#Also this post is so long god I rambled.

[paeliae-occasionally]

pae pae, what is one piece of lore you’ve been gate keeping, and why?

pls go on a tangent

Hello love, sorry this took me a little while to get to. Real life :( but in return you get the longest rant I have ever put on tumblr so I hope you are proud of yourself. (Also why have I been keeping it secret? It just hasn’t come up and it is a whole story so buckle up.)

Lore time…

Ok so the lore we are talking about today is Where are the gods??? There were gods but now they are gone. This is broken into 3 events: The Separation, The Dissolution and The Accords (including magestones)

The Past

In the past there were hundreds of gods who roamed the mortal plane. Gods of elements, life and death travelled there to shape the world as they saw it.

As the world developed, the latent simple components of thought and souls began to settle into creatures of the earth.

This created a race of humans, who were the first beings who had souls yet so little innate energy that it would not sustain their bodies forever.

With the rise of humans, Gods of thought and memory grew in power and purpose as more thinking creatures were formed. They had a whole new domain to weave.

The Separation

At this time any magic done by mortals was cast from their own tiny energy store so was small enough to be unnoticeable. The gods intended to keep them to their small powers so that they could never rival the gods in terms of power.

One of the Eldest gods, Ezemhaziel god of controlled magic, traveled the earth trying to create a new way to control magic, the runes. He found a mortal Rin, who seemed to have a talent for magic and a creativity that could help in his work.

Ez created a bond with Rin to share some of his large energy store between them, this is called a Laren bond. Ez later taught him to cast straight from the world around him, similar to how modern mages cast. The pair grew closer and became almost inseparable.

A group of gods watched in disdain as this mortal gained the ability to cast powerful magic. They hated the idea of the narrowing differences between morals and gods, so they decided to remove the threat to their power. These gods gathered and when Rin next left Ez’s side they drew a group of mortals together to kill him.

Rin was attacked by the mortals. He called out to Ez, who came but the gods held him back, and kept him out of Rin’s sight. Rin was killed by the mob. Ez tried to save him with every power he possessed but could not reach him in time. Ez then cursed the gods and the runes and left the mortal plane.

During the encounter Ez pulled so much magic to himself that he formed a concentrated area of Ike, (magic) so much that the mortals could feel the magic that hung in the air around them. These mortals eventually discovered methods to harness the magic around them and became the first druids. Further down the line they also train the first mages. So despite the gods’ efforts (and largely because of them) the mortals get access to more powerful magic. Even though this is all the other gods’ fault, they blame Ez for creating the magic dense area and summon him to a trial.

In his grief Ez does not return to the world so the gods decide that it is reasonable to kill all mortals who have acquired magic and salt the earth where the collection of magic is.

The gods start to go about enacting this, but many other gods are against the idea of culling mortals. This resentment builds especially in gods who rely on mortals as their domain. Gods of memory, thought, fear, illusions and names stand up for the mortals who act as the medium of their power.

The gods who require mortals and therefore prevent the slaughter called themselves the Azeraad, and the gods with no need for mortal creatures label themselves Dieral.

For generations there is a stalemate with a few gods killing and protecting mortals, but most remaining still to prevent a large scale godly war.

The Dissolution

In the decades while the gods watch each other, mortals develop more innovative and powerful magic and build up mage cities. In their development the mages do not forget the massacres that the early Dieral gods committed and plan revenge. They begin work on becoming immortal to further show their power as equals to the gods. Secretly a group develops weapons to use against immortals.

The mage city of Laith’Seyleren is the centre of immortality research and the forefront of magic development when the Dierals finally take notice.

The Dierals break the stalemate to ensure mortals never discover immortality. They destroy the entire city of Laith’Seyleren utterly, no one survives. The other mage cities don’t even find out until a day later when a group of diplomats teleport into a wasteland of rubble and ash.

After this the Mages and the Azeraad gods declare outright war on the Dierals.

The war rages in the deserts to the north west of the Illeri lands with the dieral gods building temples on the mountains to the east and the mages building tall thin mage towers to the west.

Hundreds of mages die in an altogether uneven battle until one mage Muliva Kazi invents a way to bind gods and trap them in Demi-planes then cut the plane off into the aether beyond. This entirely changes the battle as the gods can now be killed. Even the Azeraad gods who fought with the mages were uncomfortable with these machines.

During the battle, a group of mages and Azeraad gods have been working together to end the war but after Kazi’s machines are invented they gain the support of some minor Dieral gods as well.

One member of this group, Paeliae of Laith’Tielere, plans to carry a peace treaty into the temple of the Dieral god of light who leads their forces.

While Paeliae travels through the desert into the walls of godly defences, Ezemhaziel wakes up. He sees the war and the suffering of the mortals and gods and calls on all of the power he could not reach so many years ago to kill the God of light.

He succeeds and takes the fallen god’s seat in the Dieral hall.

Paeliae finds him there and presents him with the treaty. Ez agrees to negotiations of peace and calls the Dierals and Azeraad gods back from the war to meet.

As soon as these words have left Ez’s mouth Paeliae falls to the ground, broken by journey but fulfilled in his purpose. Ez swears one last promise to remember the fallen mortal.

The Accords (Magestones)

The Gods and a collection of mortal mages gather for peace negotiations after years of war.

A compromise is reached where some magic will be bound away so it can no longer be used by the mages or gods.

Magic was bound in giant engraved rocks called magestones. These were made of a translucent stone that glowed and hummed with power. Bindings ran like water across the surface of the stone keeping the magic contained.

Specifically magic relating to immortality, time, and the type of godly binding that Muliva Kazi invented were all collected in magestones so they could not be used again.

Particular war criminals, both gods and mages were also bound in magestones to appease both sides and as a reminder so that a war on this scale would never happen again.

In exchange for the mages giving up large portions of their magic, the gods who fought in the war agreed to leave the mortal plane and return back to their home planes. While in their home planes they can only help their followers indirectly, I.e. creating bonds that are incredibly weak due to the long distance.

Modern Day

So in the modern day the magestones are well established. Mages are taught about the magic restrictions and a few horror stories of people who tried to perform that magic and were absorbed into the magestones. There are a few magestones in Zairel that come up in the Xaeren WIP which is fun.

There are a couple of occasions of gods breaking their pacts and entering the mortal plane and one instance of a god breaking out from a magestone. (He is trapped again eventually, this starts the mist war.) —————————————————————————

Hope you liked the PAGES of lore. There is more but this was already the longest tumblr post I have ever made so that will have to wait.

Tagging the Tag List~ which is new for me:

@thelovelymachinery, @an-indecisive-nerd, @the-letterbox-archives, @oliolioxenfreewrites and @winvyre

[meamiki]

Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[majorasnightmare]

the tadpole/brain damage thing. its like. chekovs gun to me. obviously theres very little mechanical support ingame for having a disabling injury, aside from maybe an optional voluntary decision to drop the INT score, but similarly to choosing to write intention into the lack of dark urge Lore responses from the party, i just like to make mountains out of molehills and force game mechanics into In Universe Character Problems

like when dirge repeatedly mentions that he thinks the tadpole is doing something beneficial for him, that its helping him, it isnt JUST the power-hungry psionic ambition in him. its a parasite, that needs a host. it needs a LIVING host, or its own chances of survival plummet. and dirge gets tadpoled right after a life threatening injury to the tadpoles preferred habitat. neither of them want to die!! dirges body tries to recover, but cant in part BECAUSE of the tadpole (the netherese stasis magic rejecting outside influence and binding it to its host, having an unejectable foreign object in the injury site, etc), but its not like the tadpole WANTS its host to have a life altering injury

its not like its malicious (except when it comes to Hive Activity, and then it can be a right bastard), it just cant live any other way. it cant help what it is. halsin calls the illithid life cycle abberant and unnatural, but brood parasitism exists throughout the natural kingdom. is the wasp egg evil for having been laid in a caterpillar?

its first moments of life outside the brine pool, and its new home, its new life, its host, its caregiver, its food supply, is bleeding and dying and falling apart and trying to fix itself but cant and its trying to heal around you but it cant but if it doesnt do anything youll both die, so this larva, this tiny worm of psionic potential and instinct, does what it can. holds its host together with whatever force it can muster, soft gelatinous body (perfect for compreesing flat and squeezing through small orifice openings) keratinizing outside the acidic environment of the brine, its four oral tentacles (its only source of motion and movement when so young and soft, dragging itself along as best it can) made for interweaving with dense synapse clusters to passively absorb the psionic imprint of its host, now desperately intwined with bleeding meat just to try and hold it all together. driven by survival instict and a vessel of psychic potential, forced into passivity by the commands of the Elder, further forced by circumstance to leverage all its great gifts to keep its host standing long enough to eventually eat

my thought is that the reason why dirge still gets the cutscene of the emperor tadpoling him at the beginning of the game, is that the original tadpole orin forced on him is just so weakened and exhausted by months of effort trying to keep him alive through kressas experiments and meddling, that the emperor, currently in thrall to the absolute, feels the need to replace it with a fresher healthier specimen, which then cannibalizes and absorbs the previous one, and then just has to go back to doing the same shit as the last one.

i think that dirges tadpole isnt as twitchy or squirmy as the others because of it. that when omeluum gives him a psychic MRI, the tadpole is just burrowed down and its tendrils stretched like a dense net throughout dirges brain tissue, only moving or writhing occasionally but definitely not as mobile as usual, its web of tendrils especially twisted near dense scar tissue at the back of his head. this worm is already so fucking weird and the circumstances for this mind flayer MRI have already introduced a bajillion different variables that need accounting for, that i dont think omeluum immediately groks the specifics of whats going on but CAN peg the "you have brain damage and your worm is fucking Weird" situation fairly easily. but i dont think it gets enough time in dirges head to get a full understanding of what the tadpole is doing FOR him

cuz like. imo its definitely objectively helping. its a psychic information bank specifically designed to interface with a human brain. the reason why dirge isnt experiencing too many of the side effects of brain damage is because the parasite is doing its best to mitigate them. memory issues, brain fog, disorientation and balancing issues, theyd all be significantly worse without the parasite. when he brings up how he feels its helping him, objectively hes right and its not even the kickass psychic powers hes right about.

like it doesnt cure EVERYTHING, he has chronic migraines that are sensitive to light, and before he asks halsin to make medicine, he starts every morning puking his guts out when the morning sun makes him so nauseous he cant hold dinner down. even without the Urge Nightmares, he has insomnia and just cant meaningfully sleep. but keeping track of what day it is, remembering what happened a few hours ago or the other day, standing up from a sitting position and not immediately wobbling and/or collapsing, retaining his old muscle memory. all shit the parasite is helping with

which is why i cant help but fixate on those moments immediately after defeating the absolute. like oh thats juicy

[ganondoodle]

(Original art) Xaror, any pronouns, species (?), age (?)

short summary about them; they act as both an antagonist and an ally since they are only really interested in what they want or whats fun to them, they are immortal and call themselves 'death itself' since they have a special connection to souls (being the only one able to communicate with them) and the ability to seperate souls from their bodies in such a way that nothing can harm the soul afterwards their main goal is to .. bother and disturb the 'celestials'*, which they hate, as much as they can, breaking into their palace, freeing prisoners, destroying research, destroying the place, and most importantly, making as many souls unusable to them as possible-

they dont want to destroy the celestials though, they cant fight them anyway and this game of doing 'good' only with the goal of annoying them is their most treasured activity, so Xaror doesnt intend to stop them from killing or hurting anyone, only from harvesting what they are actually after (though Xaror doesnt actually care as little as they think they do about people, and has a soft spot for demons)

most of their appearance is later into the story; Zaphira (the empress) had been in coma and the medical facility she was treated in was destroyed by Shargon (orange eyed demon who acts as her bodyguard for the first part) in an attempt to save her from her estranged relatives taking over her country after they heard of her decline in health, she is believed dead but washes up on the shore of the mountain Xaror resides at years later (it has a reason, too much to write here) and they slowly nurse her back to health, the reason they give for it is that they found their first encounter very fun, thats all (is it?)

(more lore under the cut bc this is already so long .. im trying to keep it short q-q ......... this is stuff i have been working on since i was a kid so uh, some things might be cheesy but i cant change them anymore ..)

just to get some basics out of the way; theres three worlds, the celestials palace, human world and demon world, each are their own planet connected via different gateways

*celestials (possibly not final name, loosely based on angels) are the last remaining "survivors" of their planets demise, when their world died the most powerful among them cannibalized the weaker to sustain themselves until there were only less than 10 left, who each turned into different beings from it and dont resemble their own people much anymore, they built a palace from what was left on their world that protects them from space as its atmosphere collapsed shortly after- however they still needed something to live off; they discover the human world and are delighted to find rather short lived people with powerful souls, the best kind of sustenance for them (now), they aim to herd them like cattle, but a problem arose when it turned out another world has long been in contact with the human world; demons

demons are semi immortal creatures that act as protectors for their world, protection they extended, more or less secretely, to the human world ensuring them a long and secure life- the celestials need them to die at their whim though (demons are few in numbers, hard to kill and rarely have offspring, not an ideal target); as they worked out a plan on how to get rid of demons one of the celestials, Xanthriel (time) grew somewhat fond of people as they spent alot of time in the human world to observe and research them; in the end turning on their own completely, but losing the fight against Uriel (knowledge)

Xanthriel was supposed to be executed for their betrayal, but it doesnt work, instead they are splintered into many parts after a lot of struggle, most body, memory and most strength is one part (ending up as motionless forever bleeding corpse kept locked up in the palace), the rest is some time later gathered together and reforms as a seperate, weak mockery of them, they embody Xanthriels emotion- Xaror, without memory, strangely cut to pieces (hence all the missing limbs and broken halo) but driven by an unstoppable desire to disturb the celestials (they live seperate long enough to each become their own person, at some point Xaror discovers Xanthriels body after all and they merge back together, though as they are now two, Xanthriel only takes over once directly after merging, stays silent for a long time and lets Xaror be themselves, only later revealing that they are there at all .. hiding perhaps- i rarely have specific ideas for voices, but Xanthriels is like, like coarse rocks being violently rubbed against each other, less voice more noise)

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group (he wasnt the strongest or special, he was jsut the last in the row and always got the lowest dosage) when Xaror found them in yet another break in into the palace and got him back to the demon world .. where he was promptly blamed for the others that were taken and treated like a pretender/fake/spy bc what he got put through changed his eye color (something that demons cannot change in any form) to one that does not exist among 'real' demons (orange ... notice the inner color of Xarors broken halo? :) ), some even suggesting killing him, but none of them were brave enough to do it (they were all kids still) .. except Eadrya (the big blue-ish one, largely regarded as the strongest demon alive) but Shargon managed to escape, and since then lived largely in isolation- this is part of why he is so hated, and why he starts to spend so much time in the human world after rediscovering the pathway there)

[fumifooms]

Marcille and Chilchuck’s interwoven character arcs: the fantasy of prince charming, idealization vs pessimism and loss

I’ve alluded to Marcille and Chilchuck being central to each other’s arcs so many times but the proper full analysis has been long overdue. I’ve made a post going into their differences and similarities and the many ways they’re foils for each other, but this is going to give more focus to a narrative rather than character angle this time around. We talk a lot about the importance of Marcille in Chilchuck’s arc, it's more obvious overall, but less so about Chilchuck’s importance in her own, so this is going to emphase on the latter. They have a lot of ridiculously unique conflict specific to their situation and world, and an intriguing dynamic. Relationships can be layered and subtext can imply quite a lot, the reality of things can be more complex than we'd like or hard to reconcile, and that's exactly what we're talking about today and how that is a lesson Marcille needed to learn. Give this a shot and look at the manga pages alongside my reading and decide for yourself wether I’ve got a point or I’m going overboard~!

So, Marcille and Chilchuck are character foils in many many ways, and I think a particularly brilliant part of their arc is how they balanced each other out on idealization. On one hand, idealizing things means only seeing what you want to see through rose-colored glasses, on the other, being completely opposed to it usually means denouncing any optimism at all, refusing to hold any good faith or hope. These stances reflect both their backgrounds, as Chilchuck has lived through being discriminated against and taken advantage of consistently, betrayed by employers and eventually the person supposed to be closest to him, his wife, meanwhile Marcille grew up more sheltered and lonely, and books were a big way through which she experienced social situations & the ways of the world in her rural home before going to the magic academy as a researcher and getting more actual life experience herself.

I think it’s especially interesting to analyze the trope of— the idealization of— the perfect chivalrous prince on a white horse who is pure hearted and will make you swoon, in the context of their relationship and their arcs! It’s a recurring motif- you’ll just have to trust me and read further~ Obviously this contains spoilers for the whole manga, so beware! It's very long because I'm trying to cover the topic fully from the ground up, my apologies.

Table of contents:

How they start out

The Daltian Clan and its importance

Prince Charming vs Chilchuck Tims

Ideals vs desires vs wants

Deconstructing realistic romance & compromising between romanticism and reality

Princess imagery in Marcille

Conclusion

Let’s start with the beginning:

How the characters start off:

Their relationship is both familiar and strained (extra reading: analysis of their relationship pre-canon and early canon), they bounce off each other with the ease of coworkers who’ve been working together for two years and who share similar common sense. Because yes they’re both generally grounded and rational, and generally they respect each other’s input and perspective, but, they both have blind spots…

The biggest hurdle is the way Chilchuck refuses to open up. Marcille has made efforts to befriend him, and though he was open to developing a better workplace dynamic and, say, helping her out with shopping for a pouch outside of work, even if it ended up being counterproductive he’d refuse to even just say his age, let alone share anything about his family situation. Knowing he had kids and a wife would have pretty efficiently fully shut down that he was a kid, and yet he valued being closed off more. Chilchuck is often shown being pessimistic, assuming the worst intentions out of people and being wary of anything good happening, being the last person to trust something or someone, etc. (Quick summary analysis of him I made if you want here, beyond the character foil analysis I linked at the beginning.) He prefers assuming that opening up will only bring him problems to assuming that it'd bring about positive things.

Meanwhile Marcille is very… Honestly she’s hard to classify strongly. Because I could say she’s very open to people, but honestly it’s conditional? She emotes intensely but she’s not quite a befriending machine either, especially when we recall the magic academy days as well, she’s not unused to keeping people at some level of distance, herself keeping a lot of secrets too. She was very wary of Laios at first because she had misconceptions, she holds grudges and isn’t personable with everyone like Namari or Toshiro, when she’s introduced to the party she seems serious and doesn’t smile. While I don’t fully agree, there’s a good analysis not by me here showcasing what I’m talking about. Marcille’s more serious academic side often gets undermined and I think it’s an important part of her, but then the difference between her and Chilchuck comes down to theory vs practice: knowledge vs experience. I think something more fitting to say would be that she’s idealistic and easily swayed, for example the way she lights up whenever she can put a story-like twist on things, her mood can go from dread to hype and reverse in one second, like with riding a kelpie or with the conflict between Chilchuck and his wife, or again with Namari, where it becomes a sort of hero vs antagonist dynamic for her where justice and righteous thoughts should override everything else like needing money to live. She's very stubborn, like he is, but it's easier for her to come around in dramatic ways, on things big and small, mentioning for another example thinking better of orcs suddenly because they can cook well.

So sure on first meeting she isn’t exactly eager, but then we do see her enthusiastically trying to befriend everyone! Becoming very friendly once she’s done assessing them. She is social, and fittingly she’s very curious about people. And that said, aesthetics do matter a lot to her, and I mean this beyond just enjoying vibes, for example- and follow along the lingo I'm setting up here- if something ‘breaks’ an aesthetic like Chilchuck or Falin not being a child she’ll willfully dismiss and ignore it, if she can spin something into a story like Chilchuck’s breakup she’ll get carried away, she can get the wrong impression, be gullible for the sake of believing a narrative, such and such. I’d say she’s guarded around people at first, but then with time becomes an open book emotions wise, how she’s always loudly and unapologetically talking about her feelings and emoting. She’s not reckless, rather she’s bold and often has to make decisions quickly, like when the plan unexpectedly changed during the red dragon fight, but things like using dark magic can feel like thoughtless decisions looking from the outside, like to Chilchuck, who as per his pessimism dictates he sees all of this in a negative light, assumes the worst: that she’s just ignorant, naive and reckless. She’s easily worried and discouraged but still always perseveres.

He's biased against mages and elves because of past experiences and he projects that onto Marcille. And it makes sense because good faith is dangerous to Chilchuck- for his feelings in relationships yes, but more concretely and important for his life at work, the way an old party of his was going to sacrifice him to succubi for easy money. Like the way he constantly puts his non-work values down to the group so they don’t have high expectations of him, having high expectations for someone else is vulnerability he doesn’t want to or cannot afford. The result however is that he, too, put people into boxes to avoid having his preconceived notions challenged. He's very judgemental, which we see with Laios as well, and even with Izutsumi in the ice golem chapter, but by then he's learned to self-reflect more and be honest with his feelings due to Leed, meaning his social conflicts get resolved more often and more quickly, again like with Izutsumi in the ice golem chapter.

So in the end, there are things that stand in the way of them having true, equal respect for one another. She sees him as a kid despite everything else (being capable and mature, etc etc), and he sees her as a ticking bomb of a naive elf mage who’s gonna get herself into legal trouble if she doesn’t get them killed first.

And it takes an arc spanning the whole manga for them to get there, to truly see each other on equal footing, culminating with the bicorn chapter.

I'm going to be mentioning them a lot so in my mind, the most important Marcille & Chilchuck arc defining scenes happen in: mandrake chapter, mimic chapter, shapeshifter chapter, hypogriff soup chapter, changelings, bicorn, succubus, and Marcille dungeon lord. We're talking mostly about Marcille's discrimination and their narrative about loss here, but on the end of Chilchuck's discrimination the dark magic plot is very central so honorable mention to the red dragon chapters, the harpies chapter and the cockatrice chapter, the latter where Chilchuck airs out his beef particularly directly.

Interestingly enough, the mandrake chapter which is in VERY early manga, where characters and dynamics are still being set up, Marcille gets Chilchuck to say that she isn't a burden and that he's glad they have her and her skillset with them, so the question of "does he respect her at all" was answered before the audience could even think to ask it, and Marcille also makes statements shortly after showing she respects him in turn- more on that later. This has for a result that we do know there's a foundation of respect here, even when as said it's not complete... yet.

So let’s get into it! Early on we already get a lot instances hinting at their opposed core values of optimism vs pessimism. It’s perfectly summarized in the two panel excerpts opening this post: "Sounds romantic!" "Sounds fishy.", hope vs wariness. "Meeting you was fate!" "… Which means it’s fate for you to eat these monsters, too!", if good things happening to you is fate then you must accept that all the bad things that happen to you are fate as well. It’s "Things will work out!" vs "Things will not work out".

The issue here seems rather evident, it’s a balancing game. Compromising, adapting your judgement to the situation. Yes Marcille romanticizes things too much and it can cause her trouble, and yes Chilchuck being so closed off on himself gets him into trouble as well.

(Not telling there was a mimic nearby being maybe the most straightforward example.)

His refusal to hope for anything good happening to him ever is at the core of him not having even tried reconciling with his wife (more on that later with the bicorn chapter). Through the manga, Chilchuck influences her to be more savvy and to respect boundaries more (with himself and Namari for example), while she influences him to become more open and give things a go. It’s no coincidence that it’s Marcille that pushes him to try reconciling with his wife and gives him hope that it just might work out- that that chance even on its own means it's worth giving it a shot.

The Daltian Clan & its importance

The importance of fiction in some people's lives and their specific psychological relationship to it is a very complex human brain topic with many many studies and an infinite amount of subtleties, I can't possibly do justice to this section at its full potential but I'll go over my major points. But the complex and layered nature of this relationship is why, for example, the interpretation that Marcille is a lesbian despite her likely attraction/love for male fictional characters (if not even just simping or stanning separate from those), has legs to stand on and is a compelling angle!

The Daltian Clan, often shortened as Dalclan, is Marcille's favorite book series and is very very personally important to her. In an extra we learn that part of it is that seeing a half-elf character personally reached out to her and meant a lot. She feels seen through it. Even if it's notable that the half-elf haracter isn't her favorite, general Hagreus, but the one with black hair. It's a Cinderella type of romance & convoluted political intrigue series full with a lot of drama, reminiscent of stuff like Romeo & Juliette or Richard III.

I believe that books were developmentally very important for her, similarly as to how cartoons are important to the education and development of toddlers and kids nowadays, or how oral stories like fairytales have always been important to teach lessons. Fiction engages readers and provides emotional stimulation, which can often be a flawed substitute for actual human contact- but nonetheless a big factor in socialization. For Marcille who lived in a rather rural region surrounded by books and chickens, who couldn't fit in with kids of any age around, books were a major part of teaching her how to socialize, how people and social groups worked. This is also part of why the autistic Marcille angle can be very compelling and plausible, though personally I don't see it that way.

So yes I think that sort of upbringing shaped her a lot, and I think it's part of why Marcille has trouble not putting people into boxes... Why even though Falin assured her it wasn't like that, Marcille had made this whole narrative in her mind painting Laios as a villain that stole Falin away against her will/for nefarious purposes. Why she has trouble not thinking of/treating Falin as a kid, unwilling to process how she has grown up. Why Chilchuck has to be very young in her mind, and it was very very hard for her to reconcile the fact that he wasn't. (It's actually interesting to note that Marcille treats Falin and Chilchuck similarly in a lot of ways, overstepping boundaries, being dimissive and touchy- There's a lot to say about how the party dynamic changed a lot with during canon it becoming just Laios, Marcille and Chilchuck at first and Laios' monster interest reveal, notably that in Falin's absence that she may have latched onto Chilchuck and treats him similarly to Falin may be her finding it omforting to fall into habits or filling a hole.) I think complexity in fictional characters gets her gears turning, but there's always a film of impersonality to it right, where it's not real, there's a safe distance, if you want to form romantic narratives about how things went down and a character's angst, you can, but someone who’s real… Things are often uglier or harder to grapple with. And she doesn’t want Falin to have grown up, for her to so quickly have aged. I think applying this sort of storybook veneer onto her real life connections, pushing people into boxes, is a way for her to make social relationships more digestible. And she's a big gossip enjoyer too! Engaging in shallow retellings of people's interpersonal drama, eating it up with enthusiasm and curiosity. Part of it, like with novels, is vicariously living through others I think, experiencing making connections where she hasn't or couldn't, the way her relationship with the other girls at the academy besides Falin stayed distant and shallow despite being friendly. Gossip, like stories, are safe, distant from your own life, they're easy to judge, not unlike the irl popular interest in following others’ online drama. You’re not involved yourself, so you don’t have as much chance of getting hurt. So yes, easier to digest. Less complex, less unpleasant things and less contradictions that are hard to process. Sort of like a defense mechanism to not have your worldview challenged, dodging having to recognize these things by assigning them tropes. And I think part of it too like I implied is: she can’t experience actual loss through books and gossip. They give her emotional social stimulation she doesn’t fully allow herself to have with actual humans for fear of getting invested in a way that’s very raw and personal. Again, like how she pushes Falin away to ignore the more nuanced facets to their relationship! The intensity of what I’m speculating on here in her character is debatable but I do think it’s present at least in some amount.

In a similar way to dogs being important to Laios’ social life (I made something of an analysis on that if you're interested, but this one's not relevant to what I'm talking about in this post) books are her comfort zone. If she can compare a real situation to a story it brightens everything and, well, it does make her assume things wrongly often but it also makes her able to analyze people deeply, like the roleplay-theory-speculation about Chilchuck's wife and the way she hit bullseye on how Chilchuck felt in the aftermath. But like how Marcille only agreed to wear the frog suit when the party told her it'd look cute on her, or how thinking about riding on kelpies made her excited for what previously she saw as a tedious and dreadful journey. Special interest power blast.

And this is where comes in her coworker, a disillusioned embittered man.

A guy who knows all about how messed up the world & people can be and isn't afraid to say it how it is, who in every sphere of life has field experience rather than fictional one- with romance, work, and having dreams & ambitions. Someone flawed and real, someone who won't let her interpret him however she wants without confronting her about it & challenging her to change her perspective.

It took a looot for Marcille to fully stop seeing him as a kid, and in a way I think it was necessary for the dissonance to be both this hard to reconcile and this impossible to ignore: that he truly is a middle-aged man down to his demeanor and family background but that he looks like a teen at most to her. That she literally has to look beyond aesthetics to be able to first fathom then accept and internalize that he's an adult despite his looks. That it was so ingrained and took so long, so much that even while she recognized and said "He's usually the most mature one of us", so much that even as it's implied that she knew logically he's an adult before the changelings, as pictured earlier she still couldn't conceive it. It's like with her calling Laios and Falin's parents kids in a post-canon extra, it's not that she doesn't know it's that it's hard to wrap her head around. Necessary and important because, if Chilchuck was any less loud about being a man she could have gone on unchallenged in her assumptions. If it was an easier to dismantle misconception, something easier to digest, then her arc of coming to see him as he is would have had less impact on her character, afterwards she could continue to run with her own interpretations of people like Falin and Namari without her confidence in being able to pin down people into simple roles being so fundamentally shaken. And it's notable too, that Namari's choice to leave the party to look out for herself situation was decidedly unheroic, but it was Chilchuck who spoke to Marcille about why her decision was both reasonable and had a lot of thought behind it, making her accept that it doesn't make Namari a bad person or even a bad coworker or friend.

Chilchuck is someone who knows that sometimes, bad things happen for no reason, and it's not meaningful or part of a grand narrative, it just sucks and you have to deal with it.

As the foil to her very emotional black and white interpretations of things, Chilchuck represents nuance, and he's impossible for her to ignore.

Prince Charming vs Chilchuck Tims

Chilchuck is so obviously not a prince charming. He doesn't have the looks, the attitude nor the lifestyle. Does he have the virtues for it? Well, no... But also, yes. More on that in a bit. It's also interesting to think of the status aspect to it, because being from an impoverished oppressed class/community is so central to Chilchuck's character, something usually far removed from prince charmings and white knights, and not only status wise but on the topic of virtues... It’s an interesting thread to explore, the way one may have the means to remain chivalrous rather than becoming distrustful and embittered: sometimes optimism is a sign of privilege, being able to be or remain optimistic through life. I'm sure Marcille would be the first to jump onto the aesthetic and narrative allure of a pauper in love with a princess, of a hero of the people à la Robin Hood, but it's still interesting to think of that as another facet of the contrast Chilchuck makes. Alright, tangent done.

But obviously, despite this all they have a great work dynamic and respect for each other's capabilities. It's not like Marcille is mean to people who don't fit these fairytale high standards, no that’s only when she feels wronged or if there's injustice, rather she becomes dismissive of people’s complexity, wether they become an angel like Falin or Marcille’s shapeshifter of Chilchuck or a villain like Namari and Toshiro or Laios when they met. But my point, my point: she actually thinks very highly of him!

"He’s usually the most mature one of us" "He’s dependable, we’re counting on him" "No, chilchuck is definitely virtuous."

And I think the ways in which that shows are very interesting.

^ Ok so this happens, in the Namari chapter I keep talking about. Look at his expression in this last panel. He's always teasing her, but doesn't this here feels a bit... Suggestive? Like he's implying things, not just talking about it in a work setting but also giving her general life advice. Maybe even making an innuendo for womanizers, gentlemen who flirt without meaning a thing and have some hidden agenda. Warning her about smooth talkers that seem too good to be true. It’s honestly a very easy to overlook but defining interaction for them. It’s a quote that’s on his Adventurer’s Bible plus his anime quote keychain merch!

I love his implication that "I say what I’m about straight up, money, so you can trust me"- and isn’t that just the exact thing… Because that is what this is, he’s pitting himself against these people who help without asking for anything and he's saying he’s more trustworthy and reliable than them, driving a wedge between him and those people to prop himself up by comparison. His words tie a lot here into his general worldview too, of course here he's ✨Imparting His Wisdom✨, but it also ties into his self-image issues I'd say, where he’s hard on himself and calls himself a coward etc: if no one has positive expectations for you on an interpersonal level, then you can’t disappoint them. It only goes up from here if you start at rock bottom, can't have unpleasant surprises.

But the meaningfulness of this moment doesn't start and end there: That moment happened in chapter 20, but then this happens in chapters 36-37...

I was always puzzled by the split second interaction between Marcille and Kabru. Marcille blushing is the point, it’s in the anime too and it’s the focus of the panel. That moment of hesitation before she goes back into business mode where she looks at him back, and blushes. And idk I always felt like it was weird timing, like it was a weird beat Kui chose to put emphasis on, why the story even had them make eye contact in the first place, what point it could be making besides "Kabru is handsome and charismatic" which was already made with Hien and Benichidori below, otherwise it's not even like Marcille and Kabru ever interact. Like, maybe it's for it to be a callback when she glances at him while the canaries interrogate her at Thistle's house? Regardless, she blushes, but her expression is more akin to a "Uuhh he smiled at me why’d he smile at me like that. Oh he’s kinda pretty. Well anyways-" rather than swooning or truly checking him out. She’s frowning, even. And like I said, being very naturally charming was a point already made previously.

But then… This repeated reminder that Kabru is a lady killer IS the point, Marcille reacting to him in that way IS the point. Kabru is the epitome of ‘will say they help you but has hidden motives and might betray your trust if it serves their interest’ (not a diss on him tbf he has understandable goals), he is the epitome of looking noble, welcoming and chivalrous but actually being dishonest and manipulative, and what’s important here is… Marcille turns away and sticks by Chilchuck. Of course this is logical, no one would expect her to go running to Kabru lol, but I implore you to think of the thematics of it all, a princely guy, the closest character of the cast in the flesh embodying the prince charming persona, is giving her some positive attention, and it does affect her a bit but nonetheless she turns away, and strategizes with Chilchuck instead of trusting or giving good faith or getting carried away. She chooses Chilchuck. Unlike so often, she doesn’t let aesthetics sway her here, get in the way of her better judgement, distract her from the point. She chooses not to give good faith, even if he seems charming and friendly and smiles. Marcille is serious when the situation requires it that's now new, but this is in line with the lesson he instilled earlier above. And if nothing else, Marcille has a good memory, exhibit B to come later. Here we see part of why Chilchuck was afraid of Laios or Senshi but not Marcille blurting out the wrong things with Toshiro and is party, when push comes to shove they're often on the same wavelength. Marcille and Chikchuck do strategize with specifically each other regularly, they do tend to pair up a lot after all, so this isn’t especially new, but it’s the first time there’s this sense of us vs them imo. Like how earlier Chilchuck was saying that he’s better than the smooth talker type, here we see Marcille implicitly agree.

She just has a passing glance & thought for Kabru but she knows her true allies and true values, and she wants to strategize with Chilchuck. What I am saying is that if she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus, if she was logical about it she’d pick Chilchuck over that guy actually, yeah. At the end of the day, no matter the pretty smiles, she knows who her actual friends are. Whiiich on that topic, next section!

Ideals vs desires vs wants

It's succubus analysis time

Her succubus is quite direcly a prince figure, a knight on a white horse who's come to whisk her away. He calls her princess, even! She's taken the role of Daltian Clan's protagonist, essentially. He kisses her hand, nothing short of the most classic courtly romance tropes.

I made a whole analysis on specifically Laios’ succubus but it covers some stuff that could be interesting for this analysis as well, I’ll repeat the essential stuff tho: Their succubus all show what type of social connection they desire. Izutsumi’s is familial, Marcille wants someone she can emotionally connect with, seemingly romantic, Chilchuck wants something physical and sexual so he doesn’t have to think and worry about anything deeper (betrayal, insecurities, etc, the difficulting that come with a committed romantic relationship- also likely related to his senses & stress), and Laios wants people and friends who’ll accept him and his monster interest- platonic.

But more interesting for this analysis is how succubi work. The goal isn’t to beckon, but to incapacitate. The succubus doesn't work on the basis of rationality, it’s not a factor they go for and it’s not one they need to appeal to either, as we see. (Laios is a special case -gestures to the linked analysis- but the succubus doesn’t appeal to his rationality as much as it soothes his worries, his friends judging him etc etc, and the reason Izutsumi could remain unaffected is that there is always a half of her not enthralled by the succubus because she essentially has two souls.) Neither Marcille, Chilchuck or Izutsumi could realistically expect any of the people they saw to be real and not fake succubis. They KNOW that, they were actively preparing for the succubi to jump on them and fight back, rationally they know they're monsters! But how this monster works is that it targets deep desires within you that when face to face with it'll make you hesitate, make something in you unable to fight or flight and instead do the third instinctive option: freeze. Or especially in Laios’ case, the form gives the victim just enough confliction on the matter for them to want to believe it’s real. All they have to do is just not move, stay passive and accept the attention, so it’s not an issue of wether they reciprocate an action or run away. It's so that it shortcircuits you and leaves you open to pick like a fruit.

If this wasn’t the "reads your heart so deeply that it freezes you to the spot" monster, Chilchuck WOULDN’T be doing anything with these women. He’s been devoted to his wife even 4 years after separation on bad terms, you think he’d ever cheat on her? If this was a decision he were to make, instead of just freezing, he would reject it. In that similar way, Marcille’s succubus might not be what she’d rationally go for. You think if this was what Marcille had to choose, the person she wants most to see and at her side, her most alluring form wouldn't be Falin, alive and well? You think that wouldn't be the thing Laios truly wants most as well? And before people say that canon proved that the latter wasn't with the curse the winged lion put on him, THAT'S THE POINT!!!! You can irrationally desire things, you can desire things to degrees so deep you can’t change it even if you wish you could, but if it was truly a choice up to you, you'd choose otherwise. Laios decided to become king, even if that's a lifestyle so far from what he truly wanted, even if it is duty more than fun for him. Like how Chilchuck would choose faithfulness despite for sure having come into contact with many beauties through his four years of separation.

Ideals vs reality are a big Dunmeshi theme in general, same as wants vs needs, and you can see Marcille’s daydreams and novel themes make it an especially relevant throughline and theme for her. Not unlike how in my opinion General Hareus and Mithrun intentionally look very alike to contrast reality vs fantasy!

Marcille never reacts any particular way to Mithrun’s appearance despite the blatant resemblance, so that makes me think the point/joke is meta rather than character focused. The romanticization of elves and their societal drama in their fiction contrasting heavily with a very real and imperfect product of their military system. The canaries certainly aren’t glamorous next to whatever military Hareus is the general of. There’s even the fun little details like Hagreus’ lips being drawn with extra details because they’re full and pretty while Mithrun’s lips are drawn with extra details because they’re chapped and dehydrated.

So yes, themes of what you actually want vs irrational cravings. Base desires vs actual wants. Needs are also separate, but not relevant for this discussion. To get to the specific definitions I’m using for the words in this section’s header, ideals vs wants vs desires: ideals are your ideal of something, the best degree to which a thing could be tailored to you, and it can be derived from both wants and desires, usually a mix of the two, but for example: I’d say the succubus is a type of ideal (the platonic ideal of allure to the victim) derived solely from desires, because a want is active rather than passive, acted upon rather than suffered, because a want unlike a desire involves thinking things through. So a want: something you want, you take actions towards getting or achieving it, it can be a very strong feeling but it’s something you pursue or wish to pursue. Finding a cure to death is a want, not wanting to be alone is a desire, see, I’m assigning desire this more primal or unchanging subconscious nature to it. On the flipside with Chilchuck, sex without ties, easy pleasure, is a desire, but the want is not having to think about his marriage situation because it’s painful, not wanting an emorional connection because it’s all the easier to be hurt with, just wanting to take his mind off of everything for a while.

Thus the succubus targets Marcille’s wish for a perfect knight who could cherish her forevermore, someone safe and known and fantastical, just hers in a way, free to see and construct however she wants because he’s a character to interpret, and it targets Chilchuck’s wish for pleasure that’ll whisk him away from the stress and pressure and reality of his life, something that’ll make him feel both good and desirable and emotionally uncompromised, not unlike what alcohol does, as he says he likes having his fine senses dulled in the changeling chapter. Idealization is twisting the image of something in your mind to be closer to what you want, but usually mostly desire on a more subconscious level, to be true, almost a wish, sometimes but not always hand in hand with idolization which is to put something on a pedestral. Idealizing things that are easier to reconcile with mostly, in Marcille’s case: it’s easier to believe that Chilchuck is very young and it’s easier to stomach that Falin hasn’t aged much, it's easier to believe Falin is an angel who can do no wrong and if she left with Laios it's not that she chose to leave Marcille, and it's easier to believe Chilchuck is just a moody closed off youngster than an embittered old man. It can be done to people as much as concepts, like the idea/plan to give everyone a 1000 years lifespan, surely that'd do really well and everyone would love it. Wants and desires are both very often about changing reality after all, wether it be your situation or an event in your past or a law of the world like death, but wants are mostly through actions and since desires are more subconscious it can lead to self-delusion easily. Like with succubi, wants engage with your rationality so they target desires instead. The demon's strategy isn't too ar off, either, feeding into both and using underlying desires to manipulate its victims. Dungeon Meshi is in part yes about resisting desires, the irrational cravings, mostly through the character of the demon. I mentioned needs earlier, and to ideals vs wants we also add vs needs, both emotional and physical, and needs alongside wants are what Dungeon Meshi wishes to promote for a healthier person, Dungeon Meshi which illustrates very well with the dungeon lords that you can be a slave to your desires.

The parallel between succubi and demons is intentional. The demon is in fact the origin of the succubus myth in-world. No wonder they operate similarly in many ways- the succubi are in a way a more simple straightforward version of the demon, with less convoluted strategies and less intricate manipulation.

Of course the succubus each character sees does say something about their characters, but what I’m saying is we shouldn’t assign choice or morality to it as if it wasn’t an ethereal monster whose whole biology is focused on being able to freeze people through appealing to desires, much like how we can’t fault people for falling for demons’ manipulations. Like that’s their WHOLE thing and they use mind control through enticement shenanigans. I know people sometimes fault Chil for his succubi and if you want here’s my stance.

Point of this whole thing is, people can rationally choose things that are different from their deeper desires, like in truth Falin’s safety being more important to Laios than becoming a monster. Like how Marcille stayed with Chilchuck to strategize instead of wanting to give good faith to Kabru. Yes, this is the main point I'm coming at with this section lol. Marcille idealizes and idolizes the figure of a perfect prince charming, undoubtedly! But when it comes to what she actually wants, not in some ideal fantay world but in reality, she knows Chilchuck and her imperfect friends are some of the best she could ask for. She's content with them as they are. She would choose a flawed reality over a perfect fantasy.

That's a big part of what her dungeon lord arc is about too, all her tendencies to ignore what others want for what she thinks is best for them or thinks is a perfect course of action: accepting that people are complex with different wants, and that something that's a no-brainer to her like wanting to live for a long long time is a solid no for many. And Laios and the party confront her about it, and Marcille, even under the influence of a demon, chooses to accept reality. Chooses to accept that there are some things that, even were she to be able to, she shouldn’t change after all (even for stuff that’s not forcing everyone to live for a millenium, like bringing Falin back from the dead is something that the party and Marcille had to come to terms with maybe not working and the way they went about it was self-centered). She chooses to come back to herself and the party, to accept the world as it is even if flawed and sometimes hurtful.

And hm, I wonder if Chilchuck had any role in the lead up to that particular decision... I wonder if Chilchuck was a major influence in teaching Marcille that the world isn't perfect and her internalizing things that were outside of her bubble!! I wonder if Chilchuck was directly what made Macille turn towards her party and thus start thinking of giving up on being dungeon lord!! Joking, joking, of course it does. To be continued, see you in the princess imagery section at the end of this essay.

Essentially, this section is to show that: 1) despite what her succubus may suggest, she has indeed grown by that point in the manga compared to pre-canon and her overly idealistic simple black and white vision of things, and it doesn't prove the ‘choosing her friends over a prince thing’ wrong, and 2) despite how deeply ingrained romanticism is in her and how it calls out to her, she still has chosen and continues to choose reality and her friends over it. How fantasy is important to her and how much she loves it, and her having the will not to mindlessly succumb to it coexist and it's that resistance against fantastical ideals that speaks of her as a character so much.

And what does that mean, for Chilchuck? For him and Marcille?

Deconstructing realistic romance AKA compromising between romanticism and reality AKA Chilchuck Tims vs Prince Charming part 2

So what we’ve covered so far is that 1: idealization is something that Marcille does a lot, including concerning Chilchuck, 2: the prince/knight figure is meaningful & important to her, 3: Marcille isn’t a lost cause on it, and for instance, much like how she stops harping on Namari after Chilchuck explains to her how professional reputations and networking work, he can change her mind on things.

Let’s get back to their prejudices of each other for a bit. You might have to zoom in for this one.

Her shapeshifters of both Chil and Laios are influenced a lot by looks and impressions. She’s very adamant about Laios and Falin not looking alike at all, for one. Marcille’s view of Chilchuck’s lockpicks are surprisingly accurate. Meanwhile, despite their first big relationship moment during canon being about how he’s glad to have her and her skills for the dungeon dive, he still ridiculizes her magic somewhat with the crude spellbook. She’s still silly and tease-worthy to him, even while he praises her like in the good medicine chapter with Leed he says it himself in the same breath. Silly, or "ridiculous" depending on the translation, is somewhat ambiguous, but I assign it the meaning of 'thoughtlessly reckless', like how again in the good medicine chapter when he's saying this he's referring to Marcille's future job prospects, because law and career are important to conform to for him. Despite this, their shapeshifters’ behaviors are accurate, although Marcille’s Chilchuck is nicer and less bitterly reclusive. Note how it's Marcille's chilchuck that makes it furthest and how why she thinks hers is the true one is that her Chilchuck "looks less mean"- this is what I mean when I say she idealizes him and sees him as a little angel, along with his fluffier hair it gives us the perspective of why she'd find him so hair-ruffable and why she likes sticking to him so much, I suppose.

Marcille's arc of not seeing Chilchuck for what he is has steps, it's not like Senshi who does an 180 seeing his changeling. There are a couple of important moments for it that tell us her progress and changes her perspective: Him telling his age -> the shapeshifters (our best look into an objective assessment of her perspective) -> reveal that he has a wife and kid(s) (fully shattering her denial) -> seeing him as a changeling (true reckoning. Putting the nail in the coffin of what reality is) -> bicorn chapter (acceptance. Internalization)

You might notice that the explanation for Marcille’s Chilchuck is "Even though she’s been told he’s an adult, deep in her heart she still doesn’t get it", and a fantranslation translates it as "Understands he’s supposed to be an adult, but hasn’t quite come to grips with the fact internally". This definitely implies her arc of growing to see him as an adult had already started by then. Especially if we compare it to Senshi’s more intense babyfied Chilchuck. This goes back to what I was saying about Marcille watering down people for the sake of aesthetics, some rational part of her knows he’s an adult, but it’s emotionally that she struggles to reconcile the fact with her perspective. It’s actually pretty ambiguous when she first starts considering he might be an adult. If by this point she was already digesting it, then I think it must’ve been when he told the party his age. It’s not unsimilar to rationally knowing Falin is an adult at 23 even if it doesn’t feel like it to her, or post-canon calling the Touden parents kids even though obviously she’d know they aren’t actually, it’s classic longlived race patronization. He’s older than Falin, by 6 whole years, and even Marcille isn’t that blind to what that'd mean. Wouldn't marcille also have a problem with child labor otherwise? There's also how Marcille pre-canon shortly speculated Chilchuck was in love with Namari in her Adventurer's Bible extra. She for sure has witnessed a lot of half-foots walking around, probably even drinking at taverns. She knows, on some level. Chilchuck even does a whole rant after they react going on "this is why long lived races are condescending assholes". So that’s my bet, "Is he an adult?" "Well yes but actually no" (Chilchuck), "I’m an adult now I’ve grown" "Awww you’ll always be like a kid to me!" (Falin) Depending on the dub and interpretation, I know for example that when I made my family watch the anime they thought Marcille "See? You're just a kid!" after he said he was 29 they saw it as teasing and playful, unserious, or even disappointed, implying she'd have thought he was older than 29. It's actually ironic how someone as developmentally atypical as Marcille, whose physical and mental growth was unpredictable, unsynchronized and messy, would judge others by appearance and age so much. But well imo appearances are important to her so in that way, she especially judges those because she had to live through being judged by those standards as well. She puts elven standards on everyone the same way she does with beauty standards, so age is included in that.

Marcille here is struggling with dissonance, it's why she "hasn't come to grips with the fact internally". And this all makes sense for the arc that sharing things about himself is what opened the gates of being understood better. Point is, her vision is influenced by her own feelings of how things should be like, veiling herself to the reality of things.

And notice the point that the problem her lack of rationale when it comes people- Chilchuck regularly makes her prioritize rationality over feelings, and well that’s somewhat his whole schtick when it comes to debating philosophy. With Namari and how her leaving the party and not returning is reasonable even if it feels wrong, just like the "don’t trust someone just because they seem well-meaning and generous, strategize instead of swooning", and ironically also the "it's important to take in mind how things like touch when healing can affect parties and create love triangles" lol, "don't be emotional, and also remember people being emotional will stirr up shit". Since she’s someone pretty swayed by feelings, it balances her out. Ultimately, if we consider the Dungeon Lord arc her culmination, it’s Chilchuck who ends her arc by meeting her halfway through appealing out to her feelings, but that’s the flipside of the coin of their arc, and it’s her willpower to face reality that saves them so I don’t think that contradicts that Marcille had to do her half of the journey & comprise.

I would argue there are many hints of Marcille knowing on some level he's an adult throughout early canon. Not just seriously calling him the most mature of the group, but her behavior at the Golden Kingdom's too for example. Would you act all shy asking a kid to sleep in his bed, especially one she's always felt so comfortable trampling the boundaries of and touching casually? Idk that's weird. She's asking to sleep in his bed because by her own admition it'd make her feel more comfortable. Chilchuck is safe to her and she feels shy implying it and asking for a favor like that. Shy that he'd find her silly for it, and/or shy that this might be inappropriate according to etiquette and in other contexts. To me this feels much closer to two peers, like how in the mandrake chapter she wanted validation from him too, and yes she still infantilizes him and emasculates him into someone who's harmless in her mind- not just someone who wouldn't hurt or take advantage of her, because she knows that, because Chilchuck does protect her (more on that later!!).

He's not heroic, but he's brave, when it matters. He's mean and rude, but also caring. He's responsible, even when it means going the unpleasant route. The aesthetic doesn’t fit the role, but the actions do.

He keeps claiming he’s a selfish coward who’ll be the first to dip in a fight, and yet he’s always, consistently pulling her out of danger, or specifically calling out to Marcille when danger strikes. And I think it’s because of the nugget of info we get in the adventurer’s bible that her stamina and athletics are bad, in canon he does call her clumsyhead like once but it never felt enough for me to deduce that on its own personally. So then the reason why he’s always targeting her, beyond the reasoning that she’s the healer thus the most important to keep alive (which he brings up in the rabbits chapter), he takes it upon himself to help her, save her and pull her away from danger because she’s clumsy. She’s not defenseless, she’s known to use explosions, and still he feels the need to save her and through the manga he’s even died trying to pull her to safety one and a half times: dungeon rabbits + the drowning- they didn’t die in the latter though it’d have gone that way if it weren’t for the water bursting out just after, and that situation was especially hopeless regarding Chikchuck being able to do anything to save her at all, yet he still tried.

A little knight in shining armor, a little noble hero, a little prince charming innit?

Chilchuck IS all show and no talk- and she knows the value of that!!! It's why despite all his sour demeanor she respects him both professionally and as a smart guy she can trust, why she feels safe with him and wants him by her side when strategizing or even sleeping. The aesthetic doesn’t fit the role, but the actions do. Fantasy vs reality!!! He teaches her how to face reality both with his words and actions, through the contradictions of him, his caring behavior and bitter words, his old manners and young looks!

And actually let's TALK about that drowning scene hello. There, in the collage above, in the bottom left. The context of that is: This is after the demon leaves when the dungeon collapses, the dungeon gets flooded by water and they go under, with no sense of where or how there could be an exit to this. 1: Since the dungeon is collapsing and reviving someone only works in dungeons, there is no guarantee that Marcille or anyone would be able to revive someone during or after this, NONE. 2: He is risking his life for her, he is STRAIGHT UP playing his life on this choice, action hits and shit gets more serious than it ever has, and he yet does it anyways. Perhaps it's the gravity of it that pushes him to make this choice, that this time if someone dies it's for real and he can't accept that, but either way his choice is made in a split second, he prefers dying trying to save her than living without saving her. He is fighting for scraps of hope, seconds more of holding onto life. Which, 3: This situation is HOPELESS. In the end yes they end up being spat out by some exit out the dungeon with the strenght of the flood, but there was no way to know this would happen, and like we see in the third panel Chilchuck and the others actually lose consciousness. That's for "a way out of this", but even moreso, what is he hoping to accomplish? He's small and weak like he always reminded the party in fights, he CANNOT PULL HER UP TO SAFETY, HE CANNOT PULL HER AT ALL, WE SEE HIM STRUGGLE TO AND FAIL. HE CAN'T DO ANYTHING BUT HE STILL TRIES DESPITE THE RISK. You might also say- haha!! You might also say that this is a show of optimism from him!! You could say that after Marcille changed him, pushed him to have more hope in him, he now has the strenght and will to hope that this might do anything, that this might save her! A little similar to the situation with his wife actually, the point is that the chance is worth taking even if it might not turn out like hoped for- the point is that it's always worth trying and keeping hope to fight on, there is risk in being vulnerable and reaching out to his wife yes, there is risk, as with jobs, as with finances, as with anything- It's not that you'll never fail, but you have to not give up when you do- there's a risk but you can't just shut yourself off to the world and to relationships, you can't suddenly care about nothing! That's Chilchuck's arc! And maybe it's because his arc of becoming more hopeful and open yourself to caring centers her that it's her he latches onto here and not Senshi and Izutsumi who are equally in trouble here, maybe it's because he knew her longest or because he still feels this sense he has to look out for her like always, or because he trusts her to breathe underwater least, I don't know, but it's what happens! And listen, by all intent and purposes it was a hopeless situation, they were on the verge of drowning but he still fights to save her, and everything looks lost for a sec, but then the water current miracurously spits them out of the crumbling dungeon. He gets up and he runs to marcille fearing she's hurt but no, they're saved, she's fine, they're all alive and out of danger. It worked out. Having hope was right.

They make me ill I tell you. Like what the HELL, am I supposed to NOT go crazy when this happens??! What if they were the meaning of life what if their arc was about cracking the balance of living and loving healthily and cracking the code of life. Okay. Okay okay okay so anyways so

He can be quite self-sacrificial and noble! Always looking out for others, and giving Marcille particular attention in that regard, likely in part due to her being clumsy in his eyes and her being the healer aka their token of safety.

Sit your ass back DOWN you are in no state sir. Despite her biases Marcille is still observant, she still loves dissecting people like in that pre-canon party relationships chart in her extra, she's still the one to say "Chilchuck is the most mature here". Marcille still notices things! She has an interest in people and Chilchuck is someone she especially likes to "study". She read him like a book in the bicorn chapter, and if she was able to it’s that she looked, she remembered, she saw. The way he doesn’t like waiting on people, that he’s very reserved with feelings, the way he often doesn't pick up on others' and even his own- It all comes through in her quote unquote analysis of him, what married life with him would be like and how he reacted to his wife leaving.

Point is, Chilchuck is very harsh on himself, but there are gems inside of him, there is gold hidden away if you dig at his heart. And besides, isn’t humility a mark of heroes?

Okay. Sooo there's not that much to say about the changeling scene actually, for both Senshi and Marcille, the chapter just previous where Chilchuck reveals he has a wife and kid is what fully reckons them with how Chilchuck is a fully fledged adult, and for both of them seeing Chilchuck as a tallman is the final nail in the coffin. With Senshi it's a rather fast 180, and he mourns the sweet kid image he had of him where he poked his cheek and ruffled his hair, but for Marcille it's just an extra "he's really really REALLY really not a kid. Really". It has a bit of a reversal of Marcille and Chilchuck's dynamic, since now he can manhandle her instead of her manhandling him. This is a rather pleasant experience for him from what we can tell, whereas Marcille is struggling to keep the party's walking pace and complains about the heat implying half-foots are more sensitive to temperatures, Chilchuck finds having his senses dulled relaxing, has no problem of the sort Marcille is having AND! And! He can pull her around. The fight with gargoyles happen and he's pulling her arms, picking her up, he even throws her both before it and during the fight, he has the physical power to push her away if he wants to and also to pull her out of danger- the way he later tries to in the rabbit chapters and with drowning, but also when the Faligon reveal happens. He still doesn't look like a knight in shining armor, and he still doesn't have the demeanor of one, but he has the most power to protect her than he ever has. Anyways so yes, further "oh Chilchuck is an adult. And he's kinda knightly and can protect me wow. And also ugly not at all like elven beauty ewwwwww. I won't be able to unsee it now if I try to ruffle his hair after this".

It’s always a question of seeing more facets to someone and slowly digesting them and internalizing them, like Kui puts it herself in the shapeshifter explanation for Marcille's Chilchuck. And this illustrates a bit what I was saying in the section about Dalclan and tropes and people being "digestible" to her. She has to get used to the idea first and it's a slow process.

And during the succubus chapter as well, right after the bicorn chapter where she fully accepted Chilchuck as an adult, Marcille doesn’t falter when she’s confronted with seeing Chilchuck as, for a lack of a better term, a sexual being. She even cracks a (albeit sfw) playful quip about it, about them being all blondes. I suppose with the crass jokes he made like during the frog comic that might have prepped her for it lol.

And on that topic... We're here guys. The holy grail of Marcille and Chilchuck.

🔥The bicorn chapter🔥

The chapter finishes both Marcille and Chilchuck's arcs about harmful idealization vs not being a doomer, so to speak. It's the culmination, the ultimate balance found, the moment where the lesson gets fully internalized on both sides at the same time. It is a MASTERCLASS in how to do relationships arcs and character studies.

Chilchuck starts the chapter being dismissive of Marcille and her interests again, it opens with a narrated bit about his bad experiences with romance in past parties and he admits he has contempt for people who find the topic of love fun. He sees her still a bit as both a fly circling around him and a venus fly trap waiting for the opportunity to pounce on him and not let go until he spills everything. He ends it though, willingly giving up information on him in conversation with her, opening up, and appreciating her perspective on his romantic troubles.

Marcille starts the chapter having mostly processed that he's an adult, asking him about his wife, but she's still Weird about him and his personal life- and okay, that doesn't quite change, but something does change- everything changes for a moment, in fact.

And what's the catalyst? The cataclysm, even? Chilchuck lies and says he cheated on his wife.

[Okay guys I am officially out of pic space, sorry but I'll have to start recurringly linking to images instead: page]

We get to see live Marcille's esteem for Chilchuck plummet and freefall to the ground. And Chilchuck often acts like hassling and teasing between them is onesided, that she's always the one harassing him, but since early manga Chilchuck has always liked to tease her every opportunity he gets, often initiating interaction just for it... During half of this chapter Marcille is giving him the cold shoulder and we get to see that he misses her, we get to see her fully shut down the (racist) joke he throws at her and see him be SHAKEN over it. He wasn't expecting his lie to tank his reputation and relationship with the party members this much, maybe because before whenever he called himself selfish and cowardly no one seemed to think less of him for it, and he's at a loss for what to do like we see here. He misses their friendship. He's always said he didn't care for having a friendship with them all and whatnot, but here we see him grapple of the aftermath, of knowing what it would be like without them as friends, without them at all.

[page 1, page 2.]

And like with his wife, he has a choice to make. Be passive and spiteful and do nothing, or be vulnerable and communicate to win them back over. And this time, after a manga's length of learning little by little to be more open (and literal coercive torture) he chooses to do it, to try and clear up the misunderstanding.

And listen, on Marcille's end this was NEEDED. He DROPS in her eyes to deserving no respect- but even in these times we see her be jealous of Chilchuck opening up to Senshi, implicitly still caring about what he thinks of her, and most importantly that she does still care about him himself when the bicorn breaks his arm and she runs to his side to heal him, worried. Why was this needed? Because Marcille was forced to have her full, complete vision of Chilchuck shattered. Not only is Chilchuck not little in her eyes anymore, but he's also no angel. He can MASSIVELY- borderline unforgivably- mess up. He is an adult who can royally fuck up, even be immoral. She calls him a depraved adult man.

It sounds negative, but what this does is actually strip him from any idealization and infantilization in her eyes. Is there something more adult than adultery? Is there something less honorable, less wholesome? In this chapter Marcille is forced to reconcile the Chilchuck she knows with this man who did something vile to his wife, even the mother of his child.

And then Chilchuck clears things up, he takes the risk of an argument and actual rejection and sacrifices the secrecy around his family situation to make up with her. And it works. Instantly.

And so he goes "Okay so one day she left me and I have no idea why, probably for no reason. The end. What a petty thing to do am I right. We'll probably never talk again." and she's like "Bet? Actually I have several ideas as to what could have happened and you WILL listen."

(For a Chil & Chilwife analysis go over here instead btw.)

She was always perceptive, but she always had a bias that made her vision of others flawed. Her lens of novel worlds and narratives. Remove, or at least shift that bias in a productive direction, and you get a strength rather than an hindrance. The skill of self-inserting (literally. The half-foot depicted as his wife is even literally Marcille a a half-foot, and his child looks just like him, to show just how good her imagination is lmaoo) Marcille is such the "If I wanna hit the ball… I must become the ball" type. As proven by how she controlled her familiars in the hypogriff chapter. "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m cute and nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough. Then I'd leave to test your love, and you're failing that test rn but if you came back to me even after a long time I'd take you back for sure." And see these! See Chilchuck frowning there in how she thinks of him, how he gets peeved when she takes time to get ready.

No because, this means everything. Marcille started out the manga thinking he was just a kid with a party pooper attitude and even in the shapeshifter chapter where she’s more coming to terms with her having been wrong about him, her shapeshifter of him is sweet and cute and nicer like "No the REAL Chilchuck is much less nasty! ☺️". But in the bicorn chapter it all comes to a head!! Learning that "Chilchuck cheated on his wife" made her esteem of him tank to rock bottom almost, finally acknowledging that Chilchuck can both make adult mistakes and be significantly flawed. But then! The chapter ends by him opening up which in turn make her esteem of him comes back up, but things have changed, still. What she does with her "virtuous husband" bit might seem like idealization again, and she is being optimistic about the wife'smotives, but she’s not making him into something he’s not! She recognizes his flaws (embraces them even.) Like how as the wife she thinks of an angry/frowning chilchuck, how he complains about waiting on her, which he's also done to Marcille before...

Even the way she says "he wouldn't say that he loves me enough" IS DIRECTLY SOMETHING FROM HER OWN EXPERIENCE FROM THE MANDRAKE CHAPTER. Because then she wanted to hear from his mouth with his words that he does value her, that he does appreciate her, that she's not a burden to them! She knows how it can feel like he doesn't appreciate you even when he does, and how insecure it can make someone! Now when she flavors things, she takes the embellishments from her own experiences instead of from novels! Reality, too, can be romanticized without becoming pure fantasy. Fantasy doesn't have to be dry and bitter, it can be beautiful and fun, too. Her "if I was your wife, life would be something like this and I'd feel like this" is truly based on her own perspective and feelings- her empathy and interest in others is not a weakness like Chilchuck thought, it's borderline a superpower.

She doesn't just keep his flaws in mind, she also hypes up his qualities!! He is virtuous, bicorn approved, devoted even after separation!! And that hyping up, and optimism that things wouldn’t necessarily go bad if he tried to mend things with his wife, really gave him hope, and also finished up his arc about optimism not always being bad, sometimes even being necessary.

She inspires him to think that things can work out, that he can still be pleasantly surprised even with all his bitterness. After all, he opened up to Marcille and they talked just now, and she forgave him and they made up, didn't they?

And he must have never quite let go of all hope, must stil lhave some left in him hidden somewhere, because in all those four years of separation never has he stopped calling her his wife in present tense, because even after all of them he has stayed faithful and never moved on.

And all of this with the chapter ending with Chilchuck eating a sweet and savory sandwich, which he thought would be bad and inspired disgust in him at first, and being like "Huh, the sweetness actually complements the bitterness pretty well."

THE SANDWICH IS THEM. "Syrup in a sandwich? Sweetness has nothing to do in a meal." IT'S OPTIMISM AND PESSIMISM COEXISTING. IT'S SWEETNESS AND BITTERNESS BOTH HAVING THEIR PLACE IN A DISH. IT'S MARCILLE AND CHILCHUCK COMING TOGETHER TO HAVE THE RIGHT BALANCE FOR HIM TO BE ABLE TO SAY "It might not go well like in stories, but I'll still try".

Remember what i said about compromises earlier, balance of optimism and pessimism? He tries it, and it works out despite having no faith that it’ll be good, and he’s pleasantly surprised. SURPRISES CAN BE PLEASANT! They're not just life-shattering, not just dangerous, it is possible to be pleasantly surprised! And this is why Kui is a goddess of telling stories through food.

He’s opening up to her, as he takes that last bite of the sandwich, he willingly and easily gives up an information about his family for the first time <3

She’s such a wingwoman. Such a cheerleader. Couple therapist. Emotional support friend. 10/10.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" Chilchuck: "damn I needed that" /hj

So this neatly ties the last bits of Chilchuck's reluctance to care about others and being cared about in turn, yes yes Marcille reads him like a book so well that he's left shaking, and this is it, really, their arc is about the balance in loving too much and loving too little, in stifling others with that love and care and interest the way Marcille does vs showing it so little that others don't even know if he cares at all, à la “if we want the rewards of being loved, we have to submit to the mortifying ordeal of being known.”

Marcille has a whole theme with the prince charming trope, with her idealization and storybook motif and this is sort of the "Well someone perfect like that isn’t very realistic and romance is usually more complex- and that’s ok and good, and flawed people can still be ✨virtuous✨" conclusion. Again, fantasy doesn't have to be perfect to be worth it, to be valuable and lovable and great and precious.

He’s the devoted virtuous man that she wants not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous and devoted and loving family man. Far, far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks.

Marcille has this grand fantasy, this ideal of prince charming, a chivalrous gentleman knight, but through canon especially with Chilchuck she learns to not idealize people so much. That acts are more important than aesthetics. The bicorn chapter is all about Chilchuck’s romance being realistic: flawed. And it’s no coincidence that this is what ties their interwoven arc closed, because they learn to compromise, his pessimism and her optimism. Marcille sees and recognizes a romance that is both flawed and beautiful and is able to balance the two decently, meanwhile she convinces Chilchuck that yes it is worth fighting for and having hope for. Repeating myself but it’s easy to think she’s still idealizing Chilchuck during the bicorn chapter, BUT it’s important to notice the differences with the shapeshifter chapter, where her shapeshifter of him was "cute/sweet" "not nasty", an angel who could do no wrong. In the bicorn chapter, not only does he fall from her esteem a lot because she believes he cheated for a good part of it, thus acknowledging that he can be flawed and adult enough to commit adultery, but also! When she roleplays as his wife, she doesn’t erase his flaws!! She knows he has a short fuse and isn’t always pleasant, but believes that he’s worth loving anyways… 

And see this is the point!! She romanticizes his life, not idealizes it. The difference may be subtle, but it's there. In romanticization there's how Ghibli depicts mundane scenes of daily life, portrays doing chores like cleaning clothes as something that feels good, something worth doing that doesn't have to be miserable. In Chilchuck's life, in his flawed relationship with his wife, she sees the beauty and light and love to highlight so even if the lifestyle is humble and even if the relationship is tense it seems nice, it seems worth fighting for. She's using aesthetics again, but to inspire instead of stifle, the way she uses them to hype herself up sometimes too.

This is it this is the thing! Her worshipping and idealizing the image of perfect prince charming that will whisk you away on an ethereal romance becomes her romanticizing a realistic flawed middle aged dad with personality issues and a failing marriage, that he still is worthy of love and having his cute grand romance story and his happy ending!!

Marcille has a very hard time conceptualizing a point where love can’t conquer all, right. She’s optimistic and if there’s a will there’s a way etc etc etc. Notably when Marcille speculated about Chil’s wife, she centered around the theory that his wife wanted to "test" him by leaving, that she didn’t feel loved and left to see if he’d chase after her. She believes that his wife would be ecstatic to see him again and reaching out would make them reconcile and happily get back together, no problem. Chilchuck and his wife have been separated for 4 years. When Falin left the academy she and Marcille were separated for 4 years. Marcille has to believe Chil’s wife is waiting for him, that she hasn’t moved on, that she wants to be found. There's a different perspective on time, but there's also... Just parallels. Parallels everywhere. Miss coping, meet coping in an opposite way! And so she teaches Chilchuck to not assume everything is lost before havign even tried, and so he teaches Marcille to let go when it's needed.

She specifically loves characters who think they can’t be loved and pessimistic and dramatic… And story-fying him is literally what she does when she engages with the story of his breakup with his wife like it’s a story to decode, reinforcing the whole narrative about tropes and princes and how he comes to shape her view on them.

Even if the context here is explicitly that she relates! Which, she finds being able to relate to them comforting and a positive point so it being a "type" thing isn’t fully off- but this is what I mean when I say she always keeps a film of emotional distance from people, she wants to love and be loved and know people on the deepest level possible so bad but it’s something that scares her too so she prefers to chase after the safe: the unreachable- the fictional. Like Chilchuck. Bit of tangential speculation, but she wants to crack his shell and make him open up- but it’s also easier because he pulls away instead of pulling in/closer so the relationship is fully in her control in that way, if it weren’t for the teasing… Making her into someone silly in his mind is how he keeps himself from putting weight into her words, how he gets himself to automatically dismiss the wise lessons she tries to instill to him, nope sir he doesn't have anything left to learn, he's an old crouton who understands everything there is to know about this cruel cruel life yes sir. Because trying and being rejected hurts! Because if it wasn't fated to turn out wrong, then it means there was luck or choice, and that makes failures almost more painful! But people leave!! People leave and people come back and new meetings happen and choices are good, choices shouldn't be taken away! Not like how Marcille tries to forcefeed immortality to humanity, as a dungeon lord...

The chapter ends with a panel of Marcille and Chilchuck bantering again, with everyone else going about their business seeming nonplussed while the two are being very loud as if to say, ah, classic them. Return to normalcy, return to their usual closeness and shenanigans. All is well.

The Princess imagery

And now we’re falling into the rabbithole. Imagery doesn’t have to be anything more than imagery, but I discuss romantic connotations in this section (amongst the platonic reality of things ofc), you can skip to the conclusion if you’d rather but you will miss important analysis of the dungeon lord balcony scene, a big piece of the puzzle in wrapping it all up. I found the meaning of life & the world in marchil but it’s ok I get it if you wouldn’t... We're all built different ig. The character with princely chilvalrous knight parallels in the manga is moreso Laios, but Laios too breaks the trope a lot. Chilchuck gets prince and knight parallels but by contrast instead, in subtext more than any explicitly drawn. There's a lot to Marcille's princess imagery and though I've never fully covered it I try to somewhat tackle it here.

For as much as the bicorn chapter is what ends their arc about balancing pessimism and optimism and finding healthy compromises, the arc of their RELATIONSHIP is in the dungeon lord chapter where he fully opens up to her, inviting her to meet his family and all. AND MY GOD, the princess imagery!!

Listen I am trying so hard to keep this unromantic, and to be clear subtext is subtext for a reason, it doesn’t have to be concreticized or "acted upon" perse, but… I think it’s there in this scene, at least a bit. I’ve spent a long time trying to pin down what was so charged in it, besides both of them blushing, despite him offering for her to meet his family, despite it calling out to a genuine deep instilled desire in her heart enough for it to work- for it to make her turn towards them, despite the first thing she does after is shower him in romantic gifts, and it eventually struck me… It’s the parallels with other media, with tropes!! This is HIGHKEY Romeo and Juliet type shit!!! The stuff you see in every couple new kinda trashy romance kids movies! A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with a heartfelt spiel implicit confession from underneath her balcony, offering him flowers because he succeeded in calling out to her heart…….. And they have to CLIMB to her.

Remember her succubus' words? "Oh, princess... I can't believe you slipped away from the castle yet again... Honestly, what in the world shall we do with you...? Come, let us return." Again like with her succubus, she’s living through a storybook trope but with Chilchuck’s twist, more nuanced and realistic yet just as meaningful, even if it isn’t strictly OR at all romantic and if it’s more complicated and less glamorous. She’d have to peel the layers to get to the vulnerable truth of it, like anything else. I'm just gonna drop this here...

Doesn’t it sound like a proposal. One that’s both so storybook-like, and contrasted with such real yet unromantic and grounded words, all about the implications rather than in your face grand gestures "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? I’m not saying this was all intentionally crafted to be romantic but it nonetheless exists in the subtext, ripe for analysis. Of course they talk about planning together his reconciliation wit hhis wife, but the same thing happens regardless, he fully lets her into his life.

And again there’s something to be said about how that is what makes her finally turn around! This is extremely meaningful not only to Chil but to Marcille, the enticing thing that finally hooks her, gets her to finally look down at them. An offer to meet a flawed man’s flawed family, to help him mend it and its issues. It isn’t through the filter of a book, or mere gossip to her, she knows this man and she wants to be involved in his life, to know him and his family herself, ready to meet them and form connections. The clumsy, imperfect reality of a friend telling her he’ll let her into the other spheres of his life even if that means she witnesses the embarrassing and the ugly. It’s vulnerability on both their ends, offered and received, a gambit that was worth taking, both in the moment to talk Marcille out of being dunlord and long term of letting her in to see the deeper sides of him, there are take backsies once someone knows something about you after all. SHE STOPS BEING A DUNGEON LORD IN GOOD PART BECAUSE HE TOLD HER HE'D LET HER INTO HIS LIFE. SAY IT WITH ME, A FLAWED REALITY IS WORTH IT MORE THAN STAYING IN FANTASY!!!! In denial of reality, both that Falin hasn't grown older, that everything can turn out perfectly, and that everything is lost and there's nothing Chilchuck can do to make his wife love him again or even make his party listen to him.

Chilchuck says this after he sees her materialize her parents as doppelgangers. And so he goes on to say- hey your family will never go back to how it was when you were young, my family will never be what it once was either, but we can both move on and make the best of what we have anyways, isn’t that what you taught me, there are more out there! I’m opening up myself to new relationships and friendships because of your pushes, and now I want you to do the same! Life goes on and there’s always more joy and connections to be had! Stop isolating yourself, dammit!

And the thing too with Marcille’s arc is that she can’t get what she wants. She can’t. She can’t get everyone to live forever if she doesn’t take others’ free will away, if she doesn’t make the world stop for her as she plays god with the laws of nature and the cycle of life. And everyone’s important to that arc obviously, Falin during the story is the main object of that fear, and it’s moreso her death that pushes her arc along but it’s still extremely influential, Laios is the main one who sees her insecurities and talks her down, Senshi’s always harping on ecosystems and laws of nature and how resurrections aren’t natural and is there to offer comfort and support, Izutsumi’s someone new Marcille gets to take care of and her farewell talk with her reveals a lot about how she’s grown, but seeing this it’s easy to see why Chilchuck is paired off so much with her on their respective arcs, right? The one who tells it harshly how it is even when the reality is unpleasant, who gives up quickly when it's about things turning good for him but who always pushes and fights on when it matters with the party, who challenges a rose tinted glasses perspective head on.

He looks nothing like a knight but he still acts like one. He’s nothing like a prince or a dashing romantic courting lover but still he gives her a novel worthy balcony heart to heart scene. He’s painfully real and raw but she does bring that twinkle of hope and romantization that makes the world feel more wonderful to him, but like she tells him, he’s virtuous and he should give things a shot because people see good in him too and not only the bad he always shittalks himself for, she’s not making it up, he always had that sparkle of knight and prince in him.

Like, giving someone a handkerchief is literally a romance trope associated with nobles and princes. And Chilchuck has offered Marcille his handkerchief at least twice! The second time in the cockatrice chapter as a bandage. He keeps it in his pouch, with his tools, like the most must-have to offer it Marcille at any moment, ha /j. Prince behavior <3 The cowl like a knight’s favour, a token from a loved one he cherishes above all and keeps on himself at all times. Story tropes shit.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

And man this whole angle makes the "Don’t you want to meet my family?" "-gasp- I really do want to! -turns away from eldritch power and living in her demon-made dreamscape that can allow her to live in fantasy to instead go back to flawed reality with her friends-" all that more meaningful and striking. A fitting end to her arc, a fitting hook to get her to turn back towards her and tempt her to give up on being dungeon lord. It’s always been just asking things and anecdotes about him and his family, never talking about meeting them, but by having someone so "fated with doomed love" open up and reach out to her "fated to never love", she opens up too, is willing to take the risk that any relationship entails, the same one that he took by offering it, the same risk they’re both averse to and scared of, loss and rejection. By actually meeting his family she involves herself in the stories she creates. It makes them real. She’s finally involving herself intimately with others, despite the real threat of loss that she will have to experience, wether through time and death or rejection.

Marcille and Chil’s arc, man…….. See, this is why I’ve been tilling the fields of that analysis for months this is why I’m insane about them, not only is there so much to say but her relationship with Chil straight up deconstructs her perspective on the world as idealized and influenced by fiction and fantasy and optimism. Like, he’s at the core of that part of her arc and man!! Man.

And the way that this is the culmination of their arc together… Like the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take is one thing but the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’... It makes it so so perfect if she were to lower her ideal from a perfect elven prince to a virtuous halfling man (which she does romanticize).

So she doesn’t want a prince, she doesn’t want a general, she just wants this guy she knows, this friend she trusts as reliable, who has good intentions even if wrapped in unpleasant demeanor, that’s all she needs to be content and well and feel safe. By the end, he might even have become something of a prince charming to her, won over with heroic acts and virtues.

After all- Remember when I said she wouldn't be able to be as touchy so lightheartedly as before with him? Well wrong, apparently! This parallel from chapter 23 just before the red dragon fight vs chapter 96 at the final feast confirms that her like of him and behavior with him was unconditional of him being a kid or an adult. Marcille is just Like That and that she just likes him. A good part of what reads as infantilization truly is just how she cares for people in general.

Conclusion

She’s afraid of change, so it's only fair that he would be perfect to teach her a thing or two. She had fantasies but he had experiences, both had bias.

Their arc says that love is a beautiful thing regardless of loss. Something both of them needed to remember. Life isn't like a novel. Sometimes an ending ISN'T satisfying, you don't get closure and it might not even be happy, but that doesn't mean nothing can end well, doesn't mean every farewell is bitter. Peace is worth both fighting for and making for yourself. You can't shut yourself off from the world because things sometimes hurt, there's more of life to live- won't you come meet my family? Won't you meet new people, won't I try to mend relationships that are dear to me? My family is flawed, but it's still worth meeting, still worth loving, still worth fighting for and keeping even with all its flaws, no? Elven storybooks don't feature half-foots, but they're worth spinning grand poetic and romantic tales for all the same. Life is bittersweet, and that's an acquired taste to have, but one good to be able to stomach as a whole.

There’s a lot of reasons why someone would love fictional characters but be afraid of love in reality, not unlike with Laios' and Chilchuck's own experiences love has a layer of danger and fear because it can hurt to love and it can hurt to be loved. People can leave you, and in Marcille that fear's mainly through death but for Chilchuck that’s through just… Leaving. Through giving Chilchuck optimism and hope, drive to keep going despite these realities, she’s also growing to be more comfortable with the thought of relationships ending and moving forward regardless. And I do think that was part of her arc of growing to accept that Falin might be dead dead, I think Chilchuck was a big part in that. Falin is the passive object of the arc but Chilchuck is the active actor pushing it along, in a way.

Because people can always leave, Falin will leave to travel the world, but she might come back- and that's okay. And that’s exactly the thing that the story wants Marcille to make peace with! Falin wants and needs to leave and Marcille needs to be content just taking what she can get, wether it be time with people or the boundaries they set with her. THE BOUNDARIES! THE BALANCING OF OPTIMISM AND PESSIMISM! IT'S CHILCHUCK'S DOING!! "The world isn’t all good, but you should be able to see the bright side of what you do get" is what she and Chilchuck learn. To learn that she can still enjoy when she is there, and still reach out to her and keep in touch through letters- to do what you can and to get what you can and to accept that as enough, for it to bring you the joy and peace it can. Don't push your expectations onto others, wether that's being overly intimate or overly judgemental, don't be too pushy but also don't be too afraid and not do anything at all.

In many ways even before, even on the regular Marcille was his gateway into being more lighthearted, always exchanging playful jabs, laughing at her. Teasing her because she teases him, lowering himself to her level until he looks back and realizes he’s having fun with it instead of just throwing jabs bc he’s the master of sarcasm TM.

Chilchuck smiling casually and softly, genuinely, when saying that things don’t work out sometimes, is just so powerful. From the man who always assumed the worst of everything, who always spoke of life and the world bitterly... By the end, while saying these things he’s smiling openly rather than smirking smugly. Carrying on with his go getter attitude with a touch more optimism in his heart. Now he's made his peace with life and sees the good in it, still.

It's all about... How flawed relationships with flawed people can still be made into somehing good and healthy that make the world brighter… How flawed relationships are still worth remembering and cherishing. Except the winged lion, there to represent abusive relationships you need to fucking DITCH.

Marcille and Chilchuck’s arc is about how in life sometimes books do close and end, but other ones can open and start, and to never give up on that. People’s lives, relationships, these things are temporary and inevitably end, but there’s meaning and joy in having been there for them, and focusing on the end and the pain and being pessimistic in it doesn’t keep anyone safe, not meaningfully. "It’s not all nice like in the stories. Sometimes, a book just ends." "And another opens."

Dungeon meshi promotes the important of balance for both a healthy body and a healthy mind, and optimism vs pessimism is one such case <3

MAYBE IT'S ALL COMPROMISES MAYBE IT'S ALL SWEET INBETWEENS. Maybe we'll take our vision of what we thought we could be and make something new together! DRINK IN MODERATION!!!!!! SEE LIFE LIKE FAIRYTALES IN MODERATION!!!!!!! THE RIGHT ATTITUDE LIES BETWEEN IDEALIZATION AND PESSIMISM

Disclaimer:

This was pretty messy but thank you so much for reading!!

To be clear! Does this arc exist in the text, the whole tropes and idealism vs pessimism thing, do they have tangible impact on each other as both characters and narrative devices? Yes. Is Marcille and Chilchuck the central piece of the story? No. Is Dungeon Meshi about this and how it all culminated into a cool Romeo and Juliette scene? Lol no. Chilchuck isn't the most important person to Marcille and her story nor is Marcille the one most important to Chilchuck. Just like the other major characters in the story, their dynamic and progressing relationship is a plotline/subplot amongst others, and the level of layers and subtext it possibly has doesn't erase any other part or subtext of the story. Arcs can coexist. Multi-layered relationships can coexist. Just a reminder that this is my own analysis and interpretation of canon.

Dungeon Meshi is about food and how it ties us to a life that’s worth living, about unity and trying to understand that which you do not, to not demonize that which is different or unknown, to connect with others even if it’s hard, even if it’s in unusual or undescribable unlabelable ways, and Marcille and Chilchuck’s relationship is certainly a pawn in these themes like every other relationship.

I’m having fun, but I don’t want anyone getting lost in the sauce. It's unfortunate that to many, acknowledging there's any merit to analyzing this subtext is equal to supporting a ship they dislike, but this isn't ship propaganda, this is analysis of canon text where I happen to see a more niche angle. You can disagree with an interpretation without saying that it's nonsensical.

Like I don’t wanna say I’m a marchil truther but if you define it as believing canon does have genuine and credible basis for it then yeah I guess I am. I feel insane everyone acts like they have no chemistry and no material and??? We exist on different planets I think Like I know I implied some romantic undertone but in canon it totally can start and end at two coworkers bonding and getting to know each other better and see each other’s perspective and it influencing them both for the better. No buts, you can totally do that. Although this plus the crumbs it drives me up a wall when people say they have no chemistry or ‘how come people see anything in this pairing?’ They’re literally a comedic duo? A comedic duo that interacts so so much that gets paired off in scenes, a thematic duo which is even acknowledged and reflected in the anime’s opening. He teases her 24/7 canonically because he finds her reactions fun/cute, the only person he teases on the regular, and she’s obsessed with knowing more about him and loves being touchy on top of it, plus reads him like a book because she files away every little thing about him in her memory, like if that isn’t a strong basis for a ship I think the bar has gone too high. I’m derailing but yeah just. Do you see all of this? They drive me insane, I feel like I’m reading the necronomicon when analyzing them, picking up on subliminal messages, I keep always seeing new threads. And it’s been my otp for like 2 years now, idk when they’ll stop having a grip on me but????? There’s just so much to dig into with them. There will never be another pair like them. Do you hear me there’ll never be another duo that hits all of these like this, do you see this insanity? They are my lifeblood and if i’m eating up anything them-related it’s because they’ve earned it so hard tbh. So yeah if I’m ever dramatic about marchil it’s because I have this 100k words novel narrative in my head and marchil is the meaning of life to me hope this clears it up

Which on that note idk what or when my next Marcille & Chilchuck analysis will be. I might very well make a bite sized, summarized version of this analysis because asking people to read all of this is kind of insane of me... And full disclosure I’m also very likely to edit points in or tweak bits every so often in this analysis because idk if I’ll ever stop thinking about it, and phrasing can improved. This has been in my drafts and outlined more than a year and I’m literally still adding extra points save me. I might also do a different angle on their arc because here yeah I mostly just dug at the prince trope angle, at ONE of many angles... Like one interesting thread in the manga is Marcille emotionally maturing and becoming more like her mother, on top of her regularly being a mom type friend the way she looks after Izutsumi and Falin, which could be interesting to pair with the fatherhood of Chil. Hmm. Anyways

And obviously do whatever you want, but this analysis and all is why I personally can’t stand the fanon that Chilchuck and Marcille have a father-daughter undertone. It goes against their arc together, which is explicitly, literally about her acknowledging him as a man, an adult, about coming to see each other truly as peers and her coming to validate him as an adult, then a father and husband from an outside perspective and a friend, and inversely him coming to not belittle her profession and philosophy. Their whole arc is about learning to see each other as an equal and equally value each other’s perspective and opinion. You could argue it’s also the arc that happens with Izutsumi, but honestly with her it’s a lot about Izutsumi learning to compromise and others instilling lessons to her onesidedly while learning to respect her perspective and boundaries, it’s not nearly as much of a reciprocal thing. Izutsumi needs to be heard, but she also needs people teaching her and guiding her. Imo it cheapens the arc, the whole point is that they’re just two people who grow to see each other as equals, that the Laios party is coworkers turned friends. Marcille doesn't need a new parental figure, she needs friends who'll keep her in check the same way she does them.

I do love the way that the manga avoids romance. For every romantic undertone there’s a platonic explanation that is just as compelling and especially to this degree it’s both rare and wonderful. I think that a lot of people need to learn that sometimes ambiguity is the point instead of something that needs to have a specific objective answer. Sometimes the intent is for something to be able to be read in different ways in itself, or that the complexity of the relationship is canonically something that cannot be put into a neat box. Which! Next analysis I'm very intent on making is gonna be about unlabeled relationships in Dunmeshi and queerness, see you there!

Fast and dirty TLDR

Marcille’s personality is very serious and direct. Due to this, she frequently gets into arguments with the master of sarcasm, Chilchuck. Chilchuck views Marcille as “the friend who cannot shut up”. He is often the practical foil to her more imaginative or idealistic views.

She actually thinks very highly of him! "He’s usually the most mature one of us" "he’s dependable, we’re counting on him" "No chilchuck is definitely virtuous", and at first it’s also through this twisted lense that he’s a kid, like she has to put people into boxes so they’re more digestible, tropes, in line with aesthetic, and at this stage it’s hard for her to see Chilchuck as being even able of wrongdoing really. And gradually that gets challenged when she sees that yeah, he’s an adult, and then BAM bicorn chapter- Because by then ok fine he’s an adult, but it hasn’t quite fully settled yet as we see in the shapeshifter chapter and she still has a warped view of him a bit, she has an accurate grasp on his behavior yet still sees him as a little angel. And then she "learns" he committed adultery. Her esteem for him hits rock bottom and she spends the chapter cold to him, she still cares and comes running when he’s hurt, but she’s set on mean mugging him, until it’s revealed that- He didn’t actually. Oh, actually he just has family angst. And she starts roleplaying and having her novel vision again BUT THIS TIME HER MIND VISION OF CHILCHUCK IS OVERTLY FLAWED. He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration, worth fighting for.

The prince charming figure has importance in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something more poetic, easy and digestible (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and where she needs to learn to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, but seeing their virtues too, like accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but who still is worthy of love and having his cute grand romance story and his happy ending.

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities and capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still a virtuous husband like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

[ask-the-druggieverse]

Who out of everyone eated the drugs the most?? Takes-ed em' Inhalation. Do any of thems takes its together????

- ALT - EDIBLES SWAP: Please don't overdose on edibles SWAP: it's not a healthy coping mechanism (Has heart problems and fatigue now)

POT Dust takes it in consideration (1-4 days), usually when he needs/wants to to chill/relax Horror does pot everyday

HIGH TOGETHER FRESH: Sometimes I join them FRESH: Tho... it's sad that they can no longer become sober

- IDK - If Error and Ink ever become sober the cannabis hangover will be CRAZY (dang forever weed brownie and forever weed paint...)

EDIT: My dumb dumb forgot to add a little message for Swap saying he's sober now :skull:

MAIN: @inkyu

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[francy-sketches]

Hiiiii guess who finished her pmv. finally. um enjoy :3

[an-internet-introvert]

I can’t wait to wake up tomorrow to a dash of

[melit0n]

Oh, but worry not.

Credits: @/runbilly -> twt

[emerald-cloud23]

Been hving this theory for a few months now that this "Master Wu caused the Merge" thing is just Wu having been surprised by how soon it happened. It wasn't supposed to come this early, we've heard him say it in multiple flashbacks

Also, theory that kind of goes along with this is that Ras is responsible for it happening so early. He mentions in s2 to Jordana (possessed by Rox) that he used Dragon Icons (like that really pretty dagger/sword Lloyd got from Motion at the end of s2) to lure the Energy Source Dragon and then captured it. At the end of s1 when Lloyd goes to release said Source Dragon (with the Dragon Energy Cores!) it says that 'freeing it could cause the whole cosmos to destabilize. That destabilization could've resulted in the Merge, which then threw Wu for a loop because it wasn't supposed to happen yet but it did. Oh, also I think it's obvious that either Wu can do some astral projection stuff now or he's actually dead (I kinda figured it would be the latter after the second batch of s1 dropped in 2023 but remained silent.. He's probably dead tho)

[maddymoreau]

Fallout New Vegas DLC Sleeping Arrangement Headcanons:

After making my post about my thoughts on how the sleeping arrangement inside the Lucky 38 would work with all the companions.

https://www.tumblr.com/maddymoreau/747184690349342720/fallout-new-vegas-lucky-38-presidential-suite?source=share

I couldn't stop thinking about the DLC characters so here’s my headcanons!!

Honest Hearts:

The Dead Horses and The Sorrows are always courteous offering my Courier Six a bed to rest in:

When traveling with Follows-Chalk if it's too late to return to the Dead Horses Camp, they'll find somewhere safe to sleep. The plan is to have one guard while the other rests. However, they stay up wayyy too late talking. Follows-Chalk teaches her how to read stars while she tells him stories from her travels.

Waking Cloud wears and uses her Yao Guai Gauntlet as a pillow (it also allows her to quickly spring into action). She misses her children and as they're falling asleep, tells Courier Six stories about them.

Joshua Graham is usually the last to go to bed, so he'll sleep on whatever bed isn't taken (or the floor). I imagine he always sleeps on his back. Since it distributes the pain evenly instead of putting a large amount of pressure onto one spot.

If my Courier Six is also awake she'll say a prayer with him before bed.

If Joshua is up late working on inventory and my Courier Six is inside Angel Cave, she'll be lulled to sleep by the fire and noises he makes.

Dead Money:

You know how Dean Domino has secret stashes hidden everywhere? He also has hidden sleeping spots. Multiple pillows and blankets which he does NOT like sharing but will begrudgingly with my Courier Six.

Dean Domino has lived in the Sierra Madre the longest, which has caused him to become a light sleeper. He will always bitch about back pain, regardless if he's sleeping on an old mattress or couch.

Once, when traveling with my Courier Six, she got VERY sick and dizzy from the red cloud, forcing her to rest. Dean thought about ditching her (but couldn't with the whole "wedding rings around their necks" plus he wants to use her for protection). So he dragged her to one of his spots. When Courier Six woke up she thanked him and offered to keep watch, so he could rest as well, which he reluctantly accepted.

Courier Six is the only one he'll sleep around.

Christine has an extremely hard time falling asleep because she’s afraid she'll wake up in the auto doc.

My Courier Six offers to sit next to Christine, hold her hand and keep watch while she tries to sleep. My Courier Six's perception isn't high enough to understand Christine, but she can sympathize with how difficult it is to fall asleep in the Sierra Madre.

Dog and God sleep sitting perched up against a wall. Dog snores while God doesn’t. He's far too large to sleep comfortably on most of the furniture scattered around. Courier Six worries about him but can't convince him to sleep differently.

Old World Blues:

My Courier Six sleeps in the bed inside The Dome. However as she slowly begins repairing everyone inside The Sink (Muggy, Toaster, Jukebox, ETC.) it becomes harder to sleep in there. She also feels WAYYY too guilty about the idea of turning them off.

So near the end of the DLC after getting closer to everyone she starts occasionally sleeping inside The Think Tank. Specifically using the weapon trunk and table next to Dr. 8 as a makeshift desk.

My Courier Six has 100% woken up to some of them hovering over and observing her sleep 👁️👄👁️ (especially Dr. Dala).

After she peacefully resolved things with Dr. Mobius, before returning, she slept on his floor. Making sure not to sleep on or touch any of his notes. Despite this, she woke up with math equations written on her face.

She has no idea how he did that.

His humming and silly singing soothes her to sleep:

Lonesome Road:

My Courier Six is FIGHTING for her life in The Divide and sleeps whenever she can (which isn’t often). Ulysses is watching her from a distance and will also (sometimes) sleep when she does. Due to his past as a member of the Legion and a Courier. Ulysses is able to sleep easily in odd places.

ED-E watches over my Courier Six while she sleeps. Alerting her to any danger. However, until she falls asleep, ED-E lets her hold him like this:

It makes her think of home (The Lucky 38). Since that's how she usually sleeps with her ED-E in the Presidential Suite.

[hesbianyaoi]

The Soukokus and the Four Symbols: Pt 1

STARTING OFF BY SAYING: This is just a fun connection/"theory" (if you would call it that) I made while reading BSD, so not everything will be connected exactly to the T. I just love mythology and Byakko has already been confirmed to be a celestial being thanks to chapter 119, so in any case, buckle up and enjoy my insanity.

WHO AND WHAT EXACTLY ARE THE FOUR SYMBOLS?

The Four Symbols—also known as the Four Guardians or the Four Gods—are constellations and mythological creatures in Chinese (and other countries in the Sinosphere) culture that are believed to be the protectors of the four cardinal points: the North, South, East and West.

They also had correspondence with the Five Phases (Wuxing), the philosophy that the fundamentals to the universe were composed of elements and their relationships to one another. These elements include nature, seasons, times of day, directions, and colors.

The Four Symbols are the Azure Dragon of the East, the White Tiger of the West, the Vermilion Bird of the South, and the Black Tortoise of the North.

Sound familiar?

It's like how Soukoku + Shin Soukoku is associated with the colors blue/red and black/white. This alone wouldn't be enough for me to make this entire thing such a big post in the first place, though; it's the very nature of everything else in Bungo Stray Dogs concerning the Soukoku's and the subtle symbolism they have connecting them to these divine beings.

For the sake of my own mind, we'll be discussing Shin Soukoku in this post, as they have the most relevance to the recent update and to their associated guardians/gods. Interesting since they create such a unique Singularity, right?

ATSUSHI: BYAKKO, THE GUARDIAN OF THE WEST

We have the most information about Byakko thus far, so it only seems fair to start off with her.

Byakko's associations with Wuxing include the color white, sunsets, autumn and its desolation, and the west itself. These are things Atsushi is commonly associated with, such as sunset/moon symbolism, how the sun sets in the west during the autumn equinox, even his joke title of the Wimp of The West in chapter 33.

Atsushi's white tiger is something we already know is highly sought after from all around the world, and we already know that the tiger itself is a "bookmark" to locate the book. The Book is obviously representative of something otherworldly, something as heavenly as its association with creation and life, and of course, Byakko is the literal guide to finding it. Because of course she is.

Byakko is more than just a white tiger; it is the embodiment of justice, protectiveness, and righteousness. It is the king of beasts and a capable warrior. She's more than just an ability (as we see in Dead Apple, alongside Rashōmōn, since they're the only two that take their own forms compared to everyone else's abilities being mirrors of themselves) as she resides inside of Atsushi's body as another physical being entirely.

Canonically, abilities are described as receiving their power by their user's souls, which is why an ability will disintegrate once their user dies.

But Byakko is not just Atsushi's ability; she is an entire being residing within him, two souls in one body. And not just any being, but a god.

It's also speculation on my part, but Byakko is often referred to as the "key" to finding The Book when in actuality, she's most likely protecting it. Fitting of the White Tiger's role as a guardian of justice and morality—if it fell into the wrong hands, balance would be broken.

AKUTAGAWA: GENBU, THE GUARDIAN OF THE NORTH

Also known as the Black Warrior of the North, as the character 武 translates to warrior/knight and is a much more faithful translation. Compared to Atsushi's more blatant connection to Byakko, Akutagawa's connection to Genbu relies more on subtlety, which I would say picked up during chapters 117.

His death, becoming a vampire, and the time spanning from his death until now could also count as a form of hibernation, given the fact tortoises hibernate and winter is the prime time for hibernation to occur, which aligns with Genbu's associations with Wuxing: the color black, winter and its frost, midnight (prime time for traditional vampires), and the north itself.

From the beginning, Akutagawa has always been associated with black as his signature color. Rashomon, his armor, is his protective "shell" like that of a tortoise. In the most literal sense, he is a warrior—a true knight, further emphasized by Bram's final wishes and desires to protect. It's also worth mentioning that the Tortoise is revered as a pillar of support during challenging times.

Honestly, need I say more?

Genbu is also associated with resilience, wisdom, and most importantly, immorality. The story of the Black Tortoise (Xuanwu) varies from legend to legend, but the general base for the story is the same: Xuanwu was once a mortal who achieved enlightenment and became immortal by pulling out his stomach and intestines, the last remains of his human parts. Once he pulls them out, they become demons, and he must subdue and tame them—quite literally overcoming his own sins.

In a twisted sense, Akutagawa's death was a form of enlightenment.

He dies believing that Dazai truly didn't abandon him, that this was all just a test, and thus he dies with a smile on his face. Now that Akutagawa is awake, he doesn't remember anything besides his knightly duties. It is a new beginning for him, one without the demons of his past weighing him down internally.

He is anew. He is enlightened.

SO, WHAT COULD THIS MEAN?

That's the thing. It could mean nothing at all except for speculation. It could mean something bigger in store for the future of the story. The point is that we don't know what could happen or what any of this could mean outside of correspondence with mythological archetypes. Regardless if this actually contributes anything to the plot, the similarities between Akutagawa-Atsushi and the White Tiger-Black Warrior were too fun to resist talking about, which brings up another point.

Byakko and Genbu, Baihu and Xuanwu, Atsushi and Akutagawa, the new Double Black. They all represent the same thing: balance.

The tiger is representative of its protectiveness and righteousness whilst the tortoise is associated with its wisdom and the strength of a warrior. All four guardians are responsible for the balance of the cosmos and nature itself, and for the Soukokus, it is the same.

The balance they fight to keep is not only between themselves and each other but for Yokohama, for the fabric of reality itself. (And it's something I want to go deeper into when I focus on Dazai & Chuuya next.)

[transtalesofdoom]

One year of Being Trans - A Review

If I timed this right, this post goes up exactly one year after I realized I was trans. Like, down to the hour. A lot happened since then.

I did some trial and error with labels, decided none really fit me, but settled on nonbinary transmasc to communicate it to others.

Picked the world's most stereotypical trans name for myself.

Came out to friends pretty much immediately, family to come soon.

Tried on a binder and fucking hated it.

Made this blog to organize my thoughts.

Deliberated on pronouns and how I want them to be used.

Came out to my therapist. Got a written confirmation for being trans. Scheduled an HRT consultation. Came out to several more doctors.

Developed a new, different kind of body image issues. Possibly dysphoria? Maybe just internalized fatphobia but for a different gender.

Worried about whether this new, more authentic, me might be unlikeable especially to my friends.

Looked at pictures of top surgery results and almost cried.

Hated my periods more than ever before.

Managed to schedule a top surgery consultation (one year in advance because waitlists are crazy like that)

Scheduled a different HRT consultation because the original one cancelled on me.

Learned a lot about trans issues and the hurdles in Germany.

Watched a new law pass to enable easier changes of legal name and gender.

Officially and legally changed said name and gender through said law!! Got a new ID, too. Started changing my name on all sorts of official documents.

Cried to at least one Philosophy Tube video.

Cried a lot, in general.

Watched a verdict take effect that allows health insurance companies to deny gender-affirming treatments.

Fought with my Health Insurance. Fought with the Committee that has the power to change these regulations again. Oh yeah also watched my government fall apart in real time and next up is eternal conservative leadership forever lol. Fought with my health insurance some more.

Wrote more goddamn emails than any person should have to in a lifetime.

Overheard my roommates talk about me with my new name and pronouns, several times.

Discovered a near eternal amount of bizarre gendered concepts hidden in my brain. (did you know hair is girlier if it curls right instead of left?)

Stopped hating my reflection. Started hating my reflection, but for other reasons. (Honestly I'm pretty sure that one's a depression thing)

Learned a lot about myself.

Fully moved past the concept of gender as it's enforced today.

Played a Pokemon game with my real name for probably the first time since I was 9.

Learned an absurd amount of platypus facts.

Felt so drained and tired almost every day, fighting for my basic rights and personal fulfillment.

Lived more as myself than ever before in my whole life. Finally took an interest in the person I am. Finally took my existence into my own hands. Finally dared to become someone, rather than just be.

Overall score: 9/10, wouldn't miss it for the world.

[imagine-shenanigans]

hey guys i haven't even had a chance to see atsv yet i just know spoilers and i want this man biblically, i'm talking carnally, i want him in a way that hurts feminism, i want to bring the whole damn movement down so i can be his stupid little housewife and raise his damn kids so i can watch him be happy and then also get railed into losing every brain cell i have

anyway here's some abo headcanons, they include spoilers for the movie/his backstory probably because idk what is and isnt a spoiler because i havent seen it yet.

also this one works a bit differently than my normal layout, it goes SFW and then dips NSFW and ends with more SFW but they're all clearly labeled!

Reader is written gender neutral with they/them and the nsfw section has afab and amab sections, but since I'm Nonbinary and AFAB that's probably how it's gonna come off for most of the reading, just to warn you!

Miguel O'Hara x Reader N/SFW ABO Headcanons

Rating: Explicit

Word Count: 5k words

Content Warnings (tell me if I miss any): Dubcon, ABO, Obsessive Behavior, Toxic behavior, Omega reader, Alpha Miguel

For these headcanons we're gonna exist in a weird liminal space where Gabi is like, five to six or so and he brought her home with him or some shit idk man I just think he's a hot single father anwyay, also this is assuming omega reader because i think it's hot

if anyone wants a version where Miguel follows more canon and he still lost his kid and came back you're free to request that too i love that shit, just for this specific one i wanna raise his damn kids so-

SFW

Alpha, big alpha energies.

Miguel is the type of guy who's pretty obsessive with what he claims as his, I would honestly say borderline yandere vibes without fully delving into it - his mental state in this au/situation is also a lot better since he still has his daughter, so he's genuinely a lot less "feral" than he tends to get without her, even though in this we'll say he did almost lose her.

So when he claims someone, he's going to be damn sure he means it.

This ones a bit of a general headcanon but he doesn't really have a type when it comes to the people he likes, other than he needs someone who's interesting to him. Whether it's because you're hotheaded, or even keeled, whether you're snarky or sweet, he just needs something for his brain to latch onto.

Not a love at first sight guy but he is an "obsession I can't place" kind of guy.

Miguel has really enhanced senses when it comes to scenting, so it takes some damn strong suppressants and scent blockers to completely block him out... which if we're pretending reader here is falling with the abo trope of "hiding being an omega" (which we are because I love tropes) is just what gets him obsessed. Clothing and perfume that masks your scent, suppressants and scent blockers, and a confident attitude are all enough to throw most people off the (forgive my pun) scent.

But not Miguel.

His spider DNA has the animalistic side to it that fucks with his hormones regardless, makes it easier for him to pick up on the pheromones that even most attentive alphas can't, he's damn near a personal lie detector with how smart he is and how attuned he is to what his nose and instincts tell him, even when he's using serums to keep the more feral urges at bay.

He can only get a whiff of you, fainter than most betas, and it drives him fucking insane knowing he can smell something but he can't figure it out. He can't place it, and it nags at his brain. He can smell a whiff of flowers, or sugar, or something undeniably citrus (depending on what you headcanon your own smell to be) but he can't place it and he hates that shit.

Ends up pulling some traditional alpha shit and he can't even help it, starts trying to crowd you until you kick him in the shin or Peter B or Jess shoos him away. He has to figure out what it is, he has to know.

It only gets worse when he brings Gabi in (a babysitter fell through) and you end up butting your way in to play with Gabi and Mayday, delighting in watching them for the day instead of whatever you were supposed to be doing. They're both so cute and sweet.

Gabi smells primarily like cinnamon and a bit like dewey grass - she's not old enough to have presented yet, but her basic scent, unaffected by the secondary gender hormones, is simple and sweet, reminds you of a summer morning.

She takes after her father in that regard - Miguel smells *warm* and a bit musky, like trees and cinnamon and, a bit like a camp fire. A small tinge of oil, when you pick it apart, and you can't tell if its from the lingering scent on his skin after fixing a broken machine nobody else could, or if that's part of his natural scent.

(Mayday smells like marshmallows, and carmel, funnily enough)

When you take care of Gabi and Mayday, your scent lingers on their skin, mixes and twists in a way that Peter B can't notice but Miguel can. It's all he can do not to be a damn freak and pick his baby girl up and sniff her hair to try and figure out why she smells like that (not in a creepy way, to clarify because there are some freaks on here, but in the same way a dog gets baffled by smelling you use a new perfume, or in the way of when you pick your kid up and go "WHY DO I SMELL CANDLES ON YOU WHAT WERE YOU DOING")

He almost can't stand how his head swims when he watches you pick Gabi up and gently throw her up in the air a bit, watching you let her climb onto you while you're distracted just like Mayday does. Soothe her tears when she accidentally breaks a toy because she's still learning to control her super strength.

He doesn't know that he wants you either, not until long after he's already manifested feelings. Doesn't realize how protective he is, doesn't realize how differently he treats you. He doesn't realize he's lingering in your area just long enough to make sure he can fill his nose with the faint scent you give off.

He assumes you're a beta - not that it mattered to him, really. Miguel would just as soon marry another alpha as he would a beta or an omega, as long as it's you.

He doesn't realize what he's doing until he's got a piece of your clothing in his hands, holding it in the dead of night up to his nose. A scarf or a glove or a jacket you'd leant to Gabi during the day and she'd spilled her juice on it and he'd taken it home to wash it.

He can smell his daughter's scent, louder than life, so familiar he could have a handful of pepper thrown at him and he'd still be able to wrap his arms around her and move her out of harm's way in the direst of straits.

And then there's yours, linger, mingling with his daughter's scent, and it's the parent of his child.

It's not, it's not the woman who birthed Gabi, it's not the woman who contributed to making her. It's you, the only other person he ever wants near his child in that capacity. And it's intoxicating. It's infuriating. It's overwhelming because the full breadth of his own emotions is so strong as he realizes what he's been doing. And he can't even tell you because he holds himself to a specific standard, a specific code of ethics, and even though he wants to risk it all just so his hindbrain (both alpha and spider and his own human instincts all mingling in one) can have his little loves all wrapped up in his arms, safe where he can protect them.

He only just has the strength to wash the piece of cloth and return it. It takes everything he has not to cling to it, to make a pretty little nest to protect his family in, webs and pillows and fabric, a basis of protection so you can properly make it your own and -

He controls himself, and returns the scarf the next day, leaving it on your desk because he can't bear to look you in the eyes.

The days struggle by, a stark contrast to his normal snark, to lingering in your space and snorting and rolling his eyes. To being by your side more than he normally is. It's disheartening, it makes you feel rejected, and he knows it.

But he doesn't stop, this tension that can cut through the air lingering. Even Gabi and May notice it, the older girl frowning and the younger fussing when the two of you are in the room together.

And then your heat happens.

(brief bullet point break because there's a limit to how much you can have in one bulleted section on tumblr and I don't remember what it is but I'd rather just break here)

You've been on suppressants and scent blockers for years now. Being in your line of work (whether you headcanon this as a spiderperson version of you, or a different kind of superhero, or a civillian all working in the society) it's necessary. Omegas aren't rare but they're not the majority of the population like betas are. In Nueva York, it's a coin toss if you'll be fought over in the streets like some prize to be won, or if you'll be coddled like a child who can't figure out what's best for them.

It's half safety half preference at this point, from your original universe's standard (before it had burnt to cinders before you), and this one's. Your suit, your meds, and your behavior, they're all meant to mask and confuse.

But you can only make it so long on the prescription you've got, the long-lasting shots that were more reliable than a pill. The scent blockers go first - not by design, but by chance. You'd been giving yourself lower doses since you'd wound up in Nueva York, supplementing it with deodorants and lotions swiped from stores and hospitals that could afford to spare the supplies when you can't buy it covertly. But you'd still been low in comparison to your suppressants.

You shower more frequently, lather yourself with soaps and deodorants and lotions of different scents and ones that have blocking effects, and for the most part it works. You can't quite fool Gabi - too smart, too tuned in to your emotions like her father could be. She's got a sharp nose, and she wrinkles it when she can smell how confusing your scent is. She asks questions, and you can't lie your way out of it, but you are able to bribe her so she's distracted long enough that she forgets the question. Miguel notices, when he picks up Gabi, but he can't quite figure out exactly what's wrong, and you leave so fast (he assumes with the tension that lingers between the two of you) that he can't figure it out.

You're so certain you're in the clear.

But then your shots run out, and even you can't get more without a prescription. And while your health information would never go through Miguel, you know that the medispiders have to go through him or Lyla for any heavy duty things like suppressants, because they have to be resourced more carefully.

And your last doctor, although wildly shady, and incompetent, and operating out of an apartment, was right about one thing - suppressants will rot you from the inside out if you're not careful. If you don't let a natural heat occur, it will only be worse in the long run. (Although you suppose he probably had a greasier, grosser reason for telling you that.)

And rot you from the inside they have - all your natural reactions to a heat, all your normal bodily functions don't work properly, when confronted with something they haven't seen in years. You know within seconds of your suppressants flushing out of your system what's going on. You're still in the pre-heat phase of things, and you feel like you're dying. You aren't, and you know you aren't, but you feel nauseous and feverish and incoherent within an hour tops. Only long enough to let you panic and send a text to Miguel that you can't watch Gabi like you'd planned. That you're going out ad you won't be back awhile. You leave your phone in your room, when you pack your bag and head for the nearest somewhat reputable hotel that you can afford. You brace the door with the dresser, explicit instructions left for the front desk to, under no circumstances, contact you for the next week.

You get an order of pre-made meals to slap into the fridge, water and juice and all sorts of drinks and things shoved haphazardly inside once the bot brings it in through the window. You're barely coherent enough to retain control to crush the landline, rendering it inoperable, before you barricade the rest of the room.

You're definitely not in control when you nest, blankets and pillows and clothing all thrown haphazardly around as you go fully out of your gourd.

You're damn well out of your mind by the time you would have normally realized the card you were using was in Miguel's name.

(another very brief line break in this portion for drama but also so I don't hit any limits)

Miguel is pissed when you leave so suddenly.

Sure, he's been avoiding you, and sure, you aren't actually together, but you're his damn it. You don't know it, and sure, he's not going to acknowledge it out loud until something happens, but you can't just leave him and your child and his child who loves you high and dry like that!

It's laughably easy to find you, to find the hotel you've checked into. He doesn't even wait to figure out the reason you left, he's so quick on his honestly kinda toxic bs.

Gabi is left with Peter B and Jess for a bit, and Miguel is honestly so smug that he finds you so fast. You were so sloppy about it. So quick to leave that even though you left your phone behind, in a moment of clarity, you barely bothered to take back streets. You used his own damn card he'd given you to pay for the hotel for two weeks, and to order food.

If he weren't half out of his mind with concern and anger about how quickly you left, he'd be angry you used the card without asking like you normally did.

(His hind brain purrs with it though, knowing he's provided for you)

He doesn't know what did it. Miguel genuinely doesn't know what he did to earn your ire in such a way, but he can guess. He doesn't think it's how cold he was, in the beginning, but he isn't sure that it's not how he'd warmed up to you. How, when he'd let his guard down without realizing it, that he'd flirted with you. Had that made you uncomfortable? Had every 'innocent' brush against you turned you against him? Certainly, it could be his absence, his sudden coolness and stonewalling. It could be how he refused to look at you, when you were in the room. Tried to hold his breath after he'd realized what he was doing.

He doesn't really listen to Lyla when she tries telling him things. He heard where you where, found out the room, and swiped a key before Lyla could finish talking about vital signs and behaviors. She knows to set his alerts to emergency only for the foreseeable future, because she's figured it out much quicker than he has, and she figures she'll at least spare herself the trouble. Gets Gabi set up with Jess for the night, and is on her way so she doesn't have to deal with what's about to go down.

He's surprised by the dresser in front of the door, when he tries to get in the first time. It's easy for him to move - he just lowers his center of gravity and pushes his way into the room, slamming the door shut before he can inhale.

The hotel room is nice, with a kitchenette and a small entry area with a couch and a television. The bedroom is just tucked out of sight. Exactly what he expected when he'd heard the hotel's name - he'd never been, but he recognized it.

And it's when he inhales, that he realizes why.

Your scent hits him hard and fast, chokingly sweet in the back of his throat in a way that makes his hindbrain roar. His pupils blow wide, and if he didn't have such a strong self control, he'd have torn the damn door off its hinges looking for you.

He remembers, in that moment, why he recognized the hotel. It was one that was best known for its handling of customers in heat and rut.

NSFW INTERLUDE

(We're gonna start with general headcanons and go back into the specifics of the scenario in a sec but it's all relevant fjasdkl;)

Miguel is a Dom-leaning switch, he prefers to be in control as often as possible, regardless of whether he's topping or bottoming. Nine times out of ten, he wants to fuck his partner until they're an incoherent, babbling mess, because he enjoys the power and control it gives him, enjoys the dynamic of it.

As he gets more comfortable with a partner, he's more willing to accept the idea of subbing, enjoying it more when he has someone he trusts behind the wheel, so to speak.

(Because yes, Alphas can be subs too - that's a whole thing I could get into and might if someone asks)

And Miguel, even normally, is already a possessive guy. He's needy, and stakes his claim, and when we're talking about abo Miguel?

Sheeeeeesh

The moment he scents you in the air, the moment it clicks in his brain that you're going through a rut or a heat, it goes straight to his dick.

He damn near loses it, fighting not to tear the door off its hinges as he stalks to your room. Your scent is so strong in the air that even though he knows he should turn around, he still at the very least wants to make sure you're okay. So the sight of you, face down, ass up, fingers pressing into yourself, he almost loses his damn mind.

His pretty little wife/husband/spouse coworker, his crush, is an omega. It's almost too good to be true, and he can feel his fucking fangs extend, his mouth watering as he stares at you. You're too blissed out to even realize he's there, slick dripping down your thighs like a fucking faucet... and his name is on your lips.

He could cum untouched, could die a happy, happy man after seeing this.

He has dignity, and self control though, even as the force of your hit heats him. He's genuinely concerned, a moment later, his instinct to breed to claim tampered down by his need to care.

You cling to him, hazy, feverish, and incoherent. You beg him to claim you, to mark you, to fuck you. Miguel wants to, he does... but he instead kicks his shoes off but otherwise stays fully clothed, his cock so hard it hurts as he grabs the closest bottle of water, and an ice pack, and climbs into your haphazard nest with you. He probably should have left by now, but instead he seats you against him, your back pressed to his chest, and he presses the ice pack to your forehead, ordering you to keep it there as he makes you drink water, sip by sip.

You whine, and beg, and squirm, but you obey.

He fucks you on his fingers, once he's gotten some water into you. Hard and fast, leaving you breathless, tense, until you cum all over his fingers, oversensitive as he fingerfucks you into another one, and another, arms like steel wrapped around your waist as one hand pounds into you, the other wrapped around your dick or circling hard on your clit. It's not enough to genuinely sate your heat, but it's enough to help. And he doesn't trust himself to put his own mouth to use - barely trusts himself to speak, even though most of what he growls into your ear is, strictly speaking, complete and utter nonsense as he's caught in the moment. Every time you cum, he praises you, telling you how good you are for it. How sweet you look, with tears streaming down your face, cumming so well for him.

When there's enough coherency for you to have a conversation (but not coherent enough to be mortified), Miguel is able to get the rough gist of the situation. He really can only piece together that the heat is going to be a strong one, that it came fast, and that you had panicked. There's a confession, to be had there. He agrees to help you through your heat, but only under the condition that you're his.

It's toxic, and of dubious consent at best, but he'll pull as many orgasms out of you as needed to keep you coherent enough to talk to him. He's helped an omega through a heat or two, and he knows what he's doing. He's not exactly clearheaded himself, in making the decision - but he does make sure that this is truly what you want before he proceeds.

When he's sure that it's not just the heat speaking, that you truly do care for him, that you want him to stay even after your heat has subsided, he allows himself to indulge.

Sympathy ruts are common, and it builds slowly inside of him as he indulges in his instincts. Holding you, kissing you, pressing his fingers inside of you over and over and over again until you pass out. He keeps you wrapped up in the nest, adding his shirt to the mix while you sleep, but not trusting himself to completely strip quite yet.

Miguel is an attentive alpha.

(While you sleep, he excuses himself from the nest to call his daughter, to assure her everything will be okay, and he just explains simply that you'd gotten sick, that you needed him for a bit, and that he'd be back once you were feeling better. He promises to call every night, and he works out a schedule with Peter B and Jess in the meantime.)

(When you overhear him, voice so soft, so protective, so gentle, it half makes you want to swoon, and half want to climb on his lap and fuck yourself stupid on his cock until he fills you up so you can give his daughter a sibling.)

This man is going to spend a good majority of his time pre-sympathy rut fucking you open on his fingers and his mouth. He wants to make sure you're ready, wants to make sure he can enjoy this for as long as possible.

By the end of it, he makes sure to fuck you, nice and steady, a hand on your throat and his lips on yours. He makes sure you're nice and coherent for it. He wants to make sure you remember it, when he claims you. When his (fucking horse cock, the dude's packing like ten to twelve inches which is great for my chubby bitches like me) dick fills you up so full that you're almost certain you'll break, hiccupping and sobbing as you keen and wail, the nest below you soaked as he fills you up. His fangs sink into your neck and you cum, right then, his hands grabbing your thighs so hard he's sure it will bruise. He fucks you through your orgasm, knot catching until it slips inside. He rubs your clit/tugs on your dick as he finally knots you, making sure you cum just one more time for me, cariño.

normal Miguel definitely has a claiming and breeding kink, so it's fucking intensified by ten when he's omegaverse Miguel... let alone when the man's subject to his rut. You'll be covered in scratches and bites and hickies by the time you're both coherent enough to function properly again.

Which... for Miguel, is a solid few hours of coherency at a time.

For you? You're only ever coherent in short bursts, and it's like the peak of your heat constantly for almost the full week.

This next bit just mostly borders on nsfw/has some nsfw parts so i'll put it at the end here before going back to sfw

Like I mentioned before, Miguel is a very attentive alpha.

He's going to fuck you seven different ways in an hour with his superhuman stamina, but he's also going to make sure to actually take care of you.

He makes sure you drink electrolytes and water in equal measure, makes sure you eat, and sleep, and he bathes you himself, carrying you into the shower and keeping you pressed against him as he massages your muscles and washes your hair and body with a soft cloth, using completely unscented soaps and shampoos so it doesn't overwhelm you. Presses bandages to your scrapes and bites so you'll heal faster. Cool cloths and ice packs and fever reducing medicine.

He finds he has to bribe you, during this time, even for the most basic tasks like eating and drinking, and he would be lying if he said he didn't enjoy having to plug you up with his cock just to get you to eat wasn't hot as hell. The fact that you need him so badly you'd rather forgo basic necessities... it's addicting. Granted, he doesn't actually let you - he's got enough control that he can make sure you're taken care of in all regards.

Back to SFW time!

After your heat itself passes, you're subject to the suppressant sickness that comes with it. Your fever has broken, but you're still nauseous and dizzy and fatigued as your body flushes everything out of your system.

Miguel is beyond pissed when he finds out why you're still sick.

It's reckless to not even have a natural heat once every six months, let alone taking your suppressants so solidly that you hadn't had one in years. If he'd known, he'd have said consequences be damned and would have bitten you the moment he walked through the door, and taken you to the hospital.

He doesn't care how embarrassed you are, when he packs all of your things back up into the sealable bags, and dresses you in his own clothing. He's almost out of his mind when he takes both of you back to HQ - only just remembering to take back corridors to the medic so they can check you over properly.

You've then got two spider people who are pissed, as the medic rants about how dangerous that was, how stupid it was that you did that, instead of just swallowing your pride and letting them help you control things. They order you on house arrest for a full month, to make sure your body can recover properly. No suppressants, no scent blockers (at least the medical kind) for a couple years, and only medicine that's medically necessary, and even then it has to be monitored more carefully.

Miguel lets the Medispider tear you a new one for a moment while he steps into the hallway, giving you privacy and space to figure things out with the doctor while he catches up with Gabi.

When you're done with the Medispider, it's not a question on if you're staying with Miguel or not - you really don't have a choice in the matter, he tells you. When you're recovered, you can decide if you want to move in or not, but until then he was going to personally keep an eye on you.

Gabi, who lacks the complete understanding of the why and the how behind it all, is just glad that the person they've been trying to scheme their father into confessing to is actually going to live with them. (Even if only for about a month.) She grins smugly when she realizes you smell like her dad.

Miguel lets you have pick of the house, when he carries you back to his beautiful, cozy suburban home. He leaves the proper tour up to Gabi, as he carries you both, letting Gabi tell you about everything excitedly. You stay in his bed (you two had claimed each other, and although Miguel does give you the option of your own room... you'd rather die than lose the comfort that comes with being around your mate.)

Miguel cooks properly for you while you stay with him and Gabi.

No more prepackaged meals, he sneers, instead making you chicken noodle soup from scratch, with bone broth and lots of vegetables. Breakfast every morning before he takes Gabi to school, tucks you in to sleep while he pops into the HQ to check on things. He's out of commission from missions while he cares for you, but he still makes sure things go smoothly. He's home by lunch, sometimes bringing you fast food instead of cooking so you can have your fill of a greasy burger or fries or something to sate the part of you that needs something unhealthy and indulgent. Holds you in his lap while you both eat, watching TV on the couch.

He finishes his work and goes on emergency-only mode when it's time to pick up Gabi from school. He tucks you into the passenger seat if you feel up to it, buckling you up himself and pressing a kiss to your lips, even though he doesn't need to. He knows you can buckle yourself up, and lets you do so when you insist, but it makes him happy to know he's taking measures to keep you safe.

He does force you to take a blanket with you, just in case though.

When all three of you get home, he makes dinner, sometimes with Gabi helping him, sometimes you, sometimes just himself. He has a pretty wide range of foods he ends up making, but it's primarily because they're foods he likes, or Gabi likes, and he learned to make them. He's a good cook, overall.

It's the best work-life balance he's had in a long time.

When you're better, he all but begs you to stay.

And god, how could you say no to him?

(Also for those who it matters for, if you do end up pregnant from the Heat Adventures he obviously loves kids and would love one with you, but if you don't feel ready/don't want to have kids other than Gabi, he absolutely respects it, and will talk about options with you. Granted, he'll be disappointed, but at the end of the day it's not something he CAN'T move past. Discusses birth control options with you almost immediately when the two of you get intimate again.)

[lemurballing]

weretangle behind-the-scenes design progress

i love <3 rambling about my design choices and i actually have a bunch of weretangle concept sketches to share and go off about

i started pretty early on with the ‘sonic = nightmare wereform, tangle = titan wereform’ idea - picked titan because it was one of the few minions without stretchy abilities, and i thought it fit well for tangle’s design and to contrast how she usually is, and then i did up some initial sketches leading to this one:

i didn’t push her proportions very far with this one, mainly just the exaggerated forearms and a liittle bit of extra fur; not nearly werecreature enough i gave her tusks as an inversion of fangs, considering tangle’s wereform is sort of an inversion of sonic’s and this would be an easy way to contrast them to a viewer; i also added some pinkish markings as a way to introduce a third color, like werehog gets an extra fur color in white, and to echo dark gaia minions having their glowy spots. the shoes are mostly her regular shoes with randomly different lacing pattern, as well as glowy aggressively pink soles with spikes mimicking titan feet, sorta. they’re a different shape.

from here, i tried pushing a little more and got these:

and here i go more for the ‘towering werelemur not used to her size yet’ angle, as well as still using a spiral arm pattern - which i struggle to draw consistently in any of the sketches that use it lol

the bottom right sketch is the first i did on this page; the shoe design is about the same as the first concept with regular laces, but the whole body is pretty different, using a lot more bulk. i use a consistent ‘wavy/fiery’ sort of shape for fur tufts, going off the two tall firelike spike-things titans have, using it for her tail also - i gave this up after this sketch because it would be hard to translate into a shape you’re supposed to see in 3d from multiple angles, such as her tail or hair, while also retaining a consistent ‘fiery’ shape. some of the added fur i liked and kept, others (like the tufts right behind her head up from the body) i toned down, and some (like the shoulder spike tuft) i removed entirely. she also had a marking between her eyes - also meant to echo dark gaia minion glowy markings - which didn’t stick around past this sketch, since it looked too ‘intricate’ - it would stand out against werehog sonic and call into question why he doesn’t have any glowy bits, and my main idea going into this design was ‘a design that can appear besides werehog sonic and seem like it’s from official media’, otherwise i’d just redesign werehog sonic a bit

the little chibi werelemur tangle as size reference to werehog sonic is sort of its own design; a little more ‘boxy’ or less ‘flowy’ than the other, slightly shorter arms that don’t drag on the floor, regular-shaped fur tufts, and a different hairstyle to be extra fluffy-looking. it’s also hard to see with how light the sketch lines are, but she’s still got her chest fur, just larger. this one also goes back to the hands being white instead of greyed.

the third sketch (supposed to be tangle sheepishly trying to tiptoe, but getting caught) blends these two together a bit, using mostly the 2nd sketch’s proportions, but a bit of ‘fiery’ fur like the 1st, and back to 2 tusks like the first concept above. the shoe design is still pretty tame, because shoes are hard !! i also still didnt know how i wanted the laces

and from here i sort of knew the angle i wanted to take with tangle’s wereform, so i did sketches within a similar vein:

(bottom right, realizing she’s scary now; sketch above that, realizing someone saw her and is trying to seem less scary)

here i’ve narrowed down to a few traits that remain, while fine-tuning the rest: a fur ‘crest’ surrounding her head to act like the ‘jaw’ a titan has, and exaggerate her chest fur; her tail being thicker at the tip like a mace, but still having a normal fur tuft shape (& kinda looking like an artichoke lol); one tusk at each corner of her mouth instead of two; tufts of fur at either side of her head to resemble horns; and a settled bodytype/proportions, with little variation

since her tail doesn’t stretch, setting the length is important; it should be long enough to have range to use as a weapon, but not long enough to grapple/wrap also, the precise size of her head in relation to her body does a lot for conveying scale, and this varies between the different sketches here; i think i like where i landed with the final, so doing a bit of variation here was important to see how to get to what worked best. i also start messing with her arm pattern again, because i want it to be easy to recreate while drawing, and a spiral is not unless you can make clear rules and a pattern for it, or the limb is vague enough for it not to matter - for example, garurumon’s tail. you can also see i’ve given her lemurish hand pads, which isn’t a trait we’ve seen with sonic characters iirc but i have always maintained that tangle deserves it because it’s such a cool design choice AND helps give you an idea which way the hand is facing, and where the hand ends since you terminate it before the wrist! i think it wouldn’t be out of place, especially when werehog has more realistic hands and actual fingernails, when we never see sonic’s hands gloveless otherwise.

also, here’s the first sketch where i have clothes on her - because i can’t see a canonical weretangle design not using clothes, even if i consider them unnecessary for animal characters - and i still took it down to some makeshift shorts and extra chest fluff, because i’m not too fond of the ‘wearing ripped, pulled-chicken clothes’ look, or just putting oversized clothes on weretangle. and the first actually cool shoe concept!! which is basically the final shoe design i went with, just cooler-toned metal. i also really like the tall shoes look, because it gives a sense of being unwieldy or restricting movement - the general vibe to tangle being way larger and clunkier, which her shoes fit into, and also are further armored, so the shoes really fit better with the overall design than before

last note here, you can see the sketch with most color is messing around with an added tone between the light and dark, as sort of a ‘sooty’ effect or ‘gradient’ along the arms; i scrapped this shade because i’d already added an extra one with the darker grey for her palms and facial markings. (which is an interesting note, because this isn’t consistent in idw which greys are shared and which aren’t - at some points, her ears are the same darker grey as her eye markings; at others, her eye markings are noticeably darker than either other grey; and sometimes her ears are the same shade as her muzzle, and just the eye markings are darker. in my own art, since i draw her ears with lemur fur instead of bald, i generally color her ears the same as her grey fur markings)

aaand now back to the final design for comparison <3

most traits are inherited from the concepts, such as the horn hair, single tusks, etc. so i’ll talk more about what’s new for this iteration!

there’s a specific layout to her chest fur tufts, and it’s sort of a ‘double v’, but one ‘v’ is inside the other and only has 3 tufts. they also curl around her neck and leave the shoulders exposed, which makes it easier to position them against each other. her arms have an entirely new marking, which is different along the arm, further accentuating the shift in proportions compared to a spiral pattern. it’s also way easier to draw without seeming inaccurate :) the upper arm has , if you look at it creatively, a ‘jaw’ shape - and the darker marking on her chest could be interpreted as a ‘tongue’ sticking up, maybe? it’s also better at clearly conveying which way the arm is rotated

the forearm then has a jagged ring pattern, like tangle’s tail, which also gives it a bit more of a ��dangerous’ feeling. at first when i was coloring the design, only her palms were darker and the whole hand was white, but then i tried the darker grey on the fingers… and immediately it terminated the hand shape so well, and let her claws stand out without introducing a new color or making them dark plus, if you squint, it makes the fingers look like just another stripe! which is my fav part :] and then last, the face, which was also spur-of-the-moment that turned out well; i’d already been using a darker color around her eyes than her muzzle, and then tried a little curl around her muzzle and her forehead marking and !! it looks like a scar or something?? sweet!!

this has been my design rambling :3 if you’ve gotten down here, thank you for reading <3

[klutzytomb]

I never thought I'd say this, but there's no way I'm one of the only ones here that isn't chronically online. Right? Right??