#COMPELLING THANKS

[nancywheeeler]

hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.

[tremendously-crazy]

does anyone else immediately lose interest in a book when there's a romantic subplot or is that just me

[to-be-a-dreamer]

No but seriously can we talk about the horrifying tragedy of William Kaplan in the MCU?

That child died. He's dead and no one is mourning him. He died and a stranger took over his body. He died and everyone's memory of him is being replaced by a different person. His parents don't know and even when they eventually find out they'll never be able to bury their son.

Do you think they're grieving him? Do you think, on some subconscious level, they know their child is gone? Do you think they feel guilty because for all they know they're just being selfish about "William's" memory loss? Do you think they'll be able to stop loving Billy, the child they've raised for the past three years, just because he's not really William? Do you think Billy will stop loving them just because he found his "real" family?

Do you think William will ever get to have some kind of memorial?

[eyrri]

little Kitten Burst doodles because i love it and think about it a lot

pspspspspspspsps play kitten burst

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[basalting]

who do you ship bruce with?? cause you keep reblogging bruharvey stuff and superbat stuff

i ship bruce/a nice little dad nap in a comfy chair

[tubbytarchia]

Oh, I'll bow my head, I'll clip my wings I was never gonna make it anyway (x)

[hyacinthsdiamonds]

It's very possibly (likely) Daniel's last F1 race. If he wants to go out by getting fastest lap and also helping his long time friend in the WDC then that's his prerogative. Bad luck for the upset people that's the choice he made, but too bad.

This exactly. If this is his goodbye, which it very likely is, him getting the fastest lap was a banger. Schumacher ended his final race waving Sebastian through to overtake him. Seb didn't need to; he already had the points to win the championship, but Michael wanted him to. Narratively? Daniel taking the fastest lap point for Max, his longtime friend, former teammate, and arguably the person who has had the most influence on him during his time in this sport, is a hell of a way to go.

[poorly-drawn-mdzs]

My rendition of @tempo-takoyaki's DTIYS!

Congrats on the milestones! And to everyone else, please go check out their 'Drawing TGCF (except I haven't read the books)' series!

[evenmyhivemindisempty]

My controversial opinion about Hob Gadling is that I believe he’s absolutely the sort of guy that “puts things behind him”, and tries to wash his hands clean of the things he feels icky about. This is implied pretty well in the show, with him blithely moving from soldiering and robbery to printing, from slaving to… whatever it was he was doing in the 19th century instead. That being said, this is not at all the same as actively trying to atone, or even making a concerted effort to be a better person, and I really wish fandom could tell the difference!

[ofbreathandflame-archive]

With the rise of booktok/booktwt, there's been this weird movement against literary criticism. It's a bizarre phenomenon, but this uptick in condemnation of criticism is so stifling. I understand that with the rise of these platforms, many people are being reintroduced into the habit of reading, which is why at the base level, I understand why many 'popular' books on booktok tend to be cozier.

The argument always falls into the 'this book means too much to me' or 'let people enjoy things,' which is rhetoric I understand -- at least fundamentally. But reading and writing have always been conduits for criticism, healthy natural criticism. We grow as writers and readers because of criticism. It's just so frustrating to see arguments like "how could you not like this character they've been the x trauma," or "why read this book if you're not going to come out liking it," and it's like...why not. That has always been the point of reading. Having a character go through copious amounts of trauma does not always translate to a character that's well-crafted. Good worldbuilding doesn't always translate to having a good story, or having beautiful prose doesn't always translate into a good plot.

There is just so much that goes into writing a story other than being able to formulate tropable (is that a word lol) characters. Good ideas don't always translate into good stories. And engaging critically with the text you read is how we figure that out, how we make sure authors are giving us a good craft. Writing is a form of entertainment too, and just like we'd do a poorly crafted show, we should always be questioning the things we read, even if we enjoy those things.

It's just werd to see people argue that we shouldn't read literature unless we know for certain we are going to like it. Or seeing people not be able to stand honest criticism of the world they've fallen in love with. I love ASOIAF -- but boy oh boy are there a lot of problems in the story: racial undertones, questionable writing decisions, weird ness overall. I also think engaging critically helps us understand how an author's biases can inform what they write. Like, HP Lovecraft wrote eerie stories, he was also a raging racist. But we can argue that his fear of PoC, his antisemitism, and all of his weird fears informed a lot of what he was writing. His writing is so eerie because a lot of that fear comes from very real, nasty places. It's not to say we have to censor his works, but he influences a lot of horror today and those fears, that racial undertone, it is still very prevalent in horror movies today. That fear of the 'unknown,'

Gone with the Wind is an incredibly racist book. It's also a well-written book. I think a lot of people also like confine criticism to just a syntax/prose/technical level -- when in reality criticism should also be applied on an ideological level. Books that are well-written, well-plotted, etc., are also -- and should also -- be up for criticism. A book can be very well-written and also propagate harmful ideologies. I often read books that I know that (on an ideological level), I might not agree with. We can learn a lot from the books we read, even the ones we hate.

I just feel like we're getting to the point where people are just telling people to 'shut up and read' and making spaces for conversation a uniform experience. I don't want to be in a space where everyone agrees with the same point. Either people won't accept criticism of their favorite book, or they think criticism shouldn't be applied to books they think are well written. Reading invokes natural criticism -- so does writing. That's literally what writing is; asking questions, interrogating the world around you. It's why we have literary devices, techniques, and elements. It's never just taking the words being printed at face value.

You can identify with a character's trauma and still understand that their badly written. You can read a story, hate everything about it, and still like a character. As I stated a while back, I'm reading Fourth Wing; the book is terrible, but I like the main character. The worldbuilding is also terrible, but the author writes her PoC characters with respect. It's not hard to acknowledge one thing about the text, and still find enough to enjoy the book. And authors grow when we're honest about what worked and what didn't work. Shadow and Bone was very formulaic and derivative at points, but Six of Crows is much more inventive and inclusive. Veronica Roth's Carve the Mark had some weird racial problems, but Chosen Ones was a much better book in terms of representation. Percy Jackson is the same way. These writers grow, not just by virtue of time, but because they were critiqued and listened to that critique. C.S. Lewis and Tolkien always publically criticized each other's work. Zora Neale Hurston and Langston Hughes had a legendary friendship and back and forth with one another's works which provides so much insight into the conversations black authors and creatives were having.

Writing has always been about asking questions; prodding here and there, critiquing. It has always been a conversation, a dialogue. I urge people to love what they read, and read what they love, but always ask questions, always understand different perspectives, and always keep your mind open. Please stop stifling and controlling the conversations about your favorite literature, and please understand that everyone will not come out with the same reading experience as you. It doesn't make their experience any less valid than yours.

[moonshynecybin]

what a sicko

[majimasleftasscheek]

💒 pt. 6

prev | next

[boatboysrowout]

please tell us more about the mall au, specifically etho and his pipe bomb, i need an entire thing of him running from the cops (i am your number one fan ignore that i only just found out about you that doesnt matter)

hey guys. wanna hear about white castle pipe bomb c plot?

this may come as a surprise to some, but etho is a natural at customer service. he’s always been a pretty chill guy- it takes a lot to faze him, probably a consequence of his proclivity towards explosives in his early years. that calm exterior translates well to working the front desk of a local electronics repair store (not that he had needed a summer job, really, but doc and beef both went home for the summer, and someone kept leaving him visa-friendly job applications in every nook and cranny of his dorm- he found one in his cereal a few weeks before finals, and even that one had nothing on the one he found folded up in his toothpaste).

that being said, being good at customer service doesn’t mean that he’s completely immune to the agonies of said customer service. being good at customer service just means that after the eighteenth laptop he has to factory reset while a teenaged boy swears up and down he had not in fact clicked on a link for sexy singles in his area, etho’s able to wait until the boy leaves before attempting to gouge out his other eye.

he’s searching for a screwdriver when his phone buzzes with a text, and after a longing look at his toolbox etho flips his sign to closed and heads over to the white castle. he makes a quick stop at the arcade tango mans to set a new high score on the pinball machine, effectively guaranteeing tango will be glued to the pinball machine until he regains the top leaderboard spot, and then continues on his way to the white castle, spirits high. 

etho’s good mood abruptly vanishes after stepping into the white castle, as bdubs has apparently deemed etho’s delay in arrival unforgivable and is now withholding the free fries etho had been promised.

etho slumps himself over the front counter, not unlike a wet cat, and starts causing a scene, whining about his awful day full of idiot teens and potential self mutilation that can only be staved off with free food. bdubs staunchly ignores him and cleo threatens to pour hot oil on his head.

eventually actual paying customers come in and etho’s continued presence becomes a problem, so bdubs heaves a sigh and offers the fries to etho as long as he pays full price for them, to which etho, an extreme couponer, reacts appropriately.

etho’s eye narrows as he peels himself off of the front counter, demanding the fries free of charge. bdubs refuses. cleo smacks bdubs on the back of the head and tells him to just give etho the fries so he'll go away.

etho gives bdubs one last chance to give him the fries for free, and by the time bdubs physically removes him from the premises etho is already plotting his revenge and heading straight back to the art store to collect a favor.

(you see, somewhere between the fifth and eighth laptop etho had to factory reset, tango texted him that he managed to jailbreak the pinball machine to accept a quarter for unlimited plays, and etho abandoned his job immediately to take advantage of the incredible deal.  

that was his intention, anyway. but what happened is this: etho had never really shaken off the hold explosives have over him. after he’d been put on a five different government watchlists by the time he was seventeen he’d taken a step back and started focusing more on computing and getting into college and other projects that were less likely to necessitate seizure by the canadian government. he’s clean. he left that life behind him.

however. 

when the sound of an explosion comes from the cute little art shop as etho walks past, there’s not a second of hesitation before he swung the front doors open and entered the shop.

it hadn’t taken him long to locate the source of the explosion, following a trail of smoke down a half hidden flight of stairs to a door with a hastily scrawled sign on it reading 'SUPER TALL AND HANDSOME EMPLOYEES ONLY.’

etho opened the door, walking into what has to be the world’s most pathetic meth lab. in the corner there was a stack of cardboard boxes labeled NOT DRUGS/DEFINITELY LEGAL SUBSTANCES. beakers filled with unidentifiable substances were bubbling over onto the table. a laptop near etho’s foot displayed results for a google search of ‘how to tell if a cut needs stitches and also how long can you set yourself on fire without going to hospital.’

“THIS ISN’T WHAT IT LOOKS LIKE.” a man who etho vaguely recognized from grian's beginning of summer introductions had shouted, throwing his body over the contents of the table in a desperate attempt to hide the beakers from view. a few shattered under his weight and etho heard him stifle a whimper. “everything here is perfectly normal and also legal.”

breaking bad played quietly from a tv somewhere in the background.

etho raised an eyebrow.)

in the end, they manage to work out a deal: etho would not call the cops or tell anyone about joel's secret little operation and in return, joel owed etho a favor.

and now etho will cash that favor in.

(“so let me get this straight. you’re pissed your friend wouldn’t give you chips for free and your first instinct is to go to a meth lab and steal my meth supplies to get back at him.”

“failed meth lab. and yup.”

“there’s something wrong with you.”

“at least i know how to make meth.”

“wait, you what.”)

they start small. prank calls, anonymous yelp reviews calling the really loud cashier short, launching fireworks through the drive-thru window. it doesn’t take long for them to get bored with that though, which leads to bdubs walking into the white castle one morning to discover a horse standing in the middle of the lobby. 

the horse seems very at peace with the situation, wandering over to chew on bdub’s hair as he sputters and cleo ignores the situation entirely. bdubs is left with the task of removing the horse from the store, except the horse seems to be taller than the doorway and not particularly interested in leaving, so eventually bdubs is forced to give up. There’s just a horse in their lobby now. 

it doesn’t take bdubs very long to become attached to the horse, much to the detriment of cleo. she’s running the white castle single handedly by the end of the second day, serving customers and manning the kitchen while bdubs whispers sweet nothings to the horse in the makeshift horse stall he made in the women’s restroom. 

it’s pointless to try and reason with bdubs, so cleo makes her way over to the art store basement where joel and etho have set up their base of operations. ignoring the now functioning meth lab, she demands the horse be removed from the premises in exchange for a reasonable one free small fry per week. 

reasonable to cleo, and least. both jeol and etho scoff at her offer and demand at least one large fry per day each, to which cleo laughs in their faces. she doesn’t bother making a counter offer, simply turning on her heel and walking out of the basement. she pauses for a moment at the front of the shop to make sure she hadn’t been followed before grabbing her lighter from her pocket, casually flicking it on and taking a step towards the tissue paper.

by the time joel and etho notice something is amiss the fire department has arrived, and they’re barely able to hide the evidence of their operation before firefighters are breaking down the door, carrying them out through the art shop, entirely engulfed in flames. 

(“so in retrospect, ripping all the smoke detectors out of the ceiling probably wasn’t a great idea on your part.”

“how was i to know i was gonna get into a war with an arsonist, all i wanted to do was mind my own business and make meth!”

“fail at making meth.”

“shut up.”)

now relocated behind the counter at etho’s repair shop, joel and etho prepare their final attack.

the plan is simple: using supplies salvaged from the meth lab, etho will construct a smoke bomb and throw it through the white castle drive through window while joel takes advantage of the distraction and steals all the fries the white castle possesses.

making the smoke bomb is a piece of cake, and when joel isn't looking etho sneaks a few of his own more... volatile substances into his backpack. just in case.

joel enters the white castle and cleo immediately clocks him due to joel being the most suspicious person alive always, but she cannot be arsed to investigate. it’s been a long fucking week. joel knows what will happen if he messes with her.

bdubs, however, feels an impending sense of doom through his Etho Senses and rushes over to the drive-thru window and whips it open, immediately screaming at the sight of etho across the road winding up his arm with a smoke bomb in his hand.

and that’s when things really start to go wrong.

because here’s the thing: etho’s been missing an eye for most of his life. he knows his depth perception is shit. but he’s so caught up in the adrenaline of the moment, and bdubs screaming isn’t exactly helping him focus, and listen the baseball scene in canada isn’t exactly thriving-

all of this is to say that etho activates the smoke bomb, winds up, and promptly chucks it five feet to the left of the drive through window. it bounces off the side of the building and rolls to a stop against the tire of the car that had been pulling up to order.

several things happen in very quick succession:

1. the smoke bomb begins pouring out smoke, completely obscuring etho from view and flooding into the white castle

2. bdubs attempts to continue screaming but immediately regrets it as copious amounts of smoke invade his lungs

3. the car which had previously been pulling up to the drive through attempts to exit the scene as quickly as possible, but due to the aforementioned copious amounts of smoke misjudges where the road turns and makes a hard left directly into the wall of the white castle

the very same wall where bdubs had leashed his horse mere minutes before, and the very same wall joel had been creeping along.

the horse and joel are immediately flattened, and upon seeing this bdubs’ impassioned screaming reaches pitches previously unknown to man, and all hell breaks loose.

cleo starts cackling and arms herself with a makeshift flamethrower thrown together with hairspray and a personalized lighter. bdubs attempts to leap out of the drive-thu window but his foot gets stuck and he falls out of the building, crumpling to the ground in a still screaming heap before scrambling back up through the drive-thru window and into the fray. joel manages to claw his way out of the rubble, finds himself face to face with cleo and her flamethrower, and has half a second to regret the his and hers shrek mugs that trapped him in this stupid country before he’s running for his life. 

etho himself ends up sitting peacefully on the bench outside the white castle entrance, his mask helpfully filtering out most of the smoke. it’s lucky he grabbed some extra materials from joel’s lab really, he knew bdubs wouldn’t hand over the fries without a fight. 

he’s in the middle of assembling a device that’ll definitely get him put on the american government’s watchlist and ignoring the screams coming from inside when two men rush past him into the white castle, shouting something about justice and burgers. etho waits for a second, and almost immediately they come rushing back out. he waves at their retreating figures, one of whom he’s pretty sure is the theater kid that tried to put on a one man show of macbeth during welcome week.

etho wraps the fuse around his pipe bomb and stands up, brushing the debris off of his pants and strolling into the fray.

he finds bdubs almost immediately, the man standing on the counter and clearly audible even over the fire alarms and incessant swearing from joel and cleo, who now both have improvised flamethrowers and are duking it out in the kids play area. despite the smoke bduds and etho lock eyes instantly, bdubs paling a few shades when he sees what etho has in his hand.

bdubs jumps off the counter and attempts to run to etho, but is cut off by an entirely engulfed in flames joel. it seems that bdubs did not learn a single lesson about the flammability of his hair product from his run in with grian at the beginning of the summer, because his hair bursts into flames after the slightest brush from joel, and this time cleo isn’t standing nearby with a fire extinguisher.

it should be noted that most of the white castle is entirely engulfed in flames at this point. etho’s at the center of it all, cradling his pipe bomb like a baby and searching furiously for his promised free french fries. 

he’s stopped by cleo who meets his eyes, smiles wide, and lights the pipe bomb fuse. 

-

etho and cleo stare at the wreckage of the white castle. look at each other. look back at the rubble.

the sirens in the distance are distinctly closer now, and both etho and cleo abruptly realize how much evidence is contained on their person. 

“joel’s probably fine.” cleo says. “i saw him run into the walk in freezer after i burnt away the last of his clothes and hair.”

etho nods. “bdubs is too short to get crushed by rubble.”

cleo hums agreement. they stand side by side for a moment longer before cleo turns to etho.

“well, i won’t tell if you won’t.”

with that she turns on her heel and walks away. etho sticks around for a few more minutes, watching the flames die down and the last of the white castle crumble. he digs around in his pocket for a moment and pulls out a blackened handful of fries, yanking his mask down to shove them in his mouth as emergency services skid into the parking lot. 

sticking around turns out to be a mistake, etho quickly realizes, as his white hair reflects the light from the police cars and catches the attention of every officer there. he takes off at a sprint, pulling his mask back up and booking it straight into moving traffic, dodging cars and leaving the yells of the police officers and the rubble behind him.

and that’s the last anyone sees of etho that summer.

(og link here!)

[vaguely-concerned]

lucanis truly has a near terminal case of burned out golden child syndrome. caterina fucked both of these kids over so incredibly bad with the dynamic she enforced there, with illario being labled the perpetual fuckup kid where lucanis 'could do no (would never be allowed to do) wrong'. the way he admits in the first coffee date scene that the only thing that happened when he showed he could carry the weight of expectation was that more weight was added makes me so sad. you can hear it in caterina's voice in his intro mission that she's incredibly proud of him, but this is clearly a leandra and hawke situation where that pride never translates into relief or resolution or unconditional warmth or understanding or anything that really helps.

[dykealloy]

Trafalgar Law and Faith

Pre-emptive warning this is going to be another LONG metapost/analysis. There’s a lot I could talk about here but for the sake of structure I’m going to split this into three sections, i.e. the main ‘faith transitions’ that Law has gone through in the narrative thus far: 1. Flevance (catalyst for loss of religious faith), 2. Corasan (martyr that figuratively and literally saves law by giving him something to live for, introducing the will of D.), and 3. Luffy (cementing faith in this new belief system and regaining trust in the goodness of humanity through the living embodiment of everything Corasan believed in).

Before we get into all that though, let’s establish that Christianity is a thing in one piece. Speedrunning through some visual examples that come to mind; the Flevance church and nun (holding a celtic cross - censored in the anime version), a nun literally praying to God right before Marineford, Vinsmoke Sora’s grave marked with a cross (is op Christianity a northern thing?), Usopp and Chopper having crucifixes and holy water whenever ghostly stuff is brought up, Kuma and his trusty bible, the religious symbols on Kikoku’s hilt (could instead be more a reference to the Red Cross/symbol of humanitarian and medical aid as a doctor) and especially in whatever Mihawk’s got going on (though this could just be a Japanese cultural thing with Christianity being a minority religion or Oda just finding that some of the iconography, y’know. looks cool). There are also many other references to other religions e.g. hinduism, shintoism, buddhism, etc. Whether op forms of religion are the same as the real-world ones is debatable, and yes, Law being canonically raised as a devout catholic schoolboy with all the religious trauma associated with that is comical, but let’s take it all unironically for a hot minute. For fun. 

1. Flevance

Law’s birthplace (Flevance) is described as being, at one point, “a very wealthy country with an unearthly beauty about it, with pure white soil and plants, like some kind of snow kingdom in a fairy tale.” The country’s wealth came from the very bedrock it sits on — white lead, which could be used to make various high quality products like tableware, cosmetics, weapons etc. When the wider world heard about this everyone wanted a piece of Flevance (the World Government also getting involved with distribution), and very quickly white lead became a “bottomless well of money”. So, hooray. Law gets to grow up in a rich city in a big house with educated doctor parents and probably gets to go to private school on weekdays and festivals with his family on weekends. One problem. In their greed, the Government and royalty have been knowingly hiding the truth about this supposed goldmine from the beginning. White lead is a toxic poison. Mining it from the ground over the last century and putting it in so many everyday products has resulted in it accumulating in the citizens’ bodies and leading to amber lead sickness, shortening their life-span with each successive generation – with the children of Law’s generation fated to die out before they reach adulthood.

In the bible (especially in the old testament), God often inflicted these insanely disastrous events upon humanity, usually as some kind of punishment for their wrongdoings or as a test of their faith. Some events of which include (but are not limited to): famine, outbreaks of disease and natural disasters (e.g. hail, wildfire, earthquakes, floods). Historically, these stories played a key role in how humanity interpreted meaning from horrible disasters (e.g. assuming bubonic plague was sent as a punishment by god). Fire imagery is very common among these disasters as a representation for hell, which is clearly reflected in the destruction of Flevance.

Sometimes these disasters had sole survivors act as messengers for God. With that context, let’s put ourselves back in the shoes of a ten-year old Law. Raised religious, freshly traumatised from losing his home, his devout family, all the comforts of his life, and having the outside world completely abandon him, this kind of event is likely going to be processed as some form of divine punishment. Law stumbles through hell, finds all his dead classmates, and the last words of sister nun echo through to him here. Merciful and salvation are huge catholic buzzwords – promises of holy compassion, deliverance and hope – and all of it fire and smoke and riddled with bullet holes before him. A genocide funded, perpetuated and covered up by the same body Law was promised was there to save them. And the only reason Law hadn’t died with them was because he wanted to stay with his little sister Lami, who was on her deathbed, and his parents, who were themselves trying to help the afflicted citizens, Law’s own father (before he was shot and killed alongside his mother) begging for more doctors, fresh blood, anything the world can offer, and asking “Why doesn’t the government announce to everyone that white lead is not infectious?”

Oftentimes (and in the case of Law), when there’s a promise of heavenly intervention or some miracle that doesn’t follow through, it results in an ultimate feeling of betrayal and anger. Unfortunately a lot of Catholic teachings also use a lot of guilt, essentially teaching people that the bad things that happen to you are your fault and there needs to be some sort of penance (queue Law’s survivor’s guilt that carries on down the road). But also, if this was supposed to be some divine punishment, for what exactly? For the town being blinded by the incredible wealth they were sitting on? Being lied to? Continuing to extract their livelihood, ignorant of its dangers? Punishment for who? His parents? His innocent little sister? For ten year-old Law? These people who believed in God, who were good people? That’s fucking stupid. None of these people suffered and died for any reason at all — certainly not for a sacred one. God hadn’t saved a single one of them. Law had to crawl out of hell himself by sneaking over the border under a mound of corpses.

Given everything that happened here, Law has every reason to fall into nihilism, and you can see how his upbringing would’ve bred a lot of the feelings of guilt, anger and resentment that you still see in Law (which would suggest that though this is where he likely cuts ties with the religious/Catholic component of his faith, growing up with these teachings in his formative years would definitely influence underlying beliefs about how the world works, and how Law behaves and subconsciously processes information), but at the same time, there’s usually some form of redemption and changes to how these patterns of behaviour can be approached later down the line.

2. Corasan

Fresh off witnessing his whole world burning down around him, Law meets Corazon at the very bottom of this pit of self-destructive rage and unprocessed grief. Rosinante himself mentions to Sengoku that the hatred in Law at this time reminded him of his brother, but beyond the anger, harsh pessimism, vengefulness, I think you have to reach to find similarities between them. You can see some fragments of Doffy in Law down the line at times, with Law seeming to enjoy violence (especially against the navy, but given what they did to Flevance, it’s some well-deserved retribution for Law imo), but I’m not so sure it’s the cruelty so much as it is the high he gets off his own flavour of justice. Doctor’s Hippocratic oath maybe, but never once does Law like seeing others die (even at this point, he’s in tears next to a dead body, even though he’s the one holding the knife), and later on in Wano he makes it explicitly clear to Zoro that he’d rather see the mission fail than have any of them end up dead.  

Little Law wanted to destroy the world and everything in it, but thinking rationally, what other choice did this kid have? He had no remaining family, was doomed to die before he hit puberty due to a terminal illness, was perceived as an infectious subhuman that most doctors would’ve sooner tried to exterminate than help. To Law, the world had turned its back on him – considering him a monster for simply surviving. He has all this hatred and pain boiling away with him with no tangible target to direct it towards. And this is the first clear cut rejection of faith that we see in Law. Any concept of a merciful God had just died. What God would allow this? Why is Law alive (a question that he repeats to himself throughout his life), why are these scumbags alive, why is the world going on spinning as if nothing has happened when his whole world had gone up in flames, why does anyone at all get to be here when everything I loved is gone? And it’s far easier to fall into a despondent nihilistic stupor than it is to work through any of that, and what’s the point in trying to process and move on from it, when there’s no hope for a future for Law anyway? When the only thing waiting ahead is more pain? What was this, if not a punishment? He’s supposed to be some messenger for God? How about fuck God, or whatever entity that exists that made him suffer this. Law’s not going to be a messenger for shit, thanks, he’d rather be their monster, he’d rather watch the world burn.

Corazon survives Law’s stabbing and doesn’t rat the little shit out (to Law’s confusion). It’s business as usual for another two years, then, one day Rosinante overhears his true name - Trafalgar “D” Water Law, and everything changes. On the back of his own beliefs, Rosinante dedicates himself to making sure Law a) lives and b) doesn’t become his brother. Law’s relatively short six month stint with Corasan forms the basis of Law’s new creed going forward, and all it took was a bit of kindness, love and humanity when the rest of the world had abandoned him. In the end Rosinante doesn’t save Law for the will of D. and the storm he’s predicted to bring in the future (as Law suspects), but he certainly believes in it, and the strength of Corasan’s conviction transfers right over to Law when he forces the ope ope fruit down the kid’s throat to heal him, tells Law he loves him, then sacrifices himself to set Law free.

Law clings to that love he was given, he takes all these fundamental teachings and ways of thinking in regards to faith that were drilled into him during his youth, rejects the religion element and applies just about everything else to Corasan. He holds onto the last shreds of what Corasan leaves him with. Corasan becomes his “benefactor” (he gave my my heart), his saviour, his martyr. 

And the crazy thing is, Rosinante was never really this saint Law makes him out to be. Law hated the clutz when they first met (mostly on account of Corazon throwing him through a glass window down at least two stories and into a pile of scrap). Corazon initially showed nothing but contempt for his presence (to ward him and the other children away from the Donquixote family, but these are still extreme measures). And it wasn’t until after learning Law’s name that Rosinante dragged him kicking, crying and screaming from hospital to burning hospital (not very saintlike in of itself), even after Law begged him to stop. Rosinante became Law’s saviour partly because of his belief in the will of D., and probably due to some guilt being a Donquixote, but mostly because he has always had a bleeding heart and he pitied (and had very quickly come to love) this angry, sick, deeply lost little kid. All this to say that Law’s faith in Corasan – this saintlike figure Law upholds him as in the future and the lengths he’s willing to go to avenge him/fulfil Rosinante’s purpose reflects the strength of the absolute beliefs Law would’ve been raised with in regards to God.  

Whether it be out of survivor’s guilt (just one more body to heap on top of the Flevance pile), his love for Corasan, or for the sake of taking vengeance on the man that took away the one good thing he’d been able to regain in his miserable life, Law adopts Corasan’s will, the will of D. (which in of itself seems divine in nature), incorporates it into his new belief system, actively takes on the role of the divine punisher/justiciar and dedicates his life to bringing down Doflamingo.

3. Luffy

Catholicism dictates that the entirety of someone’s beliefs should be dedicated to one true cause (that cause being God) and expects people to ride on that, letting it carry them through life, give them hope, purpose, etc. But a lot of former Catholics choose instead to find that through something else. Corasan ignited the spark in Law’s faith around the will of D., but it’s not until he meets Luffy that this really becomes something that feels tangible and real for Law.

When Law saved Luffy in Marineford (putting the heart crew in danger for a stranger he met once), he said he did so “on a whim”, but that seems incredibly ooc for Law — this man that pretty much planned out how the rest of his life would go after the dust of Corasan’s death settled and he came to terms with the fact he wasn’t going to die at age thirteen like he’d originally thought. Circling back to the concept of Law being a sole survivor/messenger for God, it is interesting that Law is the one to seek out Luffy (given that Luffy is usually always the one either being abandoned by people or recruiting his crewmates), and Law is ultimately the catalyst for pulling him towards Dressrosa and Wano. There must be a REASON that led to Law deciding Luffy to be the most viable option out of the Worst Generation for an alliance (beyond blind trust in an unhinged captain that just so happens to also bear the initial D, and Luffy being one of the few captains crazy enough to go along with what Law was cooking up). 

Law undoubtedly would’ve kept a peripheral eye on Luffy for some time before officially meeting him due to him being a rising competitor pirate and another “D” (I imagine the news of his utterly insane exploits would’ve made good reading material, too). The first time Law lays eyes on Luffy in Sabaody though, he still blows all expectations out of the water — crashing headfirst into the crowd of a slave auction and immediately committing a felony against a member of the most powerful upper one percent.

The world nobles are at an “untouchable God” tier in terms of class standing and believe it’s only natural for them to be entitled to whatever and whoever they want in this world that’s beneath them – the same kind of self-aggrandizing false divinity that Law has a a lot of repressed rage towards and that the will of D. is fated to oppose, so this, understandably, is a highly compelling first encounter, but it’s really only an initiating factor for what ultimately draws Law to Luffy. From their very first meeting (and probably before then, in the news stories and rumours Law likely picked up on), it’s made abundantly clear that Luffy does what he wants without a second’s hesitation, no matter the consequences, simply because he feels it is the right thing to do. Some call this an iron will, Law would be more inclined to call it willful stupidity and trouble, but time after time Luffy somehow manages to pull off what Law would best describe as “miracles”. And Law believes the straw hats just might be the ones to drum up another one for him.

Luffy’s also got a lot of passing resemblances to Corasan going for him, e.g. inherently kind, compassionate liberators with big dumb hearts and wide goofy smiles in spite of everything they’ve been through, treating Law as nakama and saving his life despite his protests etc. All of which I’m sure Law hasn’t been completely unaffected by despite the high walls he puts up. And the more Law learned about Luffy the more it probably became clear that he is the antithesis to Doflamingo, i.e. what makes Luffy so goddamn dangerous and terrifying beyond his physical power is his ability to make friends with a simple kind of unconditional love that gets reciprocated enough so that these friends are willing to die for him.

Luffy agrees to the alliance, they successfully blow up Caesar’s base, and head off to Dressrosa. Now’s the time I should bring up that it’s taught in Catholicism that self sacrifice is the ultimate heavenly deed, and here Law is undoubtedly prepared to be a martyr for his cause. Law sends away his crew to Zou before Punk Hazard with the expectations that he’d never see them. He cultivates a fierce emotional detachment against Luffy’s willingness to bring him into the fold of the straw hats, and is resolute in that when the time comes, he will handle this himself, he will carry out Corasan’s will, and if he has to die for it, he will die with Corazon’s name plastered on his back. (Note here that Christianity is contradictory in that Law being this ready to die here is a sin, because revenge and suicide are highly discouraged, so you could say that by avenging and dying for his saviour, Law would be committing both the ultimate sacrifice and the ultimate sin).  

Things get very dicey for Law in Dressrosa, to put it lightly. Doflamingo reveals that he was a celestial dragon (linking back into the will of D. “enemy of the Gods” notion), puts Law on the backfoot and gives him a thorough beating before shooting Law with a couple dozen white lead bullets in front of Luffy (because even when he’s winning Doffy loves to be a cunt about it). By the time Doflamingo is cuffing Law to the heart seat, it’s all looking pretty grim, and it’s very apparent when Luffy shows up to save him, that he is ready to die. 

Law here has given up. He spent years planning his revenge for Corasan, but he lost, and he has very little left in the tank (physically, emotionally, spiritually). But Luffy doesn’t listen. Luffy who doesn’t think, doesn’t care, who trampled all over Law’s carefully laid out plan from the get-go and who is willing to take on Doflamingo single handedly for the simple slight that he dared to harm Luffy’s friend Law. Law will never find peace in his own demise because Luffy doesn’t do peaceful. He does loud and unashamed and open with no rhyme or reason other than the excruciatingly simply fact that he loves people and he thinks the people he loves deserve to have good lives. Luffy chucks Law over his shoulder and drags an injured Law across the city despite his protests (sound familiar?) and in the process inspires the fighting spirit in Law again.

When Law confronts Doflamingo again with Luffy in tow, Law’s faith in Luffy confounds him. The last Doflamingo remembers of Law is this beautifully moldable dark pit of grief and rage who’d given up on believing, period – who wanted the world destroyed. Not so long ago, Law had been a candidate for Doflamingo’s next protégé. Now?

THIS is the action (grinning, staring down the barrel of a gun, flipping Doffy off as he tells him in not so many words that he may kill Law but he will never beat Luffy), Law’s unshakeable faith in the face of his own death is what has Doflamingo realising he will never regain control of Law again – is what incites Doflamingo to go from breaking Law down so he can build him back up again, to conceding defeat and outright killing him. 

The trust that Luffy inspires in Law and the way he talks about Luffy (Luffy being this powerful, miracle-inducing liberator that Law can’t comprehend but follows anyway, Law laying down his hopes on him, weaponizing the will of D. to try and provoke fear from Doffy), is very reminiscent of the awe and faith talked about in scripture. Law discovers the feelings of comfort and hope that Catholicism was supposed to give him in Luffy, but Law’s belief in Luffy is a direct rejection of those teachings. Rejection by believing in a real life person as opposed to the divinity he was taught about. He’s also cementing his belief in the will of D., thus rejecting Doflamingo and all the people that embody the sort of “all powerful” divinity that he abhors (i.e. celestial dragons, Kaido, the Gorōsei/five elders) for the embodiment of hope and humanity. 

When Law survives (again), he expresses he’d rather see Luffy beat Doflamingo with his own eyes or die with Luffy if he loses than leave. Then he watches, after all this talk of miracles, looking up in reverence as Luffy delivers, bright as the sun, haloed by the bars of a cage that’s haunted him for over a decade, Corasan’s words echoing at the back of his mind. God had never saved or freed Law, but Corasan was there for him, the heart crew was there, Luffy was there. And this is Law’s biggest, clearest rejection of religion – this newfound faith in humanity. 

This faith in Luffy is put to the test again in Wano when Luffy is struck down by Kaido, but Law never truly stops believing that he’ll make a comeback. Even when the straw hats doubt whether he’s alive or not, something tells him Luffy’s not dead, and he holds onto that hope. 

We also have the whole nika/joyboy backstory which really only reinforces all of this imagery/god-fearing looks of awe from Law and this idea of Luffy who is this perfect juxtaposition of empathetic and kind to incredibly fearsome fire and brimstone fighter. And regardless of whether you’re into the ship or not this is the impetus of Law’s relationship with Luffy for me, because here’s Luffy who has every right to have a chip on his shoulder and be downtrodden about all the injustices against him, here’s this little guy who against all odds, in the darkest of places, embodies light and hope and kindness and proves to Law that there will be hard times but there IS a happy ending at the end of the tunnel, despite it all. And everytime Luffy rises to the insurmountable challenge and wins, it just further cements that the will of D. is alive, that Corasan was right, that there's something redeemable in Law, a reason why he was worth saving, even if Law doesn’t understand it quite yet.