#BarryHarris

[projazznet]

Barry Harris – Barry Harris at the Jazz Workshop

Barry Harris at the Jazz Workshop is a live album by pianist Barry Harris recorded in San Francisco in 1960 and released on the Riverside label.

Allmusic awarded the album 4 stars with its review by Scott Yanow stating, “Pianist Barry Harris’ second recording as a leader (he led a set for Argo in 1958) finds him at the age of 30 playing in the same boppish style he would have throughout his career”.

Barry Harris – piano Sam Jones – bass Louis Hayes – drums

[shepscapades]

Had to do a little doodle of the purple panda skins >:]

[ghostofthesynthesis]

harry and lewis' relationship in jaffa factory 2 is just like the neurotypical popular kid being extra nice to the shy autistic kid and honestly? i love that for them

posting as someone who has been in several relationships with that dynamic

[phosphorescentspaceman]

jaffa factory 2 - a single episode in and im enjoying salty old man lewis upset at the current state of youtubers.

[laomusicarts]

Lesson #147 Two-note LH voicings examples on Basic Jazz Piano Course

LAOMUSIC ARTS 2024 presents

This week @LAOMUSIC_ARTS Basic Jazz Piano Course: Lesson #147 Two-note LH voicings examples on Basic Jazz Piano Course

#lao #music #laomusic #laomusicArts #LAOMUSIC_ARTS #course #free #piano #jazzpiano #basicJazzPiano #improvisation #BillEvans #GlenGould #KeithJarret #LyleMays# #ChickCorea #BarryHarris #TommyFlanagan #OscarPeterson #LuisEca #DeliaFischer #ClaudioDauelsberg #AntonioGuerreiro #JoséNeto #MulgrewMiller #Luiz Avellar #WagnerTiso #MarinhoBofa #JoséLourenco #CesarCamargoMariano

Check it out:

[parkerbombshell]

Rainbow Country #386

Rainbow Country Tuesdays 8pm-10pm EST bombshellradio.com   RAINBOW COUNTRY A 2 HOUR Nationally Syndicated Gay radio show & Canada's #1 LGBT Podcast working to give voice to the LGBT Community & BEYOND! ON EPISODE 389: HR 1 #GayTalkRadio Award-Winning Artist & Producer #BarryHarris joins me to talk about his Global hit I Beg Your Pardon with his 80s group #KonKan Remixing #WhitneyHouston & MORE! 🌈 HR 2 #Music Gay Club Hits - #InnerCity #SExpress #Beatmasters 80s - #KonKan Trans Artist - #LynxDean Indie - #Partner #TomRobinson       Read the full article

[jazzspotleaf]

#jazzylife 皆さんお久しぶりです。 今宵はN先生とのジャズナイト中🎶 何だかバタバタな日々でしたが、やっぱりこういう時間が最高だねえ。 ーーーーー 『THE QUINTET LIVE !』 #charlesmcpherson (alto sax) #lonniehillyer (trumpet) #barryharris (piano) #raymckinney (bass) #billyhiggins (drums) Recorded live at the #FiveSpot New York City, October 13, 1966. ーーーーー #jazzalbum #ジャズアルバム #jazzmusic #jazz #ジャズ #jazzspotleaf #jazzspot #ジャズスポット #ジャズスポットリーフ #hokkido #北海道 #hakodate #函館 #daimon #大門 (Jazz spot Leaf) https://www.instagram.com/p/CMjz9hBrECv/?igshid=qparhqcfargk

[devikhwang]

<Today's LP> 재즈 황금기를 수놓았던 피아니스트는 수없이 많지만, 아직도 활동하고 있는 뮤지션은 그리 많지 않다. 은퇴했거나 영면하신 분들이 많기 때문이다. 그 몇 명 안되는 피아니스트 가운데 한명인 배리 해리스 옹은 밥 피아니스트의 레전드라 할 수 있는 버드 파웰의 전통을 바로 잇는 피아노 주자이다. 1929년생이시라니, 아흔이 넘으셨는데도, 가끔씩 활동을 하고 계시다는 소식이 전해진다. 그래미 어워드에서 재즈부문 영예상을 수상한 재즈 자이언트의 한명으로서 얼마 안남았으리라 생각되는 해리스 옹의 여생을 추억하면서, 오늘은 1976년 도쿄에서 개최된 라이브 녹음을 수록한 명반이다. 일본 팬들을 위해서 연주한 아츠이 아이죠(Deep Love)를 비롯해서 Round Midnight 등의 스탠다드 곡들을 피로했던 도쿄 공연은 우편저금 회관과 나카노 선플라자 등에서 연주한 작품들을 선별해서 수록했는데, 후에 컴플리트 반이 발매되기도 했다. 드러머 리로이 윌리엄스와 베이시스트 샘 존즈가 함께 한 피아노 트리오는 최강의 호흡을 자랑할만큼 완벽한 연주 실력을 보여줬으며, 밥 스타일을 기반으로 아름다운 멜로디와 정교한 리듬섹션이 잘 조화되는 배리 해리스만이 표현할 수 있는 피아노 트리오의 전형을 잘 드러내고 있다. 배리 해리스에 대해서 이름은 들어봤지만, 그다지 그의 작품을 접해 보지 않았던 재즈 팬들에게 필청음반으로 추천하고 싶은 앨범이며, 재즈 황금기의 추억을 되새기게 하는 배리 해리스 팬들에게는 잊을 수 없는 명반이기도 하다. #music #jazz #BarryHarris #LeroyWillians #SamJones #PianoTrio #TokyoLive #1976 #Xanadu(Koiwa에서) https://www.instagram.com/p/B8LSNMLlGgu/?igshid=1gfu7su7jcb6k

[bluesketches]

The Sidewinder

Lee Morgan

🎧 https://www.youtube.com/playlist?list=PL94gOvpr5yt1jA11aeITggA6S2uaAG3KL

The Sidewinder is a 1964 album by the jazz trumpeter Lee Morgan, recorded at the Van Gelder Studio in Englewood, New Jersey, U.S. It was released on the Blue Note label as BLP 4157 and BST 84157.

Lee Morgan – trumpet Joe Henderson – tenor saxophone Barry Harris – piano Bob Cranshaw – bass Billy Higgins – drums

[omanxl1]

Charlie Parker- Perdido

Sunday Jazz Continues!!  check us out as we broadcast live from a remote outpost out off of I-20 in Atlanta!  But my mind wanders to Mayfield Kentucky where a tornado blew through with total devastation, we all need to start praying; somebody will understand a brotha! Lord Help! Lord Help! that’s the Battle Cry, why ask why when y’all should know he’ll keep us?  One accord business as we get…

[zeruch]

The last 48 hours have been rough: we lost one of the greatest music and cultural critics of the modern day, the single most influential bassist in Jamaican music history, and one of the last true piano talents of the bebop era. 1. @avantgroidd came into my line of sight in the late '80s when my fascination with bands from the downtown scene in Manhattan hit a frenzy, and eventually to his writing in places like the Village Voice, NYT and ArtForum . Greg Tate wrote some of the most blisteringly incisive pop culture observations with a lot of fire and devoid of pretense. He also was a fantastic leader of the outfit Burnt Sugar. 2. Robbie Shakespeare was one half of the single most recorded and broadly influential rhythm sections in pop music history. He, along with Sly Dunbar, played on literally thousands of recordings, with Grace jones, bill laswell, Joe cocker, Mick jagger, Peter tosh, madonna, Bob dylan, simply red, sting, tricky, no doubt...it's staggering. 3. The #BarryHarris image I actually published a few years back, as I was finally starting to get familiar with his contributions to jazz, including stuff he did with Yusef Lateef, and Cannonball Adderley, but his influence is far more extensive, and even though he was almost 92, his death by covid still seems quite tragic. #art #drawingpractice #gregtate #robbieshakespeare #barryharris. (at SoFA District) https://www.instagram.com/p/CXQb3P-L2xK/?utm_medium=tumblr

[projazznet]

The master pianist and teacher proselytized tirelessly for bebop, and was one of its finest practitioners

[kari3622-blog]

Barry Harris Trio "Preminado" 1960年12月21日,1961年1月19日, Plaza Sound Studio, NYC録音。 オリジナルは、Riverside RLP-9354、本盤は、OJC-486。RiversideのStereo、もちろんMonoもあるようですが、本作はどうでしょうか。怪しいReeve Studiousのロゴがないので、細工はしていないと思いますが、 #PhilDeLance /Fantasy Studious, Berkeley による1990年のリマスター盤です。 録音評... 楽器の音色がとてもナチュラルで、適度な余韻もあり、バランスもグッド。Stereo感も無理に強調したような仕業がなくて心地よい。軽快な演奏に合わせるように軽めに仕上げた、手慣れた上手なマスタリング。 楽曲は、全体的にとても滑らか故に印象は薄いかなぁ。すうっと耳に溶け込むよう。BGMで流していると、この弾むようなテクニシャンは誰？ってなるでしょう。 バド・パウエルの後継者として注目を集めていた時期のRiverside時代における最高傑作とも言われている3枚目のリーダー作。ジョー・ベンジャミン、エルヴィン・ジョーンズとの珠玉のピアノ・トリオ。 スタンダードとオリジナル、歯切れがいいタッチと明解なフレージング。バド･パウエルの影響を受けたパウエル派の代表で終生そのスタイルを貫き、このアルバムでもパウエルが取り上げた曲も演奏。1-3 "I Should Care" のソロでは、独自のフレーズで単なるパウエルのフォロワーではないオリジナリティを披露、そこにハリス独特の歌心があります。最後の"What Is This Thing Called Love?"では、速いテンポでコロコロと転がるような指使いは、いかにもバド･パウエルっぽいですがスリルはなく、とろけるようなムードがあり独特の歌心に。2-2 "It's The Talk Of The Town"は、失恋を歌った古いスタンダードナンバー、しっ��りしたタッチで、しんみりとした味わい深さがあるのが彼の良さ。 ライナーに不器用なバリー・ハリスのミュージシャンとして貫いた信条が... 「演奏を楽しまなくちゃダメだ。昔の人たちは楽しんでいた。だから、今まで音楽が長く続いて来たのさ。思うに、俺はみんなを楽ませるためにジャズを演奏してるのさ。だから、お互いに楽しめばいいのさ」 また、ドラマーのエルビン・ジョーンズの魅力満載の素敵な作品でもあると。バリー・ハリスもエルビンに触発され何時にない素晴らしい演奏、もの凄く安定した演奏のベースは、この時期の作品では最高傑作との評価も。 一番のお勧めは1-4 "There's No One But You"、エルヴィンのごくごく自然なブラッシュに、ジョー・ベンジャミンが寄り添う名演。難しいブロック・コードなど使わず、シングル・トーンでよく歌い、ちょっとクールで控えめなバド・パウエルという感じ。 ちなみに、このアルバムのタイトル｢プレミナード｣とは英語で言うとプロムナード(遊歩道)のスペイン語での表現。タバコと悩み深いカヴァー写真は、評判があまりよろしくないみたいです。 #BarryHarris (p) #JoeBenjamin (b,tracks: 1-1, 1-2, 1-4 to 2-4) #ElvinJones (ds, tracks: 1-1, 1-2, 1-4 to 2-4)  Producer, Liner Notes – #OrrinKeepnews Liner Notes – #ChrisAlbertson   Cover Designed – #KenDeardoff Back-Liners photographs – #LawrenceNShustak   Recording Engineer – #RayFowler Mastered By – #JackMatthews ハリスは、尊敬すべき人物なんです。1954年デトロイトの｢ブルーバードクラブ｣のハウス・ピアニストとなり、その店でマイルス・デイビス(tp)、マックス・ローチ(ds)と共演、50年代のデトロイト・ジャズ・シーンの重要なメンバーの一人で、その頃からジャズの教育者にも。1982年にニューヨークに｢ジャズ・カルチャー・シアター｣を独力で設立。連夜のセッションや定期的にジャズ理論と実技の講座を開き、ジャズシーンへの登竜門の役割を果たします。世界各地の大学や教育団体より30ものアワードを受賞、2006年には48回グラミージャズ栄誉賞をオスカー・ピーターソン、ハンク・ジョーンズと共に受賞。素晴らしいでしょ。 #jazz #fuzey #vinyl #jazzvinyl #vinylcollection #ジャズ #スイングジャーナル #レコード #ビニールレコード *作品を知るとジャズはもっと輝きます。情報くださる先輩諸氏に感謝。 https://www.instagram.com/p/CWeilqwPTZt/?utm_medium=tumblr

[laomusicarts]

Lesson #146 Five-,Six- and Seven-note voicings #3 on Basic Jazz Piano Course

LAOMUSIC ARTS 2024 presents

This week @LAOMUSIC_ARTS Basic Jazz Piano Course: Lesson #146 Five-,Six- and Seven-note voicings #3 on Basic Jazz Piano Course

#lao #music #laomusic #laomusicArts #LAOMUSIC_ARTS #course #free #piano #jazzpiano #basicJazzPiano #improvisation #BillEvans #GlenGould #KeithJarret #LyleMays# #ChickCorea #BarryHarris #TommyFlanagan #OscarPeterson #LuisEca #DeliaFischer #ClaudioDauelsberg #AntonioGuerreiro #JoséNeto #MulgrewMiller #Luiz Avellar #WagnerTiso #MarinhoBofa #JoséLourenco #CesarCamargoMariano

Check it out:

[elrefugiodelabuenamusica]

I Beg Your Pardon (I Never Promised You A Rose Garden) (1988)

Artista: Kon Kan (Canadá)

Álbum: Move to Move

Año: 1988

Premios: Premio Juno a la Grabación Bailable del Año

Géneros: Synth pop

Compositores: Joe South, Barry Harris

Sello: Atlantic Records

Letra

Here we go

There once was a time and there once was a way We had something going and to my dismay Attention to me seemed to drift Though I don't know where And when we're alone seems there's nothing to say I bring up a topic; you push it away You say that you do but I think it's just you don't care Why do I feel you're using me

Are we an item or are we just two? I need some commitment; it's all I ask of you Your lifestyle can change Don't be 'fraid what you think's in store I know what's on your mind You've got lots to lose Your shallow acquaintance Is what's there to choose You won't get too deep Even though I'm worth so much more So think about it carefully (Smile for a while and let's be jolly) (Love shouldn't be so melancholy) (Come along and share the good times) (While we can)

If that's how you want it That's how it'll be There's no use in trying Or making you see That love don't come easy You don't know what it's about To get things together Won't take any pain Don't need to see, hear from you Never again From this day on, listen, but no more Please count me out And you know what I'm talkin' 'bout (Smile for a while and let's be jolly) (Love shouldn't be so melancholy) (Come along and share the good times) (While we can)

I know now's the time that I went to find something new You know it's your crime that I'm out to find someone, too

[alfredoestevez670]

(Barry Harris)