#Beach Dickerson

[cinemaquiles]

Sarcófago: "Guerra dos Satélites" (War of the Satellites, 1958) legendado

[esonetwork]

Teenage Caveman | Episode 385

New Post has been published on https://esonetwork.com/teenage-caveman/

Teenage Caveman | Episode 385

Jim reflects on a Roger Corman classic from 1958 – “Teenage Caveman,” starring Robert Vaughn, Darah Marshall, Leslie Bradley, Frank De Kova,June Jocelyn, Jonathan Haze,Beach Dickerson, Ed Nelson and Robert Shayne. In a land of dinosaurs, a young primitive man questions his clan’s laws and seeks to explore the “forbidden regions” nearby. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

[deepredradio]

The Dunwich Horror

Story: Wilbur Whateley will an der Miskatonic-Universität eine Ausgabe des Necronomicons ausleihen, aber Dr. Armitage verwehrt es ihm. Daraufhin überredet Wilbur dessen Studentin Nancy, mit ihm nach Dunwich zu kommen. Dort sabotiert er ihr Auto und verabreicht ihr einen Drogencocktail, um sie gefügig zu halten. Etwas Seltsames lauert in Dunwich Manor, und als Dr. Armitage und Nancys Freundin…

[collageofnudes]

Ashley Marie Dickerson

part 2 / 2 (part 1)

[todaysdocument]

Invasion of Southern France

Record Group 26: Records of the U.S. Coast GuardSeries: Photographs of Activities, Facilities, and PersonalitiesFile Unit: Art by Asplund through Dickerson

816441

From:

Public Relations Division

U.S. Coast Guard

Washington, D. C.

COAST GUARD COMBAT ARTIST DEPICTS INVASION OF SOUTHERN FRANCE

LANDING BARGE CLEARS FOR ACTION -- Headed for the enemy beach with its load of troops, a Coast Guard-manned landing barge leaves its assault transport with a crewman signaling to the bridge and the coxswain at the controls.  This impression of the invasion of Southern France is an oil painting by Coast Guard Combat Artist Tore Asplund, chief boatswain's mate, of NEW YORK CITY, a veteran of the invasions of Normandy and Southern France.

IN REWRITEING CAPTION PLEASE MENTION "COAST GUARD"

[lucienarcheron]

Eris x Iris — two sides of the same coin; finding love in an unexpected way.

. ivy - taylor swift / . iris - chris lanzon / . cowboy like me - taylor swift / . waiting game - banks / . swoon - beach weather / . heaven - julia michaels / . willow - taylor swift / . ghost of you - 5 seconds of summer / . leave the door open - silk sonic / . be kind - halsey / . like real people do - hozier / . eavesdrop - the civil wars / . i found - amber run / . make up your mind - florence + the machine / too sweet - hozier / . war of hearts - ruelle / . shallow - lady gaga / . armor - landon austin / . dandelions - ruth b. / . waking up slow - gabrielle aplin / . us - james bay / . dust to dust - the civil wars / . beginning middle end - leah nobel / . this is how you fall in love - jeremy zucker + chelsea cutler / . take on the world - you me at six / . all to myself - dan + shay / . slow hands - niall horan / . hunger - ross copperman / . someone to you - banners / . nobody - hozier / . hardest of heart - florence + the machine / . love again - dua lipa / . no plan - hozier / i can fix him (no really i can) - taylor swift. at my worst - pink sweat$ ft. kehlani / . you - dan + shay / . i believe - jonas brothers / . i wanna be yours - arctic monkeys / . don’t blame me - taylor swift / . remedy - william black ft. annie schindel / . better days - dermot kennedy / . something i need - one republic / . fire and the flood - vance joy / . burning bridges - one republic / . all fall down - russell dickerson / . i hope you know - sofia carson / . flowers in your hair - the lumineers / . say you won’t let go - james arthur /  . love me harder - ariana grande / . all of you - leadley / . where I sleep - emeli sandé / . lavender haze - taylor swift/ .  labyrinth  - taylor swift / . always been you - shawn mendes / . the great war - taylor swift / . invisible string - taylor swift / . peace - taylor swift / . work song - hozier / . sweet nothing - taylor swift (eris pov) / . before you - benson boone

[goalhofer]

2023 Philadelphia Phillies Roster

Pitchers

#22 Michael Lorenzen (Fullerton, California)*

#25 Matt Strahm (West Fargo, North Dakota)*

#27 Aaron Nola (Baton Rouge, Louisiana)

#30 Gregory Soto (Bajos De Haina, Dominican Republic)*

#31 Craig Kimbrel (Huntsville, Alabama)*

#43 Yunior Marte (Santo Domingo, Dominican Republic)*

#45 Zach Wheeler (Dallas, Georgia)

#46 José Alvarado (Maracaibo, Venezuela)

#54 Dylan Covey (Pasadena, California)*

#55 Ranger Suárez (Pies De Cuesta, Venezuela)

#58 Seranthony Domínguez (Esperanza, Dominican Republic)

#61 Christopher Sánchez (La Romana, Dominican Republic)

#68 Jeff Hoffman (Colonie, New York)*

#99 Taijuan Walker (Yucaipa, California)*

Catchers

#10 J.T. Realmuto (Del City, Oklahoma)

#21 Garrett Stubbs (Del Mar, California)

Infielders

#5 Bryson Stott (Clark County, Nevada)

#7 Trea Turner (Lake Worth Beach, Florida)

#17 Rhys Hoskins (Sacramento County, California)

#28 Alec Bohm (Omaha, Nebraska)

#29 Rodolfo Castro (El Llano, Dominican Republic)*

#33 Edmundo Sosa (Ciudad Panama, Panama)

Outfielders

#3 Bryce Harper (Las Vegas, Nevada)

#8 Nick Castellanos (Plantation, Florida)

#12 Kyle Schwarber (Middletown, Ohio)

#16 Brandon Marsh (Buford, Georgia)

#18 Johan Rojas (San Francisco De Macorís, Dominican Republic)**

#19 Cristian Pache (Santo Domingo, Dominican Republic)*

#44 Andrew Cave (Hampton, Virginia)*

Coaches

Manager Rob Thomson (St. Clair Township, Ontario)

Bench coach Mike Calitri (Canton, Massachusetts)

Hitting coach Kevin Long (Phoenix, Arizona)

Assistant hitting coach Jason Camilli (Peoria, Arizona)

Pitching coach Caleb Cotham (Mt. Juliet, Tennessee)

Assistant pitching coach Brian Kaplan (St. Joseph County, Indiana)

Bullpen coach David Lundquist; Jr. (Carson City, Nevada)

Bullpen catcher Brad Flanders (Frisco, Texas)

Bullpen catcher Hector Rabago (Riverside, California)

1B coach Francisco Figueroa (Miami, Florida)

3B coach Dusty Wathan (Blue Springs, Missouri)

Infield coach Bobby Dickerson (Laurel, Mississippi)

[m00ndingochan]

Attack of the Crab Monsters

[adamwatchesmovies]

Creature from the Haunted Sea (1961)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

There are only two good things about Creature from the Haunted Sea. The first is its laughably stupid-looking monster, whose comedic appearance was used in the opening credits of Malcolm in the Middle. It brings back warm memories. The second is that it’s in the public domain. This means you can easily find it for free or packaged together with 49 other horror films for less than $20 - like I did. That price tag is a valuable lesson, which we’ll get to in a bit.

During the Cuban Revolution, American gambler and racketeer Renzo Capetto (Anthony Carbone) is hired by deposed General Tostada (Edmundo Rivera Alvarez) to smuggle the national treasury out of the country. Capetto and his criminal crew, which include his girlfriend Mary-Belle Monahan (Betsy Jones-Moreland), her brother Happy Jack (Robert Bean) and animal impressionist Pete Peterson Jr. (Beach Dickerson) come up with an idea. They will murder the General and his loyalists, then keep the gold for themselves. To avoid suspicion, they will convince the Cubans they are being stalked by a sea monster. Little do they know a real-life monster is following their ship. if the secret agent onboard, XK150 (Robert Towne) had any kind of brains, he’d be able to figure this out quickly and put an end to it.

Even though this is a horror comedy and that much of the criticisms that could be thrown towards Creature from the Haunted Sea were likely intentional, the movie’s not funny so they turn into marks against it anyway. The characters are flat, uninteresting and annoying, with Pete Person Jr. easily winning a gold medal in irritation. Speaking almost entirely in animal noises thanks to a brain injury, his schtick gets old immediately. You’ll spend the brief 75-minute running time wishing he would shut up or get torn apart by the sea monster, which is obviously a scuba diver covered in seaweed (or something that looks like it) with toothpicks glued on the end of their gloves, vampire teeth, and ping pong balls for eyes. Go into any Halloween store on November 1st and you could piece together something better.

Even before the dreadful creature shows up, this premise is just dumb. I know if my shifty shipmates told me two men were just murdered by a sea monster I wouldn’t believe them. No one with their head on straight would. What’s much more likely to happen to Capetto is that the Cubans will see right through his dumb scheme and chop him up into shark bait.

It’s a bad movie and would’ve been bad even in 1961 when the Get Smart comedy thing was popular. If there was any kind of justice in this world, this desert of laughs would’ve been forgotten to the ages. Instead, it made its way into the public domain and regularly finds itself for sale/viewing. The problem is that no one cared about this movie then and they certainly don’t now. Every print you’ll see is scratchy and dusty, with muddy sound that will require you to crank up the volume just so you can understand what the hell is going on. Worse, you won’t find any subtitle option anywhere. You practically have to read the Wikipedia article just to understand what’s happening. It got so bad with the disc I was watching that I actually wound up going on Tubi, hoping that a better print would be available there. I got “lucky”, starting watching again. In no time, I was looking forward to the commercial breaks. At least those were lively, professionally made, colorful and audible.

Suddenly, it hit me. The only reason I was watching this movie is because it came in a box set I bought years ago. I would have to do this 49 more times to “get my money’s worth”. Meanwhile, there are thousands of other movies I could be watching. Even a horrible film like The Snowman or The Love Guru didn’t make me exhausted because I was able to passively absorb them. This was work. A job I wasn’t going to get paid for so I’m cutting my losses. I might've wasted my money, but I'm done wasting my time.

Even if you were sent back in time to see Creature from the Haunted Sea in a top-notch theatre with impeccable audio in the most comfortable seat ever made, I still wouldn’t recommend it. Today, presented like this? It would take all the gold in Cuba to convince me to hit "play". (On DVD, September 13, 2021)

[docrotten]

THE DUNWICH HORROR (1970) – Episode 191 – Decades Of Horror 1970s

“The Old Ones are not truly dead. They only sleep. It is a dreamless oblivion, stretching on and on towards vast eternity!” Eternal, dreamless oblivion? That’s a hard pass. Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they enroll at Miskatonic University to study The Dunwich Horror (1970).

Decades of Horror 1970s Episode 191 – The Dunwich Horror (1970)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Wilbur Whateley travels to Miskatonic University to borrow the legendary Necronomicon. But, little does anyone know, Whateley isn’t quite human.

  Director: Daniel Haller

Writers: Curtis Hanson, Henry Rosenbaum, Ronald Silkosky; H.P. Lovecraft (based on the story by)

Music by: Les Baxter

Title Design by: Sandy Dvore

Poster Art by: Reynold Brown

Selected Cast:

Sandra Dee as Nancy Wagner

Dean Stockwell as Wilbur Whateley

Ed Begley as Dr. Henry Armitage

Lloyd Bochner as Dr. Cory

Sam Jaffe as Old Whateley

Joanne Moore Jordan as Lavinia Whateley (as Joanna Moore Jordan)

Donna Baccala as Elizabeth Hamilton

Talia Shire as Nurse Cora (credited as Talia Coppola)

Michael Fox as Dr. Raskin

Jason Wingreen as Sheriff Harrison

Barboura Morris as Mrs. Cole

Beach Dickerson as Mr. Cole

Michael Haynes as Guard

Toby Russ as Librarian

Jack Pierce as Reeger

Set your H.P. Lovecraft expectations aside and you just might enjoy The Dunwich Horror. The film features a great cast, including Sandra Dee, Dean Stockwell, Ed Begley, Lloyd Bochner, Sam Jaffe, and Talia Shire. While the results may not be 100% successful, the cinematography looks spectacular, the often cliché visual effects are used creatively, and the direction is spot on. Could a 1970 film adapt Lovecraft more faithfully at that time? It’s hard to say. Lovecraft is a tricky beast to translate cinematically. Regardless, the poster from Reynold Brown is phenomenal. Check out what the Grue-Crew has to say. Enjoy!

At the time of this writing, The Dunwich Horror is available to stream free with ads from PlutoTV and PPV from Amazon and Apple TV.  The film is also available as a Blu-ray from Arrow Video.

Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the Grue-Crew change it up for their next episode with a bit of a treat, welcoming director John D. Hancock to discuss his first feature film, Let’s Scare Jessica to Death (1971), and of course other aspects of his career. This will be fun!

We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at feedback@gruesomemagazine.com. 

Check out this episode!

[gravityslingshot]

Her blonde hair was free and uncut, hung down in the way it brushed just past her shoulders and would suit her even if it got longer. It was clean, shining clean in the light, almost like velvet. And there were her always youthful, withdrawn eyes looking at gaear. She sat at the table, reserved, filled with understanding, with a vague kind of entrapment which said:

 I am here for you.

Where she grew up, her father used to hunt rabbit and deer all the time. It was weekend trips with him to the mountains, walking around with dickersons over their shoes; big, black rubber boots pulled over their footwear and tightened with a zipper. Sexy. In the spring they had trout and turkey. So when PETA came after her in Hollywood for wearing fur, she was surprised, but not really. Those people would mourn anything if it walked.

These days, she’s busy. It may look warm and slow-paced in her home, with a few images for inspiration on her latest project blown up on a board, but that’s décor. She’s been having meetings in every small-time deli and cafe near the recording studios.

Someone wants to pick up one of her stories in a movie adaptation. But she’s in the works of another; a writer, Sandy Eagan, writes about her previous murders in crime novels, misses the palanca but her friend from school, an academy winning director takes it to his producer. Beefy old man, slumps in his office like a hotdog, with locked drawers of scripts and brown box clutter stacked high against the walls. Only the important people see him. 

Catherine was a writer; the real talent. Let all the actresses battle on piles of each other, thousands of girls with their dignities high up when they were back in school brought low in the real world, that male producers called ‘fuckable’. They’re the real women. They’ve got to make the sacrifices to get noticed before their windows started to close at her age.

Call it pursuing a big dream. Nothing was wrong with that, or working two jobs and walking into restaurants with a piece of paper stuck beside the door reading ‘help wanted: waitress’, knowing that these are the places that don’t pay so well, when diners left without tipping and the owners took a cut from the jar.    

Men here just want to fuck you. You’re really nothing more than that. You came here because you liked the lifestyle, and the glamour of how wonderful it all was, having the greatest talents and professionals surrounding you not just in film-making or the arts, but in every possible area. It oozes from every crack, every crevice of every porous brick that laid up the buildings from berkeley to sports to that walk-up condominium that someone is struggling in. You’ll never find that life. The humble life where the right people happen to fall into your path.

Last week at the beach, her lace cover up and sunglasses were stolen. She’d only had her swimsuit on. Congratulations. They got away with a piece of Catherine Tramell’s belongings, a touch of minor unautographed fame just for the sake of it.

‘ Ah. ‘  or, uh. Just a tiny scratch that barely made it out of her voice box.

‘  I’ve never been to Minnesota before. Why’d you move?  ‘

How much did Gaear know about her? He wouldn’t care, how could he, when he didn’t fawn over the allure of stardom. She still takes off her clothes in front of him. Lets them fall off her skin so smoothly it needed to be kissed. Not because she has to for any director or producer.

But because she wants to. 

[tropichalys]

Ashley Marie Dickerson

[collageofnudes]

Ashley Marie Dickerson

part 1 / 2 (part 2)

[greekingout2024]

Intro Blog

Hi everyone! My name is Nicole Dickerson and I am a rising junior from Wilmington, North Carolina. At the University of South Carolina, I am a nursing major. After undergrad, I hope to get my Master of Science in Family Nurse Practice and become a pediatric nurse practitioner. Outside of school, I love to travel, go to the beach, and to play volleyball. My favorite place I have been to so far has been Honolulu, Hawaii! With this trip, I am looking forward to all of the beautiful beaches and delicious food. I love to try new foods, so I can't wait to do so! Furthermore, while in Greece, I would love to learn more about the Blue Zone (Ikaria) and the Mediterranean Diet. I would love to be able to implement this diet back home. I can't wait to meet everyone so soon:))

[partysweatshirt]

Favorite Songs of 2023

note: only songs released in 2023

Kelly Time- Owl City

This is Our God- Phil Wickham

Freezing- Mimi Webb ★

Sunday is Coming- Phil Wickham

More Than Able- Elevation Worship ft. Chandler Moore

More Than Yesterday- Two Friends ft. Russell Dickerson

Praise- Elevation Worship ft. Brandon Lake

Waffle House- Jonas Brothers

Barbie World- Nicki Minaj ft. Ice Spice

Ride The Wave- Russell Dickerson ★

Down on the Beach- Russell Dickerson

goodbye looks good on you- Alaina Springsteen ft. Mitchell Tenpenny

Long Live (Taylor's Version)- Taylor Swift

That's Not How This Works- Charlie Puth ft. Dan + Shay

Barbie Dreams- TWICE ft. Kaliii

God Problems- Maverick City Music ft. Naomi Raine

Let it Happen- The Band Camino

Save My Life- The Band Camino

amen- Alaina Springsteen ★

get him back!- Olivia Rodrigo

Last Man in the World- The Band Camino

In the Room- Naomi Raine ft. Tasha Cobbs Leonard

I Wish You Would (Taylor's Version)- Taylor Swift

You Are In Love (Taylor's Version)- Taylor Swift

Suburban Legends (Taylor's Version)- Taylor Swift

All of the Glory- OHC Worship

[thechesapeakeinn11]

Extraordinary Altars: Unique Wedding Venues That Wow in Maryland

The search for the perfect wedding venue is an integral part of planning a memorable celebration. In the state of Maryland, couples are fortunate to have a diverse array of extraordinary altars that go beyond the traditional banquet hall. From historic landmarks to unconventional spaces, Maryland's unique wedding venues provide couples with the opportunity to say "I do" in settings that truly wow and leave a lasting impression.

1. Historic Havens: Timeless Romance

For couples who appreciate the charm of bygone eras, Maryland's historic venues offer extraordinary altars steeped in timeless romance. Imagine exchanging vows in the grandeur of an 18th-century mansion or a historic chapel, surrounded by the echoes of centuries past.

One notable venue is the George Peabody Library in Baltimore, a historic library with soaring architecture and an ambiance that transports couples and guests to another era. Historic havens provide a backdrop of elegance and nostalgia, allowing couples to create a wedding that feels like a page out of a classic love story.

2. Rustic Refuges: Charm in Simplicity

The trend of rustic weddings continues to captivate couples seeking a unique and charming atmosphere for their special day. Maryland's countryside is dotted with rustic refuges, offering barns, farms, and vineyards as extraordinary altars that embrace the simplicity of rural charm.

The Strong Mansion in Dickerson exemplifies the rustic refuge concept, nestled in the picturesque Sugarloaf Mountain region. With its barn-style reception space and sweeping views of the countryside, couples can infuse their wedding with the warmth and authenticity that a rustic venue provides. Rustic refuges allow for creativity and personalization, turning the wedding into a celebration of love surrounded by the beauty of nature.

3. Waterside Wonders: Nautical Nuptials

Maryland's extensive coastline along the Chesapeake Bay and the Atlantic Ocean provides a stunning backdrop for couples seeking waterside wonders as their extraordinary altars. From waterfront estates to marinas, these venues allow couples to exchange vows with the soothing sounds of waves and the beauty of a sunset over the water.

The Chesapeake Bay Beach Club on Kent Island is a prime example of a waterside wonder, offering panoramic views of the bay and elegant event spaces. Nautical nuptials bring a touch of maritime romance to the wedding, creating an atmosphere that is both sophisticated and relaxed. Waterside venues provide couples with the opportunity to celebrate their love with the timeless allure of the sea.

4. Artistic Affairs: Celebrating Creativity

For couples with a penchant for the arts, Maryland's artistic venues serve as extraordinary altars that celebrate creativity. Imagine a wedding in a contemporary art gallery, a historic theater, or an avant-garde museum. These venues not only provide a unique setting but also an opportunity to infuse the celebration with artistic flair.

The Baltimore Museum of Art, with its diverse collection and modern event spaces, exemplifies the concept of an artistic affair. Couples can host their wedding amidst masterpieces, creating a visually stunning and culturally rich experience for themselves and their guests. Artistic venues turn weddings into vibrant celebrations, where creativity takes center stage.

5. Garden Galas: Nature's Splendor

For couples who desire an outdoor celebration surrounded by the beauty of nature, Maryland's garden venues serve as extraordinary altars of natural splendor. Lush gardens, blooming flowers, and manicured landscapes provide a romantic and enchanting backdrop for couples seeking an al fresco celebration.

The Ladew Topiary Gardens in Monkton offer an exquisite garden setting, with topiaries, flower-lined pathways, and charming pavilions. Garden galas allow couples to embrace the beauty of the outdoors while enjoying the carefully curated landscapes of these botanical havens. These venues provide a touch of whimsy and elegance, making the wedding a celebration amidst nature's splendor.

Conclusion: Crafting Everlasting Memories in Maryland's Unique Venues

In conclusion, Maryland's extraordinary altars offer couples a diverse range of options to craft everlasting memories. Whether it's the timeless romance of historic havens, the charm of rustic refuges, the nautical allure of waterside wonders, the creative ambiance of artistic affairs, or the natural splendor of garden galas, each venue provides a unique canvas for couples to paint their love story.

As couples embark on the journey of marriage, Maryland's extraordinary altars invite them to choose a venue that reflects their individuality and style. These unique wedding venues in maryland not only serve as the setting for the ceremony but also become integral elements of the couple's love narrative. In Maryland, saying "I do" goes beyond tradition; it becomes a moment of awe-inspiring beauty and extraordinary significance.