#Battle Strategy

[war-causing-interrobang]

Alright. I think I started another war.

Question.

What’s a snom.

[literarywizard]

Wringing All The Fun Out Of Unicorn Overlord

After 90 hours, I've finished with Unicorn Overlord. There's still another hour or two of stuff in there, should I ever want to go back and watch all the marriage proposal scenes and read all the epilogues, but I'm ready to do something else for now.

In what seemed like the longest conclusion to a mission-based video game I’ve ever played, I finished Unicorn Overlord. I enjoyed the mechanical challenges posed by the last few missions, as the maps grew longer and the fights within each map more numerous, but each one of those missions felt like it just kept spawning a new mission behind it, despite me being certain that each one must finally…

[ultrachoppedpenguinbouquet]

Gideon

[fanficfanattic]

This is a man whose worth has always been tied to his football skills. (Not to his mom but she’s one person in a sea of others). And Ted linked bringing Jamie back to his ability to score for them. (We know there was more than that but Ted hasn’t shared with the rest of the class).

He has made these people his family. But because of his dad, he knows of family as being conditional. And his dad’s conditions are all football related. And Richmond’s (as a whole) are all football related.

But he can’t trust the Richmond lads to want him outside of football. Because he’s never had the opportunity for that so has no skill in it. (Yet).

And initial signs point to Zava being a direct threat to what is precious to Jamie. And his only tool to defend it is football; which is Zava’s area of expertise.

What I like about this almost resigned look is that we know Jamie is a battler. He has tried to cut that part out of him for the sake of his team/family.

Roy gave that back to him through The Signal. But he doesn’t have a real life Signal. So Roy gave him that, too. He can’t take Zava head on but he can make gains on the margins. Which Roy will mentor him to do. Once Jamie knew the parameters, we see him enthusiastically gain a new skillset. (Guerrilla warfare allegory here).

And it is Jamie’s hard work and determination, alongside Roy’s hard work and belief in Jamie, that they manage to drag Richmond through the ashes of Zava’s departure. Without that work, Total Football would not have been viable.

Because TF hinges on Jamie, yes, but it hinges on Jamie filling the gaps that the team only has because of Zava. He is faster now, which means he can get from here to there to where the team needs him. And he can do it the whole game because his stamina increased.

Richmond’s success relies on the fact that Jamie is learning to literally pick his battles. To conserve resources until they are actually needed. And that was only able to be developed because Roy fucking Kent was guarding his six.

Hey Jamie, come on, man. Hurry up and get dressed. We don't wanna keep our newest teammate waiting.

[keferon]

Imagine you got turned into a mech and teleported to the middle of the Quintesson attack on Cybertron. But the catch is - all the characters whose Transformers toys/figures you own are in your squad and they are on your side.

If you have two Megatrons or like three Ratchets you can have all of them. Can't wait to see if someone's squad is just them and their 200 Bumblebees

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[war-causing-interrobang]

I KNEW you weren’t to be trusted!!!

did you know?

If you were trying to brute-force a 16-digit password that reset every six hours, you'd have to input an ungodly amount of combinations every second to guarantee you get the password before the reset? My sentries could each input a code each second, but even if I could make enough sentries, there aren't enough computers to fit them all to crack the password.

Of course, getting enough time to find the password becomes trivial when you have a time-dilation spell and sentries who err just below the threshold to be considered sentient.

In other news, i am about to become a god.

[izzystizzys]

TW: discussion of something approximating suicidal tendencies but with the usual crack programming of this blog

“Ah, High General Windu”, says Fox, pleasantly. “So we meet again.”

High General Windu raises an unimpressed eyebrow at him, Fox thinks, though it’s getting hard to tell with all the blood rushing to his head. “If I let you go, will you try to throw yourself out of another window?”

Fox makes a vague shrugging motion - or tries to, anyways. It’s hard to tell where any of his limbs are going, hanging upside down in the air as he is. “I am willing to discuss terms.” A bridge will do just fine.

Impossibly, the High General’s eyebrows climb even further up his forehead. “A compromise, then, esteemed Commander.” And so, he righths Fox the head way up in the air, but leaves him floating just above the ground, at which point several painted shells come skidding around the corner followed by billowing robes and screeches.

“WHAT”, says Kote, calmly, “THE BANTHA-KARKED, FORCE-LOVING KRIFF, FOX.”

“You’ll short out your helmet mic”, Fox advises him, sagely. Fondly, he thinks back to decimating his own on only his second time in the newly-christened official Coruscant Guard Scream Closet. He’d just received the comm about the Zillo Beast being transported to 000, and made sure to take his bucket off thereafter to improve the quality of his closet time.

High General Windu’s face does something complicated between sympathy and constipation.

Because the Galaxy doesn’t hate Fox enough already and Cody wasn’t enough on his own, Wolffe elbows his way through their batch to plant himself in front of him, shoulders squared and shaking with repressed rage. “If you try that again, dickhead”, he begins, in a low growl that quite frankly sounds more cringe that intimidating, “I’m going to resurrect you and then kill you again.”

“Ah, Wolffe”, Plo Koon says, in his deep, shivery timbre, “Remember our conversations about effective conflict resolution and communication of needs?”

Wolffe’s eyes narrow at Fox, because all non-Guard are sweet summer children who walk around buckets off on 000 like absolute lunatics. Fox prays they never have to find out why that’s a bad idea. “I feel”, his ori’vod presses out between clenched teeth, “that if you make me watch you throw yourself out of another window, I’m going to jump after you and strangle you on the way down, you little bitch.”

“That’s fair”, says Fox, and watches High General Kenobi bury his face in his hands. Wolffe twitches in place and makes an aborted groaning noise, the hypocrite.

“Excuse me, High Marshall Commander Fox, but I fail to see what’s so dire about this situation that the Jedi High Council and your brothers cannot help you solve”, says Windu, the only sane one left on this Force-forsaken bloated corpse of a planet. Behind the gaggle of Jedi and ori’vode already gathered in front of Fox, the rest of them come veering around the corner in a commotion that’s quite frankly embarrassing. High General Yoda is mounted on Skywalker’s back like he’s a race-Eopie, which is Fox’ only consolation.

He got up this morning at 0300, bleary-eyed and with a pounding headache as always, and all was right in the world. And then Fox got called into the Jedi High Council’s chambers and was ceremoniously informed that in the wake of Chancellor Palpatine’s unfortunate demise (hah), and through the emergency state of the Senate, as well as several invented promotions foisted on Fox to make the delegation of any and all paperwork less shady, he was now next in the chain of command and-

Well, Fox is the acting Chancellor, in short.

Haha, he had said, and been meet with several seconds of silence, until it got both awkward and exceedingly painful. Wait, he’d said. You’re kriffing serious.

Kriffing serious, we are, had said High General Yoda, and thus Fox launched himself out the first best window with a maniacal cackle of, you’ll have to catch me first!

And catch him, High General Windu sure did.

“The will of the Force this is”, Yoda interrupts Fox’ train of thought. He scans him thoughtfully from beneath his wizened brow, and hems to himself. “Shake things up, this will. Determine the fate of the Galaxy, this shall. A feeling, I have, that a good Chancellor you will make. A better one, hmmm.”

“That’d be high praise, if not for the fact that a dead lemming would make for a better Chancellor than the last one”, says Fox, drawing and indignant gasp from Skywalker. He doesn’t bother with either that or the green goblin’s cackle, lost in the deep sense of resignation that settles over his shoulders like a suffocating blanket.

“Alright, then, get me Thorn on the comm. As my first act in office, I’m firing all the Jedi. No offense, but you’re kind of a disaster. Then, someone get me to the Chancellor’s office, I’m calling Dooku to let him know the war’s off. And please get me Judicial, they’ll be up all night working on my datafolders - I’m having the Senate arrested.”

“Who - is - arresting - “, Bly pants, hands on his knees from where he’s just come sprinting around the corner with his Jedi.

Underneath his bucket, Fox smiles a smile that’s all teeth. “The Senate”, he says, sweetly, wondering if he’s just imagined the shiver that’s gone through the room. “I’m suing the Senate, and taking them all into temporary custody for abuse of sentient rights.”

[formosusiniquis]

steddie relationship reveal coming not from the kids walking in on them or accidental pda but because Eddie's combat balance suddenly gets better and they realize it's cause Steve (the better strategist) is helping him with the combat prep. They know it's love cause Eddie threatened to shave Tews and blame it on Dustin the one time he picked up the wrong notebook/no one gets to see Eddie's DnD planning

[war-causing-interrobang]

[sigh], it’s been a while since I’ve done one of these polls, but…

Attention, Exclams. Anons. Anyone willing to help.

I am OFFICIALLY declaring war against Tyria, despite her not having an army.

[war-causing-interrobang]

Un-gnome self, Terro!

[Poof!]

Uthar, this is an Ambush.

[A group of Not-Suspicious Gnome Soldiers walk up to Hᴇᴀᴅ Lᴏʀᴅ Hɪɢʜ Tʜᴇ Rɪɢʜᴛ Hᴏɴᴏʀᴀʙʟᴇ Gᴇɴᴇʀᴀʟ Uᴛʜᴀʀ]

Head Lord High The Right Honorable General Uthar! While the rest of the other gnomes are Gnome High, we came to talk to you.

Yᴇs? I'ᴍ ᴠᴇʀʏ ʙᴜsʏ, sᴏ sᴛᴀᴛᴇ ᴛʜɪɴɢs ᴄʟᴇᴀʀʟʏ.

[n64retro]

Ogre Battle 64: Person of Lordly Caliber Quest / Atlus Nintendo 64 2000

[potpourri-of-ecclecticism]

Aemond obliterating a (relatively) skilled Aegon and his dragon in a moment of blind rage and vengeance THEN begging asking an inexperienced Helaena to join the war is peak sTrAtEgY KiNg moment (sarcasm).

How people even thought he’d be a good ruler given everything we know about his impulsiveness, shrewdness grumpiness and arrogance is beyond me. Strategy my arse lmaooo Aemond bought this war on the Greens by slaying Lucerys and now he’s going to be their downfall by injuring Aegon. Dumb king as far as I’m concerned.

[ask-the-prose]

Conducting a War

So, your story takes place during a war. Maybe your characters are experiencing war or maybe they're waging war against other characters or groups. Likely, you are not a general or expert in warfare. How do you write a story that is set during a war?

Who's fighting who?

The first, most obvious, step is to know who is fighting whom and why. Wars are between groups of people. They can be a small clan, a massive nation, or even an entire planet or galaxy. Two characters fighting it out are not considered "at war" because they are representing themselves and settling an individual dispute, even if it is a high-stakes dispute.

Why are the parties in your story fighting? There are a lot of different reasons why two groups of people would go to war against each other, but most wars are over resources at their center. Disputes over land and borders, over who gets what crops and for what price, and even religious wars are usually about the resources available and scarcity. So when you're talking about war, you need to know what either side wants. Just like a character, your war parties need to have desires and stakes.

"Resources" can mean just about anything that society needs. Food, fresh water, opportunities for trade, minerals, metals, building materials, and wealth are all examples of resources your war parties can fight over.

What does it take to wage war?

Wars require resources too. It's not just about getting resources but spending resources as well. When nations go to war in the real world, there are opportunities for people to make exorbitant amounts of money and wealth by taking advantage of a wartime economy.

The parties waging war need people to fight their battles. They need to pay those people, arm them, feed and clothe them, and transport them to where they need to be. Where does the government or person in charge get the food, armor, weapons, and transportation? Where do they allocate those scarce resources? Oftentimes in war, those in charge must make sacrifices. Is there a portion of land that the person in charge gives up to protect another portion with their limited resources?

There are unlimited stories hidden in these questions, and a large base of world-building will help to answer these questions in depth. There are many opportunities for tension and rising stakes for your war parties in the event that the opposing side makes acquiring war resources difficult or impossible.

Types of Armies

Your armies tell you a lot about the resources available to your characters and how you can build your story and plot line around the war. So I'll discuss the differences between four types of armies that exist in the real world and throughout history. These are examples; you can change or twist these examples however best suits your story.

The first is a professional army. These guys are paid and trained by the state; being in the army is their entire job. The army can fill a number of different roles other than fighting, but their purpose is to provide martial protection to the people of their nation and carry out martial orders from the government or sovereign entity in charge. Important aspects of a professional army to consider: these soldiers are paid for their work, they are trained by professionals, and oftentimes they follow a hierarchy or chain of command. Most governments provide medical care to their professional armies, but this isn't required. The soldiers can be conscripted or voluntary.

Next up is a mercenary army. This army is also paid for their services, but they are not trained by the state, and they ultimately take their orders from the organization, not the government. The government commissions the mercenary army for their services. The government does not provide most of the resources required to maintain an army. They pay for the army but don't necessarily feed, arm, or clothe them.

A fyrd is a historical term that refers specifically to the Anglo-Saxon armies raised by different Lords and Thegns to protect their lands and shires. These armies consisted of civilians and able-bodied free men from the local settlements and farms gathered by the ealdorman. They were conscripted into the service, and they lacked formal martial training. Also, importantly, their provisions and weapons were provided by the soldiers themselves. Meaning you will see fewer long swords and forged weapons for the purposes of fighting and more axes and improvised weaponry. The purposes of the improvised weaponry are primarily as other tools, such as axes for chopping wood and knives for butchery. Any horses or mules brought along for work or fighting are the property of the lords or farm owners who provided them.

A militia is very similar to a fyrd; this army consists of civilians who are paid or conscripted into service by the government but are not professional soldiers. These militias may sometimes have training from professional soldiers among their ranks, but mostly they are civilians training themselves. The soldiers provide their provisions, weaponry, and armor, meaning that the wealth has to come from the soldiers and their professional jobs and not from their martial services. The militia is a more modern term, but it is marginally different in that most militias we think of today are voluntary and not conscripted.

Battle Strategy

This is where a little research may help you. Battles behave differently depending on different factors. What technology and weaponry is available to your war parties? Are we talking about bladed weapons or guns or lasers? Is your army a professional or mercenary army, or is it more like a fyrd or militia?

When setting up a battle in your story, focus on the differences between the two armies and how that may affect their strategy toward fighting or engaging the enemy. If your fyrd faces a professional army, they may encounter some problems regarding weaponry and armor. Your fyrd will struggle to match a professional army in defending against well-made weapons and professional training. How do they work to compensate for those weaknesses?

When looking at two equally armed and trained armies, a general or battle strategist will look to the terrain to plan a battle. Generally, controlling the high ground helps in battles. If one army has a heavy cavalry presence, your opposing army may want anti-cavalry measures in place. Do they have the space to do so? Urban areas will lend themselves well to guerilla-style and urban warfare tactics. Jungles and forests will look different to hills and plains, and deserts bring unique problems to a battle that a mountainous terrain might not.

What is the battle for? Battles have a purpose; otherwise, there would be no value to the loss of troops. What is worth the risk of losing lives? Does the battle have stakes? Some stakes that might be worth conducting a battle over include taking control of a river pass, allowing naval trade and travel, cutting off control of a trade route to the enemy, or invading an important town or city to process and refine necessary materials.

Ending the War

The war will eventually end if your characters are lucky. But what ends a war? Wars usually end with agreements between the two opposing parties following surrender or extension of peaceful negotiations. Negotiating what each party needs or wants is an art in and of itself. Each party must come to the agreement that waging war further is more expensive and less rewarding than ending violent opposition with concessions made by either side.

Conclusion

Wars and battles are like characters; they have needs, desires, and stakes. Writing your characters in a war or battle will hinge on the needs and stakes of the greater war and story. Important questions to ask are: what are we fighting for? Who are we fighting? And what happens if we don't fight?

–Indy

[war-causing-interrobang]

Don’t worry! I brought lots of traps we can hide outside of the fort, like land mines, pitfalls…

The works, basically.

Hey... @war-causing-interrobang I think you might wanna come see this...

I'd show Boss if they were here, but I think I found where the gnomes are planning to ambush us, in the back of the Blanket Fortress. What do we do? Asking you, since you were put in charge of protecting the fortress.