#AND LIKE. i think i also like this because of the amount of word play and irony i managed to smuggle in hehe

[hexy-lynesdein]

I talked about this scene of Agatha recruiting Lilia in my priv, twitter acc back then but somehow I felt the need to bring it up again (and this time on Tumblr) since not enough people are talking about this.

I think we all, as a society, moved on wayyyyyy too fast from this scene.

Agatha lowkey didn't fw divination because she couldn't cheat her way through it. The way her face dawned in realization in each word that Lilia uttered to her.. I could almost see the thought process in her head, it's almost comical (do ignore the pict quality people 🙏🏻).

Agatha is so skeptical of Lilia at first, she's like “Okay, let's hear what other nonsense this old kooky witch has to say”. Only for Lilia to read her like an open book. And Agatha has only been standing and fucking around in her shop for like.. what? Ten minutes? And you mean to tell her this bitch already caught up on what it is that she was about to do? Bonkers!

“It's not the first time your witch kin betrayed you. But you survive, in a way few do. In fact, it's why you're here. And I am not interested.”

Her expression. These are the faces of a woman who's impressed, annoyed, pissed, and turned on by such a display of power and skill for a short amount of time. And dare I say that Agatha felt almost... a pity? Later on, for Lilia. Not because of her seeing Lilia screaming like a madman when she was in her kitchen. But rather because she knew what she was about to do. She is going to take Lilia's power, in one way or another. And that means she's going to kill her fellow centuries old, exceptional and magnificent witch. And it's a shame, really.

And on a separate note, can we also talk about the tension that Agatha and Lilia have in that scene? It screams history to me, like come on now. The show of push and pull, them going “Oh so that's how it is? Fine, let's play your game”, both witches knowing exactly what and who the other is, but the information never once scaring them and piqued their interest instead. I might be reading too deep into these but honestly for such a brief meet up, these two have so many things going on — it's kinda insane.

[jackalope-patronus]

summary :: headcanons describing how Sebastian acts when having feelings for someone

note :: requests open

He’s constantly testing the waters. Trying to see how you feel about him.

He’s quite perceptive and has a fair amount of hubris so he’d most likely come to the conclusion you also fancy him.

During this time of ‘testing the waters’ Sebastian would do a few things to prod a reaction from you.

He might subtly touch you then search your cheeks for any redness.

He’ll speak about another girl and search your words for just a smidge of jealousy.

Little things that aren’t too out of character and that he could play off if ever you questioned it.

Sebastian isn’t the type of person to confess his feelings in a grandiose way.

He’s more likely to subtly act as though you two are already dating until everyone (including yourself) just assumes you are.

Then he’ll eventually introduce you as his partner, and you’ll think “Oh, I suppose I am.”

His playful flirting never dissipates, if anything it becomes stronger and harder to ignore.

He’s quick with jokes and playful teases.

Sebastian is a maximalist, always thinking of you all the time, wanting to be near you. Extremely passionate about your health, wellbeing, happiness.

He’s unbelievably loyal and would go to immeasurable (and questionable) lengths to ensure your happiness.

He’s quite jealous too. Before the two of you enter into any serious relationship he truely dislikes seeing you spend quality time with others. Ominus has even gotten on his nerves because of this at some point.

He finds it hard to keep anything from you. He says you can read him like a book but truthfully he just can’t shut his mouth around you.

[just-existing-as-you-do-blog]

Just me screaming about Virwood really quick:

"Don't run away from me right now." "Okay." Elwood abandonment issues in the phrasing there. Also just the immediate okay changed my brain chemistry.

"I thought that I could fix it and if I could fix it then I wouldn't have to keep it a secret for longer. I didn't want to ruin things." Virgil! Noooo! Also yeah that tracks with Pietro saying that Virgil would know what to do.

"Yes I would take that on! I would take in any weight to make things easier for you." Love confession number 1

"No! It's not happening. I'm not letting it happen. This shit happens to good people. It happens to good people and kind people and I'm tired of it happening to the people I actually care about." Love confession number 2

"I'm not going to accept a world that you are not in." Love confession number 3

"I don't have the words for this, but I care about you so much. In a way that I don't have the words for for the first time in my life." Love confession number 4

"Don't apologize to me. I'm glad you told me. If you hadn't told me I doubt I would have any amount of courage in saying anything." Love confession number 5

"Like I said people care about you, in more ways then words can say." Still part of love confession number 5 but HELLO?

The hug was more dramatically satisfying than any kiss could have been.

All the "Kite and Prejudice" jokes are funny because it's giving Jane Austin mixed with dark Romantisism(the literary movement not dark romance novels)

"Don't try to play hero." GOD IT'S SO DRAMATIC AND TRAGIC.

"Normally you're warmer than me." SHUT UP. Virgil is managing being gay very well by not dying on the spot.

Accurate depiction of confronting your own mortality.

Okay. Okay. Actual analysis time.

It's 1 am whoop whoop.

I like that they haven't said love yet! I like that love wasn't a word, they didn't need to say it. Especially since they said 5 separate love confessions as I have listed. I LOVE that they didn't kiss, they didn't need to (though I won't ever mind if they do.) Also I'm ripping apart the tragedy of it with my teeth. It tastes like grapes.

Also Virgil wanting to bear the people he cares about burdens along with his anxiety makes me think this void sickness thing is going to be a bad time for him. A REALLY BAD TIME.

And poor Elwood's previous belief that he is the common factor for why people leave him WHILE he has a partner who is dying means that this is also going to be a really bad time for him.

Anyway, bad times and demiromantic feelings all around! Love is an action. They are birds of words. I can't wait to see where this goes.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[kaeyachi]

Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).

He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.

And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.

No one knows how he does it. No one has to know.

Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)

He needs to be quick.

Efficient.

Perfect.

And so he comes and goes like the wind.

Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.

Kaeya had only been late once his entire life.

He'd rather he never be late ever again.

It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...

.

.

.

" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.

"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.

Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.

He imagines hearing a clock ticking.

Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?

Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.

[transmascutena]

thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder

[justarandomhelluvablog]

having thoughts about how Husk actually has very little left to redeem bc he started his journey of self-change before even coming to work at the hotel, but at the same time redemption isn't even his goal- he ain't even aiming for heaven, he just wanted to be a better person and maybe now with friends and especially Angel, who he supports so much and wants to see succeed, maybe now he has a reason to be a better person

[lovinggreeniehours]

what they won't know.

↳ takahara × lucifer (season 1)

↳ 700+ words. very short

↳ lowkey a sequel for let them look for they cannot see :) not exactly super official dialogue because this is a first draft from the arifer summary that i intend to incorporate later into the larger story. but yeah i decided to throw myself a pity bone. i can't infodump so ill post my silly little excerpt instead. excuse me if it isn't my best work i just like this scene a lot <3 <– has had the outline written down for 2 years ever since i first played the game

↳ extra warning for these two being unreliable narrators. as usual 😭

The chaos of the night eventually died down. The gold was returned, with mishaps along the way, and many more afterwards. Arion did his nightly rounds of checking on his siblings in their respective bedrooms. As he was returning to his own room, he then happened to run into the one person he least expected to see. Oddly enough, they seemed to find each other in the dark quite often.

"Good evening." Arion muttered. Just to be polite. "I'm heading to my room."

"Wait a moment."

Begrudgingly, he allowed it, biting back a sarcastic comment. Scowling, he looked up at Lucifer.

"What is it? I'm tired."

"I'm sorry."

What?

Arion tried not to let his surprise reach his face.

"For?"

But he couldn't help it— the little spark of vindictive glee that ignited in him as Lucifer forced himself to break eye contact. In an instant, all notions of tiredness seemed to evaporate. What? Can't meet me head on? Is this embarrassing you? Am I embarrassing you?

And realistically, Arion knew exactly what Lucifer was apologizing for. He simply couldn't help himself. He needed to hear him say it.

"..I shouldn't have dragged your sisters into our argument. They had nothing to do with the issue, and I overstepped. I may have been.. too harsh in my judgement earlier."

"Oh?"

"Shut up."

Arion really shouldn't have, but he laughed. For maybe the first time that night, for the worst possible reason. Arion had been crying his eyes out just a few hours ago, and the Avatar of Pride was apologizing. Why wouldn't he laugh? Why wouldn't he enjoy it?

Then Lucifer's next words hit him.

"I would like to form a truce."

The laughter died, allowing room for silence to pool thickly between them. Lucifer was forced to try and explain his point.

"Let us be clear. I still do not trust you. I don't trust you with my brothers, and I don't trust you in my house. But these are the cards that I've been dealt, and I'd prefer there be less issues such as this in the future."

Lucifer raised his hand as if in offering, before quickly realizing how awkward that was, and then letting it fall back to his side. Lucifer cleared his throat.

"Well? What say you?"

"We can agree on one thing, at least. I don't like being in your house either."

"Have you considered applying to change dormitories?"

Arion shook his head, almost laughing again. "I don't like being in your house. But my siblings seem to be quite happy there. Where I want to sleep is besides the point."

Then he put his hand forward, mirroring Lucifer's motion earlier. The hand he put forward was the very same that he broke during the dance. And he kept it there between them, waiting for Lucifer to shake it.

"Truce then."

For a moment, he only surveyed Arion's face, trying to gauge his emotions. His real emotions. From the bored droop of his eyelids, the unamused curve of his mouth, the determined set of his shoulders, and his hair so red Lucifer could see it in the near-lightless corridor.

He really wasn't afraid of him, Lucifer thought. How irritating. And yet, a sense of intrigue filled him. Now that the threat had subsided, it seemed Arion had no particular feeling towards him. Would he have reacted the same if he'd been threatened by another demon? By Lord Diavolo himself maybe?

"I still do not like you." Lucifer shook the human's hand, thinking bitterly. And he couldn't help but think of the irony in the gesture. Clasped hands were a common gesture between demons and humans. In pact-making— one of the few things they seemed to share (distasteful) sentiment in. "Whatever grievances we have with each other will be settled in confidence. I will not get involved in your family business so long as you stop sticking your nose into mine."

"Got it."

"So no one needs to know about this."

"Nope. No one."

"Good."

"No promises on not annoying you for life though."

"Do whatever you want. You'll be dead in a few years anyway."

Lord Diavolo finds them there not a moment later. Thankfully, there is a commotion in one of the rooms before he can question them too closely.

(The commotion turned out to be a pillow fight. And so Arion becomes the very first person to hit Lucifer in the face with a pillow.

Lucifer realized his mistake very quickly. He should have been keeping his eyes on Arion the whole time.)

[electric-plants]

I totally believe you, but I'd be interested to see your receipts of haitham being nice if you're willing to share~

hello weary traveler please take a look at my wares~

top ten (read: 3) reasons alhaitham is a SWEETIE w/ receipts:

1) he’s got really good manners:

*leaves to the entrance to wait patiently for you so he can say goodbye* and i just like how offended he seems at the implication in the last one

these voicelines in particular stick out to convey that he doesn’t really want to be responsible for causing others trouble:

also tbh basically all of his about lines are just him talking about people’s good qualities, which always makes me a little sad when i think about most of the voicelines about him in comparison rip

here’s some faves though tighnari’s especially sticks out in regard to alhaitham being nice i think:

2) he does a lot of things for other people:

“i’m not going to field any questions” proceeds to take us to his house, gather a bunch of books to help us understand, and then field all of our questions🤔 also just the entire concept of him being able to be talked into being acting grand sage at ALL

also not included but little things like taking the time to teach us how to use the knowledge capsules, taking the aaru villager’s feelings into account/getting shani to talk, and just generally taking the time to carefully address the rest of The Squad’s™️ questions/concerns during sumeru’s archon quests

3) and perhaps some people will disagree with this one but i just think he has a very kind view of humanity:

(⬆️ from sq also not cropped cause pretty🥰)

i feel that if someone is so intimately aware of the limits and faults of humanity while also still having an innate curiosity about other people and an affinity for finding people’s positive qualities it’s indicative of an inherently kind/forgiving way of thinking

i can and will defend any of these examples if anyone disagrees😤 i spend every moment of my life ready for a debate😤

but seriously lol idk there’s just SO MUCH that he does and says that can be interpreted as kind if you look for it and connect it, like this isn’t even all the examples i could think of off the top of my head

also thank you anon for giving me an excuse to talk about him and how he is GOOD i owe you my life sorry for adding so much lol

my sources for your convenience: SQ = alhaitham’s story quest, TP = teapot dialogue, KH = kaveh’s hangout, PoP = the parade of providence event

[hotsugarbyglassanimals]

even though i feel like i can confidently tell when a piece of art is generative A/I, i really don't feel inclined or really even justified calling someone out for it due to the precedent it sets - especially when artists who DO make their own pieces get caught in the crossfire for being inexperienced or making the choice to be more free-form when it comes to character design / consistency...

[mint-mumbles]

Gonna use this image any time someone says something low key sexist about Sable (ie "she's showing too much skin" regarding a fucking bathing suit 😭🤦)

I don't hear you complaining about Spirit 😭

[lovesickeros]

U mean U and the others (unholy trinity of Tsaritsa simps) did drag me down a wormhole of oc-ing an existing character with lore and yet still making it adapt to your fic.

in my defense her lore is extremely vague descriptions by other people (who may be biased. staring directly at childe. staring very hard at childe.) and like. the gem description im just working with what i got. also i don't trust hoyo to write my wife correctly so as far im concerned anything they write abt her isn't canon until i approve it /j

[exopelagic]

i said i wouldn’t do it this time but it’s 3am and mods asleep. boy

[ectoplasmer]

sorry it’s early and i’m brushing my teeth while the sun is rising since I passed out last night before I got the chance to, and we’re getting genuine sunlight for the first time in weeks, and I’m busy contemplating just how ridiculous this series is