#Blue says

[meowhawkk]

someone remind me to draw aran ryan like "this is the WORLD CIRCUIT bitch!! we clown in this muthafucka betta take yo sensitive ass back to the MINOR CIRCUIT" later

[seren-dipitous-art]

I’ve been obsessed with the Olympics for the past week, and obsessed with Dick Grayson for longer, so here’s the crossover we all deserve.

Plus, gorgeous sweaty acrobat in gymnastics poses? Only positives.

[emotional-moss]

sorry for resorting to a meme about this but people are making me mad 👍

[cozylittleartblog]

"content creator" is a corporate word.

we are artists.

[hinamie]

unconditionally

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[sibmakesart]

part 2

im procrastinating on the time travel comic by working on the thriller bark aftermath one and im procrastinating on the tba comic on making this

with a bit of luck itll circle back around at some point

[blue-garfield]

they should invent a type of lying face down that doesn't suffocate you

[fanaticalthings]

I really like the idea of the bat kids designating Dick and Jason's apartments as sibling gathering spots but for opposite reasons.

Sibling needs some comfort? Some eldest daughter advice? A shoulder to cry on or just a lil getaway spot from the chaos of Gotham? Dick's apartment is perfect.

But if a batkid wants to complain, maybe wants to talk shit about Bruce, or maybe even wants to discuss a lil felony in a judgement free zone? Jason's place it is.

And I like to imagine that while Dick readily keeps his doors open and reminds anyone that they can drop by anytime, it's the opposite for Jason.

Dude's got his place riddled with traps and locked up to the high heavens. He makes it obvious he doesn't want visitors, and vaguely insinuates that there are bombs rigged somewhere in his apartment so there's a always a 50/50 chance you might get blown up if he's feeling particularly bitchy one day.

But does that stop his siblings? Absolutely not. Unlike Dick (who assigns himself as the guiding older brother), Jason has been forcefully labelled as the older sibling you go to if you need to complain and stir up havoc. The hundreds of traps in his place mean nothing. And it's worse because Jason is never prepared for when someone drops in.

-----

[Jason, 3 hours into his sleep, blearily waking up to a weight on his chest at 4am]:

[Damian, perched atop him, eyes dead-centre locked onto Jason without blinking]: Hello, Todd-stop screaming it is unbecoming-I just came to tell you that father won't allow me to adopt another stray I found on patrol.

Jason, half-asleep and like 70% sure he's hallucinating: Wha-

Damian: I need you to blow up his car.

Jason:

-----

[Jason, arriving home after a 6 hour patrol, exhausted out of his mind, turning on the lights]:

[Stephanie, previously baking brownies in the pitch black darkness before Jason arrived]: Oh hey! Just thought I'd drop by, y'know, for fun.

Jason: Bruce yelled at you again.

Stephanie: Bruce yelled at me again.

And yes, while most of the time, it ends up as wholesome sibling bonding, sometimes the other batkids just feel like inconveniencing Jason just whenever, because what are siblings for?

[Jason waking up and seeing all of his traps and security systems disarmed and very deliberately broken in a way where he'll have to replace all of them instead of being able to reactivate them]:

[Jason, immediately dialing his phone angrily]: Tim, I swear to GOD-

-----

[Jason giving himself a rest-day and cooking some meals]:

[Dick somersaulting in through the open window unannounced (he missed his brother)]: Whatcha up to, littlewing? :>

Jason: GET OUT-

-----

[Jason casually reading a book, feeling a sudden chill up his spine]:

[Cassandra standing in the corner without so much as an exhale, watching Jason intensely. Who knows how long she's been there]:

Jason: Are you here to kill me

Cass:

Jason: Just make it quick.

[zoe-oneesama]

Sir, I hope you have your will updated and notarized.

Episode 53 Part 21 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47, Ep 48, Intermission, Ep 49, Ep 50, Ep 51, Ep 52

Bonus:

I broke myself to give Koki Marina and Vesperia Space versions even though I hate power ups. They're for emergencies only! Like chasing Miraculous thieves! And getting to the hospital at the speed of sound!

(I couldn't leave Fox Trot out though!)

Ko-fi | Patreon

[bluestbadger]

sure, the three day trial system & guilty until proven innocent mindset of the courts in ace attorney prove japanifornia is a total police state, but i think the most damning thing is the total blue badger takeover. blue badger merch, blue badger at concerts, blue badger theme park, there’s a blue badger family, all of it copaganda. and you know the worst part? i love the blue badger so much. he’s so silly. i am not immune to propaganda even from the ace attorney universe

[meowhawkk]

hello again Tumblr. where are my punch out mutuals at.

[lieu-rey]

first meeting

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[mokeonn]

decided to warm up today by drawing my favorite image of all time

[my-midlife-crisis]