I can't stop thinking about how close The Hunchback of Notre Dame was to being a good movie. It was on the cusp of being a truly transformative work that could have stood the test of time. And I can lament on and on about how well done certain aspects are, especially in regards to the two best songs Disney may have ever produced, "God Help the Outcasts" and "Hellfire"
I can go on and on about its amazing portrayal of the abuse of power, especially for religious figures; I can praise the way it portrays Catholic guilt and lust and manipulation and how those things relate to each other. I can applaud it's darker themes handled in an impactful yet not explicit way, including the ones after mentioned as well as murder and ableism and all other manner of things.
I can do that and I can praise that and those will always have a special place in my heart when I think about that movie, but none of that can change the fact that it completely mishandled the portrayal of Romani people. I would like to emphasize that Romani people have considered the word used throughout the movie as a slur at least 20ish years before that movie came out. It was well known. And yet they included it anyway, gratuitously at that. And even more so than that, because many people excuse that as being "time period accurate" (while I heavily disagree because time period accuracy really shouldn't be applied to slurs in a movie targeted towards children) even if that were an acceptable concession, they completely mishandled the representation of Romani people as a whole.
Esmeralda was "the good one", she was the one that changed the main cast's mind about Romani people as a whole. In theory that wouldn't be an issue if her character was used JUST as a way to expand Quasimodo's worldview. He had never met a romani person before, and his only opinions of that group of people came from count frollo's obviously prejudiced perspective. But they didn't do that. She was the only positively portrayed Romani person in that movie. When they go to the (I shit you fucking not) HIDDEN LAIR of alllll the other romani people, the characters are tied up and paraded around on their way to be murdered. Throughout all of this the Romani people in that place our portrayed as criminals, thieves, bandits, and people who revel in violence, which I don't have to say is pretty fucked up, yeah?? They completely dropped the ball and were very wishy-washy with their portrayal of Romani people, which completely undercut the message of the entire movie.
And I can also take the time to say that it could have been a much better movie if they had just changed a few things. If this movie wasn't targeted towards children, if the writers understood the weight and history behind the word used to refer to Romani people, if they had cut the romance, if they had portrayed Romani people in a better light, this movie COULD have been transcendent, could have been timeless.
But those are all ifs and coulds, and so instead I will mourn the movie for what it was and appreciate the parts of it that are good
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100 trans/genderqueer musicians
Bands
Against Me! (rock, folk punk) (x)
The Oozes (punk) (x)
The Hirs Collective (metal, grindcore) (x)
GEL (hardcore punk) (x)
Urn (hardcore punk) (x)
The Black Dresses (noise pop, hardcore hyperpop) (x)
Party Ghost (rock) (x)
Lagrimas (hardcore punk, scream punk) (x)
Doll Skin (rock) (x)
Dazey and the Scouts (rock, indie) (x)
G.L.O.S.S. (hardcore punk) (x)
Dog Park Dissidents (punk rock) (x)
She/Her/hers (rock) (x)
Deli Girls (hardcore electronic) (x)
Dream Nails (punk rock) (x)
Sarah and the Safe Word (rock, dark cabaret) (x)
Pinkie Promise (punk rock) (x)
B. Fraser (emo) (x)
Newgrounds Death Rugby (emo) (x)
Scowl (hardcore punk) (x)
Feminazgul (black metal) (x)
Sports Bra (dream pop, light rock) (x)
Club Sofa (indie pop) (x)
The Cost ov Living (grindcore, harsh noise) (x)
Kuromy (punk) (x)
The Sonder Bombs (indie, pop) (x)
Lidocaine (rock) (x)
I'm letting unseen forces take the wheel (cybergrind) (x)
Gum Disease (punk) (x)
Cam Girl (rock, trash rock) (x)
Gully Boys (grunge pop) (x)
Arcadia Grey (sparkle punk) (x)
Schmekel (folk punk) (x)
Destructo Disk (punk rock) (x)
User Unauthorized (hardcore punk) (x)
The Spook School (indie pop) (x)
Pinkshift (emo) (x)
Glass Beach (emo) (x)
Butch Baby (light rock) (x)
VIAL (indie punk) (x)
Sister Wife Sex Strike (folk punk) (x)
homewrecker. (metal, hardcore punk) (x)
Mega Mango (indie rock) (x)
Keep For Cheap (prarie rock) (x)
Steam Powered Giraffe (cabaret, steampunk) (x)
Thotcrime (grindcore, cybergrind) (x)
Whirlybird (indie pop) (x)
Kampsport (hardcore punk) (x)
Um Jennifer? (alt-rock, punk) (x)
Scarlet Demore (alt-rock) (x)
HappyHappy (folk, folk-punk) (x)
Queen Zee (punk) (x)
Grumpy Plum (slop pop) (x)
Cheap Perfume (punk) (x)
Pollyanna (power-pop, rock) (x)
Ballista (metalcore) (x)
Faetooth (fairy doom, metal) (x)
Lacerated (death metal) (x)
Fortuna Malvada (hardcore punk) (x)
Peach Rings (bedroom power-pop) (x)
Solo Artists
Laura Jane Grace (rock, folk punk) (x)
Left at London (pop) (x)
ZAND (pop, ugly pop) (x)
Ada Rook (hardcore electronic) (x)
Ms. White (pop) (x)
Rett Madison (indie, folk) (x)
Murder Person for Hire (folk) (x)
Backxwash (rap, industrial hip hop) (x)
LustSickPuppy (electronic, rap) (x)
Babylungs (electronic, rap) (x)
Human Kitten (folk punk) (x)
Harley Poe (folk punk) (x)
Ewy (emo, folk punk) (x)
Averstaskta (instrumental) (x)
Andie Schoen (indie) (x)
Elliot Lee (dark pop, electronic rock) (x)
Urias (hip hop, ballroom) (x)
Twink Obliterator* (cybergrind) (x)
Rio Romeo (cabaret punk, indie) (x)
Knife Girl (art pop, indie) (x)
Alexander James Adams (folk) (x)
Starmaxx (pop) (x)
Sofya Wang (pop, alt-R&B) (x)
Boy Jr (indie/alt pop) (x)
Medusa (revenge pop, hip-hop) (x)
Mal Blum (singer-songwriter, folk) (x)
Gina Young (riot grrrl) (x)
Petra Fiyd (indie pop) (x)
awfultune (bedroom pop) (x)
Quinn Hills (alternative pop) (x)
Femtanyl (electronic) (x)
Vivivivivi (electronic, glitchcore) (x)
Lilac Boy (glitchcore) (x)
Rosie Tucker (indie rock) (x)
Ryan Cassata (singer-songwriter) (x)
Pain Chain (noise, synth) (x)
In Love With A Ghost (electronic, lo-fi) (x)
Alice Longyu Gao (hyperpop) (x)
Prophetic Nightmares (ambient synthwave) (x)
Saint Wellesley (indie folk) (x)
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nanami kento, who hates dating, and didn’t do much of it in his early twenties. but now, he’s almost thirty, watching all the people he works with settle down, have kids, and he thinks he wants that. so he might as well try.
so satoru sets him up on a few dates — friends of friends, he calls them. and at the end of every one of the dinners, kento goes home empty, exhausted, because he knows what they want is not the same.
still; he thinks maybe he’s being a little self-destructive, maybe too picky, maybe he just got so used to being alone. with satoru’s insistence, he gives all the women another call, invites them over to his apartment.
the first time was a disaster… kento had barely set the dinner on the table before his cat had hissed at her, scratched her down the arm in a thin gash. and though it did draw blood, it was hardly enough to warrant that reaction.
he didn’t even try to stop her as she picked up her bag and left, huffing like she’d been morally offend. kento, though, could only smile to himself in amusement.
because maybe kento was a poor judge of character, a man who was secretly hoping nothing would pan out — but his cat could certainly tell the good from the bad.
it became a little game to him, after that. seeing if anyone could win his pet over, and if they could, perhaps they were the one. his darling animal was a fickle thing anyway. a bit too defensive, quick to bite anything threatening after years on the streets.
naturally, no one came back twice.
he was close to giving up, accepting his solitude because he was tired of empty conversations over dinner. but then, he ventured out over the weekend to a new coffee shop, during hours he normally didn’t spend out of his home, and met you.
though you only talked for a moment, kento felt like maybe he’d known you in a past life. a part of him thought maybe it was strange, the way he kept coming back to talk to you, catching you at the end of your shift to see if you wanted to grab a coffee sometime.
by the second date, kento started to think you could turn out to be his best friend.
by the third date, kento wondered if soulmates were real.
on the fourth date, almost two months later, an appropriate time to get to know someone when you were as reserved as kento, he invited you over for dinner. it was, perhaps, the final confirmation he needed to let himself be with you.
he let you through the door, smiling softly as you told him about the book you were reading, and hung his coat on the rack. a moment later, you stopped, distracted, hands covering your mouth in a gasp.
“kento! she’s the cutest cat i’ve ever seen, you didn’t even show me pictures!” you exclaim, and, a few feet away, crouched down. “look at her pretty eyes…”
“careful,” kento said, “she’s not very—“
but the cat approached your outstretched hand, sniffed once, before letting you scratch her under her chin, purring loud enough for kento to hear across the room.
“shes such a sweetheart, you told me she was mean!” you smiled, making a cooing noise as you threaded your fingers through her fur. “kento’s a liar, isn’t he… you’re so precious.”
a few moments later, she snapped her jaw at you in a biting motion, and you only laughed, withdrawing your hand. “alright, i get it, i won’t bother you anymore.”
though she still brushed against your legs, just as she did kento’s, and seemed to communicate some sort of message to him.
“do you want any help cooking?” you ask, tucking your hair behind your ears. “i’m a disaster in the kitchen, but—“
“sure,” kento said, his chest tightening as he blinked back at you, only in his apartment for minutes and already looking as at home there. he wondered if it was possible to fall in love so quickly. “but only if you want to.”
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