#BARTER 6
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redmagicwand · 9 months ago
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wyatterp · 1 month ago
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mansorus · 1 year ago
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GREAT MINDS THINK ALIKE
… I’m bout to pull a Barter 6 🧭🏔️🧏🏾‍♂️
moral of this post
Execute your concepts and ideas
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ethanryanpunal · 1 year ago
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BARTER
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kushstronaut · 2 months ago
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www.YOUNGTHUGHD.com
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voidsnoise · 1 year ago
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Local courier longs for the boring 9 to 5 - - Been playing. a lot of New Vegas lately
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fiddler-sticks · 1 year ago
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I hate adulting
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fantrollology · 2 years ago
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…Pj and Elisse?
pls N O | not shipping it | nah | maybe? | I WISH it’d work | yasss | I ship it | wOW PLEASE!
romantically no cuz pj is super gay re: red/black and is taken pale-wise, and also i think Elisse and him would enable each other a lot in terms of pale stuff anyways.
however... i think they should be friends. i think they would have so much fun 2gether and could def go to parties and stuff. and, as long as she's nice to Io (hard sell), they could be actual friends rather than just party ones
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persondoingthingatplace · 2 days ago
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In my world John made an album called McFartney VIII a la Young Thug’s Barter 6
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hayatheauthor · 11 days ago
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10 World-Building Aspects You Probably Overlooked
When crafting a fictional world, it's easy to focus on the big picture—epic battles, grand landscapes, and memorable characters. However, it’s also important to flesh out your world-building to create a ‘real’ world. Some aspects to consider when world-building are: 
1. Local Cuisine
Consider the types of food your characters eat and how it reflects their culture, geography, and economy. Unique dishes can reveal societal values and local ingredients.
2. Currency & Trade
Explore the forms of currency used and the trade systems in place. This can include bartering, precious metals, or unique items as currency, influencing economic interactions.
3. Timekeeping Practices
Different cultures may have their own methods for measuring time, whether it's a unique calendar system, seasons, or celestial events, affecting daily life and traditions.
4. Cultural Taboos
Consider the unspoken rules and taboos that govern behavior in your world. These can drive conflict and character motivations, adding depth to societal interactions.
5. Local Flora and Fauna
Unique plants and animals can shape the environment and influence the culture, whether through medicine, food sources, or as part of local mythology.
6. Rituals and Festivals
Incorporate unique rituals or festivals that celebrate historical events, seasonal changes, or important life milestones, providing insight into cultural values and traditions.
7. Language Nuances
Explore dialects, slang, or even the use of sign language that reflects the culture and social dynamics, enriching dialogue and interactions between characters.
8. Architecture and Housing Styles
The design and materials of buildings can reflect climate, resources, and cultural values. Unique architectural features can tell a story about the society that built them.
9. Social Hierarchies and Classes
Examine how social structures affect character relationships and interactions. Class distinctions can influence everything from daily life to political power.
10. Environmental Impact
Consider how the natural environment shapes societal behaviours, resource usage, and conflicts. Climate and geography can drive migration patterns and societal development.
Looking For More Writing Tips And Tricks? 
Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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wyatterp · 2 years ago
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I wish to be as swaged out like this
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halemerry · 1 year ago
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So there's a lot to unpack here but I want to start by talking about the ending and specifically about the Metatron and the calculating moves made at the end of episode 6.
Every single piece of what happened there was a manipulation technique being employed against Aziraphale to an almost brilliant degree and I'm honestly a little obsessed with what this says about the Metatron in particular.
Let's go in order.
First of all. We see him order coffee. In a human body. Something sweet and sugary. He talks to Nina and asks her about her shop name. Does anyone ever ask for death? And when she tells him no they don't his response is to say "so predictable". Our introduction to him here even when everything about him reads like a sweet old man is presented to show us someone who reads the world in terms of being predictable to him.
He then shows up in the middle of Aziraphale's existence being threatened. He immediately cuts down the threat's authority (using outdated language like Az himself would favor) and reemphasizes his own connection to Heaven. When Michael doesn't recognize him and he puts her down and then directly engages Crowley. Crowley who, to Aziraphale, has for centuries at a minimum been someone he thinks is smarter, better, more Good than these other archangels. The Metatron validates these beliefs. Crowley is more Heavenly than these archangels who couldn't even recognize the voice of God when he was standing right in front of them.
The Metatron draws attention to the fact he's in a human body. The kind of body Aziraphale has been in and loved for nearly 6000 years. He then banishes the archangels, implying their morality is in a gray space, and validates Muriel someone we have seen Aziraphale react positively to and someone outside the current power structure. Look at me, he's saying. I see and validate the little guy.
He then tries to talk to Aziraphale. Aziraphale says "I've made my position quite clear." And then the Metatron offers Aziraphale the coffee. This bartering chip, consuming sustenance, is a thing that Aziraphale and Crowley have used as their connective tissue for centuries. It's an olive branch for them. It's giving Aziraphale bodily pleasure and the Metatron implies that he himself has partaken also - a thing we know that Aziraphale has struggled historically with moralizing. He is seen by the closest thing he has left to his parent and he is having old fears validated as safe and old habits being played upon to make him feel secure
He then REMOVES Aziraphale from his home turf. Not only does he remove Crowley from the equation but he takes Aziraphale from the place that has stood as a place of sanctuary throughout the entirety of the season. The shop is Safe and Aziraphale is leaving it and he is leaving the one person who might be able to smell the bullshit coming from the Metatron. The music notably turns absolutely dire here.
The next time we see them the Metatron tells Aziraphale that he doesn't need to answer instantly. He can take his time, if he likes. All the time he needs. And then tells him to go tell Crowley. Once again bringing Crowley in as a valid part of this while manufacturing a scenario where he can't possibly be.
Az ends up in a place where he's overwhelmed and confused and he wants so badly to believe what he's being told. It's an appealing thing from his perspective! He feels off kilter like he's made a mistake in judging the Metatron. He can't even fully articulate what happened to Crowley at first and he's had absolutely no real time to actually think it through. He's running on sheer reactive energy.
The Metatron starts their conversation by asking Aziraphale's opinion. Who should rule Heaven? This is once again playing into making Az feel validated and like he's a part of this decision making process. The Metatron corrects him, complimenting Aziraphale and making him feel capable and in control. He reassures Aziraphale's bafflement. And draws attention to some traits that, while true of Aziraphale around Crowley, are not his defining traits in the eyes of Heaven. You don't just tell people what they want to hear I find particularly notable in this regard given Aziraphale spent most of his time on earth actively lying to Heaven and doing just that. But it fits into the narrative Aziraphale has built around himself, especially post Apocalypse. The Metatron then says I need you (a phrase Az will use much more painfully here in a minute).
And even after all this Aziraphale says no. He says flat out he doesn't want to go back to Heaven. He says this!!! And then the Metatron sweetens the pot. He swaps tactics. Not once has this come up until Aziraphale pushes back against the idea. If the Metatron could've gotten him without using it I have no doubt he wouldn't have bothered with it. Come to Heaven and we can save Crowley. Aziraphale loves Crowley. Aziraphale thinks Crowley is better than any of the angels he's interacted with. Crowley is Good and Nice and Kind and always saving him and now he's being presented with a way to return that. He can Forgive Crowley - a thing Crowley has always presented to Aziraphale as something he struggles with. All of these things Aziraphale has watched Crowley react to in a way that belittles himself or distances them from one another. Of course he wouldn't consider that maybe what he was actually saying is "I'm unforgivable and I don't want that forgiveness."
The Metatron offers Aziraphale a Dream Offer for the pre Armageddon Aziraphale. You can keep your Crowley. You can heal him like you have always thought he deserved. You can have power and control the people who for your whole existence has beaten you down. It can go back to how it was but BETTER.
When Aziraphale leaves he still hasn't answered. He goes and has the conversation they have. It's intense and emotional and the Metatron comes in after the Moment all casual and asks how it goes, knowing fully well the shitstorm he had just set up to get created. And then he turns around and says "always did want to go his own way" which is not only true of Crowley but framed as a bad thing despite the fact that he has just spent twenty minutes or so telling Aziraphale that he's done his own thing and that is Good. He is playing both sides of this perspective as it suits him. And then he cuts down Crowley asking questions, pressuring Aziraphale to avoid doing the same. He then proceeds to ask Aziraphale not if he's made up his mind but if he's ready to get started. He is one by one closing off exit routes to this thing as Aziraphale starts to look more and more panicked and indecisive. He makes sure the bookshop is in good hands and asks Aziraphale if there's anything he needs to take with him. Letting Aziraphale have the illusion of choice while cutting down "I don't want to" as an option altogether.
And Az, as soon as the Metatron is out of shot, tries to express this. And then he falls back right on old coping methods. The Metatron pats him on the head. Reassures that he's the right one for this. That he is Good. That his particular skillset is needed here.
It is a masterstroke of manipulation. A very dark twist on what we see Crowley do time and time again with Aziraphale throughout the millennia. Familiar in a way that makes Aziraphale feel safe. Except this time this is being used to put him back in line. It's brilliant and painful and it fucking hurt and I need a season 3 to see the Metatron get what's coming to him stat.
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motherofagony · 1 year ago
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FIRE WALK - one shot
joel miller x f!reader
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pairing: au, no outbreak!joel x f!reader rating: explicit, 18+, minors dni word count: 6.5k summary: a chance encounter at a motel has you crossing paths with a stranger in a blue t-shirt. content warnings + tags: age gap (we'll say 15-20 years), very brief references to past non-con encounters (not with joel, no details just shitty men in general), soft!joel, alcohol, mentions of family trauma and ab*se, unprotected piv, fingering, oral (f + m receiving), A Scene With a Belt™, slight mentions of reader's clothing but no physical descriptions otherwise, love as consumption and women as fruit a/n: this was a brain-worm of a one shot, so i had to press pause on AHFE and get it out. consider it a dirty love letter to strangers with stories in shitty motels. and i have to give the biggest thank-you to @iamskyereads for stepping in and offering to be my beta reader in the final hour. she was so unbelievably thorough and thoughtful and kind. i owe you big.
New-age boogeymen hang two-way mirrors and jiggle motel door handles with broken hangers.
That’s what the news says.
August licks an unforgiving line of heat up your back, and cutoff denim and halter tops do nothing but give the sun more skin to burn. 
It’s sweltering, brutal as an Arizona summer is, and The Palms Motel promises a pool and a mini bar on their dirty marquee. You’ll take what you can get, can’t really afford to be picky with fifty dollars in your pocket, but at least maybe you’ll live like royalty tonight.
Some guy you met — Tom, Tim, Jim, whoever — pulls his convertible up to the front office. Your knees knock together over the speed bump, cartilage kissing bone.
It’s the closest you’ve ever come close to a chauffeur, but the chauffeur you see in movies doesn’t usually take liberties with trying to work his grease-speckled mechanic hand up the passenger’s shirt.
You met him at a gas station in Tucson, thumbing your way from northern Texas to put as much distance between you and your whiskey-breathed dad as you could. He’d torn your clothes apart at the seams with his eyes when he spotted you in the parking lot, swimming in blood-infested waters with sharp, sharp teeth.
There was no plan, no directions penned and cities circled on a folded map, just glass in your hair and a final straw.
He asked if you could buy him some booze — revoked license, baby, y’know how that goes — and you shouldn’t have, but when he flashed a leather wallet thick with cash, you knew you’d be stupid not to.
You hid behind a shelf inside the gas station while he idled in the parking lot and plucked a fifty from the wad, stuffing it deep in your bag. You grabbed some shitty malt-something from a fridge along with a 6-pack, flashing the slack-jawed cashier a wink. 
He didn’t try to hide the eye contact with your tits, but neither do most men. Sometimes you milk it in your favor, sometimes it just makes your lunch rise to the back of your throat.
And when you’re by yourself, it’s hot iron, ready to strike. A doe in their headlights, a buck with a nice rack. Skipping through the center of their bullseye.
You bought a little palm-sized bottle for yourself and tucked it safely next to the stolen cash in the abyss of your purse. These tiny cons got you by, made power surge deep in your belly. It made loneliness feel worth it, knowing you had an upper hand to lean on if you were ever in a bind.
He bitched about inflation when you came out with less than was reasonable for the amount you spent, and you just shrugged. Not your cash, not your problem. 
You bartered for a ride to the nearest motel, and now Tom-Tim-Jim is asking you over the purr of the engine if you need company for the night.
If you were feeling a little more you, you might’ve taken him up on it. Maybe he would’ve even paid for the room, maybe he wouldn’t get angry like your dad does. Maybe he’d be able to fuck you without hitting you.
You’re good at diffusing the temper in most men, can touch them in ways that make them grit their teeth, can be a good girl and go fetch.
But you’re not in the mood to bend, to give someone’s son — someone’s husband with a tan line around their ring finger — a place to wipe their shoes on. You don’t feel like wiping their dirt, your mascara from your eyes and saying thank you while they zip up their pants.
And you sure as fuck don’t fancy being on a milk carton.
“I’m alright, sugar. Thanks for the ride,” you say, dipping your chin to peer over your sunglasses. “I know where to find you, don’t worry.”
Yeah fuckin’ right.
He doesn’t try to conceal his disappointment, just sucks his teeth and squeezes at the exposed skin of your thigh. His way of saying goodbye to something he could’ve dripped sweat on, came in too early. You think your flesh might rot off in chunks. 
You open the door and swing your legs out in a way that’s a little too eager.
Tom-Tim-Jim waves solemnly with two fingers up and two bent, and then he’s gone in an aggressive rev.
The motel might’ve been a kitschy dream in its heyday. It’s not a total dump; more of a vintage skeleton of washed-out pink and umbrellas that’ve been ripped by weather and overuse. There are a million faded emblems of cartoonish palm trees. It’s almost endearing how tragic it is.
You can tell that it was popular and swarming with tourists at one time — there are dusty, water-stained pamphlets lining the wall next to the front desk that brag Named one of Arizona’s top destinations in 1996!
A mounted fan whirs and oscillates, but it might as well be someone blowing hot breath down your neck. 
There’s a tired woman holding down the fort at the desk with a name tag that claims Brenda, and she looks surprised to see you. You figure most customers are stopping in for a night’s rest on the way to somewhere more important, their final destination. But you don’t look like you have anywhere better to be.
“Hey, honey,” Brenda trickles, laced with an accent that’s more New Orleans than Arizona. “Need a room?”
“Yeah, just for the night,” you say, fishing out your wallet with confidence that doesn’t meet your eyes. “How much?”
“Forty-five a night, ‘less you wanna upgrade to the honeymoon suite.” She looks somewhere over your shoulder.
That’s nearly everything you have, but it sounds a lot like tomorrow’s problem. At least you’ll be safe tonight from the prowling stares of nighttime predators, and the leftover change will give you a decent vending machine dinner.
“Just a normal room’s fine,” you smile, sliding over the crumpled, stolen fifty.
Brenda types busily on the keyboard, asking for your name but nothing else. And when she hands you a plastic keycard, you finally relax your shoulders. Untangle the nerves in your lower back that are choking one another.
Room 17, it reads. Your oasis awaits!
You thank her, spin on your heel, and immediately bump chest to chest with something hard.
You’re eye level with a worn, cornflower blue t-shirt, ringed with a light stain of sweat at the collar. They’re grasping both of your arms to steady you, and you’re snagging the gaze of a tousled man with a bag slung over his shoulder.
“Watch where you’re goin’,” he murmurs, but it isn’t reprimanding or mean like you’re used to, just sickly sweet and Texan. Syrupy in a way that drips right down between your legs.
You don’t remember seeing anyone else in the lot when you’d pulled up. And the stealth of him entering soundlessly behind you sends a jolt of electricity up your spine, the clench of something that would be fear if it were any other stranger.
But he doesn’t look at you with intent to devour or to claim. Just eyes you like you’re anyone else. An equal. The bare minimum, but rare and shiny nonetheless.
“Sorry,” you breathe, and he’s releasing you a little too quickly for your liking. Leaving brands on the creases of where your forearms meet upper and elbow.
“Don’t worry ‘bout it.”
So you don’t.
You brush past him on the way out, a polite nod. And that’s that. 
The heat is the kind that feels hotter, unbearable when paired with the shrill sing of cicadas. An endless buzzing that you think might be the sun sizzling on the concrete. If you stood in one place for too long, your flip flops might very well melt you in place.
Your room key clicks to unlock Room 17, and you push the door open to a heavy, humid space that smells vaguely of mold. You’re so grateful for the privacy that you can’t even bring yourself to wrinkle your nose.
Flip flops discarded, your toes sink into shag carpet — a dirty luxury that makes you moan. It’s only been two days since you left home, fled home, but it beats sleeping with one eye open on a bus stop bench.
You up-end your leather bag, dumping all of its contents onto the bed. Cigarettes, some loose film canisters, your toothbrush, a lighter. There wasn’t much time to pack, nothing worth bringing, and the less, the better. Nothing to weigh you down if you had to dip at a moment’s notice.
It takes you only a couple minutes and a light sheen of sweat to realize that the A/C is busted. Smothered, you try to crack open a window in the bathroom, but it’s no cooler than the hell you’re standing in.
When you let Brenda know, she just shrugs with an apologetic kind of half-smile.
“Most of ‘em are out these days, honey,” she says, and you decide then that it’s a small price to pay. “We got someone comin’ to look at it next week.”
You shoot her a smile, figure that she’s had enough rotten backtalk in her day. You scoop a set of flamingo-themed matches from the bowl on the counter and turn around, only to see a familiar blue shirt waiting his turn.
His eyes try not to roam, but he’s giving you a nod and stepping up without hesitation, asking Brenda for extra towels.
The way that she titters and blushes, you’d think he’d asked if he could spit in her mouth.
It irritates you, and you can’t say why.
The door chimes behind you as it closes, and you linger, striking a match and lighting a cigarette. When he emerges, a stack of towels so high it’s hitting his chin, you step in stride on the walk back. Tracing his footsteps, catching up with his shadow.
“You followin’ me?” you quip, a cigarette dangling from your mouth. The cherry ignites on every breath, smoke erupting in tendrils that hug each word.
He answers with a laugh, turns and squints back at you with one eye. Almost as if he was expecting you to ask.
“You’d like that, wouldn’t you, sweetheart? Could say the same to you.”
You stop in front of 17, hand over your brow to shield from the sun that’s winding its way down, getting ready to tuck itself in for the night. There’s nothing that touches your tongue that doesn’t sound exactly like a fuck yes. So you don’t say anything.
“Enjoy your sauna,” he chuckles over his shoulder, passing you with his towels on the way to Room 20.
Led Zeppelin filters out through the radio, half-static, half-electric. Your legs are crossed in the air behind you, and you’re posted up face down on the bed, kicking along to the beat while you flip through whatever Cosmopolitan someone left behind in a drawer.
Someone raps a few times on the door, and if it’s a repairman, they’re getting their fucking dick sucked.
You army-roll off the flowery duvet, abandoning a how-to on finding your g-spot, and you peer through the peephole.
Your breath hitches on a soft swear.
When you open the door, you see Blue T-Shirt standing there, skin creasing around his eyes slyly. An unopened beer hangs and swings from his restless fingers. He offers it up wordlessly, the butt of it pointed at you.
It’s ice-cold and slippery to the touch, erupting goosebumps on your forearm. Saliva coats your tongue, and you don’t think it’s the thirst for alcohol, but maybe the tall drink of water. 
“Um… thanks?”
“Figured you’d either be dead by now or parched,” he says smugly, and it’s velvet to your ears.
“Oh. Yeah, thanks. I got the fan to work at least,” you mutter, jerking your thumb vaguely behind you.
“Listen, uh —”
He’s rubbing the nape of his neck, and you catch the way the network of muscles flex from his elbow to the seam of his armpit. He looks like he’s in pain, struggling with the fit of a puzzle piece into something rough and jagged.
Something he shouldn’t be trying but has to see it through, exhaust it until it’s definite one way or the other.
You just squint, sucking in the corner of your lip between your teeth. You nearly grin, but it’s much more fun to watch than to connect the dots for him.
“A/C works in my room, so ‘f you wanted to… y’know,” he trails off, not even sure in his own offer. “No pressure. It’s hot as hell outside, don’t want you t’get heat stroke ‘f I can help it.”
This kind of approval you like. This kind that sizzles girl-honey between your legs, winning it from a man that’s playing to earn, not to cheat.
“I try not to make a habit out of going into motel rooms of guys I don’t know the names of,” you harp sweetly. But it might as well be a done-deal.
“D’you make a habit outta accepting beers from ‘em?”
You smile. Typically, yes.
“Joel.”
His hand shoots out, strong and suggestive. Fingers like alligator teeth that’ll grip you, hold you under until you thrash. 
And you pluck your cigarettes and gifted liquor bottle from the bed, arms full when you carry them down to Joel’s room.
You’re sprawled on the full-size bed next to his, head propped up on hand propped up on elbow.
You’ve been trading your little fist of bourbon back and forth, swapping stories in the same way. Somehow, you fall into it easy like old friends, and it’s nice to follow someone’s lead instead of keeping one step, three, seven steps ahead. Arm outstretched to the door knob, feet ready to break into a run at the change in tone, blackening of pupils.
Without meaning to, you’ve wordlessly agreed that the person in possession of the bottle has the proverbial mic, and they swig to help with details and theatrics. It’s counter-productive in flow, but it makes you laugh when Joel exaggerates the story he’s telling on purpose, reaching out to pass it back and suddenly yanking it back, remembering a shade of gray or a funny expression.
Your knuckles keep zapping each other, brushing a little longer than the time before. There’s no numbness to consensual touch.
Joel’s mid-40s. From Texas, like you. He came to visit his daughter Sarah at college, says she’s growin’ up too fast, doesn’t need her old man anymore. It’s a thrill to see someone talk about their own flesh with love, admiration for who she is and who she’s becoming. You find yourself leaning in, enraptured that there are no IOUs or fine-print that you know to come with a parent’s love.
Mentions of his stubborn brother Tommy who he works with and who just can’t stop getting into trouble. The unspoken guilt that maybe he could be the one to keep him out of jail if he tried harder. It doesn’t work that way, and you tell him so.
You tell him about your dad when he asks about your life, your story, and you don’t know why you do but maybe you know exactly why. No one ever gets close enough to ask, so it comes leaking out of the corners of your mouth.  
You’ve never told anyone, not even your diary, not even the guidance counselor who slipped a note to your fifth grade teacher and pulled you out of class. Shaky fingers, shaky limbs when they asked if they could roll up your sleeves just to see and you said no. 
Crying because you knew your dad wouldn’t let you go back. Not to school, not to your friends.
You omit the nitty-gritty details, but Joel gets the gist. Swigs his share of the liquor a little too angrily with tight lips. Not like your dad does, but you don’t miss the irony of it all.
He holds anger for you, on behalf of you. It simmers as he listens to you in patient silence, coming to a boil at the bad parts when he gets up and starts walking lines in the shitty carpet. Pretending to look outside in interest at his truck parked at the end of the lot, but gripping the curtains until you can see every expanse of bone in his hand.
You don’t need this from him. It’s a hurt you’ve wedged between the pages of a book and doused in flames of acceptance long ago. But it spreads from your toes to your ears, the burn of someone feeling like this. For someone like you.
He finally settles down in an armchair by the window, a funny corduroy thing that would probably light up under a blacklight on one of those crime shows. Legs parted, a warm stare on the way you take up space on the bed. Facing him comfortably, your vision buzzing around the edges. A loose smile shared as if this room was meant for the two of you all along.
“So, what’s your plan?” Joel’s humming, his words getting lost in an echo of the bottle neck.
You don’t have one. Can’t have one when you have nowhere to go but gone.
It stretches on and on between you — a mouth opened and closed too many times on possibilities. If you admit to it, you end up with pity or an upper hand dealt to a stranger. You can’t afford to owe anyone a favor, nor can you front the cost of needing one.
But you’re so tired.
“Dunno. I’ll figure it out.”
“You got enough time for that?”
And you know what he means. Enough time in the motel, enough time before you’re a thief at wit’s end, doing anything for survival. He doesn’t need to ask to know you don’t have a destination, some relative waiting for you in a California dream.
You’ve excused yourself to the bathroom, soft radio bleeding in under the door, arms braced on the sink, all glossy eyes.
You want him, bad. But he won’t make the first move, won’t take advantage of what isn’t his and what others before him took without asking. You’re a pawn, entitled to the first move. The rejection would kill you, but not knowing would be worse.
He could hold you soft, give you something to think about when tomorrow rips you both in opposite directions.
When you pull open the door, Joel’s frozen in mid-stride towards you, like he’s just made up his mind about something.
He straightens but he’s still. Afraid of moving too fast, saying too much, scaring you into flight. Out of the unlocked cage of his room — something he did on purpose, because he doesn’t expect anything from you and wants you to know he doesn’t.
You meet him in his dusty shag quicksand. You take his wrist in your hand, kiss the thrum of life in the dip where veins meet palm. An offering.
Joel looks like he’s in pain, like what you’re doing is excruciating and thorny. The front of his jeans strains. He’s searching you for any hesitation, any obligation because he did something kind. He knows what currency you feel the need to pay in, and this isn’t that.
“Please,” you whisper simply. And he nods, accepting, succumbing.
There’s a careful meeting of lips, wanting to do it the right way, in the right order. When you push your tongue in, used to the pace of animals, he just holds your face and slows you down. It’s languid, his mouth showing you what sweet and gentle can taste like. Your tongues take their time, and your hands slip beneath the hem of his shirt, all ribbed muscle with a sprinkling of hair.
He shudders against the lightness of your feather-fingers.
Joel’s hands are peeling your shirt off, his thumbs resting to press against pillowy hips. He’s not letting your lips go, something like impatience stirring in you. 
Doesn’t he want to fuck you hard? Fuck you fast and selfish?
Isn’t there a catch?
He’s taking his shirt off now, up and over. Carved by Michaelangelo, thrown up on a ceiling in a library book you read once. You’re touching him in reverence, but not letting yourself learn too much of him.
His eyes are molten. Joel walks you back to the edge of the bed, scratchy quilt tickling your thighs when you fall back on it. You start to pose yourself, angles that make you look more desirable, pliable. But he’s not paying attention to that, just unbuttoning your shorts, kissing the jut of every curve and permeating down to the bone, punching out a soft groan when he slides the denim off and sees the shining ambrosia that’s waiting.
He’s kneeling, tugging you down to meet his waiting mouth. And you’re just breathless, flinching when he pulls you apart, guiding your legs over his shoulders and wasting no time devouring you. Your legs, his bib.
Joel’s tongue flicks through the shell of you, teasing you in alternates of quick and slow, starving and full. It feels like a slice of heaven. 
You pitch out a tangled gasp, hands instinctively moving to knot in his hair. Anything to hold onto, a different kind of grounding.
“So wet f’me,” he vibrates lowly into you, all husk. “Taste so fuckin’ sweet.”
He sinks a middle finger into you, and you’re keening, hips canting and unable to stay glued to the mattress. You feel him smile against your cunt, just pressing his forearm across your lower half to keep you still.
Joel’s twisting and working into you, onto you, and you’re so fucking close from just this — a tiptoeing to the edge that grows longer, more erratic in stride. He sucks your clit — pulsing sensitive, so swollen — into his mouth and grazes it with the tip of his tongue just so. Baring his incisors and closing around you in a delicious scrape like a Venus flytrap taking its meal.
You think you see God behind the flutter of your eyes.
You’re close enough to warn him, to rasp it out in the symphony of moans. His free hand reaches up to roll your peaked nipple between his forefinger and thumb, and he stretches you with an added ring finger. You’re writhing. Possessed.
He’s watching you through thick lashes. Letting your heels dig into his shoulders as the drenched sounds of you fill the room.
“Joel, please — I’m gonna —”
“C’mon, pretty girl,” he just murmurs.
You feel that little pull at your navel.
And you’re tipping in a freefall, seeing stars. You clench down around his fingers, fingers that are still pumping against that spongy spot deep inside you. Your arousal gushes, wet and sticky against the scrape of his beard. He laps you up, the sight making heat creep up your chest and wrap around your neck.
When he lifts his head, he’s high on it. Pupils dilated like tiny, round moons. Your orgasm glistens on him, smeared over lips and chin. The fur of a peach peeled back far enough to sink teeth into.
It’s fucking filthy.
Joel places open-mouthed kisses from your hip up to the center of your breasts, a trail of your orgasm shiny on your skin in perfect, sloppy Os. His breath meets your throat where he nips at you, and you don’t have time to drag in a breath before you’re tasting the saltiness of yourself on his tongue.
Your fingers fumble on his belt, practiced with years of releasing the tension on the metal prongs, the slithering sound whooshing from the loops of pants. You’re good at it, like you used to be good at gymnastics until your mom stopped getting out of bed to drive you. 
There was always a little gold for contorting your body.
He detaches from you unwillingly, putting all of his weight on his knees and shins as he straddles the space of your thighs.
You’re pulling yourself up in a sitting position, pushing denim and boxers down past his hips. Letting his cock spring free, the head a dark pink and beaded with precum. You swipe the flat of your tongue against it, peeking up at him while you soak up the taste of it. 
When you push the length of him into your mouth, ridged hard with veins, Joel tips his head back, chin to the ceiling. He groans something brutish yet helpless, cradling the back of your head. You’re seated in the driver’s seat, all control. 
It’s new, different.
But then he’s moving his hips back, pulling himself from your mouth, wiping the saliva from your chin with a steady thumb.
“Don’t need t’do that,” Joel whispers hoarsely. “Not ‘f you don’t want to.”
Confused, you knit your brows. He laughs darkly, shaking his head.
“Didn’t mean it like that, it’s — it feels fuckin’ good,” he says, awestruck. “Would just rather make you feel good instead.”
Oh.
He doesn’t wait for an answer or a negotiation. The rest of his clothes pool on the floor in a pile, and he’s climbing back over you, an anchor or a buoy in a storm.
He lines himself up at the seam of you, puffy and so wet from before, nudging the tip of his cock at your warm center. A thumb coaxing the bud at the apex of you in lazy circles.
Joel’s sliding in slowly by each inch, filling you full until there’s nothing left and his patch of hair prickles the pearl of your clit. All you can do is whine and tense around him.
He’s resting tentative hands on either side of your face, indenting the weak mattress with handprints. He groans, but he doesn’t move. Doesn’t give in when you try to rock against him.
“This alright?”
You’ve forgotten how to do anything, hoping that digging your fingertips into his forearms is communication enough.
“I’m gonna need a yes, baby.”
You feel around in the dark for the tether back to your body, and it jerks you like a marionette, giving him a nod.
“Yes. Fuck.”
That’s enough. He’s rewarding you with a roll of his hips, and you feel like you’re on fire. It’s a stuttering, painfully slow pace at first, his mouth so close to your ear that every grunt is amplified. But it evolves into something eager, unsatiated, snapping up into you with a relentless sort of fucking.
He’s hitting that place so deep within you, letting you unravel and grow hoarse from the moans tearing their way up your throat. That pressure is roiling, the kind that you get only when you touch yourself but intensified by a million.
It just feels so right, because there’s nothing to prove. 
You’re ships passing in the night, strangers making a pit-stop on the way to nowhere. There’s no backstory, no history to make mention of. No shame in the morning when he inevitably rolls over and pretends to be asleep, and you scrub off the smell of him with your provided travel-size shampoo.
It’s not love, but it might be the closest you ever get.
The glow of him above you, a deity with his face screwed in agony. Chasing after you when he feels the tightening of your cunt, the easy glide of every thrust that tells him you’re close.
Then, you’re snapping like a rubber band. Gushing in a dripping mess that trickles to where your ass meets thigh. Crying without tears, overstimulated but blissful. Joel is quick to follow, like he’s been waiting his turn.
He’s trembling, emptying inside you in a warm flood. Groaning low and beautiful, gripping your hips to keep you flush to him.
When pulls out, tearing himself away, he’s slinging an arm over his eyes on the pillow beside yours. One hand on your leg to make sure you don’t go anywhere.
“So fuckin’ perfect,” you hear him mutter.
At some point you drift off, his arm draped over you. You open a bleary eye to a neon 2:49AM that casts a halo over the nightstand. Joel’s tucked you in, the thin duvet snug up to your shoulder. He’s not snoring but not not snoring, just breath getting caught in his throat in a satisfied, well-spent way.
It’s all too much, too pure to be real.
Before you let yourself change your mind, you slink out from under the warmth of your generous stranger. You step in your shorts one foot at a time, tugging them up gelatin legs too springy from coiling and uncoiling.
You promise yourself that you’ll take just one mental picture as a keepsake, and it’s this. A sleepy Joel who will be well on his way to a second cup of coffee on the way out of Arizona, maybe even nursing a little headache behind his right eye. And he’ll remember an apparition of some girl he fucked in a motel. The touristy thing to do, a sight to see. 
He might even tell Tommy, say you were a crazy little thing with too much baggage, but it was fun to stay up past his bedtime.
You don’t mean to do it, really you don’t, but you flip through his wallet that lays innocently on top of the TV.
If you take a little something, that’ll turn this into another one of your stories that you tell your kids born from a loveless marriage somewhere in the crevices of a future from now. It won’t pull on the tendons of your heart.
And it won’t mean anything. You won’t let it.
The next morning, there’s a soft knock at the door, and it’s probably housekeeping kicking you out for overstaying your welcome. Time to turn down the bed for the next lost soul. You imagine Joel’s long gone, hopped in his truck and back to a reality you’ll never meet him in.
Your fingers are slow to gather up your purse, and you’re shoving your toothbrush in from its place on the sink.
“I’ll be out in a second!” you yell in a voice that reeks of years of diner-flavored customer service.
More persistent knocking that borders on pounding. It shakes the chain in the deadbolt.
You’re yanking open the door, and there’s Joel, white shirt and jeans. And it isn’t that cushion of admiration from last night, no greeting with a chaste kiss on the cheek.
Just a wolf coming to claim his continental breakfast.
Fuck.
You try to shut the door, suddenly too ashamed of what you’ve done, and to someone undeserving. Someone that showed you kindness, empathy.
But his boot catches the door before it can close, and he’s inside, slicing through the space between you. It’s not quite anger, but it’s shadowy. Sardonic.
Your shoulder blades kiss the cheap wallpaper.
“You’re real funny, y’know that?” he starts, and he’s smiling but not really.
Shrinking small, so small that maybe you’ll disappear.
There’s a tick of silence. His thumb skates to your collarbone and then to the hollow at the base of your throat. He wants to squeeze but he doesn’t, his fingers wrapping loosely around the column to fix you there. Heat creeps up the back of your neck into your hairline.
The instinct to flinch bubbles up against your joints, but you can’t bring yourself to.
“Y’think you can fuck me,” he muses, disgustingly deadpan, “‘n steal from me.”
Dread weighs heavy like lead in your stomach. You can’t stop yourself from shaking your head, still playing dumb.
He bristles at that, thunderous. You both know it’s a lie; you’re a hundred dollars richer than you were last night. His fingers briefly flex around you in a way that you’ve seen before, and horror hits a fever pitch in you.
Tears prick your eyes, and you’re putting your palms on his chest and shoving, but he doesn’t give. Unstoppable force meets immovable object, and all that.
It’s not so much the blaring punctuation in a sentence, the ticking of dynamite ready to blow. He’s confronting you with proximity, with your own dishonesty. Wanting to shake you and tell you that it doesn’t have to be this way.
Joel just leans in closer, almost grazing noses. You try to breathe around the lump of panic.
“The hell’s the matter with you?”
It’s disbelief, it’s hurt. In the same way, it’s understanding, incredulous. It’s him stepping back and loosening the hold around your neck like no one’s ever done; it’s softening and imploring.
He’s shoving his hands in his pockets, guilty and recoiling. Sorry he could even make himself look like one of them — a forced penance in the flesh.
There’s no answer that can justify what you did. Nothing simple about nothing personal. But truly… that’s all it was. A pie wafting steam on an open windowsill. Something to make you feel better about the void he’d leave.
“‘F you needed money, you coulda just asked.” 
He’s disappointed, desperate. In a tone that really says, I would’ve done anything you wanted.
A dam inside you gives, crumbling deep at the foundation and knocking the walls down around you. Words don’t come, but you shove your hand in blind into your bag, pulling out the loose bill and extending it.
Joel sees the regretful offering and your heart with x-ray vision. That you think of yourself as a doll, less valuable without her box. Used without tags. Free to a good home.
He shakes his head, the softness of a keep it barely peeking out of his mouth.
You’re skinning yourself raw, wanting another way out but having none. With half a mind to say that the next night could come with fangs.
You feel the stab of relief, and shame. So much shame.
Like a soothsayer, he foresees the coldness of a bench, the shrinking of you into the safety of an alley.
You drop to your knees in exaltation, thinking you know what’ll fix this. You can’t see through the watercolor blur of your tears, but you touch his belt with fingers that are cold to the tips.
But Joel knows what you’re doing, shaking his head no no no.
He won’t let you do it like this. He drags you up gently by the elbows. Pulls you into his chest, says stop stop stop. Kisses your hair, then your lips. You cry until he can taste the tears, until the front of his shirt is damp.
“I’m sorry,” you rasp out roughly. “I’m so sorry.”
He tells you to never say sorry to him again.
Joel pays for a room for two more nights, but only one — his with the working A/C.
You move your toothbrush and your bag over to Room 20.
You go to the pool, swimming laps around him in a tank top and your cherry-embroidered underwear, squealing and splashing in a flail when he swims underneath your legs and stands up to hold you on his tan shoulders.
Sunscreen streaks greasy on your stomach when you lay out together on the loungers after. Joel likes a cat-nap with his face under a towel, grumpy and tired from the sun. But he never snaps at you, never gets impatient when you ask too many questions while he’s dozing off.
You learn the pinched expression he makes just before he comes. That his right palm has hundreds of lines you can see best by lamplight. He misses the noise of Sarah in his house, of sharing the coffee pot with someone. He doesn’t like the small piling of toast crumbs left only by him on the kitchen table.
He learns that you apologize for wet, clean hair on his pillowcase, for laughing too loud. Things that don’t need a sorry. A collection of oversaturated manners that might take time to unlearn, but he promises to teach you.
He learns that you approach an orgasm with tentative toes in cold water, almost unbelieving that sex can give, give, give instead of take, take, take. He learns that you like the meeting of eyes when he’s buried between your legs, pushing your thighs apart to keep from suffocating. That when he does let you get on your knees for him, you know just the spot to caress with your tongue on the underside of his cock.
Joel’s belt is snaked under your stomach, across your hips, fists intertwined in the leather as he pulls you back, slams himself forward. It bites and creates indents in your flesh, and you don’t care. He gives you marks to love, to admire in your reflection, never ones that are ugly. Never ones out of hate over spilled milk.
There’s a dirty slap of skin, growing louder, competing with your moans. Your nails are tearing into the cheap sheets, and Joel’s so close but won’t come until he coaxes another out of you. A grand total of at least four by now, but you’ve lost count.
At long last, you splinter around him. Pitching off the cliff in a cry. Joel’s leaning — his chest, your back — and spilling deep, holding onto you for dear life. You hear him whimper in a strangle. Big, tough game that’s been taken down with an arrow in his chest.
Hot tears are flowing out of you, stuttering sobs close to follow, and Joel pulls out slowly. Seems to know why. And he rolls you over, into him, hand careful in slow strokes against your hair.  
You’ve never been good at goodbyes. Maybe that’s what this is.
Men like to say that women like you are insane, too analytical, too tear-streaked, too conscious of the way they look when they sleep. Because waking up with your mouth open, a drying corner of drool threatening your cheek is too human, not pretty.
Sometimes women like you are dead, rotting pomegranate flesh. Long forgotten in decay on the ground when the weight became too heavy to hold yourself up. And those men pick up your seeds and shove them squelching back into places where they don’t fit. 
The winters come bitter and harsh, but you’re always reborn in the spring. And without fail, you grow back fiercely into a tree reminiscent of Eden, low-hanging apples plucked and bruised and bitten into once and spit out in tart disgust. 
Women like you choke men like this with your pits, strangle them with vines, poison them with berries. They can consume, but so can you.
But then, in the ripe, cool shade of summer, you’ll have a visitor like Joel that will come with a basket and a blanket and they’ll stay and read books beneath you. They’ll enjoy your fruit, you’ll drip from their mouth and dry tacky like flypaper, and they won’t be able to imagine a day before you. 
They’ll collect all the pieces of you on a Tuesday morning and give you change to get a Coke after checkout. They’ll tuck you into the front seat of their truck, let you put your feet up on the dash, hand protective and calm on your thigh while the other steers you both back to Texas. A new home without shouting and bottles thrown.
And they’ll stay through every season.
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aviatrix-ash · 1 year ago
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If there's any sport I'm totally engaged in, it's definitely STOL flying competitions. Get to see some pretty wild mods on plane you'd never see anywhere else. But the real cool thing about it is getting to see the pure master flying skills those pilots have with their plane. :o
Would love to join those competitions with this lil Preceptor Ultra Pup (a mini replica of a Piper Cub) one day when I'm finally done rebuilding em from the ground up tho :3
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Old pic from the previous owner, it's completely stripped down rn to the bones rn tho. :'3 the broken/corroded bones are steadily getting replaced with new plane bones I'm remaking from scratch.
A demonstration of how little runway a bush plane needs to take off and land.
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whateveriwant · 1 year ago
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Dressing the 141 up in a couples Halloween costume
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Price
Is initially pretty lukewarm to the idea because he thinks he's too old to dress up for Halloween :(((
But with just the right amount of convincing + puppy dog eyes from you, he'll eventually go along with it
However, he's adamant that he's not going to shave. So you either have to give him a bearded character or resign yourself to seeing a mustachioed fairy
In the end, you think he makes quite a dashing Captain Hook (move over Jason Isaacs, there's a new captain in town)
If it's a party you're dressing up for, he'll go and have a great time (i.e. get absolutely sloshed and terrorize people with the fake hook)
Gaz
Is suuuuuuper into Halloween because it's his favorite holiday
He goes all out every year. Like, all out. Like, we're talking planning 6+ months in advance levels of obsession
In fact, you're not even the one who brings up the idea of doing a couples costume. He does, and he already has a theme in mind: Star Wars
He has a hyper-detailed Han Solo costume ready to go, complete with the blaster and boots and everything (yes, he made it himself, and yes, he's very proud of it)
You'll end up being 45 minutes late to the party because he won't stop taking pictures of you two posing in your outfits
Soap
Isn't opposed to the idea of dressing up, but there's a slight problem… He's already promised someone else that he'll match with them
You're like ??? when he tells you that, but end up chuckling once you learn who said person is: his four year old niece
He's the gallant knight to her glittery princess, and he's planning on taking his role very seriously
But he'll feel bad for leaving you hanging, so he'll run to the store and buy a pair of wings and a tail so you can tag along as a dragon or smth
You'll end up skipping the party so you can go trick-or-treating with them, and have much more fun that way anyway
Ghost
Is by far the least on board with the idea
He vehemently wants nothing to do with it – the party, the dressing up, nada
It'll take so much begging and bartering on your part to get him to finally cave in (the specifics of what you offer him, I'll leave up to your imagination ;))
No matter what costume you choose for him, he's gonna be snarky about it
"How the hell 'm I supposed to see with this bloody triangle on my head?" "It's a pyramid, Si." "Tha's what I said."
He'll stay at the party until he thinks you're satisfied with his attendance, and then he's Irish goodbye-ing it out of there without a second thought
Bonus - Full squad costume
If you're somehow able to convince the whole squad to dress up together, there's only one theme I see them doing: the Hundred Acre Woods
Price would be Kanga because there's no one else that accurately emits that fatherly motherly aura
Gaz would joke that he's going as Roo to accompany Price, but will change it last second and show up as Piglet
Soap would bounce on Tigger before anyone else could claim him (he's sooo Tigger-coded, I can't explain, he just is)
And lastly, for Ghost, I can think of no better fit than the king of brooding himself: Eeyore <3
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corellianhounds · 4 months ago
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The reason Mando does so many “side quests” is because he’s poor. He has to work for everything. He lives a self-sufficient life on the road bringing money back to his tribe to support them because Mandalorians aren’t safe and can only show their faces in town one at a time or they’re perceived as a danger because of how they look and what reputation is attributed to that appearance by many people. Almost every single episode has somebody picking a fight with Mando over the armor when he’s literally just standing there. He has to fight, scrap, save, barter, trade, and work for every single thing he has because the alternative is dying, or people he cares about dying. It doesn’t matter if it’s because they’re attacked or because they literally don’t have the money to eat, most of the Mandalorians we’ve seen live hand to mouth day by day, surviving out of sheer willpower and working together
Season 1 Episode 2: His only means of transportation (/place of living) is scavenged for parts and stolen in pieces. He’s forced to negotiate with the ones who took his stuff and do a job for them so he can get it all back before then having to rebuild the ship (when he shouldn’t have to trade anything for it to begin with)
Season 1 Episode 4: He wants somewhere safe and unassuming he can lay low with the kid and agrees to scare off some local bandits so he can have lodging. His original long term plan was to stay on Sorgan for a few months— He’s willing to fight the bandits and the Walker because that village was where he was given somewhere to eat and sleep and because he had intended to live there long term
Season 1 Episode 5: The hunter that found them on Sorgan forces him to acknowledge he’s not allowed to remain sedentary. He tries to go back to his old job, working as a bounty hunter for money; he and the kid can live on the ship, though it isn’t ideal, but he needs food, fuel, and immediate ship repairs. The betrayal of the gunslinger and confirmation from a target that word of him breaking the Guild Code has reached the literal farthest reaches of the Outer Rim solidifies that he can’t be a legitimate hunter anymore and that people who recognize him or the kid (or recognize them because they’re together) will be gunning for the reward, leading to—
Season 1 Episode 6: Mando going back to the only other life and means of making money he’s known, working shady jobs with criminals in the hope of receiving payment. The job proves even more unpredictable and dangerous than the last one and puts him back at square one again.
Season 2 Episode 1: Mando is a well-rounded character who’s been given an objective outside of just surviving to the next day. He only ends up in Mos Pelgo because he needs information, and he only agrees to fight the Krayt dragon because— as a well-rounded character— he’s promised culturally important relics of his people that he holds in the highest respect. The armor of a dead Mandalorian being given the proper respect (showing the honor he has for his people) is shown to be tied in importance with the kid. At least he’s given some food for the road because it’s clear he wasn’t being paid any money in addition to it.
Season 2 Episode 2: Chasing the barest lead on information about other Mandalorians forces him to take the dangerous passage he does; he only ends up having to survive the ice planet because of the threat of incarceration if he didn’t run. He’s not being paid in money here either AND his ship is literally barely holding together. If it was a horse he’d have to shoot it.
Season 2 Episode 3: Bo-Katan is his last lead on information about a Jedi. The child needs a Jedi teacher so he’ll be safe. By this point Mando is desperate and BKK forces him to do a dangerous job in exchange for information. He’s not getting any money this season because all of the jobs he does are in exchange for information and it’s a lot easier to manipulate and force people who need a favor from you to do whatever you tell them because you have something more specific than money they can’t get anywhere else. He doesn’t have enough money to cover a good fix of the Crest but doesn’t have anything to leverage against the mechanic who did a partial job for all the money he did have left, meaning—
Season 2 Episode 4: He has to call in a favor from a friend. Karga’s willing to cover his fuel, repairs, and docking fees, but oh Mando while you’re here I have this pesky Imperial infestation and since it’ll take a while for your ship to be repaired and you’re not busy…
Season 2 Episode 5: Now he’s finally found a Jedi. Now he may finally be able to give the kid to somebody who can protect him and teach him how to protect himself. Now the kid may finally be able to live a long, safe life, even if it means it can’t be with him. Oh right except this Jedi says she isn’t really a Jedi anymore, and also she’s kind of busy, but maybe she’ll think about it if you help her do her own thing in liberating a town—
Only for Ahsoka to then go back on her deal because she has her own thing going on. Considering how important the whole Thrawn mission is shown to be later, I’m not all that convinced she was ever going to take the kid as an apprentice. She may have been on the fence and maybe considered doing it if Elsbeth didn’t give any information up, but if the whole Ahsoka show was about her search for Thrawn, it’s obvious she has a lot more involvement in that than she’d be able to afford if she took the kid as her ward. The idea that the kid’s too attached to Mando for her to take him as a student seems like a pretty convenient excuse considering she knows this guy has zero clue about anything to do with the Jedi. It doesn’t matter if she’s right or not, she could have been upfront about having more pressing matters she was devoted to.
And then the rest of season 2 is the bigger plot. Episodes 1, 3, 7, and 8 of Season 1 were the overarching plot.
Mando has to live life on the road in a dangerous and unpredictable galaxy doing dangerous and unpredictable jobs. He’s poor. He’s a survivalist. He’s desperate. He makes friends because interpersonal ties are often the only other form of currency he has, and those ties still often come with requests for favors or work in exchange for what they can do for him. Hardly anybody is giving him anything, and even when they do, he still feels obligated to pay them back.
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