TGCF art from 2021 which were very experimental and very much something out of my comfort zone but am still so satisfied with
(gonna ramble more under the cut 👉 )
My main inspiration for these were definitely classic storybook illustration styles and the watercolor-like illustrations included inside the tgcf books which depict hualian's daily slice of life routines as seen below
I wanted to capture that feeling of warmth i got from reading but i also went with the storybook look because their relationship (and by extension broad strokes of the entire plot) really did feel like something out of actual myth or legend; i'm chinese indonesian and was raised surrounded by chinese culture + values so tgcf felt VERY familiar to me, it threw me back to my childhood reading or listening to tales about chinese deities, i'd say the storybook image definitely came into my mind pretty quickly bc of this
I find this style somewhat hard to replicate now but if i could or have the time to, i really want to continue the 'companion pieces to chapter titles ' concept i did with the last 2 pieces (which are of the same chapter title but i was just indecisive 😭😭), i even had 3 more planned based on my favorite titles before burning out back then
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Was looking at a dorm morality sheet and realized Floyd kinda feels more like a Savannaclaw student than a Octavinelle. He doesn't seem as interested in monetary gain or picking on those weaker than himself like the others, nor have I seen him haggle students for things. But what do you think?
I’m afraid I’m not sure what morality sheet you’re referring to. Like… what scale or continuum is it operating on? What’s the point of comparison for these measures? Is this DnD rules…?
The idea of Floyd “fitting” Savanaclaw more than Octavinelle is actually mentioned in his Union Jacket vignettes. When asked which dorm he would like to be in, if not his current one, Floyd responds with Savanaclaw. His reasoning? Because “The strong guys are on top there. Seems like that'd keep things nice and simple. That means if I needed to, I could just throw down to defend myself.” It would ensure that no one bothers Floyd—although he also ends by saying, “At the end of the day, Octavinelle's the chillest option for me,” telling us that he is comfortable where he currently is.
Now, this does not mean that he doesn’t fit with Octavinelle’s morality or values though. I think you may be conflating the dorm leader’s desire for material wealth with it being a trait of everyone in Octavinelle, which simply isn’t true. Floyd’s twin, Jade, is also not motivated by monetary gain, but rather by personal amusement and interests. The whole haggling thing is mainly an Azul behavior, and something Ruggie—in Savanaclaw—also does. Floyd is shown to haggle too, if you look in the right places. Azul sends him to negotiate with Sam about buying the rights to a popular drink Sam sells in Floyd’s Dorm Uniform vignettes. He also knows how to leverage his skills to get what he wants—as recently as Lost in the Book with Stitch in EN, we see Floyd bribing Ace with food to get Ace to do what he wants. Anyway, the ability to haggle is just an individual character trait, not a dorm-wide shared trait. Savanaclaw is a dorm of athletes and persistence, Octavinelle is a dorm of intelligence and generosity—not money grubbing. To say that Octavinelle students have that penchant for money is oversimplifying the dormitory.
It should also be noted that “picking on the weak” isn’t an Octavinelle-exclusive trait. Other Night Raven College students (including Savanaclaw) do it too. Book 2 contains several examples of this, with the most prominent ones that comes to my mind being Leona kicking around the freshmen in a practice game of Magift/Spelldrive, and the Savanaclaw students in general going after players from other dorms.
Even if “picking on the weak” were somehow something only Octavinelle students engaged in, it isn’t even true that Floyd has no interest in it. We see him terrorize other students MANY times, even as far back as book 2. He and Jade pursue Yuu and co. for spying on them. He bullies anemones and squeezes mob students until they faint in book 3. He also relishes in keeping Yuu an co. from the Atlantica Museum in the same book. (I could list many more examples, but I’ll stop there.) Floyd also has a history of challenging or developing an interest in those he sees as strong. He thinks it’s funny when Riddle gets mad and all red in the face, even if it results in Floyd getting beat up afterwards. He asks Vil to teach him moves once he sees how strong Vil is in Happy Beans Day 2. He keeps pestering Leona to just fight him already, only to continuously get ignored. (Again, I could go on for a while here.)
My point is, Floyd can find joy in both seeking danger and in tormenting those that are not as strong as him, and Octavinelle on the whole is not a dorm associated with money. This doesn’t necessarily make him more suited to Savanaclaw than Octavinelle; he’s content with where he is, and I think he fits very well.
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I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
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This is what our love is––a sacred pattern of unbroken unity sewn flawlessly invisible inside all other images, thoughts, smells, and sounds.
Aberjhani, The River of Winged Dreams
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