#Bengali Authors

[worldmets]

Chirakaler Chhara by Sunil Jana PDF

Chirakaler Chhara Rhymes books by Sunil Jana PDF. Book – Chirakaler Chhara, Edited Author – Sunil Jana, Format – PDF, Book Pages -240, PDF Size – 4 MB, Genre – Bengali Rhymes Books, Edited Book, Digital published by Digital Library of India, Sunil Jana edited the child rhymes book Chirakaler Chhara The rhymes book ‘Chirakaler Chhara’ is compiled by writer Sunil Jana. Many writers have written…

[intellectual6666]

অধিকারলাভের যে মর্যাদা আছে, সেই মর্যাদা রক্ষা করিতে হইলে অধিকারপ্রয়োগকে সংযত করিতে হয়। যতটা পাওয়া যায় ততটা লইয়া টানাটানি করা কাঙালকেই শোভা পায় — ভোগকে খর্ব করিলেই সম্পদের যথার্থ গৌরব

- রবীন্দ্রনাথ ঠাকুর (চোখের বালি)

Video credit : Social media platform

[myladytara]

“আমি যাহাকে কেন্দ্র করিয়া ঘুরি, না পাই তার কাছে থাকার অধিকার, না মেলে দূরে যাওয়ার অনুমতি।”

~শরৎচন্দ্র চট্টোপাধ্যায়

Translates to- "Whom I revolve around, I do not get the right to stay near, I do not get the permission to go away."

[haveyoureadthispoem-poll]

"Who are you, reader, reading my poems an hundred years hence? / I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds. / Open your doors and look abroad."

Read the English translation here

Read The Gardener in English through Project Gutenberg here

Reblog for a larger sample size!

[songs345]

10 Best Songs of Arijit Singh

[mightymizora]

I can’t write anything in any languages because I am very stupid but one thing I can write about is the realisation in my early twenties around the limitations of English because when you grow up surrounded by English as a primary language you are told so often that it is the language of the greatest writers of all time, that it is the language of poetry and novels etc.

And I think it’s very easy to buy into that because of the hype around some of our great writers who are really… great!

But then! You start to learn about the world lmao. You start to learn about the precision of Polish prose in novels and the very deliberate ways of communication in plays that are so much more rigorous than the English conventions. You watch a play in the original Norwegian and realise there’s all this tonal play happening that you missed in English. You start to read Russian novels where people talk three different languages to denote social class and communication styles. You start to notice a particular kind of narrative convention in Swedish novels and Colombian novels that aren’t in British novels and you start to wonder how much more you’re missing in translation. You learn of the term “anglosphere” that East Asian authors use to describe the very limited rules that the UK and America have put onto storytelling, and how Bengali has a formal language that exists solely for poetic expression and philosophical thought that has almost never been properly translated into English because it can’t be.

And then you remember there’s a word in your own family’s language in the UK which has no direct translation to English too.

[uwmspeccoll]

National Poets Day

On this National Poets Day, August 21, we celebrate the work of Bengali poet Rabindranath Tagore (1861-1941). Tagore began writing poetry as a child and remained committed throughout his life to exploring the natural and spiritual world through poetry and prose. He was known as the “Bard of Bengal” and in 1913 became the first non-European to be awarded the Nobel Prize in Literature for his collection of poetry Gitanjali.  

Within the Special Collections we hold the first edition of Moon, For What Do You Wait?, a collection of Tagore poems from his 1916 publication Stray Birds which consisted of 326 verses. Published in 1967 by Atheneum, Moon, For What Do You Wait? was edited by Richard Lewis, director of the Touchstone Center for Children in New York City, with illustrations by award-winning artist and author Ashley Bryan (1923-2022). Lewis manages to whittle down Tagore’s lines without losing any of the imbued wonder and delight present in the original publication. Accompanied by Bryan’s bold illustrations, readers are encouraged to let their eyes wander over the pages, getting lost in prose and imagery.  

View more poetry posts.

-- Jenna, Special Collections Graduate Intern

[discoveredreality]

intro post <3

don't mind me editing this like every single day lol

my dm's and askbox is always open if u want to talk <3

anons are welcome too <3

also if u want to make new friends i am right here pls say hi im fucking lonely😭

anyways

BELOVED MOOTS <33333 (everyone is tagging them and this is fun)

this in no particular order just whoever pops up on my dash or smth idk. not every moots just the ones i actually know lol. ok so

@im-ur-sleep-paralysis-demon THEY'RE AMAZING LOVE THEM SM IF U DON'T FUCK OFF BECAUSE OMG KJHLGJKFJHLKYFJHKJGL

@ma-lan13 HELP MY BESTIE IRL GOT TUMBLR OMG OMG. AND SHES ACTUALLY USING IT WTF?????? ANYWAYS SHES THE BEST <333

@bloophasarrived SHE'S THE SWEETEST AND SO WONDERFUL. HER PERSONALITY SPARKLES AND OMG SHE'S SO FUN AHHH

@marylily-my-beloved I LOVE HERRR WE HAVE THE BEST CONVERSATIONS. SO NICE AND EASY TO TALK TO. AND WHY DOES SHE KNOW ME SO WELL <3333

@im-just-here4853 my vent buddy omg we just vent to each other i love her so much idk what i would do without her <33

@im-on-crack-send-help TWINNING IN LITERALLY EVERYTHING. SAME MUSIC TASTE. SAME TASTE IN FOOD. IN DRINKS. IN THE WAY WE THINK. WTF. ANYWAYS SHE'S MY POOKIE I LOVE HER <333

@the-gay-skeleton-in-ur-closet THEY'RE THE BEST OMGGGGG and they're nice and cool and shit <333333 i'm quoting myself it's fine AND LIKE SO NICE AND GOOFY AND EVERYTHING OMG

@cubemagnet somene i met on a random post and now we occasionally team up to correct grammar lol 🤓🤓🤓 anyways she's amazing :D and everything she says is so iconic like isjflsrijglruhglsuglijrsg

@book-girl4eva SHE'S AMAZINGGGGG. IT'S SO EASY TO GOOF AROUND W HER I LOVE IT. SHE ALWAYS SLAYS SO HARD. EVERYTHING ABOUT HER SLAYS. idk if you'll see this but this is for u pookie <3

@mil-pinterest-sss-here-i-am ??? questioning why we're moots. but he's literally so nice. literally will be my therapist and help me w maths because that shit is impossible 😭

@dandelionflowery omg literally so kind and everything all the time. so fun fun reading their fics and doing shit together omg

@sweetwarmcookies16 OMG RIJGDJFGIJFGIF THE BEST I LOVE PLAYING GAMES TOGETHER AND TALKING AND EVERYTHING. ALSO AN AMAZING WRITER

idk brain isnt braining ill add ppl as i go along

moodboards made by my lovely lovely moots <3

so far i only have one here cause i forgot to link the previous ones whoops 😭😭😭

about me

i'm ari. she/her. nicknames welcome. go wild. dude/bro/girl/literally anything is also fine. i use 'lol' and '<3' too much. minor. literally the biggest procrastinator and so disorganised i dare u to find someone worse than me. i'm indian but i live in australia. bengali/north indian idk. band kid :D my pinterest is here. PLEASE DM ME IF U WANT TO. I NEED FRIENDS. IM AWKWARD AND BAD AT MAKING CONVERSATION BUT STILL PLS 😭😭😭

personality/star sign or whatever

according to the mbti test here i am an istp-t. i am also a cancer. i found out my sun, moon and rising signs and the marauders version and i wrote it down and lost it so then i redid it and i lost it again so i can't bother at this point someone help me :(

time zone

Australian Eastern Standard Time (AEST) i think?? SUCK ON THAT AMERICANS AND WHOEVER ELSE EHHEHEHHEHE ;LSDJFSFJIJFDJF;LJ

my music taste

i love taylor swift, conan gray, olivia rodrigo, sabrina carpenter and honestly a lot of other stuff lol. also love bollywood music.

favourite books and authors

i love reading and i'm usually a really fast reader lol. i love harry potter (fuck jkr tho), kotlc, chetan bhagat books, the inheritance games, agggtm, literally all of karen m. mcmanus's books, the divergent series, pjo and hoo, lorien legacies, the selection, powerless, soc, girl in pieces, dictionary of lost words and bookbinder of jericho, all the books by amish, and a bunch of other books.

dni

idk the usual?? if u think ppl arent valid or you're literally an asshole. honestly you all can go get stuffed. idgaf

tag games and shit

yes you can absolutely tag me. i love tag games and chain asks. sometimes i may not get to doing it but i usually will and it makes me so happy when i'm tagged lol

tags

i don't post that much stuff so i don't really have mulitple tags for my posts. anything or any shitposting or thoughts will be tagged #ari's shit. for asks it's #ari gets an ask?

fandoms!

i'm literally obsessed with drarry but i'm mostly part of the marauders fandom. i'm starting to make my way through all of the marauders fics. i love love love hermitcraft. i'm an ethogirl literally who doesn't love etho?? also really into trafficblr. i literally love six of crows so much like omg. desperately trying to get through the magnus archives im only 8 years late haha i also love kotlc sm. (team foster-keefe forever!) i'm low-key in love with keefe sencen cause omg. aaaand also a bunch of other shit but those are the main ones idk bro

i'm bored and this is too long already might as well add more so here are a bunch of userboxes :D

and that's all not because i have self control but because there is a limit to images per post 😭😭😭 i literally had to delete some of my aesthetic images for this soooo

all the above photos are not mine, i got them off of pintrest.

my profile pic is obviously from the makowka picrew here

the beautiful dividers are linked here. these are by @saradika-graphics she is a literal star these dividers are so good

IK THIS IS WAY TOO FUCKING LONG AND I KEEP ON ADDING SHIT MORE SHIT SO IF U ACTUALLY LIKE READ TO THE BOTTOM THIS HERE IS FOR U LMFAO ILYSM <333333

[sillygoose067]

Charles’s Angel(s)

Ch.23

Charles Leclerc x Reader

Author’s Note: Shit is starting to get a little warm in this little hotel room…

You get in bed and Charles joins you shortly. “You never told me you spoke another language at home”, he says after getting situated. 

“It never came up”, you shrug.

“What language was that? It sounded so sweet.”

Warm pride for your mother tongue spreads through you. “That was Bengali, or as we call it, Bangla.”

“Will you teach me some?”, he asks.

Nodding, you set your phone on the nightstand and pull the covers up.

After recounting the days events, you both drift off to dreamland, basking in each other’s warmth.

…

Charles is on the phone the next morning, rapidly exchanging frustrated words in french. You decide to stay in bed to not interrupt. 

He cuts the call and set the phone down with a sigh. “So what’s got you so upset this morning?”, you ask. He flinches and turns. 

“Ah, mon ange, you are awake. Did I disturb your sleep?”

“No, I just woke up, didn’t even hear what you were saying on the phone.”

He sighs and sits at the edge of the bed, head in his hands. Concerned, you crawl out of the covers and wrap your arms around him, head resting between his shoulder blades. 

“I have a race in LA in a couple of weeks, which means I’ll have to be there for the next two weeks after that for press and media. I told them that I won’t stay the extra week unless they allow you to travel with me.”

You sit up now, touched by his consideration. Grabbing his face in both hands and straddling his lap, you gaze into his eyes. 

“You did that… for me?”, you whisper.

His arms come up to brush your hair from your eyes, eyes crinkling into the crows feet that make him all the more handsome. “Of course, amour. I told you when this began that I’d try to be wherever you are, but it works both ways, no? And now that I’ve had a taste of life with you… I can’t imagine going anywhere without you.”

Unable to contain your emotions, you pull his face to yours, kissing him passionately, conveying your expressions through your lips. He pulls you closer into him, hands in your hair, your thighs, your waist, gosh he was everywhere.

You pull away briefly. “You make me crazy”, you murmur against his soft lips.

“You make me insane”. He brings your hand up to where his heart lies. You feel the quick pulsing tempo of the organ. “This heart of mine, is beating for you now, mon coeur.”

You blush. “I bet you’ve said that to all your girlfriends”. And then you’re being rolled over, his weight on top of you, lips crushed on yours. Unable to resist, you retaliate with the same passion. 

And then, you feel his hand creep up to your throat, wrapped around it ever so slightly, his thumb running over the skin. You moan, and he takes it as a sign to apply the gentlest pressure. You whimper into his mouth, arching up into his body. 

Charles grins against your mouth. “Do you like being choked, ange?” When he feels you clench your thighs around his waist, he get his answer. Leaning and brushing your lips with his, teasing you, leaving you to chase his lips, he whispers, “I see that you’re not so innocent after all.”

You whine into his mouth, craving the warmth again, and he decides to tke pity and finally give you what you want. Eagerly, you take what his gives you, molding your lips against his, lips against lips, teeth against teeth, hearts beating as one. 

He pulls apart, leaving you to catch your breathe. “I don’t want you to ever think you are one bit comparable to my past partners. Understand?”

Nodding, you curl up into him. “Do you want to travel up to my hometown while we’re in California? It’s an 8 hour drive from LA and I can get us there.”

“I’ll have to check with my manager, but it should be fine.”

“I’m so excited to give you a tour of the state.”

Basking in the moment for a bit, you zone out, until Charles is tapping your hip. “Alright, up you go to work now, Missy. You’ve had enough time to laze around.”

Pouting you get up and freshen up.

[swanmaids]

Recent reads - women in translation

Child of Fortune - Tsushima Yuko, 1978, tr. Geraldine Harcourt

Orignally published in Japanese. A single mother with a difficult relationship with her 11 year old daughter finds herself pregnant again after an affair. A dreamy and flashback-centred short story of motherhood and alienation.

The Mermaid’s Tale - Lee Wei-Jing, 2019, tr. Darryl Sterk

Originally published in Mandarin. A lonely woman in her thirties with an obsessive love for Latin dance attempts to make peace with her past and her body. Blends the whimsical and the excruciatingly real.

Consent - Vanessa Springora, 2020, tr. Natasha Lehrer

Originally published in French. A wrenching memoir of the author's sexual abuse by a celebrated author as a teenage girl, and the culture that colluded with her abuser. Devastating.

A Woman of Pleasure - Murata Kiyoko, 2013, tr. Juliet Winters Carpenter

Originally published in Japanese. In 1903, a teenage girl tries to survive after being sold into sex work. The novel's brutality makes its moments of light even more poignant.

Masks - Enchi Fumiko, 1958, tr. Juliet Winters Carpenter

Both a novel of tragedy and manipulation and an exploration of the role of women in noh theatrical tradition and the Tale of Genji. Lingers in the mind long after reading.

Abandon - Sangeeta Bandyopadhyay, 2013, tr. Arunava Sinha

Originally published in Bengali. A mother's conflict between caring for her sickly young son and her desire to abandon motherhood to pursue her art is personified by two narrations by the same "character". A fascinating self-referential novel that raises many questions on the conflicts between art and humanity.

[fatehbaz]

The “khoai” is the name colloquially given to [...] landmasses in and around the Chotanagpur Plateau in eastern India. Rich in iron oxide, these [...] soils are marked by a rugged and often undulating topography, resulting from millennia of erosion from monsoon rains, the many winding rivers that populate the region and action of winds from summer thunderstorms, popularly termed in Bengali as “Kalboishakhi.” The winds and the rains of the kalboishakhi dance across the lands adjoining the Bay of Bengal, often arriving at the horizon with ominous dark clouds right before sunset. [...]

The khoai is a charismatic frontier in an ongoing conversation within South Asian developmentalist imaginaries that call for optimal land use for the purposes of economic growth. [...] As the lateritic soil of the region is not suited for intensive agriculture, efforts have been made to make vast sections of the region arable [...]. And so, slowly, the red soils get taken over the green [...]. This is often done by breaking gullies and hoodoo-like structures [...] to flatten the lands [...]. The ongoing project to turn such “deserts” green has a long history. Yet alongside these projects, is the place that the khoai have in the literary, cultural, and spiritual imagination of many [...] that inhabit the Chotanagpur Plateau. The vastly open and hilly topography, dotted with sal forests [...] has often been the fodder for songs of longing [...]. The horizon of the sky meeting the red gullies of the badlands also form many a narrative that appear in local folk songs and stories. [...] They have also been sites of community-based agroforestry.

---

Recently, such badlands have been termed unproductive in and around my hometown of Santiniketan, India.

As South Asian developmental imaginaries wholly absorb the understanding of terra nullius from modern Euro-American conceptions of land, the idea that “badlands” are necessarily “wastelands” become cemented. Once beloved [...], the dark brown-red hoodoos and gullies today are seen as wasted potential that are depriving the public of much-needed resources, and the possibility of the coming of civilization in accordance with upper-caste aspirations. Khoai today have become sites for proposed plantations facilitated by local forestry authorities, holiday homes and cafes [...], luxury resorts [...].

The ethos of invoking terra nullius has travelled into discourses surrounding “practicality” and the absolute necessity for villagers and small town folks in the area to be saved by their urban-dwelling upper caste counterparts [...] who are interested in their cultural practices, seemingly idyllic agricultural lifeways and the simplicity away from the stresses of cities such as Kolkata. But in this framework, the imaginaries of development are necessarily embedded in compulsory extraction, whether that be of cultural economies, minerals, timber, or land for development. [...]

[B]adlands get turned into places that need saving from being “wasted” by the carelessness and unimaginative shortsightedness of villagers and Adivasis, who are simply seen as ill-equipped to deal with the progression of the global economy.

These days, it is hard to find a piece of the “khoai” that has not been subjected to projects of agriculture, forestry, or have been subjugated to [...] property ownership [...]. As the figures of the plantation and its attendant cultures of enclosure and theft of commons creep into places previously overlooked by the tentacles of global extractive forces, many, if not most khoai areas are mobilized to be “redeemed” into productive little plots legible to capital.

I have to wonder about the processes of consent and negotiation that have informed such projects. [...] These areas were in the past predominantly inhabited by Adivasis or Indigenous peoples of India, who had resisted the [...] hierarchies [...].

Badlands such as the “khoai” present a challenge to capitalist imaginaries because they defy its temporalities and its compulsion to make all aspects of being productive and legible to exchanges that foster logics of uninhibited growth. [...]

What, then, does it mean to care for wastelands? [...]

What histories are paved over by concrete? What does development mean in places where inequality is still rife, but there are shiny new roads? What does a future look like, where we can let badlands and “wastelands” just be, as part of ecological and cultural commons?

---

Text by: Aadita Chaudhury. "Caring for Badlands". The Otter, Network in Canadian History and Environment (NiCHE). Emotional Ecologies series. Ed. Jessica M. DeWitt and Sarah E. York-Bertram. 14 July 2023. [Photography by Aadita Chaudhury, included in the original article. Bold emphasis and some paragraph breaks/contractions added by me.]

[webanglikethat]

bestie anyways ..

during the late 19th century, India was under British colonial rule, officially known as the British Raj. this period, lasting from 1858 to 1947, saw significant control and influence exerted by the British over the Indian subcontinent. the British governance system in India involved various British officials holding significant power over the Indian populace, often leading to exploitation and oppression.

simpler put: these British rulers didn't really care about what was best for the Indian people. instead, their main goal was to use India's resources and labor to make the British Empire richer and more powerful back home in England. they treated India as a colony that existed SOLELY to benefit Britain. so under British rule, Indians had very little say in their own governance and affairs. all the important decisions were made by the British officials who looked down on the Indian population as being inferior subjects. the British justified this oppressive treatment by believing that Indians were uncivilized and needed to be ruled over by their British superiors. this attitude allowed the British to take away rights and freedoms from Indians under the excuse of bringing modern civilization. in reality, the British Raj was more about dominating India and stealing its resources rather than any noble intentions. British policies stripped Indians of autonomy, economic opportunities, and basic dignity - all to further Britain's colonial interests.

Bengal was one of the most important provinces under British colonial rule in India. it had a large population and was an economic hub, producing valuable resources like silk, cotton, and rice that the British wanted to control and profit from. to maintain power in Bengal, the British appointed their own governors and administrators to oversee the region. these British officials did not really represent or have the interests of Bengalis in mind. they could pass laws, collect taxes, control trade, and make other major decisions impacting Bengali society.

In KFS, the British lord (aka Ian) represents a figure of colonial authority. as the governor of Bengal, he would be responsible for implementing and enforcing British policies. therefore referring to the British lord as simply "not a colonizer" is misguided at best. as the governor enforcing British imperial rule over Bengal, he is very much an active participant and representative of the colonizing force. to deny or sidestep this reality is to ignore or downplay the realities and injustices of colonial oppression. it’s 2024, let’s not do this maybe??

like let's break it down - this guy was appointed by the British to be the governor, which basically meant he called all the shots and enforced British rule over the local Indian population. he was the face and muscle of the colonizing force in Bengal !! to say he wasn't a colonizer is like saying a prison warden isn't involved in locking people up. it’s just denying the obvious reality of his role and position.

so yeah, maybe listen to us DESI people when we talk about this? you can date the guy all you want !! no one is stopping you !! but denying a colonizer in 2024 … knowing what’s happening in Palestine it’s … interesting!

[fuckyeahmarxismleninism]

Factories close as Bangladesh police clamp down on protesting garment workers — BenarNews

https://www.benarnews.org/english/news/bengali/garment-strike-11022023154700.html

Street protests by Bangladeshi garment workers who want higher wages have turned violent while hundreds of factories have shut down, crippling the industry that is an engine of the country’s export economy.

At least two people have been killed in street clashes with police since thousands of workers began striking on the outskirts of Bangladesh’s capital last week to demand that they be paid double their monthly salary. As many as 500 garment factories have temporarily closed, authorities and factory owners said Thursday.

[youravraragechessenjoyer]

Okay y'know what, I'm afraid to ask given how immature and unreasonable some of you on this platform are, but why are people hating on Henry cavil in the Kaladin casting clip. Like, the clip is very clearly him having some banter about a character likes with the author he's friends with... Like is that not comprehending to you guys. He is quiping, also don't pull the race card because I'm Bengali, right next to and spawning from India, literally the closest thing to alethi irl so that's a non starter.

[jeannereames]

Dr. Reames, a simple question from someone interested in history but who is not part of the academic world: in order to study Alexander the Great and Ancient Greece in general, how much Ancient Greek does one have to learn? Would you need to learn Demotic Greek or the many other dialects, such as the one from Macedonia? As in, you’d need to learn one or more versions of Ancient Greek?

Thank you in advance! I always enjoy your responses!

How Much Greek Do I Need to Read about Alexander?

It depends on how far you want to go…what’s your end-goal?

If you’ve no desire to make it a profession, the good news is you need very little Greek.

Most ancient Greek and Latin texts are available in translation in the major languages of (European) Classical studies: English, French, German, Italian. Now, if you want them in Polish, or Japanese, or Bengali, you’ll have more of an issue. But the Loeb Classical Library (and LOEB ONLINE) has English translations of virtually all extant (still existing) Greek and Latin sources, and if you’ve got access to a (larger) college library, they probably have them, even if you have to ask them to get things out of storage. Latin is red (PA6156); Greek is green (PA3612). Budé is the French version of Loeb, btw.

Loeb texts also have Greek and Latin on the facing page, but I mention them because they’ve got translations of (almost) everything. One can find cheaper versions without the Greek/Latin from Penguin, Oxford, et al. But those don’t have, say, Aelian, or Athenaeus, or the obscure texts of Plutarch’s Moralia. Loeb does. That said, the Alexander histories (Arrian, Curtius, Plutarch, Diodoros, and Justin) are all available in relatively cheap translations. Much earlier, in answer to a different ask, I listed our main sources on Alexander, extant and lost. It’s a longer read, but perhaps of interest.

(See below for more online sources in translation.)

So, no, you don’t need Greek. But, if you’re at least moderately serious about reading beyond pop history, you will want to learn a few Greek words to better “get” Greek sensibilities. Say, timē (τιμή), which means honor/public standing/esteem, but has all these attendant connotations. If you start reading the Serious Stuff (articles and academic books), authors will throw these around so it’s useful to know them, as they tend to carry an entire freight of meaning we don’t want to explain every time we use them. These are words I make my students learn in my intro to Greek History class (2510), so there aren’t many. (Undergrads put up with only so much, ha.) For Alexander, it’s also useful to know the Greek names of some units, such as the Somatophylakes (the royal Bodyguard of 7), or the Hypaspists (the specialist hoplite phalanx, not the same as the Foot Companions), or even the name of the long pike (sarissa). But you can make do quite well with a vocab of maybe 30± Greek terms.

It's only if you want to pursue research at the advanced (graduate) level that you’d need Greek. Even then, it’s mostly Attic Greek. The only time you’d need dialects is for quite specific study and/or epigraphy (inscriptions). Epigraphers are language specialists. Most of us, even the “pros,” don’t work at that level. But yes, if you’re getting into extensive examinations of passages, it’s good to understand the language for yourself, not have to trust a translation. Translations are, by definition, interpretations.

I hope that encourages some folks to embark on reading the original (primary) sources. Of more import for these is to understand HISTORIOGRAPHY. Even those who can read the Greek, but lack historiographic training, tend to take stuff at face-value when they shouldn’t.

Go HERE for a discussion of historiography (with regard to Alexander). Again, it’s part of a specific ask, but I explain why we need to know something about the historians who are writing our texts, in order to understand those texts. It’s another longer read, but essential.

Almost forgot! If you prefer video, I've also talked about the sources on TikTok: Part I: Intro & Lost Alexander Sources and Part II: Extant Alexander Sources

Some Useful Online Sources to Bookmark:

Perseus (at Tufts.edu): clunky as hell because it’s old (in internet years), but indispensable. English/Greek/Latin/other texts in translation and original language, plus all sorts of other tools, including an image bank. Pitfall: these are translations outside copyright, so old and sometimes problematic. Still, it’s free, and so-so much stuff here. Every person dealing with the ancient Med world has this one on speed-dial. (You can find other online sources with various texts, but Perseus has, again, almost everything; it’s the online Loeb.)

Stoa Org Static: a version of the original where you don’t have to sign in. Takes you to various super-helpful pages, including the Online Suda (a Byzantine encyclopedia you can search: look up “Hephaistion” there. *grin*) Bunch of other helpful links.

Wiki Digital Classicist hypertext list of topics ranging from the Beasley Library (of pottery) to the Coptic Gnostic Library and various online journals. Just click around, see what’s there.

Topos Text: clickable map of places which includes all references to them in ancient sources. So if, say, you want to know where X places is, mentioned in Arrian, you can find it on the map.

PHI Searchable Greek Inscriptions: I have used the tar out of this. It’s much easier than Inscriptiones Graecae, and comes with English translations.

More Online Resources: more links. This is just one of various collections out there.

Again, ALL this stuff is free. Even when you may have to pay (like Loeb Online), the amount of material you can now lay hands on even without a uni library is fantastic.

JSTOR: requires a subscription, but, if you’re a college student or can get access via a uni library, you can look up material for free. Problem: JSTOR has different subscription packages, and only the really big Class-A Research schools have large holdings for Classics. I’m regularly foiled in things I need, as my library is smaller. I use ILL (Interlibrary Loan) a lot. If you can’t get what you want via your school JSTOR or ILL, sometimes you can purchase a solo copy of an article via JSTOR Google Scholar. But (hint) always check the journal’s website itself. It might be cheaper there! (The Ancient History Bulletin, for instance, is super-cheap; check their archives. Karanos [Macedonia only] is FREE.) Same thing sometimes with books. Certain publishers have rental options, Open Access, etc.

Also Academia.edu first: Your savior…if the author is a member, and has uploaded the paper you want. We frequently face restrictions on what we’re allowed to upload, and when. Yet we may list an article we can’t yet release publicly. That doesn’t mean we won’t send it to you privately via email if you message us and ask nicely. 😊 Especially if you’re not providing an entire wishlist, or asking for a book for free. It depends on the person, and whether they have a PDF.

[hadeth]

 أَبِي بَكْرِ بْنِ عُمَارَةَ بْنِ رُؤَيْبَةَ، عَنْ أَبِيهِ، قَالَ سَمِعْتُ رَسُولَ اللَّهِ صلى الله عليه وسلم يَقُولُ ‏ "‏ لَنْ يَلِجَ النَّارَ أَحَدٌ صَلَّى قَبْلَ طُلُوعِ الشَّمْسِ وَقَبْلَ غُرُوبِهَا ‏"‏ ‏.‏ يَعْنِي الْفَجْرَ وَالْعَصْرَ ‏.‏ فَقَالَ لَهُ رَجُلٌ مِنْ أَهْلِ الْبَصْرَةِ آنْتَ سَمِعْتَ هَذَا مِنْ رَسُولِ اللَّهِ صلى الله عليه وسلم قَالَ نَعَمْ ‏.‏ قَالَ الرَّجُلُ وَأَنَا أَشْهَدُ أَنِّي سَمِعْتُهُ مِنْ رَسُولِ اللَّهِ صلى الله عليه وسلم سَمِعَتْهُ أُذُنَاىَ وَوَعَاهُ قَلْبِي ‏.‏ صحيح مسلم حديث ٦٣٤

'Umara b. Ruwaiba is reported to have said on the authority of his father: I heard the Messenger of Allah (peace be upon him) saying: "He who observes prayer before the rising of the sun and its setting, i.e. the dawn prayer and the afternoon prayer, would not enter the (Hell) fire." A person belonging to Basra said to him: Did you yourself hear it from the Messenger of Allah (peace be upon him)? He said: Yes. The person (from Basra) said: I bear witness that I heard it from the Messenger of Allah (peace be upon him); my ears heard it and my heart retained it. Sahih Muslim 634a In-book reference : Book 5, Hadith 269

أَيْ دَاوَمَ عَلَى أَدَائِهِمَا وَخَصَّ الصَّلَاتَيْنِ بِالذِّكْرِ لِأَنَّ الصُّبْحَ وَقْتَ النَّوْمِ وَالْعَصْرَ وَقْتَ الِاشْتِغَالِ بِالتِّجَارَةِ فَمَنْ حَافَظَ عَلَيْهِمَا مَعَ الْمَشَاغِلِ كَانَ الظَّاهِرُ مِنْ حَالِهِ الْمُحَافَظَةَ عَلَى غَيْرِهِمَا وَالصَّلَاةُ تَنْهَى عَنِ الْفَحْشَاءِ وَالْمُنْكَرِ وَأَيْضًا هَذَانِ الْوَقْتَانِ مَشْهُودَانِ يَشْهَدُهُمَا مَلَائِكَةُ اللَّيْلِ وَمَلَائِكَةُ النَّهَارِ وَيَرْفَعْنَ فِيهِمَا أَعْمَالَ الْعِبَادِ فَبِالْحَرِيِّ أَنْ يَقَعَ مُكَفِّرًا فَيُغْفَرَ لَهُ وَيَدْخُلَ الْجَنَّةِ. عون المعبود لأبي داوود

في هذا الحَديثِ يَقولُ عُمارةُ بنُ رُؤَيْبَةَ رَضيَ اللهُ عَنه: سَمِعتُ رَسولَ اللهِ صلَّى اللهُ عَليه وسلَّم يَقولُ: لَن يَلِجَ النَّارَ، أي: يَدخُلُ، أَحدٌ صلَّى قَبلَ طُلوعِ الشَّمسِ، أي: صَلاةِ الفَجرِ، وقَبلَ غُروبِها، أي: صَلاةِ العَصرِ، وداوَمَ عَليهِما؛ وخَصَّ هاتَيْنِ الصَّلاتَيْنِ لِأنَّهُما أَثقَلُ الصَّلواتِ، فَقالَ لَه- أي: لِعِمارةَ- رَجلٌ مِن أَهلِ البَصرَةِ: آنتَ سَمِعْتَ هذا مِن رَسولِ اللهِ صلَّى اللهُ عَليه وسَلَّم؟ قالَ: نَعمْ. قالَ الرَّجلُ: وأَنا أَشهَدُ كَذلكَ أَنِّي سَمعْتُه مِن رَسولِ اللهِ صلَّى اللهُ عَليه وسلَّم؛ سَمِعتْه أُذنايَ ووَعاهُ قَلبي. الدرر السنية

Hadith Translation/ Explanation : English French Spanish Turkish Urdu Indonesian Bosnian Russian Bengali Chinese Persian Tagalog Indian Sinhalese Uighur Kurdish Portuguese: https://hadeethenc.com/en/browse/hadith/6215