...okay, so I'm probably not the first person to notice this.
But gear's earing that he points towards when he says that he did the same ritual he wanted to help kuro with already on himself before:
actually looks pretty similar to the pieces of the necklace the count used to create the servamps:
The different pieces of the necklace seem to contain one demon each and the count used them to create the servamps.
So...did the count either learn this technique from the werewolves or is he possible even originally a werewolf himself? It would explain why he's immortal, that's why I'm wondering about this.
Gear says that the ritual is used to remove spirits, could it be that the count removed his own sins using the werewolf ritual and created the demons this way? But he went too far and removed too much unlike gear who only removed one part of himself? Him removing the sins from himself would also explain why he's so weird and doesn't understand other beings. As the sin demons say, they are a natural part of being a human and we have seen multiple times that denying their existence is harmful, removing them all from you would probably lead to you not being able to relate to other people anymore.
Maybe removing all these parts of himself is also why he has no appearance. Without his demons he's not a person anymore.
The count originally being a werewolf would also explain why he has magical abilities (gear can also use magic) before other magicians existed and why he's so anxious about certain people dying. Gear talks about how his immortality makes him sad because human friends do die, but unlike the count gear seems to accept death, grieves in a heathier way than the count and is able to move on and make new friends. Could also explain why his magic and creations are all strongly tied to the (full) moon.
Another similarity is that while werewolves apparently can't reproduce gear was able to have descendants by sharing his life force (it's mentioned in chapter 135 which isn't translated yet) with a woman and through her human children tsurugi is related to gear. Sigurd explained to nicco that the magicians came to be because the count let humans drink his blood, three survived, got magical ablities and became the ancestors of all human magicians:
Maybe the count is more of a werecat though. He and the sloth demon do seem to have a closer connection, even though the count's appearance changes depending on the person looking at him he does usually keep his tail and the tip looks exactly like the one of kuro's cat/lion form and similar to the the one of inner sloth's non-human form.
It was also stated multiple times that the sloth demon is the strongest. I wonder why that is. Servamp comments on the fact that being lazy is often actually a sign of depression/anxiety through kuro's arc, so maybe the count was depressed and that's why the sloth demon is the strongest? Basically the demons strength depends on how much the count suffered from the different sins? It would also explain why melancholy is so strong, I assume kuro refusing to see him no matter how many siblings he sent his way to tell him to come looking for the count made him extremely sad and probably even made him come up with the plan to have himself be killed and then put in the same body as kuro through the ritual.
I assume he was behind C3 ordering the servamps to kill him because he's the one who created the magicians and thus C3 and lily who is kind of working for him was probably the one who put the idea that the count needed to be killed into the head of his eve (aka a member of the alicein family who hold a lot of power in C3 basically since the beginning. I explained this in more detail in another post). The people from C3 even said that the count can only be killed if he wants to and yeah, kuro didn't truly kill him, but he did destroy his body and kuro seems to have met little resistance when he attacked the count. Which probably means the count wanted this to happen.
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Adam being a repressed queer guy who also doesn't want to talk about his feelings would make sense since he grew up in the 90's and 2000's (and also didn't have much time to figure himself out on Earth, plus, ya know, John). But I think it would be so funny if he came out of the cage like:
'I have not spoken to another human in over a thousand years. My only company was this equally repressed daddy's boy with eldest daughter syndrome, who surprisingly knows nothing about gender. When I told him that pink is for girls, he just stared at me blankly with all his two millions eyes for like a solid three hours. A few years later, when I mentioned something similar, he told me that someone should inform the poor male flamingos that they are apparently breaking a gender law. He once told me most of his previous vessels did not wear pants, and he didn't mean that they were walking around naked. When I jokingly said that I was the one wearing the pants in this relationship, I accidentally discovered that while they don't have faces, angels can still blush.
'Anyway, where was I going with this. Oh, yeah. So. If I want to sing along to the soundtrack of High School Musical and cry about missing several generations of Pokémon, that's my business and mine alone. And anyone who disagrees with that can kindly get smote by my live-in-boyfriend-wife. <3 Hope this helps.'
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Just looked up Edwards and idk, his face looks too KIND for any of those evil Ma men??? But you're right that he does resemble Sam Reid in the jaw so could be our Marquis. Whoever gets cast as Magnus should get tons of makeup to look completely horrifying and unrecognisable.
I don't know why but I think they'll cast an actor in their early 40s for Marius. Looking older but not that much older than AMC Armand (27).
(x)
I actually think that him having a kinder face could potentially work with the Marquis / Lestat's father?
Sam actually talked about it a bit in his interview with Autumn, but they do have a little narrative conundrum to address in that they've aged Lestat up. He's only 21 when he's turned in the books, whereas they've made him 34 in the series and there is the question of where they put those years. As Sam says, there's kind of two options, first is that they have him in Paris for longer, or second is that they have him stuck in the Auvergne with his family for longer, and he thinks the second option makes more sense, and I totally agree.
Lestat is so subjugated and abused by his father and his brothers, but the reason they keep bringing him back every time he tries to leave is because he's the only one who's any good at hunting, and as a result the only one who can keep them afloat. They're aristocrats in title, but they're totally broke and his father as he ages goes completely blind which makes him, in this era, extremely dependent on his children. I think it makes a lot of sense to draw that period out into Lestat's adulthood and to really explore the complexity of the relationship between abuse, responsibility, servitude and perceived shifts in power versus the actual feelings of that. Especially given the context it can offer potentially for Lestat's role in Rue Royale.
It's important too that Lestat hasn't really had a chance to figure out who he is or live for himself yet, because that's not just a vital part of the tragedy of his turning, but also the key catalyst that has Lestat going to the US specifically to create a family for himself. So yeah, I don't know! I think casting someone as the Marquis who has a kind face isn't necessarily a bad thing, because I think it could play really well into the Marquis becoming dependent on Lestat (and Lestat still searching for any sort of acknowledgement from him) as he grows up.
But yes, haha, the description of Magnus in the book is basically body horror between his face being like a white mask set in a jester's grin and his black eyes and only having the two fang teeth, and I'm curious to see how literally they approach that? I wonder if there's a chance they could make him border on a revenant given he stole the dark gift and wasn't actually willingly turned by anyone. It could be an interesting way to explore how different types of turnings create different types of vampires, which is a factor in the books, and obviously something the show's already introduced given 2.01.
I could see them casting someone in their early 40s for Marius, for sure, especially given that's how old he is in the books. I do kiiind of personally see them going a little older though, just because I think they'll want him to look visibly older than both Armand and Lestat. They might get around that though with casting an actor who just has that sort of authoritative presence, or as I've mentioned before, just casting someone tall. Lee Pace has been a fan cast I've been intrigued by and he'd definitely fit the bill with the latter, haha.
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Things I’m currently working on against my better judgement
- dcxdp fanfic where I don’t know any of the components only the crossover fandom
- isekai erased now in round 5 of revisions to the structure/planning that’s gotten to the point that I’ve forsaken the spreadsheet I’ve been working in and am writing in a zine-like booklet instead
- volleyvolleyball, don’t worry about it
- straight up legitimately new norse myths
Backburner;
- like 4 different gay isekai stories in the same universe (solen and his duke, accidentally married the archduke and duchess, I was reincarnated into another world as the northern duke in an adoption story, and a 4th one that’s just kinda brewing)
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"The end of Anne Boleyn marks the more sinister transformation in Henry's kingship which underlay his solemn protestations of spiritual headship and godly reform. Nobody could now call him to account in the sacred or secular realm, and although it goes too far to say that his will was law, since some respect was still due to the judicial process, the legal travesty of Anne's trial and execution shows what his unchecked authority could achieve. It also illustrated the forces which Henry had unleashed by breaking with Rome. From this point onwards, political division would be matched by a level of ideological division previously unknown. Anne had been backed by those who supported religious reform and sneered at papal pretension; her fall was hastened by the efforts of those whose loyalties lay with Princess Mary and the Catholic past. Cromwell had slipped adeptly (and temporarily) from the former group to the latter, and such political reinventions were to remain common, but many continued to be fired by strong religious convictions, allowing religious division to exacerbate political tensions to a dangerous extent." (Henry VIII, Lucy Wooding)
+
"For all Henry's protestations of the contrary, the atmosphere at his court in his final years was almost as unsettled and claustrophobic as during the Wars of the Roses. John Husee answered the charge that he no longer sent reports of state affairs to the Lisles by explaining, 'I thereby might put myself in danger of my life...for there is divers here that hath been punished for reading and copying with publishing abroad of news; yea, some of them are at this hour in the Tower.' Civil order was maintained, but only because Henry sold the bulk of the confiscated monastic lands at rock-bottom prices to willing purchasers to create a whole new class of property-owners with a vested interest in the status quo. Spies and informers stalked the country, safe-conducts were needed to travel abroad and the posts were intercepted-- no one felt completely safe." (Hunting the Falcon, Fox&Guy).
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