#Amanda Waller | Explore Tumblr posts and blogs

deadsetobsessions · 10 months ago

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Okay, so maybe Tim has no business being in Bludhaven. Tim maintains that since his parents fail at parenting, he can do whatever he wants.

Besides, it's for a good cause. Like, not letting Tarantula get her dirty hands on his big brother in another time line. Tarantula had popped up in the Bludhaven servers - by that, Tim means the endless amounts of threads and underground fronts for criminal activity that he stalks on a regular basis- by being seen with Nightwing. Tim had immediately booked a ride to Bludhaven and bought another burner. He'd try to take care of her himself, but if worse comes to worse, he'd call Deathstroke. He's totally aware of the weird tension Deathstroke has with Nightwing and Tim's kind of banking on that.

Dick's been back in Blud for two months now, Jason having assuaged his mother hen tendencies enough for Dick to get sick of the Manor. Tim hadn't meant to follow since he had plenty of projects to work on now that "SAVE JASON" wasn't blaring at the top of his head.

But then Tarantula appeared and Tim saw red, remembering the way Dick spoke about her and what she did to him.

He bids the driver goodbye. The driver doesn't question his being on his lonesome mainly because 1) Gothamites mind their own busines, 2) Tim gave him a $500 tip to make sure he remains a "good" Gothamite cabbie, and 3) Tim made sure he was dropped off in the swankiest, most ostentatious hotel Bludhaven had to offer.

"Rich people," the cab driver had muttered as Tim closed the door. Perfect.

Tim got his keycard, having checked in under Alvin Draper over the phone. Normally, they'd require an in person visit, but money talks. And people listened when Tim had a lot of things to say.

Tim even feels like he's trained enough to go out! Lady Shiva's training was ingrained into his memory, and Tim's built enough muscle to make use of some of it. He is still nine, after all. He's so much stealthier this time around. Plus, he's got almost his full tool set back. Sure, some of the tech is ancient, but he managed to finagle it to make grappling guns and smoke pellets more along the quality that he's used to.

Tim waits until nightfall, looping the surveillance around his window to mask his exit. Tim adjusts his domino, eyes scanning the city skyline as his handheld computer (god, he can't believe he has to invent wrist computers) tracked reports of Nightwing through Tweetings.

Ah. He's around Seventh. Tim grimaces as his untested joints adjusts to the grappling guns. His dark clothes make him hard to spot, to his advantage as he tracks down Nightwing.

Tim watches, perched on an adjacent roof as Nightwing takes down a crowd of goons with the flips Tim remembered watching from afar and up close in another timeline.

"Blockbuster'll kill everyone you love, Nightwing!"

Tim winces at the rather brutal crunch that followed, Nightwing having punched the guy and knocked him out in one move. He watches Dick sigh, tugging at his hair in stress.

Tim could... no, no. He shouldn't think of murder as a first option. Well, no, he shouldn't think of Deathstroke as a first option. But he'll need to take Blockbuster out before anything happens. And he needs to threaten the new Tarantula before anything happens. He won't allow her to even get close to Dick.

Maybe it's unfair to punish her for a crime she hasn't done, but unlike murder, rape can never be defended. Catalina Flores is a dead woman walking.

Tim stalks his big brother back home and then broke off to begin his short reign of terror over Bludhaven's underground. If he can't get Dick to take a break (and Tim's tried, a lot, over the years) then he'll make sure that the next month is as gentle as possible on his older brother.

Step 1. Murder Take care of Blockbuster

Step 2. Threaten Catalina Flores and her brother.

No. Wait. Tim has a better idea. He's got dirt on them, on top of the murder thing. He'll fabricate Catalina's tax returns, embezzle a shit ton of money from the IRS, and get her and her corrupt brother (because getting your sister out from murder charges is considered corrupt) arrested and locked away. And he'll make sure they stay locked away with some good old blackmail on Amanda Waller.

Tim grins, tranquilizing the building with an ungodly amount of knock out gas pellets, to riffle through the police precinct's files.

Step 2. Threaten Catalina Flores and her brother.

Step 2. Cripple Catalina Flores and her brother with blackmail and the IRS.

In three hours, Tim has everything he needs to begin a temporary hostile takeover. He's got the names of local mob bosses, the big players, and the names of practically every police officer that takes bribes and their... sponsors.

He'll have to cut off Blockbuster's lines of supplies first. Then, blacklist him from local suppliers, mobilize the police precinct against him (by imitating his M.O. perfectly- Tim's not a fucking amateur- and pretending to rob the precinct blind), and then break his knees.

Step 3. Profit

Tim takes out his shiny new burner phone, enjoying the loud sounds of the police squawking through his planted bugs. He lounges on the building next to it, keeping an eye out for Nightwing just in case the man decides to respond to the crisis.

[Unknown: It's RR.]

[Deathstroke: New phone?]

[RR: Who dis?]

[Deathstroke: What?]

[RR: Nevermind. I'll give you forty thousand to shoot someone's knees out.]

[Deathstroke:... That's it? Who?]

[RR: Blockbuster. Bludhaven. Extra twenty thousand if you tell him he's got the spine of a sea slug, kick him in the balls, and post it on Tweeting.]

[Deathstroke: What did he do to you? Deal.]

Tim ignored Deathstroke's question.

[RR: Half sent. Confirm?]

[Deathstroke: Confirmed. Timeline?]

[RR: Three weeks. 21 days.]

[Deathstroke: Confirmed.]

----

Tim grins ferally, all teeth as Catalina Flores looked on in horror at her computer screen.

"Get out of Bludhaven, and don't come back. If you even think of going near Nightwing, I will rip what's left of your pathetic, sniveling swine of a brother apart. You will not enjoy the consequences."

Tim clicks off, watching Catalina and her brother launch themselves into mad packing. He tapped out a short message to Amanda Waller for her and her team to intercept them at the state lines. They'll never get away from Tim's fury. Never.

[Waller: It's done.]

[Waller: I will find you.]

[RR: You can definitely try, Waller. Good doing business with you.]

Tim can see the blood vessel the woman popped after he sent that last message. He laughs.

He saves Deathstroke's video from Tweeting onto his actual, spoofed phone. He destroys the burner phone, less shiny now that he's dragged it through two and a half weeks of breaking heads and terrorizing the Bludhaven Underground. Nightwing hadn't even gotten a whiff of his activities, this Dick being far less experienced and known in this version of Blud.

One more week and Tim can continue his other projects.

----

Nightwing, going about his vigilante business: wow it sure is peaceful

Feral Tim Drake, Nightwing's scary dog privilege: try me, bitch

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maxwell-grant · 6 months ago

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There's a trend people have pointed out in superhero stories over the past 20 or so years that is the death of "regular" supporting casts, an increasing absence of un-powered sidekicks or people involved who aren't in the thick of the action or in the hero's secret. Everyone who interacts with superheroes is a couple issues away from becoming one, every story involves a supervillain encounter or several dozen, every hero's gotta have a lunchbox-ready "superhero family" made from these characters, and every side character that doesn't join them is either going to die or become a supervillain.

The defining example people use for this is Spider-Man's supporting cast, with every Spider-Man cast member short of Aunt May and J Jonah Jameson getting some kind of powered upgrade or symbiote, and I'm gonna say Amanda Waller is an excellent case study of how this kind of thing happens, and I think it helps to explain why Amanda Waller has been, Like That, for the past 30 years.

She’s wearing a grey shirt underneath a blue blazer and it’s tucked into a similarly blue skirt that stops at mid calf. She reminds me of the neighbourhood aunties I used to see leaving for church every Sunday morning.

My mom used to say that you are the company you keep. So what kind of person does it take to keep a variety of bruised, battered, and dangerous personalities in check? - Amanda Waller: DC's Most Terrifying Woman

To those of you who haven't read John Ostrander and Kim Yale's Suicide Squad, there once was a time where Amanda Waller was something more than a powerful antagonistic force able to butt heads with the biggest superheroes, and something other than a heartless establishment face out to make superheroes miserable for ill-defined reasons. Structurally speaking, Suicide Squad is a comic about marginal DCU characters forced to deal with actual real life problems, and it's central character is a marginalized person forced to deal with DCU problems and characters. The members of the Squad are a rolling parade of costumed misfits and maniacs assigned to go around the globe to fight and kill and die on dirty missions to deal with dirty laundry and stop war zones from erupting, while Amanda Waller is forced to shuffle around her cadre of D-list supervillains and disgraced superheroes and get into stand-offs with secret spy societies, living nukes, voodoo cartels, and Batman.

Amanda Waller neither looks nor acts like the kind of character that stars in a superhero comic, and she is the central character throughout the 66 issues of the run and we follow her character arc from beginning to end as she's forced to spin plates to accomplish her goals and prevent bad situations from getting worse. She is the most fully realized character in the run and everything rests on her shoulders. We spend a lot of time inside her head, her team, her associates, she is the center holding together an extremely chaotic book with no two characters on the same page. She is, and has to be, an extremely powerful person, someone who stands her ground no matter what, an unbeatable force of will because that is the only way she's going to survive the situations she's in, the only way she can be "The Wall", the kind of person who can repel Batman, command a platoon of monsters, talk her way out of Deadshot's contract, someone who can stare at Darkseid and credibly threaten the President into letting her live.

That's the part that everyone is more or less familiar. But there is, or at least used to be, much more to Amanda Waller than just being The Wall, not in the least because being The Wall is also hampering her effectiveness as well as straight up killing her.

"Amanda's toughness has taken her a long way" "It's taken her as far as it can. But it can't take her no further. It's actually starting to drag her down. I'm scared for my baby sister, rev - scared that the anger in her is congealing into hate." - Suicide Squad #31

We get to know her backstory, her plans, her points of contention with the system, her relationships with people around her, and how deeply she cares about things and people even as she sends them to the meatgrinder. From the start we learn that Waller staffs her team with people she's prone to getting into disagreements with, like Simon LaGrieve and Rick Flag, specifically so they can cover her moral blind spots and pick up the slack in emotional intelligence she's lacking, be the heroes that she can't afford to be. It is unspeakably crucial that the Squad is led by Rick Flag as well as Bronze Tiger, a fallen hero who owes Waller for his recovery who eventually takes Flag's baton. Waller stands up for her team, gets into fights with her superiors when they decide to terminate them, and takes the fall for them when necessary. Waller is a person who does Bad Things - but she is not a Bad Person.

The book in no uncertain terms frames the Suicide Squad's existence as monstrous in a scale Waller doesn't understand until the very end, and it digs deep into the unethical things Waller has to allow for and perpetrate in order to keep it running no matter how many lives it saves, and she spends the first half of the book on a downward spiral. But then there's the 2nd half of the book:

In the first 39 issues, Amanda’s flaws are her undoing. As she pushes away the people she hired to act as a balance, she grasped tighter and tighter to her uncompromised vision of the Suicide Squad despite the constant changes and derailment. Her choices had consequences: the death of Rick Flag, her demotion, employees quitting, and finally, the disbandment of the team.

The last 27 issues have Amanda rising up from the ashes after a year in jail. She’s less in her own way – she communicates, her anger isn’t driving her, she’s more receptive of alternative perspective and recognizes when she’s wrong in real time – but she’s still just as scary.

Waller rebuilds her relationships with the people she drove away, takes a different tack to how the team works, and starts going out into the frontlines with the Squad. She brings Oracle (who actually made her debut in this comic) into the fold, saves her life and plays a big role in Barbara making progress in overcoming her Joker trauma. She genuinely puts in the work to improve as a person and do things a better way than before, even if there is an inescapable immorality to the very existence of the Squad and what they do. That immorality never goes away, and it only further horrifies her when learning how badly her project has gone. In fact, it's that very inescapable immorality that ends her arc.

She learns that the CIA has started using a new Suicide Squad to support a brutal regime in South America, and when faced with the full extent of her complicity in Western imperialism? She decides right then and there to end the Suicide Squad for good after they liberate the population of said regime from said Squad. She is the only person who gives a shit about the country enough to start the assignment for free once she knows about it, force the Squad along, lead the mission in field, and personally (and even gently) usher the villain to his death at the end, to end what began with her.

She does bad things, and she does good things. She cares about people, and she uses people. Her decisions ruin as well as save the world. She spins a million plates to match wills and wits with the strongest, wickedest, most cunning humans and superhumans alike, and she still has superiors to answer to and people close to her she hires to judge her for what she does. She endured racism and misogyny and poverty for decades and rode whatever she could to attain as much power over her own life as someone like her could possibly attain, and to have it, she must be a willing tool of the state and bend the knee to Ronald Reagan, the man she derides for what he did to her community, hating every minute of it.

She lost her family to sexual and racial violence, and now she wrangles a penal battalion comprised of some of the worst people on the planet to inflict violence on her orders. She has saved and redeemed people, and she's haunted by the corpses she's left in her wake. She is oppressed and oppressor, someone who could only escape the ravages of American imperialism by becoming one of it's chief enforcers, and still she rebuilds herself into a better person from it upon confronting and challenging her role in it. She is not a bad person, she is not a good person either, she is just afforded a degree of agency and complexity unpowered characters in superhero books simply don't get.

Okay cool, now what is she up to these days?

That, I guess. That is what a strong but unpowered person who does not allow themselves to be bossed around by superheroes or supervillains looks like now. Everytime there's a call for a military bad guy, Waller gets tagged in to be DC's Henry Gyrich. There was a point where Waller was made to contrast the likes of Sarge Steel and Wade Eiling, someone who butted heads with them because she was a well-meaning person working for and committing evil as often as she attempted to stop it. These days, the most consistent beat with her is that she is the most dangerous person alive and worse than the villains she wrangles into working for her. She is a thing to be overcome, a hypocrite to be exposed, a challenge to the natural order of the universe, and she is too terrific at it to be shuffled off quietly. She is a Bad Person and so everything she says and does is Bad (and thus can be ignored).

Integral to Suicide Squad's structure was the fact that Waller was the center holding everything together, the ultimate third party: spinning plates working with, for and against all of the others so she can bend rules and be bent by them. Bent, but never broken, because The Wall doesn't break, others break first. Waller was a one-of-a-kind character, and that broke her, because beating Sarge Steel and Wade Eiling at their own game means replacing Sarge Steel and Wade Eiling. Waller doesn't look like them, she doesn't look like the superheroes either, and so she can't be one of them. She can't even look like herself a lot of the time, they try to slim her up everytime they think they can get away with it.

Suicide Squad was preoccupied with exploring a perspective from a world outside the superhero worldview, but we no longer have her perspective or that of people around her, we only know her through the superheroes she inherently defies and has had an adversarial relationship against from day one. She is someone with a viewpoint that is charitable to neither superheroes nor institutions, and thus, the universe is increasingly less sympathetic to her, the less utility she has to the grander narrative where everyone has to pick between one of two options. If she wasn't powerful and assertive, she'd be another Leslie Thompkins, another Jiminy Cricket the heroes passively ignore. But because she is powerful and doing morally compromised things without asking Batman's permission, she must have a personal grudge. She must be a government monster. She must attack the superheroes for no reason, no ideology, no motive.

So now she's just The Wall 24/7, the mean icy establishment boot who is strong and clever and cruel and hates superheroes and wants to destroy superheroes and rule the world from the shadows. Everything she does is a fuck-up she refuses to take responsability for, everyone is right to hate and distrust mean old Waller, and now everyone gets to look good by dunking on her. They couldn't make her a superhero, so they made her a generic supervillain instead. And now that she's a bad guy, she no longer has to believe anything, she doesn't really have to mean anything, they don't have to write stories about something other than superheroes and supervillains, and they don't have to let a fat woman of color take up space and screentime they could be giving to Harley Quinn and Slade Wilson instead.

Even by the time of Waller's debut on the tail end of the 80s, her career opportunities were on their way to extinction

Days Of Future Past marks the triumph of the superhero comic that's pretty much concerned with no-one but superheroes. Where Ditko and Lee's Spider-Man featured a single costumed crimefighter in the context of a commonplace existence, the X-Men of the 80s focused on a huge cast of mutants who had little if any lasting involvement in the everyday world.

By the 21st century, the corporate superhero comic would largely - if not exclusively - concern itself with little beyond a large class of superhumans and their fantastical existence. I suspect there's a significant correlation between that and the continuing cultural peripherilisation of the superhero comic - Colin Smith

Amanda Waller is one of the strongest characters in all of comics, she was as powerful as an non-superpowered character given center stage could possibly be, a perfectly designed character from which an entire corner of a shared universe was developed out of with her as the center making it work, but as the room for civilian casts and unpowered protagonists got smaller and smaller, so did Waller's options. If she was a Spider-Man character and somehow didn't get killed or made into a villain, they would have slimmed her up and given her a symbiote, because you're nobody unless you're web-swinging. Characters didn't look or act like Amanda Waller, and unfortunately, they still don't. It's just instead of making more characters like her, they gutted Waller to be more like the rest. If she couldn't make it, who else even could.

Keep your eyes peeled for this summer when she'll team up with two meaningless robot baddies to burn down the Justice League and I guess the universe for the next reboot or something.

#superheroes #dc comics #suicide squad #amanda waller #john ostrander #kim yale #dcu #dc #comic books #superhero comics

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