#But they're not as major in pop culture

[cryptidcalling]

Obv I can't can't have a new interest without involving Fen so

Deity Fen would a lesser god who's worshipped mostly by small cults rather than larger societies. He's a god of medicine, herbalists, livestock health and fertility, travelers/vagabonds, and due to his mother being the goddess of wildfires and protection some of Fen's myths say he's a god of glass and glassworking as well. There's debate about who his father is, but given his cattle-like appearance and the fact that they share similar titles, some think he could be linked to Pan (the satyr god of shepherds, cattle, and male fertility).

[psqqa]

yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.

phoenix wright

phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright

phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright

phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright

phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright

phoenix “i sure felt surprised. maybe i had my poker face on” wright

phoenix “looking back on it that was actually a pretty dark period in my life” wright

phoenix “don’t ask me how i got started. i don’t remember” wright

phoenix “only you stood still, your eyes calmly watching” wright

phoenix “sometimes, life just sucks” wright

just

phoenix wright

crunchiest man in the world

and all i wanna do is chew and chew and chew on him

[aroaessidhe]

2023 reads

The Winter Knight

slow-building urban fantasy mystery

reincarnated arthurian legends living in modern Vancouver

follows a gay autistic college student who’s the reincarnation of sir gawain who just wants to live a normal life

and a 30-something valkyrie woman

when a knight is murdered, she’s assigned to investigate, and he’s pulled into things after finding the body

m/m and pre-f/f (she is bi ace)

[tenebriism]

// The scariest thing I’ve ever heard at work is : I found your Tiktok page.

[oshinsimblr]

hey friends! i was unable to post all of my early access content bc i'm sick. but i was able to post this video, which in my honest opinion are the major features in this 'romance' pack.

IS IT WORTH $40?

DEPENDS ON HOW BADLY YOU NEED THESE FEATURES TBH.

this review is brought to you by the ea creator network. all of my opinions are my own. i must disclose this per FTC guidelines #ad.

*i do not cover everything in the pack, only the things that stood out for me lol. i'm sorry i'm not used to doing full reviews up here

the attraction system is helpful and expands dating (which is great, but we've had mods that could do this for some time: pick your poison). the romantic satisfaction is the star here. i love being able to create one sided relationships and actually take care of our romantic relationships with sims. this is a valuable feature for me!

cupid's corner is a nice "hey i don't need this mod" anymore type of feature. prior to this i was using lumpinou's meet & mingle which allowed me to meet with sims (platonic and romantic). i dislike that you can not write custom bio's for your sims. i love the way the app functions, i love saving sims and adding them to our rel. panel - and getting to know them through the phone first. i wish we could've defined our sims favorite music/foods/color etc.

i'll admit it, i'm a sucker for dynamics. family dynamics from the sims 4 growing together are so good (minus the fact that everyone wants to be f*cking jokesters after one joke lol). but i love them! they really do impact my sims relationships. the different romance dynamics are interesting. for example: a strained romance dynamic makes it VERY hard for your sims to communicate. it's like your sims will randomly hug each other, but then 5 secs later they're upset. they want to love each other so badly but they can't lol.

now onto random things that excited me. you can go to cupid's couples counseling. i did not know we'd actually be able to answer questions. these sims had a strained romance dynamic and it was so bad - the therapist suggested we come back. but when i tried to schedule it again, they were booked and i had to wait to schedule another appt. which is great, because in the meantime your sims are going downhill fast and you have to keep the peace until then (if you choose).

there are new pop ups and invites. there's even one for a reality dating show lol. you can turn these off in game settings. (if you're wondering, mr. landgrabb never showed up at the motel he wanted to meet at. he stood my sim up. don't judge me, i thought there was simoleons involved).

new crafted dates are cool. you can choose whatever you want to do on them. there's new social interactions based on the activities you choose. you can also invite other sims to these (double dates woohoo!) you can also create crafted hangouts. i like these, i got this cute picture as a reward after a succesful crafted hangout. if you're familiar with mws weddings, it's the same idea. except this works well and isn't as glitchy lol..

another random feature i never needed, but now i find it useful. you can create your own relationship label that will appear in the rel. panel

it's unfair how gorgeous this world is... because there's nothing to do. this is all set dressing.

you can declare your love here.. at the wall of love.

you can buy flowers or edible sweet treats at this shop in the background.

you can get local food here. there are 3 new dishes and spicy hot chocolate. now, i'm not mexican (the world is inspired by mexico) BUT 3 new foods isn't cutting it for me. technically only 2, because one is a vegan option. no pozole, enchiladas, guacamole, tamales?? i'm a foodie, so i take full offense to that.

you can woohoo or sleep at the motel.

you can travel.

go fishing or enjoy a swim.

sit here and chat.

view this for a moodlet.

travel again.

check in a penthouse.

there's a nightclub, gym and lounge. but you get the idea.. there's nothing culturally unique about this world which makes me sad. no festivals? i'd love seeing a mariachi band play at the lounge. something. otherwise, keep the world and add more features right? i would've loved table proposals (sims 2 anyone?). or frisky couch makeouts. so many missed opportunities here.

there's more i could say but i feel like this post should be a little helpful in deciding wether this is a pack you need right now, or wait for a sale! i personally love having a complete colection, so i've always wanted every expansion. though i recieve the pack for free, i owe you my honesty and i want to start doing blog/written content because it's easier to process my thoughts through the excitment. i will enjoy this pack, i do like it, and only time will tell as i integrate it with my current gameplay. i hope this was helpful!

* if you remember, use my code OSHINSIMS at checkout if you decide to purchase this pack. that way, at least i get a % of your purchase and EA doesn't get all your coins 😉

thank you! just keeping simming, always stay wavy, peace x

[lizzybeeee]

Calling it now:

If there's ever any future installments of Dragon Age there will be no mention of the differentiation between the Dalish or City Elves.

Like in DATV they will simply all be 'elves' and the vallaslin will be reduced to 'cool looking tattoo's that some veil jumpers have' - no mention of the elven pantheon either, because why bother! They're all dead now!

They're all dead and responsible for every lore plot point in Thedas, and there's nothing of mystery or substance left in the world now.

No mention of the culture in the alienage, of the vhenadahl tree, of the horrific racism and systematic abuse the elves have been through...now its just elves. With the way the Veil Jumpers have been set up, and the fact that the elven gods were the enemy in DATV, I find it extremely unlikely that the Dalish will even exist as a group either. Why would they? Their Gods returned and blighted the world - not that the fact is even truly discussed in the game. Elves are just elves, and the notable elves are Veil Jumpers.

Maybe you'll walk in a city, pick up a codex, and get a copy and pasted explanation of history from a DAO codex - a reminder of what we used to have and what BioWare absolutely demolished in their attempt to build a new IP on the bones of Dragon Age. The absolute whiplash in writing, story, and character between DAI and DATV is staggering. How on earth could the studio that made such a gorgeous, rich world of lore surrounding the elves in one game end up utterly bastardizing and reducing it to nothing?

How can you look at a place like the Temple of Mythal and go from those gorgeous golden murals and emerald tiled roofs that reached to the heavens to a place like the Lighthouse? From the Emerald Graves to the ruins of Arlathan - devoid of halls that reach to the heavens and golden murals replaced with stained glass? The entirety of the Trespasser DLC had more character and reverence for what the elven empire once was, and DATV feels as though it's approaching it with the perspective of 'generic elven bullshit with triangles everywhere'. All that unique architecture has been obliterated by adding in World of Warcraft focus crystals and automatons.

How can you go from the atmospheric/environmental storytelling of the Lost Temple of Dirthamen to Solas just blurting everything out? No weight, no double truths or hidden meanings - just blurting it out, getting it said and done with no gravitas? That was Solas' entire thing! People have made threads literally dissecting what Solas says and does not say - now he spits lore out as though it were common, everyday knowledge.

How can anyone justify the sudden emergence of magical automatons everywhere in old elven ruins? As if Dragon Age didn't have a host of enemies/creatures available to use in their stead - or the ability to create something unique to the forest of Arlathan. What happened to the spirit guardians? What happened to the lingering echoes of the elves slaughtered by humans in wars ages past like in DAO? Magic was their very existence - spells taking years or centuries to cast, weaving in and about each other - and you're telling me the ancient elves spent their time creating magical transformers?! It feels/looks so utterly seperate from everything we know of the elves from Dragon Age.

Or look at the Crossroads - listen to how Morrigan speaks of it - the reverence for the past, the misty atmosphere, and the heaviness of this pocket of the world that carries the fading memories of a world and people that no longer exists...now it's reduced to a hub world! People are just popping in and out of it at will!

In Trespasser, the few eluvians that we were available to travel to led to the most lonely, desolate spots of Thedas, which ensured their survival over the past millennia. The mirror in the Deep Roads, the mirror in the ancient stronghold in Ferelden...now they're everywhere!The 'few surviving' eluvians are in every major settlement of Thedas and all are in operating order! More than that, everyone who sees an eluvian knows what it is - this ancient marvel of a world long gone has lost all worth and is reduced to a 'world building' justification for fast travel.

Poor Merrill, slaving for a near decade to try and restore a small sliver of her history, only to have all gravitas and wonder of her discovery utterly made void. All that accomplishment wasted, especially when Bellara can wave her magic omni-tool and fix an eluvian in a matter of hours.

If you took every specific Dragon Age terminology out of the Veilguard and replaced it with generic fantasy bullshit you would never be able to tell the difference. The world of DATV is so divorced from its predecessors its astounding.

[i-need-of-a-hobby]

modern/alive boy detectives au headcanons:

-for the purposes of my headcanoning the boys met in high school, didnt die this time, and post graduation are sharing a flat

-its still slowburn ofc claiming theyre "100% platonic" despite sharing a flat for two years and sharing a bed most nights for cuddling purposes

-how did the "platonic" cuddling start you ask?

-charles has chronic nightmares and edwin has a caffeine problem so they both end up awake at the most unholy hours of the night and charles decided the best use of these times is catching edwin up on pop culture

-because even in a modern setting, he had a supper sheltered childhood

-the first middle of the night movie they watch is legally blonde, which edwin got more invested in than he'll ever willingly admit

-they're watching in charles' bed naturally bc he's got a tv in his room, and charles falls asleep halfway through the movie every. single. time. because he feels safer when he's (super platonically) curled into edwins chest

-these fucking idiots

-charles also has this really beat up SUV he loves more than anything

-its literally the ugliest car youve ever seen but he got it used right after moving out for next to nothing, fixed it up himself, and now calls it daisy

-edwin hates the whole personifying cars thing but charles will only acknowledge the car if it's referred to as daisy ("stop calling daisy it, it hurts her feelings!" "charles it's a CAR" "SHE'S a car")

-edwin is also a passenger princess

-charles didnt really know what he wanted post high school other than to get out of his parents house asap so he takes a gap year and moves in with edwin

-it takes him a bit over a year (and just so much therapy) but he eventually decides to go to school part time majoring in psychology

-in his year off he worked a bunch of odd jobs but his favorite was at a comic book store in the local mall because he got free pins for his jacket AND could use their database to track down out of print batman comics for edwin

-edwin does go to college directly after graduation high school, majoring in forensic science

-he refuses to let anyone know but he also volunteers at a local animal shelter

-but he keeps it so on the downlow charles only found out when he brought an elderly cat home but even then he didnt outright say anything

-charles: edwin... what is that

-edwin: that is georgie

-charles: ok, cool cool cool, why is he here

-edwin: he only has three legs, he needs us

[wannaeatramyeon]

Lookism x Reader: Simps

G/N. Gun Park, Ryuhei Kuroda, Jake Kim. Just stupid and silly.

Goo calls Gun a simp.

He says it mocking and derisive as if it is something to be ashamed of.

Maybe it is. Gun doesn't know what a simp is. Goo opens his mouth and most of the time only shit comes out. Gun isn't about to ask and neither does he care.

"Wrapped around Y/N's finger," Goo sneers and that, Gun understands.

Maybe that's true too. He still aims a punch at the blonde's head.

.

.

Leaning over Gun's shoulder, you peer at the search box and chuckle, "Simp? Why are you searching for simp?"

"I'm researching what it means."

"Huh." Your brows knit together, wondering how he came across the term, when this is the kind of person who likes to text in either simple emojis or full sentences and no inbetween, has no idea about pop culture references and terminologies, and you had to teach him what the eggplant emoji actually meant.

A lightbulb goes off.

A Cheshire cat smile creeps over your face, " Did Goo Kim call you a simp?"

Gun turns towards you, traces of annoyance on his face, "He did."

"Well, aren't you?"

He looks down at the definition of simp again, doesn't really understand why it's meant as an insult, when at the crux of it, for Gun, it's simply someone attentive and devoted to their partner.

Gun grumbles, but he supposes: Yes. For you, he is a simp.

.

.

Kenta and Ryuhei are Executives.

Part of the exclusive club of Senior Management at Workers yet they both wait patiently in line at the coffee bar as their assistants (and yours) fidgets behind them.

"They're worried," Kenta murmurs in his native tongue.

"Why?" Ryuhei glances over and indeed all three appear concerned.

"That you think they can't do their jobs."

"It's just a coffee." Ryuhei shrugs, "Anyone can get a coffee."

"Exactly," Kenta wonders if he's being deliberately obtuse. "And it's expected that assistants get the coffee. They think they're doing something wrong because you're here."

"I know how Y/N likes their coffee."

"So does their assistant."

"I know precisely how Y/N likes their coffee."

Kenta sees the beginnings of a sulk, Ryuhei's bottom lip starting to jut out and the furrow of his brows, and sighs.

Ryuhei is being deliberately obtuse. It's not even a particularly adventurous order. Even Kenta knows how you like your coffee, having unfortunately been dragged here by his friend enough times. 

They both shuffle forwards.

"One large Americano. No sugar, no milk," Kenta demonstrates, rattling off your drink of choice to the barista. 

It's difficult to get wrong.

Ryuhei gasps dramatically at Kenta stealing his thunder, and receives an eye roll in return. Who cares about who places the order? Ryuhei is going to be the one that hand delivers the coffee anyway, then hang around you all afternoon being a nuisance.

"You're such a simp." Kenta complains.

Any hint of indignation disappears, and a wide cheerful grin spreads over the blonde’s face.

"I know!"

.

.

For someone of Jake Kim's size, he can be surprisingly sleuthy.

He pokes his head into the room, where the majority of his inner circle sits, hears both his and your name being mentioned and his ears perk up.

Oh?

With quiet, measured movements, sneaks over to the table, and slides into the empty space between Jason and Jerry.

"-I can't believe he is such a simp!" Brad chuckles.

"He really is," Jason agrees.

Jake leans forward, "Who is?"

Lua rolls her eyes, "Jake!"

"Me?"

Hasn't this guy kept up with the conversation? "Yeah, obviously!" Lineman adds-

And then eyes widening in shock, recoils sharply. As does the rest of the table.

Jake?! When did?! How?! What?

An uncomfortable silence descends, festers, stretches taut-

Snaps, when Jake raises his eyebrows and asks the group, "I'm a simp, huh?"

Jerry, his ever loyal sword, speaks for the first time. "You are."

Jake considers it, thinks about himself, thinks about you and his eyes soften. He grins, toothy and lovestruck, "I am."

[nintendont2502]

I'm gonna be a little bitch for a second GOD it's so so so fucking exhausting being a non USAmerican online. Like. Jesus fucking christ the levels of defaultism are just,,,, god. The 'default' audience for every post is Americans. American pop culture is universal obviously, and god forbid you bring up a show from your own country because no ones ever watched that! The millions of kids in your country don't count clearly. When American places are mentioned it's always Town, State, Country, but when anywhere else is mentioned you're lucky to get State, Country, or the closest major city if you're really lucky. Fahrenheit and MM/DD/YY and American spellings dominate even though they're the only country that uses them. People constantly talk about how x and y 'breaks the law'. They mean American laws, because those are obviously universal. American news and American politics are everywhere. You *have* to care about this. If you don't, you're a monster. The only time my country makes it is when we're literally burning to the ground, and even then they don't even touch the political side of things. Even international incidents somehow get brought back to America - call your representative (I dont have one). Go to these protests (they're on the other side of the world). Sign this petition (it's for US residents only). Im going to go insane.

[genericpuff]

completely off topic but regarding something that i saw pop up in my FB feed and i need to rant about

please do not fall for this shit

nintendo is NOT anti-AI.

it's really easy for them to say they're not going to use generative AI to create their games, because this statement has nothing to do with the very real issues with AI art such as the blatant theft of artists' work, environmental impact, replacement of humans in the industry, and just flat out unethical shit that AI has been designed around

it has EVERYTHING to do with their intellectual property rights, which Nintendo is NOTORIOUS for protecting with an iron fist even at their own expense. and i'm not talking the usual sensible argument shit like "ofc Nintendo wants to protect their IP's, they're a business!" i'm talking about the fact that this is the same company that just recently did a major takedown of the vast majority of Nintendo-licensed games on Vimm's Lair which aren't even being sold legitimately anywhere anymore-

i have so many fucking bones to pick with the flaccid bootlicking anti-piracy arguments out there but basically it comes down to this:

Nintendo is not a small indie company. They are literally one of the biggest, richest, most powerful gaming companies on the planet, rivalling Disney in just how many major franchises they own and profit off of. Many of their games are cultural classics, not just through the sentimentality and nostalgia of our childhoods, but also for all the innovations they made through games like Super Mario Bros, Super Mario 64, The Legend of Zelda: Ocarina of Time, and many others that we, within the world of gaming, owe a lot to and should be able to access and play. It's not a matter of "wanting these games for free", it's a matter of wanting to be able to access these games, period, and Nintendo is deadset on making it as difficult as possible, even when it doesn't necessarily profit from them (need I remind you that many of the games that were taken down from Vimm's Lair are NOT available through their shitty, poorly-ported emulation subscription service - plus that subscription service can be altered and/or removed at any time, regardless of what you paid for, just like the Wii Virtual Console was, meaning you do not own any of the games you're paying to play on there.)

This isn't about being "cheap" or "not wanting to pay for games". This is about media preservation and the virtue of actually owning the things we pay for. If these games were resold at official outlets for reduced prices or made more accessible through e-shops that don't close down in between console generations or drip feed the odd legacy title every few months or release crappy ports on their outdated af tech for only a few months at a time for three times the price of their original value, people would gladly pay. It's the fact that people are having to put up with all of the hoops that Nintendo has put in place to prevent them from even handing them money to play their favorite titles that even drives them to piracy to begin with, and Nintendo will gladly shut those sites down to protect their IP even when it's an IP they're no longer profiting from and aren't making active efforts to sell.

Like, I would gladly hand over a reasonable amount of money (i.e. not the cost of a brand new triple A title in 2024 which is like $80-$100 here in Canada) for Diddy Kong Racing on the Switch, but ofc it's not on the fucking online play store and even if it was, I'd have to deal with paying an overpriced subscription fee for a port of the game that would undoubtedly run WORSE than it does on my PC, and that subscription service can be taken down at any time. But Nintendo wants me to not pirate the game that's not available on their shitty subscription service because... just don't do it, pretty please??

Nintendo is not anti-AI. They would gladly use AI in place of manual labor to scour the internet and dish out DMCA's to every emulation site, archived ROM hub, fan game, and artist alley creator if they could... oh wait, they already are.

Do not fall for the virtues of anti-AI when it comes to companies like Nintendo. They are not anti-AI. They're anti-ownership. They're anti-preservation.

[sensorydephrivation]

Amatonormative assumptions and the language of a hard launch: a rambly DnP essay thing

I have a lot of Discourse Thoughts about hard launching and all that, but there’s not much I can say that hasn’t already been said. This fandom is one that generally has significant representation on both sides of any major issue; any take you look for you can find someone genuinely believing. What I am interested in analyzing is how some people are insistent, whether or not they want it to happen or believe it will happen, that they haven’t Hard Launched, and others are equally insistent that they have. Because on the surface those should be completely contradictory takes, but a large amount of people believe each to be true.

I’ve seen posts making comparisons to PJ and Sophie, and I definitely think that’s a useful tool because it brings up the real question here: how do we speak about romantic and platonic relationships, and what underlying assumptions are at play when we use or don't use certain words?

Firstly, this issue is obviously mostly to entirely due to homophobia. Why do people assume PJ and Sophie are a couple just because they live together, even though they've never used the words? Because they're a man and a woman. Why couldn't DnP be publicly open about their relationship back in the day? Because they're gay. I'm not going to spend too much time on this point because it's obvious, but I feel like it's important to remember that Dan and Phil's relationship wasn't some Great Secret for no reason. They weren't no-homo-ing because of privacy or whatever, but because they weren't yet ready to face the immense challenges being publicly out sticks you with, especially in the early 2010s. If homophobia wasn't a thing, everything else I'm going to say in this post would still be true, but it would all be significantly less charged. Just remember that gay marriage wasn't legal in the UK when DnP met each other, and that 2000s pop culture overall was routinely, openly, virulently homophobic. Just keep that in mind. (Also, everything I talk about in this post refers to 2019 onwards, after they came out. I wasn't around for the no-homo era and can't speak on it. I'm also not going to be talking about the speculation around their relationship, because that's been talked about so much. It definitely is a factor in all of this, but you know that already)

Onto the main point of this post. The reason DnP haven't "hard launched" (that term itself is incredibly vague, but its popular meaning in this fandom seems to be explicit confirmation of a romantic relationship, which is how I'm using it here) while also having clearly done so is because their use of language does not line up with conventional expectations of how language around romantic and platonic relationships should be used.

The concept of "dating" as we think of it today is relatively recent, and language around it is even newer. The terms "boyfriend" and "girlfriend" only became prominent in the mid- to late- 20th century, and it took a while for them to gain the connotation (of almost always meaning a romantic relationship) that they have today. And yet people have still had romantic relationships for forever! How these things were described would depend on the society's norms around marriage and sex and often on the exact social dynamic of the couple. Today, we think we're better than all that and can find words for anything.

I'm no expert on what makes a relationship romantic vs platonic or even how to define those terms. I find it hard to define the concept of romance in a way that doesn't bring with it centuries of heteronormative amatonormative assumptions. And boy are there assumptions. (No, people who live together for life do not have to be romantically involved, that's a silly thing to believe.) When people see a relationship that lines up or does not line up with those assumptions, they expect it to have a clean, simple label. But the words we used for romantic relationships outside of marriage, due to how new they are, are completely not simple!

While these days they seem to be the most "unambiguous" terms to describe a romantic relationship, "boyfriend" and "girlfriend" are essentially euphemisms that can seem infantilizing and demeaning of the seriousness of a relationship. It's easy to see how they aren't for everyone, even if many people are fine using them for serious committed relationships. "Partner" is kind of ambiguous on purpose, thought like bf and gf, I think it's on its way to becoming a word with mainly romantic connotations. The term "significant other" is out of fashion these days, but just like bf, gf, and "partner," it's basically a euphemism that doesn't mean much in and of itself. We have no words to describe an unmarried romantic couple that aren't on some level unclear or unindicative of the actual nature of the relationship.

Dan and Phil have acknowledged that they were once in a romantic relationship, have made many many jokes about having sex with each other, and are committed life partners. On some level, you can take the combination of these things as a very clear confirmation of a current romantic relationship, which many do. Yes, this requires making a few assumptions, but they aren't the craziest assumptions in the world. In fact, as one can see from the PJ and Sophie example, they are assumptions that are often normal and expected to be made in social situations. So why do so many others not see it this way?

Well for one, we are a mostly queer community that understands the complexity of queer relationships and how these assumptions do not get applied equally. We see how these assumptions are often used against queer people to devalue their identities, especially those on the ace-aro spectrum and/or in queerplatonic relationships. We also are an extremely online community, familiar with the complicated layers of discourse around RPF and shipping, and hesitant to make assumptions in a way that could potentially damage relationships or invade someone's privacy.

But honestly? It's because DnP don't call themselves boyfriends. They don't explicitly frame their activities in romantic ways (e.g. call things dates). The terms they use and jokes they make, even in 2024, are not the sort of things we expect from the set of assumptions that go with a committed romantic relationship. (This is also where the discourse about whether or not they're open/poly comes from, but that's a topic for another day.)

The Date Night video stretches this to its absolute max. The game is full of cards about kissing and other things that fit cleanly into the set of romantic relationship assumptions, but they didn't use any of those cards. They only used things that were ambiguous, and tried to downplay the romantic implications as much as possible aside from the lampshading of it at the start of the video ("this is a great game to play with your best buddy as well" "phil says no homo" as well as the entire "ugh i can't believe they send us this" tone of the intro). The use of "partner" in this video is the clearest example of this. The game uses this word exclusively- after all, it's a standard, accepted, gender-neutral word for people in a romantic relationship. Phil confidently reads it off the card, with the "I don't care which set of assumptions this assigns us" attitude that's been prevalent over the past year and past few months especially. Dan avoids it half the time, and at the end of the video, seems to clearly mock the term, saying it in a silly voice and then comparing it to how stereotypical cowboys use the word. This stuck out to me; it made it very noticeable that they don't use that word at least in videos, and made me think about the connation of the word they do use-- "friend." That term, unlike any of the words I've mentioned so far, implies literally nothing. "Friends" can be people with a barely positive relationship or people with an incredibly meaningful relationship they center their life around. With no other qualifiers, it also implies that the people in question don't have a romantic relationship (are "just friends"), or even (because of amatonormativity) that their relationship is not especially deep or meaningful.

Dan and Phil have defined their relationship in quite a few ways-- or rather, Dan has, in BIG and in his interviews for WAD. These quotes circulate on here constantly as people discuss the meaning of them. I'm not really interested in talking about those as they've already been talked to death. I do think it's worth noting that we only get these things from Dan-- the one time Phil has ever spoken on his "current dating life" it was just to say "I don't want to talk about that, the door is closed." Obviously some of this is because the interviewers were pushy, but also I'm sure Dan enjoys his elaborate poetic metaphors enough to not be able to shut up about them haha. (Very unrelated but I wonder if this will come up if they end up doing interviews for TIT?) The thing is, these definitions show a deep, meaningful, complex, committed relationship. They include directly romantic terms like "husbands," "soul mates," and "normal gay relationship." You would think being willing to call someone your husband, even with a million other words around it, would mean you wouldn't have a problem calling them your partner, right? Yet these words do not reflect the language they use when speaking about each other in videos!

There are times when they say "friend" "buddy" or "mate" in a clearly humorous, ironic way, and seem aware that it isn't a term that makes people think of a committed, long term relationship. Other times, they use the word as if it is a fully accurate descriptor of their relationship-- in the glue story, Dan jokes about being ashamed to be seen as "the friend of the glue guy," and in How Phil Nearly Died, he quotes himself telling the hospital staff he is looking for "my friend." I use the hospital stories as examples because they are high-stakes (or seemingly high-stakes in the case of the glue story) situations and examples of how other people in their real lives perceive them. The way they choose to tell these stories to the internet is one in which the fact that a random hospital worker would likely interact differently with Dan if he was Phil's friendly roommate as opposed to his life partner doesn't matter. In other words: if they actually do call each other "friends" irl around strangers, those strangers probably have a very different impression of their relationship than we do. Their consistency in describing themselves doing so just means that they want to consistently use the term "friends" in their videos, not that they actually do that in real life. But to a viewer who is unsure about their relationship status, the fact that they are clearly life partners, no matter platonic or romantic, but in all situations opt for a word that does not imply that seems to be confirmation that their relationship is not clearly romantic, or at least that they don't want to refer to it as such.

If I have to draw a conclusion from all this, it's that DnP consider their relationship very complex and unusual (ymmv on if it is, lol) and have had to deal with a ridiculous level of scrutiny about it nonetheless. Again, Phil has almost never spoken on this, but Dan clearly dislikes any descriptor that carries with it a sense of assumptions about the nature of the relationship, hence why he uses like fifty contradicting ones or strange metaphors instead. "Friend" carries with it no assumptions. You can be "friends" and be in a romantic relationship-- plenty of people say "I married my best friend." But our society considers romantic relationships to be more meaningful and important than platonic ones. People assume that if you are in a romantic relationship, you would want to describe your relationship exclusively using terms that carry that set of assumptions, because that is the most important part about it. I honestly think Dan is being quite subversive in refusing to do so.

I have no idea if or when this will ever change, but I hope I've given enough context for those who are convinced they've already hard launched to understand why others are still waiting, and for those who don't think they have to understand why the issue is more complicated than it seems. This topic has fascinated me ever since I first started watching them, and I hope this post can help people reach a bit more of a understanding, rather than inciting more discourse.

[specialagentartemis]

Something always fascinating to me is the "character who thinks they're in a different genre" phenomenon. The theme of the story you are telling determines what the right and wrong actions to take are; but the characters, reacting in-universe to the situation, don't know what story they're in, and the exact same responses can be what saves you or damns you depending on what kind of story the author is telling and what the story's message is about what life is like.

In Wolf 359, Warren Kepler approaches the mysterious and powerful aliens with threats; he kills their liaison and tries to position himself as a powerful opponent. However, he's shown to be wrong and making things worse: his preemptive aggression is unwarranted and unhelpful and bites him in the ass. The aliens want to communicate and understand humanity and share our music. It's Doug Eiffel, the pacifistic (and kind of scaredy-cat) communications officer who loves to talk and share pop culture, who talks to them and understands that the aliens are scary not because they want to kill us but because they don't understand the concepts of individuals and death. Talking to them, communicating with them, understanding where they're coming from and and bringing them to understand a human point of view, is what succeeds. Openness rather than suspicion, trust rather than aggression. Kepler thinks he's a dramatic space marine protecting the Earth from the alien threat by showing them humans are tough and can take them, but that's not the kind of story this is.

Conversely, in Janus Descending, Chel is in awe of the strange and beautiful alien world around her. She wants to touch it, understand it, get up close to it. When she sees a crystal alien dog, she wants to befriend it, despite Peter's warning. But when she gets close to it, extending her arm in greeting, it attacks her and drags her down into the cave to try to eat her. This sets the inevitable tragedy in motion. Suspicion is warranted; trust will get you killed. Because this is a sci-fi horror, with a major running thematic reading about how racism and sexism will destroy your brain and your society, and how the people who think they're too smart to be prejudiced don't see their own prejudice and will end up ruining the lives of the people they still don't fully see as equals, this kind of trust that Chel shows this strange alien is tragic. However it is also a horror story where there are very real hibernating space snakes ready to wake up and eat the fresh meat that has landed on their planet, and by being too trusting Chel has accidentally introduced herself to one.

Kepler, suspicious and ready to shoot any alien he doesn't understand, would likely have survived Janus Descending; Chel, with her enthusiasm for learning about and meeting aliens, would have been a wonderful and helpful member of the Wolf 359 crew.

In a similar manner, in Alien, Ellen Ripley yells to the rest of her crew not to bring the attacked crewmember with the alien on his face back on the ship and into the medical bay, you don't know what contamination that thing might have; she's ignored. She tells them not to let the crewmember out of quarantine even though he seems fine; she's ignored again. Ripley is the one person protesting this isn't safe, we don't know what's going on, and she is consistently ignored, until an alien bursts out of her crewmate's chest and then eats everyone and Ripley is proven to be right and also the only survivor. (And it turns out that the science officer consistently overriding her protests was an android sent by the company that contracted them, and said android was given orders to bring the alien back so the company could study it and do weapons development with it, try not to let the crew find out about it, and kill them if he had to in order to do so!)

Ripley's paranoia and mistrust of the situation was correct, because Alien is a space horror and the theme is in space no one can hear you scream (also corporations consider you expendable).

Conversely, in All Systems Red, we have a damaged and almost-combat-overridden Murderbot being brought back into the PreservationAux hab medical bay after being attacked by other SecUnits. Gurathin becomes the one person protesting this isn't safe, we don't know what's going on, he doesn't want to let Murderbot out because it's hacked and probably sabotaging them for the company contracted their security and sent it with them. Gurathin thinks he is the Ellen Ripley here! He is trying to warn his teammates not to make a dangerous mistake that will get everyone killed!

However, All Systems Red is a very different story than Alien, and Murderbot is neither a traitor on behalf of the company to sabotage them and steal alien remnants for weapons development, nor a threat to the humans - it's a friend, it's a good person, and it wants to help them against both companies willing to screw them over. Trusting it and helping it is the right thing to do and is what saves their lives. Gurathin is proven to be wrong.

If everyone on the Nostromo crew had listened to Ellen Ripley, they would still be alive (except Kane. RIP Kane), because this is a horror story about being isolated and hunted and going up against this horrifying thing that wants to kill and eat you and just keeps getting stronger. If everyone on the PreservationAux team listened to Gurathin, they would all be dead, because this is a story about friendship and teamwork and trust and overcoming trauma and accepting the personhood of someone very different from you.

Same responses. Different context. And so very different moral conclusions.

Warren Kepler was about how the brash violent over-confident approach to things you don't understand is wrong, and that openness and developing that understanding between people is what's important; Chel was about the tragedy of trust destroying a Black woman who wanted so much to believe in a world that could be kind and beautiful. Ripley was about a woman whose expertise and safety warnings were ignored and brushed aside and everyone who did so died because of it; Gurathin was about how even justified fear shouldn't mean you make someone else a scapegoat and mistrust them because they seem scary.

Sometimes you're in the wrong genre because you need to be, because the author is trying to show how not to react to the situation they set up in order to build the mood and the theme they're trying to convey.

[rottenpumpkin13]

Out Of Context Shit Heard On The SOLDIER Floor #6

Previous: #1, #2, #3, #4, #5

Angeal: No, Genesis, you spaghetti-noodle-spine-having-ass bitch.

Sephiroth: I identify as a tonberry *chases Cloud with a kitchen knife*

Zack: Ra Ra Rasputin *kicks Sephiroth over*

Genesis: Unhand me you cretin *alone, talking to no one*

Angeal: Zack just showed me a picture of the Grinch and said "hear me out"

Lazard: No, Sephiroth, you cannot have a human-sized cat bed in your office "for enrichment"

Cloud: Parkour time *crashes through the air vents*

Sephiroth: I'm the biggest lesbian ally in this department, actually.

Angeal: For the sake of my sanity I'm gonna pretend I didn't just see Zack twerking to One Winged Angel.

Luxiere: I would commit unspeakable atrocities for a crumb of Zack's attention.

Lazard: That stripper pole better be gone when I get back or so help me, Genesis, I will return you to the goddess.

Sephiroth: *does a single pump of sore throat spray* This is enough for sustenance for the day.

Kunsel: Care for a deep-fried cigarette?

Angeal: You look like an AI-generated twink.

Sephiroth: I've grown so tired of Genesis's voice that we now communicate solely through interpretive dance.

Lazard, over the speakers: Whoever heated fish in the break room microwave, please come by my office so I can break your knees.

Zack: Aww, I forgot to feed the Roomba :(

Genesis: I don't know why me and Angeal are being judged. Simulating a birth with a watermelon is a perfectly normal activity for two people.

Kunsel: Hopefully this office party won't end in accidental weed use.

Angeal: WHY IS THERE A FAMILY OF RACCOONS IN THE TRAINING ROOM?

Genesis: I noticed some homosexual subtext in your screams, do you want to talk about that?

Angeal: *sniff sniff* Ooh~ who's barbecuing? OH MY GOD IT'S AN ELECTRIC FIRE.

Roche: Every time I think about chopping my hair short I think "Sephiroth wouldn't want this for me" and the feeling is gone.

Genesis: I made a friend *drags in a skeleton with a Sephiroth wig*

Cloud: *points at Angeal, Genesis and Sephiroth* Pure of heart, dumb of ass, big of tit.

Lazard: I told Zack to use Excel and he started sobbing.

Angeal: WHAT DO YOU HAVE AGAINST SEASONING YOUR GROUND BEEF?

Sephiroth: It's extremely rude to ask someone why they're eating a salad bowl of udon at 8 AM. Mind your business, Zack.

Cloud: Genesis likes Loveless so much because the title resonates with his love life.

Zack: You keep your anxiety pills in a takeaway to-go box? Dude that's so fancy.

Lazard: Why is Sephiroth the only one wearing a shirt??

Angeal: Common sense has chased Zack all his life but he wears wheelies so he's faster

Sephiroth: I personally don't use the peace sign because I haven't had a day of peace since I was 12.

Kunsel: I'm never going out in public with Zack again. A child's balloon popped when it went near his hair.

Angeal: No I'm not giving you an aspirin. Last time I gave you one you crushed it and snorted it like cocaine.

Lazard: An overwhelming majority of you peaked in kindergarten.

Sephiroth: Zack, I'm becoming increasingly concerned by the amount of potatoes in your pants right now.

Zack: This year I want an A/B/O themed birthday party.

Sephiroth: Please don't commit tax fraud, Genesis. You won't thrive in prison.

Genesis: Does anyone have an extra ramen packet to give Sephiroth? The 64 he consumed this morning weren't enough.

Roche: Commander Rhapsodos and his emo fringe is our culture.

Zack: I'm at my fucking limit! I'm about to eat a vegetable!

Genesis: He's a son of a bitch Sephiroth: That implies he has a mother, so I don't see how that's an insult.

Zack: Fuck around and find out *said with a chunk of Genesis' red coat hanging from his pocket*

Cloud: Does anyone have an extra brain cell? I lost my remaining one when Genesis spoke to me this morning.

Sephiroth: Damn.

Kunsel: Zack owes me so much money that if he sold his box of random shit he stole from Angeal, he still couldn't pay me back.

Angeal: Why are you guys playing Queen's Blood in the closet? is this a metaphor?

Genesis: Have you prayed to your Sephiroth cardboard cutout yet today?

Sephiroth: Alert me once Rufus Shinra arrives so that I may greet him adequately *said while building a pipe bomb*

Lazard: It's all fun and games until the timeout cage that I ordered online arrives.

Genesis: I will atone for my sins by becoming a nuisance to the environment.

Cloud: If Zack were a scented candle he'd smell like ADHD and crayons.

Sephiroth, standing on a table: DO NOT. EAT. THE CHEESECAKE. IN THE FRIDGE. It's mine.

Angeal: *with a bucket while it's raining hale* Free ice baby.

Zack: I finally have enough gil to buy a sixteen bouncy castles.

Genesis: Being overcome with the desire to eat pasta and call your mother at 2 AM and wondering if you're having a mental breakdown or are possessed by Sephiroth.

Lazard: I can't fire any of you, but I'm about to start setting things on fire.

[aroaceleovaldez]

i honestly wish rr would just write for something that has nothing to do with pjo not the same characters not the universe just go and write something new bc i really liked daughter of the deep and i think he's wrung everything out of the pjoverse yk? he's a good writer but he needs to go do something different

I agree - the problem with Rick's writing is he's heavily reliant on his writing being derivative. He struggles to write original stuff. PJO, HoO, ToA, etc are all derivative from Greco-Roman mythology/history. MCGA is Norse mythology/history, TKC is Egyptian mythology/history. Daughter of the Deep is Twenty Thousand Leagues Under The Sea. And he's not terrible at it! The problem is that can't go on forever. He runs out of material to work from over time and suddenly the quality of the franchise tanks dramatically. Especially as he loses overarching connecting threads to tie the plots together, so it just becomes this soup of throwing references at the wall with no cohesion to see what sticks. And it's bad!

We started seeing it in HoO, also in part due to Rick trying to combine too many disparate inspirations to the main plot to begin with and didn't know how to make them mesh well (Seven Against Thebes, Gigantomachy, Argonauts, Odyssey). TKC and MCGA were okay because they're only three book series, so that's plenty of mythology to draw from with stuff left over, and the majority of their companion novel stuff is ghostwritten anyways. The shorter series span means less filler required so less mythology is used up and there ya go. In the longer series, Rick has to spend those five books filling in the gaps of that overarching plot and he runs out of material fast - that's why by the end of HoO it was just turning into blatant Marvel references. Now that we're getting into a fourth installment in the main series collection, even though it's only a three-book series, Rick has basically written himself into a corner because he doesn't write anything else. He ran out of places to go with the franchise like two series ago! So now he's just throwing literally anything he can think of at things (literally just plucking random mythological figures and pop culture references or tropes), or if he can't think of anything, apparently just blatantly lifting stuff from the community.

At this point the only possible Greco-Roman series I think he'd be able to do without it being total garbage would be a 3-book Roman series set during SoM-TLO/The Second Titan War. I don't think he should do that and I don't want him to, but based on everything that's probably just what would have the best likelihood of success. It just seems like the only place he can go. Anything else he'd have to do something actually original, and he's shown time and time again that he's not interested in doing that and isn't very good at it anymore.

[horreurscopes]

it really shows how important it is to stay connected to people who share your worldview and how cultural repetition easily turns into belief if you don't keep an eye on it that spending so much time on apartment reddit and hearing people (other renters who are also feeling heavily exploited) parrot bourgeoisie propaganda about landlords' divine morally neutral right to their property, piling up vitriol on people who dare to want a better home than what they're "qualified" for, really has got me feeling guilty/ashamed/crazy/"entitled" for complaining about not having, like, basic tenant rights. and then i read shit like:

and i'm like. wait a goddamn second it's actually totally fine and even natural and logical to want to tear that nice "mom & pop" landlord limb from limb for making a living off exploiting people's need for a roof over their head even if they, like, bring you food every once in a while or whatever. not to be like wake up sheeple because we are all, in some degree or another, sheeple, but it is -in proper marxist terminology- kind of a major bummer how good the working class is at self-enforcing division, man. the landlords are not going to fuck you

[perseidlion]

I'm new to the KAOS fandom, and I honestly love the way the show is riffing off myth.

I've seen some rumblings of some people thinking they're changing too much. But, uhhh, the show definitely never promised they'd be sticking close to myth by its whole *gestures broadly* deal. Also like...WHICH version of the myths? There are so many and they changed, sometimes drastically over time. KAOS is just really continuing the tradition of remixing these characters and the stories.

I feel like the people who are saying this takes it too far probably have a superficial understanding of Greek and Roman mythology. Cause if you really dig into it, these stories are weird, contradictory, raunchy, violent and tragic.

I was a Classics major for two years (before I decided I couldn't learn Latin or Greek which was required to study primary sources, so I switched majors.) And let me tell you, KAOS is VERY accurate to certain portrayals of the gods. Not all, of course, but many.

Zeus is absolutely a horndog dick who sleeps with all sorts of people and spreads his seed everywhere. I mean, he straight-up disguised himself as other people to have sex with their partners. Animals, too!

Hera is incredibly petty and vindictive and transforms people into all sorts of things as punishment. She was especially hard on any of Zeus' lovers she caught, or his kids from different mothers.

Everyone was doing adultery all the time.

Hades wasn't a meek corporate type, but he also wasn't a devil analogue as he often gets interpreted as in pop culture. He's definitely a big ole grump and doesn't seem to have a soft side, but he's not often portrayed as evil. Zeus is not God and Hades is not Satan. That's really applying a Judeo-Christian framework to Greek mythology.

The myth of Orpheus and Eurydice was always more about grief and not being able to let go than about the power of true love.

The gods gained obedience and worship through fear. They absolutely punished people who didn't worship they way they wanted them to.

The gods were a giant, powerful, highly dysfunctional family with lots of petty grievances and grudges.

The Greeks had no concept of gay or straight. They conceptualized sex and sexuality as acts, not an identity. They were more concerned about who was the passive person in a sexual encounter (for reasons of class and manliness) rather than what gender their partner was. So it makes sense that this modern retelling would have a similiarly open an undefined concept of sex and sexuality.

Greek myth is full of people who change genders or who swap back and forth through magic or prayer, or were both male and female at the same time. Caeneus in the show, is based on a real myth of someone AFAB who wished to become a man.

(sidenote: Misia Butler is so damned charming and handsome.)

It's also important to remember that the religion of the ancient Greeks lasted a very long time and changed over that time. There was also this really interesting dichotomy between the gods of plays and myths and the gods they worshipped in a religious context. That was one thing that is really hard to wrap your head around when you're studying Greek and Roman myth, especially when you're studying it alongside plays and epic poetry.

The gods of the stories who were being vengeful and petty and the gods they sacrificed to and worshipped were not the same - and they were. Sort of imagine it like Christian peoples' perceptions of Jesus vs Jesus in pop culture. Like, if you studied Dogma or Good Omens or something alongside the Bible and didn't distinguish between religion and pop culture, you'd definitely be confused.

So there are all these competing stores, some benevolent and holy, some raucous and scandalous. KAOS very ably continues in that tradition by remixing and recontextualizing the source material for a new audience.

They do some reaaalll weird thing with timelines, though! They squish together myth and pick and choose different versions and inspiration. But honestly that doesn't bother me because it's all done deliberately and not out of ignorance. They're changing what they've changed to serve the story.

Plus it's great fun. It's one of the most creative shows I've seen in ages. Go and watch it! As a bonus, it's also hella queer.