#And sometimes that's 8 episodes and sometimes it's 20

[solxamber]

Hi can I have Ignihyde for # 8, fluff or comedy. Thank you!

Anime Boot Camp || Idia Shroud ft. Ortho

For the Holiday Event! || Prompt: "This is non-negotiable" ; Genre: Fluff with Comedy ;

You should’ve known better. You really should have. But Idia had given you one of those rare, half-excited, half-nervous smiles, and you’d been putty in his hands.

“Sure, Idia,” you’d said with zero hesitation. “I’d love to watch the new season with you.”

A seemingly innocent offer. A simple act of camaraderie. And then, Idia had dropped the bomb.

“Great. We’ll start from season one. It’s non-negotiable.”

Season one?

“Wait—how many seasons are there?” you asked cautiously, trying to keep the panic out of your voice.

Idia adjusted his tablet, the glow highlighting his sinister grin. “Nineteen. Not including the movies, OVAs, or the bonus material. But don’t worry, the filler episodes are only about 35%.”

Your soul left your body.

“I—uh…” you stammered, searching for an escape. “Do we really need to watch everything? I thought we were just watching the new season?”

“You can’t watch season 20 without context!” Idia exclaimed, horrified. “You’d miss all the foreshadowing and character arcs! It’s essential to the viewing experience.”

You looked at him, and there it was: the genuine excitement in his eyes, the rare spark of passion that made him absolutely irresistible. Damn your stupid heart.

“Okay,” you sighed. “Let’s do it. Start from episode one.”

Idia’s face lit up, and if you weren’t already melting, his quiet “Y-you’re the best,” would’ve sealed the deal.

That’s how you found yourself on Idia’s couch, sandwiched between him and Ortho, with snacks piled precariously around you.

“This is the start of a life-changing journey,” Ortho said cheerfully, handing you a soda. “Big Brother has been waiting for someone to share this with forever!”

You glanced at Idia, who was trying to hide his blush behind his hoodie.

“You sure we’re not biting off more than we can chew here?” you asked weakly as the opening theme of season one blasted from the giant screen.

Idia waved you off. “Nah. If we watch at 1.5x speed, skip the ending songs, and only take five-minute breaks every eight episodes, we’ll finish in about four days.”

“Four days?”

“Non-negotiable,” he reminded you smugly, tossing popcorn into his mouth.

By day two, you’d developed Stockholm Syndrome for the characters.

“NO, KAZUTAKA, DON’T DO IT!” you yelled, clutching the blanket you’d stolen from Idia’s bed.

“It’s his tragic backstory arc,” Idia explained, completely unfazed by your emotional outburst. “He has to do it for the narrative payoff in season 14.”

You groaned. “This show is going to kill me.”

“It builds character,” Idia said, smirking.

Meanwhile, Ortho was a model of efficiency, pausing episodes precisely for snack breaks and bringing you hot towels like you were at an anime spa. You were starting to think Ortho might be the MVP of this whole operation.

“Ortho, you’re a saint,” you said as he handed you a cup of tea.

“I just want to support Big Brother’s happiness,” Ortho chirped, beaming.

Idia mumbled something unintelligible and pulled his hoodie tighter.

By day four, you were fully invested.

“THE PLOT TWIST! I KNEW IT!” you screamed, nearly knocking the bowl of chips off your lap.

“Pshh, called it back in episode 47,” Idia muttered, though the gleam in his eyes said he was enjoying this more than he’d admit.

“You did not!” you argued.

“I’ve seen this, like, three times, noob,” he retorted smugly.

Ortho, who had already created a mini shrine for your endurance, clapped in delight. “You’re catching up to Big Brother’s level of dedication!”

When the final credits rolled, you leaned back with a dramatic sigh. “We did it. I can’t believe we actually did it.”

“I can’t believe you survived,” Idia said, looking at you with a mix of awe and amusement.

“Maybe a family sometimes,” you said, stretching, “is just you, your crush, and his technomantic humanoid brother.”

Ortho tilted his head. “Does that mean you’re officially part of the family?”

You froze, glancing at Idia. His face was redder than a lava eel, and he was aggressively pretending to read something on his tablet.

“Well,” you said, smirking. “That depends on your brother.”

Idia groaned, burying his face in his hoodie. “You’re insufferable,” he mumbled.

And yet, when you shifted closer to nudge him playfully, he didn’t pull away.

Masterlist

[utilitycaster]

What do you mean (from your latest post) that you think that many actual play failures are failures of ambition?

Usually, when an actual play show doesn't click for me, it's because the GM or players aimed very high or tried to push the boundaries (of the medium or system) and it didn't quite land right. It's a pretty new medium, and while I've been very openly disparaging of how much many writers in the AP space focus overmuch on novelty over consistent quality, I do think these failures are important! I think it's good to play with what the medium can be! I just think that sometimes, it does indeed fail.

Examples off the top of my head:

Too much plot for allotted length: EXU Prime was fun to watch but I think this plot really needed to be a 16-20 episode season, not an 8 episode one, which meant that we never really learned Myr'atta's motivation or the deal with Ted until years later in the real world despite that being the core plot. Similar issues have come up with various D20 seasons; I think running a one- or two- session story isn't too hard to do, or running a longform campaign isn't too hard to do, but 8 or 10 or 20 episodes can be really difficult to plan for properly, and a lot of people overfill.

Trying to bend the system too far: I wrote a long-ass post I cannot find about this for a few D20 seasons as well (notably Neverafter) and I've fallen off of WBN for a few reasons but in part because it really increasingly feels like D&D is the wrong system - the classes of D&D support the worldbuilding, but the pace and style and magic system of D&D increasingly feel like they and the narrative are in conflict.

Trying to fit in An Important Message: the infamous Rusty Quill Gaming Everything Changes [now make a monumental decision we have not once explored in 7 real world years of telling this story, in the last half of the last episode] is a big one here. This is not unique to AP (this is why Battlestar Galactica's ending is widely panned) but I think the nature of actual play makes it more likely because to some extent you as the GM must relinquish a good degree of control.

Not realizing what you need to plan for: ultimately, in my opinion, the failure of Campaign 3. I don't think the problem is that Matt wanted to bring everything together across multiple campaigns; I don't think this is a cheap setup with a pre-determined outcome (though I could be proven wrong); I think the problem is that there needed to be a much more stringent character creation process and on-rails early plot to actually get from point A to point B in a way that felt natural within the story.

Trying to break production value records while neglecting story: With the caveat that I hated nearly every second of the hour of Kollok I watched, I have yet to see a review that talks about anything it does other than how good the production values are (*whisper* they're not even that good). Burrow's End had some really good aesthetic/filming choices and some really not good ones on top of having a story I found weak; the season of Candela Obscura I thought had the strongest story had no split-screen film edits. This could just be that my AP introduction was TAZ Balance followed by simultaneous C1 and early C2, but like...I've heard incredible actual play with no music and no fancy lighting and no sound effects and no official character art, and I've watched some heavily produced stuff that had the plot of a fucking Ed Wood movie and was utterly joyless to boot. Story first; accessibility production values (clean and clear sound, transcripts, making all speakers visible if you're a filmed production) second; anything else should ONLY come after that.

[blue-bec]

Also different markets had different season lengths. The US was 22 episodes for syndication (which I still really don't know what that means). The UK was happy with 6 - 50 depending whether the show was a soap or something else (comedy, science fiction, variety show, etc).

When Red Dwarf finally got to their 22 episodes, they syndicated in the US.

Australian shows ran anywhere between 8 to 50 depending on the show format (soap, comedy, short story) with no need for syndication either.

Different rules for each market also dictated show length is what I'm saying, and outside the US, how things worked didn't make a lot of sense to us. Shows were as long as they needed to be, and sometimes were just murdered by TV execs who found out what type of show was being made with their money.

See Kerry Packer taking Australia's Naughtiest Home Videos off-air part-way through their first episode:

"Kerry Packer, the owner of the Nine Network at the time, was informed of the show's content by friends while having dinner. He tuned in to watch the show, which was being transmitted on TCN-9, and was so offended by its content that he phoned the studio operators and angrily shouted, "Get that shit off the air!". Within minutes, the programme was pulled.[3] Viewers saw a Nine Network bumper interrupt the programme with an announcement about there being "a technical problem" before beginning a rerun of the American sitcom Cheers, which filled the remaining airtime."

downsizing seasons from 22 episodes to 13 to 8. describing miniseries as "8 hour movies". loudly declaring that shows with 20+ episodes per season cannot truly be good. complaining that "it couldve been a movie". complaining about filler episodes. complaining about bottle episodes. complaining about episodes that prioritize character over plot. fr i think y'all just dont like television

[narugen-moved]

keep thinking abt hoshina and mina GOD.. (spoilers for manga and kn8 bside)

given what hoshina said about his previous division treating him like a burden/parasite just because he can’t handle firearms and specializes in his swords… how tiring must it have been to have to work with those people each mission despite having a common goal?

and how tiring must it have been to be constantly told off by his own father for wanting to continue his family’s tradition, or to be told to give up on being part of the jakdf by his own teacher -

before mina, a high ranking commander personally reached out to him, to recruit him into her team?

the fact that she didn’t see him during joint trainings and think: why bother with that? why bother with blades when bigger kaiju will appear? when she personally deals with bigger kaiju herself.

but she instead saw him and thought: he can help me, he can cover my weaknesses (mina not being able to handle a vegetable peeler is hilarious) and he’s someone i can trust

she sees potential in him, she sees how he can excel within her division, she saw hoshina and as captain - has probably heard everyone talk shit about him but she was still certain that he’d be one of her division’s greatest asset

(and even when platoon leader ebina refused to let hoshina help out, mina stood firm on her decision and her claim that hoshina would be useful. when she asked him if he could take down the big kaiju, and he could only promise saving the child within it - she believed him, took his word for it and waited until he carried out his promise.)

and now hoshina is the vice captain, putting faith in a new recruit whom most people wouldn’t have believed in… full fucking cycle..

tldr: it makes me rly fucking emotional to think about how hoshina was given a reason to continue improving with his swords after being told to give up all this time… and how mina had never once thought his abilities were useless 👍

also makes me crazy how protective he is of his position as vice captain, as the person who stands by captain ashiro’s side…

[sweetblossoms]

god AP 8 was so good, easily my new favorite adventuring party episode just of all time. yes yes the "zoom era energy" bits are funny (i was full on cry laughing and had to pause to collect myself) but also then the seamless transition into actually talking about the episode??? was so good?? they seemed like they genuinely were trying to gush about everything that happened that episode and were enjoying themselves and it just *felt* like a bunch of friends taking a load off after playing a dnd session and gah, what a great episode, kudos kudos

[undead-moth]

What you’re describing is not filler. That is not what filler means.

genuinely one of the worst things that’s happened to television in the last few years (exacerbated by streaming services) is death of Filler. going from 20 episodes to 8 because “we didn’t really need that episode where the main characters went to the beach right? it had no long lasting effect” but we DID!!! we needed to see how they act without the Big Bad Plot and to establish the dynamics between the characters and lay in the sun (do they forget sunscreen? how do they react to a thieving seagull? do they get buried in the sand or do they do the burying?). the plot isn’t everything. the action doesn’t hit as hard without the quiet moments. give us character development and our little scenes back

[sunbratz]

i cant wait until smiling friends season 2 is out. i am so impatient.

[mxactivist]

Support the BBC for having a trans character in recent episodes of 'Doctor Who'

Apparently the BBC (UK) has had 144 complaints about a recent episode of Doctor Who because it contained an openly trans character.

I've made a complaint to the BBC that there weren't enough transgender characters in Doctor Who. I would love if 144 other people did the same thing. Here's the link: https://www.bbc.co.uk/contact/complaints/make-a-complaint/#/Complaint

(For your easy reference: "The Star Beast" aired on 25/11/2023 on BBC One, and the trans character is called Rose.)

Please note that the complaint form asks for your UK postcode, so only UK folks can join in with this - but if you suspect you might have any UK-based followers, maybe give us a reblog to boost the signal?

Edit: I'm told that you can fill in the form even if you're outside of the UK, because the BBC provide service to many countries other than the UK, including the USA! Go for it. :D

Reply to confirm that you've done it, so I can keep a count!

Here's my complaint:

I recommend:

Avoid sarcasm or irony. Assume your post will be taken literally. If you are clearly joking or being mean you will be ignored or misunderstood.

Include some gratitude/appreciation. It's pretty great that they included a trans woman in a positive way, and they should know that they have explicit support for that.

~

Edit again: I'm seeing some concerns in the replies/reblogs that the BBC might not distinguish between "less trans people, please" complaints and "more trans people, please" complaints. Rest assured, this is nothing to worry about - the BBC publish fortnightly complaint reports, and they do pay enough attention to know when a complaint is in favour of or against trans inclusion. In fact, their 20 November – 3 December 2023 report is where the various news articles are getting the 144 complaints figure; that report says there were precisely 144 complaints that they have categorised as "Anti-male / inappropriate inclusion of transgender character".

That means the next complaints fortnight window is 4 December - 17 December. We have 8 more days to beat 144. By my count, over Tumblr, WhatsApp, the Fediverse and Telegram, we have 85 so far, which is well over halfway there.

Also, when you've done it, please reply to confirm you have done it, so that I can count us!

Thank you, everyone!

~

Edit, 2023-12-11, 1am UK time:

We did it! I've just been counting up responses, and it looks like sometime yesterday evening we hit 144 complaints/comments in favour of Rose Noble and more excellent trans characters in Doctor Who! (We're actually up to 157 now, fantastic.)

So, my next plan is to submit a Freedom of Information Act request to the BBC sometime in the next few days, asking for complaints and compliments figures. Then I'd ideally (energy and time permitting) like to put together a press release that I can send out to the publications that promoted the tiny "144 anti-trans complaints" figure, showing them that there has been far more feedback in favour of trans representation than against.

I'll keep you posted.

[honeytonedhottie]

getting it together⋆.ೃ࿔*:･🍡

it feels GOOD to have all ur assignments done. to actively pursue ur dreams and goals. to be consistent and in turn -> see results. it feels good to give meaning to ur time and experience sustained satisfaction. this post will give an overview/guide of the BASICS of getting it together. that way whenever u get off track (cuz we're all human) u can easily reference this and get it TOGETHER.

SLEEP SCHEDULE - how does ur sleep schedule look? is it all over the place? fix it. the plan is to get between the range of 8-10 hours of sleep every single night (yes even on the weekends) and to wake up no later than 8 in the morning.

i recommend formulating a "get ready for bed" routine. mine is set with a soothing playlist, a cup of tea, and copious time for self care and meditating on my manifestations. ur night time routine is customizable to YOU, however the goal is to get away from screens or anything that'll tempt you to stay up at unhealthy hours.

THE MORNING ROUTINE - i think that the most influential and important time of the day is the morning. bcuz for me that sets the mood of my whole entire day, so i take my mornings SERIOUSLY and i think you should too.

for me in the morning, i do a light pilates workout/stretch to get my blood pumping, and i feel like it gives me such a boost of energy and sets the mood for the whole day so if u haven't tried i rly recommend working out in the morning. however since this post is for when you've gotten off track start SMALL. a short 5-10 minute stretch or pilates routine is more than enough.

THE IMPORTANCE OF GETTING READY - and i'll STAND ON THIS. even if ur not going anywhere at all that day, make an effort to get ready. make casual glamor a HABIT. getting ready is like, the best part of my day. its so therapeutic, something about the meticulous attention and the amount of time that i pour into myself it feels AMAZING. when u look good -> you feel good

A TO DO LIST - plan out ur week, plan out ur day, ur month. make a super cute calendar or agenda so that way you can get ur tasks done. im someone who needs super detailed instructions of what TO do, so when ik what im supposed to do i can get it done and i can get it done well. and instead of thinking of it as a to-do list, think of it as like a quest or something. tasks that u need to do and then -> you get something in return

ik it sounds rly dumb but sometimes when theres a mundane task that i know i must do, i imagine that im like a SIMS character who has no choice. or i imagine myself as a video game character who is doing it as a task cuz its part of the game. the point of me sharing that hot tip is to make it FUN for yourself. give urself something to look forward to afterwards too. like an episode of ur favorite drama, or a sweet treat.

CLEAN UP - a cluttered space = a cluttered mind. take 20 minutes aside everyday to tidy up so that then u can avoid the day-long cleaning on the weekend and actually enjoy it. when ur space is neat and organized, so is ur mind and it translates to how u view/respect urself. u show that you respect urself when u dwell in a place that it is neat and tidy.

PROPEL YOURSELF - when i've been rotting for a couple days, my go-to routine to propel myself back into my usual swing is : shower (an everything shower is a bit ambitious so go for it if u want) -> drink a COLDDD large glass of water -> do the process of getting ready and then do at least 3 tasks and 2 smaller tasks)

[madlori]

Ok my fam, I think we all need a lil Come to Jesus moment. So let's talk about it.

"I'm disappointed Tommy wasn't in 8x02 and 8x03." That's ok! We'd all like to see him, and see our boys together. Going by precedent, we can probably expect to see him in 6-8 episodes this season (it could be more - Taylor had 13 episodes in season 5 - but we shouldn't count on it) and we've already burned one. I'd prefer not to have half of them during the opening disaster when SO MUCH ELSE is going on. I'd rather him appear in episodes when he's got a storyline with Buck, or even on his own, and especially at the midseason break or the end of the season when Relationship Events are more likely to happen.

"But the 217 engine!" I know. But as we sometimes like to say to other fans - we kind of baited ourselves with that. It was suggestive, sure. But the fact that production has MADE a 217 engine is also suggestive that we may see it again later, and they just put it in the hangar scene because they already had it and they had to fill up that hangar with as many vehicles as possible.

"An airplane disaster without using the pilot??" As others have pointed out, Tommy's not a jet pilot. And don't let anybody make you think you were nuts for thinking it was possible. It was definitely a reasonable theory, with supporting evidence, that he might be involved, but in the end, the big opening disaster is always going to be about our mains. As it should be. And honestly? It was great.

"But the whole point of bringing him back was to integrate him with the 118 more!" I'm sure that's still a goal they have, but it's probably easier said than done. Not just from a writing standpoint, but a contractual one, in that there's a limit to how often they can use him, so they have to pick and choose where.

"It's like they don't care about this relationship as much as we do." You're right. NOBODY will care about it as much as we do. They care about the main characters, about the show's actual premise (i.e. first responders encountering wild situations, secondarily the characters' personal lives). There is no universe in which ANY relationship in the show will be prioritized as much as we, the fandom, would like it to be. That's just life in the big city. But they do care, oh boy, they do. Enough to use BT scenes in off-season promo. Enough to write Tommy into a scene in the opening episode where, frankly, he didn't NEED to be. Also, consider this - to shoot that scene, Lou was probably on set a grand total of one day, MAYBE two. And they made sure to include him in the jokey "bee pickup lines" reel. You know what other relationship we haven't seen much? Buddie. They have not appeared together outside of work (and honestly, barely AT work either) except in the birthday party scene, and hey, did you notice that they do not interact at ALL in that scene? Buck spends that entire scene interacting only with Tommy. And that's a friendship featuring two mains that we know they value. That's not indicative of anything except the sheer scarcity of screentime.

"They should be promoting the queer relationship!" Should they? They've never really done that before, with the several pre-existing queer relationships. I have always sort of appreciated that they have not hung a neon sign on Buck and Tommy saying LOOK AT OUR NEW QUEER PAIRING. It's never gotten the Very Special Episode treatment - Buck never had gay panic, or much coming-out drama - and I like that. I like treating it no differently than other romantic pairings on the show. And they did actually promote it quite a bit when it happened. Now it would just feel kinda performative to me.

"Will he be in [whatever episode]?" Imma gently suggest we not do this every week. He'll be there or he won't. There'll be some we know he's in (I think 8x06 is a lock), some we won't know and will be pleasantly surprised, or unpleasantly surprised. I'd say odds for 8x04 are...20%, rising to at least 50% with 8x05 and 100% for 8x06.

And if you ever feel sad about it - go look at a still of Buck from any episode so far this season, and say to yourself, "This man is having heaps of amazing sex with his hot pilot boyfriend on the regular. Canonically."

I know a lot of us have encountered some pretty irritating gloating from people who hate this relationship (in a frankly weirdly obsessive way) about him being not there. Just remember - that's all they have to gloat about. The only "victory" they can claim is the absence of a character? Lame. And it's not even a victory, it's just the cost of doing business when your ship involves a recurring character. Sit back and enjoy your canon relationship between two men who've actually kissed on screen and ignore it. We can be generous about it.

So let's not talk ourselves off the deep end, shall we? I'd like to keep being a reasonable fandom.

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[okolnir]

[ #51. Cold (2) ]

Sometimes just being next to someone is enough

___________________________________________

Read more at >>>>

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[kanmom51]

A little math in the morning

You know how it is when you're at work and you don't really feel like being at work cause all you are thinking of is Jikook (obsessed much? Oh, most definitely!!)?

This is one of those mornings.

And I figured, if I'm going down this rabbit hole, well, why not ask you to join?

And who doesn't love to do some math in the morning, right?

So yeah, math.

But wait a sec.

This math is the good kind.

The kind that tells us just how much Jikook we'll be getting.

The kind that makes us realize that we are going to be getting more Jikook than we have ever had before. More interactions. Longer moments. Like a full on show.

But just how much of it? Well, this is where the math comes in.

Now that the intro and explanations are done, let's get going:

We talked about the meaning of the 8's in my previous post, so I will forgo that in this one.

What I will be doing here is a little counting. You know. To put things into perspective. Because I feel like sometimes we lose that.

8 episodes of Jikook bliss is what we will be getting.

A show that will most likely be 20 to 25 minutes long. This is a starting assumption. I will be grateful for this, and every single minute added to that will be a blessing.

But if we take 20-25 minute episodes, that will give us:

20*8=160

to

25*8=200

Between 160 to 200 minutes.

And even if we cut out 10% of that as whatever (intro, outro, anything that doesn't have them in it), we will get:

144 to 180 minutes of Jikook.

Do you get that?

Do you register that?

A minimum of: 144 minutes.

That is over 2 hours of Jikook!!!!!

I don't think we can even imagine what that means.

We, who have been living on little few seconds to couple of minute increments of those two. The longest interaction we got was the live they did back in 2020 and that was them being totally vigilant and aware of the live camera (and yet...).

As much as the editing will probably be brutal, cause put those two together and more so add some alcohol into the bidding (we know there was alcohol) and you will get wild wild Jikookery that may end with bed nets being torn to pieces. But as brutal as it may be and as much as they might want to water it down (which I'm kind of wondering if they even are wanting to do this at this point - long train of thoughts going on here in that matter), you just can't do that with over 2 hours of exclusively Jikook content.

You just can't.

Boy, we are going to be rolling in it. This is going to sustain us for years to come. RB left behind. Hickey forgotten. TTU - what's that even? 'Are you sure' is going to be IT. That reference point. Can you even process it? I'm still trying to.

You don't need to have them making out on camera to recognize a certain type of dynamic. Just saying.

8 EPISODES

144 minutes

MINIMUM!!!!!

Over 2 hours!!!

AT MINIMUM!!!!

Of Jikook just having pure fun.

With each other.

TOGETHER

ALONE

JUST THE 2 OF THEM

Swallow that HATERS!!!!

Or just choke on it. Who cares? I don't.

Happy dance incoming.

[thebibliosphere]

Something I've been recommending a lot to my fellow MCAS + POTS-sufferers at the moment, has been investing in a soup blender.

Apart from beta blockers, the primary treatment for POTS is increasing salt and water. A really good way of combining both and upping your nutritional value is by drinking things like bone broth or veggie stock.

But if you're like me with a ton of allergies (so you can't buy anything premade🙃) and bone broth raises your histamine, then you're left with the energy sapping task of making your own.

And I don't know about any of you, but when my nervous system is throwing a wobbler, the last thing I am capable of doing is standing up for long periods at a time over a hot stove.

Some people get around this by using a slow cooker, which is great if you can. I personally can't because slow cooking raises the histamine content of food (especially meat) and also, the clue is in the name, it's a slow cooker and sometimes my POTSie, ADHD butt needs food now-ish or as soon as possible and not 8 hours later. Instapots can be good, but they take up a lot of counter space and also I don't know if you've ever tried to release a pressure cooker valve when you can barely stand, but I genuinely think that's the closest I've come to dying and I've experienced both megaloblastic and hemalytic anemia.

Which is why we got a soup blender. They take up less space, are generally easier to clean, and also easier for me, at least, to use. All you need to do is roughly chop your ingredients up, dump them in the jug, add seasoning, fill the jug with water, hit the soup function and then sit your ass down for the next 20 minutes while this magical fucking thing both cooks and blends you some liquidy goodness.

I will say, don't invest in the instapot one. It's not worth the price point, and the motor burned out on mine after about six months. It was also a pain in the ass to clean. (The self clean was more of a "swish water around for 30 seconds" function and I can't tell you how many times I hurt myself trying to get gunk off the bottom.)

The one I currently have is a Ninja HB152 Foodi Heat-iQ Blender, which was a little more expensive, but in my opinion, far superior and better made. It's faster, makes either chunky or smooth soup, really good consistency dips, ice cream and smoothies. I've also used it to make alternative milks like oat milk and it didn't jam the blades.

It also has a great cleaning system that actually takes a full 6 minutes to run and really gets any residue off the base, and it also alerts you to things like the jug or lid not being secure, which is great when I'm brain-fogged and try to blend things without the lid on.

Anyway, this post brought to you not by Ninja but by @mothman-etd making me some leek and potato soup laden with enough salt to make this POTS episode manageable.

Just throwing the info out there. Hope it helps someone.

[i-m-art-ix]

Ninjago headcanons just FSM family

(Sorry for my English but it is not my native language)

1#

Lloyd discovered one day that if he just calls Wu uncle he can get out of any trouble (because Wu adores his nephew), which he often uses to his advantage, for example, when he was still a child, he would often approach Wu and ask for various things, and if Wu did not agree, he would simply say "Okay, Uncle Wu" in the saddest voice he could, which made Wu immediately change his mind and agree. As Lloyd got older he stopped using it as much but still does it sometimes. Best of all, everyone is aware of this except Wu himself, so if the ninja want to do something and know that Wu won't agree, they send Lloyd to "convince" Wu.

2#

FSM was a teenage parent, I'm mean in season 15 it was said that when he came to ninjago he was still a child and as we know hybrids age differently so I'm sure when he created Wu and Garmadon (I don't give a damn that this man had a woman, I just don't see it) he was still a teenager and mentally he could have been about 18-20 years old.

3#

I'm sure FSM tried to be a good parent but didn't know what to do, apart from the fact that he was still a teenager at the time, this man never had any idea what a healthy family should look like, he literally was a child soldier and had to choose between dragons and Oni and I suspect that neither the dragons or the Oni were not very nice to him and they probably didn't have much affection for him. And unfortunately it was visible, but he loved his sons (and he certainly loves his grandson).

4#

So screw the canon, Wu never loved Misako, he didn't like her at first (because he claimed she was stealing his brother because Garmadon only talked about her), later he started liking her and then they became good friends.

5#

So when I said that Wu doesn't love Misako, I mean that Wu is gay, no really look at the teenage version of him, he can't be straight.

6#

I am sure that Wu was the creator of many fashion trends, considering that back then there was not much fashion and Wu had the power to create, he had to create many clothes that no one had ever seen before. Many of these clothes were very sexy and revealed a lot of things.

7#

Due to the way Wu dressed, many men stared at him and flirted with him, which of course neither Garmadon or their father not liked, that's why they never sent Wu to the city alone, someone always went with him and whenever a man tried to hit on him he got a death glare from Garmadon or FSM (which must have been terrifying, as if God himself wants to kill you because you thought in a erotic way about his son and also Garmadon who is the essence of destruction and intends to rip out your organs for looking at his younger brother).

8#

FSM loves his grandson, the guy literally gave him his golden power without a second thought and even let him choose between life and death, he must adore Lloyd.

9#

Before the events of Season 1, when Lloyd was expelled from school and wandered the streets, FSM was his guardian angel. He made sure Lloyd didn't hurt himself, and when he did something to himself, he simply accelerated his regeneration with his divine powers, when Lloyd had nothing to eat, he directed him to places where food could be easily obtained. In episode 1 of season 1, when Lloyd gets to the tomb, he falls over perfectly to avoid being hypnotized and the leader of the snakes hypnotized himself, it not way that this kid failed perfectly, I'm actually sure that his grandfather helped him

[wangmiao]

An Incomplete History of Zhang Luyi & Chen Minghao's Friendship

Do you like Pangxie's chemistry in Tibetan Sea Flower? Do you feel that they are really old friends? Besides the fact that Zhang Luyi and Chen Minghao are very good actors, they are indeed old friends, and the earliest record that I can find of them working together dates back to 2006. However, CMH was in the 1996 class of acting at the The Central Academy of Drama, while ZLY was in the 1999 class of directing at the same university, so I figured they definitely got to know each other before 2006. So more or less, on Chinese social media, people usually assume that they've been friends for almost 20 years.

Before I dig into the history, I want to mention that some Pangxie scenes are actually improvised by ZLY and CMH on set. CHM has played Pangzi several times, and is insanely good at it, so he knows about Pangzi and the character dynamics inside out. While ZLY is new to the DMBJ universe, he did read all the DMBJ novels before the filming of Tibetan Sea Flower, so he has very insightful understanding of the characters and relationship dynamics as well.

For example, according to an interview of the director, this iconic & funny "拜年/new year's greeting" scene in episode 6 was improvised, and the director just decided to keep it in the final cut. In a BTS footage, Pangxie putting peanuts on Feng's very wrinkled test paper in episode 9 was also shown to be something that ZLY and CMH came up with during rehearsing.

The History

In the first paragraph, I mentioned that they went to the same undergraduate university. Another thing that connects them even more is that they went to the same graduate school - Peking University's School of Arts, and both have the master's degree in arts. ZLY fans sometimes just endearingly call CMH “师哥/shige" because of all of this.

In 2006, ZLY and CMH were in the stage play 琥珀/Amber. Here are some rare photos of 26-year old ZLY and 31 year old CMH LOL:

Both of them continued to do a lot of theatre works, some tv/film roles, and also attended grad school in the coming years. ZLY got his breakthrough leading role in 2014, and started to lead in shows/films.

In 2016, ZLY and South Korean actor Jang Hyuk starred in the drama 新海/New Sea, and CMH was seen sharing the following scene with ZLY. Unfortunately, due to China's ban on South Korean entertainment content in the same year, this drama will probably never see the light of day.

Then, I think some of you already know this, in late 2016, CMH directed the stage play Big D, and ZLY was his lead actor in this play. According to different news articles, the tickets of this play were sold out in either 5, 7, or 8 minutes (LOL no idea why there were such discrepancies, but they were sold out within 10 minutes for sure).

In 2018, they appeared in The Sound which is a very good variety show about dubbing. Celebrities were asked to dub domestic and international shows/films (sometimes in both Chinese and English) to show case their voice acting skills and language skills. What's really funny is that ZLY is one of the typical introverts who can be a clown when he's surrounded by people he's familiar with, but once you put him in an unfamiliar environment, he gets nervous and shy. So after he and CMH entered the room together, he just naturally and subconsciously stood right beside CMH, the one he was most comfortable with, even though he was supposed to team up with another actress (who was off screen). He got really confused for a minute when all the other guests and hosts were questioning why he didn't stand beside his teammate LOL.

Both ZLY and CMH are really very low key actors in c-ent, so you don't see them in public events a lot. The last time that they were spotted chatting in public was during the premiere of the movie Under the Light last September.

Anyways, thanks for reading! I hope this can bring some insight into their friendship. You can tell they are just so comfortable with each other, and shooting Tibetan Sea Flower seemed to be such a fun experience for them. I hope they get to work together again soon in the future!

Edit: if you noticed my tags and saw the reply of someone requesting to know why ZLY was picked as Wu Xie: I made a long post here.