#8. Learning objectives

[maxlearnmicrolearningplatform]

The Art of Crafting a Microlearning Solution

Microlearning has emerged as a powerful strategy for modern education and training, characterized by delivering content in small, focused bursts. As we navigate the complexities of creating an effective microlearning solution, the design elements play a crucial role. Deciding whether to use infographics, podcasts, animations, videos, or a blend of these tools depends largely on the context and how these elements can be integrated to achieve the learning objectives.

Understanding Microlearning

Microlearning is designed to meet the needs of learners who are often time-constrained and require concise, engaging content. It leverages various multimedia formats to cater to different learning preferences and enhance retention. The flexibility of microlearning makes it suitable for diverse environments, from corporate training to academic settings.

The Role of Design in Microlearning

Design is the backbone of any effective microlearning strategy. A well-designed microlearning module captures attention, sustains interest, and facilitates better understanding and retention of information. The design elements you choose—infographics, podcasts, animations, videos, or a combination—must align with the learning goals and the preferences of your audience.

Infographics

Infographics are visual representations of information, data, or knowledge. They can be highly effective in microlearning because they:

Simplify Complex Information: Infographics distill complex data into a digestible format, making it easier for learners to grasp key points quickly.

Enhance Visual Appeal: The use of colors, icons, and layout can make information more engaging and memorable.

Facilitate Quick Learning: Learners can absorb and retain information faster through visual storytelling.

When to use: Infographics are ideal when you need to present statistics, processes, or comparisons that can be visualized.

Podcasts

Podcasts are audio recordings that can be accessed on-demand. They offer several advantages for microlearning:

Flexibility: Learners can listen to podcasts anytime, anywhere—during a commute, workout, or break.

Engagement: The use of storytelling and conversational tones can make content more engaging.

Accessibility: Audio content is accessible to individuals with visual impairments or those who prefer auditory learning.

When to use: Podcasts are effective for delivering expert interviews, storytelling, or explaining concepts that benefit from a narrative approach.

Animations

Animations bring content to life through motion graphics. They are particularly effective in microlearning for the following reasons:

Illustrating Complex Concepts: Animations can simplify and visualize abstract or complex ideas that are hard to describe textually.

Engagement: The dynamic nature of animations captures and maintains learners' attention.

Versatility: They can be used to demonstrate processes, show cause-and-effect relationships, or visualize data.

When to use: Animations are best for explaining technical concepts, demonstrating processes, or when you want to add an element of fun to the learning experience.

Videos

Videos combine visual and auditory elements, making them a powerful tool for microlearning:

Rich Media: Videos can include visuals, audio, text, and interactivity, catering to various learning styles.

Narrative Power: They can tell a story, provide context, and create emotional connections.

Engagement: Well-produced videos can captivate learners and hold their attention longer than static content.

When to use: Videos are ideal for demonstrating procedures, showcasing real-world scenarios, or when a more in-depth explanation is needed.

Blending Multimedia Elements

The true strength of a microlearning solution lies in the strategic blend of different media types. This blend should be guided by the context of the learning environment and the specific objectives you aim to achieve.

Identify Learning Objectives: Determine what you want your learners to achieve. Clear objectives will guide the selection and combination of multimedia elements.

Understand Your Audience: Consider the preferences, backgrounds, and accessibility needs of your learners. Different audiences may respond better to different media types.

Content Mapping: Map out your content and decide which parts are best suited for each type of media. For example, use infographics for statistical data, podcasts for storytelling, animations for complex concepts, and videos for demonstrations.

Consistency and Cohesion: Ensure that the multimedia elements are consistent in style and tone. Cohesion across different media types helps maintain a seamless learning experience.

Feedback and Iteration: Gather feedback from learners and continuously iterate on your design. This helps you refine the blend of multimedia elements to better meet the learning objectives.

Practical Applications and Examples

To illustrate the effective use of multimedia in microlearning, consider the following examples:

Example 1: Corporate Training on Cybersecurity

Infographics: Present statistics on cyber threats and data breaches.

Podcasts: Feature interviews with cybersecurity experts discussing best practices.

Animations: Demonstrate how phishing attacks work and how to avoid them.

Videos: Provide step-by-step tutorials on setting up security protocols.

Example 2: Academic Module on Climate Change

Infographics: Show the impact of climate change with charts and maps.

Podcasts: Include narratives from scientists and activists.

Animations: Explain the greenhouse effect and carbon cycle.

Videos: Document real-world effects of climate change and mitigation efforts.

Challenges and Considerations

While multimedia elements enhance microlearning, there are challenges to consider:

Resource Intensive: Creating high-quality multimedia content requires time, expertise, and financial resources.

Technical Issues: Learners may face technical issues such as compatibility, bandwidth limitations, or accessibility barriers.

Content Overload: Too much multimedia can overwhelm learners. It’s important to balance the use of different elements to avoid cognitive overload.

Conclusion

Launching a microlearning solution becomes significantly easier when you have a clear design strategy. The choice between infographics, podcasts, animations, and videos—or a combination of these—depends on the context and how well you integrate these elements to serve the learning objectives. By understanding your audience, mapping your content effectively, and maintaining consistency, you can create engaging and effective microlearning experiences that meet the needs of modern learners. The iterative process of gathering feedback and refining your approach ensures that your microlearning solution remains relevant and impactful.

[fromperdition4]

Oh shit - someone's on the balcony —

Stop making out, run!

[hexagoniterations]

image: A rendered drawing of Risa and Danielle sitting next to a creek, surrounded by trees with bits of light poking through, creating dappled light on the ground. Risa is a pink glass rose with a long stem, and looks fondly at Danielle as she talks. Danielle is a puffy white dandelion, part of the fluff covering her right eye. She is leaning over, staring at her reflection in the muddy creek water with interest. End description.

the way I see you & you to yourself

[maester-of-spreadsheets]

I know it’s because I ran out of meds and cvs is dithering on the refill but for some reason I’m feeling so bummed about my music making hobby this morning. It takes hours and hours (I spent like a third of a day on something yesterday not even joking or sure why it did it for that matter.) And beat making isn’t the same as sound engineering so everything I make still sounds kind of terrible. So sometimes there are days like this where it’s like “I spent a stupid amount of time on this for 4 listens and a complex about how I’m stupid to be doing this in the first place.”

[meowm1x]

"i love drawing lineart!" i say to myself while drawing characters, only to remember i have inanimate objects with rigid lines to draw that i left until last (because they suck)

[honeyblockm]

1 8 and 21

1: the character everyone gets wrong

i just answered this but yeah it's fundy and ponk. come to think of it possibly also happyduo. the whole eggpire maybe.

8: common fandom opinion that everyone is wrong about

despite my best efforts i suspect i live in an echochamber but. spaces out for 10 minutes trying to think of common fandom opinions. you know i cannot really think of a take that has not caused awful awful discourse on my dash. i mean i guess re: the attachments advice that phil gave tommy that caused everyone to try to kill each other on my dash: i dont think it's that big of a deal? if phil gave some bad advice? if said advice was even bad in the first place? <didn't get too invested in that discourse

also i don't think las nevadas had to be destroyed for the. waves hand. narrative. or smth. it wasn't like. the root of all cquackity's evil or whatever. and i think it's good and reasonable that the LN arc ends with q deciding to build it back up again. sorry its my girlfriend

21: part of canon you think is overhyped

bedrock bros ^_^

[orcelito]

sorry to anyone looking forward to the discacc update, bard multiclass thoughts have taken over my brain

ive taken note of everything im getting for bard multiclass tho & mostly picked out my spells. so . i can probably focus on posting the chapters again lol

[carl77fx]

Cozying it up with your buddy pal.

(OBJECTOBER 2024)

[teaboot]

Because a few have asked

Teaboot's Super Okay Guide To Developing A Brain That Makes Art Work

Or: How to get your eyes to talk directly to your hands without your brain micromanaging you

Or: How to draw better

⚠️ Warning for super fast gifs cause they all gotta be 5 seconds or less or else my phone shits the bed ⚠️

1. Do the following exercises. Don't just think about doing them or figure out a clever way to not do them, just do them. Yes even the boring ones and the ones that look ugly

2. If you have any pride, crush it. Kill it. Crunch it up into itty bitty bits and feed it to the ducks at the park. You have no talent and don't know anything and everything you make is hot garbage. Believe that. Make yourself believe that. That is where you live now. Surrender any indignation or shame you have to the void and embrace rock bottom.

3. Read step 2 again and actually do it this time. My methods will not work if you try to make this process pretty. Don't.

4. No drawing from your imagination on these. Actually draw from real life. If it's boring like eating day old oatmeal in in beige room but your usual art still feels wonky then I'm talking to you specifically. You can't write poetry until you learn words and yes learning words is as dull as horseshit sometimes but do you wanna be Robert Frost or not

5. Pick up some cheap paper and a ballpoint pen. Grab a small object, between the size of your hand and the size of a microwave. Set a timer for fifteen minutes. Put the tip of your pen to the paper and press "start".

Now without looking at your paper, only looking at the object, draw the object in as much detail as you can. Do not break contact between the paper and the pen tip until the timer goes off.

This is a continuous line drawing, and you're doing it in pen because you need to know what rock bottom looks like and rock bottom looks like no eyes no erasers no shading no do-overs.

6. Sit down in a public place. As someone walks by, draw their their body in as much accuracy as you can before they are no longer in view. Once you can't see them anymore, the drawing is done. No adding details. Pick someone else and do it again. No "base sketch". Just them. If it barely looks human you're doing great

7. Get a black pen. Put a small object on a dark, flat surface. Now draw the surface without drawing the object. Don't draw the outline of the object. Don't do a sketch. Just draw the surface that is visible around the object until only a silhouette remains. No time limit just do it.

The ability to draw accurate proportions from sight comes from learning to see what exists between a thing and the absence of a thing and if that hurts to think about then you need to do it more

8. Keep doing these until you are Ready.

9. You will know when you are Ready. It will make sense when you are Ready. You will Understand.

10. Unwind with some goofy shit so you don't forget why you wanna improve to begin with

[ms-demeanor]

Hey also you know that post about getting better at cooking and handling meat and stuff?

Meat is really expensive and it goes bad pretty quickly.

If you're a new cook and you're trying to figure out how to pan-fry something so that it tastes good, might I recommend tofu?

I'm not saying "treat tofu like meat and try to replace all your favorite meat dishes with tofu" (though, I mean, if that sounds good - go for it), I'm saying "it's a lot easier to practice heating a pan and flipping objects in a pan for a meal and seasoning objects in a pan when the objects in the pan cost two dollars instead of ten dollars."

Tofu lasts a lot longer in the fridge than meat does, is easy to season, and you can easily learn how to pan-fry it into a tasty snack (or main course) and only requires a little extra prep. You can also pretend that the tofu is raw meat (the texture isn't dissimilar) and start practicing for things like how to take it out of a package or cut it on a sanitizable surface, etc.

My favorite way to cook tofu is to press extra firm tofu for at least half an hour (you can get a cheap tofu press for around ten dollars, or you can put it between two plates with some books on the top plate - this is that extra prep i was talking about - tofu cooks best if you press the excess water out), then slice a 14oz cake of it into 8 slices. I lay these flat and sprinkle cayenne pepper, mushroom powder, and smoked paprika on all of the slices, then I rub it in and flip the slices and season the other side the same way. I cook it in a frying pan with a thin layer of avocado or olive oil over medium heat, flipping every two minutes until the flat sides start to crisp up a little. Just before the last flip I add about a tablespoon of tamari sauce (you can use soy sauce, I've just got allergies) to the pan, sprinkling it over the tofu so that both sides get a little bit of sauce on them.

I have that with steamed vegetables and with jasmine rice (with two teaspoons of rice wine vinegar per 3 cups of dry rice and 4.5 cups of water). I also make a honey-siracha-mayo sauce that I dip the tofu in.

It's really good. And now I end up eating leftover rice and sauce with fried eggs for lunch at least two days a week and that's also really good.

This has become one of my go-to low spoon foods because it's so easy to make, it's filling, it tastes good to me, and it has become extremely easy for me to keep a stock of tofu in the fridge compared to the effort of keeping un-expired meat in the fridge.

I find that a 14oz pack of tofu feeds two adults for one meal, though I can stretch that to three meals if I'm the only one eating.

It makes a very cheap, filling, easy dinner that I can keep the ingredients around for without too much concern for food waste or anything going bad (the tofu that I get lasts about a month in the fridge and these days I just buy three packs every time I'm at aldi and cycle in new stock - it costs $1.50 per pack)

If you're interested in becoming a better cook, rather than worrying about actual high-risk products like raw chicken that can be seriously dangerous and also cost a fair amount, tofu has a pretty low barrier to entry while also being a good way to learn on a new ingredient that has some similar properties to raw meat.

[badjokesbyjeff]

What Pets Write in their diaries 

Excerpt from a Dog's Diary.........8:00 am - Dog food! My favorite thing!

9:30 am - A car ride! My favorite thing!

9:40 am - A walk in the park! My favorite thing!

10:30 am - Got rubbed and petted! My favorite thing!

12:00 PM - Lunch! My favorite thing!

1:00 PM - Played in the yard! My favorite thing!

3:00 PM - Wagged my tail! My favorite thing!

5:00 PM - Milk Bones! My favorite thing!

7:00 PM - Got to play ball! My favorite thing!

8:00 PM - Wow! Watched TV with the people! My favorite thing!

11:00 PM - Sleeping on the bed! My favorite thing!

Excerpt from a Cat's Diary...Day 983 of my captivity....My captors continue to taunt me with bizarre little dangling objects. They dine lavishly on fresh meat, while the other inmates and I are fed hash or some sort of dry nuggets. Although I make my contempt for the rations perfectly clear, I nevertheless must eat something in order to keep up my strength. The only thing that keeps me going is my dream of escape.

In an attempt to disgust them, I once again vomit on the carpet. Today I decapitated a mouse and dropped its headless body at their feet. I had hoped this would strike fear into their hearts, since it clearly demonstrates what I am capable of.. However, they merely made condescending comments about what a 'good little hunter' I am. Bastards. There was some sort of assembly of their accomplices tonight. I was placed in solitary confinement for the duration of the event.. However, I could hear the noises and smell the food. I overheard that my confinement was due to the power of 'allergies.'I must learn what this means and how to use it to my advantage. Today I was almost successful in an attempt to assassinate one of my tormentors by weaving around his feet as he was walking. I must try this again tomorrow - but at the top of the stairs. I am convinced that the other prisoners here are flunkies and snitches. The dog receives special privileges. He is regularly released - and seems to be more than willing to return. He is obviously stupid. The bird has got to be an informant.I observe him communicating with the guards regularly. I am certain that he reports my every move. My captors have arranged protective custody for him in an elevated cell, so he is safe...for now.

[astrangerthatcares]

10 things you can do instead of self-harm

(For phisical self-harm)

1- Paint that area. If you were planing to make cuts on your leg, paint your leg. If you were scratching your arm, paint your arm.

2- Cut stuff. I used to cut little locks of my hair, but it looked horrendous, so I recommend cutting papers and/or soft plastic.

3- Scream. Scream at the top of your lungs, let it all out without harming yourself.

4- Cry. It is also good. Maybe you rather cry in a more silent way or you want to ugly sob until you don't have tears left. Either way, do it.

5- Make noises with the most random stuff you can find. Hit that nail polish against the table in a ritmic way. Move things to make noise.

6- Throw things (soft and that don't break). Against the walls, to the floor. It doesn't matter. Hurt an object, you can always replace it. Throw it and use the energy you were going to use to harm yourself.

7- Listen to the most weird music ever, a song you don't know and learn the lyrics. Try to feel the music and the feelings the lyrics is telling.

8- Sleep. Just rest, fall asleep and forget for as long as you can. It doesn't matter if it's 3 a.m. or 1 p.m. Sleep.

9- Paint long lines on a white paper. Try to make them as straight as possible. It might sound stupid, but it works and it's better than self-harm.

10- Get a paper or a soft toy. Hurt it the same way you wanted to hurt yourself. Cut the paper, scratch the toy or whatever. Hurt it not you.

Remember you can always send me an ask to tell me how you are feeling and why and I will try to answer as fast as possible. Take care of yourselves.

[celestie0]

gojo satoru x reader | college au [18+]

kickoff ch.8 a little cottage on the countryside

ᰔ pairing. college au - soccer player! gojo x film major! reader

ᰔ summary. gojo satoru is the most popular guy on your college campus. he's tall, funny, hot, not to mention he's the most talented soccer forward the school has seen in years. but he's also a frat dude, which puts him in a world very different from your own, as he spends most of his nights partying & drinking while you spend most of yours working on your annoying film major assignments. but when he reaches out to you for a favor, you realize that helping him out might have something in it for you too.

ᰔ warnings/tags. 18+, fem reader, fluff, angst, smut, college au, fraternities, sororities, partying, drinking/alcohol, mentions of weed, romance, jealousy, pining, slow burn, opposites to lovers, friends to lovers, she falls first he falls harder, gojo being an idiot

ᰔ chapter. 8/x (probably 12)

ᰔ words. 13.5k (...i'm gonna go take a nap lol)

a/n. hello hellooo my dear kickoff readers, hope you're having a nice day so far! this is the longest chapter yet, so i hope you enjoy <3 it's also got one of my favorite tropes everrr hehehehe you could probs guess what it is halfway through. see you at the bottom and happy reading! sorry if there are typos i didn't proofread this one as much as the others haha

nav. masterlist

☾·̩͙꙳ moodboard no.1

♬.*ﾟplaylist

You don’t cry much these days, but when you do, it’s usually out of nowhere. 

Like now, as you stand in the school’s photo lab, developing the shots that you took for UTokyo’s game against Osaka last week, and you have to swipe at the tears on your cheek threatening to fall all over the captured images of grass, benches, nets, banners, stands, and him. 

One of the photographs catches your eye, and you pick it up from the table. It’s a candid moment you took of Gojo on the field right before you confessed to him. You had spotted him first while the team was doing their warm-up, and you thought he looked nice from the way he had that concentrated look on his face that you’ve learned to love. But right before you clicked the shutter, he had turned away, chasing after the ball, and so all you could capture was his back facing you as he looked off ahead into the distance. You wondered if that was how it’s always been this whole time–with you looking at him while he’s looking off at something else. It was a depressing thought, but your mind had a tendency for sadness since that day.

The sound of the photo lab door opening jolts you back to reality, and you quickly straighten your posture and wipe your cheek with your sleeve, trying to sniffle as discreetly as possible, then set the picture down. Your fellow film major greets you quietly, asking if you’re still using the developer liquid, to which you say no, then hand it over to them. You stuff your photographs into a folder and head out the door.

You make it across campus to the Film & Media Studies building, then up to the third floor where your professor's office is. His door was ajar, but you still knocked before entering.

He looks up from the photographs he was grading. “Oh, y/n, hello. How are you?”

“I’m well, thank you, yourself?” you ask, taking a seat on the chair that was fixed to face his desk. You pull your tote bag into your lap.

“Great, thanks. How can I help you?”

You slide the folder to him over the scraped, worn burgundy wood of his desk. “I still had to turn in my photos for the assignment due last week. I appreciate the extension.”

“Ah, right,” he says, taking the folder from you. “I’ll get around to grading them. I’m curious, what did you end up choosing for your subject matter?” He tucks the folder underneath the pile that was to his side.

“I took photos of the soccer team’s game against Osaka Uni on Thursday last week,” you tell him.

He frowns at you. “Film cameras don’t have that level of zoom, though. I do hope you followed the rubric guidelines for central object to frame ratio, otherwise I’ll have to take off points.” 

“Oh– I did. I took the photos from the sidelines,” you tell him, panicking already. 

His eyes widened. “From the sidelines? On the field?”

You nod at him, fidgeting with your bag in your lap.

“Wow, I can’t say I’ve ever had a student take photos like that before. That’s pretty challenging to pull off, though,” he says, sitting up straighter, “...you mind if I take a look at them right now?”

You shake your head. “Oh, no. Not at all.”

He pulls your folder out from the bottom of the pile, then gently slips the photos out of them, rearranging them all across his desk. He leans down closer to study some of them, tilting his head curiously at others, furrowing his brow in concentration to a select few. “These are incredible.”

You take in a deep breath. “Thank you, professor.”

He nods at you with acknowledgement, and you watch him as he studies the images quietly for another minute, then looks up at you. “Is there anything else I can help you with?” he asks when he notices you’re still seated.

“Ah…yes, there was something I wanted to ask you.”

“What is it?” He taps his pen on the desk.

“I was wondering if you could write me a letter of recommendation for the film graduate program.”

He nods, like he was expecting the question. “Yeah, of course. Just send me your resume and portfolio.” He taps eagerly on one of your images. “Please send me digitals for these, too.”

You let out a relieved exhale. “Yes, I will. Thank you so much, professor, I really appreciate it.”

You left the building feeling extremely relieved about your professor agreeing to write your recommendation, but also feeling sad because you couldn’t tell Gojo about it, since this was the full-circle moment for the little arrangement the two of you had. There’s a thought that considers texting him, and you take out your phone then go to his name, but your thumbs just can’t bring yourself to send him a message.

The days of the week go by in a blur, and between every single little moment in life, your mind always wanders to him. It’s hard to get over someone when you’re surrounded by them. Like late at night while you’re editing the digitals of the game last week to send to your professor, and you find yourself staring at the pictures you’ve taken of him. It’s hard to get over him when the school worships the soccer team and you’re forced to see promotional banners and posters all over campus with his stupidly beautiful face in them. You didn’t have the heart to block him on Instagram, because you remember that time he teased you about how you didn’t follow him back, and you wonder if it would make him sad if you blocked him, so you just resorted to deleting the app instead. And although you were the one that asked for space from him, you were growing increasingly annoyed at how good he seemed to be at keeping it. 

The library wasn’t even much of a safe space either, since you overheard a group of girls the other day at a table arguing about which of the players on the team is the hottest, and so you find yourself doing your homework on a lovely Wednesday morning at your apartment instead. 

You lean back in your chair and look up at the ceiling, and then jump when you hear your phone ring, quickly turning it over to read the caller ID. Nobara. You accept the call, placing her on speaker, then set your phone back down on your desk. 

“Hey, Nobie, what’s up?”

“Hey, nothing much. Just wanted to ask if you wanted to hang out,” she says.

“Oh, I would love to, but I’m working on homework right now. It’s due in a couple of hours,” you sigh.

“Boo, you whore. For what class?”

“My stats 130 elective,” you say. “I’m a film major, why do I need to know statistics?” You tap your pen to your chin. “Actually, it might be valid.”

“Is that the class with the creepy professor?” she asks. “The one that got caught with a PornHub tab open while he was presenting his lecture slides.”

“Yeah.”

“I took his class last semester! I still have all my homework for it,” she exclaims on the other end, “do you want me to send it over?”

“Yes, omg, I could kiss you right now,” you groan, resting your head on your arm sprawled across your desk in exhaustion.

“So definite no to hang out?” 

“Sorry, I’ll reach out later though,” you sigh, “also, my car is still in repair…apparently something came up with the engine. So we can’t go far unless we invite Mina.”

“That’s fine, I’m sure she’ll be thrilled to come if we invite her just to chauffeur,” she says sarcastically. “By the way, how’d the pictures come along? For the newsletter?”

You lift your head up off of the desk in a panic. Shit. You were so focused on turning in your digitals of the game to your professor that you totally forgot you were supposed to send them to Utahime as well. “Oh my god, I forgot. When do they finalize the release again?”

“Isn’t it today at noon? I sent over film club’s photos this morning,” she says. 

You glance at the time. 11:56am. 

“Nobara, I’ve gotta go. I need to call Utahime, sorry,” you say. She acknowledges you, telling you to hurry, and then you hang up.

You call Utahime and scribble down on a sticky note to paste on your wall as a reminder to buy her a loving gift basket one of these days because of course she extends the release deadline just for you. You finish touching up the digitals and then send them to her via email, and after you finish your statistics homework, she calls you again to meet up somewhere nearby.

“Thanks so much for coming here,” Utahime says as she sits across from you at one of the local cafes you frequent. “Also, this chai latte is so good, I’m honestly surprised.”

You nod at her. “This place has great drinks.” You slide a folder across the table to her and she sets her drink down to accept it.

“Sorry if it was a hassle, but I just had to ask for physicals of these photos,” she sighs as she pulls them out. “They’re amazing, seriously, I gasped when I saw them. I’m used to sifting through a lot of professional sports photos for the newsletter, for all of the teams on campus, but I’ve never seen photos as charming as these. It could be the film photography aspect, since most of the ones I see are digital, but I’m seriously shocked you could capture shots like this at a rowdy men’s soccer match.”

You’re shaking your head at her. “Please don’t compliment me so much, I’ll cry. And it’s no issue, I had a spare set of physicals from when I developed them. You can keep them.” 

She smiles at you. “Okay, well then, I think it goes without saying that I’ll definitely be including them for the sports recap this week. I’ll send you the money soon, too.”

You clap your hands together and interlock your fingers. “I’m. So. Grateful. For. You.” 

She laughs across from you and takes another sip of her latte before sitting back slightly, glancing at the photos spread across the table. “Hm…how busy are you for the rest of the semester?”

You tilt your head at her and bring your coffee to your lips, taking a sip before setting it back down. “Not terribly busy, I quit my job last month so I’m just taking my assignments as they come and go.”

Utahime nods at you, a thoughtful expression on her face, and she smooths down the fabric of her shirt. “Okay, well, I got an email from the school this morning that one of the newsletter photographers for the men’s soccer team is moving to a different city, so they’re looking to fill in the position as soon as possible and they asked if I knew anyone,” she mentions, resting her elbow on the table and then placing her hand on her cheek. “They usually only hire professionals, but if I put a word in for you, they’d probably offer it to you.”

Your eyes widen at her from across the table, heart beating a bit faster in your chest. 

“They pay really well for a part-time job. It’s essentially full-time pay for part-time hours,” she continues, “but it’s probably because you’ll have to travel with the team to their away games, including unofficial matches and conferences. If you’re not that busy for the next two months, then I think it’d be a good opportunity for you to build experience.” 

You purse your lips together, considering her words. Although it’s a bit different from your long-term career plans, it was still a great way to get experience before graduate school. And besides, you needed the money, considering you quit your job last month and your savings were starting to run thin–never mind the fact that your car repair bill went from a few thousand yen to somewhere in the tens-of-thousands. And you would prefer to still be able to afford rent. Oh, and eat. Possibly still pay for Netflix.

But then there was the fact that having that kind of job meant that you would be spending a lot of time with the soccer team, and therefore increases the chances of running into Gojo. And you’re supposed to be staying away from him to get over your feelings. 

“It sounds like an amazing opportunity, really,” you start, “...but I can’t.”

Utahime frowns at you and sits up straight. “Really? I thought you’d be excited. Why not?”

You sigh. “It’s complicated.”

“y/n…” Utahime starts, “I don’t really know what’s going on in your head right now, but isn’t this your dream? For your work to reach people? I know it’s only a stepping stone, believe me I know very well the path to becoming any sort of artist is an uphill battle of hell, but I’ve known you for a while now. And I know how much your dreams mean to you, and how hard you’re willing to work for them.”

Your heart swells in our chest at Utahime’s words. She was right, and you were starting to get really sick of letting your fears hold you back from what you really wanted in life. “...you’re right, I’m sorry. I’d love to be considered for the position, if you could recommend me.”

She smiles and nods at you. “Will do.”

–

The email for the job offer comes surprisingly fast, and you quickly read through it before accepting. It wasn’t a horrible time commitment, given you’d only have to take pictures during active play during matches, give or take a couple hours before, and the photographers rotate between who takes up each of the conferences so the work was split up. You were able to meet a few of the newsletter photographers & journalists during the game last week, so you already knew some of them. The offer letter came attached with a full calendar of the soccer team’s practice schedule, official match schedule, unofficial match schedule, conference schedule, and other publicity schedule, and you’re shocked at how busy all the players must be. The fact that they still have time to be students–and for most of them, active participants in fraternities–was honestly beyond you. 

It seemed like they only had four more official matches left, two being away matches, along with a couple of unofficial matches that they may or may not participate in depending on how the season goes for them. 

Their next game was on Friday against Kyoto university, and you were scheduled to shoot for their sports conference the day following as well. So you find yourself on a train embarked for the countryside, and you peer out of the window with a nervous feeling in your stomach. The sparkling skyscrapers and bustling crowds of Tokyo gradually started to give way into sights of expansive lush greenery, picturesque and charming towns, and winding rivers surrounded by trees. The closer you got to Kyoto, the sky became more gray until a steady drizzle began to fall against the train window. When you reached the final station, the rain had dissipated, and the taxi ride to the hotel was only about fifteen minutes. The journey felt exhausting, and you were so incredibly ready to pass out in a comfy bed. 

You stood underneath a small sidewalk roof near the vending machines lining the outside of the hotel, trying to keep your bag and suitcase with all your equipment in it dry from the remnant soft mist of rain still lingering in the air.  

“Hey, Utahime, sorry to bother you so late,” you say, holding your phone between your shoulder and ear, “but is it the Hilton on 3rd street? Or on Main? Because if it’s the one on Main, then I may have messed up-”

You stop speaking when you hear a masculine voice down the road towards the left, echoing off of the lined up small shops along the sidewalk, and your heart could have recognized the sound anywhere. You’re swift to turn and face that direction, almost dropping your phone in the process, and you see him– the object of all your suffering lately. 

Gojo stood there, wide-eyed and stopped completely in his tracks as the recognition of you under the dim street lighting flashes across his face. He’s in pajamas– a red long-sleeve cotton shirt that looks so stupidly soft and comfortable it almost makes you emotional, with some matching checkered red pants. It was the most casual clothing you’ve ever seen him in. His hair appears damp, slightly tousled, from what you could assume was an effort to dry it off fast. And he had crocs on. In sports mode. You make a mental note to ask him about his charms and if he’s willing to trade any of them with you. But maybe some other day. When it doesn’t hurt to think about him.

“y/n?” he calls your name out, astonished. He’s looking at you like he’s just seen a ghost but in the best way possible. 

You blink at him, heart skipping a beat just from the mere sight of him, and when you hear Utahime’s voice on the line you’re shaken out of your trance. “Oh, sorry, I’m still here. I…I think I just had my question answered. Thank you, have a good night.” You pull your phone down, gaze lingering on your screen for way too long because you can’t brave yourself to look over at the man to your left, and you end the call.

There’s the sound of remnant puddles of water splashing as he takes a few steps closer to you, and you can see his reflection in the water of the one in front of you. The expression on his face matches the one that was there when you last saw him outside of the UTokyo stadium at the west side exit. It’s an expression you could still see every time you close your eyes.

Finally turning to face him, you purse your lips together. “Hi.”

“Hey, what are you doing here?” he asks, voice laced with confusion and you see him take in your appearance with eager flicks of his gaze all around, like he couldn’t believe you were standing in front of him right now.

“Satoru!” another familiar voice calls out. “Did you get the orange-flavored ones too? Choso’s a fucking idiot and got the grape ones instead. I hate those. They taste like medicine. And ass. Not that I would know what–” You see Geto emerge from the darkness to Gojo’s side, and now he’s looking at you with a surprised look too. “Oh, it’s y/n. What are you doing here?”

“Hey, you two,” you chirp, trying to act as if an entire world of awkwardness wasn’t being exchanged between you and Gojo right now, for the sake of hoping that Geto wasn’t a very good judge of energy. “I’m here to take pictures of the soccer team.”

Your eyes flicker to Gojo, who is still looking at you like he’s never seen a person before. 

“Oh, is it for another one of your assignments?” Geto asks. 

“No, it’s not. It’s for the newsletter,” you explain to him, “I guess it’s my job now.”

There are a few more distant footsteps that follow behind the two of them, with the crinkling noises of plastic bags hitting against thighs echoing through the streets, and eventually they catch up. You see Nanami and the UTokyo team’s goalie, you believe his name is Choso, arrive at this little gathering that was taking place outside of the hotel.

“That’s awesome!” Geto exclaims. “I’m sure the newsletter will lead to a lot of exposure.”

“Who reads the newsletter?” Choso asks. 

Geto nudges him with his elbow. “Dude.”

“What?”

He then fills Choso in on the conversation, “Oh, my bad.”

“Don’t worry, y/n, I read the newsletter,” Geto says, “I read it like the morning paper.”

“It only comes out once a week, but nice try,” you respond, giving him a weary look.

Nanami crosses his arms. “I actually do happen to read it,” he says, “although I refrain from the soccer section. Feels rather egotistic to read it. I find the campus politics section to be enjoyable, though.”

The rest of you exchange annoyed glances at that.

“Satoru reads the soccer section,” Geto says, slinging an arm around him, “‘cause he’s full of himself.”

For a moment, Gojo remains silent, while his teammates, who had been observing him with amused expressions, gradually shift to awkward blinking, like they were expecting him to complain, or say something sarcastic, or joke around by now.

“I do read it,” he says, eyes locked on yours. “I saw the release from yesterday. Your pictures were stunning.”

You’re flustered from the way he’s looking at you. “Thanks.” 

Choso opens the plastic bag he was holding, peering down into it. “Shit. Ice cream’s melting, guys.”

“Yeah, we should probably head back to the rooms,” Geto looks at you, “do you want any snacks?”

“Oh, no. I’m good. I was just about to go check-in,” you say to them.

The boys politely say bye to you, and Gojo mentions something about staying back for a bit and hands Nanami the plastic bag he was carrying before they head back into the hotel. And then the two of you are alone under this roof, drops of water falling from it in between the two of you. He takes a step towards you, and you instantly stiffen. He seems to notice because he sighs and then walks past you to the vending machine that was next to you, pulling out some spare change from his pocket and inputting it into the machine.

“Do you want anything to drink?” The machine feeds him something, and he crouches down to pick it up before standing up again.

“No, I’m good, thanks,” you say, hand clutching the handle of your suitcase. 

He cracks the can of his soda open. “So, you’re going to be traveling with us for the newsletter now?” he asks, so concisely, like he felt that every word comes with a tax.

“Yeah.”

“We don’t have to act like we’re strangers.”

You turn to face him. “What should we act like then?”

There’s a hesitant look in his expression as he looks down at his feet and then back up at you. “Can’t we at least be friends?”

The question softens you at your core, the tone of his voice sounding genuine. Being friends with him sounds so nice, and you kind of wish that’s what you two always were. Just friends. Maybe it would have avoided all of this heartache. But deep inside you knew that just being friends with him wasn’t an option anymore, at least not for now. “No, sorry. That’s just a recipe for disaster. I have to go check-in now.”

You grab your tote bag from the bench, grip tight onto your suitcase handle and make your way splashing across the shallow puddles then through the hotel’s automatic doors into the warmth of the lobby. 

The lighting inside was warm and there were moderately high ceilings adorned with vintage-looking chandeliers. Around the perimeter, there were amenities including a cozy lounge with a fireplace, a small bar serving cocktails, as well as a business lounge with booths and multiple TVs mounted to the walls playing the local news. It made you feel like you were on vacation, and getting to a hotel at this hour while on vacation always meant that you were about ready to pass out on some freshly washed and tucked white linen sheets after taking a nice warm shower with a lavender-scented mini soap bar.

Making your way through the maze of plush seating areas, you get to the concierge desk to check-in. There was a professionally-dressed woman with a slicked-back bun standing there behind the counter, her eyes scanning the computer screen in front of her, and a big, burly man that stood behind her wearing all black that appeared to be security.

“Hello, I’m here to check-in,” you say, placing your forearm on the cold black counter.

The lady doesn’t look up from the computer screen. You clear your throat.

“Oh, hello. Name on the reservation?” she asks you.

You take a look down at your phone screen. The reservation was still under the name of the person that had recently quit the job. “Yui Ishikawa.”

The lady behind the counter hums to herself, obnoxiously tapping at the keyboard with only one of her index fingers. She was chewing gum. “Hm. Don’t see that name here.”

“What?” You squint at your phone and refresh the page, then turn it to face her. “But it’s on your official booking site. There was email confirmation too.”

She glances at your phone screen then taps at the keyboard again, still obnoxiously loud, but she uses her other index finger this time. “Yeah, still nothing.”

“This has to be some kind of mistake,” you say to her.

She looks up at you with an annoyed expression. “Do you want to take a look at the screen? See for yourself.” She turns the monitor to face you. 

You don’t even work here, but you could see clear as day on their interface software that there was a reservation for this Yui Ishikawa woman at this time tonight. You point at it. “It’s right there. The reservation is literally right there.”

She turns the screen back to herself and squints at it. “Oh. Well, unfortunately, we already gave that room to someone else. Since it wasn’t there on our system a half hour ago.”

“What? How is that fair?” You were starting to get seriously annoyed. That refreshing shower you were dreaming of was starting to sound more of a need than a want with every passing minute. “Can you give me another room?”

“No, sorry, we’re all booked for tonight,” she tells you, without offering any additional help.

You look at her baffled. The big burly man behind her has now taken an interest in the conversation as well. “Okay…can you tell me if there are any hotels nearby that I could stay at?”

“Look. This is the countryside, ma’am, there are only a handful of hotels in this area that aren’t tourist accommodations. It’s also the night before a men’s college soccer match, and there seems to be some business seminar taking place nearby too. You can call and check, but the closest hotel this large is about an hour away,” she tells you. 

“What? An hour away? I can’t afford a cab ride like that,” you tell her.

“Unfortunately, that isn’t really my problem,” she says.

You blink at her. “Are you being serious? This is ridiculous.”

“Ma’am, we’re going to have to ask you to leave if you can’t comply with our booking rules,” she declares.

“Leave?! You’re the ones that messed up the booking!” You’re yelling now, a few heads turning from the bar at the back. Exhaustion was pulsing through your veins and your filter was slipping. “Do you have any idea how to do your damn job?”

The woman guffaws at you. “Alright, that’s it.” She snaps her fingers, and you watch as the big, burly man walks around the counter of the concierge desk to make his way to you.

You take a step back, watching in horror as he towers over you and grabs onto your arm. “Let’s leave without any issues, miss,” he says in a deep voice.

“What?! But– hey, that’s my suitcase! Don’t– wait–”

“Woah, woah, woah,” you hear a familiar voice call out from the left. “What’s going on here?”

The three of you turn your heads in the direction of the voice, and you see Gojo, still clad in those ridiculously soft-looking pajamas, doing a light jog up to the counter.

The woman at the reception desk straightens herself up immediately, and she pets down on her dress and fixes her hair at the mere sight of him. You resist the urge to roll your eyes. “Nothing to see here, sir! Just a crazy woman that can’t comprehend hotel establishment rules.”

“That crazy woman just so happens to be my wife,” he says, pulling the big burly man’s hand off of your arm.

All three of you look at him dumbfounded. 

“Y-Your wife?” the woman asks, sounding equally surprised and disappointed. “But she’s complaining about the fact that she doesn’t have a room.”

“I know, she does that all the time,” he sighs, “she’s got–...early-onset…dementia. Sweetheart, what did I tell you about packing up all your things and leaving the room when I’m not watching you?”

You give him a what the fuck look. He scowls at you to just play along.

“So…she’s with you?” the woman asks.

Gojo nods. “She always forgets that we’ve already booked a room together. Just a silly little sickly lady. Isn’t that right, honey?” He’s holding your shoulders and making you face the concierge woman.

“Y-Yes…” you say awkwardly, trying to put on a smile.

“So, if you could forgive her behavior,” he says with a super pleading voice, pulling you into him so your back is flush against his front side. “I’ll keep her in check from now on.”

The woman lets out a scoff in disbelief. “Alright…just don’t let her out again.” You send her a nasty look. The big burly man lets out a hmph and steps away from you. 

“Sure thing. Let’s go, honey,” Gojo says, grabbing the handle of your suitcase in one hand and your upper arm in his other, dragging you with him across the lobby to the elevators. It isn’t until he’s pressed the up button and you finally gain your footing again after stumbling a few steps that you yank away from his grip.

“What are you doing?” you hiss at him, feeling embarrassed.

He looks down at you with a raise of his eyebrow. “Saving you from getting kicked out of the only decent hotel within a thirty-mile radius?”

“I didn’t need your help, I had the situation under control,” you mumble, smoothing out the layers of your clothing.

“Yes. That’s exactly what that looked like,” he muses as the elevator door opens and he steps inside, taking your suitcase with him as hostage. You panic at the sight and step inside with him, the door closing behind you. 

“Where are we going?” you ask.

“To my room,” he says, pressing a button on the control pad, “you couldn’t get one, right?”

Your eyes widen. “No…I couldn’t.” 

Gojo’s room is on the fourth floor, eleven units down to the right, and you follow him with dragging feet all the way down. Once he makes it in front of the door and takes the keycard out of his pocket, he pauses and looks over at you. “Waiting for you to thank me.”

You narrow your eyes at him. “For what?”

He’s waving the card in the air tauntingly. “You look exhausted as hell right now. I’m the one with the access to a nice hotel vanity and a soft, warm bed,” he practically purrs the words.

You’re instantly folding. “Thank you.”

“You’re welcome, honey,” he chimes, pressing the card to the reader.

“Stop calling me that,” you grumble as he opens the door for you.

You step into the room, rolling your suitcase inside with you, and take a look around. There was a single bed with the headboard up against the left-side wall, a nightstand on both sides and a desk where you noticed Gojo had his laptop open and a few books out. The bathroom was to the right, and there was a long table that had a coffee machine as well as the TV on top of it.

You place your suitcase against the wall then turn around, standing only a few feet from the entrance of the room, to find Gojo still standing outside in the hallway.

“Do you have to go somewhere?” you ask him. “Why are you just standing there?”

“Oh, I don’t need any of my other stuff,” he says to you, tapping at his pocket where you can see the imprint of his wallet, “room’s all yours.”

Your eyes widen at him. “Wait��are you going to sleep somewhere else?”

He tilts his head at you, as if that was obvious. “Yeah, I was going to go crash on the couch in Suguru’s room or something.”

“But–” you start, stopping yourself. 

He’s waiting for you to speak, but you can’t.

“Well…good night, then,” he says and he turns to the side, about to walk down the hall, when you reach out and grab the sleeve of his shirt, stopping him in his tracks.

This was a bad idea. You’re supposed to be putting distance between the two of you right now, so that you can get over him. This was a man that very clearly said he didn’t have feelings for you. But honestly, you missed him. You missed him so damn much this past week, and you can only be strong for so long. 

“You have an important match tomorrow,” you say quietly, “you should be getting a good night’s rest. We’ll share the bed.”

He turns to face you, looking down at where you were pinching the fabric of his shirt, which was just as soft as you had imagined, and he glances up to meet your gaze once again. “I’m…really confused right now.”

“What if you guys lose and are booted from the competition, and I have to spend the rest of my life regretting the fact that the reason the school lost a 12-year championship streak is all because I made you sleep on a couch?” you ask him.

He takes a step towards you. “You really want me to stay?” His voice was low.

“Yes,” you say. “We’re mature adults. Despite everything, we can just…share a bed for one night, right?”

He’s silent for a moment. “I think you trust me a little too much.”

Your face felt hot. “Are you telling me that I shouldn’t?”

“I’m telling you that you should really think this through,” he says.

“Just stay. Please.” The tone to your voice came off much more desperate than you would’ve liked.

He looks at you like the last thing in the world he could say right now was no. “You’re sure?”

“Yes.”

“Positive?”

“Satoru.”

“Okay,” he says, walking past you into the room, like he wasn’t really in the mood to argue about it anymore.

You sigh, sulking your shoulders a little bit, and watch as he takes a seat at the desk and continues to click through things on his laptop, occasionally sipping on the cup of coffee he had made for himself, as if your presence here was no unnatural thing. 

This all felt so domestic for you. This feels like the most intimate the two of you have been with one another, despite the fact he’s literally made you cum with his tongue before. 

“Who drinks coffee at this hour?” you ask, crouching down to unzip your suitcase, opening it up to find your cosmetics bag and a fresh pair of clothes to change into.

“Caffeine doesn’t really affect me anymore.” His eyes were still stuck on his laptop screen.

“You sound dead inside,” you comment, standing back up straight. You step over your suitcase that was on the floor and head into the bathroom, about to close the door but you open it enough to peer over at him from inside. “I’m going to take a shower,” you announce.

You see him poke his tongue to his cheek, leg bouncing up and down underneath the desk, and he squints at his laptop screen like there’s something so damn important that he must concentrate on or else the entire universe would collapse inside of a black hole. “Cool. Have fun.”

“I will.” 

“I’m glad.”

“No peeping.”

“There’s a lock on the bathroom door. Feel free to use it.”

“That’s rich, coming from you.” And then you’re shutting the door. 

It felt nice to freshen up, especially after that long journey, and then you’re doing your skincare in the mirror while you’re wrapped in a towel, trying to forget the fact that the man you quite seriously have immense feelings for is somewhere outside that door just a few feet away in this small hotel room. You spray a spritz of your perfume onto your skin, something there’s literally no point in doing before bedtime, but you still do it…for no particular reason at all, obviously. 

When you step back out into the room, Gojo’s eyes are instantly on you from where he stood near the closet. He takes in your appearance and lets out a laugh, looking at you with amusement.

“What?” you ask.

“You look so cute,” he says, “with your little sloth pajamas.”

You’re fully blushing as you make your way over to the armchair in the room to set your cosmetics bag down on it to sort through the mess you’ve just made of it. “Don’t call me cute,” you scold, searching for your lip balm. 

You could feel his frown from behind you. “You don’t like it?” 

“No. I love it.”

“I’m not following.”

You turn around to face him. “Satoru. You promised me you wouldn’t lead me on anymore. That includes teasing me or complimenting me.”

He looks at you incredulously. “What? I can’t even call you cute? This fucking sucks.”

“Your problem,” you say.

“So you’re cool with sharing a bed, but you’re not cool with me complimenting you,” he lays it out.

“We’re sharing this bed out of the kindness of my own heart,” you say to him, “because I care oh-so-very-much about your soccer career, and understand how important good sleep is for an athlete’s performance. I’m just that considerate of a person.” You point a strict finger at him. “But for your information, if you touch me while we’re in bed, I’ll kill you.”

“Hm. Not sure if I feel threatened or turned on right now,” he says.

You roll your eyes and finally zip up your cosmetics bag, set it on the table then make your way to the left side of the bed. When you glance at the nightstand, you notice Gojo has his wallet, his phone and his charger all situated there.

“Why’s your stuff here?” you ask him.

“Huh? Oh, I was going to sleep on that side,” he says to you.

“I usually sleep on the left side,” you tell him.

“But I usually sleep on the left side.”

You blink at him.

“I–…I’ll sleep on the right side,” he suggests, shoulders tense and on edge.

“Okay,” you shrug, and move his stuff.

Gojo spends some time freshening up in the bathroom too, and when he comes out he looks like he’s actually tired, and you feel like it’s the first time you’ve seen him look as worn out as he probably should be for someone as busy as him. You’re already settled under the sheets, the duvet pulled all the way up to your chin as you lay on your back. He comes up to the right side of the bed, checking his phone for a few minutes while standing and rubbing at the back of his neck, then plugs his phone into the charger. He grabs the sheets, about to pull them back, when he pauses and looks at you.

“Are you su-”

“If you ask me if I’m sure about this one more time, I will no longer feel sorry for you, and will make you go sleep on the love-stained couch,” you threaten him.

He grimaces at your choice of words and pulls the sheets back, slipping himself into bed. “Why do you have to put it like that? You’re gross. Also, I’m pretty sure this bed has seen less-than-holy things too.”

The only lighting in the room came from the warm, dim bulb of the night lamp at Gojo’s nightstand. An incredibly awkward silence settles between the two of you. Or maybe it’s just awkward for you, because he seems fine. He’s on his back too, looking up at the ceiling, practically motionless but there’s the faintest sound of his breathing every once in a while and it’s a sound you’ve never heard in such detail before.

He turns his head to you, but you don’t meet his gaze just yet. You shuffle a little bit, hip bumping against his side, elbow hitting his arm. He’s masculine next to you, shoulders hard, muscles heavy, but when you finally turn your head to glance at him and see the expression on his face, you realize that everything about him was rigid—except for the way he was looking at you.

“When did you sneak it in?” he asks.

“Sneak what in?” 

“The can of strawberry vanilla soda. Into my bag.”

You swear your heart stills a little in your chest. 

“Before,” is all you say to him.

He sighs. “y/n…”

“It’s okay, you don’t have to feel bad for me. I wanted you to have it, regardless of how I thought my confession would go,” you assure.

It’s hard to read his expression from the side while he’s looking up at the ceiling, but it’s softer than it was a second ago. The need to change the subject consumes you.

“Why do you have calluses on your fingertips?” you ask him. “You’re a soccer player, you don’t use your hands for anything.”

“I play the guitar,” he replies simply.

You perch yourself up on an elbow, looking down at him with interest. His eyes flicker to your face. “Really?”

“No. I was just kidding. Hate the way you got excited though. I might have to pick up a guitar now.”

“Can you just answer me?” you sigh, flopping down onto your back again.

He laughs a little, a sound you feel like you could get drunk on at this point. He lifts his head up off the pillow enough to tuck his right hand underneath it, then rests it back down. You wish there was a mirror on the ceiling so you could see the flex of his arm. “Coach has us do the rock climbing wall at the gym at least once a week for practice. He thinks it’s a good workout. Causes a hell of a lot of skin tear though.”

“That’s it? That’s the reason?”

“Mhm.”

You shake your head, “You should learn how to play the guitar, because that’s a lame reason to have calluses.”

He lifts his head up off the pillow again and brings the hand that was tucked under his nape to in front of his face and he just looks at it. You look at it too. “Why are you so obsessed with the state of my hands?"

“A girl can’t be curious?” you ask.

“They’re not that bad.” You wonder if you’ve made him self-conscious. 

You watch the way he flexes his fingers open and then closed. He turns it around, and you can see the veins trailing down from the valleys of his knuckles, disappearing into the fabric of his long sleeve. You remember that party, the two of you in that bathroom, when his hands were all over you, and it’s suddenly a little hard to breathe. He turns his hand again so the palm faces him, but now it’s also slightly turned towards you too.

“They’re bad here,” you say, pointing to his ring finger where you see slight peeling at the tip. The padded skin of your finger touches his skin. “A little bad here, too.” You point to his index finger, careless enough to allow all of your fingers to brush against his this time.

He watches you. “Your hands are really small,” he comments, like it was a marvel to him.

You look over at him briefly, and there’s not a single sign of tension in his face as he observes the image of your hand next to his hand in the air above him. He looked like he was at peace.

“Yours are just big,” you tell him. 

He knows he’s not supposed to, and you really shouldn’t have let him, but he interlocks his fingers with yours regardless, holding onto your hand. You feel the roughness of those calluses all across your soft skin. His thumb runs over the curve of your knuckle, almost in a soothing way, like he was trying to apologize to you for something. And this was the only way he knew how. 

Something sobers him up, because he suddenly pulls his fingers from yours and drops his hand to the duvet. Your hand lingers in the air for a few seconds before you do the same. And now you’re both awkwardly staring up at the ceiling again.

“Sorry,” he says, barely above a whisper.

“It’s okay,” you whisper too.

The silence settles for longer.

He sighs. “It’s not you, it’s me,” he says out of nowhere.

“Huh?” you turned your body a little to face him, and he was looking up at the ceiling as if there was something across the texture that he was trying to decipher.

“I don’t want you thinking that the reason I can’t-,” he pauses, to think carefully about his words, “...that the reason I can’t return your feelings is because of you, or anything you’ve done. It’s been a while since I’ve liked anyone to be honest, and I’m just really not looking to date right now.”

You’re hurt by his words. Because even if he didn’t want to date anyone, you thought that he would’ve at least tried to for you. You thought that he had at least some feelings that the two of you could’ve worked off of. “Why don’t you want to date anyone?”

“Reasons.”

“Obviously. What reasons?” you prod. When he doesn’t respond, you sigh. “If it’s something traumatic, I get it. My hamster died in the fourth grade,” you say, “I’ve never known peace since.”

He turns onto his side to face you with a soft and amused smile on his face. “Sorry to hear that. What was your hamster’s name?”

You try not to feel hot from the burn of his gaze and you turn onto your back to look up at the ceiling again. “Mr. Guilmon,” you say.

“Like…guilmon from digimon?

“Mhm.”

“You like digimon?”

“Oh yeah, I used to watch it all the time when I was a kid. My mom wanted to name my hamster ‘Scout’ but I refused,” you tell him, blinking a few times as the memories from your childhood come back to you. A small smile makes its way onto your face.

“I love digimon,” he says, fast, like he couldn’t contain it. 

“Really?” you give him a sidewards glance, a little surprised.

He hesitates slightly before sighing, turning over in the opposite direction to reach for his wallet on his nightstand. You feel the fabric of the duvet stretch across you from the movement, and you remember just how intimate this all felt. He’s laying on his back again, holding his wallet up in the air with both hands as he flips it open, then slides his credit card up out of the slot, and shows it to you. Digimon themed. You have to purse your lips together to hold back your laughter.

He turns his head to look at you when you can’t help but let a little noise escape your mouth, and you can see through the laughter-induced sheen of tears in your eyes that he’s frowning.

“Hey–”

“I’m sorry–” you're fully laughing at this point, hand over your mouth to try to contain yourself, “it’s just– oh my god— you’re the last person I would’ve expected to have been such a nerd.” 

“I’m not a nerd–” he tries to argue but you snatch the card out of his hand to study it closer, and also to memorize the numbers on the back.

“Popular soccer boy Gojo Satoru,” you’re giggling, “has a custom Digimon credit card.”

When he tries to reach for it, you stretch your arm off to the left. His weight leans on you, chest pressing against the curve of your shoulder, arm extending across you as he tries to grab his card back. “Quit it,” he mutters. 

“No,” you say, holding it further to your left, weakly trying to push him away from you.

“Quit it,” he repeats, face scowling now with what looks like embarrassment, and he holds his upper body up by the elbow, leaning over you even more to reclaim it, “or else.”

“Or else, what?” you say through wheezes, and it seems like something in him snaps because suddenly he grabs your wrist, hard, pinning it down onto the mattress, holding it there next to your head, and his entire upper body is towering over you. Shocked, you’re breathing fast, your eyes darting across his face, and he’s looking at you with a furrowed brow and a tense jaw.

“Or else I won’t keep my promise,” he says through a harsh breath, his voice low and rough.

You’re stunned underneath him. “What promise?” you ask, breathlessly. 

He leans down closer, to the point where the fringe of his hair brushes against your forehead. “My promise to hold myself back from you.”

You swallow hard, chest heaving. You feel the heat of his hand on your wrist burning through to your veins. You try to squirm slightly in his grip, but he just presses your wrist down further into the mattress.

He glances at your lips, eyes dilated and stern, and leans down even closer to you. “Do you have any idea how bad I’ve been wanting to punish you for leaving me in that bathroom by myself?” he says in a voice so husky you feel the arousal build at your center the second your head registers it.

You can’t find your words. He keeps his eyes locked on yours, as if to make sure yours stay on his too, and you’re docile under him until he’s distracted you enough to pinch his credit card between two of his fingers and discretely pull it out from your grip. He then lets go of your wrist and disappears out of your line of sight when he flops back down onto the mattress next to you, tucking his card back into his wallet.

“But I won’t. Because I’m a nice person, and will respect your space. Or whatever.” 

You don’t know what to say, your hand finding a place over your heart as you try to take deep breaths to calm yourself down.

“We should probably go to sleep,” he sighs after a minute, tossing his wallet back onto the nightstand and reaching over to turn off the light.

It’s dark now in the room, the only light coming from through the layered fabrics of the curtains. It's a cold light, possibly from the moon and maybe some dim neighboring white street lights, but it’s enough to where you could still see the slight texture of the ceiling, and maybe his face.

You both spend a few minutes trying to get comfortable. You try not to bump your butt against him, or brush your chest against his arm, but it happens a couple times anyway, and you mentally curse yourself for it. The rise of the duvet fabric from his chest becomes shallow with his breathing, and you think he’s fallen asleep, but then the two of you turn over at the exact same time, facing each other, eyes flying open and gazes meeting. It startles the both of you, but neither of you look away or say a word. The two of you just sit in the moment for what feels like hours, and very could’ve easily been. 

You’re the first to break the silence. “You know, there was a time where I thought that you weren’t even real.” You’re speaking hushed, like you’re afraid someone will hear, even though there’s only two souls in this room right now.

“What?” he asks, a slight raise to his eyebrow. “...why.”

“I don’t know. You’re like this urban legend around campus. You probably don’t know it, since you’re in it, but the world you’re in is very different from the world the rest of us students are in.”

He’s silent for a moment, his face being briefly illuminated by the reflection of a car’s headlights on the windows of the surrounding building. “I think I know what you mean.”

You blink at him. “I thought you would have a few more follow-up questions to that, but I guess you’re surprisingly self-aware.”

He hums to himself. “I think I can just put it into perspective.”

“Perspective?” you ask. You’re hanging onto every single one of his words tonight. You don’t want a single one of them slipping through you, not understood.

“Yeah,” he says, “there are moments where I feel like I’m not in that world anymore. And it feels nice. To get out of it.”

You want to ask him when those moments are, but he’s quick to speak again.

“I guess that means I’m aware of the moments where I am in it, so I know that it exists, if that makes sense? I don’t know.” He looks down at your pajamas, at the dancing sloth at the front, and the crease to his brow relaxes slightly. 

“Mhm, makes sense.”

His eyes are back on you, studying. There’s a strange look on his face that you can’t really comprehend. “I want to know about your world,” he says.

You breathe in deep, and exhale shallow. “My world is simple. I want to be a filmmaker and then live in a little cottage.”

He smiles at you. “A little cottage?”

“Yeah,” you say, “maybe in the countryside. The Italian countryside. With my own garden in the backyard so I can use fresh zucchini in my salads.”

“Any animals? Pets?” he asks, like he’s envisioning it all in his head too. 

“Maybe some chickens,” you say, “I promised Mr. Guilmon I’d name another one of my pets after him someday. I have to keep my promise.”

He nods. “You do.”

There’s another silence, but it doesn’t feel awkward this time.

“Did you turn your photos in to your professor?” he asks.

“Yeah, I did,” you tell him. “Earlier this week.”

“Nice. What about your reference for grad school?”

“I asked him for it.”

“Oh?” His eyebrows raise. “How’d it go?”

“Mm…I was really nervous, but it went well. He said he’d do it.”

There’s such a tenderness to his expression that you feel so compelled to kiss him right now. “That’s awesome. I’m proud of you. That’s one step closer to your dream.”

You purse your lips together from his words, sitting with the warm feeling in your chest. You want to thank him again, but instead all you say is “we’re even now.”

He lets out a small chuckle. It comes from his throat. “You’ve said that so many times.”

“I know.” Because you can’t believe it’s all over. This little arrangement between the two of you. You don’t want it to be over. “I can’t remember when the first time I said it was.”

“That night,” he answers you fast and with certainty, like it was at the forefront of his mind, “when you drove over rocks. And we sat together on the curb. And I realized how badly you take care of your car. You don’t need thousands of chain restaurant napkins in your glovebox, by the way. No matter how much you might think you do.”

“Wow. I was almost romanced by you for a second, but you ruined it,” you mumble.

You’re instantly taken back to that night. You remember the gentle quality in his eyes as he stared up at the stars, and you can still see the reflection of that sky in his eyes right now with the way he’s looking at you. 

“I really liked you that night,” you whisper, “I wish you were like that all the time.”

“Am I not like that all the time?” he asks, voice soft to match yours.

“No,” you say, “sometimes you’re mean.”

His eyes on you are gentle, somewhat careful. “I’m sorry for being mean.” 

You wonder if you can change his mind. If you can will him to like you back, if you can will him into wanting a relationship with you. You want to be his exception, not his rule.

“It’s okay. I’m mean sometimes, too,” you say, “mean to myself for sharing a bed with a guy that doesn’t like me.” He’s looking at your lips as you speak. “I’m bad like that.”

“You’re not bad,” is all he says.

“I am,” you say, and you inch closer to him, until there’s hardly any space between the two of you. You look up at him, faces inches away. You feel so safe with him, and yet you also feel scared, because you like him so much that you would let him ruin you if he wanted to. You press a flat palm to his shirt, searching for his heart, and you find that it’s beating fast in his chest. “I’m a bad woman, Satoru.”

“y/n,” he says, like a warning.

“I mean it,” you whisper.

“You said you’d kill me if I touch you,” he reminds you, sounding a little breathless.

“I can’t kill you, you’re way stronger than me,” you whisper, “so touch me.” Your hand is gripping onto the fabric of his shirt now, tight, with desire. He’s looking at you with a whole lot of desire too, but there was something else there as well. “Please.”

He wraps his hand around your wrist–the heat of his touch that you so badly wanted, craved, finally on you–but it’s to pull you away from him. Your grasp on his shirt releases and he brings your hand to the front of your chest, laying it down gently before letting it go. Your wrist lays limp there, missing his touch. Limp in front of your beating heart.

“Let’s just go to sleep, okay?” he says softly. 

Your eyes widen when you look at him, and you couldn’t even hide the hurt that settled across your face if you tried. Gaze dropping to his chest, you see the way it was rising with every breath he took, and for the second time in this life, you’ve felt so utterly rejected by him. You give him a compliant nod, and scootch back away from him before turning away. He stays as he is, watching your back, and you can feel his gaze on the nape of your neck. 

Counting the minutes to fall asleep felt exhausting, but the last thing you remember before you closed your eyes was the feeling of a tear trickling down onto your pillow, wet and cold against your cheek.

–

You wake up the next morning to an empty bed, and an even emptier feeling heart. There’s also this weird feeling of disappointment within you, and you don’t really know why.

Grabbing your phone on the nightstand, you quickly search for the email with the men’s soccer team practice schedule, and you see that they had a sharp 8am practice this morning before the game in the afternoon. The time reads 6:37am, and you’re wondering where Gojo went so early in the morning before heading off to the practice field.

You went back to sleep for a couple hours, and then woke up again. By the time you took a shower, got dressed, and went downstairs to the hotel lobby to eat breakfast, it was already 10:00am and it was time to make it to the field so you could set up and calibrate your camera prior to taking photos for the match. Following Utahime’s gameday instructions, you took a cab to the location with all of your gear.

The Kyoto soccer stadium was less of a stadium and more of an extremely large and open expanse of grass that had enormous silver metal stands stretching across the perimeter. It was something you would expect of an area in the countryside, but security was still somehow tight across the fenced off area. 

It was still a couple hours before the game, so the field was bustling with pre-game set-ups and the stands were empty. There were a few sports canopies being put up, as well as a small truck with workers that were working to stock up the hydration stations. A few men in suits were seated at tables with notepads and clipboards, looking busy in conversation and on what sounded like business calls. As you walk down the sidelines, you notice a few other people checking the distances between the goals and the chalk markings across the field. The stands were extremely close to all of the action, and when you look to the right, you see a couple of familiar faces there.

“Ah, y/n! We’re over here.”

You approach the group of three people, all seated on the lowest metal bench of one of the spectator sections. There were a bunch of tripods, cameras, cases, and laptops sprawled across in front of them. You recognize Hana and Minato, but you don’t recognize the other man sitting with them. You had met Hana and Minato at the game against Osaka last week, they were both professional photographers for the newsletter.

Hana hops off the bench and comes up to you. “It’s seriously so cool you’re here with us and that Utahime got you this gig,” she says to you with a smile. “Make sure your schedule is free on nights after matches, all us photographers usually get dinner together afterwards. You’re the baby out of us, so we’ll pay for you.”

You return her smile with one of your own. “That’s sweet, and sure I’ll try to.” 

You glance at the man whose name you didn’t know, your gaze meeting his, and soon enough he’s jumping up onto his feet too and making his way over to you.

“Ah, this is Kaito. Kai for short,” Hana says, gesturing to the man, and then to you.

Kai extends his hand out for you to shake. He’s tall and a bit lean. His style is really boyish—totally nailing the street photographer outfit with the white shirt underneath a flannel one, and some Carhartt pants paired with some Vans. You reach out to shake his hand, and he holds onto it for a second longer than you would’ve expected.

“Hi,” you greet him and tell him your name.

“That’s a nice name,” he says with a smile.

Hana claps her hands together. “Okay! We all know each other now, that’s great. We should get started prepping before the players get here, I believe they’re scheduled to be here in an hour.” She walks over to the benches and picks up her digital camera. Minato grabs his as well as his tripod, then walks over to Hana’s side. “The way we usually do it is to split the field into corners, and each of us works that perimeter. The videographers are here too, so just make sure you don’t accidentally knock over or stand in front of one of their cameras.”

All three of you nod at her and you unzip your case to take your film camera out. Kai is next to you, looking at the device in your hands curiously.

“Kai, you can work with y/n for today since it’s her first day. Split up those two corners over there,” Hana says, pointing to the other end of the field. You and Kai look in that direction. “Minato and I will take the other short end.”

With a few more discussions and detailed instructions, the four of you disperse to your assigned locations. You’re a step ahead of Kai, although he should really be the one leading your stride since you’re the new one here, but he soon enough catches up to you.

“Is that a Canon AE-1?” he asks you, pointing to your camera.

You look at him a little surprised. “Yeah, it is. As vintage as they get.”

“Sweet, I used to shoot on film too. Second-hand?” 

“No, third. Still cost me an arm and a leg, though,” you sigh.

He laughs. “They’re not that expensive.”

“I’m a broke college student. I sometimes have to choose between paying rent and eating food,” you say to him.

He kicks at a random can on the grass, sending it flying forward, instead of picking it up. “Yeah, definitely don’t miss those days.”

“When did you graduate?” you ask.

“From UTokyo two years ago,” he says. 

You bend over to pick up the can he kicked and jog a little to the trashcan nearby, tossing it in, then jog back to him. “That’s nice. You’ve been doing this for two years?”

“Yup,” he says to you as the two of you reach the corner of the field outlined by freshly drawn chalk. He kneels down on the grass, sets his camera case down, and opens it up. Your jaw drops.

“Is that a—Leica camera?” you ask him, shocked.

He smirks up at you. “Sure is.”

“Oh, so you’re just rich, then,” you sit down on the grass to look at it with interest, marveling at its condition.

“Nope. I’ll bet I got it for cheaper than your Canon there,” he points to the camera hung at your neck.

You meet his gaze. “No way.”

“Way,” he says, pulling out the attachable lens before wiping at it with a microfiber cloth, “I know a guy. He sells used cameras. The only issue is you’ve gotta refurbish them yourself.” 

You sigh. “Wonderful. Because I would know how to do that.”

He lets out a half-laugh, and you glance up briefly to look at his expression. He was amused. “It’s pretty easy, just gotta do it once. And then you’ll have a used Leica that works brand-new, all for just under a hundred-thousand yen.”

You’re looking at him with surprise again. “That cheap?”

“Yup.”

“Wow…” Your finger plays with the lens cap on your camera.

“If you want, I can send you his info. But if you want to meet up with him, it’ll probably have to be facilitated through me,” Kai says, “He takes clients by recommendation. No use in selling a used camera to an idiot that doesn’t know how to refurbish it. He’s looking for niche photographers that have the interest.”

You press your lips together, considering it. “Sure.”

He hands his phone to you. “Alright, gimme your number.”

You hesitate for a second before typing your number into his contacts then hand it back and watch as he saves it in his phone. “Canon girl. Won’t forget ya.”

The two of you make work for a second, eyeing the field and mapping out angles of where to get the best shots during play. Kai gives you some pointers and you’re marveling at how good they are.

“Not really used to shooting on film anymore,” he mumbles, peering through the hole on your camera when you handed it over to him, “but usually a one over five-hundred shutter speed works well for sports. I’d switch between that and over two-fifty though, to avoid a blurry finish.”

“Thanks,” you say to him, wanting to write all this down to not forget it. “Wish I knew this last week.”

“Why shoot on film?” he asks out of nowhere, handing your camera back to you. “Why not digital?”

“Oh, it’s a personal interest,” you say to him, adjusting your shutter speed as he suggested, “I think there’s a charm to it. I want to be a movie maker, and shoot on film medium.”

He frowns at you. “How are you going to do that?”

You tilt your head at him, shuffling on the grass. “I’m going to apply to the film graduate program at UTokyo to start.”

He laughs at that from where he’s seated across from you. “Really? That’s a waste of your time.”

Your heart sinks a little in your chest from his tone. “Why would it be a waste of my time?”

He turns to face you more directly. “y/n, trust me, I know this career path. Been there, done that. Millions of film majors like yourself always have these big-ass dreams like ‘I want to become a director, I want to do screenplay’ etc., but only one or two of them actually succeed.” 

Your shoulders sulk. It’s not the first time you’ve heard those words from someone—your own parents practically recited them word-for-word before you headed off to college—but you had been doing really well all of senior year to ignore that nagging little voice in your head. It was honestly quite triggering to hear it all again right now. “Well, I think I can do it.”

He lets out a short scoff. “You sound real convincing there.” When he catches sight of your upset expression, he straightens his back a little. “My bad. Just trying to look out for you. I’m your senior in this industry. I know my way around these things. Trust me.”

You nod slowly. “I know. Thanks.” Part of you wonders if he’s just projecting.

“Well anyway,” he shrugs, “I think you should just focus on photography for now. It’s the safest career option for you to do.”

“I guess you’re right,” you say, wanting to diffuse the conversation.

The two of you disperse to your assigned corners once the stands start to fill with spectators. Shortly after, the players make their introductions onto the field, and you can see Gojo across the field. He’s too far to read his expression, but for some reason when you look at him, that disappointed feeling from this morning comes back to you. You try to push it down and just focus on your task at hand.

UTokyo does well during the match, and Gojo seems to be playing much better than the Osaka game last week, scoring two goals within the first half. There were a couple of times where there were throw-ins near your corner, and you made eye contact with him as he’s breathing heavily, wiping the sweat off his face with his jersey, and every time you look at him, that melancholic feeling washes over you again. UTokyo wins 3-2, the crowd evidently disappointed as they were rooting for their home team, and by the time the disgruntled fans started to clear the stands, the sun was setting over the horizon and the sky was a golden color.

The referees on the field begin to oversee the post-match proceedings with the players. Kai comes around to meet you at your corner, and Hana and Minato arrive there too.

“Hey team! How’d it go?” Hana asks, a little out of breath from her journey over here.

“Went fine,” Kai responds.

“It was a little tricky,” you comment, “but I think my photos came out well.”

Hana nods. “Alright, sounds good. Are we still on for dinner tonight?”

Kai and Minato nod, and then all three sets of eyes are on you. You hesitate for a moment, and look off past them to where you see the group of soccer players in conversations with the coaches and referees. You see Gojo standing there, his hands on his hips as he peered across the field, tilting his neck to the side repeatedly, and you realize he had been doing that all match long. That unsettling feeling within you starts to brew once again. “Uh, I’m really sorry, but I’m not feeling very well. I think I might just head back to the hotel.”

Hana and Minato nod at you with a concerned expression, while Kai just looks disappointed.

“Okay, well, I hope you feel better,” she says.

You end up taking an Uber back to the hotel in haste, not wanting to run into Gojo or any of the other soccer players after their match, and make it to the room, using the key card that Gojo gave you to get inside. You take a shower to freshen up, and by the time it’s 7pm, you’re starving. You put on a simple outfit and make it downstairs into the lobby of the hotel, about to go peruse the nearby dining options, but right when you step out of the elevator, you run into Gojo.

There’s a look of pleasant surprise on his face and you take in his appearance. He was still wearing his soccer jersey, covered in grass and dirt stains, and his face was slightly flushed from exertion. You figured he just came back from the field.

“Hey,” he says, “sorry, I was just about to head over there.” He jerks his head off towards the lobby, and you glance in that direction. There was a group of maybe thirty people gathered around the lounging areas and high-tables over at the business suite, and you recognize them as UTokyo’s soccer players, along with Coach Yaga and other team staff. The players were still all clad in their uniforms, carrying all their stuff, and there were plays of today’s game rerunning across the TV screens. You realize they’re probably prepping for interview questions for tomorrow’s conference.

“Oh, please, go ahead,” you say to him.

He tilts his head at you. “Are you doing alright?” 

You were aware that things might feel awkward after last night, and that your cheeks would probably feel hot like they do now the next time you had to talk to him. Your mind takes you back to the memories, when you think about how badly you wanted him to stay with you in the room because of that hollow feeling in your chest from missing him, despite how you knew it was bad for you. Because this man standing in front of you doesn’t like you in the way that you like him. 

And then it clicks. The reason for that feeling of disappointment you’ve had since the moment you woke up today.

When you glance up at Gojo this time, you see him differently than you had from a second ago. You finally notice the slight dark circles under his eyes, and figure out that the reason he’s been tilting his neck to the side all day was because he was trying to stretch out a kink. You vaguely recall that moment you woke up in the middle of the night, and your sleepy brain registered that there was no longer the dip of him in the mattress next to you.

“When did you leave the room?” you ask him. You know your voice is quiet when he has to lean down a bit to hear you.

He takes his time answering, indulging in a few breaths. “What do you mean?”

“You know what I mean,” you say, starting to sound hostile, “you left during the night, didn’t you?”

He doesn’t deny it.

“You left once I fell asleep,” you say, eyes widening with realization.

He sighs. “Yes.”

“Where did you go to sleep?” you ask, trying to keep your tone level.

“Suguru’s room had an extra couch. I pushed them together.”

You felt sick and sad, feeling something worse than rejection right now. There was a part of you that still thought that all of this from him was just a joke. A prank. That he was finally going to say just kidding, I like you too. The reason you’ve been so disappointed since the minute you woke up today was because there was a part of you that thought you were going to wake up this morning with his arms wrapped around you, back pressed tight to his chest while he whispers sweet nothings in your ear of how much he likes you, of how much he wants you, of how much he wants to be with you.

“Why? Even after I said I didn’t want you to have bad sleep?” Your voice was laced with hurt. You didn’t even know how to explain to him why it upset you, because deep down you’re scared it isn’t even valid.

“It’s fine,” he says, “I played fine today. And we won.”

“You could’ve stayed. Do you really hate me that much?” Your words are shooting to kill now. “So I’m good enough to finger in a bathroom at a frat party, but not good enough to sleep next to?”

He furrows his brow. “I don’t understand why we’re arguing about this,” he says, tone starting to match yours, “you’re the one that wanted space. I was just trying to respect that.”

“If you really wanted to respect my space, you wouldn’t have agreed to share the bed with me in the first place.”

“y/n,” he says, “that’s not fair.”

“You should’ve known better.” You’re breathing fast, tone searingly accusive. “You know that I’m trying to get over you, and that I’m vulnerable, and that I’m probably confused about a lot of things right now.”

“I ask if we could at least be friends, you say no because it’d be some recipe for disaster, then you practically beg me to stay with you and tell me to touch you while we’re laying down together. You don’t think that’s confusing for me too?” he counters.

Your cheeks flush with embarrassment at the memory of your desperate actions last night, and he instantly looks apologetic. You feel like you’re being unfair, but you feel like he’s being unfair too.

“I’m the one with feelings,” is all you say in your defense.

He swipes at his chin roughly with the back of his hand, smudging the dirt up to his cheek, and then closes his eyes for a second, like the weight of today has finally hit him all at once. He looks exhausted. “Right,” he says, softly, “I’m sorry.”

“Yo, Satoru!” one of his teammates yells from the center of the lobby. “Coach needs you, man.”

He rubs a hand down his tired face then throws a haphazard glance over his shoulder. “Yeah, I’ll be there in a sec,” he calls out and then looks back at you. You can’t make eye contact with him, and just stare at the print on his jersey instead. “I’ll sleep in Suguru’s again tonight. The room is yours.”

There’s a lump in your throat and you feel like you’re about to cry. “Okay.”

He reaches into his shorts pocket and gives you a room card. “Here’s the spare. I don’t need to come grab my stuff for the night, so don’t worry.”

“Okay.”

He sounds like he wants to say more, and you see him take a small step towards you, hand reaching out for you, but this time Coach Yaga’s stern voice is calling out to him too. He sighs. “Good night.”

“Mhm. Thanks.”

He hesitates before he turns on his heel and you watch his back, with that signature #10 stretched across the fabric of his uniforn, as he jogs through the hotel lobby to his teammates.

The walk back to the hotel room is depressing, and you find yourself dragging your feet all the way there. Once you make your way inside, you look around at the room and see some of Gojo’s belongings scattered around, but it didn’t seem like there were any of his essentials. You look down at the spare key card in your hand–a promise from him that he won’t try to upset you anymore tonight–and that lump in your throat from earlier comes back. 

You hated fighting with him. You hated being away from him. Those feelings that you thought would go away just as fast as they came still sat so stubbornly within your heart, and it was becoming impossible to bear. 

You wonder if meeting him was all just some horrible, twisted mistake. 

Before you have time to dwell on that sad sentiment, your phone screen lights up with a message.

|| 7:52pm unknown number: kinda sucks you’re not here with us. was looking forward to showing you more of my camera

|| 7:53pm unknown number: this is kai by the way

The features of your face feel heavy as you look down at your phone screen. You don’t even notice your eyes are teary until you realize the blur of your vision makes it hard to see the letters as you type out a response.

You just wanted a distraction from all this pain.

|| 7:54pm you: can you send me the address? i wanna be there

a/n. grrrr i love a one-bed trope so much grrrrrrrrr it's gonna do it for me every damn time lol. thanks a bunch for reading!! there's still so much that i've got planned for the series haha i think the second half is gonna be a lot crazier than the first. super excited to write it though.

➸ take me to chapter nine!

taglist: @who-can-touch-my-boob @therealestpussyeater @lost-resonance @hojoslutoru @foulprincesscycle @luniunia @alekssashka7 @bsdicinindirdim @tsukikourito @getitsatoru @slut-4-gojo @cactisjuice @kissofife @tiredflame132 @cliosunshine @ethereally-lyann @btszn @prince-wyiilder @semra4 @gojosimp26 @drthymby @ninitoru @bbyxxm @fvsm4x @sadmonke @zoinks1010 @bakuhoethotski @horisdope @sykostyles @aquaberrydolphin @colouringfrogssittinginleaves @ri-sa20 @purplehallow11 @mwtsxri @ritsatoru @bxddiebloss @chwesuh-imnida @mo0nforme @viware @still-fking-single @megumisthirdog @gintokhi @karvokr @cierocanteat @imjustaweirdnerd (hope i didn't miss anyone thank u all sm!!)

[breelandwalker]

How to Write Your Own Spells

There are lots of ways to create spells, from planning everything to the minutest detail ahead of time to absolutely flying by the seat of your pants in the moment. If you'd like to write your own spells, either for use in your craft or as a creative exercise, here are some suggested steps that I use in my own practice:

1) Determine the intent or goal of your spell. Decide, first and foremost, what you want the spell to do. Refine your goal if necessary and try not to be too nebulous. Your intent tells the spell what it's meant to do. A more focused goal may increase the chances of success.

2) Determine how you want the spell to manifest. Decide how the spell should work and what the result should look like. This is a good time to build in a sign of success, especially for spells that may not work in an obvious or visible way.

3) Determine what or whom the spell will affect. If the spell is to have a target, be it a person or a place or an animal or an object, decide what that should be and how they or it will be represented in the casting.

4) Determine how long the spell is meant to work. If your spell is timebound or has a deadline, decide what that will be. If the spell is meant to work long-term, you may want to check in and refresh it from time to time. (Not every spell will be timebound. Many spells will simply expire when they have fulfilled their purpose or if they are blocked or circumstances are not favorable.)

5) Determine the timing of the spell, if applicable. Not everyone uses celestial or astrological timing for their spells, but if you do, look into the prevailing conditions and decide on an advantageous time for your casting. (Please note that magical timing can only enhance your spell and casting something on the "wrong" day will not necessarily cause it to fail.)

6) Determine what methods and materials you want to use to cast the spell. Decide how you're going to go about performing the casting, whether you're doing a ritual or making a charm or just using energy. If you're going to need a ritual space or physical components, plan that out and make sure it fits with what you want to do.

7) Determine the words, if any, which will empower the spell. If you want to include a prayer or a petition or a song or an incantation with your spell, decide what that should be. This is not strictly necessary and the words need not be spoken aloud. (Rhyming incantations are not required, but if you prefer them that way, you can certainly do so.)

8) Prepare the materials for casting the spell. Get all your necessaries together ahead of time. Make sure you have everything you need, that tools and components are in good and useable condition, prepare your workspace, and make sure everything is within easy reach so you don't have to stop and search for things in the middle of your casting. (And for goodness sake, if you're working with open flame, observe fire safety and tie your hair and sleeves back.)

9) Finalize details and perform the casting. When you're ready to begin, try to eliminate as many possibilities for distraction or interruption as possible. Go over your spell and components one more time, then proceed with casting the spell.

10) Record the particulars for future reference and to determine how well the spell worked. Make a record of the spell, including your goal, how it should manifest, the words and components used, the date of the casting, the casting method and procedure, and how the casting went. If there are any additional details or observations that seem important, include those as well. This will serve as a useful learning tool in the future and will allow you to check your work if the results make themselves known.

It's useful to write spells from time to time if the inspiration strikes you, in order to better understand how they fit together and how they work. Plus it's a fun and creative journaling exercise and recording the spells you cast a great way to measure your progress later on.

For additional tips on writing your own spells and helpful tricks for using timing and available materials to your advantage, check out my podcast, Hex Positive, Eps. 006-007, "Come In For A Spell, pt 1 & 2."

More Witchcraft Exercises Here

(And if you’re enjoying my content, please feel free to drop a little something in the tip jar or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊)

Happy Witching! 🔮✨

[soulcaretherapist]

Divine Talent

In the Matrix Destiny chart, I will be sharing a thread about the talent arcana energies, which is the position you most frequently ask about. The spot marked with X on the map is what we call divine talent, which represents the talents your soul is inherently born with in this life.

1 - You have many ideas and can generate ideas easily. When activated positively, you have the potential to succeed in whatever you touch.

2 - You can understand other people's motivations, that is, you can grasp why they do what they do at a glance. This gives you esoteric abilities.

3 - You have a good taste and a high sense of aesthetics. You have the ability to expand; you can turn a small task into big projects.

4 - You excel in team management and establishing authority. You have a strong talent for attracting money. If money isn’t coming to you, it means you are activating this area negatively.

5 - You have a talent for learning and teaching. You can master anything and explain everything you know in a way the other side can understand.

6 - Your communication skills and sincerity stand out. You are someone people come to for advice, trust what you say, and listen to your words.

7 - You have the ability to progress quickly in any job, reach your desired goals, and inspire change in both yourself and those around you.

8 - It's hard, if not impossible, for others to lie to you. You can approach everything objectively. You can achieve balance and harmony.

9 - You are more mature than your age, and this grants you wisdom. You have the ability to achieve your inner goals (knowing yourself, realizing your dreams and desires) on your own.

10 - This is a placement that brings luck. You have the talent to manage finances easily and spot profitable opportunities. You can easily attract people to yourself.

11 - Your physical and spiritual endurance is strong. You can do everything at once. You know your strengths and can use them in the most accurate way.

12 - Spiritual practices (like meditation, breathing, reiki) work well for you and have healing effects when applied to others. You have a different perspective and can solve seemingly unsolvable problems.

13 - You can make the necessary changes in every area of life and are not afraid to take risks. You can learn multiple things at once. You have the ability to easily absorb deep and detailed information.

14 - You have diplomacy and mediation skills. You can calm conflicts and maintain your composure during these processes.

15 - By opening yourself to others, you can show them what they cannot see in themselves. You can easily identify others' weaknesses, vulnerabilities, and talents.

16 - You are talented in directing people, organizing, and creating strategies. You can foresee events and chart your course accordingly.

17 - Your ability to express yourself is unique and creative. You can be the center of attention in any field you wish, shine, and stand out from the crowd.

18 - Your subconscious is very powerful. You may receive information through dreams, and your dreams may come true. Your manifesting ability is strong; everything you visualize can come into your life.

19 - You have leadership qualities and can inspire/give strength to others for success. You have the ability to not give up no matter what.

20 - You have good speaking skills and can influence masses. You can create systems from nothing and have excellent analytical skills. It's hard to confuse you.

21 - You have an aptitude for foreign languages and cultures. You can adapt to any environment. You can produce knowledge and content for a wide audience or listener base.

22 - Your decisions and thoughts may be unpredictable by those around you. You influence people with your positive energy. You can turn every tough task into fun and achieve results that will surprise everyone.

[oceane4loveu]

new year, new me🕯🩰

new year, new era💗💗I really wanted to do a glow up plan to become the best version of myself before 2024.

STYLE

• Change my hair color

• Make a clothing vision board

• Find your signature scent

SPACE

• Organize my room

• Get rid of clothes/objects I no longer use

• Organize my workstation, make it an environment pretty, fun and productive

• Make your bed for 21 days

• Keep your room clean for 21 days.

BODY

• Find a skin care routine, invest in great skin products.

• Find a workout plan that works for you and stay consistent for a month.

• Get at least 8 hours of sleep for 21 days

MIND

• Set boundaries with school or work, prioritize my mental health.

• journal in the morning for a week Every day for two weeks, write down 3 things you are grateful for

•Avoid social media in the morning

FINANCIAL

• Set a budget

• Learn to say no when it comes to spending money.

• Find inexpensive date ideas (picnic, baking, movie night, etc.)

• Take part of my salary and invest or keep it

• Don't buy things you don't have need

INTELLECTUAL

• Read a book this month (self-help books are the best)

• Learn a new skill (piano, painting, makeup, sports, etc.)

• Listen to a podcast while getting ready in the morning

SOCIAL

• Stay away from toxic people

• Spend an hour with a friend every day for a week

• Call a friend instead of texting them

FOOD

• Drink three bottles of water every day for 21 days.

• Find new recipes and cook more

• drink detox water every day

My DAYOL diary My notion