#Americanism vs. Socialism

[theabigailthorn]

British producers be like: THEM: "We love this! Let us put our heads together and get back to you early next week!" SIX MONTHS LATER UNPAID INTERN FOR THAT COMPANY: "Everyone you spoke to has been sacked, we hate you fuck off."

American producers be like:

THE MOST IMPORTANT PERSON YOU'VE EVER MET: Hey kiddo do you wanna meet The Rock? Do you wanna meet Margot Robbie? Do you want to fuck my wife? I can't give you a job but gosh darn it you've got moxxy, let me put you in touch with Doug Bigcheese, the biggest producer in Hollywood! DOUG BIGCHEESE, EMAILING YOU BACK WITHIN 20 MINUTES: Hey kiddo, that guy said you're awesome! Lemme ask round town and in the meantime you can live in my house borrow my car and by the way have you met my wife?!

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[angrylesbianatwork]

Communism for women

Romania had the full extent of what happens when abortions are made illegal, there is no access to contraceptions and no sex ex, while at the same time pushing the propaganda that a woman's duty to her country and what will make her the most fulfilled is to have children (as many as she could).

All the gruesome details of how it affected women's lives at every level and the generational trauma that was left behind, is documented here:

[blueheartbookclub]

The Green Light of Illusion: Unraveling the Enigma of The Great Gatsby

F. Scott Fitzgerald's "The Great Gatsby" is an intricate tapestry woven with the threads of illusion, reality, and the American Dream. Set against the extravagant backdrop of the Roaring Twenties, the novel unfolds through the eyes of Nick Carraway, a Yale graduate and veteran of World War I. Nick finds himself drawn into the enigmatic world of Jay Gatsby, a mysterious millionaire with an insatiable longing for the past and an unwavering pursuit of the unattainable Daisy Buchanan.

The novel is a vivid exploration of the Jazz Age, a period characterized by unprecedented economic prosperity, loosening social mores, and the pursuit of pleasure. Fitzgerald masterfully captures the excesses and superficialities of the time, using Gatsby's extravagant parties as a lens through which the emptiness of the era is exposed. The narrative subtly critiques the moral decay hidden beneath the glitz and glamour, revealing the fragility of societal values.

At the heart of the story is the elusive American Dream, personified by Gatsby's relentless quest for wealth and social status to win back Daisy, the embodiment of his idealized past. The green light at the end of Daisy's dock becomes a powerful symbol, representing both Gatsby's unattainable dreams and the broader illusion of the American Dream itself. Fitzgerald, with eloquence and insight, dissects the hollowness of the pursuit of material success and the ephemeral nature of happiness.

The characters in "The Great Gatsby" are meticulously crafted, each representing a facet of society during this tumultuous period. Gatsby, with his enigmatic persona, stands as a tragic figure emblematic of the illusions people construct to shield themselves from harsh realities. Daisy, a symbol of fleeting beauty and privilege, remains forever out of reach, a mirage that fuels Gatsby's relentless yearning.

Nick Carraway, the novel's narrator, serves as a moral compass, providing a lens through which the reader witnesses the moral decay and the disintegration of dreams. His observations and reflections paint a nuanced picture of the characters and the society they inhabit.

The prose in "The Great Gatsby" is a literary marvel. Fitzgerald's writing is both lyrical and incisive, capturing the essence of an era with a keen eye for detail. The novel's themes of illusion, disillusionment, and the pursuit of an unattainable ideal reverberate through the eloquent prose, making it a work of enduring significance.

"The Great Gatsby" is a timeless exploration of the complexities of the human spirit, societal expectations, and the elusive nature of the American Dream. Fitzgerald's critique of the Jazz Age resonates across generations, inviting readers to ponder the universal themes of love, loss, and the relentless pursuit of dreams.

F. Scott Fitzgerald's "The Great Gatsby" is available in Amazon in paperback 13.99$ and hardcover 20.99$ editions.

Number of pages: 290

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[caimitos]

i already made a tumblr for my art (just as an archive) but i hate the thought of moving here for my art after ~5 years on artph / the local art community on twitter

like i'm not sure how to (re)build an audience on a website that just doesn't have my target audience in it and it makes me want to eat broken glass

[blueheartbooks]

The Green Light of Illusion: Unraveling the Enigma of The Great Gatsby

F. Scott Fitzgerald's "The Great Gatsby" is an intricate tapestry woven with the threads of illusion, reality, and the American Dream. Set against the extravagant backdrop of the Roaring Twenties, the novel unfolds through the eyes of Nick Carraway, a Yale graduate and veteran of World War I. Nick finds himself drawn into the enigmatic world of Jay Gatsby, a mysterious millionaire with an insatiable longing for the past and an unwavering pursuit of the unattainable Daisy Buchanan.

The novel is a vivid exploration of the Jazz Age, a period characterized by unprecedented economic prosperity, loosening social mores, and the pursuit of pleasure. Fitzgerald masterfully captures the excesses and superficialities of the time, using Gatsby's extravagant parties as a lens through which the emptiness of the era is exposed. The narrative subtly critiques the moral decay hidden beneath the glitz and glamour, revealing the fragility of societal values.

At the heart of the story is the elusive American Dream, personified by Gatsby's relentless quest for wealth and social status to win back Daisy, the embodiment of his idealized past. The green light at the end of Daisy's dock becomes a powerful symbol, representing both Gatsby's unattainable dreams and the broader illusion of the American Dream itself. Fitzgerald, with eloquence and insight, dissects the hollowness of the pursuit of material success and the ephemeral nature of happiness.

The characters in "The Great Gatsby" are meticulously crafted, each representing a facet of society during this tumultuous period. Gatsby, with his enigmatic persona, stands as a tragic figure emblematic of the illusions people construct to shield themselves from harsh realities. Daisy, a symbol of fleeting beauty and privilege, remains forever out of reach, a mirage that fuels Gatsby's relentless yearning.

Nick Carraway, the novel's narrator, serves as a moral compass, providing a lens through which the reader witnesses the moral decay and the disintegration of dreams. His observations and reflections paint a nuanced picture of the characters and the society they inhabit.

The prose in "The Great Gatsby" is a literary marvel. Fitzgerald's writing is both lyrical and incisive, capturing the essence of an era with a keen eye for detail. The novel's themes of illusion, disillusionment, and the pursuit of an unattainable ideal reverberate through the eloquent prose, making it a work of enduring significance.

"The Great Gatsby" is a timeless exploration of the complexities of the human spirit, societal expectations, and the elusive nature of the American Dream. Fitzgerald's critique of the Jazz Age resonates across generations, inviting readers to ponder the universal themes of love, loss, and the relentless pursuit of dreams.

F. Scott Fitzgerald's "The Great Gatsby" is available in Amazon in paperback 13.99$ and hardcover 20.99$ editions.

Number of pages: 290

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[jedibongrip]

What's your writing about HIV for?

a grade

[in-sightpublishing]

Jessica LaPointe on Demonstration to Save Social Security

Author(s): Scott Douglas Jacobsen Publication (Outlet/Website): The Good Men Project Publication Date (yyyy/mm/dd): 2024/08/08 Jessica Lapointe is the American Federation of Government Employees Council 220 (SSA field workers) National President. Scott Douglas Jacobsen: Numerous organizations are involved in a campaign to save Social Security in the United States. Why should people be more…

[bandedbulbussnarfblat]

I made a post the other day that mentioned IEPs. So I wanted to make a post as someone who was worked for the american school system, and explain IEPs versus 504s. I double checked by looking online just to make sure I wasn't spreading misinformation. (Or just the way my severely underfunded county did things, bc they cut corners) And I found this site above that gives a great break down. It offers a pdf with a chart that compares the two. There is a video that explains it as well. There's also video, a podcast, and the transcription available here . That link also has a few links to other resources.

I'm going add a quick summary of the most important details below regarding IEPs vs 504s. I'm also to going to add a link for parents/guardians who either don't speak/have limited English. (Unfortunately the pdf is in English, but you could probably put it through a one of online translators and the gist of what it saying.)

Most important differences between an IEP and a 504:

IEP: Is always written. Includes related services and specially designed instruction.

Generally much more in depth.

Requires any changes made to the IEP are given to parents/guardians in writing before the IEP team meets and makes any changes. You are automatically part of your child's IEP team. You have to right to attend these meetings. They will send a letter, by snail mail, telling you of a time and date they would like to meet. (If your kid has a good teacher, they will call and try to find a date that works for you. If not, you can contact the school and request a different day. Most schools are willing to be accommodating.)

Written consent from parents/guardians is required before evaluation and before the IEP is put into affect. HOWEVER, the student has to fall under one the 13 disability categories.

Typically includes modifications of the what the student is expected to know and learn. (For example, if the student has an intellectual disability, their learning goals will be established by the IEP team.)

This doesn't mean the student will not be presented with general education grade level concepts, just that they will be modified to meet the student's capability.

IEPs have annual goals that are measurable. These goals are made by the IEP team, including parents/guardians. (Aka, there is a lot of progress monitoring.)

Usually teachers will send out a progress report every two weeks. However, most teachers send out less formal methods of progress monitoring weekly or daily. Sometimes it's just a chart in a file folder where the teacher will jot a note of anything that the student was doing well with, or anything the were struggling on. Sometimes it's their complete work for the week sent home, excluding anything the teacher is keeping for records.

An IEP team has to include at least one gen ed teacher, one special education teacher (special education is usually called EC these days) a school psychologist/specialist, a district representative, and the parent/guardian of the student.

An IEP team is required to meet at least once a year, and the student is reevaluated at least once every three years. (Typically they are reevaluated and deemed still in need of an IEP. Though there are cases when students (mostly in high school) have received enough support that they no longer feel the need an IEP)

An IEP is a legal agreement. You have the right to sue the hell out of the school system if they fail to meet it.

504s:

Doesn't include specially designed instruction. Is meant to help student remain in general education.

Doesn't have to be a written document. (Though typically most schools do write documents. Bc otherwise they would not be able to keep track of what students need, bc there are so many).

Usually provides accomadations/assistive technology, but not related services of modifications. (Though sometimes these are also provided, especially if a student fails to qualify for an IEP, but still needs services and/or modifications)

Requires a student have a disability that impacts their education

Much easier to obtain than an IEP bc less requirements

No specific set of rules of who is on the student's plan team. Generally includes the parents/guardians, the student's general education teacher, (in the event the student has multiple teachers, the teacher will probably be their 'homeroom' teacher, and/or the teacher(s) of whatever subject/area your student is struggling in) and someone from administration, such as the principal or assistant/vice principal. Hopefully also someone from EC who has been trained to teach students with exceptional needs.

Parent/guardian consent is needed to evaluate the child, but this consent does not have to be written. (Many schools will still send some sort of consent form, bc the school system believes in documenting everything.)

The school has to tell you of any big changes to the plan, but they do not require your consent before starting them. Generally you'll be sent a letter of those changes in the mail. (If your students team is good at their job, they'll contact you before. Like, the teacher will call and say we are planning on starting x thing on y date, or email you if that's your preferred method of contact.)

504s don't track annual progress or create annual goals. (Though usually teachers will keep their own form of progress monitoring, bc a student with a 504 could be reevaluated and found they meet the criteria of an IEP. For that reason, many schools treat 504s as if they IEPs. Some schools suck though.)

For parents/guardians with limited or no English language known.

Most importantly, if you have a language barrier, your school must provide a competent translator/interpreter. They should NOT expect your child to work as translator for you.

And there is a lot of times where the translator isn't available that teachers will ask a bilingual staff member to translate for them. How you feel about that is up to you. A lot of parents don't mind in my area, bc we are severely understaffed when it comes to translators, and they want a quick response. If it's something you absolutely don't want, be sure to tell the school. You don't have to do so verbally; send a letter in your language stating your wishes. The school will find someone to interpret it. Keep a back-up copy for yourself.

Just as a general rule to all parents/guardians, keep documentation of everything the school sends you. You never know when you may need it.

[thoughtportal]

undefined

How US Corporate media and state propaganda advance ruling class interests at home and abroad

[what-marsha-eats]

[books-by-gauss]

Books by Gauss Price Changes

Visit booksbygauss.com for more details on some great books.

[momlovesyoubest]

GCM Benefits Close the Sale to Assisted Living

Marketing Tactics – Use Benefits  GCM Benefits led to a sale.ALCA members need to sell the benefits of Geriatric Care Management to assisted living. Care managers are perfect professionals to help assisted living residents if they have just moved in, are unhappy with the move, are not participating in activities isolating, or are general when they are not thriving in the resident…

[creatingblackcharacters]

“Across cultures, darker people suffer most. Why?” Multiethnic and Multicultural Blackness

“Across cultures, darker people suffer most. Why?”- Andre 3000

Tell me what's wrong with this picture.

Hint: This is Miles Morales- from the video game depiction- canonically an Afro-Puerto Rican. Jefferson is Black American; Rio is Puerto Rican.

So why is the Cuban flag on their wall?

This is what happens when no one (with any saying power) in the board room is representative of the group being depicted! And mind you, this was produced under SONY and MARVEL, for the PS5, a product under two brands that combined churn out hundreds of millions in profit! And… No one on any level corrected them until the beta came out and fans saw it. That's how pervasive this sort of ignorance of other cultures can be. How are you writing a story about a character, and you don't even know how he identifies?

Multiethnic & Multicultural Blackness

Realistically, you’ve probably walked past many a biracial, multicultural, or multiethnic Black person before and assumed they were “just Black”. One example: Rae Dawn Chong- known as Mama du Pointe du Lac- is Afro-Chinese, but that Chinese background did not play into the role she played. A more personal example: my recent loctician was also Afro-Chinese, with very dark skin (she made jokes about how her eyes reveal it, but we can’t make those jokes here). I would have never known.

Point is, we reacted to what we saw, and that’s not an accident. Blackness is treated as a monolith, and an indicator of social level whether you realize it or not. You see a ‘Black’ person, and without wondering any further about their identity, you will treat them as you’ve been socialized to treat ‘Black’ people! But every Black person is not the same!

You don't have to write an entire essay with citations mid-story about how you learned so much about the Afro-Chicana or Afro-Iraqi experience for your main character. We didn't ask. But, slipping natural things here and there into the story of a character’s culture helps cement that yes, this character has this multicultural identity and it matters to them; it is who they are, it has an effect on their life and character in some way. It is how you deepen the character and show respect for the culture you are depicting!

I love using Miles as an example, so here’s a good example. In Across The Spiderverse, he goes to a party to celebrate Jefferson’s new position. In that scene, Rio walks through a mix of all his family members. Even when he speaks with his parents in this scene, they managed to incorporate his Afro-Puerto Rican identity without shouting to the rooftops “HEY! HE’S BLACK AND LATINO! SEE HOW I’M TELLING YOU?”

Race vs Ethnicity

The Black experience stretches as far as the African diaspora- worldwide! It's why it's frustrating when people assume "Black people" means "United States" and the West's perception of "Third World Africa" (especially when it comes to existing in media that people have strongly claimed is just White). Latin and Central America? West Europe? East Europe? Southwest Asia and North Africa? The Mediterranean? East Asia? Australia? You will find Black people!! Just because we aren't the majority doesn't mean we aren't there!

But just because we're Black doesn't mean we're all "African-American". Ethnicity is "the quality or fact of belonging to a population group or subgroup made up of people who share a common cultural background or descent." Race is "a categorization of humans based on shared physical or social qualities into groups generally viewed as distinct within a given society."

"But I thought you said Black is an identity!"

It is! Black does not only mean “Black American”. The reason Black Americans identify as just Black (which is why I demand that you show respect by capitalizing it) is due to the loss of our specific heritages from the enslavement meant to scourge us of them, to make us property. To call us by our actual names would be acknowledging our equivalent humanity and culture. In order to enforce slavery without qualm, they had to be violently removed. Black Africans of numerous ethnic groups, now violently forced into this amalgamation, had to come together and forge something new. We had to find a common connection- our Blackness (and that experience as defined by whiteness in this society) was it. It also functions as a reclamation of our identity, of our presence in this world. We are a culture, we are an entire group of people, and we should be acknowledged as such.

Again: all Black people are NOT the same!!! This is like… anti-racism 101, but so many people continue to fall for it, even those ‘well-meaning’. You cannot ask one Black person to represent the ENTIRETY of the world's Black experience. Many other factors will come into play, and this includes their culture.

Keep in mind how being multicultural and/or biracial and Black will put many people at a crossroads that is complex and difficult to traverse. There will always be parts of incomplete acceptance, an extra layer of code-switching based on where you are and who you're with. A Black Kenyan is not a Black American, who is not a Black Greek, who is not a Black Colombian, who is not a Black Filipino. They're different cultures, that will treat each other differently. Society- from strangers to your own family- may try to pull multiethnic Black people one direction or another- are you ‘Black’ enough, are you ‘technically Black’, are you ‘technically’ something else, are you that ethnicity enough?

(I will discuss Black biracial people with whiteness in the next lesson, because I felt like the interracial and biracial White & Black topic needed its own talk, but this is relevant there as well.)

Where- In the world- Is-

Coming back from the opening of this lesson: keep in mind that you need to know specifically WHERE your character is from! For example, just saying they're "Afro-Latino" reveals very little- there's an entire chunk of the planet that falls under the "Latin America" category (as defined by U.S. standards).

A follower of mine- they identify as Caribbean Latine- sent me this in discussion about the topic:

"I wish people actually thought about where their Afro-Latino characters are from. It’s always very vague and it’s so reductive because an Argentinian Afro-Latino is very different from a Puerto Rican Afro-Latino. This is very subjective but I think this issue is pretty blatant in The Owl House. They flash the Dominican flag a couple of times, but when it comes to actually making her Afro-Latino…I don’t think they did a very good job. They barely made her Black in the first place. I don’t want to dog on the voice actors too much because there are a million factors that might have affected this but. When they make a point to have the characters speak Spanish, it’s really noticeable when the accent/dialect doesn’t align with their ethnicity. Dominicans have a really identifiable dialect in Spanish. When the Afro-Latino characters speak in Spanish, it’s the most neutral accent I’ve ever heard. This is such a me-issue, but this is to say that people should actually research where their characters are from instead of vaguely painting them as Afro-Latino. We are all SOOO different. Our dialects vary so much that sometimes an Afro-Mexican and an Afro-Puerto Rican won’t understand each other even though we speak the same language.”

WHO are we talking about? How does that factor into their identity, and the way the world- both in story, and how readers from around the world- will perceive them? Will an Afro-Dominican know that they're supposed to relate to your character if they're vaguely Latino?

Note:

While I was doing my research, I noticed that searching for “Afro-_” doesn’t always offer much, as it does the ubiquitous antiblack experience and roles in politics and resistance. And while I think that’s super cool and mandatory, I think another way to approach this would be to focus on the culture as a whole, and then go from there. So for example, if I wanted my character to be Afro-Mexican- maybe even from a specific location in Mexico, or their family is from that area- it would be easier to look up the cultures and activities of that area itself, and then inform with my knowledge of how Blackness is treated there.

As I am not a member of these groups, I thought it would be better for me to find resources that better explain, than to try to speak for them myself. Hell, just from doing this research, I learned that I have far more to educate myself on. There are so many good resources out there! People speak on these topics that y’all want to know about, and there are so many books and videos- find them and educate yourselves! This is a long section filled with links, so I'm going to put them under a readmore.

I also could not possibly sit here and name every single ethnic combo because that would be endless. So what I'm going to do is give some broad strokes of a few major groupings, that will hopefully start you on the path of how to conduct your own research!

The African Diaspora

This is such a good resource. There are short chapters going into the details and history of Black people in many regions, all around the globe. I’m honestly in love with how this is set up. It's a good starting point!

Black Africans

This one isn't specifically an example of multiethnicity; I just want to emphasize that there are many ethnicities and cultures within Africa itself! One is still multiethnic if they are Black American and Ivorian, for example! As the birthplace of humanity, there are plenty of ethnic groups in Africa with endlessly rich cultures, and all of them will come with different foods, fashions, languages!

Notable Figures: Nelson Mandela, Tobi Lou, Patrice Lumumba, Tems, Wizkid, Kwame Nkrumah, Chinua Achebe, Chimamanda Ngozi Adichie, Wangarĩ Maathai, Agnes Tirop, Chéri Samba, Sheikh Abdullah Ssekimwanyi

Internalized antiblackness in African countries is due to the long and violent history of western imperialism in Africa. “The Carving Up of Africa” by European nations has long worn on the continent, its resources, and its peoples, and that includes remnants of their beliefs. Another pervasive idea in media is that all African peoples are ‘poor’, ‘living in huts’, and ‘starving’. There are people doing that all over the world, it is not inherent to being Black African. But even if that were the case- and it is not, every African does not live that way- it would still be the fault of aforementioned imperialism. Please do your research, and do not EVER write that if someone is African, they ‘must not be used to food’ or ‘have never seen such magnificent things as [what white character offers]’.

Afro Latinos

Notable figures: Celia Cruz, Frantz Fanon, Zoe Saldaña, Colman Domingo, Lupita Nyongo, Gina Torres, Cardi B, MJ Rodriguez

Notable music styles- Reggaeton? Salsa? Rumba? A lot of the best music of the area has roots in Blackness.

Antiblackness in the Afro-Latino community

Colorism plays a huge role in perception, to the point of putting you into classes of people. From the same Caribbean Latine follower:

Also, they have to do research on racial groupings in LATAM. It’s unavoidable. A Latino that’s considered Black in the USA may not be considered Black in LATAM. This is because of Blanqueamiento. That is a LOT to explain, but TLDR: A big difference between racism in the USA and racism in LATAM is that white people aren’t focused on segregation. It’s racism through imposition. “Blanqueamiento” refers to whitening and it’s the belief that you can cleanse the bloodline by having children with white people. The lineage will get increasingly lighter. That is why whenever a child comes out lighter than their parents, people will praise the parents for “bettering the race” (mejorando la raza). So a light skinned Black person in the USA may have another racial classification in LATAM (prieto, moreno, mulato, etc)."

One example is 'pelo malo' (bad hair)- how afro-textures are deemed unwanted, as a holdover from Spanish colonization and ideas of whiteness being equivalent to purity. Another severe example is of the slur "mayate"- apparently, it means "f*ggot black bug". If you're Black, and someone ever calls you this, know that you are being severely insulted. If you are interested in more Afro-Mexican history, Colonial Blackness by Herman Bennett is a book that follows the stories of enslaved Africans and their descendants in 17th century Mexico, questioning the existing history told that often leaves out their presence.

Afro Indigenous

*Indigenous doesn't just mean "to America", though the links are to the Afro-indigenous experience in the U.S.

Notable Figures: Crispus Attucks, Lucy Parsons, George Henry White, Charlie Patton, Jimi Hendrix, Eartha Kitt, Lena Horne, Ausben Jordan

What’s interesting is that it was much harder for me to find solid evidence of people who are Black Natives, mainly because it seems this history was lost and/or never recorded, or due to Blood Quantum and antiblackness, not acknowledged. That is something worth thinking about, if you are writing an Afro-Native character.

Blood quantum: A system developed by the United States federal government to determine how much “Indian blood” an Indigenous person has and if they are qualified for Tribal enrollment. Blood quantum limits accessibility to citizenship and is designed to decrease enrollment numbers. Today, some tribes still use blood quantum as criteria for Tribal enrollment. As part of their sovereign status, every federally recognized Tribe determines its own criteria for membership and enrollment.

Further reading:

Young, Black Native activists say it's time to appreciate Indigenous diversity

Black Indians: A Hidden Heritage

Blood Politics: Race, Culture, and Identity in the Cherokee Nation of Oklahoma By Circe Sturm (2002)

We Refuse to Forget: A True Story of Black Creeks, American Identity, and Power By Caleb Gayle (2023)

Afro-Arab/SWANA

Notable figures: Bilal ibn Rabah, Fatima Bernawi, Layla F. Saad, Samirah Srur Fadel, Ahmed Osman, Sara El Hassan (known as bsonblast), Ali Jiddah, Maryam Abu Khaled

Here's an amazing resource cataloguing the history of Afro-Palestinians, as well as a timeline of the solidarity between Black Americans, Afro-Palestinians, and Palestinians!

I sat here and tried very hard to come up with a way to summarize this, especially given current events in our world, and I found that at this moment, I lack the skill to do it. Not because there’s nothing to say- God knows there’s plenty- but unraveling the intersections that comes with the SWANA experience would take me far longer than a summary. I think Maryam Abu Khaled can speak on her experience far better than I, anyway:

Afro-AAPI

Notable figures: apl.de.ap, Michael Ealy, H.E.R., Karrueche, Rae Dawn Chong, Naomi Campbell, Naomi Osaka, Chanel Iman, Anderson Paak

Interview from famous R&B artist, guitarist, actress for Belle, and Afro-Filipina: H.E.R.

There is a strain between Black and Asian communities, in the United States and beyond, white supremacy playing a major role. But that does not mean that we cannot move forward together, or have not shown one another solidarity.

One of my biggest pet peeves that happens often in fandom spaces is fans who claim that Asians- East Asians in particular, but Asians in general- don't know what Black people are and what we look like. It's racist to every ethnicity and background involved. Yes, there are Black East Asian and Black South Asian people. Yes, these countries have access to the Internet to look up what we look like. There have been plenty of well-drawn Black people by those artists. Just like every white artist isn't going to draw a caricature, every Asian artist isn't going to. It all comes down to practice, their commitment to their craft, and their commitment to not being racist. Being from these areas is not an excuse for not drawing Black people accurately- the same amount of effort they can be put into depicting a white person (that would also be a minority in these places), can be put into depicting us as well. Knock it off.

Conclusion

Antiblackness is unfortunately ubiquitous, yes, but that doesn’t mean the rest of every Black person’s life experience is going to be. We are everywhere on this planet, which means there’s a planet’s worth of experiences to be had. If you decide that you want to create a Black character with a multiethnic or multicultural background, you need to commit to that! Even by mentioning their music, or their food, or- if you’re going to get into it- how others might treat them due to their Afro-identity. Something that lets us as the viewers know that you didn’t just write a white person and then claim they were “Afro-Blank” for clout. If you mean it, do it, because as always, it’s the thought that counts, but the action that delivers!

[willowaudreykeyes]

When your mother chats with American friends after they've awoken, and your teenage brother chats with friends with unending energy

And it's fucking midnight

My life is now filled with unorganized naps and I'm becoming more cat-like by the day

[felassan]

Dragon Age: The Veilguard info compilation Post 2

[Link to Part 1]

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this.

Character Creation

It is the best CC BioWare has ever made in a game [source]

The faction we choose will determine who we as protagonist Rook were before they were recruited to put a stop to Solas [source]

Certain conversation options are only available to Rooks of certain factions. For example, Grey Wardens get conversation options that are focused on the Blight, as they know more about it from other people. It also impacts how people talk to Rook (reactivity from characters and then faction reactivity from plots relating to that faction) [source]

Faction choice affects a lot of things [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

"body customization and morphing. From more muscular characters, to curvier builds, and just about any shape you want to give your character, there are all sorts of toggles to adjust so you can give them any figure you want". "There's even features that let you choose proportions, so you can alter their height, give them wider shoulders, and much more" [source]

There are makeup options [source]

There are tattoo options [source]

The hair uses a "Strand system" to "make them behave and move in a believable way for the different races" [source]. (Fel note/speculation: I think "race" here refers to irl, as opposed to like human vs qunari or something, as the language they are using for human/elf/dwarf/qunari is "Lineage")

There are 4 voices to choose from for Rook: two feminine and tow masculine (one American, one British for each) [source]

In CC, 'Lineage' is the game's parlance for race i.e. human, elf, dwarf, qunari [source]

We can pick Rook's name, but the dialogue calls them 'Rook' [source]

In CC we can "make a few key decisions that will impact how The Veilguard begins" [source]

"I really do think its our most feature-ful character creator ever." [source]

Story and lore

In the opening segment of the game (see more on the story's opening moments here), we're too late and Solas' ritual worsens, so Rook and the companions go to stop him. When travelling to the next location (Arlathan Forest) in the chase after Solas, the characters travel through an eluvian [source]. The Forest is where his ritual is taking place. Varric then asks the player if he should confront Solas, and players then work to take down the surrounding statues in order to stop the ritual. "I won’t spoil what happens next, but I’ll just say the player and Veilguard have a tall task ahead of them if they want to save Thedas." [source]

Four of the 6 faction options for Rook (Mourn Watch, Lords of Fortune, Veil Jumpers, Shadow Dragons) are "rooted in northern Thedas" [source]

Certain conversation options are only available to Rooks of certain factions. For example, Grey Wardens get conversation options that are focused on the Blight, as they know more about it from other people. It also impacts how people talk to Rook (reactivity from characters and then faction reactivity from plots relating to that faction) [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

A line of dialogue Dorian had at the Winter Palace in DA:I about what Tevinter is like informed the devs' approach to bringing to life the setting of Tevinter: ""There's a line in Dragon Age Inquisition that we always like to call back to," Epler says. "Dorian goes to the Winter Palace, which, up to that point, is probably the most impressive thing you've seen [as the Inquisitor], and [he] says something like, 'Oh, this is cute.' And we had to ask, what does it look like? What is Tevinter if Dorian sees that [the Winter Palace] and thinks that?"" [source]

The fact that Minrathous used to be the land of the elves was factored into the location's design. John Epler: "You can see the architecture has changed. It's become a lot more elven focused. And something that we've kind of hinted at, but we've never really shown explicitly, is the idea that Tevinter is built on the bones of the ancient elven empire. Tevinter itself, Minrathous itself, all the magic you see, that's just a pale imitation of what the elves are capable of. So you'll start to see as you get deeper into the game, the elves, for example, worked Lyrium into their building materials. Tevinter can't quite figure out how to do that. So instead, you'll see more gold and gems, kind of imitating it, but not ever quite approaching what the elves are able to do, and really creating that continuity of the space. Obviously, Solas isn't too thrilled that this world is the way it is, because he lived in a time of miracles and magic, and even the most magical place in Thedas isn't magic like the elven people used to be able to do" [source]

At the end of the opening portion of the game there is a "jaw-dropping title card cliffhanger" [source]

On the opening sequence: ""One of the things we wanted to do with this game is make the prolog feel like the final mission of a different game," John Epler says. "We really needed to get the stakes, the spectacle, right off the bat. Obviously, players who had been waiting to confront Solas have been waiting for just this moment."" [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All 7 companions are recruited in the game's first act [source]

The firey demon looking guys shown near the start of the Gameplay Reveal are Rage Demons. Demons in general got a revamp in this game "to more closely align their look", this can be seen with the shades and the Pride demons as well. "they’re creatures of emotion so they have a spectral nervous system look" [source]

The Pride demon the group fight at the Solas face-off in the Gameplay Reveal video "was more a direct tie to Solas than anything else, but it didn't escape us how much it echoed the beginning of DA:I". they wanted to show the stakes and the scale of Solas' power [source]

Characters, companions, romance

Harding was one of the earliest characters that the devs wanted to bring into DA4, because she was such a fan favorite. She is this game's 'traditional returning' character [source]

Each character's romance flavor or style is different. They don't want every character for the romance to feel the same. They want everyone to have their own flavor that's appropriate to them as a character [source] [two]

"We found as we were building a story, more than ever before, it's a story about the people around you; a story about building this team, and working with them." [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All companions are pansexual (specifically pansexual, not playersexual) [source]

Their pansexuality may come through in what we learn about their backstories [source]

No companion romance is race-locked [source]

Companions reference their past experiences or partners, and they reference who they'll become romantic with. [source]

If you don't romance a character, they may find a different partner for themselves. This could be within the companion roster itself or outside of it in the broader world. [source] For example, if the player does not romance Harding, she may get together with Taash [source]

The game is rated M [source]

The game contains nudity [source]

We can start flirting with the companions pretty early [source]

All 7 companions are recruited in the game's first act [source]

It is not until later parts of the game that you really commit to romance and things get pretty spicy [source]

The nudity, spicy things etc is more towards the end of the game [source]

The devs want the companions to be relatable and fully realized. So things get spicy, but in a more relatable way for people than e.g. some of the more shocking and comical scenes of this nature in Baldur's Gate 3 [source]

How sexually explicit the scenes are varies between characters. Some are more spicy than others. They have diverse personalities like in real life. "Some of them are more physical, more aggressive, and some of them are more... we have a gentleman necromancer [Emmrich], for instance, that is more intimate and sensual." [source] "some characters may be a little more steamy while some characters maybe a little bit more innocent" [source]

The romance and relationship system is more fleshed out than in previous BioWare games. A character's romance will be better woven into their personal story arc and into their involvement in the core questline of the game [source]

"BioWare has also worked to ensure that getting to know your characters as friends feels just as satisfying - and that just because you're not banging your buddy, their (platonic) relationship with you will still continue." ""One of the things we tried to do with The Veilguard is it's not just romantic relationship building," Epler continued. "You need to get to know a person before you can really build that kind of relationship with them, and if you choose not to build a [romantic] relationship, we never want to feel like you're being cut off. There's no 'okay, well, their arc isn't progressing, I'm done'." We want to make sure the non-romantic relationships are deep as well, with friendships not just for companions and yourself, but also between companions across the party."" [source]

GDL reprises his role as Solas [source]

Gameplay, presentation, performance etc

The game has a photo mode [source]

Combat is fast-paced [source]

If you pause the game using the ability wheel you can scan enemies to learn more information about them [source]

Each of the 3 main classes is distinguished by how it generates and spends energy for abilities [source]

Each of the 3 subclasses for each 3 main class promise to offer some meaningful distinctions from each other [source]

for this, rogues have momentum. You build momentum by attacking, by dodging, by parrying, and you lose it by being hit, so there's really a focus with rogues on avoiding damage, avoiding attacks. They build momentum quickly, but they lose it quickly. Warriors have rage, which they build a little bit more slowly, but they don't lose [source]

Attacks can be cancelled [source]

Regarding enemy weaknesses, some of these are elemental. In other cases their defenses are more vulnerable to specific types of abilities [source]

Combat seems to be a matter of managing our abilities as best we can to whittle down enemy defenses and take advantage of their weaknesses [source]

Over the course of the game we get access to three abilities per companion as well as an additional two abilities we can slot, and an additional ability that coms off of items that the devs will not talk about for now [source]

Fully offline single player, no EA account linking, no micro-transactions [source]

The game uses advanced rendering tech in Frostbite, nice subsurface scattering, high quality meshes, while having a striking pseudo-painterly look [source]

There are blood spatters in the game [source]

Production values on the game have gone through the roof. It looks like a big improvement on what came before [source]

On the music: "lots of foreboding tunes mixed with epic flair" [source]

Good voice acting, great facial animations, good hair tech, busy-looking environments and worlds [source]

It's not open world. "There are open areas you can explore around in, but it's mostly structured/mission based, sort of like Mass Effect." [source]

There are difficulty options [source]

They will talk about PC spec stuff at a later time [source]

There is probably an option to see damage numbers [source]

There are many reasons why the game is M-rated [source]

There are lots of abilities, with 3 swapped in on the wheel at any one time [source]

There are a bunch of accessibility options and they will talk about these soon [source]

The ability wheel gives you flexibility to enhance your playstyle. If you don't want to use it at all, you don't have to and that's no issue as shortcuts are available [source]

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