#American Crew

[hairworldshop02]

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[beingjellybeans]

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[frogisanut]

oh god mascot horror am i right

[hexolotl]

Another entry in the saga of Soldier being a very smort boi.

[tinybro]

laying in bed trying to fall asleep and suddenly sitting up to grab my phone because i thought about how in the chb!jason AU he spent more time with thalia growing up (and actually got to remember it) and then spends so long with nico

i'm saying jason is absolutely gonna pick up at least bits and pieces of their punk/goth looks

[captain-flanders]

American Airlines Boeing 727.

[punkeropercyjackson]

Tim Drake 🤝 Momo Yaoyorozu 🤝 Miles Morales 🤝 Ruby Rose

Black and red-coded teen geniuses with mixed heritage who go through too much shit but manage to save the world better than a lot of adults anyway and stay kind while still having realistic trauma responses,have a gruff older man as their mentor that also plays a parental role in their life,are aspec trans and autistic,part of a team of other teen heroes as their leader,had a plot significant death of a loved one happen halfway through their story and have extreme rizz that somehow always works best when they're not using it intentionally

@julieemarine @cottoncandyspikes @moonage-gaydream @insomniac-jay @floof-ghostie @desi-pluto @honeypotsworld @theautisticcentre

[jesncin]

Do you think DC should do more with animation? (Personally I think theatrical animated movies would be amazing, plus animation is less restrictive than live action so more freedom, but y'know that's kind of a pipe dream ashkshsk)

Yes absolutely! I think animation is perfect for superheroes over live-action any day.

My feelings about the current wave of animation for DC specifically is that they feel overly self referential and are in serious need of fresh new perspectives. We have MAWS, which only pulls from anime as shallow aesthetic and tries to "modernize" Superman lore by superficially adding "more diversity", while hyper-focusing on surface level Superman discourse. We're about to have Caped Crusader which from the early look of it we can see is pulling from a classic era of comics but with no personal touches or interpretation that feels fresh or inspired. Harley is Asian now, but why? I doubt there's going to be a narrative reason for it, and she's just going to be superficially "more diverse". The art style feels like xeroxed Bruce Timm. It's been feeling empty. And the Harley Quinn show is just there. Adult jokes, gross, provocative, flat art style.

Which is a shame because animation has evolved in such fascinating ways and right now I'm just not seeing that reflected in DC animated properties. I hate to say "back in my day" but shows like BTAS, The Batman, Teen Titans, GLTAS- all had unique art styles, takes, and voices. Teen Titans didn't just pull from anime artistically, but narratively as well. The Batman has such a bold art style! BTAS and the DCAU were groundbreaking. GLTAS expanded on that. But now all DC animation does is reference their material- a glorified citation. I think the only show that felt fresh and had a genuine desire to create new fans was DCSHG. MLP dynamic x DC girlies is such a wild pitch but I love it! I'm glad out of the DC Nation Shorts, it got expanded. I honestly wish a lot of the DC Nation Shorts got that treatment!

[rawsmackdownnxtdivas]

Kendal Grey vs Jaida Parker

[afrotumble]

[hairworldshop02]

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[rogers-attic]

JERRICA BENTON?!?? IS THAT YOU????? 😱😱

[bromcommie]

Have you ever had someone take your brain and play?

[haveyouseenthisseries-poll]

[walkingthroughthisworld]

M1A2 Gunnery Table 5 (Engagement 55)

[lilflowerpot]

I’m so happy that you share my headcanon of Keith having a crush on James because honestly there was so much unresolved tension between them.

Also, can you please open your fruitful mind cave and please share some headcanons that you have of the two of them please? So i can sit here and giggle uncontrollably while staring at my phone🙃

[original]

I don't really have a whole lot in the way of concrete headcanons regarding Keith & James' past, it's more nebulous ~vibes~, but let me give it my best shot:

So first thing's first, they met upon starting middleschool at the ripe young age of 11 with that delightful hormonal cocktail and all the dysfunctional emotions it entails a-brewing.

Keith's dad had been dead some three years at this point, and his foster placements had gone up in flames enough times that he'd been recently, but rather permanently, placed in a local group home. That in mind, he's all but given up on making actual human connections because these things seem to just never quite work out for him; better that he give up trying altogether, and save himself the hurt, but then... there's James.

Keith's already snagged the desk by the window in the far back—the best spot, as far as he's concerned—and is as happy to ignore and be ignored by his classmates as they file in for sixth period physics, until- until he walks in, all loud laughs and cheeky smiles, with a gaggle of kids hanging off his every word and more effortless charisma than any pre-teen boy should ever really have the right to.

And then gunmetal eyes sort of slide across the room—like he knew he was being watched before Keith even realised he was watching—all lazy arrogance and stupid hair, and he's looking Keith up and down and raising an eyebrow and- Keith looks away, mouth drawn and shoulders tight. Kids like that like to fight kids like him, he knows, and he cannot afford to get chewed out on his first fucking day for god's sake.

But it's not just physics because why would it be, no, over the coming week Keith finds that James Griffin—and it's no surprise to learn he's from money with a name like that—shares at least half his classes, P.E. among them, which is where it truly beings.

"It" being their... rivalry, Keith supposes.

He's not even sure who started it, just as likely to be both of them as neither, but when they're put on opposing teams for a "friendly" game of football, what begins as Keith making the most of his natural dexterity—skirting around lumbering opponents, nimble as a cat—turns into Griffin hunting him and only him down across the pitch like a damn bloodhound. "That's the game kid" the coach tells him, as if, by the end of it, he hadn't been systematically cornered and corralled by the other team irrespective of whether or not he had the damn ball, entirely at Griffin's direction, "like it or lump it". Keith, still wheezing with ribs that protest every breath after a particularly rough tackle, finds himself quite particularly disinclined to lump it, and certainly doesn't like it one bit.

Definitely not.

So Griffin pushes, Keith pulls. Griffin hits, Keith kicks. Griffin scratches, Keith bites.

But it's not bullying, never that: Keith's known his fair share—a scruffy orphan with anger issues is an easy target, he supposes—and this simply isn't it. Griffin evens defends him, once, in the particularly chilly January of their first year when a meat-headed trio think it funny to soak Keith's shirt during gym and leave it out to freeze; without pause or hesitation, Griffin had quietly handled them with more snide diplomacy than Keith himself would ever wield, and though the details of that closing whisper-threat were known only to he who'd received it, the sudden pallor of face and contrition of manner had left quite the impression.

...As did the cozily lined sweater that James—with goosebumps rising on his arms and cheeks already pinking from the chill—had thrown into Keith's arms from across the changing room, citing the pinprick hole in the cuff as reason enough for him to have been planning to rid himself of it anyway.

They're not friends—how could they be? James is intelligent and popular and so annoyingly good at things he damn near makes an art out of breathing—but for the first time since he was orphaned, Keith finds himself with one singular constant that he can rely on to be infuriatingly charmingly stubbornly there: never shying from Keith's sharp edges nor being swayed by the cruel whispers that haunt him everywhere he goes, James is just... James. Disagreeable. Incomprehensible. Unwavering.

And maybe, just a little bit like Keith.

Oh, and I'm also inclined to believe that (both in this au and canon) that past altercation seen in s7ep01 where Keith goes "I can out-fly anyone in this building" and James fires back with "Oh yeah? Is that what mommy and daddy told you before-" [gets punched in the face] was a classic case of projection on James' part: he strikes me as a kid whose parents expect nothing less than perfection—not only that he could be the best, but that he should—so I think that Keith getting the group in trouble, coupled with James just outright projecting his own experiences, led to a cruel comment (and worse for the fact that I believe James didn't actually know Keith was an orphan until after this instance).