse-off people.
and this
 ungrateful brat won’t even eat the little food she works so hard to provide? she’s lived off her own products, hoping to dull the ache of hunger with weak alcohol, and this bitch refuses to eat?
she hates them enough to want to fling them out the window.
but
 she loves them too dearly to ever try. and so, another one of gotham’s teenage misfortunes goes to bed with a heavy heart, after coaxing her little baby (name)’s big doe eyes to sleep.
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the police station smells like disinfectant and sounds like tv static, but maybe it’s just your dazed head making up the buzzing.
the officers tried, as gently as they could, to get you to talk, explain what happened. but they mistook your silence as numb-tongue from the shock of her death, leaving you to be with yourself for a while, calm down.
your eyes are eerily fixated on the colourful cartoon playing on a small tv they're propped you up in front of, the characters' bright voices dissolving into the ringing in your ears. you watch them harp about kindness and togetherness distastefully, lamenting their shrill songs and wishing your big sister would sing to you instead.
you feel guilty. you took her voice away. your existence ruined the hopes she had for her future, her golden days were rusted by you. it should’ve been you instead. you, instead of her.
it’s unbecoming of a child your age to chew on their nails, your sister had scolded once, scowling. but she’s not here anymore, so you occupy yourself with peeling skin off your fingers, no thought to how much it'll ache later. 
your clothes feel thin, and your body’s so hot with sickness you shiver. a lady officer had wrapped a big brown coat around you, but it lays discarded at your side. you deserve no comfort.
and you repeat this day. over and over and over in your head for the next four years, and more to come. you repeat the memory of the day your little apartment world became far too big for you to handle, the memory of your faults, the memory of your sister.
you are a sickly child. you are a sick child. you deserve no comfort.
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suffocation is too harsh a word to use for the luxury you're so suddenly plunged into, but it is claustrophobic and horrifyingly unfamiliar. there are far too many people in the house, stalking the too-wide corridors, under too-tall ceilings, your nerves shake whenever you walk past them.
your head spins from all the lights and paintings, carved furniture and embroidered carpets. they've dropped a little mole into a vast jungle of glass chandeliers and decorative flowers, with no hand to hold their pathetic paws and guide them around and out.
your body stays tense, strung like a bow, even as the butler weaves you with the utmost care through what seems like infinite corridors, to a pretty little door with a shining handle. you furrow your brows, to rest the contempt you hold at the polished wood, resenting the gleam of it, that which resembled his set hair and his loathsome suit.
the loathsome suit you saw four... no, twelve years too late, and vow to see as sparingly as possible.
you'd take back the vile gray oats and 'tough love' of your sister over these new inexplicable pastries and cold businessmen any day.
you miss her. you deserve no comfort.
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INTERACTIONS AND REBLOGS VV APPRECIATED !! i hope this is an adequate introduction the the series, and i will expand on this significantly. future updates are fueled by reader interactions, so if you do end up liking this, please do let me know your thoughts by commenting or re-blogging.
regarding the genre, style and tropes: reader insert is gender neutral. while noir is more of a style, more present in movies than prose, i do want to attempt at at least a similar sense in the form of a writing genre. as for the "yandere" tags, i'm unsure how else to put it. i'm aware there are more niche terms that would better describe the characterisations that'll be present, but they're neither popular nor easy (for me) to describe. that aside, the traits that'll (eventually) be displayed will showcase yan-tendencies, so i hope you don't feel like i'm trying to bait anyone with tags.
thank you for reading!!
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4mrplumi · 4 days ago
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(concept: redstart) batfamily x reforming criminal reader.
soft moments with redstart!reader / prequel post
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> damian plays the role of being a little-brother guide, having being raised in a situation somewhat similar way as you. little moments like listening to him complain about something mundane as you’re both perched on a terrace during patrol, him trying to peel an orange and the two of you ultimately squashing it open, him doing his school homework while you watch, giving small bits of what you think.
> like this picture, but it’s reversed and the reader’s copying what he does in a way to humour him.
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> reader who watches tim work on cases in their free time. asking very few questions that he’s pleased to answer, subconsciously slipping into a more articulated way of talking, using big words and metaphors to elaborate on even the simplest things. he’s very pleased to explain his work without a time constraint or worry about quality, and you’re more than happy to listen.
> i imagine they don’t really know how to communicate appreciation well in a “way that matters” since they were expected to automatically be grateful for everything in their previous family. so they learn from observing, watching people give each others gifts and presents. leaving little trinkets they find or make cleanly and neatly placed somewhere for them to find.
> is embarrassed by being recognised for it though. so the family just opts to keep it on them/use the gift in front of them so that they know they got it. reader’s happy, but keeps a straight face, voice softening in the middle of a conversation just a little when they notice.
> you’re close to cassandra too, sticking to her like glue. you both were heavily indoctrinated by your fathers that you couldn’t place the world over, healing slowly but surely. she most definitely helps you settle into your new life at the manor.
> small things, like recognising feelings you struggle to express, she notices, offering you a hand or leaning into your arm. you are neither willing to speak out what you feel, and she won’t insist. she knows, and you’re grateful that she does.
> dick grayson is a little overwhelming. it’s more of the fact that he reminds you of your other older brother than it is him offering warmth that you’re not used to. out of habit, you do try to coerce yourself into a complacent, comfortable-around-him sibling, but there’s always a little self doubt. he’s welcoming, but you subconsciously walk in eggshells around him.
> he does notice that you’re nervous around him, and brings it up one day when you, him and damian go to hang out. there’s a small conversation, and you allow yourself to open up just a bit about your struggles upon the reassuring nod damian gave you before leaving the two of you be. the pressure of being perfect, the expectations set on yourselves by yourselves, is something common between you two.
> it’s safe to say that you’re a little less weary around him after that exchange.
> now with bruce wayne things are a little tricky. he feels indebted to you for being somewhat responsible for the death of your father, something strictly against his code. you feel indebted to him the way you did for your father, for taking you in and providing you with the comfort of a home and a family.
> but on the big picture? your interactions with him are a bit difficult, awkward. ues you’ll spend time together, he’ll let you follow him on patrol, teach you about the life of a socialite too, but casual conversations are a bit stiff.
> he does try his hardest though, and you do too, to be family. the gift giving thing comes in here too. there’s not much bruce wayne can’t afford, but your small cards made with damian, origami made with cassandra and duke, and short letters describing your day written with alfred’s support warms his heart. the weight of guilt ebbs, just a little.
> if you happen to have a particular type of biscuit, or fruit juice, more often than the rest, expect bruce to remember to ask alfred to keep it in stock. seasonal fruits like guavas and oranges get imported year-round for you and the others, and that little, small extra care just makes you feel a little more appreciated. for doing nothing. your heart swells.
> solving puzzles with duke is a passtime training excersise you’ve taken up. it’s a replacement for the idle time you used to otherwise spend organising things for your father, but it’s comforting in a way other than being reassurance. whenever you get stuck on a particularly vexing crossword, he’s more than happy to sit with you and solve it. he helps you with the answer, instead of giving it, and it helps you understand that mistakes don’t undermine your efforts in anyway.
> “what matters is that you’re trying” is an oversaturated expression, but one you’ve seldom heard. and coming from him, the shared laughter and prideful “victories” from solving said puzzles, he shines an extra light through the dark window in your head that’s slowly opening up.
> jason todd is an enigma. you come across him in the manor library at dark, curious but not hostile about his looming shadow. you observe as he leaves, perceiving just a hint of hesitance from him as he climbs through the window.
> you did not much appreciate him the first time you met him, finding his opposition to bruce offensive, and your siblings slight awkward stiffness around him suspicious. you had considered him an enemy by their reactions at first, a familiar mixed rush of anxiety and impatience in your blood as you repositioned your leg carefully.
> but when he spoke, his voice wavered. just a little. and what took you up wasn’t suspicion, but familiarity. in his shadow, you saw your reflection. he was also your family.
> jason and your relationship is not much different from his with the rest. close, but only to an extent. but you understand him on a level that allows you to feel empathy for him, sadness that you couldn’t communicate it in the new ways that you learnt.
> so you slip into his dingy apartment while he’s somewhere on patrol, using your expertised ghost walking to enter without notice. you feel it’s wrong, and that there are better ways to be considerate, but you don’t care.
> alfred told you he liked to read, so you got him a book you had poured over and stuck into your heart forever. it was a little sentimental, stupid even, and you felt a bit embarrassed. he would be angry at you for entering like this, without asking, breaking in as an uninvited guest. so you reconsider your choices, and leave it in a bag outside his building, tied with a ziplock tie. you hope no one takes it.
> you’re not sure if jason ever got the book, not sure if he’d know if it was you or if he just ignored the packet and moved in. but the next time you see him out on patrol, he acknowledges you with a raised hand, before leaping away.
> it begins to feel like, your happiness is not deserved due to duty, but the consequence of your attempts at a new life. acknowledged, appreciated, noticed and even maybe loved. the moods you thought weak and unnecessary are the foundations of the stability you have found, the complications you faced with expressing them only obstacles in the face of support. sometimes you doubt their intentions are true, but even sitting among them whispers a little comfort.
> you deserve this. there is nothing you have done to not.
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INTERACTIONS & Replies appreciated !!
next up: serious moments with redstart reader. the obstacles with a new life after such a violent upbringing, guilt and remorse, missing your old family, etcetera. im really just writing whatever, but do pls interact!! replies asks wtv,, it helps motivate and actually
 want to write, since i kinda feel my itch to post on tumblr dying.. anyway,
thanks for reading!!
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4mrplumi · 1 month ago
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In fact, your work is probably the only fanfiction On Yandere batfam, where the reader does not like Alfred! And this is very cool, I hope to see the further development of this line of story, maybe even the platonic Yandere Alfred?
- prologue
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aaa thank you for the kind words, i’m glad you found the story interesting!! i’ve fleshed out the insert’s ((name)) light-traits* more in the first chapter, and i think the divide between them and alfred will make sense after i post it. i like the wording of your ask, whether it’s intentional or not, because it’s not like they have any reason to dislike him. they just simply don’t like him, or anyone for that matter. but there’s no resentment towards anyone
 apart from well, maybe one guy.
as for a platonic yandere alfred, oh yes, it’s very probable. you lack the need for vengence, justice, renewal, the drive for knowledge or the hope of a better future as the others do, and you’re so very simple. but that’s just the thing, when alfred eventually pieces together that you’re plain, but not simple, he laments the few pleasantries he exchanged with you in the past.
the pleasantries in which, from such a young age, you showcased the same dullness of maturity you do ‘now’. dullness he didn’t acknowledge. you’ve been plain, but only in comparison to leaping nocturnal vigilantes, and it upsets him. the dullness of maturity in a little child such as what you were upsets him.
he’s an observant man, knowing and aiding the family in times of need, whether emotionally or physically. so when he realises that there’s so much that you are, that he doesn’t know about, that he couldn’t console, as he did the others, he feels a little guilty. he never knew about you, none of them did. a ‘parental’ streak does spark in him.
alfred i think though, after this development, would still give you more space to yourself, without you having to ask for it. he’s concerned, and he cares, but for you as a child and for you now. who do the others care about?
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*light-traits = things that define the insert due to the events of the story, but not them overall (since it’s a reader insert)
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4mrplumi · 7 days ago
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( crow choir. entry two) ── ravens hiding in a shoe ( m.s | prev/next )
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IMPORTANT author’s note at the end.
note: this entry is entirely re-written. you can read the first, now “non-canon” version here. events there do not apply to the current story.
crashed out on the couch with some abysmally boring show on the tv and the filthy humidity of your apartment is exactly how you expected to spend the week. your phone’s acting all funky while you scroll through a net-tabloid about oliver green with a plastic pen in your mouth, the cracked blue paint on it crumbling onto your lips.
you’ve long since tuned out the annoying buzz from the faulty lights in the corridor, the sound of them breaking through your door like the thieves that take cover at your place often, and you have to set your overheating phone down for a moment before you get up and wipe a hand against your face.
shortly after turning nineteen, you’d moved out with less than a word to anyone, figuring they’d piece together your whereabouts if they really needed to. and you doubt they do, since you’ve been living in genuine, peaceful, boring simplicity for a few months now. as peaceful and boring as it gets in gotham anyway.
you don’t have many friends, have a side job at a corner-store that gets robbed habitually on tuesdays and fridays, and have to shoo away loud kids playing at the front like an old man. it’s absurdly mundane, and you can’t help but calm down from your raucous everyday doings.
you’re finding peace in the silent shadows that you used to fear as a little kid, basking in them to make up for the lack of sun in the city. the more you grow older, the more you change. it’s expected of course, but it must be odd to not have anything really stopping you from ever-continuous change. some kids had parents doting over them turning into teenagers, teasing mood swings and scolding more often. some parents teared up when their kid turned old enough to be called an adult, feeling eighteen years slip through their fingers like sand. you don’t have a mother to wipe your tears or a father who wants to pat you on the back for a job well done.
growing up in the wayne manor is an experience envisioned as boundless privilege, written about in absurd fictions by wealth-worshipping teenagers from other cities, and scorned by the angrier lot of the unfortunate here in gotham. and you suppose it is. it is a privilege, and much different from the life you’d been living before. you guess you’ve payed your due for living so selfishly in that luxury by being ignored all your time there. you know your siblings also pay for that privilege, in more difficult, harsher ways, with fists and feet and rods and ropes.
changing, changing, changing. you think that for now, you’ve stopped changing, thinking back to the numerous times your mentality morphed to your surroundings like an asocial chameleon. when you were very young, freshly twelve and thrown into a house with your real father and a permanent family, you hated them. detested them even. you’d scowl and hiss at any glance from a brother, any dignitary waving at you at a gala and even the greenhouse plants that withered upon your arrival in dismay. you hated your fathers ploys at power and sauntering smiles, the skin with which he shook official hands and the pearly teeth with which he grinned. you hated richard’s comforting nod, and the way tim talked to guests, the way alfred always knew and the way bruce never did.
but you softened. you matured, is that the word? you saw them in a warmer light after hearing a girl squabble and wail at her patient father at the park and thought with a surging need, you wanted that too. so you smoothened out your frayed ends, stitched together competency. it would be hard to raise yourself to your brothers’ level, but you could try. among the chaos of being bruce wayne, being batman, being father and being vigilante, you’d resolved to be a beacon of peace for them.
but what beacon could you have hoped to be, if your light was so dull?
they didn’t ignore you, no. your father’s eyes glazed over you, like the block of your body was an insignificant dot among many others. like you were a clear champagne glass, like the ones served at his galas, to be nursed all throughout the event, but never indulged. you’re lucky others loosen themselves at drinks though, because you’d manage to craft quite a respectable social image among his associates and guests. grayson junior, an old lady draped in large, large pearls, had laughed, a charming little thing with only half his enthusiasm. a washed out, non-temperamental, unfeelingly warm version of your eldest brother. a stain of what he was, and a poor attempt at following his example.
but you twitched smiles through backhanded compliments about your inheritance in the family, the ushering prods at you to speak to your father about a deal (you’d never even dream to) and various vain offences made a speciality by gotham’s elite class. you’d endured all of that with half the mind to sock those prudish grins right off, so that your father would recognise your discipline and nod at you. he never even looked.
and after attempts after attempts after attempts at harbouring their favour, to grasp onto this life and make the best of it, never let go, you destroyed the little smudge of any real anger you ever had. you were reduced to a plain slate, an unused blackboard, a project in the making. you had no end goal, however, no final version. ever-changing.
you began to resent them, once more. miserably sulking over “how could they?”s and then, “how dare they!”s. you took to meaner methods of nagging for their attention. always being at the scene of some altercation at school, having prodded or initiated a fight between people was just a perfect look. you could justify any slight guilt at seeing bleeding lips curved into bruised scowls directed to you by thinking, your friends were much worse! so there’s really nothing wrong. those guys are odd anyway, they had it coming. but even that changes, and you once again erode to nonchalance.
your friends, however, do not change, redirecting their focus from messing around at school to sneaking into bars and clubs with comically fake ids, slipping into petty crime and street-fighting, racking up tickets on their profiles like medals. but you didn’t leave them, no, you were attached. forget rose-tinted glasses, yours were bright, hot, pink, finding a way to justify just about every brawl they stuck up, every man they mugged and every shot they downed while being well under the right age to. but gotham’s an odd place, it’s not too absurd to see a bunch of scrappy fifteen year olds running about with forks and foxes in their hair.
and you stayed this way, morbidly going through long, lonely days of watching your siblings live a life entirely parallel to yours. an ache that carved down from your chest and across the first bones of your ribs became a permanent one, and your throat would sting far too often to be considered normal. you’d kick and scream and fight with anyone you could, breaking into gushing tears the second they looked away. always conflicted and always changing, it messed with you, especially with no one to tell.
your family would be out at night, fighting the very same thugs that your friends are turning to become, all while you languished through the day counting bills and reading licenses off the wallets they pocket. after particularly violent exchanges, you couldn’t even look at the warmth that radiated off of bruce’s hand on damian’s shoulder, dick’s grin at tim or cassandra’s strange card game with duke. you couldn’t want to be a part of them, because you knew that maybe, you never would be.
yes, they have bigger problems. and yes, you blend perfectly into the blur of all the hooded and masked faces of gotham, and yes, you never do any real harm. but you can’t imagine being caught, returning to such unpleasant ways of life despite being given a hand at the one offered to you on a gold-plated platter. guilt and pride fought with their fists in your head, the second beaming at the idea of their surprise and notice if you ever made a mark, and the first ashamed at the thought of it at all. but you couldn’t live this life.
so when it got too heavy, you made the quick decision to leave. you’ve been changing so much, doing so much. moving out of the manor with all the necessary legal requirements was the tamest of them. you made all the proper requirements, choosing to call alfred after you moved out with just the slightest hesitance, worrying that he’d snitch you out in a way that doesn’t seem right. doesn’t justify your decisions.
and it’s after your budding malevolence for the lame-vigilantism stream of gotham’s legality is relocated from the estate’s concrete, and into the plywood of your apartment, can you really feel satisfied with yourself. when you hide a scrambling girl with a gun in her sleeve from the officer that knock on your door a minute later, can you feel satisfied.
admittedly, it is petty to be harbouring the same small-time criminals your family tries to turn over, but who cares? your friends are among the lot, those who couldn’t escape gotham’s gravity and leave, coming through your door with botched noses and empty barrels, and you wouldn’t turn them over. especially not to people who turned you away. there’s an ebb of sadness, a doubt that asks if you could have turned out different, and you squash it with the joy you get at seeing the vexed silhouettes of the caped crusaders perched on terraces from your window.
and with a tremendous stretch and a yawn, you pull yourself and your stiff joints out of thought, going to open the main door after a squealing notification from a regular visitor asking you to open the door. the people behind the door change, but at least they always come back.
-
it was troubling to say the least, when alfred informed bruce of (name)’s relocation. of course, he’d expected at least a little knowledge of it from the kid themselves, but didn’t dwell much on that. according to his accounts and alfred’s motionings, (name) was well and enough the age to own an apartment, own it legally and without trouble, and sludge through the days just fine, since they’d speak regularly with alfred.
he does bristle at your unsaved contact number, noting it from alfred and resolving to call you later. he does however send it to the kids as well, asking them to check in on you incase they haven’t recently. he doesn’t know if they met up with you after you left.
right now, he’s more focused on a little branched out gang that the commissioner, gordon, was troubled with. the week had been relatively quiet, spending patrol through stopping little crimes and such. offering a little assistance wouldn't take up any time, and was a productive way to spend little time too, according to him.
he went through witness files, the crimes all regular, as regular as they get. robberies, violent fights, keying cars (bruce purses his lips at the immaturity) and more. one case however, sticks out. the members of the gang, group even, considering their lower than low presence in the crime world all seemed to disappear right after making turns outside an apartment owned by an elderly estate manager. bruce deduced that it must be their hideout, but couldn’t really risk chasing them in, since the building was well occupied by civilians too and it’d be difficult to figure out their exact residence without prior investigation. not to mention, a little background check assured him that the man running the place was not affiliated with the people gordon was motioning at, other than the fact he presumably (and unknowingly) was housing them.
but what caught his eye was the disappearance of a girl near the same place. a profile by another victim of the gang’s mugging described her as somewhere around twenty years old, or just an exceptionally old looking teenager. according to the poorly kept case files one of GCPD interns, she was not identified among the regulars, and did not leave the building like the rest of them.
the whole thing was very mundane, low-profile, and her disappearance could also be swept away as just a reconsideration of career choices on her behalf. a new member, who decided quickly she didn’t want to be a part of it all. of course, that’s rarely ever the case in gotham, and could very well set a stage for a suspected murder, kidnapping.
first things first, simply a checkout of the place should be enough to confirm any further decisions that he’d tell gordon to carry through. in the meantime, he ought to check in with the league, the asylum, crime alley and nightwing. bruce can be described as paranoid, even if very few people can say it to his face.
he prefers being prepared. if not the strongest or the fastest, he can be the most prepared. maybe, he was prepared for this too.
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“(name),” tim sighed, “won’t answer my message.”
bruce had put him to reaching out to his older sibling, over a number he’d spent a few minutes memorising before texting. dick, present at the time, insisted he called, but quit after getting a look.
he leaned over the back of the couch to see, staring into the chat. “let me see,” he prodded, “maybe you’re being too blunt,” tim raised an eyebrow at him, “not everyone can be as persuasive as me, you know”.
tim drake - 21:32
hi
where are you
(name) - 21:43
?
tim
you moved out right
where’s your address?
(name)
why are you asking?
tim
can’t i?
dick cringed at the screen, exasperated as he asked “really? right in the face like that?”. tim just rolled his eyes, frustrated, a little embarrassed. “just scroll.”
tim - 21:45
sorry
where are you
(name) - 21:56
dude
why do you want 2 know.
tim
bruce wants to know
read
(name)??
read
“very suspicious,” dick proclaimed, poking his shoulder, “i can’t imagine why they wouldn’t tell you. so surprising.” tim frowned, taking his phone back and frowning “look, i tried didn’t i? but if they’re not responding, i’ll have to tell bruce,” he ran a hand through his hair, “i don’t think he’d be much less conspicuous about (name) not telling us their address.”
dick nodded. when he first moved to bludhaven, he’d wanted a start as his own man, without the help of the batman or bruce. maybe (name) wanted the same? tim shouldn’t have said bruce wanted to know, he thinks, could’ve played it off as a “i want to visit". he suggests the thought, only be faced with an awkward smile on tim’s face.
“i don’t know if that’d work,” a short reply, “me and (name) never really talked much. it’d be strange to just butt in like that.”
dick hummed, resting his chin on the couch’s head in thought while he spoke “me and (name) have
 talked a bit. send me their number, i could ask,” he elbowed tim’s head gently, joking, “one-up you.”
“you don’t have (name)’s number?”


“never had the chance to get it.”
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your thumb grows numb from pausing at an awkward position on your phone. stuck on the same chat for about six minutes. two new numbers messaging you on the same day, both from your brothers. you’d assumed it was a new phone from one of the girls, but the first was from tim’s saved contact, his personal one. of course, since you’d read the message, you had to respond, sending in an aloof question mark to dismiss him.
when the second one, an unsaved contact, messaged you with a whole lot of exclamation points after a waving emoji, you’d assumed it was a rebooted number of one of your guys. but no, of all people, it was richard grayson, your older brother. you weren’t daft when he sent in a message asking the exact same thing, your address, saying he “wanted to visit”.
did he take you for an idiot? you know it’s bruce who wanted to know, as stated so bluntly by your little brother. even if he did want to visit, you’d go five floors down hell before letting him come over. a thumbs-down reaction and shutting your phone off did what you wanted it to, slamming a figurative door in his face.
but what makes your whole body go numb and buzzing is when your bell rings. it’s out of habit of course, not a lot of people ring the door unless it’s the landlord or a visitor’s family member, with prior notification first. it could be just one of them, if it wasn’t nine in the evening. the only people who clocked in at this time were your friends, and they never rang the bell.
you peek through the keyhole, and your breath stills. it’s then when you back up from the door, cursing as an unnamed objecy clatters to the floor and miraculously, doesn’t break. you can hear the wooden plank of the floor outside tense, and you just know the person outside heard it. you can’t play off a “no one’s home” game this time, and considering who’s behind the door, you don’t assume she’ll leave peacefully.
you have to gather yourself, level your breathing, skim through quick backups depending on whether she’s looking for (name), her sibling, or (name) a crime affiliate. it’s been a minute, and you quell your nervousness, wiping your lips after biting them so hard, to open the door.
cassandra cain looks surprised, and her narrowing eyes make you nervous, even as you lean against the doorway. you pray she doesn’t read through that, giving her the blankest look you can, the same one you give to the neighbours when they come to complain about the noise.
silence. you speak up first.
“cass
 andra,” you add, a slight hesitancy when you remember yourself, “hi?”
she tilts her head at you staring up with a look that could be described as innocent, if her lip didn’t unconsciously twitch when you glanced away for a second. gosh, even after having knowledge of her intellect, you’re still messing up. get a hold of yourself.
she drops her arms from where they were crossed, giving you a knowing look. yes, cassandra, i’m here, you want to say after deciphering that glare with a little trouble, holding it back. what’s she here for? you didn’t give anyone even an inkling of your whereabouts. did alfred snitch? but you never told him either. did bruce figure it out? no, you think morosely, you don’t think he’d do all that.
you try to play it off, a hand to your head, staring down with just the slightest feigned frustration, hoping she takes the hint. “look kid,” you say, voice carefully dry, “i’ve got shit to do, you need something?”, with a seconds’ hesitation, a little demeaning comment slipping out of your mouth before you can stop it, habit, “or are you girl scouting for bruce?”
nice. great way to go. not only does she know that you’re purposefully avoiding him but also that you don’t want him to know. your sister is incredibly adamant to being loyal to him, worryingly so, and you know she won’t let it go. you’re no trained mind-reader like her, if you can call it that, but even your heart rate spikes at the subtle tensing in her jaw.
she points at your apartment, careful, slow. and you frown, obviously. no, she can't come in. she drops it, looking away.
silence stretches on before she exhales sharply through her nose, taking a step back. she’s leaving, you understand anxiously. you know she won’t listen to you if you ask, know she won’t answer any of your questions either, but you try anyway.
“going off to tell bruce are you?” she pauses, turning around to face you again. you’re put off, straining the rest of the sentence so it doesn’t sound odd. you want to say, beg, don’t tell him, you want to say, snarl, get out. instead you just draw your shoulders in and return inside, shutting the door. man, you messed up.
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bruce is only momentarily distracted by tim and dick’s hushed talking, weary of what they’re up to, before quickly focusing back to the apartment layout he’s handed by the owner of the building, a mister ford, after requesting for it through a burner account. cassandra’s there too, dressed in gear to leave for patrol in a bit, getting a head start before bruce does the same. he’d sent her out to check the place out, maybe set sights on figures she could suspect to be a part of the trouble he was reviewing earlier, time-pass assignments to sludge through the dullness of the evening.
and she comes back with results, circling an east facing room on the third floor on the flat plans. he can’t help but notice a slight moment of hesitance before she does though, turning to bruce with her grimacing full-face cowl, a silent statement. he thinks about asking her, but decides against it. if she’s worried for their safety, thinks them to be innocent, or doesn’t want them caught, she must want it for some reason. he’ll make sure the GCPD knows after sending gordon's intern the file later, in hardcopy via an open window or softcopy through yet another burner account.
but it’s then when he catches a stray hiss from tim, a “just tell him later,” and pulls away from the screen for just a second. “tell me what?” a brief sombre octave to his voice, he knows it’s not wise to leave tim, of all people, hiding something. especially not moments before patrol.
the boy just shrugs, shaking his head, “nothing important,” he lies, “err
 bludhaven stuff.” dick blanches, gesturing in a “what the hell?” manner and cassandra inclines her head. bruce sends in the file, before turning around with the slightest frown to his face. if you have something unimportant to say, the unsaid message floats through the room, say it now, before patrol.
before tim can though, dick gets to it first, a hand to his head in perplexed motion; “you know how you told us to check in on (name)?”.
bruce responds plainly, “i asked tim.” dick’s lip turns downwards just a hint as he lets his arm down, “i’m getting to that.”
“(name) didn’t respond to his,” dick jabbed a thumb in tim’s direction, “message, so i tried. won’t answer mine either.”
“so, you don’t know where they are?” bruce finishes for him, a hand yo his chin in thought, “it’s fine, tim, dick, i’ll see to it later. carry on with patrol, and if you have the chance to, look for robin and tell him to return to the cave.”
it’s funny to dick how easily he slips between proper names and aliases, even if the surroundings are occupied only by associates. paranoid, he thinks, uselessly so. cassandra clears her throat, causing everyone to turn to her, glance in her general direction since she's so well hidden.
she points at the screen, the file sent to a contact with the police department’s logo as its profile picture. her voice is soft, but holds a small, uneasy reluctance to it.
“(name) was here.”
oh.
oh?
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INTERACTIONS, REBLOGS AND ASKS VV APPRECIATED!!
- woah. re-written entry?? whatever for?? i overestimated myself.. got carried away and derived way off my ideas.
my exams are coming up and get dragged all the way into JUNE can u effing believe it. so obviously i wont be gone completely but will be kinda compromised.
i do still encourage sending in asks or ideas bc honestly without interactions idk what ppl think and i think thats important for any media u release into the wild,, to some degree!! also keeps the motivation to write up and stuff.
i have plenty things to add and a hollow head full of things to talk about which ill eventually get onto depending on everything. don’t take my characteristics VERY seriously and dont shy away from feedback.
thank you for reading!
# taglist: @cxcilla @strwberryglass @c4xcocoa @yaoizee @secretsandwriting @sirenetheblogger @charlenexoxo1 @mirabilis-polaris @jsprien213 @tfimherewhy @yuyuzi-ling @crazycaoticsimp @m0na-lis4 @trashlanternfish360 @thehammerx4 @ninihrtss @kaitense1
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4mrplumi · 1 month ago
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USED A SUA IMG IN ONE OF YOUR BATFAM POST imagine a luka reader. the family desperate to reach you and due to lack of memories of what You were like since they all neglected you, started just making shit up about you. yes, of course youre angelic, kind and so darling to them! youd never hurt a fly and your soul is such a forgiving one... until they look you up online properly and see you gay baiting someone to get them shot
- prologue
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PAUSE anon you cooked, omg. (for those who don't know who luka is i've put a very small summary of his character right at the end.)
honestly i've just been using sua as a poster girl, but a reader with luka's characteristics is so interesting... after being relocated from your "father's" underground business dealings to gotham to live with your real family, it'd be natural to stay reclusive because of the change in atmosphere.
i imagine a luka-ish reader would try to socialise more with the family than the current insert, but their attempts would be unmeaningly unsettling. an innate feeling would rise in the batfam that didn't make them dislike you, per say, just unintentionally avoid you.
you can't be much bothered with it, since even in your previous living conditions, there'd be people who liked you, and people who didn't. you knew how to work around it
so you redirect your focus. you'd been treated like an adult as you were being raised, so you had your goals and motivations figured out at this age already. for a handful of years in the manor, you'd work to keep up the fame you'd built up with your old "father", fame that slightly dissolved after your sudden disappearance from the screens; your escape from the industry.
eventually, when you decide to move out to perhaps further your prospects and influence, there's a buzz in the media at the sudden reappearance of the angle-voiced child star who was taken off the big screens after their "father" got involved with court dealings.
this is probably what eventually alerts the family to your absence in the manor, and in the shame that they couldn't notice it without the help of a third party, they scrounge around in their memory for good exchanges with you. just to have some semblance of the kid who wandered around aimlessly in the house. the kid they shooed away without ever actually shooing them away.
when they find nothing; they try to make stuff up. "angle-voiced child star", so you must've been soft-spoken, sympathetic, angelic person too, right? yeah, yeah you must've been a darling... how could they be so ignorant of you?
their shame somewhat morphs their unease at your old attempts to talk to them, into a shy child's timid want to talk to a new family in a new area, without any help whatsoever.
oh you poor, poor little kid.
i imagine it wouldn't be too difficult for them to find content of you, since your net-presence sky-rocketed after returning to the music industry. but ohh just imagine their surprise when they get access to an underground website streaming some sick stage-show human trafficking project, and see you there?? whatever are you there for? doesn't your fame generate a fortune? what in the world would you need to be on this... show for?
idk how the "getting them shot" thing could play into any other place other than a dark-web game show tbh. maybe they don't initially recognise that the videos up there are for such a thing, only after seeing you walk away from an applauding audience, get surprised by the sound of a shot and the image of your opponent lying dead on the stage ground, do they bother to investigate the ordeal. but this time, as vigilantes, and not failed family.
they'll just... save you along the way, yeah? 'save' you.
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luka is a character from a series called alien stage, and you can find the episodes uploaded on youtube by vivinos. luka's established as a well known, famous character within the alien stage 'tournament', who's participated in the whole thing before, and has a significant amount of aliens/audience rooting for him.
his character on it's own looks beautiful, and is dubbed "prince" by his fans, but on his first appearance in round 5, he is portrayed as somewhat unfeeling and manipulative.
better characterisation is provided on alien stage's official accounts, with comics and patreon uploads. the "father" i refer to in the above imagine is referring to luka's alien owner.
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4mrplumi · 1 month ago
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crow choir masterlist ── platonic batfam x neglected reader
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# plotline. you thought she’d live forever, but at the tender age of eight, your big sister dies to a freak accident in your dingy little apartment.
after years of being swept from one inapt foster home to another, a vague judiciary system identifies your father as the bruce wayne.
affection and familiarity never come from him or your
 brood, and falling out with your friends has sent you into a small spiral.
a very small, isolated, and managable spiral.
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# disclaimers. death, murder, emotional neglect, alchoholism, allusions to physical abuse, self-harm, allusions to an eating disorder, mental disorders, avpd mc, underage drinking, substance abuse, unhealthy dependency, references to gore +more soon
&& a/n. genre-specific disclaimers are added after plot continuation to avoid spoiling the story to early readers. playlist soon.
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00. fame is a fickle food. / emily dickinson
01. dust of snow. / robert frost
02. ravens hiding in a shoe. / robert bly
03. cloud pheonix. / aaron j. frederick
04. the human abstract. / william blake
05. omen of emptiness. / spike milligan
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asks/drabbles:
1. alfred and (name)
2. luka alien stage reader
3. reader and commitment
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( taglist ) ask to be added/removed... ♡
@.cxcilla @.strwberryglass @.c4xcocoa @.yaoizee @.secretsandwriting @.sirenetheblogger @.charlenexoxo1 @.mirabilis-polaris @.jsprien213 @.tfimherewhy @.yuyuzi-ling @.crazycaoticsimp @.m0na-lis4 @.trashlanternfish360 @.thehammerx4 @.ninihrtss @.kaitense1 @.sea-glasses @.shirp-collector-of-fixations
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4mrplumi · 1 month ago
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about me + my masterlist !! ─── asks open, requests closed ☘
i post what i like when i like. no guaranteed updates unless i specify! + not written out of obligation, just funs!!
© please don't plagiarize, copy, or repost my work anywhere
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4mrplumi · 1 month ago
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about me!! ── saria, she/any, minor, istp, libra . .
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# aek. fluctuating writing style, i get spontaniously motivated by different authors and tend to un/intentionally replicate their styles. content similarities are however either coincidence or credited (to non-fanfiction authors)
# dui. i'm a student, so updates, answers, interactions may be slow. i'm also terminally online, so replies range from immediately to three light years apart /hj
# tin. i'm a multi-fandom writer, but probably only well versed in my hyper fixations. i don't have the freedom to invest in many interests, so consider small flaws or media inconsistencies as fan-media liberties.
# char. i am cringe but i am free. feedback and helpful probing is appreciated, but please be nice. i won't say i'm sensitive but unnecessary rudeness makes me sad 🙁
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