#But I don't believe it was entirely intentional
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I specifically want to elaborate on this part:
Decontextualizing and rephrasing an interview: I am not going to pretend that I am an expert in academic best practices, but I do believe one thing, if a person is speaking on their own identity and lived experience, it is always much better to directly quote than it is to rephrase. As I read this source, I initially didn't know that it was AI, and I was already upset. An interview that is widely available on the internet with no pay wall, was poorly sourced and made more vague than it was in the initial text. By creating one degree of seperation between the original words of A WRITER (whose literal job was largely based in choosing the right words to describe experiences they had) harm is already done. It makes vague what was once clear, and removes Keri Hulme's voice from her own narrative.
As someone who has spent a LOT of time and effort on the nitty-gritty of quoting others in professional documents, I feel like I have a pretty good foundation on which to speak about this.
As a general rule, you want to directly quote the speaker as much as possible.
First and foremost, this is because you don't want to put words in their mouth or misrepresent what they said, as that's dishonest on your part as the interviewer/writer/etc, and harms your credibility. Remember the "Coolsville sucks" meme? Yeah, don't be that person. Quotes should be full and verbatim as much as possible, because anything else presents the possibility that you aren't accurately or fully representing what the speaker said.
The second reason is because when you re-word someone else's quote, you inherently inject your own biases into the new version you create. What that means is, consciously or unconsciously, you are influencing the way readers perceive what was said. This is bad because at best, you're speaking over the person who's quote you re-worded. At worst, you're manipulating your readers to think as you do, regardless of what the original quote said.
When presenting a quote from someone else, your job is to communicate as clearly as possible the speaker's original statement and intention. If giving the direct quote is not possible, careful paraphrasing is vital.
If I say "Sara James then went on to express her dissatisfaction with the pay she received", what would you assume the original quote is?
It could be "Yeah, I found out I was only getting paid ⅓ as much as my costar, even though I have 40% more screen time and I did almost all of my own stunts, so needless to say I'm not happy and I've been talking to my team."
But it could ALSO be "I was surprised when I found out what we were all getting paid. Not to sound like a total nepo baby or anything, but normally the projects I do pay more, y'know? But then I found out that the reason pay was lower for everyone - not just me - was because production was donating a whole bunch of money to the local children's hospital since we filmed in the lot next door. Which I thought was really cool of them! Like, obviously the hospital doesn't get much say in the filming, so I thought it was really cool of production to give back as, like, a thank you. Plus we got to go visit the kids, which was just amazing!"
TECHNICALLY in both of these, you could argue that displeasure about pay IS mentioned - but the specifics of the situation are entirely lost in the oversimplified paraphrasing, and THAT is why changing direct quotes can be dangerous.
So, yeah. I just wanted to elaborate on that particular point because it's one I covered *heavily* while in college. How you quote someone is important.
":')))))))) you realise that gen AI is available to everyone though right??? Queer creators can use it just as much as anyone else??? I just don't understand this post... It really feels like a cheap way to get on the 'AI Bad's bandwagon, and coming from such a thoughtful and insightful creator that's incredibly disappointing... It's okay to not comment on subjects you're not an expert in y'know...?"
Y'all know the drill, I am replying to this publicly but that is not an invitation to send any negative messages to the person I am replying to.
Anyways, let me start by saying that the original context of the post you're replying to is discussing an event where a queer org used generative AI to steal an interview with Keri Hulme. So let's start there. To be clear I don't even know if the original interviewer was queer so let's put the identities of stealer and stolen from to the side. I want to explain the harm done in this example specifically and I hope this is illustrative of what harm generative AI can (and does) do.
The original place I saw generative AI was a queer org that explicitly says they are using generative AI "for good", and as a way to bring more queer history to light. So let's take them at their word, and assume they are not out to cause harm. This is the best example of generative AI that I can imagine, so I hope that makes it clear that I am not coming at this issue from bad faith in any way.
Here is the harm they are causing:
Decontextualizing and rephrasing an interview: I am not going to pretend that I am an expert in academic best practices, but I do believe one thing, if a person is speaking on their own identity and lived experience, it is always much better to directly quote than it is to rephrase. As I read this source, I initially didn't know that it was AI, and I was already upset. An interview that is widely available on the internet with no pay wall, was poorly sourced and made more vague than it was in the initial text. By creating one degree of seperation between the original words of A WRITER (whose literal job was largely based in choosing the right words to describe experiences they had) harm is already done. It makes vague what was once clear, and removes Keri Hulme's voice from her own narrative.
The original interviewer is not paid, or given proper recognition: I get it, sometimes just copy pasting an interview doesn't feel transformative enough, but something that one would learn if they worked in the queer history field and weren't a literal robot rehashing what has already been said, is that not everything needs to be transformed. In those cases, we give credit to the person who said the original words (in this case Keri Hulme), and the interviewer who facillitated the conversation (in this case Shelley Bridgeman). This case (again a best case scenario), takes the attention and byline away from the original interviewer and gives it to an AI.
The original publisher of this story is deinsentivised from paying interviewers in the future: The original publisher of this interview has ads on their website. As a person who also has ads on their website, taking an article like this and rephrasing it for no good reason (the orginal word count was not prohibitive and the rephrasing did not make it more readable), takes money from the publisher. It's pennies, but it's also removing numbers could have been used to justify further interviews with asexual people and archiving of asexual stories. The org that stole from this publication does not interview people themselves so the money and numbers that could have gone to continue to preserve asexual stories goes to stealing them instead.
These are just the active harms that I saw in this specific case. As you said, I am not an expert in generative AI, and will not be speaking as if I am. But I will say that asking me not to speak out on active harm that is being caused in queer history spaces, is disrespectful to my many years in this field.
To illustrate this even clearer: if you were a patron, you would know I recently took down an old article. I have been rereading and editing our backlist of articles, and I found one that no longer fit my standards of sourcing. My standards had recently raised due to a video made by HBomberguy about someone in the queer history space who was stealing from other creators. I watched this video not as a work project, but because I watch most of HBomberguys videos, and this one made me think more critically about sourcing. An AI can't do that. All an AI has is what has been inputted, and it is right now impossible to input every available peice of information about ethics into an AI and get a coherent ethical basis on which it will function.
It is a distinctly human trait to absorb information and change in that way. AI can rephrase information that already exists, steal it, recontextualize it even, but it cannot create something altogether new.
Do I believe that there one day might be an ethical use for Generative AI? Maybe. Do I believe that coming into a queer history space, stealing the words of a Maori asexual author, rephrasing them, and giving the original interviewer and publication no form of compensation for their work, is accomplishing that? No.
On a more personal note: I am coming at this issue with a bias. As a queer history creator, I do not want AI in my space, because it is literally damaging to my financial prospects. It has been like pulling teeth to try and get patrons in the current state of the global economy. I don't blame anyone from that, but I feel very disrespected that I am being asked to compete with a machine now. Not only that, but I am being asked to shut up and be fine with it? No, absolutely not. I cannot and will not stay quiet as space that I have fought tooth and nail to create in mainstream discussions is taken and given to AI.
AI was not supporting me when I was sent gore to try and scare me off of discussing queer history. A person did that. AI was not there to tell me I had written too many sad stories, and I needed some happy endings to remind myself of the good in the world. A person did that. AI was not there when I was being harrassed for supporting and including asexual stories on my website. A person did that.
And after all that, I am being asked to lie down and take it when my ability to pay the people who supported me in those ways, is being threatened. Nope. Not going to happen.
An AI doesn't have to make rent. An AI doesn't understand what it feels like to have to stop holding their wife's hand in public. An AI didn't get calls from people needing comfort in reaction to the election. Pay me for my work, and get this AI nonsense out of my face.
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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thinking about the 'I would never court Penelope Featherington' scene again and how angry our fandom has been at Colin for it for the last two years and wondering. . .what exactly was he meant to say?
Lord Fife and his friends are *slimy*. They are gross. They have 0 respect for women. Fife isn't *Colin's* friend. Fife is *Anthony's* friend. Fife runs in Anthony's circles. Misogynistic circles with misogynistic language. Fife and Co. are out here saying the debutantes are only good for being 'wed, bed, and bred'. Fife is the one out here, well into his 30s and with an established title, fucking an 18 year woman raw on her first year out in the marriage mart with 0 intention to marry her. That is 10000% an act of violence in this society. And you *know* he's bragging about it. Hell, he was probably bragging about it right before he asked Colin about Penelope.
Colin's not in those circles. Colin has female friends. Colin respects his mother. Colin cares for his sisters. The worst thing Colin has EVER said about a woman was to call her 'cruel'.
So. . .what is Colin meant to say? "No, we're just friends" isn't going to fly for people like Fife. As IF he wouldn't reply with 'Yeah, suuuuuure, wink wink nudge nudge'. Thus ruining Penelope and fucking over her future completely. A lesser man than Colin would have let them think what they wanted, and that would have still ruined Penelope in their eyes. Silence? Incriminating.
And he doesn't want FIFE of all people to know about his close friendship with Penelope. Fife who has never once been seen respecting a woman. Fife who has never once viewed a woman as a person and not a sexual conquest. Penelope is a safe place for Colin. Is precious to him. He KNOWS that conversation could have destroyed her reputation.
People talk about how he 'ruined her prospects', but in actuality, Colin responding the way he did. . .likely SAVED her prospects. There was NOTHING he could have said except for a vehement refusal, completely shutting down the conversation, that would have spared her from their judgement and cruelty. Sure, they laughed, and maybe it was at Pen. Maybe it was at Colin. (frankly, how good of a twist would it be if they WERE laughing at Colin? Colin the 'green' boy back from his travels after being oh so gullible and getting lied to by his ex fiance? Anthony made fun of Colin for being a virgin, we think these men, all 10+ years older than him, wouldn't do the same?) But at least they didn't go 'yeah, I guess she's a ruined woman' about it, because that *would* have destroyed her reputation
We talk about how Colin could have worded it differently, but honestly?
I think he said the exact right thing in those circumstances
#polin#penelope featherington#colin bridgerton#bridgerton#lord fife#lord cho#fife and company are so gross to me i do NOT understand the narrative of fife just wanting pen for himself#she's a little too old for him at this point considering he's looking for his girlfriend on a playground don't you think?#sorry not sorry i will forever be a colin apologist#no but really what should he have said????#'oh yeah we're fucking six ways to sunday?'#'no she's just my friend'? - Fife doesn't believe for a MOMENT that a man can value a woman as a friend#colin is the best man in that entire bunch but somehow he's the one we've demonized?#make it make sense#and sure he should apologize for talking about her behind her back- but Penelope should also then apologize for the same#we talk a lot about him being 'knocked off the pedestal' but in reality we've put him on the highest pedestal possible#colin is a GOOD man#he is arguably the best man in the entire series#at least he's the man with the best intentions and the least harm#and so when he fucks up we feel it ten fold because he was already so good#but when gross dudes fuck up we just expect it of them and give them a pass#we expect colin to not only be better- but to be perfect#and he isn't he can't be#he didn't say it perfectly#but OBVIOUSLY his intentions in that scene aren't malicious#and it's not locker room talk either?#look at the optics: Colin is 22 being asked by these 30+ year old dudes 'sooooo are you boinking the girl'?#one season after his engagement blew up publicly#in the season where no one listens to his travel stories#the season after he was virgin shamed
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thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder
#akio and utena#m#long ramble in the tags sorry:#the thing about akio is that he's so evil bit he's also so human#he has feelings. i just don't know what they are (if anything) toward his victims#he loves anthy at the very least i'm sure of that. even if he hates her too. just like she loves and hates him. the lines are blurry.#and i just. i have to wonder whether any of that extends to utena at all. we know anthy at times feels similarly about utena and dios#(and akio by extension.) the simultanious love and resentment. so it's not too unlikely i think.#like. even though he never had anything but bad intentions in getting close to her#i'm not sure it's possible to do everything he did and feel nothing#not that he has any meaningful amount of guilt or remorse for it. i don't think that.#and i obviously don't think he “loved” her in any of the ways she might have thought he did#but did he not care at all? did he not feel any kind of fondness or sympathy or just. idk. pity? for her?#whatever the case it wasn't enough to reconsider having her killed so you know. how much does that actually matter anyway#idk. i think about it a lot. how abusers are rarely entirely indifferent toward their victims#the role he's playing in her life is so fucked up but it IS a role he's playing and i wonder how much he you know... internalizes it?#how much does he believe the illusion of family that he invites her into? because akio DOES often buy into his own illusions.#(similarly i think it's possible that akio is fond of touga too. their mentor-protégé relationship is horrible and abusive#but that doesn't make it less real. you know? maybe real is the wrong word.)#when he talks in episode 25 about wanting utena and anthy closer that's obviously so he can continue to groom her#but is there something genuine there too? i don't know.#again. it obviously does not make anything he does better or even different. but it is interesting to think about to me.#on the other side of that coin does seeing his own past youth and naivete and desire to do good that he (maybe) once had#reflected back at him through her mean anything?#is there resentment there? that she is what he couldn't be? or more likely he just thinks that idealism is stupid.#either way it's something he wants to take from her. anyway ramble over.#i talk a lot about utena's feelings toward akio (familial vs romantic love and the way the two are intertwined in fucked up ways)#but not much the other way around. probably because utena is actually a sympathetic character whose feelings the show very clearly#wants you to analyze and think about.#which is... less true for akio i think. though he's still a complex character with complex motives. he's just harder to get a grasp on.
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Honestly this was refreshing to see, a lot of people who reblog typically don't even try to listen to what we're trying to get at, but I can definitely tell that you put a lot of genuine thought and actually listened, I appreciate that.
I am aware that there are many that do try to keep to themselves, and those people are (mostly) fine to me, but there are an awful lot I've seen saying a lot of...strange things. Some say that "Because some endos experience trauma they belong in CDD spaces" (Yes, that's an actual thing I've heard) And I'm definitely not trying to say their experiences are invalid, I'm just skeptical about how similar they are to us, and I'm not entirely convinced that they're actually systems like we are. If they say they are multiple people, that's fine by me, I just feel like they try awfully hard to seem like us at times, which irks me. I do see quite a few endos trying to claim that they are "so similar to us", maybe we just found different sides of it I suppose? Another thing I forgot to mention here is that there's a lot of anti-traumagen rhetoric prevalent in endo spaces. I highly doubt this is completely intentional, and I don't think that many actually realize they have this belief, but I have seen many that seem to have this idea ingrained in them that they're better than us, simply from being formed from means other than trauma, and while I think most of them are completely unaware of it, I can tell that a concerning amount of them do have this kind of rhetoric oozing from their posts. It's part of the reason that I stay away from mixed-origin and pro-endo spaces, I feel unwelcome and judged every time I try to go into these spaces.
Personally, I can't stand being in any mixed-origin spaces, though if they work for you and you feel safer there that's completely valid, and I'm glad it's worked out for you.
And I do agree that there's too much focus on alters in CDD spaces, there's so much more to these disorders than alters, and it's frustrating to see that people only ever talk about that part of it. It makes it harder for us to open up about the other parts of it, and it's extremely unhelpful.
I don't think I'll be changing my stance anytime soon, but this did put some things into perspective, and I think you taught me some things. I would be interested in hearing from endos, I haven't heard much from them, and I feel like I keep finding the bad ones, it's hard for me to find any that are decent. I still do pretty firmly believe that there needs to be more separation between traumagenic and endogenic, though I do agree that having some shared spaces would be a good idea, just that there should be more distinction between them.
(Sorry that I didn't respond to all of your points, I'm tired lmao, plus there are some I need to think on)
-Kaz
Keep seeing posts of pro-endos who used to be anti-endo talking about "Ugh, anti-endo spaces are so toxic" which is not necessarily bad, there are bad anti-endo spaces out there and people are allowed to vent about how those spaces hurt them
I do have a problem when they use that as an excuse to call us all toxic and cruel. I've seen many saying things like "Anti endos are so horrible, I'm so glad I'm not one of those monsters anymore"
You need to understand we aren't the monsters you make us out to be. We're traumatized people, trying our hardest to survive with something debilitating, who can't help but see endos as mocking, whether they truly are or not. We can't help but see endos as invading our spaces.
We didn't get to have safe spaces most of the time. We didn't get to be around people who cared about us and understood us. Even those of us that did have a safe space had it poisoned by trauma elsewhere. We spent our childhoods afraid, isolated, and so agonizingly alone, feeling like we were better off dead, that we were freaks, that we were the only ones in the world going through this. This community we made for ourselves was one we had to fight through years of hell to get.
So when random people come over trying to insist that they're "just like us" and demanding to be let in, despite having only one or two things in common that we couldn't even trust they truly had, of course we'll be fucking defensive. In our eyes, you're trying to take the safe spaces we fought tooth and nail for away from us, whether you truly are or not. In our eyes you're people who know nothing about us or what we went through, and continue to go through, trying to barge into our havens and bloat it with bullshit, whether that's what you're trying to do or not.
We've been hurt so many times, by so many people, for so long. Why the fuck would we take a chance on people that are so suspect? You claim to have alters just like us, yet without any of the other symptoms of our disorders. You claim to be systems, yet without being caused by the immense trauma we had to suffer through. Hell, some of you claim that you made your alters for fun, just because you can.
Of course we're wary and defensive. We don't want to even risk losing the spaces we worked so damn hard to get.
If you've had a bad experience with anti-endo spaces, and are pro-endo now because of it, that's fine by me and I understand completely. But that doesn't make us all villians. That doesn't make us all evil monsters.
And besides, many of us have been hurt by pro-endo/mixed origin spaces too. We've seen people have horrible experiences with them. (Let's not forget endos started as natural multiples, who were notoriously shitty, cruel, and discriminatory toward any and all traumagens, and that a lot of that same rhetoric is still rampant in the community, AND that the community at large has basically just decided to pretend that never happened.
-Kaz
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Wanted to mention the lyrics to the BSD 5 opening and their significance to a specific scene
「立ち止まる事でしか見えない場所が」
A place that can only be seen by stopping [movement]
「行けない場所がある」
There are places you can't go.
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So when showing the rift between Atsushi and Akutagawa (life and death), the lyrics mention the afterlife. A place only Akutagawa can see, after death. Then, "there are places you can't go."
From Akutagawa's perspective, it would be "I am in a place only seen after death. You can't come to this place; you can't follow me."
From Atsushi's perspective, this would be "You are somewhere that I can't see, that I can't reach. You can't go there [you can't leave me]."
[Don't go where I can't follow]
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Edit: more detailed analysis about it here
#''there are places you can't go'' [you cannot follow me‚ you cannot die]#''there are places you can't go'' [you can't leave me like this‚ i can't imagine life without you]#like I'm going to throw up blood from this entire ordeal. it is 2am#anyway. i hope they add lyrics to the OP in the show soon bc everyone needs to understand#i cannot believe that they are just mowing down sskk haters left and right with canon material#bsd 5#bungou stray dogs season 5 spoilers#bungou stray dogs season 5#bungou stray dogs#bungou stray dogs 5#sskk#shin soukoku#akuatsu#akutagawa ryuunosuke#nakajima atsushi#bsd#if you wanna pull some ''um ackshually 🤓☝🏼'' in my replies or askbox‚ don't‚ bc i will just delete that shit <3#like i have no patience for lack of literacy with them. these lyrics are so intentional and if you don't think so‚ you are deluding yoursel#and disclaimer i know he's not in the afterlife bc he is a vampire. however the lyrics are clearly ABOUT the afterlife#a.txt
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trevor saying "this is about you loving all the attention" ........uh. well yeah obviously...... did you miss the part where ian was abused and neglected growing up? do you expect him to hate the attention he got? i need you to be so fr trevor
#his character pisses me off and i just aasrruugghhhhhhhhgggggg#like. just absolutely no consistency.#GREAT at his job as a mental health counselor yet cannot comprehend IANS mental health in particular#his character was written so fucking poorly like the writers put in like. 10% effort into making trevor#the only explanation i can think of is if trevor is a REALLY bad person#like he loves being the hero for these kids but treats actual mental ill people like social pariahs#and i refuse to believe 1. anything the writers do is actually thought-out like that#2. i don't want the literal only trans character on the entire 11 season show to be treated not as a huge joke... to be a horrible person#like horrible in the emotional abuse sense. because that's what he would be if the intention of his character was to#treat Ian like shit and abandon him for being mentally ill in a way Trevor doesn't like#nah. nah nah. i don't accept that. i truly think the writers just did not give a FUCK about writing even semi-consistent characters
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this has boggled my mind for days
using this as an excuse to make you look at my human magic man also
#talk#cartoons#adventure time#this isn't even magic man to me any more this is like another character entirely#some beautiful unknown nonbinary transfem#anyway. hey. does magic man wear contacts...#it's like. it's POSSIBLE there's something transgender happening here#there is a trans character in the show we DO have blaine#but i am just so hesistant to believe anything is on purpose when it's already so confusing what the intent is here???#and again when we are dealing with the genderbend stuff over here which is already so cis#but hey... it's possible i just don't think the designer was really thinking too hard about it
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I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills
#I think the nothingness‚ the absence‚ the moving on despite everything‚... is a good if heartbreaking idea#and we do see snippets of it throughout the entire manga‚ yet I think it is mostly lacking in execution#I like the quiet ways in which we see the characters mourn. How Megumi laughs at the letter‚#how Shoko muses about how Satoru should have let her take care of Geto's body‚ the faint smile when Megumi agrees‚#how Shoko quits smoking again‚ Yuuji giving this person hope and a second chance‚ making a reference to him not being executed‚#and giving Sukuna too a chance for him to take one day a different path#All those are very good ideas and all those are very moving quiet ways of grieving. But. It feels in general so lacking#There's so much of everything else in contrast‚ even things that have way less importance narratively than this most of the time‚#that it feels lacking. Especially with how one has to dig to find these things. There's so much that could have been done with the same idea#And done so much better. But the idea is good. The absences are good. The quiet presences are good.The nothingness is good if bitter and sad#But it could have been written better#I also think this ending with Yuuji apparently knowing about Sukuna‚ his lies‚ his little hint of softness‚ the potential second path‚...#makes even more believable why he'd try at all to offer him a second chance. And I love that Yuuji knows him and I love that he still...#leaves the door open for that second chance to occur at some point. Trusting that Sukuna would walk that other path next time#And I love that without openly acknowledging Gojo he demonstrates that he hasn't forgotten him in his acting#How he gives that guy a second chance‚ how he jokes about him not getting executed‚ how he wants to make sure people‚ 'problem children'‚#don't get left behind. He doesn't mimick Gojo in his power but in this flippant but caring aspect and thus he's not forgotten#I do like this. It's heartbreaking. Gojo's desire to be forgotten is bittersweet as it's in a way a desire for... normalcy and humanity#To be surpassed. It goes well with how Gege says Gojo can do anything and thus why he does nothing‚ not even hobbies‚#to leave something for the future generations and not being another wall in their achievements#Gojo's desire to be forgotten is in line with the constancy of his writing when it comes to being drunk on his status#and yet resentful of his loneliness. It's a mix of being left behind and not being left behind#For being left behind and forgotten would mean he is more like the rest. Just another step forwards#And he'd have done what he wanted to achieve. Sorcerers can't stop a long while to grieve but Yuuji takes his words and actions#into consideration and steps forwards. Does the same. Fulfills Gojo's expectations. Walks towards the future. And that's the legacy Gojo#wanted and not going down in history as a legend or the strongest. He was just a teacher. Like Yaga was. He was not even the principal#Just a teacher. His role‚ the role he chose for himself‚ has been fulfilled. Now all this could have done way better#Something of Yuta and Megumi given their dynamics with Gojo would have been good. But I guess Gojo's 'at least one' works well#with Yuuji being the one doing the work. Yuuji was also ontologically alienated since birth and still he too remained cheerful and flippant#despite being so lonely so I guess the final parallel is intentional. But it could have been managed better still. The idea is good though
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the short stories are actually really provocative and profound, heartrending and disturbing and thought-provoking and funny all at the same time and in such a short amount of space.
but i feel like when n*tflix touched them, they were the first victim of a withering away and soul sapping for me, in which i couldn't bear to be around the kinds of discussions and jokes and everything which were coming up at that time as fundamental misunderstandings of them so it just became very painful and very banal because they were all, in essence, forgotten.
however, that damage is not irreversable.
particularly in the case of a good adaptation, the musical, i have begun to remember all of why i love the short stories so much, just how good and painful to my heart they are, as well as thinking more deeply about some aspects which i had not previously considered or paid a lot of attention to (in lieu of other things which excited me more).
i think the biggest strength of a "good" adaptation and a "good" fandom is that they make you realize things you hadn't, interested in parts that weren't your 'favorite,' and generally expanding your mind and love of the source material. in contrast, a "bad" adaptation or "bad" fandom is that which makes you wish to forget and eventually end up forgetting your love and leaving it behind yourself. "good" is to remember, "bad" is to forget.
#txt#the witcher books#the witcher musical#what i mean here is that sometimes there are things you KNOW but you don't think deeply about and you don't consider the ramifications of#for instance i knew that the waters of brokilon erased your memories to make you a dryad but did i care all that much? not really#because i was so focused on geralt and ciri's relationship that the waters were just something i didn't want to happen to ciri#but hearing braenn's song from the musical made my jaw drop with emotion and horror realizing how impactful that experience would be#similarly ciri's song about the nature in brokilon made me realize that her wonder at all of these beauties is something so rare and#impossible in every single other part of the world because brokilon is The Last Place.#literally no other child - no other HUMAN - will ever see these sights she saw. and she's singing to geralt that she wishes he could see it#but really she is singing to all humans of the continent and therefore the entire audience#because also ciri is such a character as that she is innocent and believes in goodness and justice at this point#such as when she says that calanthe says elves and dryads are good and when she asks yennefer about drawing too much Power#so she's singing: i wish the world could be beautiful and i wish humans were not so cruel (the message of the song not her intention)#i won't even mention what waters of brokilon (song) brings to the table in terms of character understanding rn bc i'm procrastinating#ALSO THE STORY OF THE CAT AND THE FOX....... JAZZY TUNE.... GERALT DAD MOMENTS.... CIRI DANCING.... OK#twn critical#um and considering i just named three sword of destiny songs. the n*tflix series did NOT EVEN HAVE SWORD OF DESTINY.
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Small compilation of Aku-related quotes from "A Heartless Dog" that I found interesting ...
"Akutagawa didn't know why, but he felt his skin crawling. He couldn't understand what this boy was saying. He shouldn't be listening. This boy was a devil. He shouldn't listen..." -- Aku about Dazai, as he attempted to recruit him into the Port Mafia
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"Akutagawa felt as though all his thoughts were laid bare to that gaze." -- Aku, feeling paralyzed and exposed by Dazai's stare
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"This boy was dangerous. Too dangerous." -- Aku's thoughts on Dazai, realizing that his reputation was no exaggeration
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"Akutagawa had believed that this boy was a devil. But he was wrong. This boy called Dazai had already surpassed the devil." -- Aku's thoughts when Dazai casually explained how he made Aku's targets of revenge turn against each other
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"Dazai's eyes... Up close he could see that Dazai's eyes were bottomless. They were eyes that could see through everything. Gods and demons would flee from those bottomless eyes. He could see it all." -- Aku experiencing both fear and reverence for Dazai's ability to see through others
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"It was an emotion beyond his wildest imagination. Deep respect. The deep respect one feels for one's mentor. He felt that this boy, both god and demon, was his teacher, his mentor." -- Aku, after Dazai confirms that he will give meaning to his life
#muse related: [Ryuunosuke]#[character dynamics]#some of my fave snippets from 'a heartless dog' story that hint at the future dynamic between Aku & Dazai#imo these snippets highlight Aku's conflicting feelings of being disturbed yet drawn in by Dazai#apprehension and fear - yet respect and awe#anyway - while I do think that Dazai deliberately planned to exploit him with the idea of making him into something 'useful'#i don't think he did it with a necessarily malicious intention? rather i feel like Dazai doesn't understand things from an emotional PoV#he understands them intellectually sure - but that's something else entirely tbh#so I rly don't believe that Dazai could have imagined that Aku was going to get so heavily and unhealthily fixated on him#sure. attachment was probably a necessary step that he planned on but i don't think he counted on it#ending up as something this warped and overwhelming (for both of them tbh)
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saying that as someone who once stood for it but the way the phrase "not all men" has been demonized has done irreparable damage to feminism
#actually Yes not all men.#you're never gonne live a healthy life and get society anywhere if you automatically distrust people for what gender they are#you can point out tendencies amongst groups and expected norms within these groups without acting like every person in that group is evil#besides you KNOW the pipeline goes men are bad -> males are bad -> all AMABs are bad#that's just a sentiment that leads to transphobia no matter how you twist it or insist that you're only targeting cis ppl with it#not all fucking men. nobody's part of a monolith. there is no community where all members are identical.#the problem was never the phrase 'not all men' the problem was the intent with which it was being said#as in often by antifeminists to try and dismiss feminist rhetoric or attempt to make it sound unreasonable#the phrase itself is fucking fine#don't give me the ol' ''some people say yes all men to cope'' 'scuse#i don't believe any therapist would encourage hating and being weary of an entire subset of people as a coping mechanism#hate patriarchy. fuck patriarchy. give everything you've got to dismantle it#but acting like every single man is inherently some kind of irredeemable demon one should stay away from is just#how the fuck do you live your daily life even.#it's so counterproductive. it gives shitty men a pass to be cunts because hey. ain't that just how all men are ?#don't 'all men are bad' do 'all men are capable of good which is why those who do bad should be scrutinized or punished'#'yes all men' is basically rephrased 'boys will be boys'. it's giving excuses to shitty men by framing shittiness as inherent to manhood.#stop it lmao idk what to tell you
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fuck it's 2:40 and I have been typing up a ramble about Reinhard von Lohengramm that is in desperate need of proofreading because it has been a HOT minute since I watched LoGH.
Like, the FPA is my favorite faction in that show by a long shot and I'm less into the nobility drama on the other side
but someone else made a post fucking ages ago that I just saw which really ties in well to how I got an impression of Rein as a tragic figure, whose good intentions did not deliver, destroyed him and those close to him, re-enacted the very wrong that kicked off his ambition in the first place onto two different people, and left the whole galaxy worse off than it was before he took power.
#it's in my draaaaaaafts#sorry for being in the tag I promise I don't do this often#for this fandom#ignore Morg#LoGH spoilers#legend of the Galactic Heroes spoilers#Somebody explained that Rein has much more of a Fraternal intent toward being in power than a Paternalistic one#and it goes together so well with his own personal tragedy of still being ruled by the expectations of the empire#as well as Yang's whole thesis on doubting that even the best possible autocracy is preferable to democracy#because YANG believes that autocracy itself deeply flawed - more so than the problem-ridden democracy he's from#if we take Yang's perspective it summarizes Rein's fate perfectly; he tried to be a ''better'' autocrat but he couldn't do it#because the position of an autocrat comes with expectations that undermine what he wanted to do#which contrasts Yang's rejection of Shenkopp urging YANG to stage a coup and take over the Alliance#So the problem of me writing a serious bit about the OVA is that it's been long enough that there's a lot I'm not remembering#also it's a bonkers complex plot by virtue of its sheer scale of#fuck what is the word I want. it's not coverage but it's three AM#but anyway there is always always always something that I'm going to forget or leave out because it is a LOT of story#SCOPE that's what I wanted#LoGH's SCOPE is crazy because of the number of characters#factions motivations societal events space battles speculative technology etcetc is massive#and to be entirely honest I find that more than a little intimidating#also a HUGE amount of the backbone of my opinion on this show is built on conversations with a friend who knows it *much* better than I do#okay shaddup Morgan you're going to run out of tags#there is a limit it's somewhere arounf thirty
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Observing Adam
Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.
Okay, so you'd think with how Adam talks he's just a typical misogynist, right?
This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.
All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.
He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.
If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.
Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.
I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.
I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.
Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.
Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.
Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.
Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.
Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.
Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.
Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.
I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.
Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.
We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.
I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.
Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.
Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.
I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.
It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.
3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))
Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.
Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.
Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.
Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?
I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.
And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.
Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.
At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.
I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.
He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.
Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.
Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.
I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?
I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.
Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?
I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.
This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.
But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.
This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.
And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?
Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.
#hazbin hotel#hazbin hotel spoilers#adam hazbin hotel#lucifer hazbin hotel#lucifer morningstar#eve hazbin hotel#lilith hazbin hotel#lilith morningstar#character study
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Imagine that your uniform is made up of several layers of different types of fabric and bulletproof shields. In addition to the extra fabric, you wear a mask and helmet that cover your entire face. Your costume makes it impossible to identify whether you are a woman or a man, and to top it off, you never speak. This leads people who aren't part of your squad to believe that you're just a short man who never speaks.
You work for the squad led by Colonel König. Recently, there were some situations that resulted in Kortac temporarily joining Task Force 141, two squads united to capture a terrorist.
You are not and have never been a sociable person. You don't talk to people you don't know and you always let someone else do the talking for you. As much as you are an adult woman, mature enough to make decisions on your own, you are shy. Very shy.
It's not unusual for other people to ask your teammates about you, always wondering why you don't speak up. They ask about the many layers of fabric that make up your outfit, whether you don't suffocate from the excess cloth and pockets.
And these people always refer to you in the masculine.
Always.
Soap is a bit of a curiosity when it comes to mysterious people who don't interact much with others in the room and who just stand in a quiet corner, far away from any living thing in the room. No wonder he made Ghost his best friend.
So believe me when I say that he's intrigued by you. The mysterious, masked guy in the dark corner of the room, who so far hasn't interacted with anyone since he arrived. You've caught his attention, but he won't talk to you because something inside him tells him not to come up to you out of the blue.
Something inside him tells him to take it easy this time, because that something inside him thinks that the outside of that guy should be molded slowly to reveal the inside. Does that make sense?
The first person Soap will ask about you is König, because them strangely hit it off, much to the unhappiness of Ghost, who didn't like König. Perhaps it's because he's taller and has stolen the role of being the tallest in the room from Ghost.
And also because he saw König talking to you about something, but you didn't use your voice and just nodded. Which led him to think that maybe you were mute.
Soap approached König with a smile, bringing up some other subject before starting to ask questions about you. He doesn't want to sound weird.
"Hm... You know, I keep asking myself..." Soap begins, waiting for a signal to continue.
"What is it?" König asks, crossing his arms and smiling beneath his mask.
"That guy in the corner... Why doesn't he join the others?"
"Oh." König straightens his posture and looks at you, standing in the corner of the room and staring at an interesting spot on the floor. "She's a bit shy, don't worry."
The gears turned slowly in Soap's head after this information.
"IT'S A WOMAN?!!??!!!!?"
It wasn't Soap's intention to draw the attention of everyone in the room, Including you, to him and König. But it just happened.
Hello:)) it's my first time posting something written by me and my English is terrible, but I tried my best with a translator 😞
#tf 141 x reader#john mactavish x reader#task force 141#141 x reader#johnny soap mactavish x reader#john mactavish#john soap mactavish#simon ghost riley#john price#kyle garrick x reader#simon riley x reader#john price x reader#kyle gaz garrick#simon riley#kyle garrick
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You groaned to yourself after reading that text message. This meant you had to go about your day caged and with her pink satin panties on under your clothes.
But naïve and hopeful enough to finally get unlocked, you sent pictures of yourself every hour on the dot showing off your entire body caged with the her panties on. Sometimes she asked for your face to be in it just to tease you and other times she would ask for different poses.
You check the clock and notice that she should have been home 20 minutes ago. Surely she's just stuck in traffic right?
Three more hours go by and you've been restlessly pacing at the front door waiting for her to get home. She wouldn't reply to any of your texts except either to make you do a new pose or to reply to the picture you sent her every hour.
You swing your head towards the front door the moment you hear it open and see your girlfriend smiling while holding a few bags in her hands. "Sorry honey, I had to stop by the mall to get a few things on the way back home. I hope I didn't make you wait too long?~" She teases you, knowing you were in agony the entire time.
You rush up to her no longer caring about how long you waited because now you can get unlocked and finally be able to cum again.
"Hold on honey, before I unlock you can you do something else for me? I know I've made you do something embarrassing but it just made me so wet at work all day that I couldn't get anything done!" You don't notice the malice in her words as you nod your head to this unknown task.
"Here, I want you to put this on to match your panties, I spent so long to find something that would look perfect on you!"
She hands you a bag as you take out the clothing to put on. You see that its a matching pink bra and a pink long sleeve tutu style dress, all in the same shade of pink as the panties that she made you wear all day.
You can't wear such a thing! You tell her.
But she changes your mind soon after, "I want to be fucked so badly while you wear all this babe! I'll tease you like I did last night, but only for a few minutes," she reassures you with a lie, "and then I'll unlock the cage and let you pound me until you've released your entire load in all of my holes!~ Seeing you in my panties all day made so unimaginably horny this would just make me go over the top! I'm sure that would make up for the entire day and a half of being unable to cum right?~" She gives you a pouty look, knowing she put you through pleasurable torture, you normally cum at least once everyday so not being able to has made your brain fuzzy this entire time.
You finally relent and change into the entire outfit, your girlfriend helping you put on everything the entire time. After hearing that you will be able to fuck her relentlessly you've gotten so horny that you begin leaking into the pink panties again.
She lead you to the bedroom and tied you up on the bed once again. This time it was a little different, instead of just having your arms tied behind your back and your ankles tied together, she went the extra step and began tying every inch of your body in a way that seemed to accentuate the pink outfit and the cage.
"There we go! All done! And I just got to say wow. I can't believe you actually let me do all of this to you!" She says cheerfully while looking at you hungrily.
Click
She snaps a picture of you all tied up, “Who would have thought that it would be this easy to feminize you this far so quickly?! I guess my friends were right when they said that the hardest thing was to get you in a chastity cage but then the rest would be easy!” She laughs to herself. "I mean getting you caged wasn't even that hard either."
She pats your pink caged clitty and no longer needing to hide her true intentions behind an innocent face, she can't stop smiling at your predicament.
"You know babe... I didn't just buy these clothes, I'm sure you saw the dozen other bags I brought home right? Those will be your new clothes! I made sure to only shop in the lingerie sections and sex stores of the countless malls I stopped by after work to give you an even higher quality of clothes compared to my own wardrobe!" She says proudly.
Suddenly she moves close to your ear and in a low but demanding voice whispers, "And if you ever... want a chance of getting out of that cage, you'll have to do everything I say from now on, or I'm going to send these dozens of photos of you in my panties as well as you all tied up like this to your friends and family through your own phone! I'm sure you especially remember the photos with your face in them! Wouldn't that be such a relationship crusher? She teases.
"Now be a good sissy doll and let me see you leak into your pathetic little clitty in this new outfit! I want to record every new milestone you achieve in this new relationship we'll be sharing together honey~"
Hope you enjoyed this super long story made by @pinkfemgurl!
#pinkfemgurl#feminine sissy#sissy caged#sissifyme#beta sissy#faggot sissy#humiliation sissy#sissy tasks#sissi femboi#submisive sissy#humiliated sissy#pink feminine#sissy blackmail#cnc blackmail#blackmail me#blackmail fantasy#blackmail kink#bdsmkink#humiliation captions#crossdressing captions#feminization captions#forced feminized#chasity#chastized#chastikey#locked in caged#keyholder#caged chastity#locked and denied#locked husband
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