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#At which point you can at least say that perception existed
bijoumikhawal · 11 months
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Hi this is a bit random but I just read your article on nose rings in Egypt & it was rly cool!!! I was super interested in it bc I remember my dads reason why he didn’t want me getting a nose ring was bc he had aunts who had them and he hated how they looked. His side of the family is from el sharqiya in the delta, so I wanted to ask if you have further readings regarding nose rings in the delta?
unfortunately not at this time :(. I have a little bit of specific information from the Western Desert, mostly Bahariya iirc, but not much else. If you ever can get him to talk about it at length though, or another family member, I would be interested to read what they remember!
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eldritch-spouse · 1 year
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I need a threesome with Comie(?) and Pebble. Just I need to be knotted as I suck off honeyboi.
P. S Love you Pinnie. Thank you for your hard work 🙏
[It's "Colmei", but you got it basically. You didn't really specify, so I'm putting you in the "Admin" role. Love you too! <3 Fem reader.]
TW: Knotting; Food cum (as in, it's literal honey); Slight cultish themes.
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The bug monster always intrigued you.
He wasn't made by The Clergy's Eye. Your lord didn't weave him into existence either.
That you know of, this... Man? Male. He just showed up. Installed himself in the garden. A ridiculous notion, it really reminds you of Fank-e.
You recall the initial commotion.
Krulu had been alerted to the entity's prolonged presence and effectively wanted to remove said unknown monster from his grounds. Because, after all, if he wasn't there to make some sort of exchange and be sapped at like the rest, then he was a waste of space and resources- Especially when the uncivilized monster decided to station his colony in the garden.
What stopped your lord from rightfully removing the witless intruder from his domain were the desperate plights of Patches and Nebul, both undead monsters exhibiting great fascination with the likes of Colmei, as he's come to be called. You don't even remember which of the two baptized him anymore... When push came to shove, you chose to voice an opinion, siding with your coworkers. Not to spite Krulu, never. You truly just shared their fascination with the bee man. Besides, the garden actively benefits from the actions of his well-coordinated bees, that can't be denied.
And he was left alone, begrudgingly.
"Bee man" is a misleading term. From what little of his body you've seen, he's nothing like a bee-based monster at all. If anything, you'd liken him more to a parasitic entity inhabiting the garbs of a medieval beekeeper, like a snail's shell. His sleeves are always long and down, like Nebul's. His mask is usually always in place, and although many people would wonder about the monster's ability to see, you know better. You've learned a lot in your time working here. Masks and lack of visible ocular organs means nothing. You know Colmei can see his surroundings the same way you can- And even if you didn't, Patches' extensive research on the specimen more than proves it. He can circumvent objects in his path without scent or palping, he can differentiate colors, he has depth and perception like a human's, a field of vision standard in your species. He's a little wonder, you've combed -Pun intended- through reports on him more than once.
And, although he's not officially recognized as a "garden anomaly" by anyone here, you lump information about him next to Hellion and Pebble's cases. In fact, now that you recall things, didn't Pebble form after Colmei's arrival? Probably, you'll have to check later. The two get along well enough, which already can't be said about Hellion's relationship with the bee caretaker. Then again, Hellion has a strong personality, to say the least...
Speaking of, you're sacrificing some of your free time this morning to satisfy one of Patches' requests. He needs a sample from Colmei. Saliva was easy enough to get, the monster does eat, and with those three slobbering tongues you've caught glimpses of, it was hard to miss a chance to get a swab of his drool. The problem came when Patches attempted to get a "seed sample". You've long since stopped questioning why he wants to work with reproductive fluids, and considering the stunts you've seen this dullahan pull using a variety of organic elements, you have to at least admit there's some merit to what superficially comes off as pure depravity. Even if you'd like it if he stopped obsessing over homunculi...
Patches is old, he knows what he's doing sometimes.
Point being, whenever the undead tries to get handsy with Colmei, the bug monster blatantly rejects him, buzzing angrily. He doesn't often fall for traps either. Relatively speaking, you'd assume Colmei would be very receptive to sexual attention ever since he discovered ejaculation is harmless, in much the same way Belo underwent a somewhat prolonged lustful fever the moment he was bedded by you and lord Krulu. And, effectively, Colmei spends an inordinate amount of time stimulating himself, perhaps in an effort to make up for all the times he was left frustrated and hopelessly libidinous for no reason. Although he frequently brings himself to completion, the garden inhabitant doesn't allow people to approach him sexually often. Santi was briefly allowed to stroke him through his garb, but the moment the demon attempted to get a better feel, he was quickly hissed and buzzed at.
You think the incubus is still a little sore over that. Heh.
Nevertheless, you've decided you'll get this over and done with it today. Because you're not just anybody, you're the Administrator of this establishment, and what needs to be done will get done, so help you.
It's all a matter of waiting. Colmei's going to get bothered at any moment, you know he has nothing better to do in the mornings, because his hive has adapted to The Clergy's Eye's schedule. His army of bees all remain mostly dormant within early mornings, because the garden's flowers too are dormant, meaning there's no pollen to collect. That's just how this tilted world is. Cleverly, they rest and save energy for the evenings and nights. Colmei wakes from slumber much earlier however, has to, acting as a guard for his smaller colony elements.
You've been sitting on a lonely bench (who, miraculously, isn't Sybastian) for a while now, bidding your time. Occasionally, you'll make conversation with your currently busy higher, other times you'll catch Hellion shift in his sleep atop a tree's fat branch. Generally, you don't have much trouble sitting placidly, rolling the tube-like vial in-between your gloved fingers. Some people get maddened by the waiting game, Krulu has taught you better.
Your first plan of action is simple, coaxing. If that fails, which it just might, there's no doubt in you something can be schemed. This is far from the most daunting of challenges you've taken on.
Time passes, the fog hugging your home's dark walls recedes ever so gently, some of the plant life sways and plumps, as if the building is yawning, waking itself up. The fountain comes alive, sprinkling water in all the wrong directions, as usual. Today, it sports a curious, hourglass shape, adorned with well-sculped crows seemingly flocking around it. Lord-Master would enjoy the sight of it if he was paying attention to your whereabouts right now.
From then on, it's fairly soon when you hear a more pronounced buzz coming from the sides of the establishment. Seeing as it's usually quite silent this time of day, it can only be the beekeeper. You smile knowingly, aware of what he'll most likely be doing in a little while.
Rising, measured, slow and muted footsteps carry you closer to the source of the sound. You trail the edges of your establishment, ears almost twitching with the way they're perked at every insect-like noise. When those sounds dip into a slightly familiar rhythm, strong but interspersed with breaks of abrupt silence, like gasping, your pace quickens.
Turning around the front left edge of the building, you see him there, predictably. Colmei leans against the dark brick walls of The Clergy, some fair distance away from the oversized colony structure attached to it. Monochrome robes pool messily around his hips, held there by pitch black arms that dip between full thighs and grasp a humanoid appendage with fervor.
It's a silly thing to say, but being that you've witnessed so many foreign genital configurations, it's become a novelty to find a "proper" set on monsters these days. You'd expect something as bizarre as Colmei to sport a wet and curling thing moving this way and that, but no- There it sits, humanoid balls beneath a humanoid shaft. Very odd indeed.
He's doing exactly what you predicted he would, somewhat clumsily palming and squeezing himself, grip on the base of his cock but mostly static. He may have learned to bring himself to fruition, but he's not practiced at it, perhaps that's why he spends so much time agonizing like this. Once more, you'd think masturbatory motions would come near instinctively to the parasitic entity, yet that doesn't seem to be the case. The head of his already slick cock drips something incredibly viscous to the ground, this darkened orange-ish string that, if seen from afar, could almost be mistaken for something else.
You've seen traces of it on the garden at times, spattered messily atop flowerbeds. Patches could just collect one of those and use it, but he insists they're not appropriate, have been tainted. Frankly, you think he just wants an excuse to make someone touch the garden monster.
Amused, you observe Colmei clumsily paw at himself, throbbing against nothing, chest filling out as he tries to angle his legs in a better position. He almost figures out how to cant them well, then gives up. It's as endearing as it is aggravating to watch. You think he made an odd droning cry at some point. You're getting as frustrated as he is just watching him try to find a good method. Part of you only wants to rush there and hold those meaty hands over his length properly, pump him decently, make him curl his grasp here and there, grab his full balls and slap his ass when he finally gets the gist of it. One would assume Colmei would get the hang of it by watching the drunk stragglers that stumble into the garden and beat off in their highs. Then again, usually something ends up happening to them.
Stepping into the very corner of Colmei's field of vision -Well, assuming his vision isn't totally tunneled, which it might be- You make a soft coo at the monster.
He heard it. Heard it very well. You commend his alertness even in a state distracted by arousal.
For a second, you wondered if the unknowable monster man was going to jump out of his robes, face swinging immediately in your direction and pitifully small wings spreading. It reminds you of Belo when he's upset, minus the parakeet fluffing. Whatever angry noise was beginning to rattle in his abdomen is halted when he realizes who's standing in front of him.
Garden anomalies have a primal, inherent understanding of the dynamics of The Clergy. They know who your lord is, can feel his work and his presence everywhere. They know to respect him, and they understand who his vessel is. As such, you're very often treated with less mischievous intent and never shown a wink of genuine hostility unless they're deeply aggravated by an exterior agent. Colmei isn't a garden anomaly however, which makes his similar reactions all the more interesting. He learned from the others that you're a figure to be cautiously regarded, to be mildly subservient to.
Maybe he can sense Krulu, maybe he can't- It's still hilarious that he treats you like an untouchable figure just because others are doing it.
Which is to say, your hypothesis here is that he won't deny your advances because he thinks more of you than he does the rest of the staff.
Colmei's buzzing is now muted and soft, uncertain. Incredibly enough, his static hand is still wrapped around a neglected member. Though you can clearly gouge he's extremely tense right now.
" Colmei. "
He reacts to the word, perking, knowing that's what he's called in these grounds.
" Come here. "
There's a communication barrier between you and the beekeeper, sure. But he's been learning the language ever since his stay here. He knows what those words mean, especially when you do a curt beckoning gesture. If your lord were available now, he'd facilitate the conversation, but alas. You're no baby, you'll get this done on your own.
When the beekeeper doesn't move a muscle, your first step forward is measured, the two of you watching each other like hawks in a standstill. That's definitely not the energy you're going for, so you put on a smile, glancing from his covered complexion to the treat he clutches and licking your lips. Come on...
Colmei's wings flutter, though stubbornly, he doesn't meet you.
Cautious steps turn to confident struts, unbothered by his evident turmoil. You halt right up close to Colmei, seeing the way he breathes faster, the noise of something wet shifting behind that grayed mask. Knowing he's clearly deliberating, you don't reach for the goal immediately, in fact, you just stare at him with a soft expression.
The pressure cracks him.
Colmei ultimately leans down, the bottom of his head garbs brushing barely on the crook of your neck. Whether it was done just to have contact or to somehow smell you, is irrelevant. Smiling, you gently crane your head, shifting to push cloth away, such so that the monster can see more of your neck. There's a sound by your ears, something being dislodged, pushed aside by a slimy protrusion that eagerly splays itself on bare skin, laving, relishing.
The noise you make in response is only a little bit hammed up. It does feel nice, but riling him up is more important right now. When the monster makes a strange rolling croon, soft and high, you inch closer to trail gloved fingertips on his right inner thigh, a teasing back and forth that might frustrate another male, but he seems content with it. Progress is made when the beekeeper's previously static hand jolts to life, stroking over himself more avidly than before, though still as clumsy. Another gross extremity comes to slobber on your neck, the two twining occasionally in the monster's enthusiasm. Drool is seeping into your clothes. Although your digits creep upwards just a tiny bit more with every to and fro, you bide your time.
He parts his legs further, almost imperceptibly so, and paired with his erratic wing flicking, you take it as an invitation. Colmei stiffens, in many ways, the moment you follow the curve of his balls and trace the root of him, hand venturing to join his and stroke his girth in tandem. It was sensuous, scrupulous, lazy.
But it was still too much.
The beekeeper jars, jumping away from your touch and presence in surprising speeds for such a large body. Monochrome robes are pushed down and he makes a distinctly hostile buzz much like the roar of an engine. Though, as quickly as it reverbs through the garden, Colmei appears to get a flash of self-awareness and strangles the rest of the cry into a high-pitched squeal. You raise an unamused eyebrow at him, watching incredulously when the hive guardian merely recedes into the distance, turning around the edge of the building to avoid you.
Hm.
Well that's a mission failed, for sure.
A bitter taste settles on your tongue. The defeat of sexual rejection is something you haven't had to deal with in a long time, although, Colmei's evident fear of being stimulated by another is amusing enough to wave that frustration away as you snicker to yourself. What is he doing now? Just sulking in the corner with a throbbing cock and tightened nuts? If he jerks off now and ruins your chance to get that sample, you're going to be so livid. What a pussbag.
...
Speaking of cowards...
A depraved little lightbulb dawns over your head.
You're going to lure Colmei into letting you touch him, by making him want to participate. But, for this next stunt, you need a volunteer. Not just anyone will do, criteria dictates said third element needs to have a moderately positive bond with the beekeeper.
You're not going to bother staff while they prepare for the day. Hellion is like a pest to Colmei, a nuisance in a good day. That leaves dear old Pebble.
Workable.
The fog that seems to poise over this infrastructure, shielding it, bathing the premises in properties you can't exactly comprehend, also affects plenty of the beings that inhabit this space. Naturally. The flock of gargoyles that's settled on the roof, the standard ones that is, seldom ever turns to stone in plain daylight.
You and Patches have conversed about this, it's likely due to the way the fog mutes some of the sunlight's qualities. Whatever sort of biological signals determine a gargoyle should enter "stone sleep" are filtered out. That's not to deny that there exist days where the sun is so potent it still manages to turn most into statues.
Pebble is odd. Of course he is, he's a mutant of the garden -Your sweet spawn of Krulu- But it seems he only partially turns to stone for a very brief span of time. You've caught him in states that weren't quite sleep nor consciousness, body shifting in jerky motions as he instinctively tried to stretch, looking around, but not able to move much aside from a step or two in ambiguous directions.
This half-awake half-asleep state appears to bother the gargoyle, so he's cleverly taken to nesting in spots that provide shade during the day, keeping himself mostly shielded and avoiding having his body paralyzed. In fact, you bet you won't have to search too much for him at all! Venturing to the opposite side of The Clergy's exterior, there's a flattish roof area there he tends to pick often. Although you could scale the building with your lord's arms, that likely won't be necessary.
" Pebble. " You call softly.
A few moments of silence pass.
" ... Pebble! " Comes out slightly more forcefully.
It's always a bit tricky with him. You don't want to raise your voice and make him accidentally interpret that you're angry at him. Having one monster run off is enough.
There's a sigh. " Damn it. Pebb- "
With a soft sort of click click clack of clawtips on darkened tiles, a paperbag clad head peeks out from the edge, followed by its twin.
The mutant offers you a confused, nervous glance, pinprick eye blinking tiredly before darting every which way. Yes yes, no one really likes getting woken from their beauty sleep. You understand him perfectly.
" Hi lovely. " Gentle gentle, he stares at you, still as quizzical as before. " Wanna come down here for a second? I need your help. "
The gargoyle hesitates. He always does, though you take no offense to it. That's just how he is. A good deal of time has passed ever since Pebble was welcomed into The Clergy, and the anomaly has come to trust some of the staff, you being one of them. If you didn't know better, you'd say he feels safe around you at times.
Making a brief come hither gesture, you wink cheekily at the blue mutant. " I promise it'll be fine. You can go back to sleep when I'm done. "
Another long pause settles, his arms steadying the monster on the roof. Patience is affordable today, you can't rush this plan, after all. So you merely stand there, silently and passively exerting pressure on the garden anomaly. It always works.
In a moment, robust wings stretch and flap, as if waking themselves up as well, and Pebble gets into position, leaping from the tall roof, down onto several sections, finally landing a small distance beside you with this ground-shaking-
THUNK
Yes, being made of solid, compact stone is quite perilous... Between him and the robot, you wonder which one's mass is more destructive.
Nevertheless, with the gargoyle now approachable, you calmly stroll over and smile, taking a rough blue hand onto yours. Pebble's fingers twitch a little and he makes a curious chuff, ruby eye ever trained on you. Twin tails lash behind him when you bring the stone to your lips for a chaste kiss, his breath hitches timidly.
" Thank you. " You start, softly leading the comparatively large monster back to where you were when Colmei rejected you. The longer you walk, the more antsy your friend seems to get. " I promise I don't want anything weird. "
Lord knows the dullahan and the wraith massacred poor Pebble for details when he was formed. Just as they did Hellion, though that aptly named scoundrel has always had a lot more swipe and bite in him.
As you halt, you sadly confirm that the beekeeper is nowhere to be seen. Something that won't matter in the long run, yet still manages to peeve you a tad.
" Pebble- " You turn to the gargoyle. " Do you want to fuck me? "
For all the gentleness you had been sparing him thus far, that was quite the bold invitation.
When that red pinprick turns into an even smaller little dot in the pitch black, jagged hole of his bag, it's hard to resist cackling. He was most definitely caught off-guard, hunching, letting out a breath he had been holding. Silence ensues, though he's not stepping away, so you'll assume his libido will overpower that cowardice today. There's something almost suspicious about the way he regards you. As if he can't quite bring himself to believe you've woken him from a dead sleep... Just to fuck him.
And he's right.
You have ulterior motives, but, even if he can't tell, there are virtually no downsides to it. So you might as well have just woken him for a romp, yes.
Pebble eventually makes an unintelligible garble and twiddles his thumbs, sparing you quick glances. A sort of "Are you sure I can?" if there ever was one.
Hah, cute.
Unable to hide the mirth in your smirk, you giggle and loop your arms around the monster's hard waist, observing the fascinating way an unholy union of stone and flesh mold when his chest heaves in surprise. He's gruesome and pretty all at once, the garden did exceptionally well when it created Pebble.
" Is that a 'yes' I see? " You mock, receiving shy, unsynchronized nodding from both heads. " Good, then let's not waste any time. "
You pull the gargoyle along while taking several steps backwards, until your outfit brushes against the building's wall. Although clearly interested, Pebble never usually takes much of an initiative. Not because he doesn't want to, you can see it in the way his extremities twitch and his tails impatiently sway, it's always that unknowable fear keeping him at bay, that insecurity. It's far from a turn off though, and such is seen when you slide your work dress up, hearing him chuff at the sight of your laced panties when the fabric gathers at your hips.
Poor little baby, getting bothered already.
You do like these panties, they've been a favorite pair of yours because of how transparent they are, and many of the staff members have admired them already. You don't think Pebble has though, so you drink in his witless arousal like an impeccable wine. A gloved digit unceremoniously peels your panties to the side, and you're sure he can smell the very first hints of wetness gathering on your pussylips, because he does that distinct sort of shnort that a lot of monsters do when they sense an easy hole.
Grabbing his hand once more, you first take care to bring those clawed fingers to your mouth. Sure, it's not exactly the softest sensation gliding on your tongue, but that doesn't matter. What you want to do is get him as slippery as possible to facilitate things, and rile rouse him further. It works wonderfully in your favor, the mutant huffing and making an odd sort of impatient whimper. Your motions are lazy, making sure you have some eye contact as you intentionally let yourself drool heavily on him, strings of it already coating your chin when you make a quiet moan around his digits.
Pebble showcases a rare display of assertiveness when he ever so subtly slides more of his two fingers into your mouth, and you bob to accompany him, flustering the anomaly to stillness again. You know he'd rather have something else in there. The look of mild awe that crosses his face when you release his now soaked fingers is borderline hilarious. He plays with the drool around his digits sheepishly and you only titter quietly as you lead that very same hand to the main prize.
The gargoyle grunts, more than enjoying the softness of your already mildly interested pussy against himself. Sometimes you wonder what he thinks of others, who are so much softer than him. Does he enjoy that, their comparative warmth? Is it something he wishes he could have? You bet it feels really nice for him to lean onto his partners, sink into plush, giving bodies such as yours.
With a soft pat to the back of his palm, Pebble grasps the signal that he's meant to move, though only tentatively strokes over the length of your entrance, afraid it'll bite or something. Your patience wavers, gripping him and making harsher motions, letting him know you like to get your clit rolled hard. The mutant purrs when you let out pleased sighs, dipping into soft moans. Finally, he starts moving that big hand on his own, offering as much pleasure as he can in a slightly clumsy but very eager to please way. There's another frantic growl-keen when you buck against him. Humorously, when Pebble sinks one of his fingers into you, knuckle deep, he makes a sound as if he had sunk his whole cock into your walls, shuddering and everything.
This time, your laughter is loud and hearty, startling the mutant. " No no- " You stress when it feels as if he's going to pull away. " You're doing so well, please keep going. I can take more. "
Praise, ever the fuel for the hearts of the devoted, gets him to resume, curling his finger slightly and delighting in the unflattering wet noise that follows, before squeezing a saliva-soaked twin inside as well. You fear he's going to melt, at this rate. The small stretch has you groaning and squeezing, encouraging him to plunge into your cunt to his heart's content.
" Fuck yeah, open me up for your fat cock. "
That one apparently sent him wild, because he does just that. The haze of sleep vanishes off his body instantly, and the monster curves to be closer, watching his own blue digits get swallowed by your sweet hole, coating him in slick the harder he gives it to you. It's always a treat when Pebble's brave enough to be remotely dominant, because his natural density adds a weight to his every motion that easily rocks those subjected to them. Your head leans back and you fully give into the stings of pleasure that pierce you every so often, mouth open in a satisfied expression he's likely eating up right now.
When the gargoyle's noises become frequent and louder, you have the wherewithal to glance down, seeing the growth throbbing between his legs, dripping precum along its length and almost twitching in tandem with every clench of your cunt. He's beyond needy, and in a short span of time, which is ideal. Reeling at your own filthy little ideas, you shove his hand out of your opening and pull the monster closer. It takes a little bit for Pebble to get it, but he eventually hunches enough to make up for the height difference, such so that you can grab the head of his red, knub-adorned cock and press it to your soaked pussy.
Pebble groans incomprehensibly, immediately starting to hump, gliding that hot length across you in a way that allows you to feel every slight protrusion. You cry out and grind against each other for a couple of disgraceful, horny little moments, with you mischievously tugging at the roots of his tails just to feel the gargoyle's ass flex briefly. He's adorable.
The moment the winged monster tries to angle himself differently, obviously seeking to penetrate, you lightly push him off. Don't want to ruin the best part of the plan just yet now, do you?
Pebble whines, the spare head growls.
" Oh shush. "
You don't want to do this here, in the pavement. You're sure Pebble won't give two shits about how hard the ground is, but you'd rather not ruin your outfit or scrape yourself right now. Instead, you lead him to the closest flowerbed. As much as you'd like to playfully throw Pebble onto it, he's pretty immovable in his default state, so you can only push and ineffectively try to tickle your winged lover boy until he gets the message.
Twisted, misshapen and teeth-clad flowers unroot, scattering on strange hidden limbs with startled squeaks when the gargoyle lays on his back, wings spread and member pointing upwards. You're quick to jump onto him, and even if you spare the mutant some loving moments full of pecks to his chest and belly, even allowing him to feel your tits when you begin undoing the top part of your dress, you very quickly turn around on his lower abdomen.
He gets a fantastic view of your full ass as you grind generously over his girth, teasing the two of you further. When trembling hands scheme the globes of your behind and settle on plushy hips, you let the gargoyle ground himself, rising slightly to line yourself up with him. A tongue flicks over dry lips, eyeing the not yet fattened knot at the base of his length.
You make sure every soul in this establishment hears it when you slam yourself onto Pebble's cock.
" HNN OHHN- "
It rings out just as loudly as you wanted it to, followed by Pebble's strangled garble before he audibly gulps and seems to pause from the reaction he ripped out of you. The silence around you becomes bashful, like you rattled the building and its residents to stillness. If Santi was here, he'd commend you for the pornstar moan.
You've no doubt you've roused a couple of peepers. There's a faint tingle in the back of your mind, Krulu now tangentially paying attention to what's happening. You suppose hearing his vessel cry out like a bitch in heat out of nowhere is more than a little curious.
After that little break where you watch Pebble disappear almost entirely into you, squeezing around his hardness, feeling him buck his hips softly in desperation, you smile and let yourself go, riding him to your heart's content.
Leaning forward, hands planted firmly on his legs, you use as much force as you need to make each pound downward really count. You're not afraid of being too rough, Pebble's sturdy, he can deal with the slap of your ass on his body, with the mad squeeze of your spasming pussy around those perfect bumps, stopping periodically just to grind and rip more filthy noises out of yourself.
He tries, boy does he try to do anything, but you're too much for him. Too confident, too hot, too wet and welcoming. Pebble can only whimper out nonsensical pleas, heaving and panting hard enough you can hear his paper bags crumple when his teeth accidentally catch them. He groans and drools, not that you can see the small pool of it between his tits as he watches your gorgeous form bounce, fruitlessly attempting to feed into your merciless rhythm but getting completely overpowered in seconds.
You almost wish you could see his fucked out state for yourself, the mental images accompanying each frantic little noise of his having you gasping and crying out.
" Fffuck yes, you're such a good boy for me, aren't you? " You coo in-between pants of slight effort. " You'll let me ride you anywhere, won't you, sweetheart? Anything to get your cock wet, huh? "
Pebble's responding sound is like a slurred, low moan, legs jerking and tails spasming while the dick inside you throbs so hard you thought he was going to cum for a second there. In fact, for a couple of completely lust-drunk moments, you totally forget what you're doing. Sure, you're ridding the lights out of this gargoyle, but what for anymore...?
As if fate heard said thought, a soft buzz jolts your memory.
In the very same corner he had once disappeared to, stands none other than Colmei, watching like a little voyeur. And you don't doubt he's not the only one right now, but he's the peeping Tom you were specifically looking forward to.
The beekeeper stands warily, wings moving rapidly behind his back in what must only equate to excitement, claws tugging anxiously at his own garbs, which happen to be hilariously tented where his engorged cock bulges with need, already staining those ash-colored robes into a depraved wet mess.
Although you can't tell for sure, you'd bet that mask-clad gaze is fixed on the sway of your tits and the sight of your hungry cunt swallowing Pebble without rest. You make it a point to sit up slightly so he can see better.
Good, perfect, watch and drool, little freak. This is what he declined. It could be him beneath you now, if he wasn't such a dumbass earlier. It could be him twisting and arching like Pebble on the ground, warbling for more and more and harder-
You force yourself to think clearly, halting things to a crawl.
The gargoyle's infuriated snarl dies into a miserable sob, one of his arms leaving you to punch down on the grass beside him. He makes another distressed bray, and while you understand his pain perfectly, you need to focus now.
" Quiet. Patience. " It was an order. And, admittedly, he's very obedient about it, murmuring his displeasure when you slap his thigh softly. Ouch.
Your previous hammering becomes a slow, luscious roll of the hips, gloves removed so you can feel yourself up for the peeper's viewing pleasure. He takes a small step forward, clearly wanting to approach, but still held back by something that is honestly starting to infuriate you.
" Colmei... " You moan at the next surge of pleasure.
The beekeeper shivers and seems to wake at the call. You don't miss Pebble's confused grunt at you calling out someone else's name.
In a vaguely childish gesture, you pout and make grabby hands at the darker monster, stopping to play with your breasts, rolling them together just to thrill, casting Colmei the most needful look you can muster.
His resolve visibly falters, the clear invitation having him frozen mid-step.
" Please... Comei. "
Oh, nothing can curb the Cheshire grin that spreads so eagerly on your cheeks, splitting them, when the insectoid monster caves.
He does the walk of shame over to you, as he should, arm over his blatant erection and posture like that of a bashful mutt getting caught in the trash can. Only now does Pebble, still impatiently trying to get some friction started, realize someone else is getting closer. The gargoyle lifts his heads behind you, offering a strange sort of snort-chuff at Colmei.
" Hey now. " You warn.
The two of them have gotten along on several occasions, though the mutant is clearly interpreting the beekeeper's presence as that of a challenger. As if Colmei's going to yank you off him and dash away. You suppose this can be new for them both.
" I'm not going anywhere. " You assure Pebble, tossing him a look. The gargoyle murmurs, slightly placated.
When Colmei halts in front of you, it's not too hard to get him to roll his robes up, his pretty pitch black cock bobbing in anticipation, the male's breath clipped. Before even so much as reaching for him, you offer a skeptical, challenging glance.
Are you going to be difficult now?
Colmei appears to interpret the basic gist of it well-enough, buzzing quietly and bending big legs slightly so his offering is properly reachable. If that's not a pathetic beg, then you don't know what is.
" Mmm, are you sure? "
He makes another droning noise, this one climbing to high sputtering, almost like an apology, regret. Good. In his desperation, Colmei allows his tip to poise on your lips, spreading a bead of something so sweet your eyes widen when you swipe your tongue across it. Huh. You pat the small pocket on the side of your bunched up dress, finding the small vial still secured there.
Beneath you, Pebble seems about ready to burst out crying, hips starting to buck uselessly even if he's been told to behave. Poor thing, you figure you've tortured him enough. Knowing it's going to take a bit of coordination, you reach around to find the blue monster's hands, urging him to bend slightly so he can grab your waist, moving them, letting the gargoyle know he should use you however he pleases. Immediately, he starts bouncing you quickly, little rabbit thrusts that have you rocking slightly and laughing amidst the jolts of sensation now reawakening.
Redirecting your attention to Colmei, you make sure he's watching when you lace both hands on his length, motions a lot more practiced than his, letting him know that ambiguous pawing won't get him anywhere. The beekeeper's whole body rattles in a visceral shiver, you're able to see the muscles of his legs tense and his lower abdomen tighten as he discovers a brand new world of pleasure. Hopefully, he'll learn from this. The monster coos something in a fast staccato, a lot more active than Pebble, thrusting into your grip and huffing every time you stop to circle cruelly over his tip.
With so much curiosity biting at you, it doesn't take long before you're putting soft lips against him again, trailing a stripe from the root of his dick to the head, marveling at the slightly musky taste of his skin. The beekeeper instinctually holds onto your head, making a low, shocked sort of hum the second you take him in properly- Treated to the view of you slowly sinking more of him into your mouth, a playful tongue feeling around as he gets into your throat.
Thank Krulu for his training and body modifications. You'd be a little upset if you couldn't take him all in.
Colmei rattles with pleasure the moment he's fully enveloped by the warmth of your gulping maw, twitching inside you, shuddering when his balls brush your chin. Speaking of, might as well play around while you can. One hand grabs his leg for support, the other thumbs and rolls his nuts, if only just to hear his breath hitch again. Pebble, who unbeknownst to you has been watching the entire exchange, finally starts fucking you onto him properly- Perhaps out of jealousy that his neighbor is getting twofold your attention.
It's very easy for him to lift you, most monsters find the majority of humans easy to maneuver, though being made of such hard material definitely helps. The pleasant surprise of getting hammered onto his length has you moaning gleefully around Colmei, who begins moving as well, careful enough not to let you slip off him. While the gargoyle seems to be quickly recovering that previously lost climb, making self-satisfied noises at the vocalizations he elicits from you, Colmei is only starting to get into what might be his first oral servicing, snapping angrily at the blue mutant whenever he gets rowdy enough to nearly displace you.
" Hahh... Getting close? " You call to Pebble, able to slip off Colmei's cock for a moment to catch your breath.
Strings of drool mixed with excessively viscous precum cling to your jaw, the beekeeper's too restless to stay still, rubbing his wet cock on your cheek while you wait for a response. Your stone-hard sybian nods feverishly, a guilty noise echoing.
" That's fine, sweetie, don't hold back. "
You can barely finish the sentence before Colmei's trying to angle himself into your mouth again, throwing a glare at the beekeeper. Nonetheless, Pebble understands, and he rumbles out in delight, now pounding you from below with a vengeance that has you comically bobbing and gagging onto the insectoid without much work. Between the slap of your ass on him, the wetness of your cunt getting bred and the slurp of your lips around the other's cock- You don't even know which is more obscene.
It's easy to slip into a pleasured trance, skin erupting into goosebumps as you're used and loved on by the two, hands dropping to feel your own breasts and glide down your inner thighs, rolling your clit appeasingly. There are many, many benefits to your job, the best of them of course being fulfilling Lord Krulu's will- But sometimes, you think getting to service and show love to those sworn to him is up there in terms of reward. The rush of your approaching orgasm has you mewling sweetly, clenching increasingly hard around Pebble in an attempt to keep him snug inside you, kissing all the deepest parts of your core.
Apparently, that does the trick for the gargoyle.
Because he strangles out a snarl of rapture and sinks you fully onto him, claws tightening on your skin in pure instinct, keeping you screwed onto his fattening cock as that delicious knot begins to swell to its full potential. The stretch is harsh, unforgiving and burning hot but so, so worth it just to have it crush your most sensitive spots, pressuring, throbbing. You come hard the moment a burst of thick steaming gargoyle seed paints your walls, coating you, claiming you, filling you so nicely. The weight settles on your lower abdomen and you drool on Colmei's thick cock in glee, pussy pulsing for more. Pebble purrs loudly, previously clenched claws now stroking lovingly over your sides, tails swatting as he relaxes, with his still weakly spurting shaft lodged firmly within you.
" Good boy! Good job, you did so well! " You praise him, feeling his thighs flex briefly while he murrs and croons his gratitude.
That leaves the bee collector, who you can now focus fully on, lavishing him from top to bottom like the sweetest lollipop out there. And, admittedly, he is quite sugary to the taste. There's a playful perking of your lips as you teasingly mouth around his head again, flirting with his hole, leaning away when Colmei tries to push more into you. The male grunts, then makes a sound like a dying keen, cock jumping and balls tightening.
It seems maybe he does have a thing for edging. Perhaps that's why he takes so long to bring himself to orgasm, he does it deliberately, the little pervert. And now he's loving it when someone else does it to him. Hah.
Now that Pebble's down for the count and you've had your fun, you can afford to play with Colmei like he's no more than an interesting toy. He'll twitch and beg in that ceaseless humming, but all you ever do is lick, kiss and nudge at him, occasionally dipping to take some of his length down- You make the beekeeper belive that you'll swallow him to the base anew only to pop lewdly off him not even halfway there and chuckle.
He pulses so hard you're impressed he didn't climax right then and there.
Enough is enough however, you're starting to get sore from having your knees bent for so long. In a gluttonous fit, you suck Colmei down like he's the last male on Earth, ripping a grunt-hiss of shock out of him before he grabs your head sternly and fucks into your face with enough strength to hurt your nose briefly.
The hive guardian begins cumming down your throat alarmingly quick. The resulting substance is extremely thick and hard to swallow, sticking to your throat in a way that forces you to instinctively cough and sputter globs of his own jizz back around his member. Colmei only appears to thrill further at the sight.
With a couple of sharp jerks and warning sounds, you're finally able to rip your head off the beekeeper's grasp, tasting his seed for the first time. And even though the distinct flavor of what can only be honey is quite surprising -If not ironically hilarious- You're hurriedly fishing the vial out so you can collect a fair amount of Colmei's seed. A somewhat contaminated sample, sure, but it's better than nothing.
In his post-nut bliss, the monster doesn't really care as to why you're gathering his fluids, merely buzzing pleasantly, wings erratically flicking. His last few shots drip down your neck and coat your exposed tits. The cheeky fuck has the gall to try to wipe his cock on your face, met with a cautionary pinch from your part.
It must be some kind of honey. It tastes exactly like it. Even the color is that of a rich, glazed hue. Maybe this can even be profitable!
The vial is lowered to the ground, all three of you relaxing in the relative silence of the garden under a satisfying haze. Colmei pulls his robes down and squats before you, mask set aside safely so three roving tongues can weasel across your skin, licking the side of your neck and chin, cleaning you of his own savory mess. Behind you, the gargoyle rises as well, with a slight wince from the jostling of his sensitive cock in you, a fatter and less slimy muscle laving at your shoulder and dipping between your stained tits.
You sigh happily, slumping onto Pebble and letting the two sweethearts take care of your tired figure.
Mission accomplished.
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sugar-grigri · 2 months
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Noticed that in Part 2 there's notable chapters named after sounds... and the Ear Devil is the important one in these recent chapters. It's like shutting out the world by erasing them and everyone else trying to say "no, you have to listen and be present with us"
I think that if we interpret everything a little more meta, the disappearance of the ears and hearing, or the perception of noise, is a pretty clear warning to the reader, it's even quite mocking. 
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You can see that people forget the principle of a telephone without questioning the potential usefulness of the object they had in their hands. Moving on from the meta, it's a vital piece of information about Chainsaw Man's power. It's a cascading oversight. If you forget the Second World War, then you'll forget the Nazis, and maybe even fascism in general. 
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But above all, I think there are huge concepts in Chainsaw Man that we don't question, or even forget. It's not our general understanding of the work that's being criticised, it's the fact that, once again, we're not paying attention to the whole of a chapter that's being presented to us. The noise, the background, the muted reactions, the breakdown, the title, these are all pieces of information, and it's they that inform us, so it's our senses as readers. The more Fujimoto seems to support something, the more you have to question him. It's not insignificant that this criticism is made through Pochita, who is also Fujimoto's mascot.
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Pochita could eat ears and we'd end up not questioning them, just like all those people, we're no better. It's the same thing with Fujimoto, he does a lot of things in the background, in innuendo, but we don't perceive anything. 
I think the chapter where there's an awful lot going on in the background without paying attention in part 2 is, for example, chapter 156. Did you pay attention to any of that ?
But......?
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More ? Have you been trying to help Denji again ? And Denji didn't break the rules, the deal had been broken by Barem who went after his family.
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No, you didn't, Denji fainted on his own, you didn't give him that injection, or at least it didn't make him fall asleep. It's probably the other way round.
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How could Denji and Pochita have felt his legs being cut off? Because they could hear. And how could they hear ? That was the main question we had to ask ourselves, given the title of the chapter.
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Yet people concluded that Yoshida was still a piece of shit, a dog subservient to the public hunters. So a mole does exist, given the leak of information about the PS plans. And how did Asa and Fami find out about Denji's ultra-secret position?
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You can see the phone. But you don't question its purpose. What's the phone for? And what is the point of all these contradictions?
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Understand the implications of everything and don't forget anything, Chainsaw Man is a constant surprise. We've missed something. Part 2 is nothing more than Fujimoto discussing his work with his fans. Denji's existential crises? Artistic crises about the essence of the work, which is Chainsaw Man. Hear the noise all the way through.
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This last panel comes from chapter 133, which is really the chapter that questions the work the most, featuring Yoshida and Denji in particular. Why am I throwing this chapter away? Because chapter 173 told me to ?......
Did you see the number three?
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All these chapters deal with Denji's dream.
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"Be present with us". Pay attention to everything so you don't miss the train.
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magentasnail · 1 month
Text
one thing you should know about me is that I'm a little insane
all of the new bill cipher stuff and euclydia had sparked a lot of discussions about the nature of a 2D dimension, so now I have a very strong one sided beef with anyone trying to claim that "we, as 3D beings, can only see/perceive in 2D" and as a 3D being myself I have to disagree and if I don't voice my opinions in public I will lose my mind
so welcome to "magenta's trying to explain physics without actually knowing physics to anyone who's willing to listen"
so first of all, one major key of this debate is the difference between "see" and "perceive", because that can lead to some confusion
in my opinion there are basically 3 stages to "sight" (and any other senses): 1. the information the eyes gets (our retinas?) 2. the image our brains create from interpreting that information 3. us comprehending what we see
I personally think of "seeing" as at least level 2, but for the sake of this argument let's refer to seeing as level 1 and perception as 2 and 3 (separating them to perception and comprehension doesn't add much to the discussion) however I still think vision encapsulate the entire thing, so keep that in mind
if that's the case, I do understand why people claim that we can only "see" in 2D, because in a technical sense: one eye can only see a flat image
for example, if we have these 2 balls in front of us in a 3D space, we wont really be able to tell anything about their distance and size with just one eye
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HOWEVER, and that's the thing I'm mainly getting at: we do have the ability to tell size and distance in real life! by this great thing calls "depth perception"
now this is not really a concept I can explain with images since they are inherently flat, but you probably know it already just think 3D glasses, VR, or even just look around in your room! our two eyes + our brain gives us the ability to tell the distance of things from us! you can theoretically map the objects around you on a 3D grid just from looking at them, and if that's not 3D vision and perception idk what is
well, actually, I did see a thing being argued that "3D vision means seeing all sides of an object + inside of it, which is what 4D creatures will see" so lets think about that for a second
this argument stems from the way we interact with the 2nd dimension
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as all the flatlands lovers here know, when we look at a world of 2D creatures, we are able to see all of their sides, and their inside, so supposedly a 4D creature would be able to do the same for us
but that's where things gets interesting, so let's go deeper!
this usually comes up in order to say "this ability to see around and inside of an object defines what 2D vision is, and thus only 3D being can see 2D, while 2D beings can only see 1D" however, I don't think it has to do with sight at all! but rather with point of view and existing in a higher dimensional plane !
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the special thing about us really is our ability to move on the Z axis and separate ourselves from the 2D plane, and thus get a fuller view! so this doesn't have anything to do with us "being limited to 2D" but rather with us being 3D creatures in a 3D world and 3D perception!!! so supposedly, a 4D creature would be in the same situation, having 3D retinas and an overall 4D vision and perception!
if we were to be on the flat plain along the other shapes, our vision isn't going to serve us much better than it does for the 2D creatures, the only additional thing we will be able to see is the Z axis, which isn't really relevant to 2D beings
so now raises the question: can 2D creatures see in 2D? don't they only see 1D? ( - a line ?)
I'm going to jump through some loops here so I need you to hold my hand and bare with me
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lets say we have this triangular fella with one eye, the light information they are getting is linear, so basically a line (which is represented on the right)
now this is where I'm making a bit of a leap: will their vision have 2D depth? like we have?
think for a second of the way we see, technically, even the flat image our retinas see is based in some 3D: specifically, objects appear smaller as they are far away, lines wrap into a vanishing point in the horizon, stuff like that!
the 3D world around us is getting compressed into a flat image with perspective, which we can later decipher back into 3D using both our eyes !
and as you might have noticed, a similar thing is happening in our triangle friend's vision! even though both circles are the same size, the light blue circle is closer, and thus takes a much larger portion of their field of view!
unfortunately, as we have established before, while this is a result of depth, this isn't equivalent to depth perception, as our poor triangle cant tell anything about the distance of the circles! is that circle close to him? is that a giant far circle? who knows!
this is where having 2 eyes might help!
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our other friend, the 2 eyed triangle, should in theory be able to have depth perception similarly to us, and thus perceive 2D visually!!
how specifically their brain interprets that information is beyond me, the changes in distance, size and angles/curves might be visible as color changes or even width
it's important to remember that since there's no defined "width" to the "line" of their vision, it's actually filling their entire field of view and perception of sight, so it's not like it's a line within a black void but more of the definition of everything, so when compared to our perception of sight it's something more like this:
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and if you want to incorporate the idea of closer objects appearing larger in their perception, it might be something like this (for a bunch of random circles in different distances):
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the main thing is, when we are trying to say 2D creatures can only see 1D, it's usually just because we think of "2D vision" as a matter of height and width, when it can actually just be depth and width, both of these are valid ways of representing 2 dimensions! because there are 2 dimensions represented ! it's just a matter of point of view!!
I don't think our ability to see 2D objects from all their sides at once is defining what counts as 2D vision, it's just a way to see it from further away, and without relaying on perspective I guess?
so I guess that's the thing really, the core of this discussion: does perspective count? I mean perspective is what makes the axis that's "forwards" accessible, distorting the size to substitute distance. supposedly, when we step back to look to look at a 2D world, we don't need any of that distortion, and we can easily see both the accurate size and the distance of objects, so does that mean our vision is superior? that it's actually true 2D?
in my opinion, the distortion of perspective doesn't take away from our vision, it's just a way to represent the forward axis! no matter how many dimensions you have, forwards is always the first dimension to exist, and while you are looking straight ahead at one dimension lower than you are, your over all vision consists of a stack of "straight ahead views" along the additional axis, which I consider as giving it it's missing dimension!!
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trying to argue we can't perceive the world in the dimension we exist in doesn't make sense to me, we are 3D beings in a 3D world which we intuitively interact with! just like we can move around the 3D space and hear the direction sounds are coming from, I don't understand why vision should be limited to any less, and definitely not perception!
well that was fun! this is basically just a matter of semantics, but thinking and trying to analyze vision and different dimensions was just really interesting! and I hope it was interesting to read for you dear one person who read this! have a candy! 🍬 hopefully now that I release these thoughts into the world they won't hurt me as much !! time to dissolve i guess !
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thatbitchery · 5 months
Text
'Power' and 'power hungry' are those words that we have demonized and sacrificed to spread the level down propaganda that's egalitarianism and anti- hierarchy, when power is not only inbuilt meaning we all seek it but extremely important and useful to life.
Power is the ability to influence the outcome, perception and course of events. People that have power are people that have- control or at least influence over lives, theirs or otherwise. Lack of power is the most painful position one can be in- exhibit A your childhood if you had one of those parents. Lack of power power leads to slavery, bring under dictatorship, resentment, self loathing, humiliation, shame, etc. The most painful position you can be in is one where you Lack power over yourself.
Neitzsche (I can never correctly spell his name) insists that power over yourself is the most important form of power, and that a good life is a life spent garnering and exercising power over yourself. Power over yourself is simply- discipline. When your will is stronger than your impulses and urges and wants- when you're disciplined- then you have achieved the highest form of power in existence- which makes this the first point. An easy way to be powerful is to be disciplined.
Power over others, however , is just as important. As social species we are constantly in need of company, in fact isolation is a death- to be at the mercy of others is also a death. Since as a social species we are dependent on each other for survival it is important to have some level of power over others- we are also animals and people will naturally treat you at the lowest level they can- it's important to make this level as high as possible.
So then, some cheap / completely free easy to do ways to be powerful?
Articulation and eloquence. Jordan Peterson says the most dangerous thing a person can be is to be articulate and eloquent. Why? Because words are the most powerful weapon out there. Everything social happens through words , and it's a social species so do the math. Wars have been declared and ended over and through words. Relationships formed and destroyed. Governments created and disbanded- words. In my religion save for human beings Everything was created by words- its that powerful. The most powerful you can be is articulate. The way you speak- from your surface lexicon to your intonation to the speed you use to your accent- people judge you over this. It influences how people treat you and think of you. It's soft power that's also explosive. Increase your surface lexicon. Get rid of your original accent and get one that people either a) find superior or b) commonplace ie most people have it (fun fact before skin color and origin we assess each other on accent basis and subconsciously decode if we like you or not. Explanation: people in the same tribe have the same accent , so consider eo brothers and safe. Strangers, not so much). Learn to pace your words. Be straightforward and open. Which drives me to point two
Honesty and authenticity. Look , I think you should lie. Manipulate girl boss gatekeep - these require lying at some point- go for it. What's more powerful, though, is to learn to ger what you want by manipulating the truth. You know what they say- the truth will set you free. Here's the problem with lying- we can tell. There are tells and subconsciously cues that your body sends when you lie and we subconsciously detect them and when you're caught in one lie it destroys your credibility all round. It's like a castle of jenga falling apart, everything that was once in harmony just- trips over. Credibility is the backbone of all relationships- you lose that you get isolated. Honesty is such a powerful tool because a) its vulnerable b) it signals confidence c) it builds trust d) the gift of companionship- you meet people that can actually relate e) you don't need to remember too much or always hold up a facade, the truth will set you free f) it's such an idgaf move that makes you seem superior especially if it's something you'd get judged harshly on. Just- be truthful- I've given f ways in which it influences how people treat you. The trick here is to do the mystery thing- keep things to yourself, unlearn your need to overexplain or justify, learn to give vague, short and true answers and when in doubt, cry.
Knowledge is power- what more must I add. Read. Keep up with the economics and government politics. Learn personal finance and build a financial base. Read fiction. Listen to podcasts. Be informed. Know the things that matter, and no that isn't drake X Kendrick Lamar it's things that matter. Get good grades and hold, at the very least, a bachelor's. Watch movies and go to the opera. Subscribe to newsletter. Be informed. Know. Knowledge is power. Join training camps and whatnots. Be skilled and efficient.
Networks. Power is stored in webs and security is in numbers. Exhibit a) try attack someone with a strong fan base see how that goes for you. You want to be powerful? Have friends, and not just friends. Powerful friends. I don't mean a team of CEOs necessarily- loyalty at the top is tricky and unless you're also a CEO that might not be easy- I mean people that can influence the turn of events. Sometimes- like in fandoms- it's simply just, people. Who your networks are made up of is dependent on what you want- as long as you keep in mind security is in numbers. Run up your numbers, ma'am. Forget your introvercy and self isolation methods , leave your house and learn to talk to people and run up your numbers. The most powerful you can be, is to get to a point where a) you have numbers on every level b)you have a cult leader like presence- that people worship you and are willing to die for you. Like most celebrities do. That's security, that's power. If you have a Nicki Minaj level fan base people treat you well because if they don't your fans will tear them apart. & you can get away with anything because they will justify it for you.
Grooming and mannerisms. We- inclusive of you- judge our books by their covers. Before you speak your Grooming and your etiquette speak for you. That's, I'm not explaining this. I know you know.
START HERE
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punkpandapatrixk · 9 months
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Full Beaver Moon in Gemini ♦︎ Moon Magick Pick A Card
(I’m ultra-sorry for this PAC being ultra-late!! I’ve been in deep, intense spiritual rehab🙏🏻Also, y’all have NO idea how much psychotic psychic ‘opposition’ I was fighting to get through with this PAC! It was plain insanity at this point. If you’ve found this PAC and you resonate, please, PLEASE, take care of your spiritual wellbeing and amp up your psychic protection for next year!)
☆♪°・.
Collectively speaking, the whole of Mankind is being prepared for a massive transformation that, hopefully, will lead to real, lasting harmony and prosperity. It is high time Mankind grew up and learnt to be responsible for the choices it makes in regards to co-Creation with the Universe. Where attention goes, aenergy goes, right?
Every man’s priority and perspective hold the power to shape—and reshape—Reality. For realz. For we are all part of that same fabric of Reality, we are constantly, with each other, co-Creating various spectrum of experiences that affect each other’s wellbeing. It’s inevitable. Your attention is what gives power to the Matrix. If you want to beat the System, you need to learn its mechanism and ultimately, stop giving your attention to Reality creation that doesn’t serve the highest good of all of Mankind.
Full Beaver Moon was on November 27. Its effects can still be felt by most peeps until at least April Fool’s next year (funny). This full moon is second to last before this year’s final Full Cold Moon on December 26, which will be in Cancer; and so the meaning of this Beaver Moon is for us to gather as much resource as possible before the cold winter.
For this Beaver Moon is in Gemini—the sign of thinking and learning—this implies gathering info, perspective, knowledge, intel as much as possible for us to study and digest all throughout winter. Sounds funny but trust me this will be SO relevant by spring next year. The aenergy I’m tapping into is super intense as the whole of Mankind is being ushered into a phase of rapid growing pains that will affect societies on a global scale.
Death of an old paradigm. Death of the 3D Self. It’s all happening. If you identify as a Lightworker or a Starseed, the message you find here could potentially be more relevant to you than most other peeps you know in your circle. You’re in gestation mode. Get ready because spring might be…weird?
It’s high time Mankind learnt to be responsible for its real power of co-Creation. Those who are more spiritually attuned have always had a craving for a freer, more authentic existence. Use this time to rest your heart, your mind, your soul, and let your Higher Self show you the way towards new avenues and grounds for things and pursuits you’ve always felt a calling to.
Even your weirdest hobbies and interests are no coincidence, hon. 2024 will probably not allow anyone to have a stagnant time—for better or worse… But you? You’re going to have a blast! I just know it🥂
[Masterlist] [Patreon] [Paid Readings]
☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
Pile 1 – Spread Your Wings and Fly Away
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resource – 3 of Pentacles
I hope you acknowledge just how resourceful you are as a person. On top of that, you’re naturally courageous. If you feel like you’re not that brave, it must’ve been your environment and the people you’ve met that have dimmed that fire in you. It is now time to reclaim your authentic voice. And you need to begin with acknowledging just how much your environment is stifling your creativity and/or originality. It is only by understanding the patterns that have shaped the way you view yourself can you then unravel that false perception that, you could say, was imposed on you.
Don’t kill your inner child to please the adults around you—no matter who these adults may be (they could be your peers if you’re already an adult yourself). When you were born into this world you carried seeds of courage, creativity and invention. All of these are such precious gifts for Mankind. You were supposed to develop yourself as one of the new builders of New Earth. You may have forgotten the minute details of your blueprint, but I know that you know it in your heart of hearts that this is the truth of your reason for being born :D
recollection – XVII The Star
You’re literally the only Pile that’s gotten a Major Arcana. Surely you know you’re a Starseed? :D If you don’t, you soon will. Perhaps your parents know something about the ‘waves of volunteers’ that was quite a topic back in the 60s or 70s? (I’m not duper sure about the timeline lol) At any rate, you have a great destiny ahead of you and it is imperative that you acknowledge this of yourself first before you’re launched into initiation*. What’s that about, you ask?
Many of your latent talents that may still be offline right now will gradually be uncovered for you. Throughout 2024, I’m sure you will experience many awakenings of sort that will propel you into remembering bits and pieces of talents you had acquired in other lifetimes. All of these gifts, are your gifts to Humanity. There is a divine reason why you’ve had to work so hard for your own personal transformation before you could assist others in helping themselves transform their paradigm. OK?
respite – 10 of Cups Rx
It is rather common for Starseeds to feel like the family they were born into, isn’t the family they belong to. Many Starseeds even find themselves look quite visibly physically different from the rest of their family. There’s just something there that seems to act as a bridge between your entire existence and theirs. You don’t think the same way; your moralities totally clash; the essences of your values are worlds apart; and so on. You’re right, these people aren’t the people you’re meant to call ‘family’. Their only purpose is to show you how ‘crazy’ develops in people, all for you to learn to navigate it and put an end to generational curses on Planet Earth. And thus it begins at ‘home’.
I have a feeling that for many of you reading this, there is an elder in your family—a much older elder—whom you could actually talk to, who would be able to share information about circumstances surrounding your birth or the bloodline you are born into. In another scenario, this person may not be older but simply possesses immense knowledge pertaining to your raison d’etre or even Life Purpose. In yet another scenario, it may not necessarily be a family member but rather, a teacher, a divine someone you meet serendipitously, or some random-ass wise Boomer you watch on YouTube who holds ideas and perspectives that make you feel seen and validated.
The period from this Full Beaver Moon until at least April next year may involve a lot of healthy grieving. Let yourself feel those emotions and feel Human. You deserve a safe space to be yourself and see all your dreams manifest. You’ve got this, OK? One day you will be serving the Light by sharing your stories😊
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*I’ve included further technical interpretations of what this ‘initiation’ means for Lightworkers and Starseeds in the bonus content🐛
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Pile 2 – Where Have You Come From and Where Are You Going, Dear Traveller?
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resource – 7 of Cups Rx
In your childhood, I feel like you were forced to grow up faster than your peers. Your environment was not exactly friendly to the dreams and imaginations of a child. So you grew up to become practical, pragmatic and responsible rather quickly. But it was really hard to grow up like that because you, the real you, are a visionary. A visionary is someone who has many dreams and wild ideas, and in the right environment, a quality like that would’ve been much, much more celebrated! In the wrong environment, a dreaminess such as that is stifled.
This FM in Gemini invites you to revisit this dreaminess of yours because in your imaginations and daydreams lies the map of your Soul. Where have you come from and where are you going, dear visionary? Understanding your place in the world helps you gain insight about your Life Purpose, so to speak. What gifts have you brought into this world to share with Humanity? What challenges have you come face to face that have shaped your unique skills and perceptions?
recollection – 6 of Cups
Your home environment, your family and society have shaped the person that you are. It is important to understand your ‘roots’, kinda, so you know your strengths and weaknesses when standing in the midst of society. The rich kid from the upper echelons of society will possess skills and knowledge the poor kid from the hood wasn’t fed with. But likewise, the poor kid from the hood will possess perspectives and street smarts that are very unique in comparison to the shielded experiences of most privileged kids. Something like that.
One is not necessarily superior to the other. It’s mostly about understanding where you’ve come from and where these experiences, skills and perspectives could get you. Know your own uniqueness and use that to serve Humanity as you use that to take care of yourself and those you care about. A true sense of success can only come from being useful to other people, for the most part…unless you’re a psychopath XD
respite – King of Pentacles
You have so many natural talents that could make you money, that much I’d like to reaffirm. But more importantly than money, it’s that you have such a strong penchant for true leadership. If you work with your Throat chakra, you could become a very appealing public speaker. You could convince people to join your causes. But to become a true leader of the new world, you must possess good morality, so don’t forget to take care of your Solar Plexus and Heart chakras, so you don’t fall into the trapping of manipulation through speech.
Honestly, I think you are such a good person in spite of all the mental/psychological hardships you’ve had to grow up with. Calm your nerves down and enjoy slow moments with, idk, camomile tea or lavender bath, every now and then? Relaxation practices like breathing meditation, or even just fixing your sleeping pattern/schedule, could help you get in touch with your inner child again and I feel that this is something that will be important for you throughout this winter☃️Everything about your Life will become a lot clearer by spring, trust that😉
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Pile 3 – Let the Past Die and Live on For Your Soul Tribes
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resource – 3 of Cups
Honey, it’s time for you to rejoice. You’ve been through so much disappointment, so much heartbreak, and people have betrayed and abandoned you, and you’ve come through nevertheless. Surely that deserves some kind of karmic reward? Your Spirit Guides, your Soul Family, are applauding you for all you’ve been through. I think you’ve worked hard on yourself. Releasing yourself from past pains, distancing yourself—to the best of your ability—from toxic people and environments, and you’re about ready to serve your Dharmic Purpose.
I know many of you reading this will resonate with having worked on transmuting a lot of generational karma, but plenty of you tapping into this reading have even worked on transmuting geological karma and curses. The geographical location you were born into or the race you were born into, collectively speaking these kinds of things also carry generational curses based on terrible things that have happened on that location. I’d like you to know that you’ve done so much just by existing! You are the magic, the miracle that you’ve been hoping to see in the world🐣
recollection – Page of Pentacles
You’re an individual of many talents, but I’m sure there’s like 2 or 3 things you’re INSANELY good at. Do you know what they are? If you focus all of your aenergy on just these few main talents, you will literally shift your whole Reality to a much higher bandwidth! Try it. By focusing on just these few main pursuits, I sense you will be attracting your Soul Tribes at a much faster rate. I’m seeing these pulsating energetic vortexes that represent you and your Soul Tribes currently incarnate on Earth. These vortexes are spinning and expanding so rapidly that you and your Soul Tribes are magnetising each other into your morphogenetic fields—essentially, your Realities.
You and your Soul Tribes literally have unique missions on Earth and when you meet and collab, everything is going to make sense for you. These seemingly different groups of people are doing things (or exist in industries) that are similar to your own interests and visions for the world. I sense you may have felt a calling to be part of a certain industry and you’ve been studying and preparing yourself for that. ATTENTION! THIS. IS. NOT. RANDOM. You are being manifested by that industry if anything LMAO You have a place there so keep going!🌾
respite – 2 of Cups Rx
With all of that said, let this reading be your confirmation that you can make the choice to die to everyone and everything that doesn’t align with this vision in your mind that you know comes from your Soul. Be a ghost. Hustle in quiet. Don’t spill the beans until they are ready for planting. And when you plant, plant with your Soul Family and not those who are only pretending to be there for you so they can take advantage of you later!
Connections with your real Soul Tribes are going to feel effortlessly uplifting on top of being respectful of boundaries. Interactions and exchanges with your real Soul Tribes are never going to make you feel icky. Trust your gut instinct when you feel that someone you’ve come to trust is probably manipulating you with kind or sweet words imbued with some dishonourable intent. You’re probably right but let’s not take chances; you’ve had enough, so keep your brains about you, too. Best to use this time to build—or rebuild—your world of everything that makes Life worth living🎂
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dallasgallant · 2 months
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“Ain’t nobody call the Fuzz in this neighborhood cause they know better!”
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This line sits with me as a very telling one that often goes overlooked, as it’s lost in the blur of energy before the rumble. Now most of this is going to be from existing knowledge but it did prompt me to dig into poor communities a bit more. The line is said differently between the Book and the movie but both are said within the idea of pride and community— when they’re caught up in the high of before a rumble, all the energy close to bursting out of them- repping their kind and going on this spree of yelling stereotypes and taking ownership. In the movie Steve’s much more happy and hyped as he yells it— in the book he also says it to correct Darry but in a more exact tone.
In a surprise to no one cops aren’t friends to poor communities. Economically poor, crime heavy communities tend to be over policed and often met with force, brutality etc. We know the boys get hauled in a lot, sometimes just for the assumption they did something. Cops pick out, they stereotype and often target within the neighborhood.
There’s a social aspect as well that’s not so direct to do with police action and that is the social isolation. Lack of resources, mistreatment and disapproval from those outside creates strong communities that further isolate. In a lot of ways it’s a helpful thing, mitigating the effects of poverty by having a social net and trust. A detail I like is that Darry seems to be a part of a phone tree when Pony was late the first time (not exclusive to poor areas but a great example of having networks.) People help each other out “help their own” building networks. A lot of work is under the table or can be barter based - questionable legality of work, building/fixing things, way of general running of life. Perception of law is different.
This isn’t to say everyone in the neighborhood has broken the law at some point but it’s likely a lot have at least something of questionable legality or more likely have family members who are greasers, criminals etc but will protect them. All of the guys instantly flock to go help Dally after he robbed the store and have been stated to hide and protect the guys whenever they do something like this. It comes back to the “help/protect your own” … no one in the neighborhood is calling the cops because they know what will happen if they do. A family member or friend might be taken in, potential brutality, people coming in and uprooting the way you live your life because it’s “abnormal” etc etc etc.
If someone does call the cops who do you think they’re going to help? A bunch of no good, greasy hoods or the nice boys from the other side of town with their khakis and new cars and clothes? It was probably a greaser who threw the first punch too… doesn’t matter their side of town or what its over, or if some Soc is standing over some bleeding greaser kid. It’s systemic. (An aside but this is also why it drives me nuts people would assume the boys to be bigots because they’re … lower class in the 60s… let’s do some introspection there. Added to the fact that, there’s a lot of overlap with racial issues, their community would likely be FAR more integrated than the west or even rest of the town. Not that their wouldn’t be ignorance but the assumption— that’s not the point of this post but a pet peeve of mine)
Anyways, the Outsiders often gets reduced to a simplistic “use vs them” of just Greaser vs prep like it’s one of the beach movies they watch. When in reality it’s actually a lot to do with class and societal expectations/conditioning.
—
Papers if interested Here and here
Either for general interest or potentially helping with writing. Ones an older study (which skimming and certain sections I found interesting), the other IS Wikipedia but it’s for the general idea
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is everyone in milgram just dead
Okay I'm making this post because while I'm not sure how much I believe this, it's a possibility that's been eating at my head for a while, so I gotta share it somewhere even if it's not the most solid theory in the world.
So anyways, hello members of the jury! Today I want to discuss the weirdly recurring theme of the prisoners in Milgram possibly being dead, and Milgram being some sort of afterlife thing. Given the fact it clearly has some supernatural elements, it certainly isn't impossible. So let's get into it!
CW Death, murder and suicide, abortion, child abuse, drowning, cults and indoctrination, waterboarding, gang violence
Yuno and the Allegations
The biggest hint that at least some of the prisoners might be dead is the in Yuno's second VD, Absolute Zero.
Yuno: Oh! Also, that reminds me, there was one thing I'm curious about. Es: What? Go ahead and say it. Y: Am I…really alive? E: That's…what do you…. Y: Hm…if you don't know, then it's fine. E: Yuno…. Y: Hey, it's time, right? E: Y-yes. Prisoner number 2, Yuno. Sing your sins.
Weird thing to say, really. So, presumably, she has some reason to believe she might be dead. Which is especially worrying because Yuno is one of the most intelligent and perceptive prisoners in Milgram, and might even have higher awareness of some of the more supernatural/meta elements of the series, as seen by images from both her cover songs appearing in Umbilical and Tear Drop.
All this is to say, if Yuno has reason to believe she might be dead, we have reason to believe so as well.
There are two points of Yuno's story were I feel she could have died. One is during her abortion, given a question from Trial 2.
(T2) Q20: Did you hate the person you killed?
Y: It was too much of a pain to for me to think about anything.
So her abortion was painful, which likely means it wasn't done in a hospital, as professional abortions typically don't cause too much pain in the moment (source), even if they can cause cramping or discomfort in the recovery period. If it wasn't done professionally, and it hurt a lot, it's very possible she may have died while performing it.
However, because of a few things we'll talk about later, I'm not sure this is very likely. The answer I find more likely is that, unfortunately, she may have committed suicide by jumping off the staircase we see her standing on in her Undercover silhouette shot.
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For one, because what the hell would this shot even be otherwise. I've seen people suggest infanticide as opposed to abortion, but that wouldn’t cause physical pain (you could argue that answer is about emotional pain, but I'm not sure how much that works), it doesn't match her kill-shot in Undercover, and she herself has claimed her "muder" was abortion (and I don't see reason for her to lie about that). It also doesn't seem likely she would get pregnant more than once, seeing this question:
(T2) Q10: If you could turn back time, would you commit the same murder once again?
Y: I'd make sure that I won't have to commit it. That's it.
So, then, what the hell is up with that Undercover shot? Usually they say something important about the prisoner or their crime, but it really doesn't seem to have anything to do with anything.
This is where I bring up that Yuno falls off a staircase at the end of Umbilical.
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Like, obviously this is more meant to be metaphorical, as in Yuno "slipped up" and now has to avoid falling by grabbing the balloon, which ends up destroying the staircase which had previously been related to the mixing of DNA (long story). But... she still is falling from a staircase. That is what is happening in the video. This is a silly argument, but it does exist.
Now, there's a few other things which could imply this, but that will have to wait for a moment. So while there is very little evidence for now, I'd say this is the most likely reason for why Yuno believes she may be dead. Especially given she might have depression (check out this cool post by weather-cluddy), her comitting suicide is sort of the best guess we can make I feel.
Nevertheless, no matter the reason why, Yuno believes she may be dead, which opens the door to other characters, if not all of them, to be dead as well. Let's take a look at the other prisoner most likely to actually be dead in my opinion, and see if we can establish a pattern.
Haruka's Worrying Situation
I believe, even if no one else is dead, it is highly likely Haruka attempted suicide. I am not going to go too in-depth in here, because moibakadesu already made a really good post about it, which is where I got the theory from in the first place. In fact, the idea Haruka may have at least attempted suicide has existed ever since Trial 1, check out this cool post by Venus from thinkin-bout-milgram. Here's a summary of what the main points of the theory are:
-The repeated motif of water and drowning could indicate the way Haruka killed himself, especially since he lived in Naogaka, Niigata, known as the "city of water."
-Haruka repeatedly attacks and even strangles a younger version of himself in Weakness, in one occasion alongside the lyric "I've become a victim, I've become a victim."
-The young girl in Weakness might actually be a representation of the "ideal Haruka", as he's stated his mother wanted a daughter instead of a son (I don't actually agree with this part, I do think the girl is a literal girl Haruka killed, due to several lines from his VDs, such as him saying Amane "brings back bad memories." However, it's still a possibility)
-The nonchalance with which Haruka speaks of comitting suicide in his second MV, Metamorphosis of the Weak, could imply he's already done it once.
-The line "if with one click, and I can reset everything" in AKAA can be more directly translated to "if with the push of one button I could be reborn", which paired with butterflies being symbols of death and rebirth and being connected to Haruka because of the name of his second VD, could imply Haruka died and was reborn.
-Haruka standing on a chair in AKAA as his shadow lines up with the shadow of the bars in the window to create the ilusion he has a noose around his neck.
-At the end of AKAA, Haruka is surrounded in what looks to be formaldehyde, which is used to preserve the corpses of dead animals, while the aforementioned "I could be reborn" lyric plays.
As you can see, there's a lot here, which is why I think it is highly likely Haruka comitted suicide.
There is an issue with bringing this theory in, which is that part of the theory is that Haruka's silhouette in the Undercover shot doesn't have white noise, which separates him from the others and could imply he's a victim like Hinako and Mahiru's boyfriend, who similarly have no white noise. The problem for our purposes is that this theory assumes a lot of the other prisoners, such as Yuno, may have committed suicide as well, creating an inconsistency with this point. I don't have a good answer for this, beyond a really odd, Hamlet-esque "Haruka is a victim of his own madness" kind of thing which doesn't work very well, so unless any of you have another explanation, it's best for this theory to just sorta ignore the white noise thing.
So, now we have two prisoners who very likely died before Milgram. This vaguely establishes a possible pattern: what if all the prisoners were taken right as they died?
Muu’s Mysterious Memory Mishaps
Es: You said you wanted to go back home, right? And, "suppose" we did let you… Even if you were to leave this place, you'll then have a brush with the police, won't you? Muu: *Surprised* E: I mean, you've killed someone anyway, so are the police not making a move in regards to that? M: Well, I don't know. As of now, I don't have a clear memory of what happened after I did it. And then before I knew it, I was here. E: Is… that so? M: You guys should've known that, being the ones who brought me here after all.
This line from Muu’s first VD has always intrigued me. Muu doesn’t have a very good reason to be lying here when seen in full context, so she’s likely telling the truth. But, why? Why doesn’t Muu remember anything clearly after her crime, and why was she taken so quickly after committing it?
First idea is that perhaps all the prisoners are simply taken right after the murder they’re in Milgram for; even in the case of multiple murders, you can say Milgram just decided to take them for the last one exclusively.
However, Shidou serves as a counter example, because of the ending of Throw Down.
It’s a pretty simple logical progression. Shidou has no reason to kill after the flower person dies, so their death is after his last murder most likely, and yet he does remember it happening. Thus, Shidou has a memory of something which happened an undetermined amount of time after his final murder.
That means the "fuzzy memories" thing isn't universal. This can also be vaguely inferred by the attitudes certain prisoners have regarding their "murder(s)", like Kazui for example.
Now, you could argue Muu simply doesn't remember well because of the Trauma, and she just happened to get taken shortly after her murder. However, there is a chance now that there is a reason she was taken shortly after her murder.
You know what this post is about. You know what I'm about to imply. So I'll make the observation now:
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In It's Not my Fault, one of Muu's shoes is off after she kills Rei. And we have seen this imagery of "one shoe off" to represent suicide before.
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It's common in Japan to take both shoes off before comitting suicide, but if you want to read into only one of the shoes being off, you could argue it represents they're "half-suicides", as Milgram also considers them murders. In that sense, you (or Muu) could argue were Muu to commit suicide after killing Rei, then she would also become "Rei's victim", the same way Hinako and Mahiru's boyfriend are Kazui and Mahiru's victims.
This idea that Muu might still be a victim in the situation could also be implied by the lyrics here:
[It's Not my Fault] It’s not my fault after all, after all. Everyone wants me to be innocent. What a relief. Can’t be helped. I’m always meant to be pitied!
(Btw I'm using the fan translation in the wiki because the English subs in that video are... odd)
Yes that sentiment is repeated a lot during the song, but Muu does shout "I'm always meant to be pitied" ("I'm always the drama queen") at the top of her lungs here.
Now, the shoe thing isn't quite like that in After Pain, but we never actually see Muu's shoes in the real world, only in the blank inner world with the broken hourglass, and there are other inconsistencies with reality there, namely Rei's body's position.
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You can see her right shoe is on there, but again, this scene isn't real.
The concerning thing is that apart from that, After Pain does not help Muu beat the suicide allegations.
In particular, look at the scene of the photo I put there. You can see there's a bunch of people judging Muu for her murder, as it's usually not considered a socially acceptable thing to do. But, hold on, didn't Muu say she didn't remember anything after her murder? Correct! That means she doesn't remember this "judgement" happening, but she imagined it would. Perhaps that's what the one line means:
[After Pain] Counterattack being a suicide note
Counterattacking Rei, killing her, is social suicide. For obvious reasons.
...
But it's still called a suicide note, which is not a good look. And yes, I do think the Japanese lyric explicitly references death, though take that with a lot of salt since that's just Google Translate and DeepL talking.
In fact, that entire set of lyrics is pretty odd.
[After Pain] Let’s meet up inside the pain, a place just for me Postmortem makeup to hide my heart, how to solve it is a secret The stabbing of the little devil’s voice, counterattack being a suicide note “I love YOU”
"Meeting up inside the pain" probably refers to hurting Rei, so now they're hurting together. The "stabbing of a little devil's voice" is probably referring to dangerous impulses, so murderous thoughts. "Counterattack being a suicide note", already explained. "I love YOU", because Muu is a girlkisser.
But the "postmortem makeup" is odd. You could argue the "death" which happened before the "makeup" was applied was the "death" of Muu's reputation, her old persona. Rei "killed" "that Muu", and now Muu is hiding her real feelings with "postmortem makeup."
But then, why would the method to solve it be a secret? Who is she keeping it secret from? Rei, and all of Muu's old 'friends', all know what lies beyond that makeup, they all saw what Muu was like before Rei stepped in.
That means there's another interpretation. If her real feelings are a secret, there's only one person they would be a secret from. Es (and us by extension). In a way, After Pain is hiding part of her heart, the less sympathetic parts shown in full in It's Not My Fault. Muu being a bully was already implied in After Pain, mind you, but it was still relatively "hidden", at least compared to It's Not my Fault.
And if that is the way we're meant to read that line, we run into the allegations again. If the makeup is for Milgram, and it's "postmortem" makeup, then Muu is already dead.
And that's without mentioning how much After Pain seems to imply suicidal tendencies in general.
[After Pain] If I was gone, If I had just disappeared I overheard, I found out How much I’m not needed There’s no special meaning, I got the short end of the stick I overheard, I found out How much I’m not needed
I don’t want tomorrow to come, I want to forget yesterday I was miserable, someone please help me
Maybe I’m done Just one more time before saying goodbye I’m just kidding, please forget I said that
The only lyric that doesn't seem to imply it is:
I want to feel “alive”, is it ok if I breathe?
But feeling alive and being alive isn't quite the same, right? You can be alive without feeling alive, and if someone doesn't feel alive, it's possible they're not a very good state of mind.
So, what could this all imply? If we're going with the idea of murder-suicide, it's possible Muu was very worried about how people would hate her after the murder, as implied by After Pain, decided she didn't want to deal with that, and unfortunately made the decision to kill herself.
One small thing which could serve as a counterpoint is her Trial 1 Voice Reveal distorted line.
Fufufu... It's your fault... for doing horrible things to me.
She seems pretty sure of herself here, and it's very likely this is after her murder. But it's perfectly possible she said this initially, then thought about the social consequences, and that's when she started to feel bad. It's also worth noting the only time in It's Not my Fault where Muu seems to hesitate is right after her murder.
[It's Not my Fault] Wait, wait, just as a hypothetical. What should I do if I’m actually a bad girl? Don’t ever hate me, and don’t look for what lies “after and from” the pain.
This is immediately after the murder, when she comes out of a caccoon, presumably her arriving at Milgram. So, she was initally confident, that's when she says "I’m always meant to be pitied!" in It's Not my Fault and presumably her Voice Reveal line, then hesitated and started to feel awful as we see in After Pain.
... Well, there's also the way more uncharitable reading where Muu killed herself so people also pitied her instead of just hating her for killing Rei, but that's a bit too dark and in bad faith for my tastes. It is there, though.
So, yeah, Muu may be dead too. And she brings with her an interesting implication; the prisoners may not have clear memories of the events leading up to their death. So, even if some of them committed suicide, it's possible they simply don't remember ever taking the decision to do so, explaining their behavior in the prison.
And it also could explain away... one apparent contradiction. One which exists outside of this theory, but that this theory could explain.
Amane and the Voice Reveal Trailers
As most of you know, the Voice Reveal trailers for all these characters contain certain distorted phrases which in general seem closely linked to their murder. And as pointed out by blueepink07 in this post, it seems the First Trial Voice Reveals are things the prisoners said after their murder, while the Second Trial ones are showing a point before their murder. Check out Kazui's, for example.
(T1) "I'm so dumb... Why did I have to dream?"
(T2) "Hinako, I love you more than anything."
There's also Muu's, since I've already brought it up before.
(T1) "Fufufu... It's your fault... for doing horrible things to me."
(T2) "Hey..why don't you listen to me...? I'm telling you... Hey...HEY, I'M TALKING TO YOU"
The second being right before she killed Rei.
That works well enough for all the prisoners... except Amane.
(T1) "Ahh! I'm so sorry...! I'm sorry...! I'm sorry for breaking the rules!"
(T2) "Father is a very praiseworthy person. Once [my/his] virtue increases, he'll come back home, right? It's a little lonely, but I'm fine!"
In theory, Amane would have been punished before her murder, as we see happen after she heals the cat in the taser scene. Meanwhile, if she's lonely without her father, it could perhaps be because her mother is dead after Things Happened (yes I'm going with Mother!Victim theory on this one).
But that's not the case. Following the pattern, the line about her father coming home at some point is before her murder, and apparently, she was punished for breaking some kind of rule after her murder. The implication here, horrid as it is, could be that her father returned home after she killed her mother and punished her for doing so.
Thankfully, this is impossible. After all:
(T1) Q18: Do you regret your "murder"?
A: No. It was a natural obligation.
(T2) Q3: State the name of your victim.
A: There is no victim. Only the punished.
(Taking some liberties on the translation of Trial 2 since the questions are still coming out as I write this)
So Amane genuinely believes she was following her cult's principles to a T when she killed her mom. As much as that likely isn't the case (long story), if she had gotten punished for killing her mom, then she wouldn't think like this. If she had been punished for it, she wouldn't think her murder was a "natural obligation", but rather a mistake on her part.
What this implies is that Amane doesn't remember being punished by her father.
...
Amane... doesn't remember...
Fuck.
Yeah, remember when I said it was possible the prisoners don't have clear memories of the events leading up to their death? Going by the "T1 after - T2 before" logic the Voice Reveals seem to follow, we can infer Amane was likely punished for killing her mother, but we also know she can't remember it happening, otherwise she would regret it. And based on what we learnt from Muu, we do have a way to explain how that could happen. If Amane died while receiving the punishment the T1 Voice Reveal alludes to, she wouldn't have a clear memory of it.
And the thing is, it does seem likely Amane received this punishment. Think about it. Interrogation questions are one thing, since the creators don't fully control them, but why mention her father would possibly return home in the Voice Reveal trailer? Unless he did. Hell, you could argue we might know the exact moment he returned. Amane does look at the entrance of her apartment at the end of Purge March, though that could simply be for dramatic effect rather than being a literal thing which happened.
But there's more. Because if her father returned home, we might actually have an answer for another one of the mysteries surrounding Amane's situation. The Undercover prisoner card.
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The image on her card seems to show a bathroom. It is widely assumed the images on these cards are the location the murders happened in, but to my knowledge, this isn't 100% confirmed. However, this creates a small issue with Amane. Just looking at the murder shot in Purge March is enough to confirm that.
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I made a more detailed theory on her murder on this post, diagrams included (scroll to the bottom if you're only interested on the murder), but for now, there are two things to note here. One, there's a trail of water which seems to come out of the door with the light on, as the puddles are bigger the closer they get to it, implying that room is the bathroom. And two, the room the murder actually happened in seems to have a window/door behind a curtain, which isn't what Amane's bathroom looks like.
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Adittionally, there isn't any blood outside of the murder room, implying the victim's body wasn't dragged there.
All this seems to imply Amane's victim didn't die in the bathroom, which is sorta a problem considering the previously mentioned commonly accepted theory. But this idea that Amane may have died while being punished, perhaps while being drowned as we know that's one of the accepted methods of punishment in her cult, brings up a different possibility.
What if the images in the prisoner cards aren't showing murder location? What if they show the last place the prisoner was seen in, the place they died?
Kotoko, Mikoto, and the Prisoner Cards
So, first, is there any indication either of these might be dead? For Mikoto, not really. Sure, there's the whole Death card at the end of MeMe thing, but that doesn't have to be taken so literally.
Kotoko has a very little potential hint in the fact she's shown alongside a wolf at the start of HARROW, but by the end the wolf is by itself. If the wolf represents a potential partner (long story), then maybe Kotoko died?
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Though you can easily argue the wolf is slightly different and thus is meant to just represent Kotoko.
However, the reason I'm bringing them into this is because their prisoner cards are completely nonsensical under "murder location" theory for the images shown. Let's start with Kotoko.
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It shows an alleyway, which at first seems like it makes sense. We do see her attacking a man in an alleyway. However, after that happens, one of the pieces of background text says this:
◆ A wanted thief was assaulted by an unknown assailant Early yesterday morning, a nearby shop employee reported hearing screaming and seeing a man lying on the ground. According to the Tokyo Metropolitan Police Department, the man had lost consciousness after being beaten on his face, stomach, and other areas, and was taken to the hospital. The police are currently trying to identify the suspect. [...] According to previous investigations, the male victim was wanted throughout Tokyo for theft and assault charges and was identified as the suspect, Mikio Oshii.
(Translation by Maristelina)
Mikio Oshii is the name of the man Kotoko assaulted in the alleyway. It seems odd to me that we would learn he was taken to the hospital if he later died in it somehow, especially because Kotoko didn't want to kill him. We can clearly see this because of a crucial difference between her attack on him and her attack on the serial killer who likely is her victim.
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She covers her face while attacking Oshii, because she doesn't want to be recognized. She is committing assault, after all. However, that only matters if she's planning to keep him alive. Conversely, she doesn't cover her face while attacking the serial killer, because she knows he won't be a witness. She went into that warehouse planning to kill.
Of course, she could have accidentally done too much damage, but the issue there is that she would probably express some remorse in that case. She doesn't, and the fact she only ever talks about one victim-
[TASK (T1 VD)] I did kill someone. [...] I don't have a single regret.
-it really seems like Oshii was able to survive her attack.
That creates an issue with her prisoner card. It shows an alleyway, but her only victim died in a warehouse. As confusing as that sequence is, he did die in the warehouse.
You know when we do see an alleyway again, though?
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But she's not wearing her face covering. And if this was the alley with the one sign about a car accident that shows up over and over in HARROW, I'd imagine we'd see the sign, even if it was obscured in some way. So once again, a silhouette shot which seems to have nothing to do with her murder or her general situation.
So, is it possible she died in this alleyway? That's the only other reason I can imagine why it'd show up in her prisoner card, so. As for what exactly happened, I imagine she may have been murdered at the whim of her victim's father?
Shocking revelation: The heinous criminal behind the crime is the privileged son of a high-ranking official!
(Article referring to Kotoko's victim)
So, she got found out and immediately assassinated? It's a bit out there, but it would explain both her prisoner card and her attitude in the prison.
And then there's Mikoto.
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As you can see, his card shows a street. The issue with Mikoto is one of format. The cards only ever show one location, but we know Mikoto has at least two victims.
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[Text: To the right, the Subway Murder, which clearly has a ceiling. The murderer has blood on his right cheek, his left cheek is hidden. There's also the bathhtub scene, where the right cheek is hidden, but the left cheek has blood already trailing off, which doesn't quite fit what we see in the other murder if you think about the bath chronologically.
To the left, a murder out in the street, with an open sky. The murderer has blood on their left cheek, but not on their right. This is seen in both the crime and the shower scene]
So yeah, at least two. You could argue the bathtub murder is actually a third one, which... huh. Two things that absolutely exist and a Secret Third Thing, the existance of which is disputed? Trikoto vibes.
Point is, Mikoto has two different murder locations at least. The street, yes, but also the subway. This creates a problem with the "images in the prisoner cards are murder locations" idea, because it only shows one. You could try to gymnastics your way out of this by saying maybe Hostkoto committed the street murder while Orekoto killed the other victim(s), and because only Hostkoto is considered a prisoner by Milgram, only his murder is shown? But I feel that raises more questions than it answers.
Instead, if we assume the images to be death locations, the ambiguity disappears, because Mikoto as a system can only have one death location. The issue is you have to explain how Mikoto died in the middle of the street, which is a bit difficult.
The best guess I can give is related to the subway victim. It's been pointed out before that guy looks a lot like a stereotypical Japanese delinquent, which could imply he was part of a gang. If that's the case, it's possible the killer angered the wrong people by killing him, similar to Kotoko, and thus was later murdered himself. We know that street isn't very safe, on account of one of the alters getting away with murder there. It's a pretty large stretch, and has like zero evidence, but it's physically possible at least.
Let's take a quick look at the other prisoners and see if their images can also be explained by the "death image" theory.
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We know Muu would share a death location with her victim if she really committed suicide as the theory states, so nothing weird there. Haruka's a bit more awkward, because it shows the forest he very likely killed the girl in, but I'm not entirely sure if the forests near Nagaoka has bodies of water deep enough to drown oneself. There is the Shinano river, which has... trees, around it.
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This was taken from Google Street View in Nagaoka. Again, not sure how deep it is, but assuming it's deep enough to drown, it could work if you ignore the trees don't look too much like the ones irl. Maybe Haruka threw himself off the bridge?
Alternatively, Nagaoka borders the sea, and it seems like there's forest almost all the way up to it. So maybe that could work? Unsure.
Worst comes to worst, we can maybe change it to saying Haruka didn't drown himself, but killed himself in some other way in the forest. Point is, I think Haruka's isn't too big of an issue.
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Fuuta, Mahiru and Kazui don't have a lot of evidence towards what the hell would have happened, but the best assumption I can make is they all committed suicide because of guilt. Fuuta in his room, Mahiru in the suicide forest (likely also where her boyfriend committed suicide), and Kazui by jumping off a building like Hinako. As for their evidence...
>Fuuta burns at the end of Backdraft, which is the same thing that happens to Killcheroy, so you could argue that's meant to show he's dying. It's not great, it absolutely is just meant to be metaphorical most likely, but it is there.
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Additionally, he's also an outlier for the "muder location image" theory, since what one would consider his "murder location" is very ambiguous. Is it his room, where he sent online hate from? Is it Killcheroy's room, where she assumedly died? Wouldn't it be the front of Killcheroy's house, where Fuuta took the picture to dox her? Again, death location is less ambiguous.
Fuuta's attitude during Trial 1 could be seen as a bit weird if he was suicidal, but I'm not sure we can comfortably say that with the limited information we have.
>Mahiru in I Love You goes to sleep after seeing her boyfriend dead, which could be read as her committing suicide. You know, if you're insane like me.
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Especially given this question from Trial 1:
(T1) Q20: What do you think about smoking?
M: I've never smoked before, but I might copy him if who I love smokes.
That, alongside a lot of the bg text from TIHTBILWY, implies Mahiru likes the idea of copying her lover. Not the greatest quality to have when your lover commits suicide.
>Kazui has this:
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Where the smoke of his cigarette turns into a noose. Of course, that's meant to represent self-destruction in general, but it could also be taken more literally. He... doesn't have much else.
Thus, everyone else vaguely fits the idea of "death image"... except him.
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Our favorite headache inducing doctor strikes again! His card shows a hospital room, which is a very strange death location, but perfectly fits his murders. You could argue he runs into the same issue as Mikoto, but it's actually possible Shidou just killed all his victims in the same room, so.
Yeah, Shidou's probably the biggest counterargument for this theory. Because while it's possible he died in a hospital, there is zero evidence for it, beyond the image itself. Hell, neither Throw Down or Triage ever seems to imply he died in the first place, which is an issue. This theory's already heavily dependant on the extremely flawed "you can't disprove it" argument, but at least most of the other ones have some kind of logical progression which gets you to how they died.
So, to complete the theory, we have to make the pretty big jump that Shidou died inside a hospital room, without knowing how that happened.
... Wait, inside the room?
Wait wait wait, show me Fuuta's and Amane's again.
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Hmmm... 0308... hmmmm... 0308... I totally didn't just do this to put the two together... hm...
Yeah, same thing. They both show the inside of a room. Which, along with Shidou's, shows that these images can show the inside of buildings, right?
But, then... why is Yuno's outside?
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That very clearly isn't the inside of a building. But this generates a problem for the "murder location image" theory, because Yuno's "murder" was abortion. Even if it wasn't done professionally, she would have still done it inside, presumably. This creates an inconsistency with Fuuta, Amane and Shidou. If their murder locations are shown from inside, why is Yuno different?
However, this inconsistency disappears if we assume the images to be death locations. I previously established if Yuno died, she likely committed suicide by jumping off a staircase, which does vaguely fit this image. It's similar to Kazui's in that way.
Now, I don't want to get too ahead of myself here. Murder location is still absolutely the more straightforward answer, but it does come with its issues. As stated, Fuuta's image would face some ambiguity, Mikoto's would face extreme ambiguity, Amane's seems to contradict the evidence we're shown in Purge March, Yuno's is wildly inconsistent with the other images, and Kotoko's is straight up nonsensical.
Meanwhile, death locations physically work with all the cases, even if Shidou's case is extremely weird, but it requires huge assumptions and stretches. It relies heavily on how impossible it is to disprove, which is not a good sign. Russell's Teapot, and all that.
Summary of the Theory
>Everyone in Milgram is dead, and their prisoner cards in Undercover show the place where they died.
>Prisoner's memories of the events leading up to their deaths are extremely fuzzy, explaining why only Yuno seems to even suspect it.
+Haruka: Committed suicide by drowning himself, possibly in the Shinano river or the sea. [Most likely to be dead]
+Yuno: Committed suicide by jumping off the staircase we see her standing in on her Undercover silhouette shot. [Most likely to be dead]
+Fuuta: Committed suicide in his room out of guilt. [Very little evidence]
+Muu: Murder-suicide, she committed suicide after killing Rei. [A bit more evidence than others]
+Shidou: Died in a hospital room [???]
+Mahiru: "Copied" her boyfriend by killing herself in the suicide forest. [Very little evidence]
+Kazui: Jumped off a building, like Hinako. [Very little evidence]
+Amane: Drowned by her father as "punishment" for her murder. [Unfortunately, sorta likely]
+Mikoto: Murdered by one of the members of Subway Victim's gang. [Sort of filling in the blanks here]
+Kotoko: Murdered at the order of her victim's father. [Very little evidence]
Conclusion
Do I believe this theory? Honestly, I don't know. It makes a few too many assumptions for me to fully believe it, but I do think it's a decent possibility, so I wanted to share it with you all. In any case, that's all I have to say for now. If you have any thoughts about any of this, feel free to share! Also I didn't even touch on Es but you can try to fit them in somehow if you feel like it.
Anyways, if you made it this far, you deserve a hug, this post was depressing. Take care!
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zproblematic · 5 months
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So, I enjoy reading everyone's DP x DC prompts and stories! Very fun! And a recurring thing I see pop up is Clark getting dragged for not reacting well to Connor's existence, especially juxtaposed with Danny and his relationship and reaction to Dani.
I've also seen stories that have Danny specifically say that he entirely understands why Clark reacted like that and he doesn't feel it deserves condemnation or comparison to his own.
_
Here's the thing. I feel like the more accurate opinion on the situation would be somewhat in the middle of these two.
Because here's a very important fact to keep in mind. The circumstances behind them being cloned, the relationship they specifically have with the person cloning them, and their own lived life experience, which dictates how they perceived the situation, are different.
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Danny is cloned at 14. He has a contentious relationship with Vlad who generally seems to want Danny as a son/heir, but there are times we see Vlad acting more like an annoying uncle than an outright villain. Danny has at this point gone through a myriad of traumatic things, including his own death, all within the span of a year.
Also keep in mind Danny is 14, his perception of what is happening is "Guy who is obsessed with my mom wanted me as a kid so badly he tried to make a version of me in his lab". Which is, so far as we are ever told, largely the goal here. Also, Danny has no exposure to the concept of clones or evil duplicates or anything at this point.
-
And then you get to Clark. He's a grown man near/in his 30's. His relationship with Lex is almost strictly antagonistic, and Lex is frequently actively attempting to either kill Clark or turn public opinion against him and get him publicly lynched. Clark has a rather stable and consistent life for someone in his situation, his parents are still alive and supportive, he's got Lois who is aware and supportive, he's got the Justice League at this point meaning he's got people he can connect to about his daily life. He's rather settled into heroism, didn't start it until adulthood and that was fully a choice he made, it has little effect on his civilian life most days.
Clark being so old, also his long-term relationship with Lois, paired with his understanding of subtext and human nature, means his perception of Connor's existence is drastically different. "Lex stole my DNA and made a child with both of our DNA against my knowledge and will". And here's an important thing to note. Connor technically isn't a clone, he's technically a petri-dish grown child with Lex and Clark as the parents. What does that sound like to you? Because to me it sounds like "Connor is functionally a product of date-rape from the man I hate most in the world as he keeps trying to kill me". Clark also has had multiple exposures to the concept of at least evil duplicates/ surprise family members, what have you.
_
So what do I think would actually happen here? 1) Danny acknowledging that no, Clark had no responsibility at all for Connor's existence, and had no requirement to act as a parent/family member. 2) However, Clark did have a responsibility to Connor as a mentor and teacher in gaining control of his abilities. Even if it was by getting his parents to share their experiences of raising him with someone else who was caring for Connor. Also, his active dehumanization of Connor was insanely inappropriate and uncalled for, as well as presenting doubt if he's actually equipped for diplomacy with the wider universe.
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ms-scarletwings · 1 year
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This Single Oversight Will Bring Irken-Kind to Its Knees
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I have a little riddle for you.
What does an ant nest, a computer, and the ancient city of Troy have in common?
While you ponder the significance of this question and consider your answer, there’s a few things I want to analyze about the worldbuilding of Invader Zim.
We may have heard it said before, least I have (and agree), that the fate of the IZ universe appears to be a rather bleak picture.
Through our lens of focus, being upon Earth and an oh-so specific nutball waging his battle upon humanity, we often don’t do as much thinking about the larger cosmic war taking place meanwhile. Not between the Meekrob and Tenn, not between the Tallest and every dumb luck threat they are thrown against, but between the Irken Armada and all life in the entire universe, sentient or not.
Their intentions will not be made any more clear, between outright eradication or eventual enslavement of every lifeform they set their sights on. While they have alliances and neutral treaties, those agreements seem few and far between, as well as born from temporary conveniences. The cards have already been dealt, and all available evidence has indicated that every planet they are aware of is doomed from the moment The Massive was operational.
Though littered with inefficiencies and incompetency that could suggest an empire in internal decline, the development of the control brains and other centralized command crutches of the species suggests the Irkens can still keep a well oiled machine running, no matter how many mishaps happen along the way. At least, that machine and their plundered resources will definitely outlast the survival of their enemies, for sure.
To speak of their enemies, there has not been a single competitive race within the show that demonstrates any credible threat to Operation Impending Doom II- only those that can resist the conquest a little bit longer than others, or those who survive by appeasing Irk (or evading its detection). The fall of Vort, which stood as the homeworld of the only aliens with the technological ability to match the armada’s firepower is…. Really bad news. That’s to say the least of comparatively primitive, TINY planets like Earth or Blorch, standing zero chance in the way of what’s eventually coming. This is a war that has continued despite the death of two.. FOUR Almighty Tallests if you follow the movie’s events… and Irkens wholly are still thriving for it across the Galaxy.
So, given all of these facts, and the perception that the Irkens (like any invasive species or colonial force) don’t seem to be a society that will make responsible and/or sustainable use of their ill-gotten territory… it seems like this is how life across the universe ends in Invader Zim one day: Not with a bang, not with the whimper of heat death, but through screams muffled under the bloody boots of a dominant predator- a predator that is, itself, doomed to cannibalize its own once it hits the carrying capacity of all existence.
Bleak, concrete, and horrific as that may sound, there’s still a “however” here to consider!
Yep, that’s me about to point one of my big fat fingers to the sky and protest- Irk just might be,
Not so Undefeatable, after all!
And not only have I figured out exactly what sort of countermeasure you need to destroy these invaders, I have reason to suspect it’s a plan already long ago set into motion.
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Let’s break it down,
An Irksome Achilles’ Heel
True, individually, the bug bastards are irritatingly tough to kill through conventional means. True, collectively, they are nigh impossible to outmatch. And more than most anything else, they owe this tenacity to two things: numbers, and R&D. Possessing some of most state of the art pinnacles in transportation, communications, and military equipment, the Armada found a knack for being able to steamroll most lesser planets before it.
The genius of the individual PAK unit grants each and any one Irken a theoretical path to partial immortality itself, by route of consciousness archiving. I strongly believe that kind of cybernetic progress was also one of the stepping stones that led to the creation of the Control Brains. Nonetheless, this very same strength of the Irkens’ has also proven to be the source of their greatest vulnerability.
Paks, Paks… Oh Paks. The entire race’s civilization revolves around such technology the way we do around our own brains, our own hearts, and our communicative network. For all intents and purposes, and as I’ve gone on about ad nauseum in my other spills about the show, a PAK is all and at once
• Synonymous with the holder of their soul, consciousness, being, whatever you want to call their personhood.
• Able to have their data repurposed by future generations, in the result of an Irken’s permanent death.
• A universal necessity shared by the entire population.
• Susceptible to alterations, sometimes by intelligent enough individuals (as demonstrated by the Zimvoid comic arc), but usually by a Control Brain, directly.
In addition to that last quality, there’s another way the code in a PAK can be changed, for better or worse- Via evolution. Though I am talking about digitized neurology, the actual data in a PAK is a lot more comparable to biological DNA or a “self-learning” AI than it is a rigid computer program. By this, I mean that its code is subject to certain changes over time, perhaps both directed and completely random, particularly during the recycling of its information back into the Smeeteries.
And this is actually good design on the control brains’ part, the same way not reproducing Irkens as genetically identical clones was. Genetic and digital diversity are desirable goals to keep in mind if you want a healthy and versatile stock of workers, engineers, soldiers, and everything in between. We’re talking about highly sentient, highly intelligent, and emotional organisms here. A static drone mindset is going to offer them inadequate ability to adapt to their lengthy life experiences or be unique persons. How else would social mobility have purpose in their world? How else could the cream of the crop rise so far above their peers? That positive was deemed worthy of an obvious risk, however: computational errors.
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When the Bugs Get Bugs
 IZ does not clearly lay out what it means for an Irken to be defective, but it gives us a general idea. Defectiveness is not something diagnosed from a code scan for this missing value or that incorrect variable. It’s not judged by one specific character trait or quality that’s abnormal for an Irken to display. “Defective” is a judgement stamp, wielded by the Control Brains when they gauge the total sum value of a life’s contribution to the species. And it’s not one given to Irkens which are merely incompetent, no. Anyone proven to be unfit for their standing is given generous opportunity for redemption or simply reassigned a more suitable occupation. If it were based on likability, we’d have seen Skoodge sent to Judgementia years ago.
Rather, it’s given to those who are viewed as so twisted that they are proven to be an existential danger to their brethren. Irkens that are so destructive to the essence of the collective that their memory must be purged from the record and their identity erased.
I adore the enthusiasm behind fans who want to view this as an analogy for disability or neurodivergence against a conformist society, but the metaphor I’m seeing is one of extreme antisocial behavior. A defective Irken screams less “adhd/autism” to me than they do serial murderers (of their own) or outright traitors. Pardon the use of a gross phrase, but it’d seem we were talking about an Irken equivalent of what the outdated gens would have dubbed the “criminally insane”. No one on screen has ever shown Skoodge or Tak the sort of concern that would get them sent to the Spike of Judgement, but when Zim was in that hot seat? NO one was doubting what his verdict would be.
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^ courtesy of “The Trial’s” transcript
I think about the 40 shmillion mistakes a lot.
It’s such a vague quantity. But it sure sounds like a hell of a big one. And what mistakes… what did the lil squirt even have to compare them to? There’s no standard one person an Irken can be. Every presentation of the flaws in that code to the control brains hasn’t ended up a flaw to him.
I only started writing this because I really couldn’t stop thinking about the 40 shmillion. There’s no chronological room for bad self-modding to add up to that so quickly.  DNA replication, nature’s own sloppy and random process of creating new life, can be excused around 120,000 hiccups when duplicating with a 6 billion pair-long protein. But this kind of shuffling is under a futuristic AI’s precise eye. Yes, defects happen, but as bad as him? From birth??? How could you possibly get that many detrimental deviations from the mechanical fucking god-queen(s) of their entire homeworld?
And then it hit me.
You don’t. Not from Irk.
The hot take I’ve been charging for this entire time is thus.
Zim is not defective by any random accident. In fact, I smell the tampering of foreign sabotage.
Not only is this guy the thing his kind fears more than any else, they have every right to be shaking in their stance.
That puzzle i posed at the beginning of this journey, have you seen what I’ve seen yet?
Because the answer I was looking for as to what similarity connects an anthill, a PC, and a city from Greek legend was a most effective tactic for taking them down.
Do you know the best way to deal with a bad ant infestation? Cuz you can lay down all the raid and crushing action you want, but you won’t really be getting anywhere unless you target the pests directly at their queen. To that end, liquid ant baits are marvelous inventions- a sweet substance hiding a small amount of slow acting poison. Poison to be peacefully delivered by the stomach of an ant to the rest of her colony, poisoning her kin, who sicken more members, on and on until the queen is destroyed and the entire nest perishes. An insidious toxin to do all the work while its user never lifts a finger, pretty ingenious.
And when it comes to computers, we also have ways to attack entire networks at source, from quietly and far away. “Trojan” was a category of malware responsible for 64.31% of all cyber attacks on Windows systems in 2022, and they still make up a majority of active malware hits today. The concept is deviously simple. The malicious code is hidden within an innocent looking program, maybe even within a legitimate software that does what it’s supposed to. Once the stowaway is invited into the system, it can get down to it some sneaky, nasty, destructive work on your device. As for what those acts could look like, well, malware exists to do all kinds of things. Mostly something involving trying to get money/information from you or hijacking your computer for whatever its creator wants to use it for. And some of them will just up and wreck your shit, disable your antivirus software to open you up to more infections, disable important operations, wipe your data. Use your imagination.
And as for Troy.. well, where do you think Trojan programs got their name? ¯\_(ツ)_/¯
So, Irkens have their Armada, bionic drones, and homeworld- in other words, the thriving swarm of army ants, the billions to trillions of computers they so rely on, and their nigh untouchable fortress, always at war.
And some damn crafty bastard(s) in the stars said
“Here is their sugar-bait,”
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“Here is their cyber attack,”
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“Here is their wooden horse.”
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And one particular race is going to be getting the last laugh before long.
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Nerds That Are GOATed With the Sauce
That’s right, I thought about this all the way through to finding our prime suspect. And let me tell you, NO ONE in the Galaxy reeked of fish like the Vortians did. Get over here and lemme show you my whiteboard with all the red circles and polaroids on it.
- The Means
In a way of tragic irony, Vort has contributed more than any else to the same Irken conquest that turned on them in the end. A natural talent for cutting edge engineering and technical development actually does not seem to be what Irk already came into the ring with. For how mighty and superior they view themselves, the greatest achievements of their military can actually be owed to Vortian outsourcing. When we would have gotten a look at Tallest Miyuki’s very own “finest minds” during her reign, notice something interesting about these guys below,
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Zim there is the ONLY Irken to be found! Yes, transferred there because of the punchline explanation of ‘he breaks everything he touches so maybe he’ll have an affinity for weapons research’ but damn right he actually did! And still does; I don’t want it to go unsaid that Zim has shown MUCH more technological skill and innovation than near any other Irken we’ve seen.
Another fun thing to note about this is that Lard Nar was also part of this lineup, and in the transcript he was in the process of working on the blueprints for The Massive. (which leaves you with the cursed knowledge that Zim, Prisoner 777, and Lard were all familiar coworkers long before the events of the show) And that brings me back to what I’m saying about the real reason the Vort natives were enslaved and imprisoned instead of outright sweeped after conquering. The Armada needs their skills, because Vortian advancement is something their own scientists couldn’t come close to. Left to their own devices, Vort could have easily outmatched them at an earlier point in history. It’s a people that figured out infinite power sources and potentially wormhole technology, while PAKs were something a disfigured human tween with a lot of time on his hands was able to crack. If anyone could outpace and outsmart the defensive measures of the Control Brains, it’s going to be them. And what better, cleaner way to sabotage the enemy than from within. 
The very same strings of inserted code that cursed Zim with his delusions, paranoia, lust for destruction, and horrible tactics may also have blessed him with a determination and intellect higher than almost any creature alive. The saboteur gave Irk the most powerful racecar in history, and then fitted it with bicycle brakes. No matter how hard Zim tries to conform to what will give him admiration, no matter how competent he is at keeping himself alive, it’s as if he is instinctually compelled toward whatever actions will cause the MOST damage to his allies in the process. Dib may think he’s the bulwark against the invasion when, ironically, he’s fighting against the one being that’s predetermined to be the arrow that strikes Irken leadership right in their dumb, green heels. (There is also an instance in the comics where Dib figures out that Zim is the ace in the hole for total Irken eradication but that’s another fun story.)
Oh, oh HO HO, and that’s only what he’s capable of doing before the empire’s actual immune system against defects like him wakes up and notices!
Three planetary blackouts, two dead generals, and a whole swath of dead invaders was just the fucking warm up, babey! All that is merely the kind of loud disruption that you need in order to fulfil the real thing this Trojan horse exists for in the first place.
What a celebration of hubris the Spike of Judgement was. Yeah, let’s take our method of filtering the corrupted data from the hive mind, and completely centralize it on a single planet! As well, let’s have the very purging agents also be the same ones to perform the evaluations themselves, I’m sure that it would be unthinkable for any outsider to design a worm that could make it through the brains’ firewalls. Goddamn spectacular. Like inserting an infected USB into your laptop, the Tallest never realized what kind of beast they woke up by plugging that PAK into the Spike’s mainframes. Those brains were meant to handle an expected spectrum of deviation when it came to defective Irkens, never a sleeper virus of this complexity.
From here it probably won’t even matter if Zim survives much longer on Earth, his virus has already spread to the very thing relied upon to keep things like him out of the data pool in the first place. With the Judgementia brains corrupted and no higher authority to overrule them, the firewall is effectively broken, and you know what that means? Bigger cracks for future defectives to start trickling through, both spontaneous and artificial. The ideal scenario is one where a degenerating and glitched population accelerates the incompetency of the empire to the point where it just implodes on itself; nevertheless, even a disease that only slows down Operation Doom could be a game changer, by giving the rest of the little guys more time to band together a coalition strong enough to strike back when the time is right.
- The Motive
The history of these two races’ alliance is something I lament us not having more lore to pull from- how far back it goes, what the character of the Vort was like during that time, what the Irkens had offered in return- a few among dozens of questions it rears.  The implication behind how it ended lies in Zim’s creation that slayed Tallest Miyuki. Interestingly, the Empire never received the memo of what exactly went down, or, perhaps, stubbornly denied the account of the other scientists who were there that day. Neither Red/Purple nor the Judgmentia Brains had any idea that Zim’s actions led to the death of a Tallest. So, makes sense that the Vortians became the unintentional scapegoat (no pun intended) for the incident, and the rest is history.
Note: It’s also in the realm of possibility that Vort was actually the one to withdraw from the alliance instead, given that the same blob that devoured Miyuki (purely the fault of their Irken transfer) also went on to cause untold amounts of devastation. Red’s reaction to the real story stuck out to me as more telling, although.
But why am I even talking about this? Zim was decades old before war was declared on them, and either people’s regard to each other seemed strangely… respectful, if anything.
But, was Vort really a monolithic bunch? Irk was already an empire by this point, and diplomacy with those they needed something from did not mean they weren’t otherwise an aggressive force in the universe. For all we know, the alliance itself might have been coerced, or result of depraved leadership among the Vortians.  Any citizen with a conscience who could see the writing on the walls would be disgusted by giving so much aid and brown nosing to such a menace, no? I know who would have seen that writing before anyone else. Brainiacs who are smart enough to build something like The Massive and all its bells and whistles would know better than anyone just what it was all capable of in the wrong hands. The collateral damage against your own people might be a sacrifice worth making in the face of the alternative.
- The Oppurtunity
So.. that’s all well and good, yeah? A why, and a what, yet this is actually the tricky part of saving the galaxy,
Sneaking your StupidifyIrk.exe file onto the assholes’ homeworld without alerting either them or your own treacherous, weak, collaborator superiors to your actions. Infecting and releasing a random Irken alive would be far too dangerous, far too noticeable to the point where they could just be destroyed outright before given a chance to wreak real havoc.
But what about releasing a dead Irken? 🤔
PAKs are only screened for criminal flaws when errors begin to affect their body’s behaviors in destructive ways. A fully competent scientist, or soldier, or navigator performing a lifetime of loyal service to the empire and then meeting an unfortunate end? Their minds’ shadows can be accepted back into the data pool no questions asked. That’s only business as usual.
That almost makes new smeets something of a reincarnation of their ancestors. Personally, I see it kind of like replaying a video game and re-rolling your stats, even if you’re reusing your character’s name and general play style.
Either way, we come full circle to my theory about Zim’s actual origin. Maybe not “our” Zim, but the previous iteration of data that was shuffled to create his person. Whoever they were, I’m convinced that they were also an exceptional individual. They were probably pretty arrogant, but it was a more earned confidence, and they were a prodigy genius, the likes of which that was drawn to work alongside Vortian allies, as another researcher. Then, an untimely demise befell them. I couldn’t say they fell victim to some unfortunate accident, considering the cockroach durability of their body. No, I find it a lot easier to imagine they met their end in one of the more embarrassing ways for an Irken to die- A PAK stolen, disabled or forcefully detached by an assailant they might have allowed a little closer than they should have. To the homeworld, it’s a small matter. One more PAK recovered by the natives of the friendly planet, brought back home to be repurposed by the smeeteries, right?
Well, that’s what one smartass might have been hoping for.
And they really were a clever cookie, because that scheming seed is fruiting beautifully.
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ahoyimlosingmymind · 6 months
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i have compassion for Fitz Vacker in the same way I have compassion for Child stars in Hollywood.
He is perceived as a living dream, while he exists in a nightmare that people have so little understanding and empathy for. There's a level to him that is fundamentally unrelatable to most. He has no perceived lacking. At least, not when you're taking in the situation at face-value.
And this^ way of seeing him is fundamentally isolating. It strips him of depth and realness, and it makes him into an image to ascribe ideas and false perceptions onto. A blank canvas to project all of your worst insecurities . After all, He's not real- it doesn't hurt him, right? In fact, it's trendy among the lower class to dislike him. If you aren't obsessed with him to the point of a parasocial relationship, then you resent him. He cannot struggle or have any issues whatsoever because the perception of what luxury is, is so powerful.
This is reflected in the way Dex saw the Vacker's in books 1 and 2. It's reflected in the fandom's inability to empathize with Fitz is any way shape or form (at least on Pinterest/YouTube/Instagram)
He's socialized more around adults than his peers, because of the idea of giftedness and notoriety. Which just puts him on a higher pedestal, and makes him a larger target to hate among kids his age.
He is known, but he is not known. If anyone pursues him as a friend, it is for the sake of making connections and being popular. It's disingenuous. It's to use him as a stepping stool on a rapid rise to fame. to exploit him for personal gain. His trust issues don't come from nowhere, after all.
He had one friend his entire childhood. and what do you know? It's a kid who is trying so hard to outrun the exploitation of his dad's dreams and wishes for him.
Sure, Fitz's parents are present in his life, but they can only mitigate so much of the outside world before it starts seeping right through the walls of their home.
I just think it would be so strange to have so many people barely know you and either obsess over you to the point that you are more fantasy than reality, or resent you so much that you can't say a word without hearing some snide comment in response. And to know that NONE of it is real. None of these people know you.
Fitz's family obviously represents a really big issue in society. Because Dex, Sophie etc... they are RIGHT, that the standards of their world aren't fair. They are right to call it out. They are right to have anger towards the 'upper class' who does nothing to help the lower class. It's understandable. and it's far more relatable than Fitz's situation. but the thing is, shame is shame. and scorn is scorn.
the upper class may whisper. But the lower class does too.
and that's just it. Therein lies the issue with the lost cities.
IT"S NO ONES CHOICE. It was not Dex's choice to born into a bad match marriage, it was not Keslar and Juline's choice to be born in a world where a system like mathmaking even exists. It wasn't their choice to have triplets. But it also wasn't their choice to raise them in a society that hates them.
But no more was it Fitz's choice to be born a Vacker. No more was it his choice that his parents happened to be a good match. It's not his choice to be born into a society where that stuff matters. He's a kid.
But because he represents something at face value that people tend to hate, he is undeserving of compassion when compared to a character like Dex. Fitz is dismissed and disliked because he represents something about their society, even though he's a child who has no real way to combat what generations older than him have enforced.
He is the vessel that is easy to target and to hate, because people need to find someone to blame. Even if that person technically has not contributed in any way to the thing that the people wish to destroy.
and it can only cause resentment to build between the two classes.
Idk man the perception of Fitz Vacker will forever have my head spinning.
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abyssalzones · 3 months
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Hello! I really love your work in general and your OSDD Ford analysis, I have read it in full at least three times. There’s a line near the end about his different selves possibly becoming more organizing/appearing at different intervals, but you stop there for brevity. Would you care to share any further thoughts? (It’s fine if not.)
Thank you!!
Hi! Really glad to hear you liked it, wait did you say three times? that's nuts. god damn.
I could definitely elaborate, although I want to note that while in part I did stop there for brevity's sake I did also stop there for the sake of making a more unified point- and, importantly, I didn't want to drift too far into the realm of speculation. Or "just making shit up." I often have a hard time positing something if I don't feel it's being elaborated on from a textual basis... which might be kind of goofy when we're talking about a fanbase that was mostly AU content at one point but whatever I've chosen to die on this hill. Anyway.
All my thoughts about OSDD are highly influenced by my experiences with it obviously, therefore my thoughts are probably going to conflict with someone else's, but I think any "organizing" that would happen with separate parts would be heavily influenced by everything in ford's life calming the fuck down and not requiring a rotating cast of coping mechanisms. For example: a good chunk of clarified parts in real DID/OSDD experiences can be classified as introjects. Despite what you commonly see in online subgroups (no judgment, obviously) these introjects are often of real people that might be influential in your life.
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repost of funny little comic I drew for effect ^
in my experience these things work on like... the basis of when they're Needed most. if ford is living in a healthy consistent environment with people who love him and can already provide assurances, I think the need to supplement that with any sort of internal coping mechanism would subside. then again, people are vulnerable when they're still trying to settle in a safe space after trauma, it's possible to invent an internal threat to, paradoxically, make circumstances feel more "predictable." coughs loudly. bill already existed functionally in ford's head 90% of the time so it just kind of feels par for the course that a shadow of him is going to stick around. maybe that seems sad or foreboding but I think it's just a normal part of coping with something that haunted you for half of your life. idk.
do I think these mental aspects would manifest outwardly? as in, like, fronting? not really. However I think if anything was noticeable it'd be a difference between like, "panic mode" ford(s) and "normal human citizen on earth" ford. I could definitely see a distinction of perspectives and ability between a self that exists out of pure survival (and probably still thinks he's in sci-fi hell or whatever) and the self that just chills and writes detailed notes on supernatural plants in his journal. there's also something to be said about [the entire fucking thing I wrote about dead alters and the perception of traumatic events as a type of death] and whether or not a part can actually meaningfully "die." sometimes the part of you you thought was a ghost is actually just scared as fuck and when things get less scary they start to come out of hiding. to put it vaguely.
all of these things can be attributed to other aspects of ford as a character: his c-ptsd, potential hallucinations and delusions, broader themes of death and revival irt trauma recovery, etc. but I think of any OSDD analysis I make as like, an extension of all of those things, if that makes sense.
to close off on a meme that nobody has used in years:
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sugar-crash · 4 days
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🏎️Turbo (Wreck-It Ralph) x (gn) Reader🏁
(Beginning Relationship Pt. I Edition!)
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(It took me fucking forever to find a picture from the movie of Turbo [far too cowardly to use fanart]. Which, as we all know, is fitting.)
- To go into deeper detail on this, your time dating Turbo when he was all high and mighty was… Eventful to say the very least.
- We don’t know much about how Turbo pre-RoadBlasters disaster besides the most obvious points: passionate, sore winner, an even sorer loser, hot-headed, and finally the cherry on this red-white cake; Spite.
- His passion for various things bleeds into the other things in his life, giving a drive that goes beyond the racing track, with the relationship he gains with you being one of those things with a lot of time and patience.
- Victory kisses at the end of the day are a must, even when listening to his frustrated woes from certain players playing game wrong, saying things like “I’M FATTEST RAT IN THE RACE! WHY SHOULD I SUFFER WHEN THESE MOTION DEAF TERMITES DECIDE TO PUT A COUPLE OF COINS IN MY GAME???” ….Yeah <3
- I think in many ways that if you get his trust so much to the point where you guys start dating, he just kinda expects you to listen to his aggravated rants and not do the same for you— Which takes a lot of time to rectify, in his mind he doesn’t think you “have it as bad” as him, as ignorant as that is.
- Yeah he doesn’t exactly get a trophy for “best lover”, that’s for sure.
- And his stubborn behavior doesn’t make that any better, takes him a while to get certain things drilled into his brain when he finally realizes what you’re saying isn’t “nagging”.
- Don’t get him wrong, I genuinely think he has the capability to care for someone else over himself, it just takes a whole lot of work for him to consciously realize that.
- PDA isn’t really much of a thing for Turbo (except for his “well earned” victory kisses) , he has a reputation to uphold as one of the most popular game characters in the arcade, though behind closed doors he basically demands the attention you give him at first.
- If you don’t like being ordered around and tell him as such, it takes a series of fights to realize being bossy in a romantic relationship (or any in general) isn’t exactly the best thing. The obvious in these situations isn’t to him, he has a very one track mind (pun intended) and doesn’t like change when it effects him.
- Which is very understandable, human even, I think that many of us, if we had a choice, would keep things just the way we like it. But— Life itself is all about change, conflict, differing opinions, etc. And while it is aggravating to no end, it’s something a person has to come to terms with.
- Someone like Turbo struggles with that concept, why can’t he act the way he finds more natural?? This stone set mindset drives many way, even the people from his game— Even you at times.
- He loves you to death, with the way he sticks close to you after hours, the way he gets a momentary soft look at you when he thinks you aren’t looking is perceptible to people who pay attention.
- Much like his latter self, King Candy, he has the tendency to hide things from you— Not in a way that maintains a noble or joyous persona, but in a way that tries to hide his softness for you, the desire to clutch you close and never let go.
- The feelings your mere existence gives him scares him, not that he would ever admit that, not even to himself.
- He hates that at times his feelings depend on how you feel, and trying to understand it only stirs the pot, touches of comfort are met with a scoff and some variation of “I’m not some fragile lamb you can comfort.” Though at that point his reactions aren’t nearly as explosive as they used to be.
- Over time I believe that with your help he is able to maintain more composure— Thinking before acting, which is something he is desperate need for.
- Your relationship is very hit and miss at times, but what is love without conflict? BORING, that’s what I say at least.
- Who he is as a whole is both a blessing and a curse, really makes a person think in a “What goes on in that asshole’s head? And how the fuck did he get with someone?”
- The time you have with him before RoadBlasters was installed was special, not perfect in the slightest, but you guy had your moments that one can look at later on with a sense of melancholy.
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(Abyiv-ahzapj! *SVBK MHYA UVPZL*)
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esoteriamaya · 7 months
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Dark Moon Lilith/Waldemath Lilith (H58) : Mother Gaia, Spiritual Realm, Shadows, Night and the Moon.
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Waldemath Lilith (h58) was discovered by scientist George Waldemath .
Wanting to take the time to explain my feelings towards this placement. As it's different from the other lilith placements, but has nothing to do with lilith in its entirety.
When Waldemath saw the planet in the sky, he said he seen it as a dark shadow in the sky and thats when he got the name for it.
Connecting it to lilith is great, but understanding its prophecies are bit different. So lets begin.
With the energy of dark moon lilith, its connecting to a cosmic force that focuses on the 'Mother'. Who is that you might ask?
Well in this case, The Mother is the Universe. But its so much deeper than that.
Because we exist in a timeline where we don't say thank you to mother gaia, where we pretend that the feminine is lesser than the masculine. Where we think of 'God' as a masculine entity and nothing more.
And this is where it gets challenging.
To say its a lilith placement isn't far fetched, just have to take into note that this energy that the dark moon portrays is far more connected to something spiritual than the lilith placement itself.
This one focuses on the spiritual elements, the ancestor, the mother, the unseen forces and realms that we hear about but can't get our grip on.
So when I say this placement has some deep shit to unravel, I mean it.
So starting off with someone having this placement in there first house. These individuals could deal with the world where the empathic effects can be overly daunting or exceptionally healing.
At some point, people will look to you as something other than. For better or for worse.
In the beginning phases of life, you may be forced to see how much different and sensitive you are to others and this may shape you in a way that makes your outlook on life far connected to something spiritual and enlightening. You can explore the different realms and find solace in what it is you came to do without shame once you realize those experiences where you were outcasted were suppose to shape you into your original form.
You're different in a way that connects the universe to your vision, never forget it.
Someone with this placement in the first house would have to learn the hardships & lessons of being 'Other' and knowing how to navigate things in a way that correlates with their plane of existence. You're not alone in it, and deep down you are a source of divine inspiration because all your life you had to get your level of intellect and knowledge from some where. And at times this can reflect on your appearance and show itself brightly. You have a big aura that shapes the people around you, and a lot of times people can see you in a odd way than most, but it's Mother.
Mother isn't just one thing, she is everything. And thats you.
Now for someone who has this placement connected to the Sun, you will have to surrender to the divine forces within more often than you'd like. The shame, guilt and fears you've succumbed to where not that of your own, which is very similar to lilith, but again, its connected to something cosmic. It's as if your life force is here to shape the perceptions and realities of others with just your mere presence. You have a gift that enlightens a lot of people into being who they are and you're very captivating to say the least. You may have been bullied with how unique you stand in your aura but thats because children and even adults had not known what the outer realms we're trying to teach them.
The way you express your divine feminity is not that of anyone else, which can confuse others and they'll try to change your perception of what it is and what it isn't. But you'll keep going nonetheless.
You're a shape shifter, a healer, and a vortex opener. Someone who knows the ins and the outs when it comes to spiritual knowledge. But you keep this to your self. Something about you is incredibly magical, and the more you connect to nature, crystals and animals the higher your vibration will be.
Moon aspecting the dark moon can show an individual whos psychic prowess can take form and connect to the areas around them. You're likeliness is like a witch, and you're connected to the stars and all things unseen in a way that most people will never grasp. It. isn't for them too. You're like the crone but you haven't lived that long yet, its been ingrained in you since a young age.
You guys are different in the way you carry yourself, you could end up going into something connected to candle magick, witchcraft if you will, as the feminine magic you carry needs expression at some point.
Theres a special quality to the connection you have with others, it passes the concept of time and other things related to beliefs in religious doctrines. You have a interesting persona and the way you carry yourself is unique and has nothing to do with social standards carried out in society.
Your energy holds weight and it may push people into believing in something and thinking deeper than what is totally normal.
This was a fun, short, intricate analyzation of the planet and the energies connected to the big 3. I hope this helps someone wanting to learn more about the dark moon and its ties to the spiritual. More to come on this. Adios!
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dduane · 10 months
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Question from a 26 year old chronic daydreamer: just how strict is the latency-based oath offering cutoff window? Are exceptions, like, a once-in-a-generation/millennium/species occurrence, or simply fairly unlikely¹? Does it continue to decrease with age, or is a 90yo human about as (un)likely to be offered it as is a 30yo?
¹I'm assuming that it does happen just based on that second usage use of the word "most" in the wiki page on latency.
Let's limit this discussion to humans for the moment, as other species, even just on Earth, have different ways they define and handle latency.
Being offered the Wizard's Oath past a given person's latency does happen, but I wouldn't say it's frequent. Probably we're talking something in the one-in-every-hundred-thousand range, because there would need to be a confluence or coincidence of several different issues involving a candidate... each issue significant for a different set of reasons.
There's the old line about every wizard being the best answer to a given question (or problem). The problem would have to be one important enough for the Powers to risk involving someone who doesn't have the mental, physical and/or spiritual resources accompanying the latency period that would help the person successfully withstand what's going to be asked of them.
The person would also need the flexibility of mind to deal with (a) the sudden weirdness of their life, (b) the early management of the Speech, of which they're going to require at least some mastery—and if that's artificially induced due to the presence of some kind of emergency, it's going to incur a price, physical or mental; and (c) whatever other prices they wind up paying along the way for the solution of the problem.
After all, merely accepting the Oath and its responsibilities is no guarantee that things are necessarily going to work out Just Fine for the candidate in the aftermath—even if they are in latency. "This is not," Tom Swale has been heard to comment once or twice, "a Disney movie." ...Yes, "All is done for each," as the saying has it. But even the All can only do so much. And for the candidate lacking the physical and mental-infrastructure buttressing that the latency period lends someone experiencing it, there's an even greater chance that things won't work out well.
That final aspect is probably the one that would most profoundly affect the Powers' thinking as to pushing the human "latency envelope." They absolutely play dice with the Universe(s) every day, and They're very good at it. But They're not playing for chips or tokens. They're playing with life, or lives, for the increment-by-increment extension of the whole Pleroma's existence. They cannot afford to take risks that might well cause the loss of more energy.
And when the dice are going to roll not only the way they're thrown, but the way they themselves elect to roll—a choice made by the perceptions of the new wizard-to-be as they struggle to cope not only with the aggression of the Lone Power, but the sudden influx of power of their own—it all becomes a very dangerous game indeed; one that will routinely fail at its weakest point. That's all too likely to be the physical or mental reserves of a wizard who has good heart but just not enough strength or resilience to pull off an exploit when the chips are stacked too high against them.
So generally, unless many, many, many lives are potentially in danger, if the person who may have (or be) the answer is much more than (sort of) ten percent of their lifespan past latency's end, that person is adjudged to be too old to risk. In the general run of events, though, where humans are involved and it's first-time-out effectiveness you're banking on... what you need is a young wizard.
HTH.
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cakesandfail · 1 year
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Actually, I think what I want to talk about regarding Feet of Clay is something that's often overlooked, which is also my favourite thing to talk about regarding serious Discworld topics: Vetinari, and perception, and ableism.
In Feet of Clay, we're already seeing the turn from "let's get rid of the Patrician entirely, possibly by murder or at least Guild-approved inhumation" to "let's make him seem unfit to govern so that he has to step down, giving us a proper transition because we know everything will turn to shit if he's instantly gone." And that's progress of a sort, right? People are acknowledging his skill as a politician, and the fact that removing him from power with no plan for what comes next will cause the whole city to collapse.
But why do people want to say he's unfit to rule, specifically?
We know that at least some of the answer is that 'concerned citizens' think he's too soft on immigration, and he's not a king so why does he get to tell people what to do, and shouldn't he just rein Vimes in a bit instead of letting him go poking around in people's business. But I'm not sure that's the whole story.
What I would like to know is: why does this change to "make him look incapable" happen now? Is it coincidence that people make that switch once he starts walking with a cane? I don't know if it is.
On the one hand, they might have just given up. Even the gonne couldn't kill him, he's got a few people around him he can trust, maybe assassination isn't even worth trying any more. Things are stable, anyway, no point fucking everything up when you can have a nice, peaceful, planned transition of power to whoever is going to do what you want to do.
But on the other hand... Vetinari is disabled now. He uses a mobility aid. It's visible to everyone that he isn't the same as he used to be. I imagine the kind of people who don't want dwarves and trolls in the city, or who think that it's fine if poor people are treated like shit, are also not particularly liberal when it comes to disability too. Would it really be so hard to say "oh, well, he's not getting any younger... and of course with his bad leg..." and imply that any sudden decline in his physical or mental state is to be expected? That it's all just getting too much for him? An injury like that, well,he must be on some strong medication for the pain, surely? And so on. Putting the idea in people's heads that a disabled person in this job is at an automatic disadvantage- it doesn't matter if they actually believe it, personally, because the point is that somebody will.
And the thing is... it looks like kindness. It looks like acknowledgement of pain and understanding of new limitations. But having been on the receiving end of that shit, I can tell you it's not. It's an assumption that you are fundamentally Less Than, and that rather than using the people and things around you to maximise what you can do, you should just go away entirely.
Does any of this work? Nope. Is Vetinari aware of it and taking advantage of ableist assumptions? Yep. But those assumptions, I feel, still have to have existed in the first place if they're going to be disproved.
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