#All I have are crayola pencils and crayons but I can so make this work chat
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#my art#2024#swerve#mtmte#idw#Yeah#He's very well versed in human culture so he would make jokes like this#to everyone's confusion#Also I wanna make more traditional art!! I love how my digital art has been looking lately so it's time to go back to my roots#All I have are crayola pencils and crayons but I can so make this work chat
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this is not directed at anything in particular so much as a lament ive made in private several times over the years and am thinking about again now but. i wish that fandom had not conflated the term "zine" with "artbook". because 99% of the "zines" i see are in fact artbooks, chapbooks, or art/writing anthologies. which to me are just so so different as products!!! instead of being fully handmade they are all being professionally bound by an outside company, often come with stickers/keychains/other perks that are 3rd party manufactured, etc... and to be clear i love these and have bought several, but!
they are to me kind of the antithesis of what the word "zine" should actually imply, in the traditional sense. a zine is something you make by hand and then photocopy for the dozen or so people in your circle. a zine can be just a single sheet of paper you folded up into 8 pages and scribbled on with pencil. they can get fancier than this but once you move from using a stapler (or if you're feeling fancy needle & thread) to needing to have things perfect bound & glued by a separate industry then!!!! we have moved up the sliding scale in terms of product, towards art/chapbook and away from zine. that's what those terms meant initially we just have... kept calling them zines anyway i guess, and now i think most younger people don't realize that the origins for "zines" were things you handmade and maybe snuck your school/work's photocopier to help produce for your friends. And they were made by one person, or maybe a small collab of 2-3. Once you start adding more artists/authors, and they're all making separate things (even if on a theme), now we have hit an anthology. you know?
because i would LOOOOVE fandom zines in the traditional sense of the word, just posting photos of short scrappy handmade art/comics and mailing them to mutuals for fun like you would a christmas card. idk. like i've made i think 8-10 personal little zines on all random topics in the past year just for fun and my friends, because they're rewarding and people LOVE getting something like that in the mail. they're little visual shitposts like "rating the 16 crayola crayons i found in my drawer" and "plants i have eaten while taking walks in the desert" and it would be really fun to have fandom equivalents of those too... but fandom these days has moved away from silly rough stuff towards everything being really polished + professional and it takes some of the charm out of it i think
#ramblings#zines#like i think we should just all get silly again. and care less about the end product of our art#experience over result etc etc etc im not gonna get into it this is soapboxy enough#like my beds rating post. that should be a zine in terms of energy/silliness. that sort of thing#ok yes actually this is about. i saw a post called 'what is a zine' and it did NOT describe zines a la their rich history in subculture and#implied they are only things that have to be big projects with many people and lots of organization and planning#thats not a zine!!!! that breaks my heart :(#fandom
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the most banger traditional art supply
hi there! im a digital artist, and i just wanted to share the art supply that has motivated me most to start filling my traditional sketch book...
these. these fuckers.
I kid you not, i have never been more motivated to draw in my sketchbook than I have since i got these. It's like 5 dollars for all 24 and about 2 dollars for a set of ten. I originally discovered these because i was in a teacher's classroom and they had stuff for coloring sheets, and these were in their bin. I almost immediately went to get them at target.
I like doing rough sketches with them, then going on top of it with a colored pencil of a color that would go well with it (ive done teal blue and purple, also yellow and orange). You can use any colored pencil. I've used crayola i've used similar qualities to crayola i've used prismacolor col-erase I've used standard prismacolor. They all work. It's magical. It's so fun and bright and it teaches you to not get so hung up on stuff while you're doing it. Highly recommend.
Genuinely, i've had the same sketchbook since 2021 and I'm only really filling it now with this. I've tried a bunch of supplies to try and motivate me (pencils, colored pens, highlighters) and this has been the main thing. They're really nice because you never have to sharpen them and the barrel is long enough that your hands don't cramp from using a short crayon (and they also can't break)
What they say about "supplies don't matter, you can make art with anything" is SO true but also. find the supplies that are right for you. You don't need the most expensive thing in the world, you just need to find what feels the best for you while you're drawing.
I hope you have a nice day :D
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A Kindly Friendship
Hello!
Here is a cute fanart with the Pikmin and the fairy, having a friendship moment all together ❤️
I did this last week in English class when I think we had make up work to do, not I can remember, but I was given an option to draw out of my boredom while listening to music on the computer, so I decided to draw this wonderful video game and fantasy artwork with the Pikmin and the fairy ^^
I still need my motivation to play Pikmin 3 (and possibly Hey! Pikmin) before getting Pikmin 4 soon ^^
What y'all think?
The Pikmins (characters) and Pikmin ©Shigeru Miyamoto, Shigefumi Hino, Hirokazu Takenka and Nintendo
Fairy and artwork ©SuperShadowSilver
No copyright infringement is intended
Used: regular basic pencil, Crayola colored crayons and Cra-Z-Art colored pencils
#traditional art#fanart#pikmin nintendo#pikmin fanart#pikmin#pikmin creatures#fairy fantasy#fantasy artwork#fantasy#fairy#fairy art#nintendo#nintendo fanart#friendship#video game#video game fanart
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🕸 Click.
ARCHIVIST
I'm going to be recording your statement on this tape recorder, alright?
EVELYN
Isn't that a little... old fashioned?
ARCHIVIST
Maybe, but it's what works for us. We digitalize statements after they're recorded, anyway.
EVELYN
Okay, I guess that makes sense. Why change what works, right?
ARCHIVIST
Exactly.
Statement of Evelyn Marie, detailing...
EVELYN
My experience in an abandoned factory.
ARCHIVIST
Statement given January 19, 2001. Whenever you're ready, Evelyn.
EVELYN
Well, I was living in Tulip Hills, which is a small town in Ohio. There was an abandoned factory right at the center of it, and my best friend Max and I decided we wanted to explore it.
ARCHIVIST
Max's full name, please?
EVELYN
Uh, maybe I shouldn't.
ARCHIVIST
The more information we have, the more thorough our research can be.
EVELYN
Alright, I guess that makes sense. Max Ferry.
ARCHIVIST
Thank you. You can continue.
EVELYN
It wasn’t until we had gotten past the tall wire fencing that it sunk in for me what we were doing. The sun was high above us, but suppressed by the overgrowth at the untended factory site.
I rifled through my backpack, making sure I had everything we might need. Water, granola bars, first aid kit, flashlight, phone.
“Max, do you have everything you need?”
They flipped through their own, much smaller backpack. “I brought tarot cards?”
It wasn’t unusual for them to be unprepared, and I had brought enough food and water for the both of us, but I still found myself a little frustrated. “I’ve got us covered, I guess. Let’s find an entrance.”
We kept moving, and I was relieved to see that several of the windows had already been broken. Max started to climb through, but I stopped them. “What are you doing? Do you want to get glass in your arm?”
They chuckled a little. “Not really.”
I pulled my sleeve over my hand and carefully swept the broken shards away. “There. I might not have gotten all of it though, so be careful.”
The interior of the building was pitch black. The light shining through the windows seemed to stop just a little bit in, as if running into an invisible wall.
I pulled my flashlight out of my bag, and it clicked on satisfyingly. It was a heavy security flashlight, one that had single-handedly lit up an entire room before. But in that building, it didn’t extend any further than the light from the windows did. It was weak, flickering sporadically.
I was unsettled, but shook it off. The batteries were just low, right? No big deal.
I began to walk, but Max started to run.
I quickly gripped the back of their hoodie before they got ahead of me. “Hey, we need to stick together. I don’t want to lose track of you.”
They turned around, grinning sheepishly. “I’m just excited! We’re in an abandoned factory!”
I crossed my arms. “I know, but we have to be cautious. Who knows what’s inside of here?”
“Maybe a ghooooost~” they suggested, waving their arms up and down.
I laughed, and we kept moving.
It was warm inside the building. Warmer than it should have been, especially since Autumn was nearing its end. A thick droplet of sweat rolled down the back of my neck. I could taste the heat on my tongue, dry like wilted grass.
The ground was cluttered with art supplies. I leaned down and picked a few up, but they were all unusable. The colored pencils were splintering apart, the watercolor paints were cracked and pounded into dust, the markers were dry and crushed. Not a single tool was in a salvageable state. “So many good supplies, wasted.”
Max looked down and saw the crayons crushed under their feet. “Yeah. My grandpa says that Fiverid Art used to be the heart of the town.”
“What happened to it?”
“A Crayola factory set up nearby, I think in the 1930’s? And they couldn’t keep up.”
“Ah, capitalism.”
We both laughed. “I’m surprised you didn’t know already. Everyone in Tulip Hills knows about what happened.”
I waved the flashlight around for emphasis as I spoke. “I just moved here, remember? Shitty housing market?”
“Oh yeah! Pass me some water?”
I tossed them a bottle, which clattered to the ground. “Butterfingers,” I said, not bothering to hold back my laugh. “So how come it’s still here? Shouldn’t it have been demolished by now?”
They picked the bottle up and took a small drink before turning to me. “Well, that’s the creepy part. After Fiverid went under, the land was bought up almost immediately. But no one knows who bought it. The records were kept private by the city, probably at the purchaser’s request.”
I set the flashlight on the ground, facing it upwards. “That was years ago, wasn’t it? Wouldn’t that person be dead right now?”
“Probably, but the records are still private. Whoever owns it now is just as secretive as the old owner was.” They took another drink of the water.
“Huh. That’s... weird...” I fell silent, listening closely. There was something... “Do you hear that?”
Max glanced at me, furrowing their eyebrows, then stood very still for a moment. “Music, right?”
It was faint, but if I strained my ears I could hear it. A strange, erratic melody. It continued to wind up, never resolving on the right note. I couldn’t tell what instrument it was on, as if it was being made by something entirely unique.
The heat on my tongue grew more bitter, making my throat ache.
“Where’s that coming from?” I asked, wiping sweat off my forehead.
"Let's find out!”
Max darted ahead. I scrambled for the flashlight and ran after them, desperate not to get separated.
“Oh my god, slow down! I can’t run as fast as you!” I gasped for breath, the heat wearing me out even quicker than normal.
They whirled around and crossed their arms. “Don’t you want to find where the music is coming from?”
“Of course I do! But I can’t keep up with you if you're running.”
“Fine, fine. I’ll slow down. Pass me the flashlight?” They held out a hand.
“No! This flashlight is the only thing stopping you from going on without me.” I lightly shoved their shoulder. “If you had it, I bet you would leave me behind.”
Max rolled their eyes. “Fine. Come on.”
We kept walking, the light flickering dangerously.
After a few minutes, I heard Max gasp. “Oh my god, Evelyn, take a look at this.”
They crouched down, gesturing at... well...
Hands are complicated. 27 unique bones, held together with sinew and tendons, and layers of fat and skin on top. To fully recreate a hand, of paper and wood and rubber, it would take hours of painstaking work. And what would even be the point of it?
Yet, someone had gone to the trouble of doing just that. A false hand lay on the ground, detailed and rotting.
Sweat slid down my back.
There was a piece of paper lying underneath it. Max kneeled down, slid it out, and looked it over.
“Max, I don’t think-”
“It says ‘It Will Replace Us.’”
“What?”
They held it up in the flickering light, grinning excitedly. “On the paper. ‘It Will Replace Us.’ Come on, take a closer look!”
I didn’t move from where I was standing. The paper was just as old as everything else in the factory. With all the water stains and wrinkles, I was surprised it was legible at all.
The heat was almost unbearable. I felt sick.
Max stood up and stepped closer to me, still holding the paper. “Creepy, huh? What do you think it means?”
“Maybe we should go.”
It was then that the flashlight clicked off.
Max started laughing immediately. “Now that’s fun. Perfect timing, huh?”
I shook my head, before realizing they couldn’t see me. “I want to leave.” Nausea pulsed through me.
Max rested a hand on my arm. “I know it’s a bit spooky, but the only thing we’re in danger from here is tetanus. If you really want to leave, we can, but I’m having a good time... and...”
They trailed off, distracted.
The music was much closer than before. It had begun to speed up, increase in volume, resolve on notes even worse than earlier.
Without a word, Max pulled away from my arm and started running towards the music.
“Max! Come back!” I yelled, desperate not to lose them.
I got a hold of my phone and turned on the weak flashlight included with it. It was barely enough to see my own feet, but it was enough to run after them.
The odor of mold mixed with the dry heat, making me cough desperately as my feet pounded against the floor.
And then I spotted them, facing away from me. “What are you doing! We need to stay together!”
Max didn’t answer. They were practically frozen, staring ahead, trembling a little. I turned to see what they were looking at, and...
It was shaped like a human, but it was clearly meant as mockery and not as imitation. Wrinkled and ripped paper served as the skin, like a twisted paper-mache project. The translucence of the water stains showed broken paintbrushes underneath, forming the shape of bones. Colorful rubber bands stretched all around in what I can only assume to be an attempt at muscles. Every body part, recreated in painstaking detail out of the remains of Fiverid art supplies.
It was missing a hand.
But the worst of it was the heart. It was made of neon crayons, crushed and rolled together. Every vein and artery carved in, perfectly done, and glowing nauseatingly. And it was beating, right alongside the music.
The music that I then realized was singing. The mouth of whatever sat in front of us was open, and moving so slightly it could have been an accident. The tongue was made of sopping wet cardboard.
The song dug into my ears, making my head spin. The heat burned me, but there was no discernible source. The stench of mold was so strong it might as well have been coming from me.
“M-Max, w-what-?” I stuttered out.
And then it stood up.
I turned and ran, no longer frozen in my fear. The light from my phone flickered, threatening to go out.
My body retraced our steps from earlier, on instinct. I couldn’t think of anything except the horrible creature from before. The sound of my feet was loud, but not nearly as loud as the beat of my own heart, which almost seemed to have come up through my throat in its rapid pace.
Finally I found the window, glass shards still coating the floor, and climbed out of it as fast as I could. Glass dug into my skin, but I hardly noticed.
I reached the fence and forced my shoes into the holes.
A sleeve caught on the wires, so I paused to detangle it.
That pause was enough to halt my adrenaline.
Blood dripped from my arm; it was soaked into the fabric of my shirt.
I was breathing heavily, my lungs aching.
Cool wind ran through my sweat-soaked hair.
"Max?” I called out.
But there was no response. Just my own voice, echoing pathetically back at me.
I never saw Max again.
We moved to DC about a month later. Then I heard about your Foundation, and, well.
ARCHIVIST
Of course. Thank you very much for coming in to tell your story.
EVELYN
Thanks for having me.
...
Do you believe me?
ARCHIVIST
We'll have to do some follow up, but it certainly sounds within possibility. Would you like us to contact you about our findings?
EVELYN
Yes, please.
ARCHIVIST
Alright. It might be a while since Tulip Hills is so far away, but you'll be one of the first to know whatever we discover.
EVELYN
Thank you so much.
Click.
Click.
ARCHIVIST
Regarding follow-up.
At first I was doubtful of the truth of this statement. Evelyn's remembrance of specific details and the fact that the incident seemed not to fit in with any Entities made it seem like more of a creative writing project than anything. So imagine my surprise when the recording failed to digitalize.
I had Avery do some digging, and she actually managed to find a copy of the deed to the factory. The owner is none other than Monty Lukas, the USA's resident patron of The Lonely.
As for the incident itself, it remains frustratingly difficult to categorize. Obviously the creature itself seems to be of The Stranger, but The Dark is very much in play, as well. And there's traces of The Desolation and The Spiral, as well. Perhaps Monty Lukas is doing some unsavory experiments in that factory.
Another thing to look out for, then.
End.
Click. 🕸
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I just suddenly had a memory and had to share. Usually I'm one of those stick to the tags people, but I think this explains the disconnect some people experience entirely.
Once upon a time, I was an elementary school teacher. (I only made it one year before I switched to being a TA instead, and parents like these were part of the reason.) I'm gonna put it under a thingy bc idk how to be concise.
So at the beginning of the year, parents get supply lists. They try to keep them mostly the same throughout grade level, your standard box of #2 pencils, 2 pens, 2 boxes of crayons (bc kids break crayons like crazy) an eraser, 2 glue sticks and some sort pencil box/pouch to keep their stuff in.
First day, kids come in and start unloading their stuff. I start taking up glue sticks to put in the clear container on the counter/cubby. This one dad gets mad, saying that he didn't buy glue sticks for every kid in the class to use. (I'm doing the same thing with the 2nd box of crayons, but I am telling kids to write their names on them using their pens, bc some kids got Crayola and some kids got Rose-Art and that's something parents might get mad over.) I try to very politely explain to him that it's easier to keep them all in one place as the kids tend to lose them, or forget to roll down the glue or put the cap back on, and this way I can check behind them and make sure none of the glue sticks are wasted.
This guy is sure that his precious little princess of a daughter would never forget to put her cap back on her glue stick, despite being like, seven. Mind you, we are in the "waiting area" between three classrooms. It has the bathrooms, and the tables where the kids can be pulled for one on one or small group work. We can't step into the hall bc I have to monitor my students. TAs all have morning duties.
And also, what if she never uses two whole glue sticks? Am I just going to keep it instead of sending it home with her? This man is nearly having a full on tantrum over glue sticks. This was over a decade ago, when you could still buy a pack of 2 for a dollar and change.
I am nervous, bc there is a man who is raising his voice at me, but I am also pissed off, bc there is a man raising his voice in front of my students. So I laugh it off and walk away, telling him most of us don't mind sharing with our friends, "do we?" I get a tiny little chorus of voices that say 'no'. I add that by the time winter break comes, I'll have to go out and buy more myself anyway, like I did with all the other supplies that were already in the classroom. But that donations are always appreciated. Then I just started talking to my students and ignoring him and he left. And I'm really glad bc I may have started crying if he kept being mean to me.
Oh, and his daughter ended up being my student who would threaten to hold her breath until she passed out if she didn't get her way. I think I rocked her entire world when I told her to go ahead; as soon as she passed out her body would start breathing again on its own.
my dad, trying to explain the concept of money to me: say you have a sandwich, and i need your sandwich. but i don't have anything to give you. you're not just gonna give it to me.
me: i would just give it to you.
my dad:
#adventures in teaching#wow#haven't used that tag in awhile#it's unrelated to op's post#i mean it's tangentially connected
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sometimes using cheap supplies really limits my abilities as an artist
because yeah i can buy cheap colored pencils and make art i love
but i am messing with markers and i figured why not doodle my poc character
because you see i have been really doing mostly human characters with the markers but so far all the art i have been making has been the same white boy
so i sketched out my poc character and i wasn't completely happy with the sketch but i figured why not lets add the marker
it doesn't look good guys
and i am sure part of it is i'm not super comfortable with the markers yet so i don't have the skill to make it look good
but also i don't have the best selection of colors for drawing a character that isn't white. all my browns look dirty when applied to the skin while using them for hair works if i play around with it enough
and yeah if i was using colored pencil and going all out i would add browns to my white characters but more for shading purposes
i need better browns that aren't there for shading only that look good as skintones
and here's the thing i use crayola products for my coloring. so with pencils i can get their "colors of the world" pack. but they only make those for crayons [ew] and pencils
and even without a "colors of the world" pack i was doing fine coloring poc characters with my pencils
but i need something that i can use for when i decide i want to play with markers for a while and i just don't have that
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Slashers with an Agre Boyfriend
FOR ALL YOU LOVELY AGE REGRESSORS
i can do a petre one if asked :3
i usually do rz michael but i never specified so i am rn💀💀
THIS IS A NWLNW BLOG!! WOMEN DNI
THIS IS NOT NSFW!! DO NOT SEXUALIZE AGE REGRESSION WEIRDOS
(Rz)Michael Myers
Crafts crafts crafts
He already loves making masks so now you 2 make them together
6'9 mf. He always picks you up randomly
Will not really rough house with you or anything like that
Homeboy too too strong
Listen he cant do too much like take you to the park or anything
But Michael is not above stealing from children
He doesnt like punishing too much bc he just doesnt feel like dealing with it
Whenever youre throwing a tantrum he'll literally just leave the room💀💀
Jason Voorhees
Knows what hes doing but doesnt at the same time
Loves to carry you around!! He's incredibly strong he can definitely hold you
Loves to draw with you!! He breaks the pencils and crayons sometimes so bare with him😭
Jasons punishments are usually just you sitting in the corner or something similar
Cant spank you no no no just not him
Keeps you in the cabin whenever there's trespassers
HIS FAVORITE ACTIVITIES ARE DOING THINGS SIMILAR TO CAMP STUFF
Bonfires and roasting marshmallows, going on lil walks outside
He can bring out the old canoe too!! (He can row for you its ok)
Vincent Sinclair
Please please please dont go to the basement while regressed
If you do you have to swear on your LIFE (pinky swear) that you wont touch anything
Just sit politely by him and draw
Doesnt know how to deal with brats bro hes like
🧍♂️*shaky signing* 'Y/n, honey, please calm down' *LOUD CRASH*
Theres tourists in Ambrose?? Youre staying in his room. Ignore all the yelling.
Doesnt want you to use his nice coloring stuff so he got Lester to find some crayola crayons for you
Any plushies he manages to get his hands on?? BAM IN YOUR ROOM
Vincent is horrible at giving punishments. Like he was always a good kid growing up and his parents were... well yknow
Very good at keeping a schedule tho!!
Fav activity is probably crafts
Chromeskull
Literally the best caregiver ever
Like he doesnt understand at first so after you explain it to him
But like once he gets it?? MAN WILL SPOIL YOU
WILL GET YOU ALMOST EVERYTHING YOU WANT IF YOU ASK
Will not tolerate brats tho sorry
Like hes not... too stern with punishment
You can get away with alot with him ngl
If you go to work with him youll stay with him in his office and have a coloring book
Yes he will color with you whenever he can
Will kill anyone who says anything (stares dead at preston)
Never infront of you ofc!!
Fav activity is probably rough housing!! (hes letting you win all the time but shhh)
Either rough housing or hide and seek
#slashers#slashers x reader#michael myers#jason voorhees#slashers x male reader#vincent sinclair x male reader#vincent sinclair x reader#vincent sinclair#jason voorhees x male reader#jason voorhees x reader#michael myers x male reader#michael myers x reader#jesse cromeans x male reader#jesse chromeans x reader#chromeskull x male reader#chromeskull x reader
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Dream SMP Characters as Physical Art Mediums because I had Literally Nothing Better to do than Think about This.
Tommy: Crayons
Tommy wants to insist that he is a real artist but he couldn't be arsed to put any more effort than necessary. No one will buy him anything but a 12 pack of Crayolas.
Tubbo: Good Crayons.
Tubbo accepts his childish nature and just upgrades himself so that he can be a kid but with style.
Ranboo: Charcoal Pencils
Ranboo just likes working in black and white and the shading aspects that come with charcoal. He uses specifically pencils to keep his hands and, by extension, his suit cleaner than they would be otherwise.
Wilbur: Print
Wilbur enjoys the boldness of prints and the variety of techniques that are needed to make them look genuinely good. Of course, no one ever knows he does print making because the broke bastard doesn't have enough money to buy half of the materials for it. But whatever pictures he has on his flyers and documents were all printed by him.
Philza: Watercolour
Phil works well with the flow of watercolour. He is willing to let the colours do what they need to and work with any mistakes made. It's natural, easy-going, and fun. He doesn't hang up his works, just keeps them stored in bins at his old house.
Dream: Vector Art
Dream needs max control over his art. He needs to know exactly how everything blends, moves, forms, and bends right down to the tiniest point. He aims for perfection and cleanliness in his pieces.
Technoblade: Calligraphy pens
Techno would insist that he doesn't do art, but anyone who receives a letter from him would beg to differ. He's mastered the precision of cursive letters with help from his steady hand. He started because he heard it was good for sword practice from Phil.
George: A blue pencil
George doesn't work with colour and he mainly only does sketches of drifting thoughts. He keeps it simple and loose and finds the satisfaction of capturing an idea or a feeling over rendering pieces.
Sapnap: Woodburning
Sapnap calls it art but it's just an excuse for arson. However, he did begin to gain an appreciation for the artform and got rather good at making signs and pendants.
Niki: Ceramics
Niki started doing ceramics because it was somewhat similar to baking. She mainly does handmade things rather than using a wheel, but she did learn how to use the wheel. She will occasionally make a bowl or cup on it. She does it more often now because firing the kiln warms up the meeting room nicely.
Fundy: Mechanical pencil
Fundy works with whatever is on hand (always just a mechanical pencil) and just goes for it. The rendering depends on how he's feeling that day. He likes the ease of using a mechanical pencil with how cheap it is and how there is virtually no mess involved since he doesn't have to sharpen it.
Eret: Oils
Eret really enjoys making portraits of people on the SMP. He is more than willing to spend weeks on an oil painting and is a stickler for detail and realism.
Foolish: Marble sculpture
Foolish has had centuries to perfect the craft of sculpting and found that marble was the one to yield the best results in the end. He can and will spend months on a single sculpture if it means it'll enhance the mood of one of his builds.
Puffy: Whittling
Puffy never has the time to sit and focus on a craft so she whittles. It started as a stress reliever when it was just a random hunk of wood and her pocket knife but she really grew a knack for carving little trinkets and figures for her to set on her or other's shelves.
Ok peace
#dsmp#dream smp#dsmp wilbur#dsmp techno#dsmp tommy#dsmp tubbo#dsmp dream#dsmp philza#dsmp puffy#dsmp eret#dsmp niki#dsmp ranboo#dsmp george#dsmp sapnap#wilbur soot#technoblade#tommyinnit#tubbo#philza#captain puffy#the eret#nihachu#george not found#ranboo#sapnap#dreamwastaken#dream smp writing#i dont fucking know mate
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this^^^
If you want to improve your artwork, it’s going to take so much time! I’m sorry, there is no ‘get good in a week’ miracle. There is only lots of practice and experimenting and ‘messing up.’ If anyone wants some advice on what practice looks like, because telling someone to practice is vague and thus unhelpful, stick around I have a few pointers :) scroll all the way to the bottom for bullet points because I like to over explain
First off, almost always draw! Whenever, wherever, and with whatever is available to you. If you’re still in school, keep doing the doodles in your notes! Same can probably go for when you’re at work and things are slow. Keep a scrap piece of paper or sticky notes with you and a cheap pen or pencil and draw what’s around you, what piques your interest, even the cliche things
Here are some of my more recent doodles, but I have note books and scrap paper full of these doodles. Within the last year I’ve been very focused on the human form, so a lot of my doodles are break downs of different poses. I have no expectations for these pieces other than to keep myself entertained in class and play around with my art. So just mess around with low expectations!
Now, as a traditional artist I have a stack of sketchbooks that is getting close to being as tall as I am. Materials can get expensive or not easy to access depending on where you live. If you’re getting serious about your art and its quality, I do recommend finding nicer materials to work with (though this does depend on what effect you’re going for with your art). However, using expensive materials does not always mean better quality or automatically mean your art will be better, often the quality of the art comes from how well you know how to use the materials and your understanding of art (look up elements and principles of art). I myself still use crayola colored pencils and the same mechanical pencil from 5 years ago taped together. I have invested in some nicer paints such as Winsor and Newton watercolors and Canson sketchbooks work fine for me. Finding the right materials will come with time, trial and error, research, and maybe some self reflection. I HIGHLY recommend not investing right away with the more expensive materials unless you have 1) learned the basics of art and feel ready to take on a new medium 2) financially can afford to experiment with more expensive options. Even if you can afford the materials let me say this one last time, the price of the paint or paper does not automatically equate to better art, it’s how you use those materials that matter. Now, that being said, cheaper materials often have their limits, and if you begin to notice these limitations I congratulate you on realizing this and recommend upgrading your stuff :)
Also, if you use cheaper materials it’s less of a big deal if you ‘mess up’ because it wasn’t very costly (maybe 50¢ or so)
good art materials to start with (not an exclusive list):
-colored pencils or crayons
-regular pencils
-ball point pens
-charcoal
-recycled materials (more in line with collage work)
-markers or sharpies
Now where was I… Oh! Going off of the OPs post, ask yourself why your art isn’t good enough. Are you comparing to people who are at a different level of experience than you? Then that isn’t a fair comparison. Being online makes it very difficult not to compare, but how do you know the person you’re comparing yourself to hasn’t had professional teaching for years? Consistent critiques and guidance from peers or other experienced artist? Some people learn concepts faster than others, so if you learn at a slower pace acknowledge that and try gesture drawings or maybe a new art style entirely if you’re really feeling frustrated. Often the expectations we place on ourselves hold us back. Another thing to ask yourself is are you able to handle constructive feedback? I remember when I was about 10 years old I had an art teacher encourage me to put green in the ocean of my drawing of a sunset. I was offended she would consider such a thing! It felt like a personal offense and I refused to put green in the ocean because obviously water is blue! Well… a few years later I decided to follow her advice as I grew more frustrated with how flat and unexciting my art was, and what would you know? There was green in the ocean! There’s lots of colors in water! I still struggle with lighting and reflections, but that was a very important memory for me. I urge you to be more open minded than I was with feedback on your art as it can save you years of art block!
Now, if you are one of those people who created an art account on social media in the hopes of getting famous, I hope you do, but know that is likely not a realistic expectation for a few reasons. There a thousands, if not millions of people with that same idea as you and many of the people with a large following got lucky or had a lot of time to build up that following. Don’t expect to be lucky, and desperately trying to get follows tends to put people off. Are you making art because you even enjoy it at that point? It absolutely feels great to get recognition for your work I won’t deny that, but once you rely on validation from others you will never be satisfied and always need more validation. Try finding fulfillment from the art you are making without relying on others to give you that feeling. What others say about your work is icing on the cake. You have to protect that passion and love for creation fiercely, especially in a day and age where art is being commodified and devalued more and more by others who only care about monetary value. Alright, moving on from the self reflection aspect of making art, take your studies seriously! If you truly wish to improve your art, observe the world around you! Draw it! Draw it terribly or draw it so well you wish you had brought nicer paper than an old receipt! Draw people, buildings, animals, food, reflections in a puddle or the texture of a fuzzy jacket. You like that person’s hair? Draw it! That tree looks cool? Draw it! Draw the folds of fabric and shadows at sunrise. The other part of your studies will be looking at what other artists do that you like or don’t like. Look at a variety of time periods, styles, cultures, and mediums. If an artist is on social media, comment on their work and really try and figure out why you like this particular piece and tell them! Explains your vocabulary and ability to talk about art. This will be something that will eventually become second nature after years of practice. I can’t do anything or go anywhere without thinking ‘oh wow those windows reflect the sky really cool’ or ‘the colors of my meal today work really well.’ I’ve filled my camera roll with stuff that inspired me and drawing references. Also, you will find inspiration in the places you might least expect. I have gone down rabbit holes of online content in the pursuit of a drawing reference (I now know more than the average person about western historical dress construction as one example). Soak it all in! Also, being an artist will likely require you to learn about physics and definitely anatomy. Learn how to draw and paint realistically. Learn all the proper rules of art so that you can turn around and meticulously or explosively proceed to break every single rule in your art. And have fun with it! Play with art styles and mediums you wouldn’t usually associate your work with, you may be surprised what you learn!
Edit: one last thing to add is try learning how to work around or with your mistakes! If you draw with a permanent marker or pen, learn how to get creative with making your mistakes look intentional or as an opportunity to learn. Learn methods of covering those mistakes and starting over or make the mistake the shining focal point of the piece. It’s not the end of the world I promise! The more you learn to work with mistakes, the more you might realize starting a new painting or drawing is less daunting
And the last thing is, know that for thousands of years humans have been making art. No matter who, where, and when we have always been trying to create. What humanity has taken thousands of years to learn, you are trying to speed run in your life time. I don’t mean for that to be stressful, I say that so that you will remember truly how incredibly it is that we can make art. That we want to create. Be patient, let your passion and curiosity flourish, and practice :)
Now here are the cliff notes as promised:
-doodle with cheap materials at every opportunity you can get (try not to let the rest of your life suffer for this though)
-expensive materials ≠ automatically good art
-start with cheap materials, learn basics of art, then slowly upgrade your supplies (your wallet will thank me)
-ask yourself why you think your art is bad. Everyone is at different levels of experience and learn at different rates, comparing yourself negatively is unfair
-don’t expect to get famous online with your art in a matter of weeks. You either need to get lucky or take a while to build up a following. Also, be careful seeking validation only from others
-also online art connections need to be complimented with getting involved in person with the art community. Networking involves face to face communication
-study the world around you and draw it! Draw as much as you can! Learn as much as you can about anything and everything! Study artist of lots of varieties
-learn how to talk about art (you can practice by commenting about the things you like about online artists��� works. Be specific. Things you don’t like can be kept in a private journal unless an artist specifically asks for feedback. Learn how to critic without being mean about it)
-lastly, know that it’s incredibly that you are carrying on the human tradition, which is thousands of years old, of drawing! It’s amazing we seek to create :D
Also, I have kept all of my old art on my instagram account as a testament to the gradual growth I’ve gone through as an artist. I too had the absurdly long anime legs phase of art. We all have unique journeys of making art and sometimes it’s going to feel like you’re getting worse, try something completely new when this happens, but just keep creating or thinking about creating stuff :D I believe in you!
btw with art when people say 'youve got to do it scared' 'youve got to draw bad' 'youre not gonna know how to do it until you do it' it sounds like bullshit but its true. 90% of art is just getting over the fear that it's not going to be good enough to deserve to be made in the first place. but you're here. you're alive and, with no need to justify that, you're going to make art. it's just part of being alive. you'll spend so long worrying you aren't doing it good enough that you'll look back and realized you didn't live a single day of it.
#I can’t help it when I have an opportunity to share art advice#I hope this helps and isn’t a lengthy rambling that consumed three hours of my day#I guess I should have read the other notes first to see what others said#there’s lots more I could add but I already typed so much and if I keep going I’ll just repeat myself#art#art advice
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I posted 946 times in 2022
That's 946 more posts than 2021!
208 posts created (22%)
738 posts reblogged (78%)
Blogs I reblogged the most:
@bunnelbaby
@idolagere
@robins-daycare
@littletealseal
@strawberrypuppyy
I tagged 580 of my posts in 2022
Only 39% of my posts had no tags
#rfm post - 203 posts
#age regression - 202 posts
#agere - 202 posts
#regression-fanon-maker - 144 posts
#rfm art - 138 posts
#sfw agere - 111 posts
#cookie run - 109 posts
#petre - 56 posts
#pet regression - 53 posts
#cookie run agere - 52 posts
Longest Tag: 139 characters
#ninjago never had this issue with a 5 year old robot and a 25 year old on being together since they were robots and noone really cared then
My Top Posts in 2022:
#5
Can we see a cute oneshot (or picture) of Garmadon helping little Vinny?
Here's just a simple doodle
18 notes - Posted October 8, 2022
#4
The best roblox game <3 Rainbow Friends
Hope you like them @dreams-your-smps
The Main Mascot
See the full post
20 notes - Posted August 28, 2022
#3
Happy Easter!
Thought this up and wanted to share.
Lloyd: Oh no..
Zane's in "Emperor Mode".
See the full post
28 notes - Posted April 17, 2022
#2
ok, I saw someone mention that the Cream named cookies should be family so I looked for all all them.
But.... it got a bit messy.
Like we have Yogurt Cream, but he has a brother without the Cream name. But Plain Yogurt works as a part of the family, no matter how much of a jerk he is.
We have more popular characters in Whipped Cream and Cream Unicorn
See the full post
41 notes - Posted July 12, 2022
My #1 post of 2022
Ninjago Regression Boxes; Cus why not
Regression boxes are little boxes for regressors when they regress unexpectedly and they need their little gear in one place.
Thought it would be cute to make up what the main ninja would have in those types of boxes ^-^
Jay
Building Blocks
A wooden train
Octopus plushy
Space themed coloring book + Crayola Crayons
Star Pattern Sippy Cup
Pacifiers
Cole
Food Themed Plushies (Like a strawberry cow)
Sketch Book + colored pencils
Bear Plush
Gummy Candies
Honey Colored Sippy Cup + handles on either side
Chewlry
Kai
Teethers and Pacifiers
Kitten Plushy
Pokemon Plushies
Baby Bottle
Dino Onesie
Patterned Diapers
Zane
Bunny Headbands (Both with bunny ears and individual bunnies)
Storybooks
Fake Cooking Supplies
Plastic Food
Nya
See the full post
55 notes - Posted April 13, 2022
Get your Tumblr 2022 Year in Review →
#tumblr2022#year in review#my 2022 tumblr year in review#your tumblr year in review#this is so cool to see from a side blog I made this year! so epic#RFM Post
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I really love your art! While both mediums that you used are amazing I am fascinated by your traditional art! I was wondering what supplies do you use? I think you watercolour for colouring instead of gouache since it looks much thinner but I could be wrong.
Hi there! I’m so glad you like it :D
I’ve been neglecting traditional art a lot since I’ve moved all around the country in the past three years, so some pieces might look vastly different than others because I have access to different spaces and materials at different times. Tbh, I reaLLLY would like to get some gouache, it’s just that I have been living out of a suitcase while I was in school and wasn’t able to get any ;;
The Secret
GENERALLY however........... my secret is that I’ve been using the same watercolour palette I’ve had since high school :’ ) and I dont know what brand it is because the transparent lid literally fell off and vanished ages ago, it was something that my art teacher had picked out.
(As you can see, my yellow is almost completely gone which is a Huge Problem because I use yellow as a base for a lot of things Especially skin tones. It’s great to have other colours, but a lot of art i do relies on just mixing the three primary colours.)
Most watercolour art I do is using this palette, like this or this or this. Since I brought it with me while I was studying in Toronto, nearly all of the art I’ve done in the past three years with some exceptions has been done with this old boi. I wish I knew what it was because I’m going to have to replace it eventually... I’m back home now so if the art stores here still carry it, I can investigate.
(THIS GOT LONG SO I HAVE SOME MORE SUPPLIES AND RELATED THOUGHTS UNDER THE CUT) (feel free to ask for clarification on anything) (And if you ever need watercolour tips I cannot recommend Watercolour by Shibasaki enough, the man is a god, LISTEN to when he says to use a Big Brush he Means it)
Pricier Stuff
The great thing about watercolour is it’s a cheap and highly accessible medium. If you want strong pigments that last for years, by all means please get something a little pricier. I use a Sakura Koi field set for painting outside or in cafes, like this, this or this or even doing comics like this. Although its great for small paintings, a lot of stuff I do with these tends to turn out a bit washed out because I’m Afraid of using too much pigment which I have to get over. Also, Daniel Smith gives you rich, buttery colours and you don’t need very many tubes to get a gorgeous range of colours and you can even get a “dot card” which is like a little paper palette with a few smears of paint on it for a more affordable price. My tubes have been in storage until just a few weeks ago, so I don’t really have many examples of using them... but I think I used them here. (I even had some dried up paint on my palette when i got back and used it for this and look how rich and vibrant that blue is after sitting dried up in storage for three years).
The Secret... Part Two
However like i said, the brilliant thing about watercolour is its affordability and accessibility. Whether you prefer tubes or pans, you’ll probably find something in your price range thats easy to use and gets you the results you want as long as you practice. I have a set of Staedtler student watercolour tubes I haven’t used much yet that I picked up on a student sale ages ago (art stores, especially ones near art schools, sometimes have discounts for students of all ages at the start of the school year). But you know, if you just want to add a pop of colour to a page in your sketchbook and you’re not too worried about something fading, use that old crayola set from kindergarten! I mean it! If you have one around, dig it up and play with it. This is Crayola, and so is this and this and this! Kids paint works a little differently than other paints (and it fades like HELL if you leave it in the sun, so dont hang it on your wall too long), but it’s great for confidence boosting and livening up your sketches (or drawing attention away from sketches you dont want people looking at lol)
PAPER!!!!!!!!!!
You can get away with using dollar store paints to make good watercolour. You can’t get away with using copy paper. If you have to spend money somewhere, spend it on good paper.
Great news: Canson XL Mixed Media sketchbooks are cheap, come in all different sizes, AND THEY ARE AWESOME!!!! There are haters out there (including Quatsch, who much prefers the Strathmore Soft Covered Art Journal). The paper crinkles because it’s not as durable as Actual watercolour paper, but its fantastic for practicing and putting a light wash on other types of drawings. I love it.
Other stuff I use
- INK: Most of my inking has been done with Staedtler Fineliners. These are good quality pens, especially for technical drawing, because you can paint over them no problem, they dont get mutilated by erasing, and they draw crisp straight lines. However, they don’t angle or turn corners super naturally like a Fabercastell might, even if they are more durable and leave stronger marks. I only just started using Sakura Microns (which I’ve coveted for a long time) and as long as you are gentle with them, I think they’re the best of both worlds.
- TEXTURE: You’ll notice a lot of my art has pencil crayon (CoLoReD PEnCiLs, sorry Americans) on top because i like to beef up the colour and detail. You can use pretty much any kind for this, but I use Laurentians which sadly are no longer produced even though they were THE staple, default pencil crayon brand for Decades in Canadian schools. If you’re lucky enough to find any, hold on to them!
- WHITE: Uniball signo white gel pen babyyyyyyyy
- BRUSHES: I don’t... know, i got my acrylic brushes from high school and I just pick up a watercolour brush or four whenever I feel the need, you can’t really go wrong here. I use waterbrushes for travel which are good as long as you keep them clean (because stagnant water Will go mouldy so don’t leave it in there)
- OTHER: When I get tea from a take out place I sometimes save a paper cup or two and wash them out after i finish, they’re handy for water. I also use glass jars for pesto that I’ve cleaned out because the lids make them easier to sneak into school xD Use one for clean water and one for dirty water P L ea Se
GO FORTH AND CREATE!!!!!!!! Especially now that there’s more hours of sunlight, it’s night to sit outside or in a window and do some painting.
#hapo replies#this took me like a whole hour to write i got excited#art reference#watercolour#art advice#roniebuttercups#IM SORRY MY PALETTE IS SO GROSS IT LITERALLY HAS MY HAIR STUCK IN IT
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Old Thing Back (2)
Erik Killmonger x Reader
Erik runs into his old high school girlfriend and realizes how much love he still has for her.
Please Note: In this series, there was never a fight for the thrown between Erik and T’Challa. It’s all good between them. Erik became a Seal and used his pull to go to Wakanda in the hopes of just finding his family. Together, he and T’Challa founded the Wakandan Outreach Center in Oakland.
Thanks for the feedback and love. :) excuse any mistakes. enjoy.
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It had been weeks since you ran into Erik… or since he literally ran into you. Good thing you only went running on the weekends. That made it easier to avoid him if you spotted him again. But luckily, you didn’t. You purposely waited until about 9am to go running and you were sure that was why. If he was an early bird, he wouldn’t catch you.
The weekend at come to an end and you were successful yet again at not being run over by your past. You were ready to get back to work to be with your favorite mini humans. You had been a kindergarten teacher for five years and each year, you’d fall in love with your tribe of five year olds like they were your own. This year, your God Daughter, Bella was one of your students. You wouldn’t let Kelly enroll her into any other school. You practically demanded that little Bella be your student.
You had just picked up your daily Chai Tea Latte from the cafe near Kelly’s house and you were arriving at her home to pick Bella up for school. You were running behind. Your class would be taking a field trip today and you took it upon yourself to make lunches for each student.
As you pulled into Kelly’s driveway, she was rushing out the door with Bella, running late herself. She was called into work early this morning.
“Thank you so much for picking her up, girl. I needed this morning shift.” Kelly says, strapping Bella into her carseat.
“Not a problem. Bella is my baby too.” You smile at the toddler. “Ain’t that right baby girl?”
“Yes.” Bella was all smiles.
“Alright.” Kelly sighed. “You will be a good girl today on your trip.”
“I will, mommy.”
Kelly kisses Bella and closes her door. She waves at you and you pull off, going to school.
When you get there, the bus taking your class on their first ever field trip was there waiting. You get Bella and the lunches out of the car and rush over to find your other students and your teaching assistant, Liza getting settled. You do a headcount to make sure everyone is there before the bus heads to its destination.
“I’ve heard so much about this place and what they’ve done over the summer for kids.” your TA states.
“Hmm?” You were zoned out, enjoying your morning drink.
“The Outreach Center.”
“Oh yeah. Me too. When I heard they were opening this Early Child Development Studio, I knew I had to bring our babies to see what it’s about.”
“I wonder if the King of Wakanda will be there today.” Liza sticks her tongue out making you laugh.
“He is fine ain’t he?” you smirk. “I would not mind becoming a Queen for him.”
“Miss Y/N? Are we there yet?” a small voice from behind you asks you. It’s Tyler. He’s one of your busy body students. He doesn’t like sitting in one spot for too long and is always asking a lot of questions.
You smile at him. “Almost Tyler.” You stretch your neck over the driver's seat to get a good look at the road. “We’re a few blocks away.”
And in just a few minutes, the bus turns into a parking lot next to the building. Glowing blue letters sitting above large, glass doors reading, Wakandan Outreach Center.
“Okay boys and girls. We’re here. Is everyone listening?”
“Yes!” they all answer you.
“Great. We're going to be good guests here. We will stay in line and stay together. Today will be a very fun day. If any of you have to use the restroom, come to me or Miss. Liza and we will find the nearest restroom. Are you guys ready?”
“Yes, Miss. Y/N.”
One by one, the kids jumped off the bottom step of the bus. They made a single file line and followed you into the building with Liza behind them, carrying the lunches. You were met with a beautiful, tall woman in red. Her smile was as bright as the sun. Her presence was breathtaking and even the kids noticed her. You and them were in awe of this gorgeous woman.
“Hello, I’m Mia. You must be the kindergarten class that’s supposed to visit the new Studio today?”
“Yes.” you excitedly shake her hand. Which was amazingly smooth and warm. “I’m Y/N. This is Liza and these are our shining stars.” You turn to your students. “Class 104, this Mia.”
“Hi Mia.” their tiny voices rung out, echoing through the lobby.
“Hello Class 104. Nice to meet you all.” Mia turns to you again. “We’re excited to have you today. Unfortunately, our tour guide, Sasha won't be in today but our Director of Youth Development is here and he’s offered to show you guys around today.”
“Okay, that’s fine. Who is--”
Mia looks to her left. “Here he is now. Mr. Stevens.”
Her words shocked you like lightening. But the person she referred to as Mr. Stevens, made your heart sink into the pit of your belly.
“Good Morning.” his deep voice boomed in your ears. The smile on his face was just as bright as Mia’s. He reaches out to take the box of lunches from Liza. “Could you take this to the cafeteria, Mia?”
You took a few deep breaths, calming your nerves. How is this happening? Why is this happening? You look to Liza who is gazing at him. He reaches his hand out to Liza.
“Good morning. I’m Erik.”
She shakes his hand and her bright cheeks begin turning red. “Um, hi. I’m Liza.”
Erik turns to you with a smirk and his hand out. “Y/N.” he states your name so matter factly.
“Hi, Erik.”
Liza looks confused now. How did you two know each other? She thought.
The smile on Erik’s face was contagious and you couldn’t help but to smile too. Your cheeks going against you. Allegedly. You playfully roll your eyes and avoid meeting his eyes. Your eyes meet with one of your students, Jonathan. He bounces his little brows up at you and winks. You bite back the laughter that threatens to come out.
“Class 104, this is…” You turn back to Erik. “Do you prefer Mr. Erik or Mr. Stevens?”
Erik drags his tongue over his bottom lip, eyes trained on you. He's aware of your struggles. “Mr. Erik is fine.”
“Class… Mr. Erik.”
“Hi, Mr. Erik.” your class sings in unison.
“He’s going to be showing us around today. Are you guys and gals excited?”
“Yes!” the cheery five year olds jump and clap.
A small girl from the back of the group makes her way to the front. She introduces herself to Erik.
“Hi, Mr. Erik. I’m Melody. I’m the line leader, so you can just show me where to go and I’ll take it from here.”
She places her small hand into Erik, shocking him. He didn’t know five year olds could be so damn bold. But he smiled at her and decided he’d go along with it. He gives you a knowing look. You shake your head and look over to Liza, who is trying everything in her to hold back her laugh.
Melody snaps at her class. “Get in line. Me and Mr. Erik will lead the way.” Her class follows her demanding instructions. Erik begins walking with Melody down a large hallway. You watch in disbelief at how your young student took charge as the line began walking away from you. You and Liza catch eyes again and this time, snickers escape from the both of you.
“I can’t lie,” Liza began, “Melody has game. I respect it. She just took your man right under your nose.”
“My what!” your words coming out a bit louder than expected. You see Erik peak behind him to you and Liza. The two of you were trailing the line of jumping kids.
Liza cuts her eyes at you. “You can play stupid with these babies but you can’t play stupid with me Y/N. I peeped how y’all were looking at each other. All cheesy and shit.” Liza swayed her body adding emphasis on her words.
“That’s a bad word, Miss Liza.” Tyler barked.
“My apologies, Tyler.”
You and Liza bite back more laughter.
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Erik leads the class to two large doors with glowing blue lights and Wakandan symbols engraved on them. Early Childhood Development Studio. When Erik opened the doors, it was like a kindergarten teacher's dream classroom. It was neat with a modern decor style but still colorful to draw in a child's attention. The ceiling mimicked a dome with animated visuals playing on the tiles. Rows of white tables with small stability ball chairs. Each table paired with a collection of Crayola Crayons, Markers, Pencils and Erasers. In front of each seat, sat an iPad full of learning apps. To the right of the room, there’s a dry erase board and learning posters. To the left, shelves and shelves of children's books, neatly placed toys--Including a play kitchen, salon, tool boxes. There was an open space covered with a mat that would glow with the same blue color that was on the entry doors.
You and Liza were intrigued to say the least. Your students were in aw as well and being very vocal about it. Erik was pleased to see everyone approving of his design.
“As you can see here,” Erik began explaining, “each student would have their own iPad to stay up to date with the new learning apps that we are developing. We have plenty of utensils here for drawing and expression. The dome is designed for the children to gain an understanding of how the sky and the galaxy works.” he takes a step back to grab an iPad. He taps a few buttons and suddenly the room is darkened and stars and planets paint the ceiling. It’s so realistic that even you, for a second, thought that you were just casted into space. The children voiced their ohs and aws.
“Wow.” you mouthed, looking around you watching a meteorite pass by you.
Erik taps the iPad again and the ceiling goes back to normal. He walks over to the glowing mat, tapping on it and holographic visuals of a young woman with braids pop up. She jumps with joy.
“Hey Shuri, meet Class 104.”
“Hello class.” Shuri waves. The students are bouncing with excitement and wave back to Shuri.
“We have an experiment set up for you.” He tells the class. “Are you ready?”
“YES!” their screams bounce off the walls.
“They’re ready, Shuri.”
“Alright you little geniuses. Have you ever seen a volcano erupt?” Shuri asks as she walks over to a table.
You and Liza are completely mute. You couldn’t believe what your eyes were seeing. Is this real? Like live footage?
Shuri pours a liquid into the top of the volcano and it explodes a lava colored foam.
“Oh my gosh!” one kid yells out.
“My mama won’t believe this.” another says.
Erik laughs at the joyful reactions.
“There’s more where that came from when you guys come and see me later.” Shuri smiles.
“Thanks Shuri. I’ll let you know when we’re ready to come down.” Erik says.
She gives him a thumbs up and Erik taps the mat again and the hologram disappears.
“Erik!” you were stunned. “That was live?”
“Yes. We use holograms to do most of our communication. The mat is designed with vibranium, so it can’t be destroyed and we can use it for science experiments, communication, building blocks… I could go on but I’d rather show you over time.”
“Wow. This is perfect. More kids that come here and we’ll have hella little scientists running around Oakland.” Liza says.
“Why don’t we get them started.” Erik leads the children to the tables. Each of them picking a seat and tapping on the iPads. Erik gets each of them set up with a different app to explore their little brains.
You and Liza help with the set up and before you knew it, each student was in their own little world learning and actually enjoying it. You and Liza were probably enjoying the Studio more than the children.
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To reward your shining stars for being the amazing little learners they were, you and Liza figured that they should have some play time. This would be good for them to use up the rest of their energy before lunch, as well as give you and Liza a break.
As the children played with all of the high tech toys, Liza couldn’t help but to notice the set of eyes trained on you. She hid a knowing smile behind her water bottle as she pretended to take a sip and pretending even harder at listening to whatever you were talking about.
“Mhmm.” is all Liza offered to you.
Liza always has commentary to whatever topic you were babbling about so the lack there of caught your attention.
“Liza, are you listening to me?” you snapped with a bit of attitude.
Her eyes meet yours. “I’m not understanding how you are able to listen to you right now.”
“Excuse me?”
Liza scrunches her nose up. “You don’t sense the demon eyes glaring at you from across the room? Melody may have Mr. Erik,” she adds emphasis to his name, “wrapped around her little finger, but that man has been hawking you since we got here.”
You scoff. “No he hasn’t.” You look up and lock eyes with Erik. He’s sitting on the floor with Melody playing in his dreads like she’s his hairstylist. Just before you could react, Bella approaches you.
“God Mommy… I’m hungry.” she whines.
Saved by the Bella.
You look at your Apple Watch noticing that it’s just passed 11a.m. Lunch Time!
“Okay, baby girl. It’s lunch time anyways.”
Bella waste no time turning back to her fellow classmates and yells, “IT’S LUNCH TIME!”
The children go up on roars. It was adorable how thrilled they were about food. That’s something you could relate to on a soul level. The students line up with joy in their eyes. Erik walks toward you and Liza. Your heart begins picking up its pace.
“Hey. So, I figured we could squeeze some time in to visit our labs after lunch before y’all have to go. That’s cool?” he asked mainly you.
You simply nodded your head. You snapped your neck at Liza when you heard her snickering. Of course Erik noticed and he gave you a very toothy smile. His dimples were on full display and you did the only thing you thought you could… run!
“Alright 104,” you step around Erik and Liza. “Mr. Erik here is going to take us to the cafeteria.”
Bella takes your hand into hers. She looks up at Erik. “Hurry Mr. Erik. I’m dying.”
“Let’s go.” he leads you, Liza and the class to the enormace cafeteria. You were impressed. It was like a mini airport in there. Multiple food options. You immediately set your mind on Stir Fry. Liza’s eyes were glued to the pizza.
Mia met all of you with the class’s lunches. As the children got settled in their seats. you and Liza handed out each lunch and watched as they dug in. You and Liza sat at the end of the table to keep a good eye on the kids. As you began eating your food, a large presence approached behind you. You hear a clearing of a throat. You look up and see Erik with sly smirk painted on his lips. His hands were behind his back.
“Do you ladies mind if I join you?” he asks.
“Nope. Y/N doesn’t mind at all if you join her.” she winks at you. She doesn’t care that you were shooting daggers at her. “My baby-loves need me anyway.”
She rises from her seat next to you and she joins the class. Erik takes ownshipship of her chair.
“I have something for you.” In his hands held a box of brand new AirPods.
“Erik… You really didn’t have to do that.”
Ignoring your protest. “I was expecting to give them to you weeks ago but I guess I scared you away from the park.”
The disappointment in his eyes made you feel bad. “Thank you…”
“You’ve been avoiding me.”
It was more of a statement than a question.
“No--No. It’s just… you have to admit, it was kinda weird. Ya’ know, with the way things were the last time we saw each other.” You found the courage to look in his eyes again. Guilt. Regret. “You were the last person I thought I’d see. A lot of feelings that I thought were dead, surfaced and I--.”
“I understand.” he bit the side of his cheek. He felt the awkwardness between you two when he ran into you. He couldn’t deny it if he wanted to.
“But, the universe has a funny way of doing things.” you added.
“Yeah… I’ve always lived with that regret though. I wish I would’ve said something. Ran after you. I don’t know.”
There was a beat of silence.
“Where did you go?” you finally spoke up.
“College... Naval Academy and MIT.”
“Damn, Erik. I knew you were smart but I didn’t know you were that smart to just go to college at 16.”
A low chuckle escapes his mouth. “Yeah, “he continued, “When I became a SEAL, I got curious. I knew I had family in Africa so I decided to go find them. When I got to the Wakanda… they uh, they accepted me with open arms. My uncle--”
“Wait, wait.” you interjected. “You’re Wakandan?”
“Yeah.” a sly smile crept onto his face. “T’Challa is my cousin.”
“WHAT THE FUCK!”
Your shock took over you. You had forgotten where you were and who you were with.
“Ohhhh, Ms. Y/N. That’s a bad word.” one of your students yelled out, bringing you back to reality.
You slap your hand over your mouth. “I am so sorry. I will not say it again. I promise.”
“You have to go in the time out chair, Ms. Y/N.”
You felt foolish for not keeping it together in front of your students. “I’m sorry guys, okay? Forgive me.”
Bella approached you. “I forgive you God Mommy.”
You rub her big puff on top of her head. “Thank You, Bella.”
“God Mommy?” Erik looks between the two of you.
“Yes. This is my GodDaughter who is also my student. This is Kelly’s daughter.”
“Kelly! Big mouth Kelly?”
“My mommy doesn’t have a big mouth.” Bella gathered Erik very nicely.
Erik throws his hands up in surrender. “My bad Miss Bella. She doesn't. I’m sorry.”
You send Bella back to sit with her class. You and Erik play catch up until lunch time was over. He took all of you to Shuri’s lab. Shuri showed the kids some of her gadgets. Before you knew it, it was time for you to load your class up on the school bus and take them back to school for them to be released to their parents. Strangely, you weren’t ready for the trip to be over. You internally told yourself that it wasn’t because of Erik but Liza made sure to constantly remind you that Erik was definitely the reason. You felt butterflies every time your eyes met his. It was like no time had been missed between you two. Yes, there was still an elephant in the room between you but this felt nice and if you had to be honest, that could wait. You liked the way he was making you feel.
You were doing your head count when Erik made his presence known just outside of the buses doors. You kindly asked Liza to make sure all of your students were counted for and you stepped off to talk to Erik… again.
He laid down a fly away from your bun. That took you by surprise.
“It was nice seeing you, Y/N. For real this time.”
“Same. I’m glad we were able to talk and things not be, ya’ know, weird.”
They exchange smiles before Erik spoke again.
“I know I’m shooting for the moon right now but I don’t want to miss this moment.”
You waited for him to continue.
“But um, I would like to link up with you again. Minus the work and students.”
He immediately noticed the look of uncertainty forming over your features. He was definitely shooting for the moon, you thought.
“I don’t know, Erik.”
“Hear me out. It’ll be just two old friends catching up and plus… I want to formally apologize for some things.” He slipped a folded piece of paper into your hands, making sure to allow his fingers to linger over yours. He looked you dead in the eye. “You don’t have to figure it out now. Just promise me that you’ll at least think about it, okay?”
A nod was all that you could produce as a reply.
He leaves you with a wink.
When you joined your class on the bus, Liza made kissy faces at you. You blew her off. Unfolding the paper revealed Erik’s phone number. You would think about it. It was the least you could do.
---------
You were arriving at Kelly’s to drop your God daughter off to her. Bella was great on her first field trip and you wanted to tell Kelly all about her growing little genius.
You relaxed back onto her couch, cuddling up with Bella. Kelly joined you two, thrilled to hear about their adventure. You went on and on about the Children’s studio, the amazing food and science labs. Kelly loved the futuristic things you were telling her. She wanted so badly to take a personal trip to the Outreach Center just for herself. She was a science lover and that was right up her alley.
“Oh my goodness, Bella baby. It sounds like you had so much fun today.” Kelly doted on her young daughter.
“I did, mommy. I even got to meet God Mommy’s boyfriend.”
Your head snapped to look at Bella like she had six heads.
“Her what!”
“Yeah. Mr. Erik.”
“Bella!”
“Mr. Erik huh?” Kelly looks at you with raised eyebrows. “Tell me more Bella.”
“He was nice. He let me and Melody do his hair. He took us all around and showed us a volcano.”
“That’s nice baby, but tell me. How do you know Mr. Erik is God Mommy’s boyfriend?”
“You’re going to listen to a five year old, Kelly?” you question.
“Hush up! Let the child talk.”
“Well,” Bella throws her hands up. “They were looking at each other like this.” She dramatically blinks her eyes and smiles really big.
You cover your face with your hands. You couldn’t believe your god daughter was throwing you under the bus like this. It really be your own people.
“Bella, why don’t you go change out of your school clothes and let me God Mommy talk.”
Bella runs upstairs to her room. You peak between your fingers to see if Kelly was looking at you. Of course she was with a devious smirk, waiting for you to spill the tea.
“Spill it bitch and don’t leave nothing out.”
You sit still in the hopes that you’ll disappear and she won’t press the issue anymore. But no luck. You were still very visible and your best friend was extremely patient. You pull yourself up on the couch.
“Fuck it. There’s no way out of this.” you say to yourself. “Mr. Erik is Erik Stevens.”
Kelly’s eyes damn near pops out of her head. “Erik fucking Stevens? You are lying to me.”
#Erik Stevens x black!reader#erik stevens x reader#Erik killmonger x Reader#Erik Killmonger#black panther fic#shaebewriting
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IVY PANGILINAN
https://www.ivypangilinan.com/
i have been following Ivy Pangilinan’s work for a while now. She lives in the Philippines and maybe that is why I gravitate to her work.
I usually am very critical in abstract work like this. Often times it becomes too cloudy, gray, dirty and aggressive. colors often mix too much in abstract work resulting in grayish color that I do not enjoy.
In Pangilinan’s work, there is a right balance of “muddyness”. Her pencil marks reminds of me of the graffiti works in Metro Manila walls. The layering of her colors reminds me of peeled poster flyers all around the city. There is a right amount of swampy greyish green color when she mixes her color that reminds me of the stained Metro Manila walls due to the polluted busy streets (especially in EDSA highway) especially in the rainy seasons of June-September when these streets flood.
There is something that attracts me to her work. It’s possible we have similar upbringings living in the Philippines. There is a nostalgic feeling in her work for me. It feels familiar and warm. I also like her use of noise and gritty texture in her photographs which is also present in the Philippine architecture that gives the nostalgic feeling in her work. I also like how she incorporates her worn handwriting in her work. It feels more personal as if these are her journal entries. I enjoy this as a graphic designer as well and a person who journals a lot. I have always wanted to incorporate my handwriting in my work too.
There is a youthful energy in her work, that could be mistaken to be made by a young child filling in blobs of colors and scribbling in pencil.
This youthful energy can also address the filipino traits that we are known for. Filipinos are hospitable, polite, and always happy even through the tough times- and this is applies to my family as well, thats probably why I am always bubbly. This also shows in my work are we have somewhat similar color choices of bright and saturated hues.
Growing up in the tropical country of the Philippines, I always associated it as this bright and sunny place even if we do have monsoons and hurricanes during the rainy season. Maybe this is because I have so many good memories there that I mostly only remember the good times.
I have always mentioned that I see through a “yellow filter” because my memories of the Philippines are always bright and sunny even though we have a rainy season for almost half of the year when most of the country floods and many people are affected. I think it is a super power of the Filipinos to be able to get right back up right away, because these floods never really crushes that Filipino spirit, they are always ready to get all the pieces back together and get right back on with life- proving that they are very optimistic
I still have this “yellow filter” today, no literally. I wear glasses and i have this blue light filter applied on it, and its literally just a yellow filter on my glasses.
I had a big family in the Philippines. I literally grew up with my cousins and aunts/uncles right next door, and I always remember having the most fun childhood because I get to play with my cousins every single day. my favorite memory of us is when we would color/journal together (but also play house, pretend cooking, and play with dolls) thats probably why I enjoy paintings to much, because it has always reminded me of the good times with my cousins, and now that I am away from them, this a way where I could relive that moment and feel good alone.
I think Ivy Pangilinan’s (and Heather Days) work pushed me to explore pastels, crayons and other materials because it opens that childhood memories of mine. That is the main reason why I love pastels because it is the adult version of crayons.
when did we stop being able to play with these materials or toys? how come we need an adult version of things we enjoyed as a child?
Art materials are not something accessible to everyone in the Philippines. The materials there are so expensive that it is very impractical to keep art making as a hobby. I remember when I was young, My mom or aunt surprised me with a 48 crayon box when I passed an entrance exam in a Catholic school near us. I remember loving that box and filling in coloring books whenever I had the chance.
As I grew up, I remember my cousins always having a variety of colors in their collection. I would always borrow their cool shades when we would play, one time I remember stealing this “lemon yellow” shade of light yellow with a hint of green because I loved that color so much. I'm not sure if I eventually gave it back, maybe not (lol).
It was not till my mom moved to America to find a job, when she would always send us “balikbayan box” filled with all sorts of stuff she bought for us from here. I remember she got me a Crayola box with 140 colors and I protected that with my whole life. I loved it so much because it had neon, and glitter crayons and none of my cousins had that and they would borrow from me instead. That's when my fascination with colors began.
It is my goal to be a successful artist, and I will go back to the Philippines and provide art supplies to the children in need.
--------------- I also relate to Ivy’s connection with intuitive painting. The Philippines is a Religious Catholic country (influenced by the Spanyards when they colonized us for 300 years). We are taught to believe in something we could not see. It is very internal and spiritual. At a very young age I was told to listen to my conscience because this is God speaking to me. So I am very connected to my inner dialogue, and this is how I navigate through my emotions- and this applies to my art making as well.
Art is a very spiritual act for me. This does not only serve as a vehicle for expression but also a space to practice my faith. I am not a religious person and I am currently trying to unlearn the Catholic practices I was taught when I was young (going to a Catholic school), and I am now in a journey of finding my own idea of who God is, and one way I explore that is through art, writing and mediating.
I yearn for peace when I am creating art, and it is the calm, silence and the intimacy where I find God present. He is present when I feel content.
------
I also like how she shows her process. I gravitate towards her window because I remember my sister having one just like that when she had her room in the attic. I would always look at that window and peep at what's happening outside.
Seeing her process makes me think of what could have happened if I stayed in the Philippines. I have a feeling that I may not be able to pursue art and do something “practical” instead. Art really won’t be enough for me to have a financially stable career. Pursuing art there is a privilege, only for people who has the means and could afford the materials. It was never really a real option for me in the past, even though my mom supported me in my talents. It was only when I moved to America when I truly had a chance to pursue my passion.
I have this fantasy of having a studio in the Philippines and eventually retire there. We have a terrace in the front of our ancestral home and I have always imagined myself working outdoors and having a mini garden there. I would love to go travel around the Philippines and apply those sceneries and new memories in my work.
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Self Para 005: The Reminders Pull the Floor From Your Feet
Note: For starters, this takes place on Saturday. This involves the Leo plot, and for the most part it’s... lots of Ches’s thought process leading up to her visiting Leo. Any interactions with people are lead up / not really... the majority. So please, tread carefully. I was careful to avoid going too deep into her more... brutal thought processes in hopes of ensuring it’s not too triggering but given the context I do feel a need to mention it. I do discuss her finding her brother after his attempt a little bit too, so, please pay heed to the tws and if you think it may be an issue, I strongly urge you skip this self para. I love you guys, and your safety is the biggest priority always <3
TWs: Suicide / Suicide Attempts, Decapitation / Murder (mentioned in a comment about how displeased Leo will be to see her), Hanging, Amputation, Ches’s thought process while shopping does include her making considerations about what she can buy Leo can’t hurt himself with so I don’t know how to tag that but I am aware it could be triggering.
For once, Ches didn’t know how she was expected to react, but she was sure it didn’t align with how she currently felt as she tore through her wardrobe to try to find something to wear. What even was appropriate to wear today? Colors were too cheery, white too saintly, black was a staple in her wardrobe and entirely off the table. Everything in her closet was practically getting thrown without care as she desperately tried to find anything. Even as her front door opens, she doesn’t glance to see who was coming in until she hears Balo squeak as she tries to avoid yet another thrown object.
“Sorry! I just was wondering if I could maybe borrow a pair of shorts?” The blonde squeals and the redhead pauses her frantic search for something appropriate to wear. Was Balo really trying to carry on like normal when her friend was in the hospital after trying to kill himself? Sure, people were saying it was an accident, but that didn’t mean it was.
Emmett had told everyone it was an accident after his attempt, a prank gone wrong, that she had to cut him down from the ceiling after. And at this point, she simply didn’t believe in accidents.
“Of course, they’re in the dresser. Let me know if there’s something worth wearing to the hospital in there while you’re at it.” She glances away from what she was doing to wave her friend toward where the dresser was. She would have to rearrange the room to the way she liked it eventually, but she hadn’t exactly been happy about much of anything since they arrived in New Zealand.
“Is going to see Leo a good idea?”
Balo’s question throws her off, as it was one she had been asking herself over and over again. She still didn’t know the answer herself, and she just turns away from her friend to go back through her closet, tossing yet more things in the direction of her bed as she fails to find something worth wearing. “This is my fault. I have to go.” She finally speaks as she tosses the last item of clothing in the closet onto the floor. “If I had done more....”
“It was an accident, remember? Just breathe, okay? You dress like you usually would. Maybe ask if I’m allowed to visit if you think he’s up to it?” She shakes her head, grabbing the shorts she came for from the drawer before she tosses a pair of ripped jeans and a tank top her way. Ches catches it, grateful for the answer so she could move onto the next method to tear herself apart with. “Just promise me you’ll be gentle with him. He’s going through a lot.”
“I’m not going to be mean. I figured he might like some comfy clothes and stuff. If someone else already thought of it, great, but...” She glances at her shoe rack as she talks. Maybe she should wear sneakers instead of heels for once, it’d make her look shorter and left her feeling more vulnerable, but perhaps it’d ease his fears of her just showing up. She doubted she was the first person he wanted to see; in fact, she was likely the very last, perhaps Balo was right, and this was a horrible idea.
But she needed to do this. How else was she going to live with the guilt?
“Well, if you need to talk later, come find me. I’ve gotta go, but I love you.”
“I love you too.” And with those words, Ches was alone with her thoughts again. She takes a deep breath as she walks over to her dresser to set the clothes she was going to wear down. Stepping over multiple piles of discarded clothes carefully as she realizes just how much money she’d just carelessly thrown to the floor as if it didn’t matter. Perhaps, in the long run, it didn’t. Still, she kneels down and starts to sort through the discarded clothes on the floor, slowly beginning to put everything back onto hangers. How was she supposed to make intentions clear from the moment he saw her?
Maybe the gifts would help, but she was just going to have to accept that whatever she did, Leo was likely to be hostile. Emmett was after his attempt, and he liked her. Ches was entirely unwelcome, and she knew that, but she supposed that was well deserved. If the roles were reversed, she would have made Leo’s visit a living hell for daring to breathe near her after a failed attempt. He had every right to do the same to her now. She carefully puts the last dress back where it belongs, going through the motions of getting dressed and making herself presentable, throwing her hair up in a ponytail, grabbing her bag, and just leaving the dorms.
She would have to go to the store and try to find things Leo would be allowed to have. She was already starting a shopping list of things in her head, things he’d need, things he’d like.
-------------------
Could she trust Leo with colored pencils, or was she going to have to stick with crayons? As Ches looks over the shelf of Crayola products, she ponders it for a few moments before she grabs both the washable crayons and the twistable colored pencils, glancing around before she tosses the bath crayons in too. She always got her worst thoughts in the shower. Maybe giving him a creative outlet he could take with him would be beneficial. On second thought, she tosses a box in for herself too. Her roommate was simply going to have to fucking deal with it.
The notebook had to have no wires, nothing he could pull off of it and cause harm. Any bags needed to be paper so he’d be allowed to have them. The slippers had to be sturdy yet stringless. She’d broken into his room in an attempt to figure out sizes, so she was hoping she was doing well on the clothing. She didn’t want to bring anything of his, not only because it’d require her to be honest that she had broken into his bedroom, but because she already knew how easily things got lost. The last thing she needed was to grab something that mattered and something happening to it. That was a problem she had no intention of being blamed for.
What else could be needed? Pre-paid call cards just in case what she’d read was wrong, and he wasn’t allowed to have his cell phone. If he did, she supposed it never hurt to have prepaid international calling cards either way.
He liked pen and ink, not paint, right?
For a moment, she tries to remember the art of his she had seen, none of it had been paintings, but maybe that was just simply because he couldn’t carry it around. She could ask, offer to make a second trip. She tosses comfy clothes into the cart as she goes, trying to find the most comfortable stringless things she could find, socks and underwear, because people probably weren’t thinking of it when they grabbed stuff. Toothbrush, he definitely needed a toothbrush. And inpatient units were usually cold, so a massive plush blanket probably help. He probably would be allowed to have zippers. Shit, what was his jeans size? Maybe Elizabeth would know, although was it a good idea to bother her at work with how busy she was. She glances at the racks for a minute, considering it for a moment.
Stuffed animals were usually taken in her experience, but if she could prove he wouldn’t hurt himself with it, maybe getting him something he was allowed to punch would be nice. After all, he did seem to enjoy his fights. Was Winnie the Pooh punchable? Balo was onto something when she said Leo looked like Christopher Robin. And he was a baby toy, so if Leo got him apart and found a way to hurt himself with it, it would be a feat. Still, she considers it a moment longer and puts an elephant in the cart instead.
She could always come back for it later if he’d appreciate the joke. What else would he like? Would the ward he was on allow her to drop by and grab him fast food? She probably could find a McDonalds’.
She takes a deep breath, already trying to find the number to find out. Hopefully, they’d allow outside food and drink. After all, what made someone’s day brighter than cheap junk food?
-------------------
[To Momma Everett 😍😍:] I’m dropping by to see Leo, so I’m gonna put my phone on vibrate to avoid him ripping my head off, but I love you so so so so so much, and please don’t hesitate to call if you need anything. I’ve got everything handled here, I promise. I’m going to tell the front desk I’m your daughter, so that should get me in long enough to drop him off clothes and stuff. Hopefully, he won’t correct them? 🤞
Ches puts her phone into her purse after she’s done, tossing the bag over her shoulder before she goes around to the trunk of her rental to grab the stuff. It felt like it wasn’t enough, but it wasn’t as if she could bring him nearly as much as she wanted to, just essentials and a few small things in hopes of making him smile. She goes to the hospital’s front desk, explaining why she was here and that she had no idea where she was supposed to be going. As they led her in the direction of where he was, she tries to take deep breaths. Leo was going to kill her for this, wasn’t he? Maybe she should have dropped by to steal a kiss from Elliot before she left before he literally ripped her skull from her body.
Of course, nothing could have prepared her for what was to come after she got on the unit. She hands over the stuff to the nurse’s station for them to check over, insisting it’d be better if she waited to go in to see him until she had it back, and for a brief moment, she sees Leo, and everything comes crashing down. Where had his arm gone? Why hadn’t anyone told her?
“Your brother didn’t tell you.” The nurse guesses, and she glances over to the man and the art supplies she’d brought. Was it a dick move? Perhaps, but she wasn’t going to let anyone even dare suggest he couldn’t do art. It was only a matter of adjusting how he approached it, and suddenly she didn’t care if she had to import a physical therapist willing to try to help him. If anyone tried to tell Leo he wasn’t doing something, they would have to fight her.
“No, but that’s okay. He can still whomp me for bringing him children’s bath crayons after he gets home. He’ll be fine.”
If the nurse says anything else, she doesn’t listen. She just quietly waits for him to sticker the stuff and hand it back to her before she enters to see Leo, trying to keep her hands from shaking as she hopes that for once, maybe she wouldn’t say the wrong thing to him.
#suicide tw#suicide attempt tw#murder tw#hanging tw#amputation tw#oscar the grouch ( leo )#a hundred thrown out speeches i almost said to you ( self paras )#all of my heroes died all alone ( musings )
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why do you think brittany writes in crayon?
Hey, @stanjyrus!
So the cynical, out-of-universe, fuck-RIB answer is that Brittany writes in crayon because TPTB at Glee want to depict her as being childish.
Note that in S1 and S2, while Brittany is occasionally shown to doodle in crayon, when she writes, she is most often shown using her beloved (and age-appropriate) Koosh Ball gel pens.
The one instance in which she writes using crayons on a major assignment is on her “heart attacks” report from episode 2x03, and in that instance, her doing so can be explained by the fact that her report includes artwork (and using crayons to draw pictures makes sense). She is otherwise shown using typical writing utensils for her schoolwork.
This choice in writing tools tracks with her general S1/S2 depiction: i.e., as a ditz but at least an average teenage ditz who could plausibly exist (and function) in a mainstream high school classroom.
Only in S3 and especially S4, when the writers lean hard into the “Brittany is infantile” party line, does the crayon writing become a standard, repeated joke. The downgrade from Koosh pens to crayons tracks with the general degradation of Brittany’s character during this period.
As for within the universe of the show, one very simple and viable explanation for Brittany writing in crayon is personal preference: i.e., crayon is a brighter and more colorful medium than pencil or (standard) pen and is therefore an attractive medium for someone as creative and whimsical as she.
However, a more complicated (and psychoanalytical) explanation also potentially exists, and it ties into the argument I make in this post: namely, that over the course of her high school education, Brittany’s teachers, counselors, and coaches alternately ignore and disparage her when she struggles in her classes, and the fact that they do so prompts her to “act out academically.”
Though it would be in Brittany’s best interest to ask for help directly, she doesn’t, largely because she has been made to feel unwelcome to do so. Rather than approach Will, Sue, Mrs. Hagberg, Emma, etc., all of whom have, in their own ways, made it clear that they consider Brittany stupid and/or obnoxious, and therefore unworthy of being taken seriously, Brittany puts up a façade, pretending that she’s too aloof to care about her schoolwork. She lives down to their low expectations for her because doing so allows her at least a modicum of control in a situation where she otherwise has none.
If we accept this model, then we can perhaps view writing her assignments in crayon as a symptom of Brittany’s scholastic desperation.
Essentially, Brittany feels like she’s going to fail her assignments no matter what she does or how hard she tries not to, because her teachers have proven to her, class after class, year after year, that they are unwilling to deal with her and/or give her a fair shake. She therefore decides (either consciously or subconsciously) that if she’s going to fail regardless, she is at least going to choose the mechanism by which she does so—and somehow it hurts less to fail because she writes her assignments in crayon than it does to fail because her teachers think that her ideas are stupid/wrong.
Remember that math test Sue whips out in episode 4x02? The one that Brittany draws “Happyville: the Town Where Math Was Never Invented” on?
Notice that Brittany doesn’t even bother to write down answers on that test.
Maybe she doesn’t write down answers because she’s using the crayon drawings as a defense mechanism.
If her teacher is just going to pick her apart anyway, why bother to put in any sort of real effort? The faculty all view her as an imbecile, so she’s going to give them what they expect. She’s not going to make herself vulnerable by expending her actual brainpower to come up with an answer that they’re just going to (arbitrarily) strike out because she’s her.
I would wager that as a yet undiscovered math genius, Brittany probably finds it difficult to “show her work” in the way that high school teachers typically require. She probably just “knows what she knows” intuitively/instinctively, and since she can’t write down the answer without showing her work, lest she be accused of cheating on the exam, she opts not to write anything at all. Things are just easier that way.
As I talk about in this Brittanalysis, Brittany may also be “crying for help” with the crayon drawing, hoping against hope that maybe someday, some teacher (possessed of both a brain and a heart) will realize that any twelfth grader who’s drawing stick figures in crayon on their math midterm probably needs help and actually pull her aside to ask her, in a genuine way, how they can be of assistance.
She’s too scared to ask for what she needs directly, so she hints at it—with Crayola cartoons—instead.
Unfortunately for Brittany, the only person who does seem to notice and/or care about the crayon drawings is Sue, who only cares insofar as this increasingly erratic behavior is having a bad influence on the younger Cheerios, and so summarily kicks Brittany off the squad.
Admittedly, a hole in this theory is that Brittany does seem to continue using crayon to write long after she has left both WMHS and MIT, even into S6, where we see her working on the Euler Brick problem using a rather impressive Crayola collection.
However, we can perhaps explain this usage by means of our simpler explanation from above: i.e., by this point in her life, now that Brittany is no longer beholden to academic rules and is just doing math for fun because she’s good at it, she uses the crayons because they’re colorful and pretty and because they make her calculations pop on the page.
Also, she may use crayons because she is potentially numerically synesthestic, as a few math geniuses, including famous nonnormative thinker Daniel Tammet, are. Note that in her Euler equations, she alternates colors, perhaps indicating that different calculations are chromatically different in her mind. (“The square root of four is rainbows,” anyone?)
Anyway, that’s what I’ve got!
Thanks for the question!
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