#BUT I LOVE MY EVIL magic boy

[gracebethartacc]

I woke up and was haunted by visions aka Mlp redesign/rewrite ideas yayyyy :3

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[kaiser1ns]

OMG GUYS THEY FINALLY UPDATED THE WINDBREAKER WIKI YAYY I HAVE BEEN WAITING!

Chika is 183 cm tall 🎀 Hmmm cute mmmmm 🎀 Having a description of his personality won't stop me from writing fluffy things about him, nuh uh, he is going to show his more 'human' side to you and only you. I said what i said :3

[aleki-lives-here]

I watched an mdzs animatic with a song from wicked, and something in my mind finally clicked and now I want to scream about how similar my current and my past hyperfixations are.

"Good news, the witch is dead!" like

"No good deeds" is such a "character pushed to their limits" song. Imagine it before the nightless city. The first scream, as Wen Ning and Wen Qing walk away. The chanting as he lies there, unable to move, praying for them to be well. Memories of people he loves: Jiang Cheng and Jiang Yanli, Lan Zhan, the Wen siblings.

"Was I really seeking good, or just seeking attention?" -- as he looks at the burial mounds and leaves.

"If I cannot succeed, Fiero, saving you, I promise no good deed will I attempt to do again." -- as he learns about Wen Qing and Wen Ning's death.

Ending with him arriving at Nightless city and pulling out the flute.

I want to see it animated so much!

My skills are so annoyingly not up to the task. Maybe if my hyperfixation survives long enough that I learn drawing and animating things well? It'll be the third mdzs animatic I really wish to do one day. Maybe one day.

[aalt-ctrl-del]

gather 'round children while I tell ye the story about the day I beheld a colorful rainbow flag and the transfer of gays turned me into a bouncy fruit imbued with the powers of yass

[mostofthingsmostofthetime]

Just finished the show a few days ago, so that's why I'm only just posting this now.

[beevean]

Sooooo... about Isaac being a witchy boy...? 👀 Any t(h)o(ugh)ts ? 👀

I LOVE IT

it was one of the first things I learned about Isaac and I incorporated very quickly in my knowledge

he's a wiiiitch <3 that's so cute <3

I appreciate that the game actually reflects this: he uses spells that Hector doesn't, but Julia does! They share the same teleportation spell, and both of them have a form of clairvoyance: Isaac uses a crystal ball to spy on Hector (plus the whole Hectoradar he displays in the MF manga), and Julia somehow seems to always know where he is and how he's doing. (isaac 🤝 julia: spying on their crush)

And then there's this:

I love this line more than I should. Isaac sounds so pissy! "how dare you insult me and my ex. you clown. you absolute buffoon. take more of this dagger for your insolence". Of course he'd know the difference between a sorcerer and a Devil Forgemaster :P

I also like how the only two people who managed to become Devil Forgemasters are the son of an alchemist and a dark sorcerer, from an esteemed family at that. It makes perfect sense, as Devil Forgery seems to be a mix of the two, but mainly alchemy.

And yet. the utter irony. of a sorcerer who managed to learn Devil Forgery being bested by a dude. Hector can't use ordinary magic, as far as we know he was a freak of nature, and somehow he was the more talented one. ohhhh no wonder isaac was so salty, i bet he expected to be particularly proficient in all sorts of dark arts :P

Btw, the word the bio uses is 魔道. It literally means "heresy", or "path of evil". It makes you wonder, what kind of evil sorcerers were the Laforezes, and how did Julia turn out the way she did?

See? See how much there is to think about that one random throwaway line? Isaac the Witch lives in my head rent free. I will never shut up about it.

[yanlei-a]

unfortunately i have brainrot and am thinking of zed with little kayn

[windupaidoneus]

in a sense i can tell emet & i have like very similar standards when it comes to quality. by that i mean i am very picky with art styles especially when it comes to how people draw my favourite guys & i KNOW in a fucked up really weird world where hes real & im the character (well ok due to introject stuff its not that far fetched but bear with me) he would hold fanart of me to the same standards i hold his. does that make sense.

[corkinavoid]

DPxDC Glass Coffin

Weirder shit has happened in DC universe, but hear me out, Young Justice finds a glass coffin with Danny sleeping inside it. Maybe it's in some ancient tomb and hidden away for centuries, maybe it's in some villain's private collection of artifacts, maybe it's in some museum in plain sight.

And then Kon hears a heartbeat from it.

(I'm going with the version of YJ that is Kon, Tim, Cassie, and Bart here, fyi)

Assuming they didn't come to wherever they found the coffin just for the sake of it, they, as the responsible teenagers they are, finish their business first and take it to Mount Justice later to figure out what the fuck. Meanwhile, Danny is sleeping peacefully like a princess, all up in his King garb, with the Crown of stars, cape of night sky, and whatever else pretty stuff you want him to have. Point is, he looks majestic.

Tim looks up the records for the coffin. The files say it's hundreds of years old, and no one has been able to open it yet. The boy inside is stated to be either a statue or some kind of really well-preserved corpse - no amount of scanning registered any signs of life, so it was treated like a piece of art for the most part.

Yet, Con is absolutely positive he heard a heartbeat inside. What's more, he can still hear it now. It's impossibly slow but still recognizable.

Cassie finds a whole lot of legends about it, most of them speaking of 'only those from the other side can open the casket', and there are no clarifications to what kind of other side they are all talking about.

Of course, they all try. Because this is some kind of Snow White or Sleeping Beauty shit, and besides, none of them even think they would be able to open it anyway. And, sure, as soon as they are done having fun with it, they will report to the JL about their finding. Maybe the magic users will know something about the weird Sleeping Prince. They even go as far as to reason with the casket, loudly proclaiming where they are from, because they all come from very different 'sides'.

Bart goes first, explaining how he is from the future. The casket doesn't budge. Cassie goes next, stating herself as Themyskirian, but to no avail. Kon is next, with his half-Kryptonian heritage, but the glass coffin doesn't accept him as worthy either.

And then it's Tim's turn. And somehow, he flips the glass lid open with no effort at all.

A moment of silence follows, all the YJ members frozen in place, waiting for anything to happen, but the boy inside keeps just laying there, unmoving and with his eyes closed. Then Cassie makes a joke about kissing the princess to wake her up, and all of them start arguing on ethics and stuff because why is Robin the one that has to do the kissing, do you have any idea where that boy has been? Fuck off, you kiss him if you want it, and also, do you really want him to wake up, what if he is some kind of villain or an evil spirit, or-

"Which one of you assholes is dead enough to wake me up from my nap?"

And that's as far as I got with this idea. Maybe Danny was put into some magic sleep, maybe it was Clockwork's time shenanigans, maybe someone locked him inside and he decided to sleep it off, maybe he is there on his own volition, taking a vacation from Kingly duties.

I'm just having this vision of eternally beautiful Danny in a glass (oh, maybe it's not glass, maybe it's ice) coffin, and the YJ arguing over it. There's also Dead Tired potential here, because I love them, yes.

[alpaca-clouds]

Why the media CEOs will always learn the wrong lessons

Yesterday a friend and I talked about how the entire (AAA) game industrie looked at BG3 being as popular as it is and going: "Oh, we need to produce 100+ hour games, I guess! Those sell!" Which... obviously is not why it is popular. The game is not popular because it has 100+ hours of gameplay, but because it has engaging characters, that are well-acted and that work as good hooks for the players. Like, let's face it: The reason why I so far have sunken 160 hours into this game is, because I wanna spend time with these characters - and because I wanna give them their happy endings.

But the same has happened too, just a bit earlier this year, right? When Barbie broke the 1 billion and every Hollywood CEO went: "Oh, so the people want movies based on toy franchises! Got it!" To which the internet at large replied: "... How is that the lesson you learned from this?"

Well, let me explain to you, why this is the lesson they learn: It is because the CEOs and the boards of directors at large are not artists or even engaged with the medium they produce. They mostly are economists. And their dry little hearts do not understand stuff more complex than numbers and spread sheets.

That sounds evil, I know, but... It is sadly the truth. When they look at a successful movie/series/game/book/comic, they look at it as a product, not a piece of art or narrative. It is just a product that has very clear metrics.

To them Barbie is not a movie with interesting stylistic choices that stand out from the majority of high budget action blockbusters. It is a toy movie with mildly feminist themes.

Or Oppenheimer is not a movie to them with a strong visual language and good acting direction. No, it is a historical blockbuster.

And this is true for basically every form of media. I mean, books are actually a fairly good example. In my life I do remember the big book fads that happened. When Harry Potter was a success, there was at least a dozen other "magical school" book series being released. When Twilight was a big success there was suddenly an endless number of "teen girl falls in love with bad boy, who is [magical creature]" YA. When the Hunger Games was a success, there were hundreds of "YA dystopia" books. Meanwhile in adult reading, we had the big "next Game of Throne" fad.

Of course, the irony is, that within each of those fads there might have been one or two somewhat successful series - but never even one that came even close to whatever started the fad.

Or with movies, we have seen it, too. When Avengers broke the 1 billion (which up to this point only few movies did) the studios went: "Ooooooh, so we need shared universe film series" - and then all went to try and fail to create their own cinematic universe.

Because the people, who call the shots, are just immensely desinterested in the thing they are selling. They do not really care about the content. All they care about is having a supposedly easy avenue of selling it. Just as they do not care about the consumer. All they care about is that the consumer buys it. Why he buys it... Well, they do not care. They could not care less, in fact.

So, yeah, get ready for a 20 overproduced games with a bloated 100+ hours of empty gameplay, but without the engaging characters. And for like at least 15 more moves based on some toy franchise, that nobody actually cares about.

And then get ready for all the CEOs to do the surprised Pikachu face, when all of that ends up not financially successful.

Really, I read some interviews yesterday from some AAA-studio CEOs and their blatant shock and missing understanding on why BG3 works for so many people.

Because, yeah... capitalism does not appreciate art. Capitalism does not understand art. It only understands spread sheets.

[gracebethartacc]

Remember how I said the wishes being taken in my rewrite are a mass/kingdom wide amnesia? Yeah. What if tweaked the ‘Aster getting stars wish granted/Magnifico getting Star magic’ part of the plot a tinyyy bit and I used the forgetting part to be evil. What then.

[suzannahnatters]

Last night I remembered another of my favourite Tolkien wifeguy facts.

So in Western mythology we've often personified the Sun as masculine and the Moon as feminine. Off the top of my head: The Sun is associated with purity, reason, scholarship, illumination, constancy, dragons, gold, and masculinity. On the other hand, the Moon is associated with darkness, silver, impurity, flux, change, uncertainty, fickleness, and femininity.

You can see all this imagery being adopted, eg, in the Mozart opera THE MAGIC FLUTE, in which a benevolent scholar wizard (with solar imagery). straight up kidnaps the daughter of the evil, passionate Queen of the Night so that she can be properly educated in Enlightenment rationalism, purged of all those icky feminine night/lunar influences, and turned into a good submissive little wife for the scholar's young disciple. Guys the music slaps but the story is SO gross and misogynistic.

Anyway, what does this have to do with Tolkien? I'M SO GLAD YOU ASKED.

In Middle-Earth, Tolkien does a GENDERSWAPPED Sun and Moon. The Sun is She, the Moon is He. And, like, it's not that he just thought "oh how can I make this mythology Different" - he really thought this through. In THE SILMARILLION, Tolkien tells us that the Sun and Moon are two vessels made from the last flower of Telperion and the last fruit of Laurelin, the Two Trees which once gave light to Valinor. Two Maiar were chosen to pilot these vessels. The pilot of the moon is Tilion, a hunter of Orome, and the pilot of the sun is Arien: "Arien the maiden was mightier than he", a spirit of fire whom I strongly suspect to be an unfallen Balrog.

Now, just as in our world, the Moon in Middle Earth has a reputation for waywardness and unreliability. Because, get this, apparently Tilion falls in love with Arien: "But Tilion was wayward and uncertain in speed, and held not to his appointed path; and he sought to come near to Arien, being drawn by her splendour, though the flame of Arien scorched him, and the island of the Moon was darkened."

And I just. Here's Tolkien, standing up in the face of centuries of unveiled misogynistic symbolism and saying, "oh, we've got two celestial entities, one of which is powerful and bold and glorious, and the other famous for being kind of lame in comparison? SOUNDS TO ME LIKE A SWAGLESS LOVER BOY ABANDONING HIS DUTIES TO WORSHIP HIS GODDESS. I MEAN OBVIOUSLY. WHAT ELSE COULD THE EXPLANATION BE"

[theroundbartable]

Ah shit, now I want an episode where Merlin somehow hears that Aithusa has been captured by an evil King.

Arthur is like: We have to get on good terms with that King. He knows how to capture dragons. Let's go, Merlin.

And the entire episode, Merlin debates whether to tell Arthur that they need to FREE the dragon because that's what Dragons are meant to be.

Then, Merlin sees the state Aithusa is in.

Evil King: it was tough to have it bow to my will. It loves to bite the hand that feeds it, haha. You shouldn't get too close.

Merlin: *not listening* walks over to where Aithusa is in chains.

Arthur: Merlin, what the hell are you doing!!!!

Merlin: She's hurt.

Arthur: yes, that's kind of the point. Now get away before- she?

Merlin starts petting the Dragon who is now whining and whimpering into his arms.

Merlin: *whispering* shhhh, my dear. I'll get you out of here. I'll be back tonight.

Evil King: It's not... Biting him? That's interesting

Arthur: Ignore him. He's just my idiot servant. For some reason, animals love him. It's just his nature

Evil King: That thing, King Arthur, is not an animal. That's a magical creature and magical creatures only feel safe around even more powerful magical creatures.

Arthur: *opens mouth, closes it, laughs* you wanna tell me that Merlin is a magical creature?

Evil King: would you care to explain, boy? *Completely serious*

Arthur: *expression falls* you can't be serious

Merlin: *remaining in his position* So, I see you did your homework

Evil King: You're a Dragon Lord

Arthur: oh come on! The last Dragon Lord is dead!

Merlin: I am the last Dragon Lord and I hatched this Dragon. You can imagine that I am NOT pleased with what I find here.

Evil King: oh. OH. That's rich. Is this your idea of peace, King Arthur? Bringing a Dragon Lord into my Kingdom? One who's out for revenge too?

Arthur: he's joking

Merlin: No, I'm not

Arthur: *huffs, and notices Merlin is also serious* Merlin, you HAVE to be joking. That THING-

Merlin: is basically my daughter.

Evil King: A wonderful job you did then, letting her fly directly into my arms

Merlin: I think you still don't understand who I am, do you.

Evil King: Oh, I think I have a pretty good idea, Emrys.

Arthur: WHO?!?!

[miraculouslbcnreactions]

Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

[witchesverse]

someone loved me, someone fucking loved me.

pairing: rio vidal x reader

summary: you have lost the two most important people in your life: your wife and son. so, when death visits, you need to hurt her.

content: mentions of death, crying, magic fighting, punching in the face, angst without a happy ending, bleeding, heartbreak, mention of agatha harkness x reader.

You felt when she died. It was an uncomfortable, eerily feeling; you felt alone for the first time in centuries.

You ignored the feeling. You didn't want to believe she was dead. You couldn't believe she was dead. Agatha Harkness doesn't just die.

You felt her presence before you saw her. It was a gloomy, depressing feeling; you felt desperate for the first time in centuries.

"You can't ignore me, you know," She spoke softly.

You shuddered at the sound of her voice. You hadn't heard it since he died and never wanted to hear it again. Alas, you knew you would. That stupid promise Agatha made Rio promise meant you would.

"Go away, Rio."

Her hand brushed against your arm and you flinched, pulling away from her.

"How?"

The world seemed to pause at your question. The chirping from the birds and the rustling of the trees seemingly vanished.

Rio stuttered an incoherent sentence before taking in a deep breath. "It had to be one of them, okay?"

"What?"

"The kiss of death."

A blast of magic slammed into Rio's chest and sent her flying into the wall. Tears were glistering in your eyes as you stalked towards her, magic surrounding your fingers.

You couldn't kill Death, but you sure as hell could hurt her.

"I fucking hate you." Your voice broke with emotion as you screamed at her.

Another blast of magic hit Rio when she tried to stand, forcing her back to the ground.

"You are an evil, horrible monster and I wish I never met you." You snarled. "You have caused only pain and chaos for my family. You are the worst thing that has ever happened to me."

Rio didn't reply and that only angered you.

You lifted her body and threw her out a window. The glass smashed, piercing her skin. Her body landed in the field of flowers surrounding your house.

Rio was on her feet once you got to her. She was bleeding in multiple places and her own magic surrounded her fingers.

"You don't want to do this," Rio said. "You know who will win."

"I don't need to win." You summoned another ball of magic and aimed it at her, which she dodged.

Your magic wasn't enough to hurt her. You needed to feel her blood on your skin.

You tackled her to the ground and straddled her stomach. You landed a few punches to her face before she managed to grab your wrists and stop you.

"I didn't want it to be her."

You fought in her hold. "Bullshit."

"And I didn't want it to be Nicky, either."

"Don't." You felt your heart breaking into a million pieces at the sound of his name.

The day Death took Nicholas was one of the worst. You cried and begged for her to bring him back—for your boy to come back. Agatha didn't beg, but she cried. You remember holding her in your arms, promising that it would be okay whilst Death stood over you, watching the heartbreak that she caused to happen.

"I never wanted to hurt you." She whispered. "None of you. I wanted you both to be happy."

"I hate you."

Uncontrollable tears fell down your cheeks and you gasped for air in between sobs. Rio brushed away a few tears with her thumb, smiling sadly.

That action broke you.

You wrapped your arms around Rio's neck and buried your face in the crook. She slipped her hands under your shirt and rubbed comforting circles.

"I hate you so much."

Rio hummed. She knew you did.

"She promised me that she would come home. She said that nothing bad would happen to her, but you k-killed her."

Your voice broke again. You couldn't believe those words were leaving your mouth.

"I know, baby."

You cried until you couldn't cry any longer and she held you in her arms the entire time. She kissed your face every time you expressed your hatred for her and she let you make her body bleed with your fingernails and teeth.

She wasn't going to leave. Not this time. She promised that once Agatha died, she would stay with you until your end. Even if you fought her, screamed, and hurt her. She would never leave.

And no matter how big your hatred for her was, her love for you was always 10x bigger.