#Christine Roch
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Bon, je suis flemmard. Alors une série de reblogs d'il y a 3 ans...
Tous les jours, jusqu’au jour J, des séries de photos montrant mon “évolution”, une photo par an….. Difficile de choisir parmi mes 50.000 photos…
- 1998, Gruissan-Plage (Languedoc). A l’époque je pouvais encore m’habiller comme ça !
- 1999, chez moi, à Douai pour le passage à l’an 2000. Nours était là et c’était le plus important.
- 2000 Escaudain. Sur mon lieu de travail, car oui, je travaille…!
- 2001, Gouézec (Bretagne), la Roche du Feu. A l’époque où Jean-Luc était allé chercher du boulot dans le Finistère. Régulièrement j’allais le voir. De belles parenthèses, toujours trop courtes.
- 2002, Pau. Chaque été là-bas chez Christine est aussi une parenthèse, où je vis enfin, vraiment.
- 2003, Douai. Spectacle pour les 20 ans de l’Atelier du Tigre…et pour mes 10 ans dans cette belle troupe.
#biographie#18 juin 1961#an 2000#moustache#escaudain#collège#nours#jean-luc#nord#bretagne#finistère#roche du feu#short#pau#béarn#christine#atelier du tigre#théâtre#douai#languedoc#gouézec#gruissan
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The book list copied from feminist-reprise
Radical Lesbian Feminist Theory
A Passion for Friends: Toward a Philosophy of Female Affection, Jan Raymond
Call Me Lesbian: Lesbian Lives, Lesbian Theory, Julia Penelope
The Lesbian Heresy, Sheila Jeffreys
The Lesbian Body, Monique Wittig
Politics of Reality, Marilyn Frye
Willful Virgin: Essays in Feminism 1976-1992, Marilyn Frye
Lesbian Ethics, Sarah Hoagland
Sister/Outsider, Audre Lorde
Radical Feminist Theory – General/Collections
Freedom Fallacy: The Limits of Liberal Feminism, edited by Miranda Kiraly and Meagan Tyler
Radically Speaking: Feminism Reclaimed, Renate Klein and Diane Bell
Love and Politics, Carol Anne Douglas
The Dialectic of Sex–The Case for Feminist Revolution, Shulamith Firestone
Sisterhood is Powerful, Robin Morgan, ed.
Radical Feminism: A Documentary Reader, edited by Barbara A. Crow
Three Guineas, Virginia Woolf
Sexual Politics, Kate Millett
Radical Feminism, Anne Koedt, Ellen Levine, and Anita Rapone, eds.
On Lies, Secrets and Silence, Adrienne Rich
Beyond Power: On Women, Men and Morals, Marilyn French
Feminism Unmodified: Discourses on Life and Law, Catharine MacKinnon
Femininity and Domination: Studies in the Phenomenology of Oppression, Sandra Bartky
Life and Death, Andrea Dworkin
This Bridge Called My Back: Writings by Radical Women of Color, Gloria Anzaldua and Cherrie Moraga, eds.
Wildfire: Igniting the She/Volution, Sonia Johnson
Homegirls: A Black Feminist Anthology, Barbara Smith ed.
Fugitive Information, Kay Leigh Hagan
Talking Back: Thinking Feminist, Thinking Black, bell hooks
Feminist Theory: From Margin to Center, bell hooks
Deals with the Devil and Other Reasons to Riot, Pearl Cleage
Pilgrimages/Peregrinajes, Maria Lugones
In Search of Our Mothers’ Gardens, Alice Walker
The Whole Woman, Germaine Greer
Right Wing Women, Andrea Dworkin
Feminist Theory – Specific Areas
Prostitution
Paid For: My Journey Through Prostitution, Rachel Moran
Being and Being Bought: Prostitution, Surrogacy, and the Split Self, Kajsa Ekis Ekman
The Industrial Vagina: The Political Economy of the Global Sex Trade, Sheila Jeffreys
Female Sexual Slavery, Kathleen Barry
Women, Lesbians, and Prostitution: A Workingclass Dyke Speaks Out Against Buying Women for Sex, by Toby Summer, in Lesbian Culture: An Anthology, Julia Penelope and Susan Wolfe, eds.
Ten Reasons for Not Legalizing Prostitution, Jan Raymond
The Legalisation of Prostitution : A failed social experiment, Sheila Jeffreys
Making the Harm Visible: Global Sexual Exploitation of Women and Girls, Donna M. Hughes and Claire Roche, eds.
Prostitution, Trafficking, and Traumatic Stress, Melissa Farley
Not for Sale: Feminists Resisting Prostitution and Pornography, Christine Stark and Rebecca Whisnant, eds.
Pornography
Pornland: How Pornography Has Hijacked Our Sexuality, Gail Dines
Pornified: How Porn is Damaging Our Lives, Our Relationships, and Our Families, Pamela Paul
Pornography: Men Possessing Women, Andrea Dworkin
Pornography: The Production and Consumption of Inequality, Gail Dines
Pornography: Evidence of the Harm, Diana Russell
Pornography and Sexual Violence: Evidence of the Links (transcript of Minneapolis hearings published by Everywoman in the UK)
Rape
Against Our Will, Susan Brownmiller
Rape In Marriage, Diana Russell
Incest
Secret Trauma, Diana Russell
Victimized Daughters: Incest and the Development of the Female Self, Janet Liebman Jacobs
Battering/Domestic Violence
Loving to Survive, Dee Graham
Trauma and Recovery, Judith Herman
Why Does He Do That? Inside the Minds of Angry and Controlling Men, Lundy Bancroft
Sadomasochism/”Sex Wars”
Unleashing Feminism: Critiquing Lesbian Sadomasochism in the Gay Nineties, Irene Reti, ed.
The Sex Wars, Lisa Duggan and Nan D. Hunter, eds.
The Sexual Liberals and the Attack on Feminism, edited by Dorchen Leidholdt and Janice Raymond
Sex, Lies, and Feminism, Charlotte Croson, off our backs, June 2001
How Orgasm Politics Has Hijacked the Women’s Movement, Sheila Jeffreys
A Vision of Lesbian Sexuality, Janice Raymond, in All The Rage: Reasserting Radical Lesbian Feminism, Lynne Harne & Elaine Miller, eds.
Sex and Feminism: Who Is Being Silenced? Adriene Sere in SaidIt, 2001
Consuming Passions: Some Thoughts on History, Sex and Free Enterprise by De Clarke (From Unleashing Feminism).
Separatism/Women-Only Space
“No Dobermans Allowed,” Carolyn Gage, in Lesbian Culture: An Anthology, Julia Penelope and Susan Wolfe, eds.
For Lesbians Only: A Separatist Anthology, Julia Penelope & Sarah Hoagland, eds.
Exploring the Value of Women-Only Space, Kya Ogyn
Medicine
Witches, Midwives and Nurses: A History of Women Healers, Barbara Ehrenreich and Deirdre English
For Her Own Good: 150 Years of the Experts’ Advice to Women, Barbara Ehrenreich and Deirdre English
The Hidden Malpractice: How American Medicine Treats Women as Patients and Professionals, Gena Corea
The Mother Machine: Reproductive Technologies from Artificial Insemination to Artificial Wombs, Gena Corea
Women and Madness, Phyllis Chesler
Women, Health and the Politics of Fat, Amy Winter, in Rain And Thunder, Autumn Equinox 2003, No. 20
Changing Our Minds: Lesbian Feminism and Psychology, Celia Kitzinger and Rachel Perkins
Motherhood
Of Woman Born: Motherhood as Experience and Institution, Adrienne Rich
The Reproduction of Mothering, Nancy Chodorow
Maternal Thinking: Toward a Politics of Peace, Sara Ruddick
Marriage/Heterosexuality
Compulsory Heterosexuality and Lesbian Existence, Adrienne Rich
The Spinster and Her Enemies: Feminism and Sexuality 1880-1930, Sheila Jeffreys
Anticlimax: A Feminist Perspective on the Sexual Revolution, Sheila Jeffreys
Black Macho and the Myth of the Superwoman, Michele Wallace
The Sexual Contract, Carol Pateman
A Radical Dyke Experiment for the Next Century: 5 Things to Work for Instead of Same-Sex Marriage, Betsy Brown in off our backs, January 2000 V.30; N.1 p. 24
Intercourse, Andrea Dworkin
Transgender/Queer Politics
Gender Hurts, Sheila Jeffreys
Female Erasure, edited by Ruth Barrett
Testosterone Rex: Unmaking the Myths of Our Gendered Minds, Cordelia Fine
Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference, Cordelina Fine
Sexing the Body: Gender and the Construction of Sexuality, Anne Fausto-Sterling
Myths of Gender, Anne Fausto-Sterling
Unpacking Queer Politics, Sheila Jeffreys
The Transsexual Empire: The Making of the She-Male, Janice Raymond
The Inconvenient Truth of Teena Brandon, Carolyn Gage
Language
Speaking Freely: Unlearning the Lies of the Fathers’ Tongues, Julia Penelope
Websters’ First New Intergalactic Wickedary, Mary Daly
Man Made Language, Dale Spender
Feminist Theology/Spirituality/Religion
Beyond God the Father: Toward a Philosophy of Women’s Liberation, Mary Daly
Gyn/Ecology: The Metaethics of Radical Feminism, Mary Daly
The Gods and Goddesses of Old Europe, Marija Gimbutas
Woman, Church and State, Matilda Joslyn Gage
The Women’s Bible, Elizabeth Cady Stanton
Pure Lust, Mary Daly
Backlash
The War Against Women, Marilyn French
Backlash, Susan Faludi
History/Memoir
Surpassing the Love of Men, Lillian Faderman
Going Too Far: The Personal Chronicles of a Feminist, Robin Morgan
Women of Ideas, and What Men Have Done to Them, Dale Spender
The Creation of Patriarchy, Gerda Lerner
The Creation of Feminist Consciousness, From the Middle Ages to Eighteen-Seventy, Gerda Lerner
Why History Matters, Gerda Lerner
A Vindication of the Rights of Women, Mary Wollstonecraft, ed.
The Elizabeth Cady Stanton-Susan B. Anthony Reader: Correspondence, Writings, Speeches, Ellen Carol Dubois, ed., Gerda Lerner, Elizabeth Cady Stanton
The Suffragette Movement, Sylvia Pankhurst
In Our Time: Memoirs of a Revolution, Susan Brownmiller
Women, Race and Class, Angela Y. Davis
Economy
Counting for Nothing: What Men Value and What Women Are Worth, Marilyn Waring
For-Giving: A Feminist Criticism of Exchange, Genevieve Vaughn
Fat/Body Image/Appearance
Shadow on a Tightrope: Writings by Women on Fat Oppression, Lisa Schoenfielder and Barb Wieser
Beauty and Misogyny: Harmful Cultural Practices in the West, Sheila Jeffreys
Can’t Buy My Love: How Advertising Changes the Way We Think and Feel, Jean Kilbourne
The Beauty Myth, Naomi Wolf
Unbearable Weight: Feminism, Western Culture, and the Body, Susan Bordo
The Invisible Woman: Confronting Weight Prejudice in America, Charisse Goodman
Women En Large: Photographs of Fat Nudes, Laurie Toby Edison and Debbie Notkin
Disability
With the Power of Each Breath: A Disabled Women’s Anthology, Susan E. Browne, Debra Connors, and Nanci Stern
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Various cartoons by Christine Roche, early 1980s
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Light Trailer #1 (2024)
Dir: Matt Woollard Star: Christine Roche / Gia Lily / Anna Swan
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Tagged by @heathermaru to post the first ten songs that come up on shuffle.
Call Your Girlfriend — Lucy Wainwright Roche
The Tide — Lucy Kaplansky
March March — The Chicks
Happy Divorce Day — Christine Lavin
Our Town — Iris DeMent
I Guess I’ll Just Lie Here — Noah Reid
Fourth of July — Aimee Mann
The Mother — Brandi Carlile
Firework — Katy Perry
Red River Valley — Suzy Bogguss
That "Call Your Girlfriend" makes me think of Patrick because it's a slowed down cover. With those lyrics! Ugh. So you should listen to it.
Tagging @olinsghost @stereopticons @jamilas-pen @jesuisici33 @smblmn @wearpersistencewell @mostlyinthemorning
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The Prophecies - Part 2
Episode Recap #54: The Prophecies - Part 2 Original Airdate: October 7, 1989
Starring: John D. LeMay as Ryan Dallion Louise Robey as Micki Foster Chris Wiggins as Jack Marshak
Guest cast: Fritz Weaver as Asteroth Marie-France Lambert as Sister Adele Jean Brousseau as Father Decroux Steve Monarque as Johnny Ventura (as Steven Monarque) Tara Meyer as Chris Davis Madeleine Pageau as Sister Francis Lee J. Campbell as Mr. Burt Davis Nathaniel Moreau as Young Ryan Robert Desroches as Mr. Thorez (as Robert Des Roches) Jacques Tourangeau as Lieutenant Marceau (credit only) Jill Frappier as Elizabeth Dallion Guy Provencher as Blind Beggar Joshua Labelle as Jimmy Dallion Huguette Oligny as Housekeeper / Theresa
Written by Tom McLoughlin Directed by Tom McLoughlin
~~~~~~~~~~~~~
Part 2 picks up with a recap of Part 1. Then we are back in the streets of Marie-Mere, with Micki finally finding Ryan, who seems dazed. He said he tried to get the book but was knocked out. Micki is worried, since it has been over an hour. He insists he is fine. She says they should check on Jack. Ryan wants to see Adele, but Micki says they will after seeing Jack.
Asteroth goes to a cemetery crypt. He breaks in the stone door via magic. Inside, it is a huge space. He breaks open more crypts, exposing skeletons. He tells Lucifer the place of his return awaits and laughs.
At the church. Christine and her father sit and pray. She's worried, asks him to pray for her.
Micki has been going through Jack's papers about the Book of Lucifer. She gets frustrated by Ryan just staring out the window. He says it is a waste of time, he needs to see Sister Adele. Micki says no one can see her. Ryan acts weird and then leaves.
Later, Ryan is outside the church as Asteroth reads the next prophecy. Ryan heads forward. He gets inside, upsetting the other nuns with his insistence on seeing Adele. She says it is okay, he's a friend. Ryan says he has to speak to her in private. Uneasily, Adele takes him to her room. Ryan tells her he met Asteroth. Adele knows Ryan is under Asteroth's hold and tries talking to him, then grabs her crucifix and begins praying. Decroux and the other nuns try getting into the room as the possessed Ryan attacks Adele. Asteroth speaks and laughs through Ryan, opens the door and tells Decroux that Adele is dying for her faith. Then he runs off. Decroux and the nuns find Adele and pray to God.
In an alley, Ryan is lamenting what he just did under Asteroth's control and finds the 666 on his chest. He screams.
At the hotel, Micki calls Johnny who's at Curious Goods, worried about Ryan's odd behavior. Ryan's mother shows up at the store. Johnny tries to calm Micki, who asks him to come to France. He agrees, then tells Mrs. Dallion it will be okay.
Cops bang on Micki's hotel room door, then barge inside, looking for Ryan. They take Micki with them.
Johnny talks to Ryan's mom, who is worried about him, thinking he must hate her. Johnny says Ryan loves her, and everyone deserves a second chance. She says she can't lose another son.
Ryan slips into the hospital and goes to see Jack. He begs his friend to wake up, telling he killed Adele and doesn't know why. He begins to cry, thinking his life is over now. Jack lays unconscious, Ryan asks why he couldn't help him this time. And tells Jack he needs him as he continues to sob.
Asteroth is chanting his evil prayers over a skeleton, and Ryan is again possessed, leaping out the hospital window as nurses rush in. He runs off into the night.
Next day, Micki is still being interrogated by the police. They don't believe her claims of strange events and she doesn't believe their claim that Ryan killed Adele. They won't let her leave or make a phone call.
Asteroth continue his work in the crypt, with Ryan at his mercy. He makes an upside cross on Ryan's forehead and says a child of God will be Lucifer's vessel.
That night, at a candlelight prayer vigil, Adele's body is carried through the streets. Johnny arrives via taxi and goes to the hotel, where he finds out Micki was arrested.
Ryan watches the prayer from the streets.
Johnny demands they let Micki go if they aren't charging her, and is shocked with the allegations against Ryan. He tells the detective they are leaving to look for Ryan, and they head out.
Ryan spots Christine and her father in the prayer group, and takes the girl, her father rushing after him.
Decroux begins a prayer over the body of Adele for all of those present. He tells them Satanic powers are at work to destroy their faith.
Ryan rushes with a protesting Christine as Micki and Johnny search frantically. Christine's father tries to stop Ryan, but Asteroth possesses Ryan, who tosses the man to the pavement.
Decroux continues to pray, saying Adele was killed because she was a symbol of good. He tells them they should have faith and pray. As they do, Jack has memories of what happened, what Adele had told him about her faith, and finally awakens, saying "The child."
Ryan brings Christine to Asteroth in the cemetery crypt.
Micki and Johnny still search, then go to see Jack, who is gone from the hospital.
Asteroth continues to read from his book, as Christine prays on her own. Asteroth tells her Lucifer is the true ruler, but she is brave and keeps praying. Asteroth uses his magic to heal her legs for Lucifer's arrival.
Jack finds Christine's injured father, who tells him Ryan took Christine. Micki and Johnny come upon the men, thrilled to see Jack. Micki fills Jack in on what she read, and Jack realizes the place of the dead mentioned must be the cemetery. Before dying, her dad asks them to save Christine.
Asteroth continues his plan to bring Lucifer to Earth. Asteroth has Ryan pull Christine to her feet, to show her what his faith in Lucifer has done for her. She can now stand on her own and walk. Christine listens to Asteroth, but refuses to praise Lucifer, so Asteroth makes her legs give out.
Decroux and the crowd continue to pray, as wind begins to blow.
Ryan is forced to hold Christine down as Asteroth works to use the Book to bring forth his master. He picks up a sharp skeleton bone, and says since she won't accept Lucifer, he will kill her and Lucifer will be resurrected in her body. He lifts the bone over her.
Jack, Micki and Johnny race through the cemetery looking for Asteroth and Ryan.
Christine appeals to Ryan, trying to get through to him. He looks at her and is flooded with memories of his late brother. Just as Asteroth brings the bone down, Ryan screams and puts his body between it and Christine, Asteroth stabbing him in the back. Micki, Jack and Johnny arrive at the same moment. Ryan, out of Asteroth's control, asks Christine to pray for him before falling to the ground.
His body is wracked in pain and transforms into young Ryan. Asteroth says the prophecy has been fulfilled, thinking Ryan will be the vessel for Lucifer.
At the funeral vigil, wind blows and a bright light appears in the sky. All are in awe.
The light even reaches the crypt, worrying Asteroth, who is burned reaching for the Book after struggling with Johnny. Christine stands in the light. Jack rushes to her. Asteroth stumbles to avoid the light. Jack finds the unconscious boy on the ground and picks him up. Micki is confused. Asteroth again tries for the book but it bursts into flames, then he does as well. He thrashes about before turning into his demon form and exploding. Micki holds the boy, and Christine says they must get him to the shrine.
They get to the shrine, still bathed in the bright light. Ryan begins to thrash about. Decroux prays over him, hoping to rid him of the influence of Satan. Christine kneels and prays to the Blessed Mother, asking them to return Ryan to what is God's will. A visage of a woman appears, the light becomes blinding and Ryan screams.
The light dims and fades away, and the boy lies calm. Jack talks to Ryan, who asks who he is. Ryan remembers Jack as a friend of Uncle Lewis. Christine introduces herself, but Ryan doesn't recall her. She thanks him. Ryan asks where his mother is. Christine tells Decroux that the Blessed Mother wants her to stay, and the Shrine waters flow again. Ryan asks if Micki is okay. She tries to get him to remember her, but all he can recall is a cousin named Micki, with red hair. They hug.
Back in the airport in the US, they all arrive home. Ryan runs off, Jack says he didn't say anything to Mrs. Dallion because it would be hard to explain. She is there, waving at them. Ryan comes up to her, calling her mom, but at first she thinks he's looking for someone else. Then she recognizes the boy her son used to be. Ryan says she looks different. She is shocked and Jack tells her this is Ryan, as hard as it is to believe. Micki tells Ryan she recognizes him, but he looks a little different. He says she is still the prettiest mom in the world, and them embrace, as Jack, Micki and Johnny look on.
~~~~~~~~~~~~~
My thoughts:
As I said last week, this is written and directed by Tom McLoughlin, who was the man behind Friday the 13th: Part VI - Jason Lives!, one of my favorite in the film series. He did a great job in opening the third season, while finding a creative way to write out - but not kill off - Ryan. I commend and thank him for that.
I remember the first time I watched this episode. I had graduated high school around the same time as the season two finale. Was working nights now, and was harder for me to be there each late Saturday night. I recorded this and watched it a few days - maybe weeks? - after it had aired. Like I said, no pre-information. It was, to me, just the season three opener. Little did I know.
Ryan becoming possessed and killing Adele is so much. But, as it was with weekly shows, you assume they will somehow over come this. Ryan won't be sent to prison! Then he sacrifices himself for Christine, and you think this will either wound him and also redeem him or kill him. But he's back for season three, they won't kill him off.
Imagine my - and other fans - shock. Ryan is turned back in to a child… and stays that way! Yeah, he isn't killed off. But LeMay is gone? What does all this mean? I was stunned. Ryan and Micki were so big to me as a lonely, awkward teen. How could Ryan be gone from this group?
We had no answers this week. Just this ambiguous end. I remember after watching this, going to let my dog out and just standing, looking out at the bare trees and feeling the end of something. Like I said, I'd graduated and was working. I'd begun to miss episodes of the show and had to play catch up. It all just felt like an end had begun for something that had been so special and important to me. And I had no clue what the future held, for Ryan, for Micki and Jack, and in my life, for me. A weird, very personal, nexus point of life, I guess.
Johnny, as we know now, took over the younger male lead role. They play Johnny here a little different than before. Less harsh and horny, and more friendly and helpful. I don't mind Johnny, but Ryan was irreplaceable.
The religious motifs here are huge, and it makes sense. The show always focused on the demonic and Satanic, so it was interesting to see the flipside of that. But, I have to wonder if this big season opener, with God, and prayer, and nuns and Lucifer combined with airing in more prime time slots, opened the door for more tight ass religious zealots to see and condemn the show. Is it a coincidence that this ended up being the final season?
All in all, a great big movie of a season opener, with the show's status quo truly shaken up. Glad Ryan was left alive, for a possible return. Never happened, unfortunately. Only in my fanfic. Maybe I'll share that one day, if anyone would care to read it.
Good-bye, Ryan.
Next week: Demon Hunter
#ryan dallion#john d. lemay#micki foster#robey#louise robey#chris wiggins#jack marshak#johnny ventura#steven monarque#lucifer#asteroth#the book of lucifer#book of lucifer#season three#episode recap#tom mcloughlin
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Klappentext: Das neue Buch von Charlotte Roche: so unverschämt böse wie komisch. Ihre Ehe? Horror. Ihr Kind? Egal. Ihre Zukunft? Rosig. Denn sie hat jetzt ein Mädchen für alles. Und einen ziemlich guten Plan. Christines Leben ist perfekt. Perfekt langweilig, perfekt einsam. Es muss sich was ändern, Hilfe muss her. Die Hilfe heißt Marie und ist Christines »Mädchen für alles«: Wäsche, Kochen, Baby. Ein Traum! Marie kann nicht nur alles, sie sieht sogar noch toll aus. Findet auch Christines Mann. Aber bevor der sie kriegt, nimmt Christine sie lieber selber und ist begeistert, wozu Marie offenbar alles bereit ist. Gemeinsam begeben sie sich auf eine unmoralische Reise mit einem gefährlichen Ziel. »Hier wird nicht gekniffen, ich befinde mich auf einer Mission, und die wird jetzt durchgezogen.« Rezension : Mädchen für alles, ich muss gestehen bei diesem Roman hatte ich am Anfang so meine Probleme. Charlotte Roche hat doch eine relativ grobe Art Dinge zu beschreiben. Auch was das zwischenmenschliche betrifft. Egal ob dies nun Christines eigene Familie ist oder ob es nun ihr Mann oder sogar Ihr Kind ist, alles - so kommt es einem vor - ist ihr zuviel. Sie ist einfach mit allem überfordert. Sie möchte liebend gerne ihre Serien sehen oder einfach nur im Bett liegen. Doch dann kommt Marie ins Haus. Marie soll Christine im Haushalt unterstützen. Marie steckt Christine auch ein wenig mit Ihrer Lebensfreude an, es macht auf einmal Spaß morgens wieder aufzustehen und sich schön zu machen oder zu kochen etc. Man könnte fast meinen, Christine hat sich in Marie ein wenig verliebt. Und irgendwie gewinnt dadurch das Buch auch an Fahrt. Wie gesagt, ich hatte am Anfang ein wenig Probleme mit diesem Buch, mit dem Schreibstil von Charlotte Roche. Aber je mehr man sich mit diesem Buch befasst, desto mehr denkt man über dieses Buch auch nach. Es war für mich nicht unbedingt ein Roman, den ich schnell lesen konnte, aber es ist ein Roman, der einem auf eine unbestimmte, nicht zu beschreibende Art und Weise, auch noch Tage später beschäftigt. Das liegt vielleicht auch einfach daran, dass man Christine immer besser versteht, warum sie so über ihre Ehe denkt, oder auch über ihr Kind und ihre Eltern. Für mich war dieser Roman nach den ersten 50 Seiten, ein Roman, der mich auf der einen Seite abgestoßen hat, aber auch in einer besonderen Art und Weise angezogen hat. Dies liegt wahrscheinlich daran, dass jeder von uns einen Teil Christine in sich hat, mit ihren Ängsten und Nöten. Wahrscheinlich auch deswegen habe ich mir mit dem Schreiben der Rezension noch ein wenig Zeit gelassen. Dieses Buch wirkt durch das Ende noch ein wenig nach und ich finde gerade so etwas ist es doch, was einen Roman dann doch noch interessant macht, wenn man sich dabei erwischt über bestimmte Dinge doch noch ein wenig nachzudenken. Vielleicht sollte man einfach mal in die Stadt gehen und ein wenig in diesem Buch blättern und lesen. Aber macht es nicht so wie manche Menschen und lest erst das Ende, sondern lasst euch von Frau Roche führen, um das Ende einfach besser verstehen zu können. Verlag: Piper ISBN: 978-3-492-05499-7 Titel: Mädchen für alles Autor: Charlotte Roche Bandnummer: ISBN: 978-3-492-05499-7Verlag: Piper VerlagPreis: 16,00 €Erscheinungsdatum: 05. Oktober 2015 Bei unseren Partnern bestellen: Bei Yourbook.shop bestellen. Bei Genialokal.de bestellen. Bei Hugendubel.de bestellen. Bei Thalia.de bestellen. Die Buchhandlung Freiheitsplatz.de unterstützen! Die Büchergilde FFM unterstützen! Read the full article
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La littérature jeunesse, continent sans frontières ? | Assises de la littérature jeunesse
Depuis 2017, les professionnels du livre pour la jeunesse se réunissent tous les deux ans lors des Assises de la littérature jeunesse. Cette année, pour la 4e édition, maisons d’édition, auteurs, traducteurs, journalistes, médiateurs du livre ou encore enseignants se retrouveront autour d’une question : la littérature jeunesse, continent sans frontières ? En partenariat avec le Syndicat national de l’édition, avec le soutien de La Sofia. 00:00 Introduction par la Présidente de la BnF, Laurence Engel, et Louis Delas (Vice-président du Syndicat national de l'édition) 14:32 Conférence inaugurale de Clémentine Beauvais, autrice et traductrice 32:46 Table Ronde 1 – Les métiers de l’international avec Laura Karayotov (agent littéraire), Bernard Friot (traducteur), Isabelle Darthy (responsable de cession de droits, L’école des loisirs), Laurence Leclercq (responsable de cession de droits BD Jeunesse, Delcourt) - Modération par Nicolas Roche (Directeur général, BIEF) 2:04:00 Mathilde Lévêque, professeure à l’Université Sorbonne Paris Nord 2:22:57 Table Ronde 2 – La littérature jeunesse au défi du numérique, avec Anne-Sophie Steinlein, (Directrice des opérations, YouScribe), Michael Stora (psychologue et psychanalyste, expert des mondes numériques), Jeanne Seignol (journaliste et booktubeuse) - Modération par Laurent Carpentier (journaliste, Le Monde) 3:14:54 Lecture à voix haute par Souleymane (finaliste Île-de-France 2023 des Petits champions de la lecture) 3:21:51 Intervention vidéo de Dorottya Rédai (Présidente de l’association hongroise LGBT LABRISZ, éditrice du recueil de contes inclusifs Brune-Feuille, le prince se marie et autres contes inclusifs) 4:48:03 Intervention de Praline Gay-Para, (conteuse) « Les contes qui traversent les frontières » 4:54:59 Table Ronde 3 – Les enjeux de la coopération internationale, avec Christine Cornet, (attachée Livres et débat d’idées au ministère de l’Europe et des Affaires étrangères), Hasmig Chahinian (chargée de mission internationale au CNLJ, responsable d’IBBY France), Laurence Faron (directrice des éditions Talents Hauts et co-Présidente du groupe Jeunesse du SNE), Christine Morault (cofondatrice et directrice éditoriale des éditions MeMo), Modération par Florence Salanouve (directrice de la valorisation à l’ENSSIB) 6:53:40 Table Ronde 4 – La littérature jeunesse, vecteur de soft power, avec Cédric Pilot (producteur, Mediawan), Louis Barchon (rédacteur en chef de la revue Lecture Jeune), Valérie Salamm (co-fondatrice Folie d'Encre), Modération par Lloyd Chéry, (journaliste et rédacteur en chef adjoint de Métal Hurlant) 7:52:23 Discours de clôture par Laurence Faron et Cécile Térouanne (co-présidentes du groupe Jeunesse au SNE) Plus d'informations : https://www.bnf.fr/fr/agenda/assises-... Programme détaillé : https://www.sne.fr/evenement_sne/assi...
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Avec Christine, on a fêté nos 40 ans d'amitié en faisant un voyage de 15 jours en Sicile. Cette fois, on est basés à Modica.
Ce jour-là, balade à Ragusa (Raguse). A Ragusa Ibla, la Chiesa delle Anime Sante del Purgatorio. On y voit Saint Roch et ses effets de cuisse, et une sainte écrasant un Maure...
#sicile#italie#raguse#ragusa#ragusa ibla#chiesa delle anime sante del purgatorio#sainte#maure#saint roch#san rocco#marbre#baroque
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Guiding Emily (2023)
Guiding Emily (2023) #AndyMikita #SarahDrew #EricMcCormack #AntonioCupo #SharonTaylor #ChristineWilles Mehr auf:
Jahr: 2023 (September) Genre: Drama Regie: Andy Mikita Hauptrollen: Sarah Drew, Eric McCormack, Antonio Cupo, Sharon Taylor, Christine Willes, Matty Finochio, Peter Benson, Toby Levins, Julia Bonnett, Amy Amantea, Celina Martin, Lillian Doucet-Roche … Filmbeschreibung: Die Geschichte folgt Emilyna, während sie darum kämpft, sich an ihre neue Realität zu gewöhnen, nachdem sie ihr Sehvermögen…
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INSTANTZZ: Fred Pallem et Le Sacre du Tympan “L’Odyssée” (28ème Jazz à Junas / Carrières, Junas, Occitanie -France-. 2021-07-24) [Galería fotográfica AKA Fotoblog de jazz, impro… y algo más] Por Joan Cortès
INSTANTZZ: Fred Pallem et Le Sacre du Tympan “L’Odyssée” (28ème Jazz à Junas / Carrières, Junas, Occitanie -France-. 2021-07-24) [Galería fotográfica AKA Fotoblog de jazz, impro… y algo más] Por Joan Cortès
28ème Jazz à Junas Fecha: sábado, 24 de julio de 2021 Lugar: Carrières (Junas, Occitanie -France-) Grupo: Fred Pallem et Le Sacre du Tympan Fred Pallem, bajo, composición y dirección Guillaume Magne, guitarra Sébastien Pallis, teclados Rémi Sciuto, saxo alto, barítono y flauta Christine Roch, saxo tenor y soprano Sylvain Bardiau, trompeta Robinson Khoury, trombón Anne Le Pape, violín Aurélie…
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#28ème Jazz à Junas#Anne Le Pape#Aurélie Branger#Christine Roch#Festival Jazz À Junas#Fred Pallem#Fred Pallem et Le Sacre du Tympan#Guillaume Magne#Instantzz#Joan Cortès#Michèle Pierre#Rémi Sciuto#Robinson Khoury#Sébastien Pallis#Séverine Morfin#Sylvain Bardiau
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#bull shannon#jack sullivan#christine sullivan#night court#s3#richard moll#eugene roche#markie post#q
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Snapshot (The Day After Halloween, 1979)
"Think of the opportunity."
"Definitely not."
"Then think of the money."
"No way! How much?"
"One."
"One hundred dollars for one day's work?"
"Dear, sweet Angela. One thousand dollars for one half-day's work."
"You're kidding."
"Double rates for nude work, Ange."
#snapshot#the day after halloween#australian cinema#1979#Simon Wincer#Everett De Roche#chris de roche#Sigrid Thornton#Chantal Contouri#Robert Bruning#hugh keays byrne#Denise Drysdale#Vincent Gil#jon sidney#jacqui gordon#julia blake#peter stratford#christine amor#lulu pinkus#stewart faichney#brian may#shot as Snapshot but also known as One More Minute and released in the US under the shameless cash in title The Day After Halloween#a curious Ozploitation thriller which was largely marketed as a slasher (it isn't); I'm not entirely sure what it is tbh. it defies easy#genre pigeonholing‚ but i suppose it's best described as a slow burn psychological thriller in which Thornton's naive young waif#tries to cast off a dead end job‚ a creepy ex boyfriend and a manipulative mother by entering the world of fashion modelling; in the#process she gains numerous unwelcome admirers‚ one of whom is taking things a little far... there's a minor lesbian subplot which is#treated surprisingly sympathetically (although the film does feature multiple use of homophobic slurs‚ so fair warning there)#it all looks very nice‚ and it's set to a classy score by Brian May (not that one). Thornton does very well as the wide eyed ingénue but#Contouri who steals the film as her worldy‚ bitchy‚ loyal model friend. the actual whodunnit (or whodoingit) aspect is almost incidental#although a last minute twist or two does seem to come entirely out of leftfield (and really doesn't bear any close scrutiny)
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