#And if this is who I think it is then they're getting a full spider monkey hug

[artbyblastweave]

To be honest, while I know that you've discussed a Worm/Marvel "crossover" before, considering how unusually different both Ultimate Universes are from mainline Marvel, how would a crossover with Worm go for those?

(Side note: I'm mainly asking for the potential thought experiment of: what if Cauldron met the Maker and all of the immense bullshit that would result from that.)

I don't think I'm totally capable of answering the back half of this ask because I haven't read The Maker comprehensively- Aside from his pre-heel turn stint in Ultimate FF, It's basically only Secret Wars, a couple of the times Ewing used him, and the current New Ultimate Universe.

So what I find interesting about this prospect is that Worm and Ultimate Marvel are very aesthetically compatible, right, you aren't going to drop one character into the other's setting and have them constantly going "what the fuck is going on" the way you would if we subbed in 616 Marvel at it's most four-color. But the worldbuilding and themes are actually very divergent in ways that are interesting to look at. Namely-

Worm is a grim, grim setting, but it's also attempting to replicate the status quo at Marvel and DC where, despite occasional attempts at government sanction or integration, there's fundamentally a weirdly high cultural tolerance for independent vigilantism as long as the person doing it is wearing a costume. Their version of Registration- The Protectorate- is a very carrot heavy initiative, when we see Kid Win making the recruitment pitch to Chariot it's all about the support you get, the funding, the backup, the PR help. Individual street level heroes get nailed to the wall or hung out to dry all the time, but collectively, they're granted a lot of discretion in that they're allowed to exist at all. And the fundamental reason for this is that the government is scared of them. They might be able to smack down individual upstarts who try to go full warlord or revolutionary, but they don't control the overall distribution of powers and there are so many of these assholes, three-quarters of whom go career criminal due to some combination of trauma, material want, neuroticism or ideology. So any set of norms that gets as many of these people as possible to behave in a slightly-less-antisocial manner is something that they're going to roll with. Worm is a world held hostage by the typical superhero paradigm, buckling under its weight. Crucial to this dynamic is that powers aren't a man-made phenomenon, and they're barely a man-influenced phenomenon via Cauldron.

But with the Ultimate Universe, a major pillar of the deconstruction and the worldbuilding is that superheroes would not be allowed to operate in the typical wild west paradigm. There's a much stronger divide between sanctioned heroes (The Ultimates, The Fantastic Four), grey-zone heroes like the X-Men, and then the out-and-out outlaw street level heroes like Daredevil and Spider-Man. A major plot point is that Nick Fury and his spooks very predictably figure out who Spider-Man is almost immediately; he's only able to continue operating as a street-level hero in the usual manner due to Fury's implicit sanction, because Fury is trying to groom him to eventually join The Ultimates. Moreover, a lot of the rest of the street-level capes (as depicted in Millar's Ultimates) are cast as genuinely incompetent puds, only not cracked down on because there's no real reason to. (Note that I have a seething hatred for this particular beat in practice because it deprived us of an Ultimate Luke Cage worth having, but I get what Millar was gesturing at with it.) All of this, likewise, is downstream of the fact that powers are almost totally a man-made phenomenon, with almost all superhumans being downstream of Military-Industrial Complex attempts at reproducing Captain America; it's not an out-of-control supernatural phenomena that they're trying to get in on, It's a government-made phenomenon that leaks like a sieve and eventually spirals out of control. The Ultimate Universe is fundamentally about Hubris in a way that Worm isn't.

Both settings converge on a state of societal collapse due to the advent of superpowers; Ultimate Marvel was gesturing at an impending superhuman-driven World-War Three for a while before things spiraled into the comparably destructive nonsense of Ultimatum, The Maker, The (partial?) balkanization of the U.S. and the rest of the crisis cavalcade that led into the 2015 Secret Wars and the total destruction of that universe. Worm suffered the much more tightly-directed Apocalyptic Bad Time with which we're all familiar.

As for a crossover premise, I'd have to say that post-gm Taylor getting marooned on 1610 and winding up in the orbit of 1610 Peter Parker specifically- as opposed to the MCU or 616 versions, with whom I've seen this done- is an underexamined hook. Ultimate Spidey represents a deft integration of Peter's best and worst personality traits. The early-run ditko-style dickishness is recontextualized as an anger about the state of the world, the crazy-making sense that bullies and dictators appear to have free run of the world and nobody but him is doing anything about it. Which, given the state of The Ultimate Universe, falls in the middle ground between typical teenaged myopia and a sober assessment of what he's up against.

Remind you of anyone?

[minttangerines]

do you like hugs?

(i'm gonna give you a hug in a few weeks...)

Yes

[t0rturedangel]

How about the Hazbin hotel gang with seraphim child reader who just somehow appeared after ep 8

╭ . . . 𝚊𝚗 𝚊𝚗𝚐𝚎𝚕𝚒𝚌 𝚜𝚞𝚛𝚙𝚛𝚒𝚜𝚎 ੭

𝐇𝐀𝐙𝐁𝐈𝐍 𝐇𝐎𝐓𝐄𝐋 𝐂𝐀𝐒𝐓 𝐗 𝐑𝐄𝐀𝐃𝐄𝐑 ⿻  𝘏𝘰𝘸 𝘪𝘯 𝘵𝘩𝘦 𝘦𝘷𝘦𝘳 𝘭𝘰𝘷𝘪𝘯𝘨 𝘧𝘶𝘤𝘬 ��𝘪𝘥 𝘢 𝘴𝘦𝘳𝘢𝘱𝘩𝘪𝘮 𝘢𝘯𝘨𝘦𝘭 𝘨𝘦𝘵 𝘩𝘦𝘳𝘦??

⌦ 𝒲𝒜𝑅𝒩𝐼𝒩𝒢𝒮 ﹕angel dust - swearing, just him being him. Alastor - ill intent, possible swearing. Mentions of killing, mentions of blood. Nifty - she tries to kill you, dw you dont die. this too me so long im gonna cry

⿻ㅤㅤᱺ okay, firstly just know that the crew goes fucking crazy- I mean they just fought an entire army of exorcist angels and killed Adam, the first man Adam!! So they all think that you're sort of there to try and punish them all for it, so they all get ready to attack (even though you're LITERALLY a child, children are wild though)

⿻ㅤㅤᱺ that's until Charlie, bless her heart, recognizes you (and depending on if you tried to defend her in court just like Emily) and rushes up to you, holding her arms out happily- thats until Angel Dust surprisingly tries to stop her

"It's you!" Charlie gasped, her eyes widening in a pleasant surprise, you were the third and youngest seraphim and much like your older sister Emily felt the need to defend Charlie and her idea of redemption- the thought of allowing those who suffered to see the error of their ways and correct them and then given their reward of eternal peace sounded brilliant, much like Emily you were horrified to learn of the exterminations. You were the first one to openly agree to what Charlie had said despite Adam's comments and facial expressions, you also helped Emily in trying to make the court see what was wrong with this method, unfortunately your plans did not work, though Charlie remembered your efforts and clearly she enjoys your presence. At the glee in her tone, you smiled and stepped forward, wanting to give a hug to the princess of hell though paused in confusion when someone looking oddly like a spider stopped her.

"Woah there toots!" the spider called out to his friend, grabbing her arm to halt her movement- Angel dust was staring both you and Charlie down- a look of uncertainty and distrust painted all over his face "Why ya going to rando angels? what if they were sent down here to finish the job for Adam?", Angel did have a point- you appeared put of no where and was just standing outside the hotel? pretty suspicious.. though Charlie is quick to cool things down "Oh no no no! They're alright, they're a friend! They mean no harm at all- in fact [name] was one of the angels who supported my idea!" she turned to you joyfully, smiling from ear to ear "We can trust them!" ... "okay but how did they end up here? in uh hell?" Husk piped up, his voice full of boredom- or annoyance (you can never really tell with husk, what an odd man) "Oh I fell! ... or rather- I threw myself out of heaven" you happily answered the question, giving everyone a quick second to process what the actual fuck you just said.

⿻ㅤㅤᱺ thats how you joined the hotel! Pretty nice innit??

𝐂𝐇𝐀𝐑𝐋𝐈𝐄

⿻ㅤㅤᱺ Charlie adores you! you're such a sweet little thing, you're a sweetie and are just so kind to everyone!! (at least that's what she likes to think)

⿻ㅤㅤᱺ she thinks of you as a little small sibling!, after all you're the youngest of the team and act just like her, plus she always wanted a little sibling so you're perfect!

⿻ㅤㅤᱺ any ideas she thinks of or any redemption exorcises she runs them by you- to see if they can be more or less effective to get her friends into heaven

⿻ㅤㅤᱺ Since Charlie could only stay in heaven for so long, she loves to ask you about heaven and how it was like- always being so invested in your stories, she honestly cannot get enough of them!

⿻ㅤㅤᱺ also, Charlie is... painfully aware that she can never get into heaven, ever. Afterall, she's not only a hell-born but also literally the heir to the throne of hell so yeah there is no chance for her redemption, something she cannot handle- she cries knowing this but now that she has you- someone who ran from heaven, actively choosing to leave and come here gives her comfort. Now she'll never be alone, she has you and you have her!

𝐋𝐔𝐂𝐈𝐅𝐄𝐑

⿻ㅤㅤᱺ At first, Lucifer was startled and untrusting of you- you're a seraphim, someone that was just like him and could possibly actually take him down despite you being an actual child.

⿻ㅤㅤᱺ over time, the king of hell did grow warmer to you, after all he sees a bit of himself in you. Both ex-angels, both hate heaven.... it's like you're his second little one!

⿻ㅤㅤᱺ Sometimes, when lucifer isnt busy with his actual child, he hangout with you- entertaining you with his magic while you return the favor with little stories and things, sometimes you even create little gifts like flowers for him.

⿻ㅤㅤᱺ Lucifer vows to keep you safe, even though you can easily take down hundreds of sinners and even overlords, it's paternal instincts what can i say?

⿻ㅤㅤᱺ this man totally makes you ducks- he has enough experience in making ducks so you know own a few dozen in your hotel room- how lovely!!

𝐀𝐋𝐀𝐒𝐓𝐎𝐑

⿻ㅤㅤᱺ oh this man, this radio demon. He's out for your soul, absolutely hell-driven to get it, and it's all for power (who could have guessed)

⿻ㅤㅤᱺ He doesnt like kids, in fact he can confirm that he absolutely HATES children though he will act all kind and lovely to you- remember though it's all an act! don't fall for it, he just wants your soul (if he gets your soul, your angelic soul? fuck- he'll be even more powerful than before, having an angel's soul would make him practically invincible!)

⿻ㅤㅤᱺ This guy, funny fella really. HE CANNOT BUGGER OFF. Whenever you need help with anything he's the first to appear and offer a helping hand- and then in return as a favor back asks for a deal- is he serious? (yes. he always is)

⿻ㅤㅤᱺ Alastor though also, much like everyone else becomes a a bit soft for you- occasionally creating those little weird shadow creatures to play with you, since everyone around you are adults and are busy it's a way of keeping you entertained when they're busy

⿻ㅤㅤᱺ He, also, understands that you are more powerful than him- and knows that if he gets on your nerves enough he'll probably become dust.

𝐍𝐈𝐅𝐓𝐘

⿻ㅤㅤᱺ at first, Nifty only had one goal: to kill you (hey don't blame her! Charlie told her to stab and she's still under that impression)

⿻ㅤㅤᱺ good for you though!! coz you fly up right as she even tries to stab her dagger through your chest- Charlie and Vaggie immediately grabbing nifty to stop her from moving and killing you.

⿻ㅤㅤᱺ after the whole misunderstanding, Nifty actually enjoys begin with you! you're clean, and help kill bugs (well really it's you pointing the bugs out to Nifty and her killing them)

⿻ㅤㅤᱺ You're, unsurprisingly, taller than Nif so she likes to climb up on you and sit on your shoulders or stand on your back while holding onto your shoulders. She finds you the most comfortable to climb- plus she can hide in your wings and be used as a secret weapon.

⿻ㅤㅤᱺ she adores playing with roaches with you- while you are grossed out by it slightly, you still play to entertain Nifty (then after you sanitize your whole body about ten times)

𝐀𝐍𝐆𝐄𝐋 𝐃𝐔𝐒𝐓

⿻ㅤㅤᱺ angel tends to avoid you, not out of hate or spite or anything- it's just.... well he is aware of how he is and well he doesnt want to ruin you in the sense of his dirty talk and swearing.

⿻ㅤㅤᱺ though occasionally he finds himself stuck looking after you, which is.... fun.... no i mean really its fun as fuck!!! Angel makes all sorts of jokes, offers you alcohol (you did almost take it if it werent for husk and practically everyone else to all collectively pry the bottle of vodka out of your hands)

⿻ㅤㅤᱺ angel dust also teaches you some very creative swear words! so now, whenever you feel like talking you run around screaming weird insults at people, Alastor has heard you shout "EAT ASS AND DIE HORSE FACE FUCK BITCH!!" a few times to random sinners

⿻ㅤㅤᱺ The... star, is actually proud of teaching you those words- hey if you wanna stay in hell you gotta act like it!

⿻ㅤㅤᱺ hides you away from Val- though somehow you still find out about him, and when you learnt how he treated your spider-friend.. uhm, the studio was in smithereens and val was close to death- now permanently loosing his right arm (just his right arm for now)

𝐇𝐔𝐒𝐊

⿻ㅤㅤᱺ to you, Husk is like the weird- drunk uncle who just got out of prison. Though, he's the cool drunk uncle.

⿻ㅤㅤᱺ Husk doesnt really speak to you, which is brilliant coz you dont really speak- so the two of you communicate through looks and gestures, leaving everyone in the hotel watching you two 'talk' very confused.

⿻ㅤㅤᱺ never gives you alcohol, no matter how much you ask with 'cherries on top' and if he does catch you with any intoxicating drinks he snatches them off of you- scolds you a bit then drinks the beverage himself.... hypocrite

⿻ㅤㅤᱺ Husk helps you avoid Alastor, he doesnt want to see you being under his clutches, you dont deserve that you're just a kid.

⿻ㅤㅤᱺ He also teaches you how to do magic tricks just incase you ever want to become a magician... and sometimes he teaches you how to play card games- or how to gamble

𝐕𝐀𝐆𝐆𝐈𝐄

⿻ㅤㅤᱺ In all honestly, Vaggie is very much threatened by you- because like, do i even need to say it?? YOU'RE A SERAPHIM !!!!!

⿻ㅤㅤᱺ Buttt as long as Charlie is okay with you and you don't pull any stunts to try and sabotage the team you're alright! Just dont try anything.... please

⿻ㅤㅤᱺ she accidently treats you like a soldier sometimes- a habit from her exorcist days, speaking of you could immediately tell she was one of those angels and while you did not like her at first you grew to like her- viewing her as a second older sister

⿻ㅤㅤᱺ you and Vaggie sometimes sit and remember old times in heaven- and you'd ask about the exterminations, though quickly stopped after noting her discomfort.

⿻ㅤㅤᱺ Vaggies also likes to try and swap weapons with you- to see if she and you can handle other weapons (unsurprisingly you both adapt quite quickly)

[harmoonix]

🧚🏼‍♀️Fαιɾყƈσɾҽ🧚🏼‍♀️

*Unlock your inner fairy*

────────────────────────────────

Come away with me now to the sky

Up all the hills and the sea

Far beyond where memories lie

To a place where Im free to be me

────────────────────────────────

🧚🏼‍♀️ - Earth Risings (Capricorn, Taurus, Virgo) have that amazing personality thanks to their strong aura and energy. They're that chill yet wholesome person

🧚🏼‍♀️ - Midheaven in Fire Signs will mostly wanna have a job based on their desires and on what they truly want/desire from life

🧚🏼‍♀️ - Having your 4H in an earth sign it can indicate your home can be your biggest comfort, out of all the places

🧚🏼‍♀️ - Moon aspecting the Ascendant brings that type "serene" energy to the native, calm, peaceful, I love how they resemble those things

🧚🏼‍♀️ - Saturn aspecting Venus want a high standard relationship because for them loyalty and teamwork matters a lot in the relationship

🧚🏼‍♀️ - Pluto aspecting Sun/Moon/Ascendant can be judged for who their are, or heavy criticized, it's important to be you even if you have haters

🧚🏼‍♀️ - Moon in Gemini/Gemini Degrees 3°, 15°, 27° moon loves this energy of self - expressing, I always think about this placement as "life in colors"

🧚🏼‍♀️ - Neptune aspecting Mars will always have a fiery energy, is electrifying and yet charismatic, full of boosts of energy

🧚🏼‍♀️ - Juno aspecting the IC (4th house) will have that familiy oriented spouse, possibly someone who wants also to live a traditional marriage life

────────────────────────────────

Let the stars fill your soul, when the moon cradles all

So, to yourself be true

────────────────────────────────

🧚🏼‍♀️ - When you have your North Node in your 9H you gonna decide which faith you wanna follow, which religion, education, schools, you have free will in that area

🧚🏼‍♀️ - North Node in the 3rd/5th house gives you the chance to express yourself how you want, you achieve things in your life by being yourself

🧚🏼‍♀️ - When you have your Mars in your 3rd/6th or 8th house Mars will react either very energetic either very tired. It's important to keep a balance between how lazy you are and how productive you are

🧚🏼‍♀️ - Water Suns can easily attach emotionally by others, crying in the same time?? Girl yes! Telling your secrets to each other? Girl no! There always should be a boundary between you and your emotional side

🧚🏼‍♀️ - Neptune in the 2H/4H/9H/12H can come from a background with a spiritual family, like your family members can be into spirituality

🧚🏼‍♀️ - Mars/Pluto or Venus in the 5H get tempted easily, like their lust is overdosed here, take care at your temptations especially if you're in relationship

🧚🏼‍♀️ - Suns in the 12H can have a various impacts, on the good side this placement can help at growing spirituality and the bad side it is that it will make you to self - doubt a lot (You're worth it🫶🏼)

🧚🏼‍♀️ - I already said in numerous posts that Venus in Earth Signs men are gentlemen, like their aura is screaming that (GENTLEMAN/MY MAN) I'm looking at Taurus Venus while saying this ofc

🧚🏼‍♀️ - My Juno is in fucking Aquarius okay..so there was once an Aquarius Sun guy who saw me as his "relationship material" and I was like "Um nope" his Juno was in Capricorn while my Sun is in Capricorn and I had no like for him 😅🫶🏼

🧚🏼‍♀️ - Can we appreciate Capricorns for wanting to date older people so they don't have to suffocate themselves with the ones who have not matured at a certain time

🧚🏼‍♀️ - Cancer Moons will basically attach to your heart like a spider cloth, and it maybe devour it at some point. If you love them they gonna "devour" your love

🧚🏼‍♀️ - Moon in the 1st/3rd/5th/9th houses love to party and enjoy life, the soul of the party placement literally

🧚🏼‍♀️ - Juno in 2H/Juno in Taurus is giving spoiling spouse,girl "you wake up with 24k gold earrings beside your bed from your spouse"energy

🧚🏼‍♀️ - Aries/Scorpio and Sagittarius Mars are those bad bitches who nobody plays with like, they don't accept it

🧚🏼‍♀️ - Mars in the 11H or Mars in Aquarius can become quite obsessive/possesive around their friends but in the same time can have lots of conflicts with them because after all Mars is the planet of war

🧚🏼‍♀️ - Stellium or lots of placements in the 9th house can show love for traveling/exploring/ even learning new things

🧚🏼‍♀️ - Stellium in the 5th house or in Leo can indicate a lot creativity, a very talented person, can indicate you love being yourself as well

🧚🏼‍♀️ - Juno in the 11H or in Aquarius can indicate your husband will for sure be one of your closest friends

🧚🏼‍♀️ - If someone has Pluto - Sun aspects you can tell they can be misunderstood a lot, is hard to fit in the norm if you're just trying to make a difference

🧚🏼‍♀️ - Aquarius Suns and Risings are different from their family members or relatives, like when you go for example and visit their family, these natives will always stand out of them

🧚🏼‍♀️ - Sun in your 6H/12H can make you just tired or drained easily, try to not force yourself to do certain things if you don't really want that

🧚🏼‍♀️ - Mars in the 1H/Aries Mars is an icon placement, it shows a lot of motivation and energy towards the things you wanna do in your life

🧚🏼‍♀️ - Jupiter conjunct/trine/sextile Mars makes you extremely ambitious, very desirable, and you can actually manifest things so fast with these placements

🧚🏼‍♀️ - Venus aspecting the Midheaven (in good aspects) can be appreciated at their work for their personality/aura/vibe

🧚🏼‍♀️ - Having more Cardinal Signs in your chart than others (Aries, Cancer, Libra, Capricorn) shows you're not afraid of change, sudden changes, you're ready for everything that comes in your life

🧚🏼‍♀️ - Chiron aspecting Ascendant (all aspects) can indicate a very big journey when it comes to self - discovering and healing yourself!! Your healing era is precious

🧚🏼‍♀️ - Having your 8H in a fire sign shows a person who is very sensual/passionate/has lot of desires and lots of naughty thoughts

🧚🏼‍♀️ - When you and a person share the same Lilith sign, you can both understand eachother on a psychic level, you can also tell which bad traits you have to eachother

🧚🏼‍♀️ - Pisces Saturn has a lesson about becoming more spiritual and finding your inner faith in a way, being more connected with yourself

🧚🏼‍♀️ - Sun/Lilith or Saturn in the 10H can have really big issues with their dads, the dad can be controlling/strict or just mean with some of these placements

🧚🏼‍♀️ - Chiron in the 2H can also be about being more healthy in your diet, like eating more healthy food and keep a balance in your body

~ Bad bitches grew up with Tinkerbell 🧚🏼‍♀️🫶🏼 ~

[luveline]

Miguel requests you say? 🤭 how about grumpy lovesick Miguel giving spider girl a hickey cause no one’s gonna notice right? only for someone to notice lol he’d be teased relentlessly.

thank you for your request!! —miguel gives spidergirl!reader a hickey. fem!reader, 1.5k

Miguel runs his entire life based on the assumption that there's not enough time. The multiverse is caving in on itself and he's probably the only one who can stop it —he doesn't have time to be kissing you in a dark hallway on the way to the control room. 

He doesn't have time and he shouldn't be doing this here, but you looked at him like he hung the moon for making some stupid joke, and you're always lovely, sweeping around him without worry to ask how he's feeling today, to touch his arm and really mean it. Did you get any sleep? 

He's not thinking as his hand closes down on your shoulder to pull you forward, not thinking as he chases you back into an alcove, not thinking as the seam of your lips parts under the pressure of his kissing, as you sigh into it, as your hands go limp where they're pressed to his neck. 

Miguel used to be better with words. He kisses you until you can't breathe, taking and taking and taking, your touch and especially your open-mouthed kisses a balm. And as you catch your breath, your hand rubbing affectionately at the back of his neck, he tilts your chin up with a no-nonsense thumb and noses at the column of your throat. He's trying to be quick and forgetting to be nice, nipping little welts like a line of longing from your jawline to your collar, hand hooked in your suit and holding it down for a better angle. 

He thinks, if he were to let the suit spring back into place, no one would see what he wants to do. 

"Can I?" he asks, hand full of your face, your head weighed heavily to one side. 

You're breathless. "I'd let you do anything you want to me," you say honestly. 

He attempts to ruin your right there in the hall. The hand that isn't holding your face squeezes at your waist unabashedly, pulling you as close as he can get as he works his teeth against the delicate skin of your neck. Open-mouthed, Miguel plasters damp crescents up to your pulse, where he stays, where he bites. You shudder at the feeling. Your happy sigh eggs him on. 

He's feeling pretty smug about the whole thing when he finally arrives ten minutes late to the command centre. The platform starts to rise under his feet, Lyla on his shoulder, Margo at the helm. You sit on the edge and swing your feet, hand drifting to your freshly bruised neck and prodding gently. He wonders if you've ever had a hickey before, and concludes you likely haven't; you've no room for subtlety. 

The smugness fades. You don't have a subtle bone in your body, actually, and he didn't ask you to hide it. He's not sure he wants to —you don't want to be his secret, and though it humanises him too much for his liking in the eyes of some of the other Spiders to have evident feelings for you, he doesn't want you to feel that way. You probably think the hickey is a 'freaky' badge of honour, the way you function. You'd sounded oh so happy to get it, and you'd kissed him when he pulled away like you were saying thank you. 

You definitely have some misconceptions Miguel needs to set straight, and he will. Just not in front of Lyla. He's only now started setting boundaries with the AI, like, try not to watch what I'm doing all the time, and, please don't pop into existence to make snarky commentary at my lame attempts at romance. It sort of kills the mood.

The day moves forward smoothly. Miguel might actually get away with it. You ease back fully onto the platform with your back to all of them, a book in your lap, humming at odd times until you forget to hum. Lyla runs calculations. Margo runs the teleportation room. Nobody notices anything unusual, not the mess of his hair from your squeezing fingers nor the rumpled neck of your suit. 

Legs crossed, you lay back and stretch your arms up toward him. He notices your movement from the corner of his eye and turns to give you a reassuring smile. He'd say he needs to find you a job, but there are enough spiders doing enough jobs. You have a training course tomorrow for strike force, but today, you're good to lounge about on the floor and send him lazy winks. 

Peter B. Parker arrives, and of course he brings trouble. 

"Hey, Spider," he calls, nodding at you, then Margo, and then Miguel. "Spider, Spider. Hi, Lyla." 

"What do you want?" Miguel asks tiredly. 

"Lyla asked me to come," he says. 

"For what?" Miguel asks Lyla. 

"Peter's useful. You need two team captains today in case the canon events on Earth-898 and 1264 converge at the same time and there are anomalies. I don't see why I have to tell you this." 

Miguel groans and he and his AI descend into an argument. You wave at Peter from the platform as it begins to descend toward him, fingers spread and swaying like sea grass. 

"Hi, Peter," you say, "where's Mayday? I'm owed a baby hold, you promised." 

"I did, I did promise!" Peter says. He squints at you. "I think I made one of the Spider-Girls that looks like you hold her, actually. That would explain why she was so confused. Woah, what happened?" 

Three heads turn at Peter's surprise. You stand up and hop the small distance from the platform to the floor as it stops moving, confused. "What?" 

"You have a bruise the size of Hawaii!" Peter's eyebrows jump his forehead. "I thought you were looking after her?" he asks Miguel. 

"He is," you say, less confused now. 

"What bruise?" Lyla asks. 

"It's not appropriate," Miguel says. "Margo's here." 

"Margo," Lyla says pleadingly. 

Margo sighs at the acute and abject unseriousness of her colleagues and logs out. As soon as she's gone, Lyla whizzes from Miguel's shoulder to yours, and while the hologram can't move aside your suit's high neck, she doesn't really need to. The dark colour of your hickey peeks out regardless. 

"Jesus, Miguel," Lyla says, "what's wrong with you?" 

Peter looks a funny mixture of embarrassed to have brought it up and pleased. "I mean, good for you guys." 

Miguel's surprised when you —tries to make him dance in public, lackadaisical, carefree you— pull the neck of your suit up and bat your hand. Lyla zips away from your fingers. 

"Please, stop," you say, laughing uncomfortably. 

Miguel hadn't considered how you might feel if you were discovered. He winces and steps off of the platform to get his arm around your shoulder. "Peter," he says, feeling wildly over protective, "you can do my tasks, since you're here. Lyla will help. It's my lunch break." 

"You don't have a lunch break." 

"I barely said anything!" Peter protests. 

Despite a batch of grumbling complaints, Peter climbs onto the platform, dragging a chair to Miguel's crop of orange screens. 

You let Miguel guide you to the hall, an apology on the tip of his tongue. You're a few steps deep when you drop the sad-sack act and spin out of his arm, turning to face him. A devious smile curls the corners of your lips up. "That was good, right?" 

"You're not upset?" he asks, eyebrows set into their usual frown.

"Nah. You wanted to get out of there, right? Your cheeks went pink." 

"They did not." 

"They did! Like when you kiss me, they went all pink, you can practically see how warm you were." You make a heart with your hands and press it to your chest. "Saved you, handsome." 

He looks up at the ceiling. Of course you know him well enough to know he wasn't keen on being teased. Of course you're not embarrassed at being marked up and discovered. You love his attention, you love all the boyfriend‐like stuff he does, kisses and hugs and hickeys, the whole job lot. He doesn't need to worry. 

"Thank you," he says. It's sweet of you to rescue him. You're a sweet woman. 

"You're welcome. Maybe next time, if you're going to get shy, you could give me one where people won't see." 

"Stop," he warns without heat. 

You laugh and twine your hand with his, yanking him down the hall. To the cafeteria, he guesses. He wouldn't know. He's never been there. Miguel really doesn't have a lunch break. 

[rottenpumpkin13]

Out Of Context Shit Heard On The SOLDIER Floor #7

Genesis: SEPHIROTH, STOP MEOWING AT ME.

Kunsel: Any loser twink can be a fem-boy, but it takes a real badass to be a fem-man.

Sephiroth: Did I "yee-haw" with joy, or did it convey depression?

Zack, holding up Cloud: BEHOLD.

Sephiroth, stealing a fry from Angeal's plate: A most generous offering. You will be spared. Angeal: FROM? Sephiroth: You will be spared.

Genesis, wearing sunglasses and holding a cappuccino: So there I was, gelato on my breasts—

Cloud: Aww, that's such a cute Halloween decoration. *pointing at Genesis sobbing in the corner*

Angeal: Who put a hotdog in the candy bowl?? Zack, in the background: Halloweenie.

Sephiroth: I could've sworn "motherfucker" was a compliment.

Angeal: IF YOU EAT THAT WEEK-OLD SUSHI PLATTER, YOUR INTESTINES WILL BECOME RADIOACTIVE.

Sephiroth: Zack, can I enjoy this steak dinner without you explaining A/B/O to me?

Lazard: I think we ALL need to beat our fathers with shovels, Sephiroth, you're not special.

Zack: NO! THAT'S MY EMOTIONAL SUPPORT BANANA!

Genesis: He manspreads to assert dominance, I manspread to create a barrier between myself and heteronormativity. We are not the same.

Sephiroth: I just sent Angeal an email describing my feelings for him. If he doesn't reply, I'll show up at his apartment and superglue myself to the door.

Zack: Give me a pen, paper, and three Adderall, and I'll write something better than Loveless in one hour.

Kunsel: Everyone is subjected to failure, but at least I'm not Roche, who thought the plural of ninja was ninji.

Sephiroth: I have exactly three crayons on my person right now, and they're all stolen from Zack.

Angeal, chewing with his mouth full: Don't make psycho-sexual comments in front of my cheeseburger.

Zack, narrating what he's seeing: 🎶 Look at Angeal 🎶 beating Sephiroth with a frozen chicken because he forgot to take it out the freezer. 🎶

Sephiroth: Please refrain from analyzing my deep-seated fear of abandonment linked to my mother's absence and its impact on my emotional regulation, it's seven in the morning and I still haven't had coffee.

Cloud: I'm about two mental breakdowns away from resorting to gang affiliation.

Genesis: COUNTER SPELL! *flicks his wrist* TRAUMA!

Roche: I often have nightmares about Sephiroth attacking me with a spork.

Sephiroth, in the presence of a spider: I feel anti-at peace.

Zack: Dear diary, today I committed tax evasion, and felt great. Tomorrow I'll try embezzlement and eventually vandalism!

Sephiroth: Can you read this death threat note and check if my handwriting is recognizable?

Zack and Genesis: *Loudly arguing over who gets to be the ring bearer at Sephiroth and Angeal's wedding*

Angeal, laying on the floor: Good luck trying to find my will to live, gang.

Genesis: I'm flashing you a tit to maintain our friendship.

Sephiroth: If I had a gil for every time someone compared me to a cat, I'd have enough to purchase that expensive human cat bed that has been on my wishlist for ages.

Roche: Is my discount wig a joke to you, Zackary?

Cloud, placing an "I miss you" letter from his mother in Sephiroth's line of view: Yeah, that's right. Fuck you.

Lazard: Someone pinned a death threat on my office door written in glitter gel pen.

Genesis, flirting: I own an air-fryer.

Angeal: T-shirt that says "I survived Zack's power point presentation on aliens that included a photo of Sephiroth on the fourth slide"

Roche: Cloud Strife's evil twin…Grass Peace.

Sephiroth: *Showing Zack pictures of baby cows while Zack sobs into his burger*

Genesis: PUT. MASAMUNE. DOWN. No one is stealing your crayons.

Sephiroth: Genesis, I feel inspired to compliment your ass.

Lazard: Take a good, hard look at Sephiroth wearing flip-flops and tell me I shouldn't be stressed.

Sephiroth: A most efficient weapon to add to my arsenal *wielding an entire streetlamp*

Zack, talking to Angeal: My insecure trooper and faceless info guy, versus your 6'7 cat and walking red flag.

Kunsel: Is the cure to male loneliness *incomprehensible screeching* ?

[the-kr8tor]

Into the Eye of the Needle

Pairing: Hobie Brown x fem! Reader/ Spider-Punk x fem! Reader

Word count: 11.6k

Summary: Billie and Ramona falls back in time during the 90s, meeting the younger versions of their parents and finding that your relationship with their dad is in shambles. Will they be able to help in repairing it before they cease to exist?

Tags: no specific physical description of the reader (except for her clothing), use of Y/N sparsely. Mum! Reader, Dad! Hobie, twin au, dad au, Billie and Ramona au, TTN au (but you don't need to read it to understand this one), time travel au, cw food mentions, fluff.

A/N: Behold! One of the silliest fic and most self indulgent fic I ever wrote lol enjoy

Navigation

Dad! Hobie Masterlist

Octobie🎸

“Rock, paper, scissors, shoot!” Billie and Mona's voices echo around the house as you and Hobie clean the living room before you start setting up for Halloween.

“Damnit!” Billie's unmistakeable frustrated tone floats from upstairs down to the living room.

Hobie sighs and meets with your eyes across the room whilst he's holding up the entire sofa with one hand and with a vacuum on the other. “They got your vocabulary.”

The feather duster pauses in your hand and the picture frames on the wall that you're dusting stop swinging. “And they got your love for doing chores.” You say sarcastically.

Hobie wants to abandon the cleaning and snog you right there and then. Which might prove your words right if he does. With a promise and a wink towards you, he calls the girls. “Mac and Cheese!”

The sounds of bounding feet reverberates, and a moment later, their almost identical faces pop up from the top of the stairs. “Yeah?” They say at the same time.

You smile at them with fondness. But you show them that you mean business with your hands on your hips. Hobie calls it your mum pose, and your children call it the ‘we’re in trouble’ pose.

“Your mum asked the two of you to grab the boxes from the attic, not just one of you. Stop playin’” He glances at you briefly, and he gets a nod of approval from you.

“But playin’ rock, paper, scissors is an old age tradition on who gets to do the chores!” Billie answers back.

“Didn't you and uncle Ned used to do it when you were roommates?” Mona, being Mona, backs her sister with a smart rhetoric.

Teenagers, you sigh in your mind. “Well when me and your dad were roommates, we did all the chores together. That made it more fun.”

“Ew, mum!” They say simultaneously, groaning and acting like they're about to vomit.

You cross the distance towards Hobie, and he in turn puts the sofa down gently as he abandons the vacuum to hold your waist instead.

“Wait, what did I say?” You ask the three of them.

“We didn't need to hear what you and dad were up to back then, mum!” Billie even covers her ears dramatically as Mona fakes a gag.

Hobie chuckles next to you as realization hits you. “I didn't mean it by that—”

“If you gremlins don't go to the attic in the count of ten you're goin’ to hear a lot more.” Hobie cuts you off, and you play by his bit when you send him a sultry wink. “One…” they're already running up the stairs and up the ladder before you could even smooch Hobie. “Works like a bloody charm.” He says as he pecks your cheek lovingly, all the while chuckling against your soft skin.

—

“Why is it so dusty in ‘ere?” Mona coughs, while Billie sifts through the numerous boxes in the small attic.

The attic smells of old clothes left in the wardrobe for far too long and mildew clinging on wood. The place is big enough to fit dozens of boxes and bags but small enough to let the girls crawl and not stand up lest they want to get a full face of cobwebs clinging on the ceiling.

“I think they're just spider webs, Mon.”

“That is not better, Bee.”

“Our dad is literally part spider—ohh!” Billie holds up a pair of old jeans with white lace sewn into the ripped parts. “This is so cute!”

“Looks like mum's.” Mona checks it for any damage, she finds none but she does find Hobie's name scribbled on the tag. “Nope, it's dad's.”

Billie scrunches her nose. “Doesn't look like dad's.”

“You never know what kind of fashion he had back then.” Her sister shrugs, taking her attention away from the jeans to a wooden box that looks more enticing. “We're talkin’ ‘bout the 90s ‘ere. Dad probably had a leather jacket for every day of the week—” she hears shuffling behind her and Billie's already rifling through the entire box without a care. “And she's gone.”

Billie doesn't hear her, “this one suits you, Mon!” Lifting up a long sleeved blouse with a hummingbird embroidered on each collar, Billie brings it on Mona's chest to see if it fits her. “Hmm, a bit small but nothin’ like a pair of high waisted jeans couldn't fix it!”

“I like this one actually,” Mona smiles, tracing the colourful stitched bird on the collar with her thumb. “This was definitely mum's. Dad would never wear somethin’ with a collar like this.”

“Good find, huh? Say ‘thank you,’ Bee.” She shuffles, dancing excitedly.

“Yeah, yeah, Bee.” Mona rolls her eyes before folding the blouse neatly and then placing it on the floor next to her. “We still need to find those decorations. I can feel my allergies acting up.”

“Fine, but 'm gonna take this entire box with us.” Billie closes and kicks the box towards the attic exit, it skids on the dusty floor and then plunges down from the ladder down to the hallway. “Whoops!”

Ramona gasps, “You gotta watch your strength, you might break somethin’!”

Billie winces when she hears your familiar footsteps frantically walking up the stairs. You don't sound mad, probably concerned about them. Your eldest crawls towards the hole in the ceiling to look down apologetically at you. Mona shuffles on her knees, following behind her sister.

“We're okay!” They both yell the second you reach the last step.

You visibly relax, shoulders sagging as you see them both fine atop the attic. “I thought you two fell!” You hold onto your chest, “They're alright, Hobs!” You yell down to inform him.

“Told you! Spider senses don't lie, love!” His muffled voice echoes up the house.

Crossing the small distance, you look at the crumpled box that's spilling old clothes. “I remember these!” You chuckle, bending at the waist to take a familiar white shirt splattered with graffiti designs. “I made these! Too bad it doesn't fit your dad anymore.”

“I told you it was dad's!” Mona nudges her sister by her shoulder.

Billie nudges back, pushing Mona playfully. “But it fits us, mum! Can we keep it? We'll share, promise!” Billie acts cute, fluttering her lashes towards you with a sweet smile.

Mona huffs, hand pressed on her sister's cheek to push her away as she continues to jab her. “Yeah, can we?”

“Stop pushing, you'll actually fall this time.” You chuckle, they remind you of Hobie and Ned when they were younger, always pushing each other but more than ready to pull the other back up. “Are you sure? They're not too old school?”

“Nah!” They simultaneously say.

“Old school is actually in these days, mum!”

“Oh I know, sweetheart, my design assistant keeps yammering about trends just going around in circles.”

They smile at you, “you should hire us instead then!” Billie half teases.

You get a light bulb idea, “Tell you what, dad and I are going to pick up your brother from band practice. When we come back— and if the house looks ready for the Halloween party tomorrow then I'll bring you both to work next Friday, deal?”

They shriek excitedly. You hear Hobie downstairs copy their high pitched shrieks, making their guffaw ring around the house. “Only if the house looks nice.” You laugh at their antics, “just be careful with the streamers, okay? And leave the string lights to us.” Walking closer to the ladder, you look up at them sweetly. “I know you're not used to your abilities just yet, so be extra careful with each other, okay?”

“Don't worry, mum, I've got Mon-mon.” Billie mocks salutes.

“And I've got Billie. I'll catch her when she falls.”

“Oi! That was one time!”

Your phone rings in your pocket, the ringtone is one of Hobie's old songs. “Good,” leaning up, tip toeing, you pat each of their cheeks. “That's your brother, love you both so much.”

“Love you too, mummy.” Mona replies, sending you a flying kiss that she hasn't shaked away since she was five. You wouldn't have it any other way.

“Love you, mum!” Billie responds more enthusiastically, waving at you while you climb down the ladder.

“No love for me?!” Hobie, still downstairs and getting the keys based on the soft jingle of metal, yells back at the three of you.

“Love you, dad!” The twins yell back happily. You're glad that even though they're already fifteen, they're not embarrassed to say the three words back to you and Hobie.

“Love you, gremlins!” Hobie screams back, this time much clearer as he stands on the bottom of the staircase while waiting for you. “C’mon, love, let's get ice cream without them.” He teases.

You giggle, hand reaching towards Hobie as you both run away. A resounding sound of disapproval rings out while you and Hobie run off towards the garage.

“I want rocky road!” Billie calls back as she hears the engine start. “What do you want, Mo—” when she turns towards her twin, she finds her spot empty. “Hey!”

“What? ‘m doin' my task. Go look in the other corner.”

“Fine, don't blame me if they don't get your coconut ice cream, yuck by the way.” Billie heads off towards a red bag, unzipping it to find old rolls of fabric. “No Halloween stuff here.”

“Coconut ice cream is refreshing.” Mona explains while she rummages through a box full of multicoloured wires. The whole box got her intrigued, why would her parents keep this junk if it's not important?

“Ooh more clothes! Jackpot!”

Something shiny catches Mona's eyes, pushing through mountains of wires to get to the bottom of the chest, she finds something circular and metallic at the end. “What's this?”

Billie looks over her shoulder while she holds up a pair of plaid pants. “I don't know but that doesn't look Halloweeney.”

Mona takes it out of the chest, thumbs rubbing along the front, the dust has settled on the glass, caking it with grey itchy dust. “Looks like a watch.”

“Oh shit what if it's one of those vintage watches that's actually worth thousands of pounds?”

Ramona cleans the watch face with her jumper sleeve. Billie tilts her head, curious at why her sister is so intrigued by an old watch when she can't even get her attention whenever they watch a movie.

“I've never seen dad wear a proper watch, not even at uncle Ned’s weddin’.”

Mona's breath hitches in her throat, remembering her father's stories during his time at the spider society. “I don't think it's a regular watch, Bee.” Her eyes widen at how advanced it looks technology wise, with a touch of Hobie's personal style.

“Shit is it a million dollar watch?!” Her twin scooches closer, knees dragging along the floorboards unbothered that it's probably scratching her precious corduroy.

Mona turns her head towards Billie, “I think it's—!” Before she could finish her sentence, a bright light encapsulates them both. Plunging the twins into a kaleidoscope of colours.

—

“Ramona! I don't want to die!” Billie grabs hold of her sister while they're plummeting down in a multicoloured tunnel of lights and sounds that echo in their ears like a wind turbine.

“We're not gonna die!” Mona hugs her twin tighter, eyes shut closed to keep out the bright lights. “Mum and dad's gonna kill us if we die!”

“Fuck!” Billie shields Mona's head, bracing for impact once she spots the end of the colourful tunnel.

With roll and a groan, they land on a sea of grass. Mona lifts her head up from the tall grass, checking and patting herself if all her fingers and face are still intact.

“Billie!”

A hand raises from the bushes. “‘ere!”

“Oh thank fuck.” Standing up, Mona scans her surroundings. It looks like their neighborhood, except there's fewer houses in place, and there's a large oak tree standing in the middle of where their house is supposed to be. “What?”

Billie spits out a piece of grass stuck on her lip gloss. “What, what?” While she picks out blades of grass from her sister's braids.

Mona walks over to the metal fence where the picket fence that she remembers painting with her family was supposed to be. Her eyes roam all over the neighbour’s house. She's sure an older lady and her husband live there, not a middle aged couple with three kids running around the porch. The couple look spry while they're both tending to their bountiful garden.

“What the fuck?” Mona curses under her breath while Billie takes out her phone from her pocket to check. To her surprise, the device doesn't even open no matter how many times she taps it.

Billie turns her attention towards what's causing her sister to curse, brows creasing together at the sight in front of her. “Mon, tell me what's happening and why old Eunice looks gorgeous in that sweater vest.”

“I don't think we're in the same universe anymore.” Mona grips the metal fence tightly, the sound gathering the attention of the children, who awfully look like the people she sees visit the house every holiday. “Psst!”

All three children glance towards them, eyebrows furrowed in confusion.

“Mon, don't do that, you look like a bloody creep.”

“It's the only way I can get their attention!”

“Hello, excuse me, do you two need help?” Surprisingly, a much younger Eunice walks over to them. She roams her brown eyes all over the twins, concern and confusion flitting over her expression.

“Yeah, uh…” Ramona realizes that she can't just ask what year it is, or even ask what universe they're in. So she plays it casually. “Who's the top artist this year?”

“Excuse me?”

Billie sighs and closes her eyes from the sheer embarrassment. “We're from the local radio conductin’ a survey and we'd love to hear what you think of the… top artist this year.” She tries her best.

Mona nods enthusiastically, chuckling nervously, “what she said.”

“Oh I love nirvana and Mariah Carey!”

Mona gasps, “late 90s!”

“What?”

Billie grabs her sister by her arm. “Yes, thank you for answering our survey! Bye!” She yanks her away, dragging her towards the street and out of the suburban area.

“Wait, aren't surveys supposed to be more than one question?!” Eunice yells back, “I want to tell you how much I love ‘Always be my baby!’”

“Walk faster.” Billie walks briskly with Mona right next to her. “‘Top artist?’ Really, Mon?”

“Well it's either that or ask how Diana is!” She huffs, keeping up with her sister's strides. “Well at least now we know what year we're in!”

“Yeah, what if we're in a different dimension? Remember what dad taught us?”

“I know! Fuck!”

Billie stops mid stride, holding out her arm to stop Mona from walking. “Wait, where's the watch.”

Mona's eyes widen like saucer plates, “oh shit!” Patting her pockets frantically, she feels the circular shape of it in her jean pocket and she sighs in relief. “It's ‘ere.”

“I can't fucking believe dad's old watch still works.”

“Not anymore.” Mona winces at the cracked screen with the glitching numbers that read ‘138’

Billie sucks in her teeth. “At least now we know we're in the same dimension. But we're not in Kansas anymore.” She says with a transatlantic accent. Mona side eyes her with her nose scrunched up. “What? I always wanted to say that.”

Mona huffs, “Yeah, we time traveled.” She rubs her eyes with the heel of her palms. Groaning and body deflating. “I didn't even know it could do that.”

Meanwhile, Billie walks up and down the street with her hands buried in her hair. “Fuck, what if Miguel comes after us?”

“I think that's better, at least he can take us home.” Mona sits down on the curb, pocketing the watch for safe keeping while she thinks of a solution. What would you think when you get home to an empty house? Would their dad figure out where they are?

“Uh no, I don't want that vampire runnin’ after us!” Billie continues to pace around, anxiety pooling in the bottom of her stomach. “They're gonna go bonkers when they find out we're missin’”

“He's cool now, I think.”

“How are you so calm?!” Billie shakes her sister's shoulders.

“‘m not! ‘m freakin’ the fuck out, Bee!” She yells, cracking under the pressure, lips wobbling. “What if we can't go home because of my curious arse?!”

“Oi! Not your fault, alright?” Her eyes grow soft despite the tears brimming. “You were just lookin' at it, not your fault that it went haywire, ‘kay?”

Mona nods slowly, rubbing her clammy palms on her leg. “Okay, I'll get us home, bee, I promise.”

“I know, Mon, I'll help.” She gently punches her bicep playfully.

Mona scoffs with a smile, “you better.”

Billie chuckles, reminiscent of their dad's smile. “I think I've got an idea.” She sits down next to her sister on the curb. “Remember that one old movie we watched with mum and dad?”

“The time traveling one?”

“No, Tarzan.” She answers back sarcastically. “Of course the time traveling one, ‘back to the future.’

“Okay, so what about it?”

“We can't tell people we're from the future. But at the same time we can't fix that watch ourselves.” Billie points at where the watch is stored.

“What if I can? You don't know that.” Mona scoffs.

“Just lower your damn ego for a minute, Tony Stark.” Billie huffs, “my idea is that we go to someone who can actually fix it.”

“Well we obviously can't go to dad. You know what happened to the movie when the kid met his mum.” Mona shivers from the thought.

“Ew, I know, also I do not want to see dad and mum makin’ kissy faces at each other.” It's Billie's turn to shiver.

“So the second smartest person we know who can handle tech?” Mona understands what her twin meant.

“You read my mind, we're goin' to go to uncle Ned's—”

“Aunt Riri—!” They manage to say simultaneously. Sometimes twin teleplay fails.

“Shit, your idea is better actually.” Billie agrees.

Mona throws her head back, groaning at the realization. “Yeah, but if I remember correctly, she hasn't met mum and dad yet during the 90s. They met sometime during 2003, I remember because That's when Aunty moved ‘ere for her doctorate.”

“Fuck!” Billie stands up abruptly. “So uncle Ned then? Since Aunt Riri is still in the US. Unless we get on a bloody plane and manage to convince her.”

Mona stands up, shrugging. “We have no choice, it's either him or dad. Besides, he helped dad make his gadgets. We'd be in good hands.”

“Yeah, if he knows us! He doesn't know us, remember? He might not help a couple of strangers.” Billie follows Ramona towards the city. She can see the light from where she's standing. The sun shines down on them on a rare sunny day in London, making the back of their necks sweat and agitating them even more.

“We can convince him, if that doesn't work we'll tell him we're aliens. He's obsessed with ‘em, remember?”

“This is why you have the higher grades, Mon.”

“I don't know if that's sarcasm or not.”

Billie giggles, hand placed in her pockets. “Guess.”

“Arse.” Mona's lips curls into a smile, while Billie loops her arm around her sister's. “By this time, Uncle Ned has already moved to Richmond so we'll take a bus to his place.” They walk into the busy city with its buzzing sounds and lights flashing all over. Passing by a graffiti, Mona holds Billie's hand to reassure herself that she's not alone in the strange yet familiar city.

“Thank god for your ironclad memory. I don't even remember what we ate last night.” Billie nudges Mona with her shoulder.

“It was lasagna—” Mona stops halfway, eyes glued on someone sitting on the bus stop. She has Billie’s lips and face shape. And with Mona's eyes and smile. “Mum?”

Billie follows her line of sight, palms suddenly clammy at the sight of a younger you. “Holy fuck.” You look amazing in your high heeled boots, and blouse that Billie herself saw while rummaging through the boxes back home. You're unmistakably you. “What are we gonna do?”

“We just walk away— oh fuck, she's cryin’” Sure enough, your casual façade fades into sadness. You hold your face in your hands, shoulders shaking and tears seeping through your fingers. “What the fuck happened?” Their heart aches for you.

“I don't know, but that's our mum, c’mon.” They don't hesitate to walk towards you. Damn all the time traveling rules they got from movies, you're their mum and they can't bear it when you cry.

Their shoes click against the pavement, eyes trained on your shivering form. “H–hi,” Billie starts with trepidation. “Are you okay?” She tilts her head, making sure to give you enough space so as to not frighten you.

You swallow thickly, hands immediately rubbing along your eyes to wipe away the tears. But your red eyes stay despite your gentle smile. “Hello, sorry, am I blocking the bench?” You say with a broken tone, acting fine while you gather your bag.

“No, mu—” Mona's lips wobble at the sight of your tear stained cheeks. “No, you're not blockin’ the way. We're askin' if you're okay.”

You nod your head with hesitation. “Yeah, I'm okay, sorry to bother you.”

“I don't think you're okay.” Billie says bluntly. “Sorry, that was a bit rude. ‘m—” she pauses, thinking of another name so that she doesn't accidentally change her actual name in the present. “Milly, that's my name. My sister…Eunice and I were just a bit worried ‘bout you.”

Mona winces at the name her twin chose for her. “Yep,” she says, side eyeing her sister. “Are you hurt?”

You chuckle wetly, “does being heart broken count?”

What the fuck did dad do? Both Billie and Mona think at the same time. They look at each other knowingly.

Mona sits next to you while Billie leans on the bus stop. “You can tell us.”

“I'm sorry but I don't like bothering strangers with my sad loner story.”

“Nah, bother us.” Billie smiles gently at you.

You manage to crack a smile. “You both remind me of him actually. You have that confident nonchalance that he also has.”

Oh fuck. Billie and Mona glance at each other knowingly. They should tone down the Hobie–ness they got from their dad or else you'll suspect something is amiss.

“Uh do you guys really want to? My bus won't be here for…” you check your watch. “ten minutes. And you two must have plans tonight.”

“Nope, no plans!” Mona says nervously. “No parties no nothin'.” Billie narrows her eyes towards her sister.

“Ah same, I was just about to go to my friend's house to ask for advice since he knows him as much as I do.”

Mona flits her eyes towards Billie, silently communicating with her. She's going to uncle Ned's. Well that complicates things.

“Or you could ask us for advice instead. No bias ‘ere since we don't know both parties. Just calculated thoughts.” Billie thinks quickly.

“You sure? I don't want to keep you guys away. Your parents might get worried if you two don't come home on time.”

How ironic, Ramona thinks. “We're actually on…an errand. So they don't expect us until later.” She chuckles wryly, hoping that her lie is convincing. “What's botherin’ you?”

You sniff, tears already brimming in your eyes. “I—” inhaling, you look at their concerned faces, finding that their empathy is genuine from their expressions. For some reason, you feel relaxed in their presence. “I'm in love with my best friend. And long story short, I thought he was too. He was saying such sweet words that no friend would say to another friend and I…I thought he fancied me back.”

Billie looks away briefly, refusing to stare at your brokenhearted face. Ramona wants to hold your trembling hand, but she takes her hand back in case her touch is unwanted. You gaze at Mona softly, eyes glancing briefly at her hand before staring at the pavement.

“I h–heard someone at his place.” You stare at your shoes, hands fisting your trousers when you remember her voice ringing out from inside his houseboat. “I know I don't have a right to be jealous or feel like I'm being cheated on, but I can't shake the feeling that he wasn't genuine. That our relationship was just that, a friendship. A one sided love.” Wiping away your tears with your sleeve, you mindlessly play with your cherry earrings, helping yourself calm down. “Especially after what he said yesterday, I just thought,” you shake your head. “That he loved me back. It's stupid, isn't it?”

A looming migraine tugs at your head, you feel like there's a woodpecker poking a hole in the middle of your head, right in between your brows. You push that spot with the heel of your palm, one eye closed to shield yourself from the sun beaming at your right.

You inhale sharply. “And I have this project that could determine my future. And I'm so afraid of failing it just because I decided to ruin my friendship with him.” You gather all your remaining strength, inhaling and exhaling to suppress the headache. Surprisingly, Mona shifts to your side to shield you from the glare of the sun. You look at them, their eyes and soft smiles reminding you of him. “I love him beyond belief. That's a crazy fucking thought.”

Both girls don't remember this part of your love story whenever you or Hobie recall how you two got together after being friends for more than ten years. Billie swallows down her nerves, she leaves the side of the bus stop to crouch down in front of you, looking directly at your tearful eyes.

“‘m sorry that happened to you. And that's not a mad thought.” Mona gently grasps the back of your hand, kneading your palm with her thumb just like how you always did for them back in the present. “You're under a lot of stress, everythin’ just feels like it's all coming down on you, yeah?” You nod, “but it's not, the world's not crumbling down on you.”

“We don't have the right words to help you but—” Billie continues, reaching for her sister's hand that's wrapped around your own. She holds onto you and Mona with a tender touch. “We do know one thing, you'll be okay.”

Mona nods, smiling sweetly at you. “We know you'll be okay.”

You chuckle through the tears, frown replaced with a smile. “Thank you for hearing me out. I think I just needed to vent. I'm sorry that you had to hear all of that.” You joke. “I feel lighter,” squeezing their hands, you grin wider as a tear slides down your cheek. “I feel better, thank you. For a bunch of kids, you two seem to know more than I do.”

“Mum and dad taught us well.” Billie almost chokes on her words when a lump in her throat appears. She wants to go home and see her family.

The bus arrives, and the door opens with a hiss. You pat each of their hands before letting go. “I think I'll go back to my dorm, it's better to finish my project than travel an hour away and bother my friend.”

“Again, you're not a bother.” Mona stands up from her seat, she follows Billie, who's already in the bus’s doorway. “We're glad to lend you an ear.”

“Tell your bloke that he's bein’ a prick, yeah?” Billie jokes, making Mona slap her arm.

You gather your things, already walking away. “I think I will. I'll see you two around. Oh, and uh, nice pants. I have something similar to it, you have a good fashion sense.”

Both girls beam, looking down at their matching corduroys but in different shades. Mona waves at you, almost throwing you a flying kiss, good thing she stopped herself before she blew it.

Meanwhile, Billie waves more enthusiastically even with the tears still clinging to her lashes. “Thanks! It was our mum’s!” As the doors close and they watch your retreating form smile and wave at them goodbye, they feel closer to you than ever.

—

Mona and Billie finally arrive at their uncle Ned's place. It's a simple flat with a bike parked up front, and a flower bed that's been abandoned judging by the dead leaves clinging to the pots.

“I think it's this one. I remember the whole band took a picture in front of it before uncle Ned moved away.” Mona walks up the steps, hand reaching up the door to knock. She pauses, suddenly shy at the thought of talking in front of someone who doesn't know them like they know him.

“You want me to do the talkin’?” Billie asks wholeheartedly without malice or a condescending tone. “I'll try my best not to scare him. Not like the time we sold cookies.”

Her sister nods, “okay, just don't tell him that…” she leans in closer to whisper. “We're from the future.”

Billie chuckles, mirroring her sister. “I won't.” Leaning back, she clears her throat. “Trust me I can handle it.” Holding out her fist, she knocks on the door with a rhythm that both girls made up to recognize each other through the door.

“Hold on!” Someone's muffled yells call at them. “just a minute, Y/N!”

“Oh, he's expectin’ mum.” Billie says, “should I tell him that we ran into her?”

Mona whips her head towards her twin. “I–I don't—”

The door swings open, and out comes Ned in a pink fluffy bathrobe with a toothbrush still in his mouth. “Can I help you?” He raises a brow, looking at their faces like he's trying to place where he last saw them.

“Ned Leeds?”

“Yeah? If you're selling stuff, I don't want it.” He starts to close the door but Billie stops it from closing with her boot in the doorway. Thank goodness for steel toed boots. “I already paid the down payment, now leave me alone.”

“We're not ‘ere for… whatever that is. We need your help.” With Billie's words, Ned opens the door again just a smidge.

“Oh, you lost? I can call your parents for you.”

“That's the thing though, we heard that you're good with tech?” Billie looks at her sister, she nods quietly in place. “And we're looking for someone who can fix our watch.”

Ned's face morphs into annoyance, thinking it's one of those modus operandi for scams. “Call a horologist.” He moves to close the door again before shoving Billie's foot out of the doorway with his fluffy slippers.

“Wait!” Mona shouts, hands grasping the door to keep it open. Billie's eyes widened, afraid for her sister's fingers. “We're aliens!”

A silence hangs in the air for a second while Ned glances at them with an unreadable expression. Then, he laughs amusingly. Both girls look at each other desperately.

“You? The both of you are aliens?” He asks sarcastically.

Billie sucks in her teeth, pushing the door further to open it more, still very careful of her strength lest she doesn't end up meeting uncle Ned in the future. “You sleepwalk at night, and when you do, you always prepare a sandwich in the kitchen, that's why you have that scar on your palm from that one time you used a knife.”

Mona gasps then tamps down a giggle when she realizes what her twin is doing. She remembers when their dad told them that story while the rest of the band were blackout drunk in their old backyard. He had to dodge the knife just to take it from Ned while you were afraid that it would nick either of them.

Their uncle flicks his eyes at his palm, sure enough the scar stares back at him. “How'd you know that? Only two people know about that—”

“You didn't know how to ride a bike until you were sixteen.” Billie continues, slowly walking inside the flat. Mona follows closely, hands placed on her hips to intimidate their poor uncle. He backs down with a terrified expression. “Your friends doesn't know that you're datin’ again. And that you're highly allergic to limes.” Ned looks pale, looking like he's about to faint on the spot. For the cherry on top, Billie shows her ‘hightech’ phone, causing Ned to blink at what the brick shaped object is.

“And peanuts!” Mona adds, and Billie gives her an approved nod. Ned walks backwards into a wall, toothbrush falling from his agape mouth.

“Holy shit,” His chest heaves, wide eyes staring at their faces, waiting for it to turn into bug eyed green creatures from mars. “I'm gonna call the cops now.”

Billie side steps and blocks the only phone in the room, “nuh uh, Ned Leeds. Mon, show him.”

“Oh god I don't want to see your true forms!” He cowers back into a corner.

Mona takes the watch from her pocket, practically shoving it in his face. He jumps away, shoulders shaking. “Sorry, we really just need your help in fixin’ this so we can go home.”

“Y–you’re not gonna hurt me? Or tell me how I die?”

“D’you want us to tell you?” Billie is clearly having too much fun with him.

“...no.” Ned sniffs, trying to calm his nerves while taking a look at the cracked watch. His expression shifts, eyes blinking at the tech. “This looks futuristic.”

“Can you fix it, unc—” Billie clears her throat, “Ned Leeds.”

He furrows his brow at her, “I think so, it might take some time though.”

Both girls look at eachother, they sigh, anxiety rolling around in the pit of their stomach. “Please fix it as fast as you can. Our—” Mona spares a glance at her sister, finding that she has the same expression as her. “Parents are looking for us, they're worried. And we miss our brother too. So please, fix it.”

Ned nods, staring at them empathetically even after what transpired. “So your planet needs you then?”

“...sure.” Billie says with a lopsided smile. “Can we trust you, mortal?” Mona hides the roll of her eyes by closing her eyes.

“Absolutely. If you spare me and my planet.” They don't know whether he's playing them too or he genuinely thinks that they're aliens.

“Better yet,” Mona adds, “you get to learn about our technology while you're at it. Win/win.” Yeah, that definitely won't change anything in the future. Or so she hopes.

“Deal!” Ned walks towards his dining table, already getting all his tools out from his pile of boxes. “Let's get started then. But before that, you guys don't have ray guns right?”

The twins have a long day ahead of them.

—

The sun was beginning to set when Mona woke Billie up from her nap on Ned's couch which was surprisingly comfortable despite it still covered in plastic. After a few hours trying to crack the watch open, Ned has finally figured out what's wrong with it. The bad news is that he needs parts, lots of it, to get it up and running the sooner the better. The good news is that he knows where to get most of the parts, the other bad news is that it's three hours away from his flat. So the three of them decided to split off, the girls will be going back to London to get the new set of lens and power supply from a shop. While Ned drives alone to get the rest. He even left them a copy of his flat keys so that they got somewhere to stay after shopping.

Billie yawns, joints cracking as she stretches her arms up. “Uncle Ned's too trustin’ of people, no wonder he fell for that scam a few years ago.” She jingles the set of keys around her finger, twirling the carabiner around.

They walk on the sidewalk that faces a preppy looking university. A few people walk about, some frantically run inside the campus. Billie guessed they might be late to class, or just needed to take a dump. Her mind wanders off as Mona sighs next to her with the plastic bag of spare parts clanging against her leg.

“I think he's just awfully nice, Bee. It's either that or he knows who we are.” She places her cheek atop her sister's bicep, tired bones creaking as they walk slowly. She wonders if you and Hobie got home already, and if you're freaking out once you see the empty house.

“Literally impossible, how would he know?”

“His best mates are mum and dad, he has known them since they were young. And he's smart, he might've figured it all out—”

“Holy fuck is that dad?!” Billie yells out of nowhere, startling her sister. “Christ, he looks awful.”

Mona follows her gaze, stopping to see a tall disheveled man standing next to his bike at the campus parking lot. His hair and leather jacket stands out amidst the crowd, and his demeanor screams lovelorn. His shoulders slump, hands moving about like he's about to take a leap of fate. When Mona follows what he's looking at, she's not surprised that he's staring at you.

“And mummy too.”

“What–?” Billie peeks behind a car, gasping when she sees you talking to a friend in front of your campus building. “Talk about drama.”

“Billie, I think we're in trouble if we don't help them get back together.”

“What do you mean? I think we already helped by talkin’ to mum.” Mona starts to walk towards the university entrance, eyes trained on the younger version of their dad.

“Yeah, but not dad.” They stop right next to a parked car, hiding behind it to watch whether or not Hobie would walk towards you. Or do something, anything to keep the peace between the two of you. “Look at him, I've never seen him this nervous since our brother was born.”

“Correction, I've seen him this nervous during our recital.” Mona just stares at her with a flat look. “What? ‘m just copyin’ you.” She teases with a chuckle. “You said it yourself, we can't talk to dad.”

“Yeah, ‘bout us bein’ his kids, but that doesn't include us givin’ him advice.”

“What are we even goin' to tell him? He's gonna eat us whole, Mon, look at him!” Both girls turn their attention towards Hobie. “Ew, he's all sweaty—okay, not that but, he looks like he's gonna bully us.”

“This is the exact same time he got bit by the spider. Give him some slack, Bee.” Mona rolls her eyes, in her peripheral vision, she sees you walk towards your dorm building with a couple of classmates. “Besides, he's not gonna bully us.” She takes the opportunity to cross the distance towards Hobie while you're occupied with your friends in the lobby.

“Yeah, but remember uncle Ned tellin' us that he wore a cardigan with loafers one time and dad never let him hear the end of it?”

“Yeah, but mum wears it all the time and he says that it looks cute on her!” They walk briskly when Hobie gets on his bike. “Not in those words, ‘fit’ is the word he used, but he doesn't bully people!”

“That was mum! Not us who are a couple of almost identical strangers—” Billie tries to grab Mona by her shoulder but she's faster than her, dodging her hand and standing in front of their dad's motorcycle with an intense look.

Mona inhales deeply, nose flaring up, index pointing at their dad. When she opens her mouth, no words come out.

Hobie blinks at them, eyebrows furrowed with a questioning look. “Is there somethin' on my face?”

“Nothin’! My sister ‘ere thought you're somebody else.” Billie tries to save face, pulling Mona out of the way but she stands firm. “Let's go, Mon.”

“You!” Mona starts tentatively, Billie groans, hiding her face with her hands from the second hand embarrassment. “I– you better apologize to mu— Y/N! Yeah, apologize t–to her.” She puts her hands on her hips, trying to act intimidating. Billie curses under her breath.

“You’re friends with Y/N?” Hobie leans atop the handlebars of his bike, confused about the whole ordeal. “I don't remember her talkin' ‘bout a couple of teenagers bein’ friends with her. Didn't your parents teach you manners?”

Mona swallows thickly, looking back towards Billie for help. Her twin sighs, stepping forward to fix the situation. “Well,” she chuckles nervously, his pointed stare reminds her of his look whenever they break curfew. “We're—” she's at a loss for words when Hobie raises a brow at her. Her palms are suddenly clammy. “Just apologize to her please.”

Hobie chuckles lightly, hands rubbing along his face tiredly. “That's what ‘m tryin’ to do, mate.”

The girls glance at each other briefly, sensing their father's frustration and sorrow behind his words.

“I don't know where to start, she wouldn't answer my calls, it was a misunderstandin’, I—” He sniffs, eyes staring off in the direction of where you are. “Is she alright, at least? She eatin’, sleepin’?”

Mona purses her lips, “we don't know but she misses you.”

Hobie's eyes shines in the orange afternoon glow. “Yeah, same over ‘ere.” He taps his brake mindlessly with his thumb, a nervous tick of his that the girls are familiar with. “Don't worry, I'll talk to her. I think she just needs some time away from me.” He chuckles without humour. “Ten years with me will do that to you.”

They both shake their heads. “We don't think so,” their hearts break for their dad. In the present they know how much he loves you, but now they know that he loves you just as much as in the past. “Just please talk to her.”

“And remember she has that fashion show.” Billie adds, frowning as she fights the tears in her eyes. If they fail, they wouldn't be born, she wouldn't have met her sister. She wouldn't have met their younger brother no matter how annoying he can be sometimes. “Don't make her wait or she might not come back for you.”

She recalls the story that she knows like the back of her hand. Where you come back to London after years of being apart, only connected with him through letters and late night phone calls. If he doesn't cross the line that he's been tethering over for the past ten years, or if you don't take that leap of fate you always wanted to, their family wouldn't exist. Their love would cease to exist.

Hobie swallows down his nerves. “I'll keep tryin', and I remember her show. I'll be there.” With a nod, he puts on his helmet.

Both girls back away. “And we'll make sure that she gives you the outfit.”

Billie smiles, “we think you'll like it.”

Hobie grins under the helmet, eyes staring briefly at you, as if saying goodbye for now. “If she made it, I already like it.” He revs his engine, “thanks, uh?”

“Milly and Eunice!” Billy says with her whole chest while Mona side glances at her with a scrunched up look.

“Milly,” he repeats, smiling, “wait, have I seen you two before?”

The twins widen their eyes, quickly walking away before he could ask any questions. “Maybe at a gallery or a concert? Anyway, bye, da— Hobie!”

As they walk away with their heads down, they hear Hobie drive away from behind with more questions swimming in his mind. Sighing, they see themselves in front of your dorm building. Before they could leave, the door opens and your head peeks over the crack.

Your eyes are clearly brimming with tears, nose relentlessly sniffing. “That was him.”

“Oh, mu— Y/N.” Mona opens the door, and without thinking, she hugs you. To both of their surprise, you hug back. Billie joins in after the shock, patting your back gently as you cry on Mona's shoulder.

—

“Where'd you guys learn how to stitch? You're both pretty good at it.” You say while you put the last safety pins on the red blazer you made.

The girls found themselves in your dorm with snacks and drinks around them. You all sit on the floor in a circle while they help you put the finishing touches on your project. Aka, what their dad will wear on the runway. After you cried buckets full of tears in front of them, you insisted that you pay for their dinner as compensation for making them hear all your woes. Which they declined, instead they asked if they could lighten the load for you by helping with your project which was probably fifty percent of your problems. So, with slight reluctance, you ordered food to go and the three of you clicked together like you've known eachother since childhood. Well, that was the case for the girls.

“Our mum did. Dad helped too.” Mona smiles, hands pausing from the lace she's stitching together.

“They sound like cool parents then.” You smile back sweetly, “sewing is a necessary skill.”

“Oh we know.” Billie says, referring to all the times you had to sew Hobie's wounds close even before they were born. Mona nudges her, giving her a ‘shut up’ look.

You smile gently at them, and they miss you dearly from that smile. The second they get home they're gonna hug you immediately. And maybe their dad too after they glare at him for a minute.

“You two are twins right?” You laugh awkwardly, “I didn't want to ask back at the bus stop, it might've been too obvious.”

“Yep, unfortunately I didn't absorb her in the womb.” Billie jokes while she paints the white t-shirt with a graffiti style design.

“Oi!” Mona scolds her sister but her grin betrays her. “You stole my joke.”

Giggling, you lay the blazer down flatly to double check your stitches. “I've always wanted a twin you know, it's like having a forever best friend. You two get along so well.”

“I think you already have a forever best friend.” Billie says softly.

You mirror her smile, hands playing with your cherry earrings. “Yeah, I guess I do have one already.” You look like you're in deep thought. “I saw you two talking to Hobie, how'd you know the guy I was talking about was him?”

“Uh,” Mona sucks in her teeth. “He seems like your type? I mean judging from how you talked about him.” She sounds unsure.

“Was I that obvious?” Thankfully, you buy it. They sigh in relief. “What did you three talk about? If you don't mind me asking.”

“We don't mind.” Billie leans back against your bed, grabbing her soda cup to sip while you wait for them to speak about the conversation they had. “We just talked ‘bout you, nothin' bad don't worry. We just told him to apologize, and he asked about you actually.”

Your eyes light up before faltering, “he did?”

“Yeah, he looked apologetic. He says he's gonna keep tryin' to talk to you, but he also says he'll give you some time for a bit.” Mona continues for her sister. “He was askin' if you were alright, if you were sleepin’ and eatin' okay.”

Your cheeks heat up while your eyes brim with tears again. The girls can tell that you missed him a lot. “If you see him again, can you tell him that I'm trying too? And that he's right, I think I need a bit of time to gather my complicated thoughts.”

“You can say it yourself durin’ the show.” Billie's smile grows into a smirk, knowing what happens during the said fashion show. “He said he'll be there.”

The perks of having enhanced abilities is feeling what people's emotions are like. Kind of like their spidey senses telling them if the person in front of them is angry enough to attack or when exactly to comfort someone. But this time it's neither of those things, they sense that your heart is thudding loudly against your ribcage, and that your hands are suddenly sweaty, and that your cheeks are practically on fire from the simple words, complete with butterflies flying in your stomach.

They felt the same thing with Hobie while talking to him. They chalked the quick heartbeat and sweaty palms were from the new powers that are still taking hold of him. But the butterflies and how he tenderly looked at you do not lie. He's unquestionably, unequivocally in love with you just like how you're absolutely lovestruck by your best friend.

Both girls think that there's no danger of them fading away into nothingness knowing that you two won't let go of your feelings for the other. All they have to do now is to help you finish your project and wait for Ned to complete their watch. For now, they'll keep you company in your cramped dorm that they've heard a lot of stories about during their childhood.

“Now let's finish this masterpiece for the love of your life, hm?”

—

You try to sneak out of your dorm room at the crack of dawn. The three of you chatted until Billie fell asleep on your desk, to which Mona apologized on her behalf. She was about to wake her up but you stopped them, telling them that it's alright for them to stay the night if they called their parents beforehand, and that they'd stay quiet so that your R.A wouldn't kick them out. You didn't want them commuting this late at night. You even considered calling Yuri to borrow her car and drive them back home, which the girls refused since if they see another person they care about in the present here, they would've balled their eyes out.

Mona, with her quick thinking, dialed a ‘fake’ number in your landline, your number in the present. She imagined that she was talking to you even though you're technically in the same room with her. She even asked how her dad and brother were in the so-called conversation. She missed her family dearly. Billie heard it all while she was half asleep, her head hidden on her arms cushioning her head, eyes starting to blur as she remembered your promise to them before they fell back in time.

As the girls slept in your bunk, you tiptoe over all the mess the three of you made. Scraps of fabric lay about, various colours of thread roll around the floor as you quietly pack the finished outfit in a box. With one last look at the leather vest you painstakingly made, you shut the box closed, tied it with a ribbon and wrote your message on the back of a starbucks reward card.

You almost made it out without waking either one of them, but the creaking door woke both of them up with a start. Ramona thinks that it's their spidey senses rousing them from their sleep.

“Where are you goin'?” Mona blearily asks, one eye cracked open.

“Sorry,” you wince, “I was just dropping this off at Hobie's place. Go back to sleep, I'll get breakfast for you two as thanks for helping.”

“Nah, we're comin' with.” Billie, forgetting that she's on the top bunk, falls face first.

“Oh fuck!” You panic, walking quickly towards her while Mona helps her sister up. Billie's giggles echo around the room, and you're definitely sure that the whole building heard the thud.

“‘m okay,” she yawns as Mona rolls her over to face the ceiling. “Jus’ fine, mon-mon.”

You and Mona both sigh in relief. “You sure? I can take you to the hospital? Quick, how many fingers am I holding up?” You hold up a fist in front of her.

“None, that's your fist.” She swipes your hand away. Sitting up, she blinks all the sleep away while Mona tamps down her laughter. “You said breakfast right?”

—

After eating a breakfast sandwich, the three of you walk and chat as you cross the street towards Hobie's houseboat where it’s currently docked.

“Our brother's a little shit sometimes but we love him.” Billie sips at her cooling tea, letting the warming air flutter her lashes.

“Mm-hmm,” Mona is still chewing on the last bite of her sandwich. “He likes monster trucks and playin’ the drums. On his 7th birthday, our parents got him a drum kit with monster trucks painted on it.”

You giggle, box in hand that feels heavier with every step you get closer to Hobie's place. “He's definitely not gonna regret the monster truck design when he's older.” You say with sarcasm.

“I think he's already regrettin’ it, Y/N.” Billie isn't used to calling you by your first name, it feels wrong but it's inaccurate (and weird) if she calls you mum when she's only a few years younger than you. Technically.

You stop mid step, eyes roaming around the houseboat docked on the side. Both girls remember it from old photos of when they were still toddlers waddling around the houseboat. They remember that they used to love the place, no matter how small it was. To them, it was their castle. Their home on the water where they said their first word, and celebrated all their firsts.

“Oh,” Billie seems to have the same nostalgia brought sadness when she sees it floating. She grabs Mona by her arms, face placed on her bicep. “Is it just me or do I suddenly miss this boat?” She whispers.

Mona pats her back, “not just you, Bee, I forgot how much I missed this place.” She blinks and you're gone from her side. “Wait, where's—?”

Billie turns around, spotting you hiding behind a tree, and clutching the box to your chest. You lock eyes with her, shaking your head and pursing your lips.

The twins look at each other before walking towards you. “You okay?” Mona asks you, brows knitted together at your sniffing.

“I don't think I can face him.”

Billie understood your feelings. She has an idea as she peeks behind the tree to take a look at the houseboat.

“How ‘bout I do it for you then? I won't talk to him, I'll just leave the box at his doorstep, no problemo.”

“Can you? Please?” You're already handing the box with shaky hands.

Billie meets with Mona's eyes, her sister nods, agreeing that her idea was for the best.

“Right, don't worry I'll do it quickly he won't even hear me.”

“Be careful, the floor is very slippery when wet. I don't want you to fall in the water.” You say with a wobbly smile. “And thank you, Milly.”

“It's alright.” Billie walks briskly towards the boat, making sure not to make any sound with every footstep as you and Mona watch from behind the tree.

Billie leaps over the boat effortlessly, boots barely making a squeak. As she tiptoes over to the door, her senses perk up. The hair on the back of her neck stiffens, while her ears pick up the unmistakable sound of her dad's footsteps. With wide eyes, she makes her escape.

Mona senses it too, silently beckoning her twin over to their hiding spot before Hobie could open the door.

Just as Billie’s hand grasps Mona's, yanking her behind the tree, the door opens with a creak. And out comes Hobie stumbling on his feet as he skids to a stop, almost trampling over the box. His eyes roam around the area, flicking left and right for your familiar face. Finding no one, he sighs and picks up the box gingerly. Once he reads the note you left, his eyes soften, glimmering in the early morning light as he gets back inside with his shoulders slumped over.

You finally exhale when you heard the door closed. You didn't have the heart to peek behind the tree to look at him, lest you run to his arms and let out all the words you wanted to say.

“I'm sorry you had to do that for me.” You say and you see them whispering amongst each other. “Oh, do you two need to go?”

“Yeah,” Billie closes the distance, “we need to check on somethin’ but we'll be back to see your show.” She hugs you suddenly, and you hug back before she lets go of you, but not without her signature smile.

“That would be great, you get to see the clothes you helped make.” You pat her back kindly.

Mona waits on the side, you see her casually waiting and you immediately open your arms to her. “Thank you, Eunice.” Her lips wobble for a second, she embraces you before you could see her tears flow that she immediately wipes away.

“You're welcome. I know you'll kill it.”

“I hope so, before it kills me.” You joke as you hold her at arm's length. “I'll see you two at the show then?”

Holding each of their hands, you beam at them. And both girls have the urge to hug you again. They don't, knowing that they'll be home before they know it and embrace the real deal by then.

“We'll see you there.” They say simultaneously.

You giggle, “twin telepathy.” They wave goodbye to you, now knowing a different side of you.

—

Billie and Ramona got the right parts for Ned to fix the watch which needed an entire day for him to finish. Mona helped in assembling the parts while Billie made sure everything in the interdimensional watch worked by poking and prodding each individual screw and notches if it sparked or not. If there's sparks, the power is working normally in that section of the watch, if not, Ned and Mona had to rearrange the whole thing again.

Shadowing over their dad's work table while he assembles gadgets since before they could even talk actually helped. They can't wait to show all the work they've done and accomplished to their dad. Hobie would be proud of them persevering through all the shocks and mechanical hisses the old watch emanated.

Ned was terrified out of his mind though, there was real danger of him accidentally blowing up his new flat together with a couple of strangers that he has grown to know through the assembly of the ‘intergalactic’ gadget.

“Shit!” Mona wakes up from her nap in the guest bedroom that the twins have called their own for the past day or so. “Bee!” She pats her side, finding her sister snoring under the covers. Flinging the blanket, she shakes her awake. “Wake the fuck up! We're gonna miss mum's show!” With a kick to Billie's leg, she sits up with a startle.

“Oi! What the fuck!”

“Get up! We need to see them before we go!” Mona's already fixing her appearance in the mirror, and then she quickly folds the blanket and makes the bed while Billie groggily walks around the room to grab her shoes.

“Calm down, uncle Ned still hasn't finished the last bits. D’you want us explodin’ in the portal?”

“No, but I don't want to miss the show. It's the event that started it all, Bee.” Mona walks in front of Billie to fix her shirt for her. “Besides, we need to make sure it goes as planned. If dad doesn't show up and confesses backstage we're basically fucked.”

Billie yawns, “yeah, I forgot all ‘bout the space time continuum.” Her sister grabs her hand as she yanks the door open, almost breaking its hinges apart. “Careful!”

“Sorry!” As they leave, Ned does a double take.

“Wait, where are you going?” He asks, jittering from the fifth cup of coffee he had in the past twelve hours.

They stop in their tracks, “uh, we're gonna go see a fashion show?”

“Huh?” Ned makes a face, “without your watch?” He fishes the finished watch from his pocket, showing it off to them.

“No shit?” Billie guffaws, taking the watch gingerly in her palms like holding a precious stone.

“Yes shit.” Ned grins, “just finished it a few minutes ago. You're good to go.”

Mona laughs, wide eyed at her uncle. “You're bloody brilliant, Ned Leeds.”

He shrugs, “I should say the same thing to you two. I guess it runs in the blood eh?” The twins look at him with their mouths agape. “I would drive you but I can't see straight right now. There's three of you.” Laughing, he sits down on the couch with a groan, eyes growing heavy.

The girls smile kindly at him, Ramona puts on the watch on her wrist, its metal is shiny and new but Hobie's stickers and design still remains in the wrist strap. It blinks and boops on her wrist, more than ready to go home.

“Thank you, mortal.” Billie still plays with the bit, even making a peace sign at him while they leave.

“Yeah yeah,” Ned grins tiredly at them, waving them out of his house. “say hi to your mum and dad for me, yeah?”

They turn their heads towards him lightning quick. But by the time they stare at him with surprised faces, he's already snoring on the couch.

“We need to give him a really nice gift on his birthday when we get back.” Billie says with a laugh. Shutting the doors closed, they make their way to the bus stop with one destination in mind.

—

They make it in time. The venue was packed, and the runway was in full swing with various models strutting their stuff on the raised platform.

As they push through the front towards the backstage, they see another familiar face in the audience, your old professor that always sends them gifts during their birthdays without fail. The girls only met her one time during their fifth birthday, and they only heard stories about her from you but they feel a kinship with her ever since the old professor was in your life. Without her near impossible project, you and their dad wouldn't have gotten together and pushed through the boundaries to be together.

Billie waves at her with a grin, followed by Mona who even greets her politely. Mrs. Williams creases her perfect brows together at the two strangers, but thinks nothing of it as she continues to grade her students.

With a push of the curtains, they see you pacing along the floor alone, clearly nervous out of your mind while you keep looking back at the double doors. Hoping to see Hobie suddenly appear.

“Shit, did we fuck up?” Billie grasps her sister's shoulder while they peek their heads through the curtains.

Mona heaves, panic settling in her stomach. “I—”

She gets cut off before she could even say another word. The doors burst open, flying off the hinges to reveal Hobie in his outfit that you painstakingly made. The twins almost squeal in place, but they clamp down their mouths shut in case they disturb you and their dad.

“This is it.” Mona grabs Billie's hand, and they look at eachother with an excited grin.

“Hobie?” You ask, chest heaving, palms clammy.

Instead of Hobie grabbing your face and kissing you until you're breathless, he passes by you to get to the runway. The girls sees your posture deflate, face in pure disbelief and confusion.

“What?” Mona watches you in place while Billie can't believe her eyes while she follows where her dad is heading.

Hobie struts down the runway like he owns the place. Billie had to move her sister's head to make her look at their supposed silly dad making the runway his. Their eyes grow wide while camera flashes go off around him, which doesn't even faze him one bit, not while you're waiting at the end of the runway. As he heads back towards you, his fake model façade fades.

“Hobie, I—!” You say, and you're met with his lips upon your own.

With the closing of the runway, Hobie finally crosses the line he has been threading through for years.

When you kiss back, both Billie and Mona back away with their eyes closed but smiles on their faces.

They laugh with tears in their eyes, then with a hug, they leave the venue out into the sun. Hand in hand, they punch the right codes into the present.

“Ready?” Mona asks.

“Just press the bloody button, Mon-mon.”

A kaleidoscope of light appears, showering them in warmth, and down they go without wasting another second.

—

“Do you have your sisters’ ice cream?” You pat your son's head, and he hums against his ice cream cone, cheeks painted with caramel while showing you the plastic bag in his other hand. “You need a haircut, baby.” Giggling, Hobie opens the front door for you. “What a gentleman.”

Hobie points at his lips with a playful glint in his eyes. “Payment.”

You feign a sigh, “chivalry is dead, I guess.” And yet, you still give him a chaste kiss, tasting the cherry he plucked from your sundae.

A thud interrupts your tender gazes, and you instinctively look at your youngest, finding him all wide eyed and ice cream forgotten as he looks at the house.

“You okay there, little man?” Hobie asks, crouching down. He rubs his back and follows his gaze. Whistling out, he sees the entire house perfectly decorated for Halloween. Orange and purple streamers were strewn about the staircase, pumpkins and blackcats are placed in the same spot you always put them in. Plastic bats, gaudy string lights and knitted skeletons that you made while pregnant with your youngest, decorate your shared home. The girls definitely did their job perfectly, but they're nowhere to be seen.

You clutch onto Hobie, cheek pressed on his bicep, gawking at the decorated living room. “They even found the skeletons we thought were missing.”

Hobie chuckles, pecking the top of your head while his arm wraps around your middle and his free hand placed atop his son's head. “And even dressed the skeletons in my clothes.”

“They found Bilbo!” Your son runs off towards the mechanical witch that cackles when it detects movement. Somehow that one is his favourite.

“Mac and cheese, where are you?” Hobie calls for them, hand in hand with you while you two search the first floor of the house. Reaching the kitchen, roaming his eyes around, he just sees empty pumpkin shaped bowls on the counter and not a sign from either one of his girls. “Where—?” He jumps when he sees someone crawling on the ceiling towards him. “Fuck!” Yelling, he pushes you behind him to shield you from the ‘danger.’

Guffaws echo as Billie reveals herself, flinging her hair away to show her face. “I got you!” Giggling, she drops down on the floor, landing elegantly on her feet, and then beelining to embrace you and Hobie. She can finally hold you, the you that she knows and loves.

“Takin’ advantage of my lack of spidey senses for you and your sister, huh?” Hobie says, hugging her back with a heavy peck on the crown of her head.

“You and your sister did such a good job, Bee!” You rub her back while she hides her face on your shoulder, hiding her tears from you. Your mum senses tingle, “you okay, baby?”

Billie sniffs, leaning away briefly. “Yeah, I just missed you both so much.”

“We were only gone for an hour, Mac. Did somethin’ happen?” Hobie wipes away a stray tear from her cheek, worrying more when Mona is still nowhere to be found. “Where's your sister?”

An upside down face suddenly pops down from the ceiling in front of Hobie's face, making him jump away. “That's for mum!” She points accusingly at Hobie while she somersaults back on the ground.

Hobie holds his chest, “what did I do?!”

Ramona ignores him for a moment. “Hi, mum.” Embracing you, she rubs her face against your shoulder, trying hard not to sob in front of you.

“Hi, baby, why is everyone crying today, huh? You're gonna make me cry too.” You hold her cheeks, and then you kiss her forehead sweetly. Reaching for Billie, she immediately latches herself onto you, and you smother them both in kisses.

Hobie watches on with a tender smile, Mona beckons him over and he obliges as Mona detaches herself from you to hug him properly. He cups her jaw, looking at her eyes that's near identical to yours. “You okay, my toyota corolla?”

Ramona giggles, sniffing, and hugging him again with her arms around his neck. “Never better, dad.”

You smile, meeting Hobie's eyes, with your own shining with happy tears. He walks over to you and Billie with Mona in tow, hobbling over to you while he doesn't let go of her.

“Aww group hug!” You say, making it a mission to smooch each of their cheeks including Hobie's, who's always glad to receive them.

“We still haven't decorated the outside yet!” Billie shrieks as Hobie blows raspberries on her temple.

“We'll do that later, yeah?” Hobie leans away, admiring you and his girls with a tender smile. He wraps his arms around everyone as best as he can, almost carrying the three of you as he slowly twirls the group in place in the home that he made with you.

You and Hobie will ask about what happened later, and maybe they even have a story to tell for you two. But for now, you hold them in your arms, squeezing them affectionately.

There's clattering behind you, and you see your youngest covered in fake spider webs, with a confused look on his face that's a carbon copy of his dad's face.

“What did I miss?”

Support banner by @/cafekitsune

Custom banners by @mushroom-graphics-allotment

[mikeysagereblog]

⊗ superhero cartoons to watch when little!!! (or big, they're that good imo!!) ⊗

✧.* i've been wanting to make this list for a while now, mainly because i wanna talk about my fav cartoons/open up opportunities for other littles to find something awesome to watch!!! there's gonna be a lot of ranges in age ratings to add some variety for older/younger littles :)

✧.* also, i'd like to put a disclaimer here and say that a lot of these are on streaming services that i own, but other littles may not. i would also like to say that there are ways to get around a paywall if you can't afford certain streaming services!!! you can find full episodes on youtube/other sites for free!!! (just use an adblocker if you're on a site other than youtube if u can!!)

✧.* another disclaimer: any regressor of any age can watch any of these shows!! i just wanted to put the age ratings for those who want to stick to media that's more in their age range!! so, don't feel like you have to limit yourself from watching certain shows just because of how old you regress to!!

✧.* spectacular spider-man (2008-2009, 2 seasons): suitable for 7-8+, but i'd say it'd be okay for littles who regress younger to watch, too!! honestly, my all-time favorite spider-man cartoon!!! not only is it fun to watch while little, you can truly appreciate the show when you're big, too!!! josh keaton's voicework as spider-man is just- ahhhh it's so amazing imo!! the story is really good, the animation/style is just so iconic, and the colors are very easy on the eyes!!! (especially if you're sensitive to bright colors when little/in general) absolute banger of a theme song, too!!!

✧.* x-men: the animated series (1992-1997, 5 seasons): rated for around 7-8+, but i do admit that there can be some scary scenes for especially younger/more sensitive littles. honestly, this show is great!!! i loved all the different story arcs, how colorful the show is, the characters themselves- a lot of cool stuff about this show!!! be warned, there's a sudden drop in quality during season 5... i think they switched animation studios/va's or something because season 5 is NOT the best season of the show, i'll tell you that... 0_0

✧.* x-men '97 (2024-present, 1 season so far): rated for 14+, so this show is more suitable for teen regressors. it's a continuation of x-men:tas, and oh man... this is it. my favorite cartoon of all time!!! the animation is just oh so beautiful!!! the fight scenes are awesome!!! the soundtrack- oh golly the soundtrack!!! the remastered x-men:tas opening is just- wow!!! but, there's definitely reasons why it's rated 14+... not gonna spoil anything, but there's a lot of scenes in the show that can be upsetting for younger littles. trust me, watching some scenes when you're little is just- too much sometimes... (speaking from experience) it's an amazing show, but watch at ur own risk if you're a younger regressor!!!

✧.* batman: the animated series (1992-1995, 4 seasons): i'd say it's for around ages 9-10+, since it can be fairly dark at times. (same goes for a lot of batman related media!!) honestly, this show's pretty good!!! the style of the show is very dark visually, so it's easy on the eyes for those with bright color sensitivities!!! the artstyle itself is also very nice to look at!!! the voicework is amazing as well, especially kevin conroy's (rip) performance as batman himself!!! from what i can remember, the plotpoints were also pretty on-par!! i remember liking the show a lot when i was a kid!! :)

✧.* hulk vs. wolverine (not a show but an animated movie, 2009): this one's rated pg-13, since there's depictions of violence. but, i gotta say- this movie had me hyped up when i watched it as a kid!!! this was part of a straight to video two-movie collection, (the other being "hulk vs. thor") and i gotta say... this movie was awesome!!! the fight scenes were rad as heck, the animation was amazing, even deadpool was in the movie!!! (which, fun fact, was his first appearance in animation!!! other than the 2 second cameo in x-men:tas) very fun movie!!!

✧.* these are just some recommendations!!! i really liked these when i was a kid, and i hope you'll like them too, if you decide to watch them!!!

✧.* (also yay!! finally have a new banner!!! + i updated my blog's theme because nightcrawler is so awesome and he's literally my cg guys!!! he said it himself :3)

[urgonnaneedabiggership]

Could you make a fic where Miguel gets the female reader pregnant and they're happy but he's worried about her safety? Maybe have a villain find out? Cause some angst?

Risk Something (You're Losing Me)

Pairing: Miguel O'Hara (Spiderman: Across The Spiderverse) x Fem!Reader

Warnings: Language. Spoilers (Miguel's backstory is mentioned). Angst! Alert!, Unplanned pregnancy!Alert.

Word count: 4.3K

A/N: Since I had already established some background and emotional intimacy, I thought I could write this as a sort-of-sequel to my previous one-shot Host of a Ghost. I was so excited to write this, especially because I don't usually write angst but I like to push my boundaries and leave my confort zone. Hope that it pays off and, of course dear anon, that you like it <3

Part III

You’d never really believed in long-distance relationships. After being witness to so many unsuccessful ones, you’d cataloged the entire concept into a box labeled “certain failure” and tucked it away in the back of your head. And yet, with an inconsistency worthy of your friend Hobie, you’d gone and gotten yourself involved in no less than an interdimensional relationship.

How? Well, that was a good question.

All it took was five simple steps:

Step one: Live a regular life. Go to school, graduate, and try to go for a Ph.D. that gets you working near genetically modified insects for just the right amount of time for you to become careless enough to let one crawl onto your backpack, take it to your apartment, and let it sting you. Throw in some negligence, forfeit going to the hospital, and go on about your afternoon. Warning, some side effects like loss of consciousness or intense headaches can be expected.

Step two: Congratulations! You’ve now become a super-powered person with abilities that range from climbing walls and performing gravity-challenging parkour to creating a sticky web-like element that helped you swing from one building to another. Toy around with your new talents, and grow comfortable with them before realizing that you can actually use them to be the much-needed help your city needs.

Step three: Turns out you’re not the only one with this kind of ability out there. There’s a whole Spider-Society full of similarly enhanced people who try and do their best to keep their own dimensions safe, and you’ve not only caught their eye but have actually been invited to join them. Let your new guide Jess Drews show you around, and explain all the benefits that come from joining a team such as theirs. If you decline, you can go back home and that’ll be all.

If you’re interested, it’ll be necessary to convince the leader but they could use some extra help so it shouldn’t be particularly hard. It sounds like an amazing chance. Information you wouldn’t have access to otherwise, mind-blowing facilities where you can polish your newly acquired abilities, possible new friends that actually know what you’re going through…Say you’ll think about it. Right as you’re about to leave, the most fucking gorgeous man you’ve ever seen in your entire life walks past without paying either of you any mind, busy while speaking to another Spider-Person. You ask who that is, turns out he’s the aforementioned leader, “will I ever have to work with him?”, you ask. “Probably, eventually” Replies Jess. Ask when you can start.

Step four: Do your best to earn your place in this elite group. Successfully improve your fighting skills, read everything available on interdimensional traveling and the multiverse. Understand it almost instantly because that’s how smart you are, kudos to you. Realize that for some reason, despite never actually interacting with you, Spider-Society leader Miguel O’Hara tends to stare. A lot. Is it because you’re progressing as fast as Jessica says or because she’s a complete liar and you’re actually doing it all wrong? No idea. All you know is that even during mundane scenarios like laughing in the hall with all the newest additions to the team or in line at the cafeteria, you feel a certain tingle in the back of your head that makes you turn around. Of course, the moment your eyes meet, he turns around and leaves. An odd one, yes. But you’ve also heard things. Rumors, here and there about his life before creating the Society. Whispers about a lost family and some video archives being the only evidence that they even existed in the first place. And, of course, the fault he had in the destruction of their dimension. You sympathize with him, despite his apathetic attitude towards you. You’ve seen him interact with those he’s closer to, and you know there’s more to him than he lets on. You’d be elated if he ever let you take just one look at the smidge of his old self that sometimes peeked out from behind the iron curtain. Well, not really. One look wouldn’t be enough. If anything, it would only cement your feelings for the man.

Step five: Curiosity killed the cat. We all know that. You know that. And yet, you decided to go snooping around Miguel O’Hara’s computer and personal files until you accidentally switch his computer on for long enough to let the videos he’s always watching start playing. He…his daughter…an entire lost life gone before his eyes. Then, before you could do the right thing and turn the computer off, an eerily familiar voice called at him from behind the camera. So, of course, you had to keep watching. Long story short? All those oddly constant stares, that coldness towards you, unwillingness to look you in the eye, was because of two reasons: first, you were a nearly identical interdimensional variant of the wife he’d lost in the dimension he unwittingly erased from existence. Two, as he’d confessed after realizing you’d found out about the truth, Miguel had come to terms with the fact that he was in love with you, not as a replacement for somebody from his past but as a new presence in his life that he’d been struggling to watch from afar, unwilling to let all his repressed feelings spill out like water from a broken dam. Until that night, of course.

Now, eight months later, you’d come to realize there was actually a sixth step you’d never actually considered until now that you were in this…situationship.

Step six: Uncomfortably avoid every and all circumstances in which interdimensional disparities and canon consistency regarding your relationship could come up. Don’t say anything like “Well, it’s been nice but I’ve got to go back to my own dimension” because that would remind him that his dimension was not yours too. That you were after all still a stranger in a strange land. Which of course also meant never inviting him to stay in your dimension.

Deep inside, you knew that all those details would eventually cause problems, especially regarding the inner conflict Miguel was always dealing with knowing what he was doing…what you were both doing, went against his strongest principle. But by God he was happy. Happier than he’d thought he could ever feel again. More than he deserved. So he just ignored those intrusive thoughts and focused on whatever task was at hand. And you were too. Even after just eight months, life without him already seemed unimaginable. He was your first thought in the morning and your last before you went to sleep, and more than once his presence beside you had been not just a figment of your imagination, but a part of your reality as you felt his strong arms wrap around your waist and pull you closer whenever you strayed too far from him in bed as he groggily whispered, “¿Y a dónde crees que vas, preciosa?”, Or when he buried his nose in the crook of your neck, lining it up with soft kisses that sometimes ended up in both of you being late for your assigned tasks. With so much on the line, you were more than happy to avoid those spiky subjects. It seemed like such a small price to pay with all you were getting in return.  

You weren’t sure of where all this was going, but none of that mattered. Right now, you were together. Inside the Spider-Society you were a great team and each one was a valuable asset. Outside, every second spent in your arms was enough to make him forget Spider-Man. To you, he was Miguel and nothing more. And that was all you needed.

Life was good. You were happy with the way things were. Until, as it usually happens, a necessary disruption came quite literally crashing into your life in the shape of a fifteen-year-old that carelessly swung around a corner and crashed into you after you’d been chasing him like the rest of the Spider-People after receiving Miguel’s message.

“Miles?” You asked, recalling his name, which you’d actually been hearing for quite some time since the circumstances of his existence started being a problem for your boyfriend. The boy didn’t answer. He just looked at you, his eyes filled with confusion and fear until you hesitantly took a step aside to leave the escape route open for him. If anything he looked even more baffled, but when the noise of his pursuers reached your ears he rushed down the hall and you lost him after he took a sharp turn.

Before you could be spotted, you ran in the opposite direction and hid around a corner as you tried to call Miguel on your watch. Of course, it was in vain. Well, Plan B. Fortunately, this time you did get a reply.

“(Y/N)?”

“Peter! Yes, it’s me! Where are you?”

“Where do you think? I’m going after him like everybody else. I need to get to him before…sweetie, please just get back in there, Daddy’s on the phone right now…I need to get to him before- “

“He’s already left the headquarters,” You informed him.

“Wait, you saw him?”

“About a minute ago. He was on his way to the North exit.”

“(Y/N), are you sure you should be a part of this chase right now?”

“Why not? Jessica is there, isn’t she?” You replied, smiling to yourself. Good old Peter B., looking out for you like some sort of self-appointed brother figure.

“Well yeah, but she’s not running, kid. Although I don’t think she should be on one of those death machines either, I don’t what she’s…”

While he kept on rambling for a bit, you looked around and wondered if you’d ever seen the building this empty.

Empty.

Your eyes slowly ran along the pearly white walls until they landed on the hallway that led to the room where the Go Home Machine was kept. Practically unchecked, if Spider-Byte had joined the pursuit.

“P.B., I’ll talk to you later,” You absent-mindedly replied, hanging up on him without waiting for an answer as you dashed down the hallway.

You kept thinking about that poor kid’s eyes. After having all that information unloaded onto him, instead being given enough time to somewhat process everything he now had to escape from the very people he was supposed to feel safe amongst. When he sat on the floor right in front of you right after the crash, he was sure you would immediately hand him over. Maybe a few months ago you would’ve done it without hesitation but now…things had changed.

There it was. The Go-Home Machine. You thought you saw a purple blast inside that let you know Byte was still there. However, if your theory was correct, Miles would have to go through that hall and therefore, you. A few minutes later, a sudden voice booming from your watch startled you.

“(Y/N)!”

“Miguel? Where are you? I’ve been trying to…”

“(Y/N), listen to me! Miles lured everybody out on purpose, he’s trying to get to the machine. I can see your location back at the headquarters and he should be coming your way in less than a minute!”

“Alright. I’ll handle it.” You replied, ending the call before he could ask you to elaborate on that.

Sure enough, light footsteps came in your direction shortly after. Right as Miles entered your field of view, an alert issued by your watch made your stomach drop and a dreadful feeling fill your chest. However, you’d made up your mind. There was no going back now.

Mile spotted you at the end of the hall and stopped in his tracks. His eyes were determined, not as afraid as a few moments earlier. If he was there that meant he’d somehow gotten past Miguel. You fought back a smile when you wondered how pissed he’d be about it. Having his ass kicked by a teenager was something that, maybe under different circumstances, you could tease him about.

“He’s a delight, isn’t he?” You finally spoke, trying to somewhat lighten the mood while taking a step toward the kid. However, he got in a defensive stance, furrowing his eyebrows in distrust.

“It’s okay, I’m not going to hurt you, I just want to talk.” You assured, showing him both your hands, “Miles, listen very carefully. This is exactly what Miguel was talking about a while ago. At this very moment. Right now, I’m supposed to stop you from getting to that machine and handing you over,”

Of course, he took another step back.

“Miles I’m not going to do that,” You assured him.

“Why not?” He immediately asked, constantly looking behind him, wondering if this was just you trying to stall him like, unbeknownst to you, he thought Peter had tried to do a while ago.

“Because I’m sure there’s a better way to go about all this. I love him so much, I do, but he’s so afraid that I don’t think he’s willing to see other possibilities and by the time he does, it might be too late for you. Now go before anybody else gets here.”

You didn’t have to tell him twice. Miles darted past you as soon as you finished talking, taking a second to look back before reaching the dimly lit room where his ticket home was. His eyes scanned your face and darted down for one second before he looked up at you, a new worry in his eyes that had you wondering whether his spider-sense was strong enough to perceive something you’d just found out yourself.  

“Are you going to be okay?” Miles asked, his eyes looking down for a moment once again. Did he know? Did he mean “you” as in just you or as in…?

“Yes, don’t worry. Now get out of here.” You insisted. With one last hasty “thanks”, he ran into the room as your left in the opposite direction. You weren’t worried about Spider-Byte. She was a good kid, and she’d do the right thing.

The right thing. What did that even mean anymore?

You’d deal with the moral implications later. For now, as you found yourself on the other side of the headquarters, your mind was set on finding Miguel. Maybe you could try and talk some sense into him, make him reconsider whether this was…

“What the hell was that?”

By now you’d gotten used to Miguel’s habit of sneaking up on you. Usually, hearing his voice coming out of nowhere brought a smile to your face. This time, you closed your eyes and winced as you felt his presence behind you.

“Don’t even try lying. I know that voice you used in the call. The one for when you’re about to ignore whatever order I’m about to give you, so I checked the cameras.”

“Miguel, I…” You began to explain yourself just to be harshly cut off.

“(Y/N), what were you thinking? Do you realize what you just did? Do you have the slightest idea of the consequences…?”

“I do realize that you just asked a fifteen-year-old child to stand by and let his father get killed right before calling his existence a mistake, Miguel. What were you thinking?”

“I was thinking of our safety, and that includes Miles’. You’re right, he’s a kid and that means he’s selfish and immature enough to endanger everything we’ve all been risking our lives to protect for years.”

“Miguel, listen to me,” You insisted, “You’re scared. I know. I am, too, but have you ever considered that maybe there’s another solution? Do we even know for sure that allowing the kid to go and try to save his father is going to cause any real damage?”

“What if it does? Are you just going to tell me “Sorry, Miguel, you were right” and that’s all? (Y/N), Dios mío, piensa. Gwen said the same thing but we couldn’t trust her with being objective because he’s her friend,”

“Wait, what do you mean couldn’t?” You asked. Miguel clenched his jaw and turned away, unable or unwilling to look at you.

“Miguel, please tell me you didn’t send her back. Not with how she left things back there,”

His absolute silence told you everything. Shaken, you took a step back.

“What is wrong with you?” You hissed the disappointed look in your eyes hurting like a sharp dagger to his chest.

“(Y/N), mi amor, I’m just trying to…”

“You’re such a hypocrite,” You angrily spat out, “You go around preaching about how important sticking to your stupid canon is and the delicate balance of the multiverse when you know damn well that what we’re doing goes against every single one of those things,”

“No, no, that’s very different,” Miguel disputed,

“How is it different?” You argued back, boldly moving closer to him wishing you were taller so you could face him, “I’m from another dimension, there is no way that we were supposed to meet from the beginning. You had your world, this world, and when you tried to live another life in a different one, an entire dimension was destroyed. I had my world, and for all I know maybe there was somebody there that I was supposed to meet but thankfully I ended up here first so I could meet you. But you know what? My universe is fine, yours is too and I swear I had never been happier in my entire life.”

“You’re right.” He muttered in deep thought.

“Yes, I am. And maybe…” You started to say, a relieved smile tugging at the edges of your mouth until he looked up and the expression in his eyes made your throat dry up.

“We’ve been messing with fire all this time. There is probably somebody you can be with without endangering your entire dimension. And this…this is the hand I was dealt and I should just accept it and live with it. You’re right. Maybe this was all a mistake from the beginning.”

“No. No, come on, you don’t mean that.” You shook your head in denial, lifting both your hands to cup his face in your hands, to bring him close like he had done the night you finally could let all the love you felt for him escape its confinement in your chest.

Miguel grabbed your hands before you could touch him and moved away from you before releasing them as he finally built up the courage to look you in the eye.

“Are you serious?” You asked, your voice quivering with anger as you felt tears begin to dwell in your eyes, “So that’s it? You’d rather sacrifice us than find a different way to solve this?”

“Well, what did you think was going to happen, (Y/N)? That this would go on forever and we’d keep pretending everything is fine and that you don’t have to wear a fucking machine on your wrist every time you come to see me because even the cells in your body know you were never supposed to be here?”  

“Oh, right, so you expect me to believe that you always knew this was going to be temporary? Then what was this? Something to take the edge off after a rough day until you decided it was time to stop fooling around and just be done with it?”

Deep inside, you knew what his response was going to be, but every inch of your heart silently pleaded for you to be wrong. To pull you into his arms and apologize for trying to send you away and promise that you’d get through this because you loved each other and that was all that mattered.

“I don’t know why you thought it was anything else,”

For a minute, you wondered if this was all actually happening. Maybe this was all a nightmare fueled by all the training simulations you’d gone over lately, and you’d wake up crying just to find Miguel asleep next to you, his wide back slowly rising and sinking with every calm breath he took. Your crying would wake him up and he’d furrow his eyebrows and ask what had happened.

“I had a nightmare, that’s all,” You’d say, wiping your tears off and trying to downplay it. But he knew better. He always knew better. He would pull you close and bury your head in his chest, placing a kiss on top of your head while warning you that he was the only one allowed to have nightmares because otherwise he’d have to start comforting you too and neither would get a full night of rest. And you would laugh softly as you drifted off, lulled by the warmth of his chest and his smell of sage lotion and cheap fabric softener.

But no. You were very much awake, and instead of comforting you with promises and reassurances, he was walking away from you after delivering the final blow to your heart.

Since he had his back turned to you, you felt free to let the repressed tears freely fall down your face as you helplessly watch him go until he disappeared around a corner. All of a sudden, you felt as if the walls of the headquarters had begun to close around you to asphyxiate you, and the sound of the returning Spider-People made you realize you didn’t want to be there for one more second.

Thanks to your watch, you were back “home” in a few seconds.

“Home”. Your empty apartment where you’d lived alone for years. Where he’d never set foot, and at least in that way it was free of his memory. Or so you thought until you looked over your shoulder at the ajar bathroom door. Inside, atop the porcelain sink, still rested the positive pregnancy test you’d left there before having to rush over to the headquarters to help with the latest anomaly.

That memory felt so distant now. As if it had happened years ago, in a different life. You suppose in a way, it did belong to another life. A life that was over now.

Numbly, you made your way toward the ragged sofa, collapsing on top of it as soon as you were close enough. It was only then that the full weight of the last day and a half sank in and, as you gently wrapped your arms around your stomach, you let the tears fall until your throat burned, the dusty cushions muffling your broken sobs.

“I’m sorry, I don’t think I heard correctly, you did what?”

The seriousness of the situation was enough for Peter to fasten a small strap in Mayday’s baby carrier to make sure she won’t go anywhere for a few minutes as he waited for his friend’s platform to reach ground level. He couldn’t be chasing his toddler around and ripping Miguel a new one at the same time.

“I did what I had to do. It’s for her own good,”

“Right, because you’re such an arrogant…” He paused to carefully place his hands over Mayday’s tiny ears, “…such an arrogant dick that you think you know what’s best for everyone, including a fully grown, intelligent, woman like (Y/N)”

“Shit, Parker, do you think it was easy for me?” Miguel uttered, pinching the bridge of his nose before resting his face against the palm of his hand, “What I said about this being the hand I was dealt…I don’t know how I’m supposed to deal with that. Hell, I don’t even know how I’m going to keep myself from showing up at her dimension to try and get her back here the first chance I get.”

“And why would you have to keep yourself from doing that?” Peter asked patiently. It sounded like a better alternative to “Miguel, I love you man but I swear you’ve got the emotional availability of a tree stump. Beats me how (Y/N) was able to get you to admit your feelings without prying your chest open with a jigsaw to see your pounding heart for herself.”

“She was right. We were never supposed to meet in the first place. Not like this. It’s not…”

“Miguel, I swear if I hear the word ‘canon’ even once in this conversation I’m going to drive my head through a wall,”

“Just because you don’t take anything seriously doesn’t mean everybody’s the same,” Miguel hissed back.

“That’s where you’re wrong. Last time I didn’t take something seriously, I ended up just like you will unless you get your priorities sorted out. Alone, and regretting not focusing on what was important,”

“This is important,” Miguel stubbornly argued.

“More important than what you had? Look at yourself. Just forty-eight hours ago you were as happy with (Y/N) as you’d been for the past eight months. And as happy as I’ve been with Mayday and my wife who, by the way, wouldn’t even be with me if it wasn’t for that kid you just called a mistake. And do you see my dimension going up in flames? Or yours? Or hers?”

Unable to find an argument against that, Miguel remained silent, his eyes fixed on an empty spot on the wall in front of him.

“Listen, I know you’re afraid. You don’t want her to get hurt, but if you love her as much as you claim to, then you’re taking the choice of a coward right now. And you can’t afford to be one, especially now.”

“Especially now?” Miguel inquired, turning to look at his friend who, much to his surprise, pressed his lips together as if he’d made a mistake and instead focused on getting Mayday’s hair out of her face.

“My point is; I know you well enough to know you worship that woman. And she thinks you’re pretty decent too. And I can tell you from experience that you’re going to regret it for the rest of your life if you let this come between you.”

Not knowing what else to add, Peter gently patted Miguel’s shoulder before leaving the room, hoping he’d given him enough to think about. Hopefully, enough to make him change his mind.

Meanwhile, Miguel hadn’t moved since Peter left the room, mulling his words over.

Two, particularly, had stuck with him for some reason.

Especially now.

[todayisawthewhxlewxrld]

NO MORE PRAYING, BABY, I'MA BE YOUR PREACHER!

I KNOW IT'S WEIGHING ON YOUR CONSCIENCE.

synopsis// choso isn't as holy as he seems—no thanks to you.

➚ pairing// priest!choso x gn!reader ➚ word count// .430

contents// 16+ EXPLICIT—NO ACTUAL SMUT BUT MENTIONS OF EXPLICIT ACTIONS (bj n hj), like lowkey corrupting choso...? priest!choso au, not really a full oneshot just a drabble/headcanon?

notes// MY FUCKING MAN DEAR LORD IM ON MY KNEES. anyway we know priest!choso came to me in a dream so thats what inspired this. and church by chase atlantic just fit so. this might b cringe n rlly bad bc i dont write suggestive stuff okay baiii :*

priest!choso, who can clearly see the way you act around him, yet at first does nothing about it.

priest!choso, who isn't blind, yet fears that sooner or later he’ll have to pluck out his eyes with the way he’s unable to stop staring at you.

priest!choso, who realizes it’s not really his fault he looks at you like that—not when you purposely wear the tightest jeans you own, looking like they're about to burst at the seams as you bend over, picking up the donation you oh so conveniently dropped in front of him.

priest!choso, who says he isn't stupid, yet will lean into your lingering touches that he knows are nothing more than a spider’s web for him to get caught in.

priest!choso, who will answer your questions knowing you don't actually care to hear the answer because he loves the way you look at him like he’s something to eat, sends shivers down his spine.

priest!choso, who will only let himself think about you and consider indulging in your actions in the seclusion and comfort of his room, where crosses and depictions of his god won't find him.

priest!choso, who will stop and pray when his hand snakes down into his pants, recalling the way you licked your lips and batted your eyelashes at him as you nodded innocently, pretending like you actually gave a fuck about anything he was saying—apologizing to his god for the fact that he was about to sin and asking for forgiveness.

priest!choso, who, after that night, tries to keep his distance. attempting to ignore you at every turn, which quickly becomes impossible when you just won't let up—cornering him every chance you get.

priest!choso, who has no idea how you do it. he doesn’t know how you get to him like this or how just one sway of your hips has any thought of ignoring you disappearing into thin air.

priest!choso, who thinks you’re here to test his devotion to his god.

priest!choso, who thinks fuck his devotion when you find him in the confessionals after mass one night.

priest!choso, who will let you coax him into just one kiss, because that's not so bad, right?

priest!choso, who lets you talk him into a hand job and even a blow job because technically he’s not breaking celibacy if there's no penetration. 

priest!choso, who lets you do whatever you want to him because he’s already this far gone, what’s a little more?

priest!choso, who doesn't know how he was devoted to a god for so long when you were right there.

©TODAYISAWTHEWHXLEWXRLD

[helluvaartcritique]

I think my issue with the designs in both HH and HB is that most of the characters feel overdesigned and has so much detail, but at the same time they don't stand out. So many characters share the same color palate as the background and it makes frames feel busy, making it hard to focus on what is really happening. I saw a screenshot of a Full Moon scene where Blitz is interacting with a giant purple spider demon, and it took me so long to even try and figure out what is going on. Each characters stands out if you put them on a character sheet with no background or other character in it, but once it's placed in the actual show they feel like nothing.

It's mostly because the characters often have the same Vivziepop design tropes (bow ties, twig build, pointy teeth, excess amount of detail, same color palettes, etc) Repetitive designs causes them to blend in and not stand out with the other characters. It's why variety is important.

As you said, the characters being the same color as the background doesn't help as well. It's bad enough that there's an excessive amount of detail (God bless those animators), but when everything is one color, it doesn't help.

(I couldn't even tell what was going on in these scenes. I can only imagine it's worse for those who are visually impaired or have color blindness.)

The color palettes problem is ESPECIALLY prelevant here.

Out of all of these, I could easily guess Emily and Adam, as they had palettes that weren't all red (Funny how the characters with variety from the rest of the cast were the easiest to point out, interesting to think about).

Don't get me started on Helluva, though. That one took a while for me to differentiate between them.

I get they're imps and all, and they have a design scheme to stick to, but maybe have some variety in their designs?

And no, these ones don't count, as to the best of my knowledge, these weren't designed by Vivziepop.

(Vic Aldis and everyone else who worked on these, I respect you all immensely. Keep up your amazing work.)

Even with a limited color palette, the artists still found a way to make it work and have their characters unique.

[felassan]

Snippets. 🐺💜

User: "Trick on a scale from 0 to ironically, spiders.... how bad are the spiders in this game????" Trick: "Spiders you should be more okay on than in DAI. Like we don't literally have a big main-game mission dedicated to "What if a magical big bad was a giant honkin' spider and all its minions were ALSO spiders?"" [source]

User: "Are player specs like shapeshifter, bard, blood mage unlikely to return to the series? I know they're not in DAV, but I also know they're prob too resource intensive anyway? Zither the mage bard in DAI was cool!" Trick: "Never say never. Blood magic is unlikely because we've shifted it from a power boost to really being the key to a lot of nasty stuff we aren't interested in having heroes do. The other stuff just needs the right game." [source]

[following on from the above] User: "This is interesting because that means that a Blood Mage Warden and/or Hawke are really really subdued blood mages. And that Solas was both right and wrong on it being "not inherently evil" and "just a tool."" Trick: "I think it can be ethically neutral if you only use your own blood, but after seeing it used as a required part of mind control and demon binding in DA2 and DAI, it's just not a road we want the hero to walk right now." [source]

[following on from the above] User: "Yeah, I wouldn't want a "hero," even a nominal one, that would do stuff like that." Trick: "Which is a shame, because "use your health to cast more spells" is a fun gameplay twist for folks who like that kind of risk/reward playstyle. We might find other ways to get that. Just not blood magic for the hero for now." [source]

Trick: "Exaggerated favoritism aside, I think we have a great range in our list of companions, and some of the best character arcs I've seen. We pushed our characters in a lot of different directions. Nobody will be everyone's favorite, but everyone will be someone's favorite." [source]

Trick on Taash: "I have not been surreptitiously liking posts and saving fan pieces since Taash was an unnamed bit of concept art in 2020 just to listen to this slander now." [source] "I literally have a Gdrive folder full of things people drew back then, just to tide me over until we started announcing names and stuff. 😂" [source]

[syrupfog]

When Sanji runs from Germa, he doesn't make it far. He hides away in the brig of a merchant vessel for a short time, but as soon as he's found, they recognize him, and don't want Judge's wrath coming down on them, so they dump him the next time they make landfall.

The island he ends up at is one that's felt the threat of Germa for years, and they too recognize him, whether Sanji tries to deny it or not. Afraid of the omen that they see him as, they send him to an old manor at the edge of town and lock him away. 

He grows up there.

Like the dungeon, he's again alone and despised. 

But he tries to make the best of things. He can see the sun here, can wander the halls without fear, can cook what he wants from what the town delivers to his doorstep, which is often a little rotten but edible. 

He lives.

He assumes this is as good as life will ever get for someone in his position. There is nowhere he could go that they wouldn't know and fear him, despise him; at least here he's free from his family. At least here he can breathe fresh air. 

And then, one day, a man appears.

"Appears" is maybe a generous word. He comes crashing through the front door, armed to the teeth (literally), a sword in each hand and one in his mouth. Sanji, who had been simmering a bouillabaisse, comes running at the noise, spatula in hand for defense. 

The man looks at him.

He narrows his eyes. 

He charges right at Sanji. 

Sanji yelps, ducks behind his spatula as if it will protect him, and cowers. At the last second, his childhood training kicks in. He manages to dodge a swipe and RUNS for it. 

The man, who has made a crater in the wall, follows.

The manor has a maze of rooms, but Sanji's closed most of them off. It's just him here, after all. He runs into one of the first doors he finds and is faced with cobwebs and dust as he slams it behind him. 

He hears heavy footsteps behind the door slow to a stop. 

"Open up."

Oh he is NOT doing that. 

"Hey," says the man who has broken into his home with SWORDS. "I'm not going to attack you." 

"I do NOT believe that," Sanji shrieks. There's a spider in here and he's trying not to run screaming back into the hall. 

"I should've knocked," the man says.

Sanji stutters. "Swords!" he manages to get out. 

"They said there was a monster," the man says. "Paid me fifty thousand to kill it." 

...Oh. 

"Well," Sanji says. "They're right, that is me." 

The townspeople have probably put up with him for long enough. 

He opens the door.

The man is down to just one sword. He eyes Sanji. "Don't look like a monster," he says. "What, you transform in the moonlight?" 

Sanji snorts. "Nah, this is all there is. Was just born a monster. Surprised it took this long for them to try to get rid of me." Cowards, he thinks.

Maybe he's a little bitter. Maybe something inside of him still dreams of something better. T

he man cocks his head. "Pretty shitty monster," he says, sliding his last sword back into its sheath. "I don't need beri enough to cut down someone who defends himself with a spatula."

Sputtering, Sanji realises he's still holding it. "Shut up," he says. "What would you spend it all on anyway? A FOURTH sword?" 

The man shrugs. "Or food," he says. "Got washed up here a week ago, didnt exactly have a lot of pocket change on me." 

And, well. That's the magic word.

"I have food," he says. The bouillabaisse is still simmering. 

The man grins. "Not going to turn you down," he says. "I'm Zoro." 

"Sanji," Sanji says. "If you're not going to kill me, what do you know about fixing doors?" 

"Absolutely nothing," Zoro says.

Zoro... doesn't leave. 

Sanji feeds him, and Zoro has NO manners. He eats like he's never known what it means to be full. He's not talkative, although he's quietly hilarious. In return, Sanji's conversation is stilted. He's not used to talking, especially not to a real person.

But Sanji feeds him and he feeds him again, and Zoro doesn't leave. He leaves his dirty shoes on the carpet and cleans his swords on the kitchen floor while Sanji cooks. When they do talk, the words jump between polite niceties and petty arguments. 

It's... It's good.

Sanji's so happy. He hates the way Zoro seems to live in a state of mess, even while having come into the manor with nothing but the clothes on his back. But he loves the arguments, the verbal sparring, every word an acknowledgement that he's not alone. 

It's too good to be true.

Zoro doesn't talk about himself much, just that he's got a crew out there somewhere. Sanji wonders but doesn't press, an instinctual fear that if he pushes Zoro will leave. Zoro doesn't ask him much either, except for when the food shows up. 

"Cook," Zoro says, "That's rotten."

Sanji picks up a tomato, blackened on one side. "We can cut those bits off," he says. The produce is actually better than usual. 

"They send you rotted mush every week?" 

"Sometimes they skip a week," Sanji says with a shrug. "On holidays, I think." He doesn't own a calendar.

Zoro frowns, but shuts up. Sanji makes stew. 

He makes chili. 

He makes ratatouille. 

They live in companionable silence. Zoro trains and Sanji yells at him to not use the kitchen utensils as weights. 

It goes like this, for weeks. Good weeks. 

But good things don't last forever.

Almost two months on, someone comes crashing through the front door of the manor. For a moment Sanji thinks it's Zoro again, somehow, but remembers Zoro's napping in a sun puddle. 

Knife in hand this time, instead of a spatula, Sanji sneaks around the corner to the front door.

There's... a LOT of people pouring into the house, but front and centre is a man with a scar and a straw hat. He points at Sanji with a serious expression. "Are you the one who killed Zoro?" 

Sanji blanches. "N-no?" he asks. His knife isn't going to defend against NINE people.

Suddenly, from behind him, comes Zoro's voice. "Shut up, Luffy." 

"Zoro!" the man shouts, bounding past Sanji and wrapping himself around Zoro an unnatural number of times. 

"Told you he wasn't dead," a man with a long nose says. "Townspeople are terrible liars."

"Come on, Zoro," a redhead says. "We've got places to be and we just spent two months tracking you down." 

Sanji's stomach sinks. 

Of course. 

These are Zoro's people. His crew. These two months have been the best of Sanji's life, but for Zoro they've just been a waiting game.

He's had people out here looking for him this whole time. He has a world outside these walls. He's going to move on and live his life and forget about this little moment in time. 

This moment that Sanji will think about, dwell on, treasure, for the rest of his life.

He steps back, considers hiding in the pantry until they're gone. Before he's able to entirely flee the room, though, Zoro turns to him. 

"Luf," he says. "This guy's coming with us." 

Sanji stops. "Uh," he says. 

"He's a cook," Zoro says. 

Luffy turns to him. "Yeah?" he asks.

"I-" Sanji shakes his head. "I can't leave," he says. 

"Yes you can," Zoro tells him. "You're staying here because you think you deserve this." 

Luffy, standing between them, looks back and forth. "Zoro knows what he's talking about," he says to Sanji. "I trust him. You coming?"

"I'm a monster," Sanji says, because that's what the townspeople call him. They sent Zoro to KILL him, they know he's a monster. 

"You're not," Zoro says. "Come on, Cook. Come with us. You can live, now." 

Sanji wants to live. 

It's all he's ever wanted. 

"Promise?" he asks.

"Fucking promise," Zoro says, and he grabs Sanji's wrist. 

Pulls him out the door. 

Into a world Sanji thought was beyond him. 

He follows nine strangers and a swordsman who attempted to kill him onto a ship and into the bright blue ocean and doesn't once look back. 

He lives.

[bixbythemartian]

walrus vs. fairy

the funny part is that people who answer walrus are mostly like 'I disagree, but I understand why you would answer fairy' and the people who answered fairy are tearing their hair out. some of them are getting mad and/or mean about it, which is kind of upsetting.

so, I will try to help explain.

this will not be about walrus logistics, I promise.

some people believe in fairies. full stop.

fully believe they are real. probably a lot more people than you would be happy about, but you have to allow for this to be true.

even among those who don't wholeheartedly believe in fairies, there's a lot more people who are agnostic about fairies.

people willing to admit that they're not sure if fairies are real, but willing to hedge on the side of maybe the fairies are real.

like, if you rephrased the question 'would you be more surprised to see an angel or a walrus at your door' you would probably be less surprised to see that people would be more shocked at the walrus, because you probably already understand that a lot of people believe in angels and consider them real, whether or not you believe in angels personally

also the SPN fandom would go ham on that, probably. (this is said with deep affection)

there was a fairly famous road built in Ireland that got rerouted because there was a bush that was important to fairies. (source) the fairy tree stalled the plans for the road for a fucking decade. this happened in my lifetime. people talked about it happening on the internet as it was happening, it's not some weird thing that happened in the middle of nowhere in the 1950s or something. they agreed to go around the damned bush in 1999. I know that seems a long time ago to some of y'all, but it really, really isn't.

there are still people who think the cottingley fairies were real. not a huge amount, but I hope enough to make my point- there's some people who believe in fairies so much and want them to be real so much that they think a famous prank (hoax is stretching it, imo, these girls were pranking their families and the press kind of coincidentally got involved) proves the existence of fairies.

there's a lot, lot, lot more people who believe in fairies and also will admit the cottingley fairies weren't real. the cottingley fairy truthers are a small a percentage of the people who believe in fairies.

I cannot emphasize enough that there are plenty of people who believe fairies are real and even more that could be very easily convinced that fairies are real

people have believed in fairies and been superstitious about fairies for a long, long fucking time

setting aside all of that

some people are more likely to see a thing that isn't real at their door than they are to see a living fucking walrus at their door.

fevers, migraines, mental stress, sleep deprivation (especially if you have sleep disorders, like insomnia or narcolepsy), and infection (among a very long list of other things), and prescription medication side effects can all cause visual hallucinations, and they're all states that you might not be aware that you're in when you start to see weird shit.

these are just the really mundane ones I plucked up off the list.

I have experienced hallucinations due to sleep dep and insomnia. unfortunately, for me, this manifested as a spider the size of a border collie (I wish I were joking) and not fairies, but fairies is a possibility that cannot be counted out.

I'm way more likely to have sleep deprivation and a migraine and a fever all at once than I am to see a walrus in person at a zoo, much less at my door.

it has happened before. it will happen again. it's happening right fucking now.

the fairies can have my birth name if they will take away my migraine.

just putting that out there.

I've never seen a walrus in person at all. I would like to, but it's not likely. there's not any in any of the zoos nearby that I could find.

current likelihood of me seeing a fairy on my doorstep is significantly higher than me seeing a fucking walrus. I am in a physical state where I have had visual hallucinations before, and it's not impossible I will have them again. I would not be particularly surprised, even.

as long as it's not the goddamn massive spider. I even like most spiders, but that is too much spider.

[the-cat-and-the-birdie]

You know what really gets me about ATSV

ATSV: How to do a face reveal right

[A SHORT essay on why I think Miguel and Hobie are Hot On Purpose.]

Jessica's face is completely uncovered. Ben's face is shown right away. Pavitr appears in his mask but immediately shows his face in his own intro. Margo is always unmasked too.

CMIIW but: Miguel and Hobie are the only new characters whose faces were hidden until WAY after their first lines.

You mean to tell me, two of the finest characters in the movie. The characters who look like THIS

Are shown first as this:

- for a reason!! The writers knew what they were doing 😭

They - knowing the two would receive the most fan attention - deliberately delayed their face reveals simply for the sake of the drama.

When we first meet Miguel - it's as Spider-man

He's playing the cool, cold, heroic leader (despite Gwen's teasing). We come close to seeing his face, but like him, we stop short.

They give us a taste of Miguel before we actually meet him, or see his face and full design.

The opening scenes of ATSV leaves us holding our breath.

The end of ITSV sets Miguel up to a big problem in ATSV, but he's abscent for the majority of the movie, working behind the scenes.

We spend the majority of the movie holding our breath, knowing that eventually Miles will have to meet him, we'll have to meet him, and it leaves the viewer even more excited - or anxious - for Miguel.

When we meet Hobie - it's as Spider-Punk

Just the same as Miguel, we're given a HUGE dose of Hobie before he even hits the screen.

Hobie is the talk of the town. Miles has an imagined problem with him - so we have a problem with him: We don't know who he is!

ATSV sets us up for Hobie. We know we'll meet him, but unlike Miguel - as so very in character for Hobie - we don't know where, or when, or how.

Even after his first appearance - he kicks it up a notch.

And although he could've remained masked for the entirety of his intro, instead - the animators choose to have fun with it.

They highlight the fact. Hobie outright taunts the viewer; He KNOWS you want to see his face. Sure, he'll demask himself - but he doesn't give you the satisfaction.

But Hobies face is an intentional mystery. He wants to keep you guessing, revealing in the anticipation.

He's already told you his name - but it's his character design that we're left dying for.

I know as soon as they got in the elevator I was like 👀 - he not gonna keep that mask on right. cause I know he fine

I find it so funny that the two characters that are thirsted after on the highest level are the only ones that reveal their faces in later scenes.

Like even when they walk into Miguels lair

Like bro what the fuck are you posing for? Dramatic effect 😐

It goes to show that writers genuinely know who will be fan-favorites.

The ATSV design and animation team made a ridiculous amount of content for Hobie - going so far as to design his house, and make detailed imagery of his world.

They knew it'd never be included in ATSV. But they didn't care.

They made it anyway cause they knew people would want more of him. They knew that either in BTSV - or a solo entry of his own - people would really like Hobie, and really want to know more about him.

The knew that people would go NUTS over Miguel's redesign - because it's such a stark difference and upgrade from his teaser seen in ITSV.

In the beginning of ATSV, the design changes aren't that apparent. But as ATSV goes on, and we see Miguel's behavior, we immediately understand why they chose to make Miguel SO MUCH LARGER than what they were planning in ITSV.

They knew that you'd hear Oscar Issac's voice and it'd be a wrap. The way he looks is just ICING on the cake. They don't need to show you Miguel right away, they're going to make you thirst the whole movie before you actually get to see him.

They knew you'd see Hobie kick through that force field and be shook over him.

Gwen and Pavitr yell out 'Hobie!' when he arrives - because that's what we're all screaming in our heads.

'Oh shit - he's HERE.'

His face reveal is just the final nail in the coffin of 'yeah, im down bad for this dude. it's a wrap.'

I just LOVE IT i LOVE IT it SO CLEVER

the writers being like 'nah make them thirsty hoes wait'. Im watching Mumbattan fall apart in front of my very eyes and I'm still like... 'So about that Hobie bloke.... what's his deal'

We are all so predictable. They're laughing at us. They made Miguel dummy thicc because they knew. They just knew.

[shizucheese]

Okay okay okay, I need everyone to listen to me about this.

I know I kinda talked about this before in a reblog to someone else's post, but the idea has been rotating in my brain ever since and I feel like it needs to be further explored. A lot of people have been talking about the differences between TMA and TMP, and memeing about how people can actually quit the OIAR (which btw, I'll believe when I actually see it, by which I mean if we're able to get through the entire series without Teddy either coming back or turning up dead or otherwise facing "You can quit but you can never leave" levels of repercussions) but like nobody, from what I've seen, has been talking about what imo is the pretty glaringly obvious element at play here. So let's talk about the spider in the room, shall we? What do we know about the Magnus Institute in TMA?

People came there to give statements regarding their spooky experiences, including people who had doubts about doing so (because they weren't sure if the Institute was reputable, because they weren't sure if they believed what they had experienced, because they served a different entity so what reason would they have to do something for The Eye, etc).

The head archivist would ultimately become the Archivist, an Avatar of the Eye.

The Archivist's abilities included enabling statement givers to give their statements without going off track or leaving out details (we even see what happens when it's not the Archivist taking the statement), and being able to compel people to tell them things against their will, from statements to their darkest secrets.

You couldn't quit, at least not without gouging your eyes out.

The Magnus Institute was a part of the Eye.

Or was it? Because the other thing we know about the Magnus Institute is that the Web was using it as part of its plan to break free from the TMA world and gain access to the other worlds out there. How much of the compulsion aspects of the Institute-- people being drawn to the Institute to give statements, the Archivist's ability to draw statements and secrets out of people, people's inability to quit the Institute--was actually because of the Web? Where does the Eye's "compulsion to seek out knowledge even if it could be bad/ harmful" end and the Web's "not being in control of your own actions" begin? Was the Archivist--at least in the form Gertrude and John took--really purely an Avatar of the Eye? Or were they an Avatar of a mix between The Eye and the Web, much like how Martin, if he were to ever become a full fledged Avatar, likely would have been a mix of the Eye and the Lonely, just like his domain in S5 was? After all, Jonah was an Eye Avatar, was he not? And as far as we saw, he never needed to compel information out of people. He just Knew it (and used it to torment people).

One of the themes I've been playing around with in my TMA fanfictions since I first finished the podcast for the first time last winter is how the course of history would be different in the alternate worlds, where the Web wasn't interfering--at least not on the same scale, or for the same reasons--since it had already gotten what it wanted at the end of TMA. And I think that's exactly what we're seeing a version of in Protocol. I think the OIAR is what it looks like when it's entirely the Eye at play, with 0 interference from the Web. The Eye is all about having your secrets exposed, being watched, being followed. The tape recorders--something that would need to be turned off and on (controlled) in order to record something--were a tool of the Web. Now we're "witnessing" the events of the podcast through the audio from security cameras and other things that are constantly running; constantly seeing and listening without needing to be turned on and off. The statements aren't being given by people who somehow found their way to the institute and were on some level or another compelled to tell their tales. They're journal entries detailing a person's private thoughts. They're letters meant only for the eyes of the recipient, sharing secrets not meant for anyone else. They're recorded therapy sessions.

And the statements that are related to the Eye? The ones read in John's voice? They're forum and blog posts, which not only makes them the only ones whose sources didn't have the same expectation of privacy as the others, also ties them to the Web, since computers and websites were previously established as being associated with it.