#19 October 2014

[brian-in-finance]

Elvortex

Instagram

'I've pre-warned my parents about steamy sex scenes' admits Caitríona

Irish catwalk model turned actress Caitríona Balfe has admitted her parents will leave the room when her love-making scenes appear on screen.

Caitríona has become an overnight star in the US thanks to her leading role in Outlander - based on the historical fantasy book series.

The major new period blockbuster set to be aired on RTE Two tomorrow night is already being billed as the feminist answer to the Game of Thrones, thanks to her central role of the feisty World War I combat nurse in a ashow which has already pulled in eight million viewers in the US.

STEAMY

And Caitríona said that she's given her parents a heads-up about steamy scenes in the time-travel show in which she plays Clare Randall.

"I've pre-warned my parents that there are a couple of scenes where they can go out and make a cup of tea, but they will enjoy watching it," said the Monaghan star.

Caitríona’s breakthrough movie role was in the 2013 film Now You See Me, opposite Woody Harrelson, Mark Ruffalo and Isla Fisher and she also appeared in Escape Plan with Sylvester Stallone and Arnold Schwarzenegger.

But Caitríona (35) revealed how she was scouted when she was packing bags.

"At the end of my first college year, I was packing bags in a supermarket for charity and I was scouted as a model," she said. "I went bright red, being very shy, but I remember the girls on the tills getting excited, shouting, "Yer one is only after being asked to be a model" all over the shop. That's where it all began."

Caitríona said that she created "life lists" while living in a dingy apartment on the South Circular Road with her pal while studying in DIT.

"Sometimes we would wake up in the middle of the night and make tea and toast, and write these life lists. Where will you be in five years? Where will you be in 10 years? I still have the notebooks. I remember saying I wanted to be an actor, but I wouldn't have imagined my life would be so chaotic. I think I've surpassed my own ambitions."

MODEL

The actress, who left Ireland aged 19 to model in the US, said she loved the chance to get back home more often when she was filming Outlander in Scotland.

"I left in 1999 but obviously my parents are still there and I have a sister in Dublin and a brother in Limerick and another brother in Monaghan and I get home as much as I can," she said. "It's usually about twice a year. I love going home and it will still always be home to me."

Before her acting fame, she became the country's most successful model, walking the runway for designers like Dolce & Gabbana and Gucci along with being the only Irish woman to appear on the catwalk for Victoria's Secret.

Independent.ie 19 October 2014

Remember… there are a couple of scenes where they can go out and make a cup of tea. — Caitríona Balfe

[eggmeralda]

I thought the october curse was gonna be skipped this year based on the fact I got a job on the first day but like. it turns out that was the bad luck disguising itself at good news and it's just another normal october

[doyoulikethissong-poll]

Dolly Parton - Jolene 1973

Dolly Parton is an American singer-songwriter, actress, and philanthropist. With a career spanning over fifty years, Parton has been described as a country legend and has sold more than 100 million records worldwide, making her one of the best-selling music artists of all time. She has had 25 singles reach no. 1 on the Billboard country music charts, a record for a female artist (tied with Reba McEntire). She has 44 career Top 10 country albums, a record for any artist, and she has 110 career-charted singles over the past 40 years. She has composed over 3,000 songs. She has founded a number of charitable and philanthropic organizations, chief among them is the Dollywood Foundation, which manages a number of projects to bring education and poverty relief to East Tennessee where she grew up. In response to the COVID-19 pandemic, Parton donated $1 million towards research at Vanderbilt University Medical Center, which funded the critical early stages of development of the Moderna vaccine.

"Jolene" was released on October 15, 1973, as the first single and title track from her the thirteenth solo studio album Jolene, and became Parton's second solo number one single on the country charts. "Jolene" became Parton's first top ten hit song in the UK, reaching number seven in the UK Singles Chart in 1976. It also re-entered the chart when Parton performed at the Glastonbury festival in 2014.

According to Parton, the song was inspired by a red-headed bank clerk who flirted with her husband, Carl Dean, at his local bank branch around the time they were newly married. In an interview, she also revealed that Jolene's name and appearance are based on that of a young fan who came on stage for her autograph.

During an interview on The Bobby Bones Show in 2018, Parton revealed that she wrote "Jolene" on the same day that she wrote "I Will Always Love You".

"Jolene" was nominated for the Grammy Awards for Best Female Country Vocal Performance twice, in 1975 and 1976. The first nomination was for the original recording, and the second was for a live recording from the TV series In Concert. It did not win either time, but in 2017, a cover by the a cappella group Pentatonix which featured Parton as a guest singer won the Grammy Award for Best Country Duo/Group Performance.

In 2023 she released her forty-ninth solo studio album, Rockstar, a collaborative project with a variety of rock musicians and where "Jolene" is sung by Italian rockband Måneskin, listen to it here!

"Jolene" received a total of 94,3% yes votes!

[fairuzfan]

19 October 2023: In Gaza, we have grown accustomed to war

Horrific experiences of death and destruction have permanently impacted Palestinians’ culture, language and collective memory. “Is it war again?” asks my little Amal, 7, memories of the previous Israeli assaults still fresh in her mind.

The wording of the question shows the maturity she has been forced to develop. Last year, Amal asked her mum if it was “another war.”

Yes, it is war again in Gaza! In Gaza, we have grown accustomed to war. War has become a recurrent reality, a nightmare that won’t go away. A brutal normality. War has become like a grumpy old relative, one that we can’t stand but can’t rid ourselves of either.

The children pay the heaviest price. A price of fear and nonstop trauma that is reflected in their behaviors and their reactions. It’s estimated that over 90 percent of Palestinian children in Gaza show signs of trauma. But also, specialists claim there is no post-war trauma in Gaza as the war is still ongoing.

My grandmother would tell me to put on a heavy sweater because it would rain. And it would rain! She, like all Palestinian elders, had a unique sense, an understanding of the earth, wind, trees and rain. The elders knew when to pick olives for pickling or for oil. I was always envious of that.

Sorry, Grandma. We have instead become attuned to the vagaries of war. This heavy guest visits us uninvited, unwelcomed and undesired, perches on our chests and breaths, and then claims the lives of many, in the hundreds and thousands.

A Palestinian in Gaza born in 2008 has witnessed seven wars: 2008–2009, 2012, 2014, 2021, 2022, 2023A and 2023B. And as the habit goes in Gaza, people can be seven wars old, or four wars old. My little Amal, born in 2016, now holds a BA in wars, having lived through four destructive campaigns. In Gaza, we often speak about wars in terms of academic degrees: a BA in wars, an MA in wars, and some might humorously refer to themselves as PhD candidates in wars.

Our discourse has significantly changed and shifted. At night, when Israel particularly intensifies the bombardment, it’s a “party”: “The party has begun.” “It will be a horrific party tonight.” And then there is “The Bag,” capital T and capital B. This is a bag that is hurriedly prepared to contain the cash, the IDs, the birth certificates and college diplomas. The aim is to grab the kids and one item when there is a threat of evacuation.

The collective memories and culture of Palestinians in Gaza have been substantially impacted by these horrific experiences of war and death. Most Gazans have lost family members, relatives, or loved ones or have had their homes damaged or destroyed. It’s estimated that these wars and the escalations between them have claimed the lives of over 9,000 (it was 7,500 when I started drafting this last week!) Palestinians and destroyed over 60,000 housing units.

Death and war. War and Death. These two are persona non grata, yet we can’t force them to leave. To let us be.

Palestinian poet Tamim Al-Barghouti summarizes the relationship between death and the Palestinians that war brings (my translation):

It was not wise of you, Death, to draw near.

It was not wise to besiege us all these years.

It was not wise to dwell this close,

So close we’ve memorized your visage

Your eating habits

Your time of rest

Your mood swings

Your heart’s desires

Even your frailties.

O, Death, beware!

Don’t rest that you tallied us.

We are many.

And we are still here

[Seventy] years after the invasion

Our torches are still alight

Two centuries

After Jesus went to his third grade in our land

We have known you, Death, too well.

O, Death, our intent is clear:

We will beat you,

Even if they slay us, one and all.

Death, fear us,

For here we are, unafraid.

23 October 2023: Five stages of coping with war in Gaza

Our familiarity with war in Gaza has led us to develop a unique perspective and unique coping mechanisms.

We can identify five major emotional stages that Gazans go through during these grim conflicts. The stages are denial, fear, silence, numbness, hope, despair and submission.

This is day 16 and Israel has killed more than 5,000 Palestinians (many are still unaccounted for under the rubble), including over 2,000 Palestinian children, Gaza authorities tell us. More than 15,000 were injured and over 25,000 Palestinian homes were destroyed. And Israel says it is ready for ground invasion.

Stage one: Denial

In the early stages of a crisis, there is often a sense of denial. We convince ourselves that this time won’t lead to war. People are tired of the recurring conflicts, and both sides may appear too preoccupied to engage in warfare. As missiles fall and soar, we maintain a form of partial denial, hoping that this time will not be as lengthy or devastating as past wars.

No, this time it’s not going to be war. Everyone is tired of wars. Israel is too busy to go to war.

Palestinians are too exhausted and too battered to engage in a war. It could just last five days, give or take, we hope.

Stage two: Fear

Soon, denial turns to fear as the reality of another war sets in. Gaza is paralyzed as civilians, including children, are attacked by Israeli bombs. The pictures and videos of massacres, of homes obliterated with the families inside, of high rise buildings toppled like dominoes turn the denial into utter terror.

Every strike, especially at night, means all the children wake up crying and weep. As parents, we fear for our kids and we fear we can’t protect our loved ones.

Stage three: Silence and numbness

This is when Israel particularly intensifies the bombing of civilian homes. Stories are interrupted. Prayers are cut short. Meals are left uneaten. Showers are abandoned.

Therefore, amid the chaos and danger Israel brings, many in Gaza, especially children, withdraw into silence. They find solace in solitude as means of coping with the overwhelming emotion and uncertainty that surrounds them. Silence prevails.

Then numbness follows. As people attempt to protect themselves from the constant onslaught of distressing news, they grow indifferent. Because we could die anyway, no matter where we go. Emotional numbness sets in, as individuals attempt to detach from their emotions to survive.

Stage four: Hope

In the midst of despair, glimmers of hope may emerge. Even in the darkest moments, Gazans may hold onto the belief Israel might at least kill fewer people, bomb fewer places, and damage less. The most hopeful of us wish for a lasting ceasefire or an end to the siege or even the occupation. But this is merely hope. And hope is dangerous.

We hope that politicians will man up. We hitch our hope to the masses taking to the streets to reassure their politicians and warn they will be punished in future elections if they support Israeli aggression against Palestinians in Gaza.

Stage five: Despair and submission

Unfortunately, hope can often be fleeting, and many Gazans have experienced recurring cycles of despair. The repeated loss of life, homes and security lead to deep feelings of helplessness.

In the final stage, there is a sense of submission as Gazans accept the reality that they are unable to change the situation. That they are left alone. That the world has abandoned us. That Israel can kill and destroy at large with impunity. This is a stage marked by endurance, as Palestinians strive to adapt and persevere in the face of ongoing challenges.

These stages of war have become an unfortunate part of life in Gaza, shaping the resilience and perseverance of the Palestinian people in the face of unimaginable hardships imposed by the Israeli occupation.

27 October 2023: What it’s like when Israel bombs your building

I have six children. And so far we have survived seven major Israeli escalations, unscathed. We are an average family. My wife, Nusayba, is a housewife, I have two children in college and my youngest child, Amal, is 7. In Gaza, Amal is already four wars old.

We are an average family in Gaza, but we have had our fair share of Israeli death and destruction.

So far, since the early 1970s, I have lost 20 (and 15 last week) members of my extended family due to Israeli aggression.

In 2014, Israel destroyed our family home of seven flats, killing my brother Mohammed.

In 2014, Israel killed about 20 of my wife’s family including her brother, her sister, three of her sister’s kids, her grandfather and her cousin. And destroyed several of my in-laws’ homes.

Combined, my wife and I have lost over fifty 50 members to Israeli war and terror.

2023 war on Gaza

As the bombs fall and Israel targets sleeping families in their homes, parents are torn between several issues.

Should we leave? But go where, when Israel targets evacuees on their way and targets the areas they evacuate to?

Should we stay with relatives? Or should our relatives stay with us, whose home is relatively “safe?” We can never be sure. It’s been more than 75 years of brutal occupation – and over six major Israeli military onslaughts in the past 15 years – and we have so far failed to understand Israel’s brutality and mentality of death and destruction.

And then there is the fear of what to do if – when – we are bombed. We try to evade them. But how can you evade the bombs when Israel throws three or four or five consecutive bombs at the same home.

The big question Palestinian households debate is whether we should sleep in the same room so that when we die, we die together, or whether we should sleep in different rooms so some of us may survive.

The answer is always that we need to sleep in the living room together. If we die, we die together. No one has to deal with the heartbreak.

No food. No water. No electricity.

This 2023 war is different. Israel has intensified using hunger as a weapon. By completely besieging Gaza and cutting off the electricity and water supplies and not allowing aid or imports, Israel is not only putting Palestinians on a diet, but also starving them.

In my household, and we are a well-off family, my wife and I sat with the children and explained the situation to them, especially the little ones: “We need to ration. We need to eat and drink a quarter of what we usually consume. It’s not that we do not have money, but food is running out and we barely have water.”

And good luck explaining to your 7-year-old that she can’t have her two morning eggs and instead she will be having a quarter of a bomb! (Israel later bombed the eggs.)

As a parent, I feel desperate and helpless. I can’t provide the love and protection I am supposed to give my kids.

Instead of often telling my kids “I love you,” I have been repeating for the past two weeks:

“Kids, eat less. Kids, drink less.” And I imagine this being my last thing I say to them and it is devastating.

Israel bombs our building

If we had a little food last week, now we barely have any because Israel struck our home with two missiles while we were inside. And without prior warning!

My wife Nusayba had already instructed the kids to run if a bombing happened nearby. We never expected [our building] to be hit. And that was a golden piece of advice.

I was hosting four families of relatives in my flat. Most of them were kids and women.

We ran and ran. We carried the little ones and grabbed the small bags with our cash and important documents that Gazans keep at the door every time Israel wages a war.

We escaped with a miracle, with only bruises and tiny scratches. We checked and found everyone was fine. And then we walked to a nearby UN school shelter, which was in an inhuman condition. We crammed into small classrooms with other families.

With that, we lost our last sense of safety. We lost our water. We lost our food and the remaining eggs that Amal loves.

We are an average Palestinian family. But we have had our fair share of Israeli death and destruction. In Gaza, no one is safe. And no place is safe. Israel could kill all 2.3 million of us and the world would not bat an eye.

[liatkolink]

For people still in denial whether Israel has committed war crimes, here is a comprehensive list of war crimes Israel has committed both before and after Operation Al-Aqsa Flood, the list being taken from the Wikipedia article of war crimes with some notable missing examples being the usage of chemical weapons, famine, disease and apartheid. The 7th of October attack did not occur in a vacuum, but is the product of decades of Israel not being held accountable for its war crimes.

Killing civilians:

Israel/Palestine: Unlawful Israeli Airstrikes Kill Civilians by Human Rights Watch on 15/Jul/2014

‘Not a normal war’: doctors say children have been targeted by Israeli snipers in Gaza – The Guardian on 2/Apr/2024

Israeli attack on Rafah tent camp kills 45, prompts international outcry by Reuters on 27/May/2024

Intentionally killing PoWs:

Israel’s Hush-Up Machine in Action: Denying Story Israel Executed Egyptian Prisoners by Washington Report on Middle East Affairs on 8/Apr/2010

Torture:

Israeli government report admits systematic torture of Palestinians by The Guardian on 10/Feb/2000

Israel/OPT: Horrifying cases of torture and degrading treatment of Palestinian detainees amid spike in arbitrary arrests by Amnesty International on 8/Nov/2023

Israel: Palestinian Healthcare Workers Tortured by Human Rights Watch on 26/Aug/2024

Taking hostages:

Infographic: How many Palestinians are imprisoned by Israel? by AlJazeera on 17/Apr/2022

The thousands of Palestinians Israel arrests, tortures, holds even in death by AlJazeera on 17/Apr/2024

UN report: Palestinian detainees held arbitrarily and secretly, subjected to torture and mistreatment by the United Nations Human Rights Office of the High Commissioner on 31/Jul/2024

Unnecessarily destroying civilian property:

Israel destroys Gaza tower housing AP and Al Jazeera offices by Reuters on 15/May/2021

Israel targets infrastructure in Gaza to ramp up civilian pressure on Hamas, report claims by PBS News on 11/Dec/2023

Widespread destruction by Israeli Defence Forces of civilian infrastructure in Gaza by the United Nations Human Rights Office of the High Commissioner on 8/Feb/2024

Deception by perfidy:

Israeli soldier gives 74-year-old Palestinian woman water then shoots her in the head by Middle East Monitor on 20/Jan/2015

Israeli special forces disguised as doctors kill three militants at West Bank hospital by The Guardian on 30/Jan/2024

NBC News investigation reveals Israel strikes on Gaza areas it said were safe by NBC News on 26/Apr/2024

Wartime sexual violence:

Stripped, beaten and blindfolded: new research reveals ongoing violence and abuse of Palestinian children detained by Israeli military by Save the Children on 10/Jul/2023

Israel/oPt: UN experts appalled by reported human rights violations against Palestinian women and girls by the United Nations Human Rights Office of the High Commissioner on 19/Feb/2024

‘Everything is legitimate’: Israeli leaders defend soldiers accused of rape by AlJazeera on 9/Aug/2024

Pillaging:

The Biblical Pseudo-Archeologists Pillaging the West Bank by The Atlantic on 28/Feb/2013

Jewish Soldiers and Civilians Looted Arab Neighbors' Property en Masse in '48. The Authorities Turned a Blind Eye by Haaretz on 3/Oct/2020

Israeli soldiers boast about looting from Gaza by AlJazeera on 14/Feb/2024

Any individual that is part of the command structure who orders any attempt to committing mass killings:

Netanyahu incites violence by casting protesters as clear and present danger by Middle East Eye on 30/Jul/2020

Israeli minister's call to 'erase' Palestinian village an incitement to violence, US says by Reuters on 1/Mar/2023

Netanyahu cites 'Amalek' Theory to justify Gaza Killings by Times of India on 29/Oct/2023

Database exposes 500 instances of Israeli incitement to genocide in Gaza by TRT World 4/Jan/2024

Genocide:

The Genocide of the Palestinian People: An International Law and Human Rights Perspective by Center for Constitutional Rights on 25/Aug/2016

Genocide Warning: Israel & Palestine by Genocide Watch on 21/May/2021

A top U.N. court says Gaza genocide is 'plausible' but does not order cease-fire by npr on 26/Jan/2024

‘Reasonable grounds’ to believe Israel is committing genocide in Gaza, UN rights expert says by CNN on 27/Mar/2024

Is Israel Committing Genocide in Gaza? New Report from BU School of Law’s International Human Rights Clinic Lays Out Case from Boston University Today on 5/Jun/2024

Ethnic cleansing:

UN Human Rights Council: ‘Israel engaging in ethnic cleansing’ by the European Union Parliament on 23/Mar/2011

Israel's ethnic cleansing in Palestine is not history - it's still happening by Middle East Eye on 22/May/2019

UN expert warns of new instance of mass ethnic cleansing of Palestinians, calls for immediate ceasefire by the United Nations Human Rights Office of the High Commissioner on 14/Oct/2023

‘Plan for ethnic cleansing’: Israel’s north Gaza siege sets off alarms by AlJazeera on 22/Oct/2024

Granting of no quarter despite surrender:

White Flag Deaths Killings of Palestinian Civilians during Operation Cast Lead by Human Rights Watch on 13/Aug/2009

Investigators: Israel fired on Gaza civilians carrying white flags by The Electronic Intifada on 28/Jan/2015

3 hostages killed by Israeli soldier in Gaza were waving a white flag, Israel says by npr on 16/Dec/2023

A group of Palestinian men waving a white flag is shot at, killing 1 by NBC News on 24/Jan/2024

She was fleeing with her grandson, who was holding a white flag. Then she was shot by CNN on 26/Jan/2024

Two brothers shot by Israeli forces in Khan Younis, white flag ignored by AlJazeera on 29/Jan/2024

Conscription of children in the military: First one where I couldn't find anything. Way to go, Israel!

Flouting the legal distinctions of proportionality and military necessity:

Israel violates the principles of necessity, proportionality in its attacks on Gaza by Euro-Med Human Rights Monitor on 13/May/2023

Enough: Self-Defense and Proportionality in the Israel-Hamas Conflict by Just Security on 6/Nov/2023

War Crimes and Accountability: The Case Against Israel’s Military Operations in Gaza by JURIST News on 5/Jul/2024

[drop-dead-dropout]

🤿 squiblybeakers77 aug 25, 2014

how many times do I have to tell you guys octarians don't exist anymore. the army literally killed all of them in the great turf war you're not going to get a hot octoling gf they're fucking extinct

🍤 woomy-mother-fuckers aug 30, 2014

op your bio says you listen to turquoise october

🤿 squiblybeakers77 aug 30, 2014

yeah cause it's a bop. not made by octarians tho, it's a coverup to keep us from questioning it.

⭐ tetradualies-trash mar 8, 2024

guys I found this gem from like a decade ago. aged very well I think

🐡 OutFishing mar 16, 2024

is this person real... @squiblybeakers77 were you created in a lab I don't understand you

🦐 NOBODYTOUCHMYFISHFRYS mar 19, 2024

and here we have the legendary squibly, who fought valiantly against Big Octo's lies and also didn't bother to take the fifteen minute bus ride to mt nantai where you could've literally seen octolings patrolling the outside of octo canyon. truly a warrior of the people,

🔫 z3nz0nes mar 20, 2024

"turquoise october isn't actually octolings".... THE LYRICS ARE IN OCTARI??? A WHOLE ASS DIFFERENT LANGUAGE?????

🦐 NOBODYTOUCHMYFISHFRYS mar 20, 2024

zen you don't understand. obviously Big Octo created a fake language to keep us complacent

🌷 burst-bombs-are-gay mar 25, 2024

omg why didn't u guys tell me my wife went extinct in 2014 😔😔😔 @yokoandthegoldbisexuals I miss u already babe 💔

#also loving the implication that Big Government was like #"hey we need to fake some stuff for this octo thing" #and the best idea they could come up with was... leaving an unlabeled cd in a dumpster???? #granted the later ones had labels but like. that's absolutely insane what do you MEAN

(3,610,857 notes)

[labbaik-ya-hussain-as]

1. Haifa Massacre 1937

2. Jerusalem Massacre 1937

3. Haifa Massacre 1938

4. Balad al-Sheikh Massacre 1939

5. Haifa Massacre 1939

6. Haifa Massacre 1947

7. Abbasiya Massacre 1947

8. Al-Khisas Massacre 1947

9. Bab al-Amud Massacre 1947

10. Jerusalem Massacre 1947

11. Sheikh Bureik Massacre 1947

12. Jaffa Massacre 1948

13. Deir Yassin Massacre 1948

14. Tantura Massacre 1948

15. Qibya Massacre 1953

16. Khan Yunis Massacre 1956

17. Jerusalem Massacre 1967

18. Sabra and Shatila Massacre 1982

19. Al-Aqsa Massacre 1990

20. Ibrahimi Mosque Massacre 1994

21. Jenin Refugee Camp April 2002

22.

23. Gaza Massacre 2012

24. Gaza Massacre 2014

25. Gaza Massacre 2018-19

26. Gaza Massacre 2021

27. Gaza Genocide 2023 is still ongoing.

28. DON'T LET ANYONE CONVINCE YOU THAT IT STARTED ON OCTOBER 7th***

[sayruq]

3 thoughts on this:

Economy - Israel's economy took a hit in October that was comparable to the economic tremors caused by the COVID-19 outbreak. It is effectively in a major recession today. The longer they drag out this war, the worse their economic condition will be. Foreign capital will continue leaving the country as it seems incapable of stabilising. While the continued use of reserves means 300,000 Israelis will be unable to work, not to mention the millions of dollars Israel has to spend to mobilise its reserve every day. The longer the war goes on, the more people will end up leaving the country. 470,000 have left in October and November with no intention of returning while over 300,000 settlers are internally displaced. Both of those numbers are bound to go up as the war continues. This means that Israel is missing hundreds of thousands of Israeli workers. A few weeks ago, Israel struck a deal with the Indian government to get 100,000 workers after tens of thousands of worker migrants fled the country. That plan fell through thanks to Indian trade unions. Now Israel is turning to African States in a desperate attempt to replace the Gazan workers it's currently genociding. We will see if that plan works as Africans are by and large pro Palestine. Plus the Yemeni naval blockade is growing more and more intense every week as a direct response to the genocide in Gaza. In short, Israel's economy can't withstand a long war. America cannot help prop up the economy as it will soon be facing its major economy issues in the coming years including a housing crisis and likely a recession.

Military defeats - Israel cannot defeat Hamas. It cannot win a war inside Gaza. It failed to do so in 2014, it's failing right now. It has lost hundreds of military vehicles including the (formerly) vaunted Merkava-4. The estimated number of injured soldiers stands at 10,000+ while the Resistance is still intact and capable of carrying out dozens of military operations against IDF and the surrounding cities and settlements every day. The IDF has never looked more weak than it is right now. Hezbollah has been employing a military strategy dubbed the escalation ladder, in which one end of the ladder is no war and the other end is total war. It has continuously escalated against Israel, attacking deeper and deeper into its territory, and it will continue until there's open war between Israel and Lebanon. The point of the escalation is to give Israel time to leave Gaza but as that's not something the Israeli government is planning on doing, we're looking at a region war in 2024 (so far we have a regional conflict and whilebits serious, it's not yet war). Just like it can't win in Gaza, Israel can't defeat Hezbollah and occupy Southern Lebanon like its leaders have been threatening to. It certainly can't take on the Ansar Allah group in Yemen.

West Bank - every week, there are clashes between Israeli forces and the Resistance in the West Bank and it's growing more and more intense. The best way to describe the region is 'powder keg.' Israel has responded to Oct 7th by detaining thousands of Palestinians and killing hundreds. There's a growing popularity of Al Qassam Brigades and other militant groups in Gaza. There also seems to be coordination between the Gazan and West Bank resistance groups, as in they would carry out operations at the same time. The longer the war on Gaza goes on, the more likely that war will also break out in the West Bank.

Many, many more Palestinians will die. This plan, more than anything, is a call for the continued slaughter of Palestinians in Gaza.

But the longer this goes on, the closer Israel gets to collapsing.

[tododeku-or-bust]

You Have A Moment.

Mohammed Khalil (@ahmed0khalil) reached out to me pleading to share his story. I listened, and I ask that you listen. I even went to paraphrasing- and no one should have to paraphrase their trauma- for reading convenience.

"My name is Mohammad Khalil, and I live in the Shuja’iya neighborhood, east of Gaza City. I started a fundraising campaign at the request of my younger brother Ahmed after we lost our home and source of livelihood due to the war."

On October 7, 2023, he was sitting with his family when the ground shook from the intensity of the explosions. In just five minutes, more than 15 bombs, each weighing half a ton, fell near his house.

This war has left Mohammed feeling terrified and abandoned. He has already witnessed suffering far beyond his 19 years, having lived through 6 wars. In 2014, he lost his home the first time to war, and here he is again.

They tried fleeing to central Gaza City to no avail. Bombs destroyed the Carmel Tower while he was near, and he injured his foot. He had to lay in the damage until medical teams arrived.

His older brother Fathi is blind, his sister Aya cannot help, his brother Anas and Ahmed are too young, and his brother Abdullah is blind and autistic. None of the children have access to schooling. Fathi suffers from a chronic illness, and could only access help after his father had to run 2.5 kilometers to find help.

"I have stood in line for bread for at least 10 hours to get 30 loaves, and waited three hours to get 25 liters of clean water for my family of eight." Most people get annoyed standing in line for food at restaurants. Imagine 10 hours.

"On our way to Deir al-Balah, I witnessed six massacres, and I was on the verge of suicide out of despair. I couldn’t bear it anymore; this is not just a passing tragedy—this is my life."

"We are now living in one of the overcrowded UN schools, surrounded by diseases, corpses, and garbage. Every message I send could be my last. I don’t know if I will be alive the next time."

He is especially grateful for anyone that takes the time to share his story, a story that he has been desperate for people to hear. A story that he should not have to go through. Please, donate if you can, share if you cannot.

[blueberrylovv]

masterlist

@blu3b3rryl0v <- bąckup

the 'think [colour]' series:

#1 green #2 yellow #3 red #4 green #5 brown #6 blue #7 pink #8 orange #9 brown #10 white #11 green #12 orange #13 purple #14 pink #15 green #16 dark red #17 dark purple/black #18 pink #19 orange #20 brown

if you work hard this could be your spring/summer/autumn/winter the vision boards:

2014 tumb|r a lazy day inside and drinking coffee angel (male) autumn basketball girl batman (male) beach trip black swan ballet bucky barnes/winter soldier (male) can't the leaves turn brown faster cat/neko girl chappelł róan vibes coquette (poc) coquette dark academia dark green emo emo boy (male) estern europe nostalgia/smutno mi boże fairy (poc) girls with glasses girl with horses goth green goddess green it girl horror video game protagonist kogal light academia long hair don't care male poc manifesting this for october mcbling mermaid (poc) morute natasha romanoff/black widow pilates princess pink summer punk boy (male) punk rockstar girlfriend sage selfcare day spiderman (male) spiderman #2 (male) strawberry the 2014 tvmbłr grunge tvmblr 2014 twilight vampire white and chrome winter zombie

you can send in requests my inbox is always open

tags for this blog:

#thinkcolour - the 'think [colour]' series #beagossip - for answering asks that aren't board requests (aka just sweet messages or giving ideas/advice/perspective) #beathechef - pictures of my męąls (if you would like the recipe/ingredients just lmk under the post or via inbox id love to share so you can also make it) #beatheyapper - just for random yapping yk as one does #beaboards

[lesfruitsdores]

Who are the hostages still held by Hamas?

On October 7, 2023, 253 Israelis and foreign nationals were kidnapped to Gaza by Hamas and gazan civilians. Since then, 105 were released in a prisioner exchange deal, 4 were released by Hamas and 3 were rescued.

However, 60 remain in captivity [as of 02/09/24] (4 of those were kidnapped prior to 2023). A recent investigation has concluded that more than a fifth of the hostages are dead and the fate of some other hostages remains unknown. This video explains how doctors determine which hostages are dead, based on the nature of their injury and by analyising footage and the victims' last phone calls. Additionally, during the operation in Gaza, the IDF has recovered the bodies of a few victims and returned to their families for burial.

Since I couldn't find this all in one place, I've compiled a list of: 1) hostages who are presumed alive; 2) hostaged whose death has been reported/confirmed; 3) hostages who were released or rescued. In the group of hostages presumed to be alive who haven't been released, the youngest is 1-year-old Kfir Bibas and the oldest hostage is Iraqi-born 85-year old Shlomo Mansour.

As we learn more information, I'll continue to update this post.

They need to come back home. I'm hoping for more successful rescue operations soon. Keep them in your thoughts.

Hostages still held by Hamas (presumed alive or fate unknown):

(1) (2) (3)

Abraham Eitan Mor (23)

Agam Berger (19)

Alexander (Sasha) Trupanob (28)

Alon Ohel (22)

Arbel Yehoud (28)

Ariel Bibas (4)

Ariel Cunio (26)

Avera Mengistu (37) – Has been held hostage since 2014

Avinathan Or (30)

Bar Kupershtein (22)

Bipin Joshi (23)

Daniel Gilboa (19)

David Cunio (33)

Doron Steinbrecher (30)

Edan Alexander (20)

Eitan Horn (37)

Eli Sharabi (51)

Eliya Cohen (26)

Elkana Bohbot (34)

Evytar David (23)

Gadi Moses (79)

Gali Berman (26)

Guy Gilboa-Dalal (22)

Hamzah Al-Zayadni (22)

Hisham al-Sayed (35) - Has been held hostage since 2015

Yair Horn (45)

Idan Shivi (28)

Itzhk Elgarat (68)

Karina Ariev (19)

Kfir Bibas (1)

Liri Albag (18)

Matan Angrest (21)

Matan Zangauker (24)

Maxim Herkin (35)

Naama Levy (19)

Nimrod Cohen (19)

Oded Lifshitz (83)

Ofer Kalderon (53)

Ohad Ben Ami (55)

Ohad Yahalomi (49)

Omer Neutra (22)

Omer Shem Tov (21)

Omer Wenkert (22)

Omri Miran (46)

Or Levy (33)

Rom Braslavski (19)

Romi Gonen (23)

Sagui Dekel-Chen (35)

Samuel Keith Siegel (64)

Segev Kalfon (25)

Shiri Bibas (32)

Shlomo Mansour (85)

Tal Shoham (38)

Tamir Nimrod (19)

Tsachi Idan (51)

Yagev Kirsht (34)

Yarden Bibas (34)

Yosef Al-Zayadni (53)

Yosef Ohana (23)

Ziv Berman (26)

Hostages confirmed/reported dead:

(Note: I couldn't find a report with the full list, but if you google each individual name you can find sources.)

Abraham Munder (79) - Body recovered on 20/08/24.

Alex Danzig (75) - Body recovered on 20/08/24.

Alexander Lobanov (32)

Almog Sarusi (26)

Alon Shamriz (26) – Mistakenly killed by the IDF

Amit Buskila (28) - Likely killed on Oct. 7. Body recovered on 17/05/24.

Amiram Cooper (84) - Status updated on 03/06/24.

Arye Zalmanovich (85) - Death reported by Hamas. He was forced to appear in a propaganda video.

Asaf Hamami (41)

Aviv Atzili (49)

Carmel Gat (39) - Body recovered on 31/08/24.

Chaim Peri (79) - Status updated on 03/06/24.

Daniel Oz (19) - Killed on Oct. 7. Status updated on 25/02/24

Daniel Perez (22) - Killed on Oct. 7. Status updated on 17/03/24

Dolev Yehoud (35) - Killed on Oct. 7. He was presumed to be a hostage, but his remains were found in Israel after months. Status updated on 03/06/24.

Dror Kaplun (68)

Dror Or (48) - Killed on Oct. 7. Status updated on 02/05/24.

Eden Yerushalmi (24) - Body recovered on 31/08/24.

Eden Zecharya (28)

Eitan Levy (53)

Elad Katzir (47) - Murdered by the Palestinian Islamic Jihad. His body was recovered in Khan Yunis. Status updated on 06/04/24.

Eliyahu Margalit (75)

Elyakim Libman (23) - Killed on Oct. 7. It was presumed he was a hostage because his body wasn't found, but it was later discovered his remains were accidentally buried with another victim. Status updated on 03/05/24.

Gad Haggai (73)

Guy Iluz (26)

Hadar Goldin (32) - Body held hostage since 2014

Hanan Yablonka (42) - Killed on Oct. 7. Body recovered on 24/05/24.

Hersh Goldberg-Polin (23) - Body recovered on 31/08/24.

Ilan Weiss (56)

Inbar Haiman (27)

Itay Chen (19) - Killed on Oct. 7. Status updated on 12/03/24.

Itay Svirsky (35) – Killed by Hamas in captivity. His body was shown in a propaganda video

Itzik Gelenter (58) - Likely killed on Oct. 7. Body recovered on 17/05/24.

Joshua Loitu Mollel (21) – A released video shows how he was brutally murdered by a group of men on October 7

Judy Weinstein (70)

Kiril Brodski (19)

Lior Rudaeff (61) - Killed on Oct. 7. His body was taken to Gaza. Status updated on 07/05/24.

Maya Goren (56)

Mordechai Yonathan Samerano (21) - Killed on Oct. 7. His body was taken to Gaza.

Nadav Popplewell (51) - Status updated on 03/06/24.

Nik Beizer (19)

Noa Marciano (19) – Her body was found near the Al-Shifa hospital

Michel Nisenbaum (59) - Killed on Oct. 7. Body recovered on 24/05/24.

Muhammed Alatrash (40) - Killed on Oct. 7. Status updated on 24/06/24.

Ofir Tzarfati (27)

Ofra Keider (70)

Oren Goldin (34)

Ori Danino (24) - Body recovered on 31/08/24.

Orión Hernandez (30) - Killed on Oct. 7. Body recovered on 24/05/24.

Oron Shaul (30) – Body held hostage since 2014

Ran Gvlli (24)

Ravid Katz (41)

Ron Benjamin (53) - Killed on Oct. 7 and his body was taken to Gaza. Body recovered on 18/05/24.

Ron Scherman (19)

Ronen Engel (54)

Sahar Baruch (24) – Killed by Hamas during a failed hostage rescue operation

Samer Talalka (22) – Mistakenly killed by the IDF

Shay Levinson (19)

Shani Louk (22) - Body taken to Gaza. Her body was recovered on 17/05/24.

Sonthaya Oakkharasr - Killed on Oct. 7. Body taken to Gaza. Status updated on 16/05/24.

Sudthisak Rinthalak - Killed on Oct. 7. Body taken to Gaza. Status updated on 16/05/24.

Tal Chaim (42)

Tamir Adar (38)

Tomer Ahimas (20)

Uriel Baruch (35) - Status updated on 26/03/24

Yagev Buchshtab (34)

Yair Yaakov (59) – Killed on Oct. 7. Sons and girlfriend were released. Status updated on 15/02/24.

Yehudit Weiss (65) – Her body was found near the Al-Shifa hospital

Yossi Sharabi (53) – His dead body was shown in a propaganda video

Yoram Metzer (80) - Status updated on 03/06/24.

Yotam Haim – Mistakenly killed by the IDF

Ziv Dado (36)

Released/rescued hostages:

(1) (2)

Abigail Edan, 4, American citizen

Ada Sagi, 75

Adi Shoham, 38

Adina Moshe, 72

Agam Goldstein-Almog, 17

Aisha Ziyadne, 17

Alma Avraham, 84

Alma Or, 13

Almog Meir Jan (21) - Rescued by the IDF on 08/06/24.

Amit Shani, 15

Amit Soussana, 40

Andrey Zozlov (27) - Rescued by The IDF on 08/06/24.

Anucha Angkaew

Aviv Asher, 2, German citizen

Aviva Adrienne Siegel, 62

Bancha Kongmanee, Thai national

Bilal Ziyadne, 18

Boonthom Phankhong, Thai national

Buddee Saengboon, Thai national

Chalermchai Sangkaew

Channa Peri, 79

Chen Goldstein-Almog, 48

Clara Marman, 63, Argentine citizen

Daniel Aloni, 44

Dafna Elyakim, 15

Doron Katz Asher, 34, German citizen

Ditza Heiman, 84

Emilia Aloni, 5

Emily Toni Kornberg Hand, 8

Emma Cunio, 3, Argentine citizen

Erez Calderon, 12, French citizen

Eitan Yahalomi, 12, French citizen

Ela Elyakim, 8

Fernando Marman – Rescued by the IDF

Gabriela Leimberg, 59, Argentine citizen

Gal Goldstein-Almog, 11

Gal Tarshansky, 13

Gelienor (Jimmy) Pacheco, 37, Filipino national

Hagar Brodetz, 40

Hanna Katzir, 77

Hila Rotem Shoshani, 12

Ilana Gritzewsky Kimchi, 30

Irena Tati, 73, a Russian citizen, was included on the list but released separately from the exchange deal.

Itay Regev Jerbi, 18

Juckapan Sikena

Judith Raanan, 59 [Released 22/10/23]

Kaid Farhan Alkadi (52) - Rescued by the IDF on 27/08/24.

Karina Engel-Bart, 51, Argentine citizen

Keren Munder, 54

Komkrit Chombua

Kong Saelao

Liam Or, 18

Liat Beinin Atzili, 49, American citizen

Luis Har – Rescued by the IDF

Manee Jirachart

Margalit Mozes, 78, German citizen

Maya Regev Jirbi, 21

Meirav Tal, 53

Mia Leimberg, 17, Argentine citizen

Mia Shem, 21, French citizen

Mika Engel, 18, Argentine citizen

Mongkhol Phajuabboon, Thai national

Moran Stela Yanai, 40

Natalie Raanan, 17 [Released 22/10/23]

Nattaporn Onkaew

Natthawaree Moonkan, Thai national

Naveh Shoham, 8

Nili Margalit, 41

Noa Argamani (26) - Rescued by the IDF on 08/06/24.

Noam Avigdori, 12

Noga Weiss, 18

Noam Or, 17

Noralin Babadilla, 60, born in the Philippines

Nurit Cooper [Released 24/10/23]

Ofri Brodetz, 10

Ohad Munder, 9

Or Yaakov, 16, German citizen

Ori Megidish – Rescued by the IDF

Oriya Brodetz, 4

Owat Suriyasri, 40, father of two

Ofelia Adit Roitman, 77, born in Argentina

Ofir Engel, 17, Dutch citizen

Paiboon Rattanin

Pattanayut Tonsakree

Phonsawan Pinakalo

Ra’aya Rotem, 54

Raz Ben-Ami, 56, German citizen

Rimon Kirsht Buchshtav, 36

Raz Asher, 4, German citizen

Ron Krivoi, 25, an Israeli-Russian citizen, was included on the list, although he was released separately from the exchange deal.

Ruth Munder, 78

Sahar Calderon, 16, French citizen

Santi Boonphrom, Thai national

Sapir Cohen, 29

Shani Goren, 29

Sharon Aloni-Cunio, 34, Argentine citizen

Sharon Hertzman Avigdori, 52

Shlomi Ziv (40) - Rescued by the IDF on 08/06/24.

Shiri Weiss, 53

Shoshan Haran, 67

Surin Kesungnoen

Tal Goldstein-Almog, 8

Tamar Metzger, 78

Uthai Sangnuan, Thai national

Uthai Thunsri, Thai national

Wichai Kalapat, 28, Thai national

Wichian Temthon

Withoon Phumee, 33, Thai national

Yaffa Adar, 85

Yagil Yaakov, 12, German citizen

Yahel Shoham, 3

Yarden Roman-Gat, 35, German citizen

Yelena Trupanov, 50, a Russian citizen, was included on the list but released separately from the exchange deal.

Yocheved Lifshitz [Released 24/10/23]

Yuli Cunio, 3, Argentine citizen

Yuval Brodetz, 8

Yuval Engel, 12, Argentine citizen

[batifresa]

The Ultimate "Challengers" Timeline

Updated: October 20, 2024

I kept seeing some confusion in the fandom regarding the timeframe of certain events in the film, so I started working on this as a way to clarify theories and map out everything as accurately as possible. If you notice any mistakes, or know of a canon event that I missed, please don't hesitate to let me know!

Relationship-o-metric:

Art and Patrick were friends for approximately 6 years, 6 months and 16 days (2391 days).

Patrick and Tashi were in a relationship for exactly 5 months and 20 days (173 days).

Art and Tashi have been in a relationship for approximately 8 years, 11 months and 19 days (3275 days).

Some pointers and notes:

Art, Tashi and Patrick are all confirmed to be 31 years old in the final script of the film.

Lily is confirmed to be 5 years old in the final script of the film, so she would've been born sometime in 2014.

The American school year starts in mid/late August or early September, and ends in mid/late May or early June, depending on state. We do not know where the Mark Rebellato Tennis Academy is located.

The majority of boarding schools start their academic program in middle school (6th grade). Art and Patrick would've been 11 years old then. We can infer that they either: befriended each other on their first year at the academy, and later asked to be placed together as dorm mates for their second year, or that one (or both) of them started attending the academy a year later (7th grade), though I think that's unlikely.

Stanford follows the quarter system (not semesters). Most students start the academic year in late September (Autumn Quarter), and must complete 12 quarters to graduate.

Stanford also does not revoke athlete scholarships due to injuries. So it is highly likely that, since Tashi couldn't go pro, and she still had her scholarship, she stayed in college until she graduated.

Since Art was playing a Masters 1000 tournament in 2010 (which require a high player ranking), we can assume that he either: left Stanford to go pro at one point, or he was allowed leeway to skip classes and compete professionally.

The film ends on August 4, 2019. They had no idea what was about to happen in December 2019. In 2020, the vast majority of tennis events were cancelled due to the pandemic, so that's a potential topic to tackle in fic, I guess.

[lilyrizzy]

max & daniel's relationship, told through 13 years of max's google searches. thank you to @catofthecanals289 and @lajnias for reading through this for me!!! also on ao3

2010-2015

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IP: 109.237.220.159 Location: Zandvoort, Netherlands. 15th August 2011

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IP: 84.195.208.79 Location: Maaseik, Belgium. 17th August 2011

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2016

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IP Location: 173.176.160.149 Montreal, Canada. 12th June 2016

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IP: 195.78.0.67 Location: Monaco. 1st June 2017

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IP: 195.78.0.67 Location: Monaco. 3rd August 2018

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IP: 195.78.0.67 Location: Monaco. 3rd December 2018

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IP: 195.78.0.67 Location: Monaco. 25th December 2018

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IP 162.89.0.47  Location Austin, TX, United States of America. 1st November 2019

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2nd November 2019

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3rd  November 2019

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IP: 34.95.186.29 Location: São Paulo, Brazil. 14th November 2019:

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IP: 217.164.96.105 Location: Abu Dhabi United Arab Emirates, 1st December 2019

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IP: 84.192.119.8 Location: Hasselt, Belgium. 21st December 2019:

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24th December 2019

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31st December 2019

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2020

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18th April 2020

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20th April 2020

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IP 46.17.160.235 Location: Silverstone, United Kingdom. 5th August 2020

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IP: 46.179.240.255 Location: Spa, Belgium. 28th August 2020.

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IP: 82.113.214.148 Location: Monza, Italy. 9th September 2020

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IP: 87.183.156.211 Location: Nürburg, Germany. 11th-12th October 2020.

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IP: 195.78.0.67 Location: Monaco. 18th March 2020

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IP: 84.195.208.79 Location: Maaseik, Belgium. 21st December 2020

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2021

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IP: 37.143.177.64 Location: Styria, Austria. 28th June 2021

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IP: 46.17.160.235 Location: Silverstone, United Kingdom. 18th July 2021

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& 2023

“Max,” Daniel calls to him from the bedroom, just as he is rinsing the shampoo from his hair. Not wanting shampoo in his eyes or his mouth, Max keeps them all firmly shut.

“Baby?” Daniel says again, louder.

The warm water is a gentle relief running over his sweat sticky skin, nowhere near the scalding temperatures Daniel sets their shower to at home. It’s why Max had insisted that they clean off separately, the Austin heat far too much for Max to endure boiling water too, despite Daniel’s pouting and dramatic insistence that Max couldn’t just ‘fuck and flee.”

“Yes,” he calls when all the suds are safely sliding past his shoulders, but he didn’t need to shout. When he opens his eyes he sees Daniel leaning against the doorway with a smirk, still wearing his unbuttoned satin shirt, cowboy hat and nothing else. His wedding ring sits heavy on his finger, and Max thumbs over the matching one on his own hand.

Max’s come is a shiny presence he can still see smeared between Daniel’s thighs.

The sight of him makes Max’s dick twitch. Daniel notices and his grin only widens.

“Baby,” he says again, too sweet. “Baby, why is your most recent Google search is it weird that my husband saying yeehaw makes me come?”

And just like that, Max suddenly longs for a hot shower, an excuse for why his cheeks start to burn red.

“Why are you snooping through my phone?” He demands, forcing himself not to turn away casually and instead keep rubbing the hotel’s own body wash under his armpits.

“I wasn’t snooping,” Daniel says easily, “I was looking to get us some ribs delivered, my phone died at the track, remember?”

Max makes a noncommittal noise because vaguely he does remember Daniel saying he needed to put it on charge. That was before Max started pawing at him the moment the hotel door shut behind them though, and then it had been forgotten by both of them.

There’s just the noise of the extractor fan whirring for a moment, but Daniel doesn’t move. When Max sneaks a glance at him, he’s still leaning against the door frame looking amused.

“Sooo.” He drawls out the word in the stupid Texas accent that Max wishes he didn’t find so strangely sexy. “Are we going to talk about this, little lady, or-“

“Nope,” Max says firmly, turning off the shower.

Daniel nods. It makes the lights of the bathroom catch on his chain and Max- Max really wants to fuck him again.

“What about the one below it?” He asks, “Daniel Ricciardo Austin 2023 photos?”

“Nope,” Max says again, stepping out of the shower and reaching for his towel. He’s smiling now too, because he knows that beneath Daniel’s teasing that one will have made him happy to see.

“Okay,” Daniel says, then he unlocks Max’s phone. “What about how to ask my husband to-“

“Daniel,” Max interrupts, taking the phone from his hand and putting it into the empty sink. “Do you want to read more of my internet history, or do you want to get back on the bed and play good cowboy, bad cowboy again?”

Daniel grins, takes the cowboy hat from his head and puts it onto Max’s. When his arms wind around Max, the silky fabric of his shirt presses cool against Max’s shower-warm skin, his nipples.

“Well, when you put it like that,” Daniel says, leaning in to put his mouth on the skin just beneath Max’s ear. “Yeehaw, baby.”

Max laughs and pinches Daniel’s ass, at the same time as his dick twitches again. Backing him out of the bathroom, towards the bed, his phone is forgotten in the bathroom.

Google never had all the answers when it came to them, anyway.

[girlactionfigure]

The @UN created an exhibit dedicated to all terror victims worldwide, without including a single Israeli victim of terrorist violence.

To highlight the blatant absurdity of the UN, here’s an incomplete list of terror attacks against Israelis, by decade:🧵 

2020s

1. April 7, 2022 Tel Aviv Shooting - Casualties: 3 people killed, 6 injured - Group Responsible: Palestinian Islamic Jihad

2. November 23, 2022 Jerusalem Bus Bombing - Casualties:2 people killed, 18 injured - Group Responsible: Hamas 

3. October 7, 2023 Massacre - Casualties: Over 1,200 people killed, thousands injured, and many taken hostage - Group Responsible: Hamas, along with several other Palestinian terror groups. 

2010s

5. March 11, 2011 Itamar Attack - Casualties: 5 members of the Fogel family killed (parents and 3 children) - Group Responsible: Two Palestinian attackers, later linked to the Popular Front for the Liberation of Palestine (PFLP)

6. March 23, 2011 Jerusalem Bus 74 Bombing: - Casualties: 1 person was killed, 30 injured. - Group Responsible: Hamas.

7. November 18, 2014 Har Nof Synagogue Massacre - Casualties: 6 Israeli and 1 Druze killed - Group Responsible: Two Palestinian attackers, praised by Hamas

8. June 8, 2016 Tel Aviv Sarona Market Shooting: - Casualties: 4 people were killed. - Group Responsible: ISIS. 

2000s (Second Intifada)

9. June 1, 2001 Dolphinarium Discotheque Bombing - Casualties: 21 people killed, over 100 injured - Group Responsible: Hamas

10. August 9, 2001 Sbarro Restaurant Bombing - Casualties: 15 people killed, over 130 injured - Group Responsible: Hamas

11. January 17, 2002 Bat Mitzvah Massacre: - Casualties: 6 people killed, 33 injured.  - Group Responsible: al-Aqsa Martyrs' Brigades.

12. March 2, 2002 Yeshivat Beit Yisrael Massacre: - Casualties: 11 people, including 7 children, killed. - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

13. March 9, 2002 Café Moment Bombing: - Casualties: 11 people killed. - Group Responsible: Izz ad-Din al-Qassam Brigades (Hamas).

14. March 27, 2002 Park Hotel Massacre - Casualties: 30 people killed, 140 injured - Group Responsible: Hamas

15. November 15, 2002 Hebron Shooting Attack - Casualties: 12 Israeli soldiers and security personnel killed - Group Responsible: Islamic Jihad

16. November 21, 2002 Kiryat Menachem Massacre: - Casualties: 11 people killed. - Group Responsible: Hamas.

17. January 5, 2003 Tel-Aviv Central Bus Station Massacre: - Casualties: 23 people killed, over 100 injured.  - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

18. March 5, 2003 Haifa Bus 37 Suicide Bombing: - Casualties: 17 people killed, with most victims being students from Haifa University. - Group Responsible: Hamas.

19. May 18, 2003 French Hill Suicide Bombings: - Casualties: 5 people killed - Group Responsible: Hamas - Event: A suicide bomber disguised as a religious Jew detonated on a bus. A second bomber prematurely detonated, only killing himself.

20. August 19, 2003 Shmuel HaNavi Bus Bombing: - Casualties: 24 people killed including 7 children, 130 people injured.  - Group Responsible: Hamas.

21. September 9, 2003 Tzrifin Bus Stop Attack and Café Hillel Bombing: - Casualties: 14 people killed - Responsible Group: Riyad-us Saliheen Brigade of Martyrs - Event: Two Palestinian suicide bombings occurred within hours of each other; one at a crowded bus stop near Tel Aviv, the other at a popular Jerusalem nightspot.

22. October 4, 2003 Maxim Restaurant Bombing: - Casualties: 21 people killed, over 60 injured.  - Group Responsible: Islamic Jihad.

23. December 25, 2003 Geha Interchange Bus Stop Bombing: - Casualties: 3 people killed - Responsible Group: Popular Front for the Liberation of Palestine (PFLP)

24. March 14, 2004 Ashdod Port Attack: - Casualties: 10 people killed, over 23 injured. - Responsible Group: Hamas and Farah.

25. August 31, 2004 Beersheba Bus Bombing: - Casualties: 16 people killed, over 100 injured - Responsible Group: Hamas.

26. February 24, 2005 Stage Club Bombing: - Casualties: 5 people killed, over 50 injured. - Responsible Group: Hamas. 

1980s - 1990s

27. 1987-1993 First Intifada - Casualties: Hundreds of Israelis, both civilians and soldiers, killed over 1,400 injured - Group Responsible: Various Palestinian groups including Hamas and Islamic Jihad

28. October 19, 1994 Dizengoff Street Bus Bombing - Casualties: 22 people killed, 50 injured - Group Responsible: Hamas

29. January 22, 1995 Beit Lid Suicide Bombings - Casualties: 21 Israeli soldiers and 1 civilian killed, over 60 injured - Group Responsible: Islamic Jihad

30. July 30, 1997 Mahane Yehuda Market Bombings - Casualties: 16 people killed, 178 injured - Group Responsible: Hamas 

1970s

31. May 22, 1970 Avivim School Bus Massacre: - Casualties: 12 people, with 9 victims being children. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

32. May 30, 1972 Lod Airport Massacre - Casualties: 26 people killed, 80 injured - Group Responsible: Japanese Red Army, in collaboration with the Popular Front for the Liberation of Palestine (PFLP)

33. September 5-6 1972 Munich Olympics Massacre - Casualties: 11 Israeli athletes and coaches killed - Group Responsible: Black September (Palestinian terrorist group)

34. April 11, 1974 Kiryat Shmona Massacre: - Casualties: 18 people killed with 8 victims being children, over 16 wounded. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

35. May 15, 1974 Ma'alot Massacre - Casualties: 31 people, including 22 schoolchildren, killed. - Group Responsible: Democratic Front for the Liberation of Palestine (DFLP)

36. July 4, 1975 Zion Square Massacre: - Casualties: 15 people killed, 77 wounded. - Responsible Group: Palestinian Liberation Organization (PLO).

37. March 11, 1978 Coastal Road Massacre - Casualties: 38 Israeli civilians killed, 71 injured - Group Responsible: Fatah (a faction of the Palestine Liberation Organization) 

1950s and 1960s

38. Fedayeen Raids (1950s): - Description: A series of cross-border attacks by Arab militants (Fedayeen) from neighboring countries, targeting Israeli civilians and military personnel. These raids included shootings, bombings, and infiltrations, leading to significant Israeli casualties.

38. March 17, 1954 Ma'ale Akrabim Massacre: - Casualties: 11 Israeli civilians killed - Description: A bus traveling from Eilat to Tel Aviv was ambushed by Palestinian militants who shot and killed most of the passengers.

39. November 23, 1964 Latrun Convoy Attack: - Casualties: 11 Israeli civilians killed - Description: A civilian convoy was ambushed by Palestinian militants near Latrun, resulting in multiple deaths.

End 🧵 

The Persian Jewess

@persianjewess

[likeadevils]

1989 Timeline

This is a very long post that puts all the songs on 1989 in order of Taylor creating them. I’ve also included a few other songs she worked on while writing 1989 and quotes from Taylor and her collaborators talking about her process

Of all the albums in Taylor's discography, I think this is the one that improves the most when you listen to it in order. All of those things Taylor was talking about in the promo for this album-- how this is an album of her coming into her own, figuring out her values, learning to stand on her own two feet-- it all clicks into place. Listening to it in order has made me cry on more than one occasion, and it's also the thing that made me start this whole crazy process of figuring out the dates she wrote each song.

If you don't want to read the whole post, check out this playlist of the album in order or this playlist of her entire discography.

I’ve also added this color coded scale of how sure I am of the date: 

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based on guesswork and is highly likely to change, or, all that is known is the general season.

Unknown: All that is known is the year (from the US Copyright Offices)

Without further ado...

Oct 6, 2012: Taylor seems to have been in a studio in London (Note: I have no idea where this photo comes from and I can not find a place that specifies if this is a music studio or radio interview.)

This Love: Oct 17, 2012 (Confirmed)

October 19, 2012: Taylor mentions wanting to work with Imogen Heap, prompting Imogen to get in touch with Taylor

Time Interview: Who’d be your dream collaboration, especially now that you’re taking more musical risks? Let me think. Imogen Heap! She’s amazing. Taylor: Someone asked me in an interview "Who would you like to work with?" and I said Imogen Heap. I get an email to my management, sent like "Imogen just saw that Taylor just said an interview that she would like to work together" She said "Why don't you come out to my studio." Imogen: I got a phone call [in 2014] saying Taylor Swift was in London, she'd love to work with me and the only date she could do (between 4 sold out 02 arenas!) was the day after we got back, Sunday. It was both unexpected and not at the same time as I'd heard Taylor was a fan a while back via this Time magazine piece but somehow didn't think it would actually happen.

Fall 2012: Taylor possibly writes a song with Harry Styles and Jacknife Lee (her producer for The Last Time).

Jacknife Lee: “It was out of my field of expertise and interest, but I was intrigued and my girls were thrilled. Taylor was nice and very professional. She knew what she wanted and there was no fucking about. She was seeing Harry Styles at the time, so he came to Topanga on her recommendation. She wrote a few songs with him, and it was the same thing – quick. But this time it was more directed by the management and label. They were after something specific. I wanted more acoustic and gentle, almost Americana, and they wanted bombast. They got what they wanted, and that was the extent of my foray into teen-pop territory. It was fun.”

All You Had to Do Was Stay: Jan 10, 2013 (Confirmed)

Taylor is photographed outside Conway, and then tweets "Back in the studio. Uh oh..." Later, Taylor confirmed that she was recording All You Had To Do Was Stay. Taylor: I had a dream that my ex showed up at my door, knocked at my door, and I opened it up, and I was about ready to launch into the perfect thing to say [...], Instead, all that would come out of my mouth was that high-pitched chorus of people singing, 'Stay!'...and then you go to say something else, and it's just like 'Stay! Stay! Stay!' And I woke up, I was like 'Oh, that was mortifying. But that's kind of a cool vocal part.'

January 11, 2013: Taylor is photographed outside Conway again

How You Get The Girl: Jan 15, 2013 (Confirmed)

Taylor posts a picture of her playing a guitar in the studio, captioned "Somewhere in LA..". Later, Taylor confirmed that she was recording How You Get The Girl. Given what was going on in her personal life, she likely wrote this sometime in the fall/winter of 2012, but all we know for sure is the date she recorded it.

February 9, 2013: Tweets "Grammy rehearsals last night, studio today, who knows what tonight holds! (I do. Laying around watching TV and eating candy.)"

March 6, 2013: Taylor is photographed outside a studio in LA

March 23, 2013: Posts a picture of her playing guitar captioned "Pre show. Columbia, South Carolina"

I Wish You Would: May 28, 2013 (Inferring)

Taylor is photographed out for lunch in Rhode Island with Lena Dunham and Jack Antonoff on May 27, before leaving for her show in Phoenix, Arizona the next day Taylor: "Max Martin and [Karl Johan] Shellback [Schuster] were the last people I collaborated with on [2012 album] Red, and I wished we could have done more and explored more. So going into this album, I knew that I wanted to start with them again. Then I thought, “Wouldn’t it be amazing to work with Ryan Tedder?” And then I was with Jack Antonoff and Lena Dunham at the beach, and we started talking about our favorite ’80s music. All of this started happening organically, and I found myself gravitating toward pop sensibilities, pop hooks, pop production styles." Jack:  "We were hanging out at her house in Rhode Island and we were talking about John Hughes movies, and a lot of the music that inspired [them], and just this general culture of sound in that time period that was really larger-than-life in an anthemic, positive way. These songs could be at the end of films that were really, really beautiful and said a lot. That actually ended up being a song called 'I Wish You Would' which is going to be on her album. We first worked on that song together and realized we kind of have a good thing. Taylor: “This is a song I did with Jack Antonoff, and Jack is one of my friends and so we were hanging out and he pulled out his phone and goes "I made this amazing track the other day. It's so cool, I love these guitar sounds." And he played it for me and immediately I could hear this finished song in my head, and I just said "Please, please let me have that. Let me play with it, like send it to me" And so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called "I Wish You Would", because Jack wrote back and said "I love that".”

June 7, 2013: At the CMA fest, Taylor is asked if she's started writing for her next album yet

“It's starting, all the anxiety is starting and when the anxiety starts, then the writing happens right afterward, usually. Um, so, yeah, I basically... I like to, I like to write for about two years before I'm finished with an album because I... at this point I kind of know that whenever I write in the first year is going to get thrown away, because, I'm going to like it, but it's going to sound a little bit like the last project I had, and the second year usually ends up sounding like the next project. So I think at this point, at this point I feel like staying the same is the easy way to go but it's not the way that I want to go, creatively. I think you need to challenge yourself, I think you need to change up your influences, I think you need to be inspired by different things that you've been inspired by before, and, uh, y'know, It's harder to call people you don't know, and it's harder to think of topics you haven't covered and think of new ways to say old emotions that everyone feels, but, that's the goal at this point."

June 20-21, 2013: Taylor and Selena Gomez hang out, and Taylor potentially writes Wildest Dreams.

July 15, 2013: Taylor gives a brief interview to Rolling Stone

“The floodgates just opened the last couple weeks,” she says of the songwriting process. “I’m getting to that point where I’m irritating to be around because I’ll be with you for half the conversation and then the second half of the conversation I’m clearly editing the second verse of whatever I’m writing in my head.” “I really loved collaborating [on Red],” she says. “You work with a lot of different people and you find the people you have this dream connection with in the studio. I know those people and I know the ones I want to go back to. But I also have a really long list of the people I admire and I would really love to go and contact. So that’s kind of where that is.” “I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What’s the point? It’s so overwhelming that when you’re starting a project there are such endless possibilities if you’re willing to evolve and experiment. If you’re willing to become a different version of yourself, you can really go anywhere with it. And that’s kind of where I am. The kind of the laboratory experimental stage of really catching onto a new thing that I’m liking.”

July 18, 2013: Taylor unfollows the three backup dancers that left her tour for Katy's, meaning Bad Blood was likely written sometime between July and November 2013.

Sweeter Than Fiction: Summer 2013 (Speculation)

Taylor wrote this one over email, and then it was recorded in New York (partially in Jack's living room, partially in an actual studio)

August 25, 2013: Taylor and Selena Gomez hang out at the VMAs, and Taylor potentially writes Wildest Dreams.

August 25, 2013: Taylor gives a brief interview on the VMAs red carpet

"But I think [songwriting is] about to start to kick into full gear. I'm about to go into the studio. It's about to get really intense."

Out Of The Woods: September 14 2013 (Inferring)

On September 14, Fun cancelled their show. Taylor was likely either flying to or from Charlottesville, where she had a show for the Red Tour. Jack: "When I did the track for Out of the Woods, which is a Taylor song that I'm really proud of, there was some issue at a venue and our show was canceled that night and I didn't have my stuff, I had left it on the bus, so I only had these old samples on what was on my laptop, and caught up that 'oh oh'' thing, and I only had one drum kit on there, and these dumb little things [sometimes turn into a great song]" Jack: "So 'Out Of The Woods' was the third thing we worked on together, and probably the easiest. I sent her the track for it, and she sent back a voice note with the verse and chorus in what felt like five seconds. And it was just perfect. It's eerie how similar it is to what the final product is." Taylor: "This is a track that Jack Antonoff sent me, and I was actually on a plane, I got it and I got on a plane and I'm listening to it, and I'm just like listening to it and mumbling melodies cause the song came to me immediately like, in full [...] I think what I should start by playing you, is when I got the track, what I sent him like an hour later, and it is, me.. um, me singing what came to me, which ended up being the finished version of the song, or at least really close to it."

September 20, 2013: In a brief interview with USA Today, Taylor says she plans to work on her next album between the next few legs of the Red Tour

"I’ll be in the studio, figuring out what comes next. I really like to take two years to make a record, and I’ve been writing and doing stuff for the last year. This is kind of the year that it goes into overdrive, and it’s all I think about and I become obsessive over it and I’m hard to talk to"

September 22, 2013: Taylor gives an interview to New York Magazine where she talks about her plans for TS5

These days, Swift is thinking a lot about her next record. While on the Red tour, she’d been writing songs and stockpiling ideas: reams of lyrics, thousands of voice memos in her iPhone [...] she plans to spend much of 2014 writing and recording the new album, a prospect she finds exhilarating and terrifying. “I worry about everything. Some days I wake up in a mind-set of, like, ‘Okay, it’s been a good run.’ By afternoon, I could have a change of mood and feel like anything is possible and I can’t wait to make this kind of music I’ve never made before. And then by evening, I could be terrified of the whole thing again. And then at night, I’ll write a song before bed.” Swift hopes to collaborate with new songwriters and producers. But she planned to begin, she said, by heading back into the studio with Max Martin and Shellback. “I want to go in with Max and Johan first, just to figure out what the bone structure of this record is going to be. “I have a lot of things to draw from emotionally at the moment. But I have to draw from them with a different perspective than on Red. I can’t say the same things over and over, you know? I mean, I think it’s just all the more important that I don’t ever allow myself to coast. At the same time, there’s a mistake that I see artists make when they’re on their fourth or fifth record, and they think innovation is more important than solid songwriting. The most terrible letdown as a listener for me is when I’m listening to a song and I see what they were trying to do. Like, where there’s a dance break that doesn’t make any sense, there’s a rap that shouldn’t be there, there’s like a beat change that’s, like, the coolest, hippest thing this six months—but it has nothing to do with the feeling, it has nothing to do with the emotion, it has nothing to do with the lyric. I never want to put things in songs just because that might make them popular, like, on the more rhythmic stations or in dance clubs. I really don’t want a compilation of sounds. I just need them to be songs.”

September 28-October 5, 2013: Taylor and Selena Gomez are in the same city, and Taylor potentially writes Wildest Dreams.

October 12, 2013: Taylor gives an interview to the Associated Press

Swift: I think the goal for the next album is to continue to change, and never change in the same way twice [...] How do I write these figurative diary entries in ways that I’ve never written them before and to a sonic backdrop that I’ve never explored before? It’s my fifth album, which is crazy to think about, but I think what I’m noticing about it so far is it’s definitely taking a different turn than anything I’ve done before. AP: You said recently you’ve been working on songs for the new album for about six months. What can you tell us about what you have planned? Swift: It’s too early to tell who are going to be my predominant collaborators, but I do know that my absolute dream collaborators were Shellback and Max Martin on the last project. I’ve never been so challenged as a songwriter. I’ve never learned so much. I’ve never just been so excited to show up to the studio every day, just because you never know what we’re going to put together. I’ll bring in ideas and they’ll take such a different turn than where I thought they were going to go, and that level of unexpected spontaneity is something that really thrills me in the process of making music. ... What if we did this? What if we made it weirder? What if we took it darker? I love people who have endless strange and exciting ideas about where music can go."

October 14, 2013: At the NSAI, Taylor talks about reinventing herself for different albums

"I’m making my 5th record now, so I think you have to change things up, you have to explore different corners of music as much as you can. Cause I really, it’s been a big goal of mine to never make two albums that sounded the same. I really want my fans to be able to be like "Oh that song? Clearly that's from the Fearless album", "No that one, that one was from Red" and so I’m in the process of doing that thing all over again for my 5th album and it’s amazing to be in the studio and to be songwriting again, and be honored for songwriting tonight"

Blank Space: October 26, 2013 (Inferring)

It looks like she’s wearing the same outfit in this behind the scenes footage and these candids Taylor: "I was going into write with Max Martin and Shellback, who are two of the primary collaborators on 1989, and I... was preparing all these things, and I, I think Blank Space was like the third thing I played them, and they just stopped and they were like "NO, this is the first thing we're working on today." [...] I had the idea for the chorus and I had the hook, but a lot of the verse was gibberish." Taylor (On what song took her the least amount of time to write): "Blank space, cause I'd written a lot of the lines down already in the year preceding the session"

October 29, 2013: Tweets "Sitting in the studio writing the next album (!!!!) and wanted to thank you for the American Music Award nominations!"

November 1 : While promoting Keds, Taylor is asked about her next album

"What I go through is going to be the story that I tell. I think lyrically, I always try to tell my fans exactly what’s happened to me in the last two years, and that’s the thing they can expect. Everything else, they won’t be able to expect. Having been in the studio with this one, I’m just like… oh, this is going to be fun"

Bad Blood: Fall 2013 (Speculation)

The backup dancer drama seems to have kicked off in mid-July. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

New Romantics: Fall 2013 (Speculation)

Unfortunately, Taylor doesn't really talk about this song. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Wildest Dreams: Fall 2013 (Speculation)

Selena reportedly told a fan she was there when Taylor wrote this, and I've noted above all the times Selena could have been with Taylor in 2013 (Here's my personal ranking of how likely each date is). Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013.

Wonderland: Fall 2013 (Speculation)

Another one Taylor just doesn't talk about all that often. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Nov 20, 2013: Taylor posted "While in the studio, I came to the realization that my bangs are long enough to use as a sleep mask on long flights. Then I remembered I don't ever use sleep masks on flights. So really, I just need a haircut"

November 25, 2013: Taylor and Scott Borchetta have a meeting to talk about her plans for TS5 and are both asked about the next album at the AMAs

Taylor: “We got a lot already. There are probably seven or eight [songs] that I know I want on the record. It’s really ahead of schedule for me. I’m just stoked because it’s already evolved into a new sound, and that’s all I wanted. And I would have taken two years to make that happen, but it just kind of happened naturally, so that’s all I could really ask for.” Scott Borchetta: "Well earlier today we got together and she played me seven new songs, and she’s just on fire. The level of desire and passion that she has just to keep getting better, she’s an artist that just really never wants to just say ‘Well okay this is good enough’. It’s always gotta be better. She’s in amazing creative place right now." By the end of November, Taylor had likely recorded This Love, All You Had To Do Was Stay, How You Get The Girl, I Wish You Would, Out Of The Woods, Blank Space, Bad Blood, New Romantics, Wildest Dreams, and Wonderland. That’s 10 songs total, 5 of which were likely recorded in the past two months, and 7 that had been made since Taylor and Jack had their conversation about 80s music in May.

Dec 21, 2013: Taylor briefly talks to Billboard about TS5

"I’m really loving collaboration right now [...] I see it as a bit of an apprenticeship. I want to be around people who love writing songs and have done it for years. Every time I’m in a studio I’m learning, like how to build a drum track, and getting a new perspective on things. It’s so thrilling to keep learning on your fifth album. As soon as [an album] comes out I’m figuring out what the next one will be. It’s gotten to the point where each one is a reinvention, which is what I like best. I like it when it sounds new and people don’t know where you’re going to go next."

Say Don't Go: Jan 1, 2014 (Confirmed)

Diane Warren: Warren, who typically writes on her own, says the two of them “sat down and wrote the song […] from scratch” during the last few days of 2013. She remembers being impressed with how specific Swift was with her lyricism and how considerate she was about how her fans might receive it. “She was very particular about how she said certain things. It was a really interesting experience. She gets her audience [...] She’s deeply aware of how her fans want to hear something. I can’t explain it, but that’s probably why she’s the biggest fucking star in the world.” Several days after writing the song together, they got into Warren’s office to record a demo, where Swift played it on her acoustic guitar. “We demoed it on New Year’s Day. And I’m a workaholic, and that’s fine for me,” she says. “But I remember being impressed that she did, too. Everybody’s on vacation, but she showed up.”

You Are In Love: Jan 2014 (Inferring)

This song is copyrighted for 2014. Taylor has said a few times that Clean, Shake It Off, and Style were the last songs written for the album, meaning You Are In Love was likely completed in January or early February. Given Taylor's busy schedule in late January and early February, I'd guess this was written at some point in early January. Furthermore, I'd guess it was sometime after the 9th, when she returned from looking at house in New York.

I Know Places: Jan 22, 2014 (Confirmed)

Taylor: "I sent this voice memo to Ryan Tedder because I'd always wanted to work with him, and finally we scheduled some studio time. So I always wanna be prepared, I wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said "I can't stand that, I wanna work on something else, think of something else" So I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called "I Know Places" So this was the voice memo that I sent to him the night before we ended up finishing the song"

Welcome To New York: Jan 23, 2014 (Confirmed)

Ryan Tedder: "I thought we were going to walk in and start something from scratch because that's what I was used to. Then she calls me and says, 'Is it cool if I already have an idea?' I said, 'Sure.' She said, 'I have this song, I'm obsessed with New York and I just moved there, I want to write an ode to New York because no one's done it in a long time.' And then she sent me a voice memo. She's like, 'I want it to sound like 1980s.' So the next day I brought in a Juno-106, which is a very 1980s keyboard and I literally programmed that entire song right in front of her. It was very much on the fly, and that song was done in about three hours. And I did the rest of the production I think later that week. I was in Switzerland on a tour bus, and I did four versions of 'Welcome to New York,' one of which I liked personally more, but the thing about artists is they become very obsessed with the demo. She was in love with the demo so no matter how hard I fought, she brought it back to the demo, so really what you hear is what I did on the first day."

January 26 2014: Dianne Warren says that she recently wrote a song with Taylor

"I worked with Taylor Swift on a great song [...] I'm excited about the [song] that we did, it's pretty cool Dianne in 2016: “I know [Swift] likes it, so hopefully it will see the light of day. I know she really likes the song. She didn’t want me to give it away, so hopefully that means she wants it.”

January 26 2014: Taylor loses Album of the Year at the Grammy's to Daft Punk. She tells a few different stories about what the rest of the night looked like for her-- in some she goes home alone, in some she has some friends over-- but in all of them, this is the night where she decides that she's gonna name the album 1989, and she's not going to let her label tell her to put any country songs on it.

Clean: Feb 9, 2014 (Confirmed)

According to Imogen Heap's blog post, Taylor had the first verse and chorus by the time they got into the studio, and then wrote the second verse and bridge during the session. Taylor's part was wrapped up in 9 hours, ending at 8pm, while Imogen stayed up until 4am because she didn't want to stop working on it. Taylor: ""Shake It Off" and "Clean" were the last two things we wrote for the record, so it shows you where I ended up mentally. “Clean” I wrote as I was walking out of Liberty in London. Someone I used to date— it hit me that I’d been in the same city as him for two weeks and I hadn’t thought about it. When it did hit me, it was like, ‘Oh, I hope he’s doing well’. And nothing else. [...] The first thought that came to my mind was – I’m finally clean." Imogen Heap: I was really writing the tiniest amount just to help her do what she does. I put some noises to [“Clean”], played various instruments on it, including drums, and anytime she expressed she liked something I was doing, I did it more. It was a really fun day. She recorded all her vocals [for “Clean”] during that one session. She did two takes, and the second take was it. We always thought she would probably re-record it, because we thought it can’t possibly be that easy. But after we lived with it for a few months, we felt it was great.

February 15, 2014: Taylor posts "It was a studio Valentines Day with Max and Johan!"

Shake It Off: Feb 15, 2014 (Confirmed)

Lover Diaries (From Feb 22): "This week I’ve been in the studio with Max and Johan every day and it has been the most creatively successful and fulfilling time. The first day, Johan just made a really up tempo drum beat because we decided we needed something UP and light. We worked at it for a few hours before I just started singing “shake it off, shake it off.” And then the best way I know how to describe it is that the chorus just fell out of the sky. It ended up being this song about doing your own thing even though haters are gonna hate, and you just have to dance to your own beat. We all went home and I wrote the first and second verses and brought them in the next day. We wrote this chanty cheer leader bridge that I absolutely LOVE. We spent all day doing vocals and the next day recording background vocals. I think it’ll end up being the first single and Max said it’s his favorite song he’s ever been a part of." Taylor: "The problem was, I had all these lyrics, and I didnt have, like... writing session was coming up and I'm just like "I'm not getting a melody, I'm dead, I don't know what I'm gonna do." The thought terrified me, so I just sorta sulked into the studio and I was like "Guys, I have like an idea but its like, lyric, but I... and I know the vibe I want-- I want it to start off and the second the song starts, I want it to be the song where like, if it's played at a wedding, and there's this one girl who hasn't danced all night at the reception, all her friends come over to her and there like "You have to dance, come on, you have to dance on this one!". That's what I wanted. So I was like "Shellback, can you just go to the drum kit and try to play that?" Taylor: "There's one thing that I've always said to Max, is like "I don't like horns" I just always had a thing about it, I was always like weirdly scared of it, or intimidated by horns, I don't know what it was? It's a weird, like, nerdy studio fear of mine. I was like "No, no horns!" and I don't.. I don't even know, I don't have a reason for it, I love songs that have horns on them, I was just like "I don't think I can pull off horns." Strange. But, he goes over to the mellotron and he starts playing this horn sound. I'm like "What are you doing. Don't do that." and he's like, "No, I think this is cool" and I'm like "No it's not cool, and where are your chorus chords, because, that, you're just playing three chords over and over again and I can't make a chorus out of them, why don't you go to like a chorus chord that starts off the chorus, where is the one, like why don't you go--" and then there was this moment, where I thought of the whole chorus, and it's over the chords that I had just told him are not "chorus chords", which is a ridiculous thing to say."

February 18, 2014: Taylor is photographed entering Conway Studios

Style: Feb 19, 2014 (Confirmed)

Niklas Ljungfelt (guitarist): I played on “Style,” a song I started with Ali Payami for ourselves. He was playing it for Max Martin at his studio; Taylor overheard it and loved it. She and Max wrote new lyrics. But I recorded the guitar on it before it was a Taylor song. It was an instrumental. I didn’t have a clue that Taylor would sing on it. The inspiration came from Daft Punk and funky electronic music. Taylor: I'm pretty sure after we finished this one I knew the record was done. Shake It Off and Style were the last two songs to be written for 1989.

March 2014: Taylor's interview with Glamour is published (likely conducted two months beforehand)

TS: Working on this album has been unbelievable [...] I'm already in love with it. It's so different. CL: What's the new sound? TS: On Red I did three songs with Max Martin Shellback [...] I think we'll be doing a lot more than three songs together on the next album [Laughs].

March 26, 2014: Taylor is photographed entering a music studio in New York

"Slut!": 2014 (Unknown)

Taylor: The song “Slut!” is a song we wrote for 1989 and in it, I kind of cheekily play on the discussions at that time of my life around my dating life. And that’s not the only time on 1989 that I’d done that, I’ve done that on “Blank Space” and when I came down to having to pick songs for the album, I think I though, “Okay, well, I’m going to choose ‘Blank Space’” and, unfortunately, had to make some tough decisions in terms of what to put on the tracklist. But I love this song because I think it’s really dreamy. And I always saw 1989 as a New York album, but this song, to me, was always California, and maybe that was another reason it didn’t make the cut, because sometimes, thematically, I just had these little weird rules in my head. But I’m so happy it’s finally going to be something you guys hear, because I have always been proud of it, I’ve always wanted it to come out into the world and now it is, so yay!

Suburban Legends: 2014 (Unknown)

Taylor hasn't talked about this song, and it was produced by Jack Antonoff, who she didn't schedule time in the studio with in the same way she did with Max Martin and Shellback, so there's not a lot to work with.

Is It Over Now?: 2014 (Unknown)

Similarly to Suburban Legends, Jack produced this, so there's no obvious point in time to point to. She has spoken briefly about it though. Taylor: “Is It Over Now” is a song I wanted to end the album with because I think it’s kind of a fun play on words of like, “Is the album over now?” I always saw this song as sort of a sister to “Out Of The Woods” and “I Wish You Would,” I kind of saw those songs as similar, so, unfortunately, when we were making these decisions of what to put on 1989 and what to leave behind, I had to make some tough choices, and now it doesn’t matter anymore because you guys are going to hear all the songs. I’m so happy this song is out. I really love the “let’s fast forward to three hundred takeout coffees later,” that session, I just feel like head banging to every time it comes on. Hope you agree.

May 30, 2014: Taylor writes in her diary:

So a crazy story unfolded in the last 24 hours. Last night, I had this vivid dream where the photo I’d chosen for the album cover wasn’t good enough, intriguing enough, artful enough. It woke me up. I couldn’t shake it and it stayed with me all day. Because that nagging feeling I’d been pushing back for weeks was now confirmed in my gut … It wasn’t good enough. I went to the venue, mind racing, wondering if I’d have to do an entirely new photo shoot … I got to my dressing room with newer versions of the “cover.” I looked at it and felt nothing. The team pulled up this new scanned file of the Polaroids we had taken during the shoot. I saw within 10 seconds. The shot. The cover. It’s a Polaroid of me sitting against a beige wall with a blue seagull swear shirt on. You can see my red lips, but the photo cuts off my eyes. From some reason unknown to me, it’s the most intriguing photo I’ve seen. I think it’s the mystery of not seeing my eyes. Maybe it just looks effortlessly cool. The craziest moment came when something caught my eye. The cover photo is photo 13. I kid you not.

August 23, 2014: Taylor is photographed walking out of a studio in LA (Note: I can not find a place that specifies if this is a recording studio, dance, photography, radio, or television studio.)

Now That We Don't Talk: Summer 2014 (Speculation)

Seeing as Taylor said she didn't have time to figure out the production, I imagine this came fairly late in the process. Taylor has a habit of adding songs right up to the deadline-- with Folklore and Evermore, she added multiple songs a week before the album came out. The latest she added songs to albums while signed to Big Machine was September, though (both Forever & Always and So It Goes...), so I assume that's the absolute latest she could've added a song to 1989. Taylor: "Now That We Don’t Talk” is one of my favorite songs that was left behind, it was so hard to leave it behind, but I think we wrote it a little bit towards the end of the process and we couldn’t get the production right at the time. But we had tons of time to perfect the production this time and figure out what we wanted this song to sound like. I think it’s the shortest song I’ve ever had, but I think it packs a punch, I think it really goes in. For the short amount of time we have, I think it makes its point.

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

[nunan-neomuyeppeoseo]

Hihii I just wanted to ask how your doing and I wanted to drop a request in here !!

Top! Jeonghan x bttm! Male reader

[ ] I'm down bad for jeonghan it's not even funny anymore.

[ ] Ok so get this the reader and jeonghan are childhood bestfriends and they debut in svt together (already cute ik) so jeonghan is so madly inlove with the reader and spoils him endlessly and the reader can literally do anything and jeonghan would still look at him with the most adoration in his eyes the world has seen . And during Nana tour (you can watch it for free on dramacool) the fans literally see them all cuddly with eachother (they are normally too but it was even more ) and then fans like make cute posts about them and stuff (I forgot to add that they are in a relationship)

𝗁𝗂𝗂𝗂, 𝖨'𝗆 𝖽𝗈𝗂𝗇𝗀 𝗉𝗋𝖾𝗍𝗍𝗒 𝗐𝖾𝗅𝗅 𝗂𝗆 𝗁𝗈𝗉𝖾 𝗒𝗈𝗎𝗋 𝗀𝗈𝗈𝖽 𝖺𝗌 𝗐𝖾𝗅𝗅! 𝖨'𝗅𝗅 𝖺𝖽𝗆𝗂𝗍 𝖨'�� 𝖺𝗅𝗌𝗈 𝗏𝖾𝗋𝗒 𝖽𝗈𝗐𝗇 𝖻𝖺𝖽 𝖿𝗈𝗋 𝗃𝖾𝗈𝗇𝗀𝗁𝖺𝗇, 𝖨 𝗅𝗈𝗏𝖾 𝗒𝗈𝗎𝗋 𝗂𝖽𝖾𝖺 𝗌𝗈 𝗆𝗎𝖼𝗁 𝖺𝗇𝖽 𝖨'𝗅𝗅 𝖻𝖾 𝗌𝗎𝗋𝖾 𝗍𝗈 𝖼𝗁𝖾𝖼𝗄 𝗈𝗎𝗍 𝗍𝗁𝖾 𝖼𝗈𝗇𝖼𝖾𝗋𝗍 𝗐𝗁𝖾𝗇 𝖨 𝗁𝖺𝗏𝖾 𝗍𝗂𝗆𝖾!!

𝗲𝘃𝗲𝗻 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝗯𝗲𝗴𝗶𝗻𝗻𝗶𝗻𝗴 ── 𝗒𝗈𝗈𝗇 𝗃𝖾𝗈𝗇𝗀𝗁𝖺𝗇

𝖾𝗏𝖾𝗋 𝗌𝗂𝗇𝖼𝖾 𝗍𝗁𝖾𝗂𝗋 𝖿𝗂𝗋𝗌𝗍 𝗆𝖾𝖾𝗍𝗂𝗇𝗀, 𝗃𝖾𝗈𝗇𝗀𝗁𝖺𝗇 𝗐𝖺𝗌 𝖼𝗈𝗆𝗉𝗅𝖾𝗍𝖾𝗅𝗒 𝖾𝗇𝗋𝖺𝗉𝗍𝗎𝗋𝖾𝖽 𝖻𝗒 𝗆!𝗋𝖾𝖺𝖽𝖾𝗋, 𝖿𝗋𝗈𝗆 𝗁𝗂𝗌 𝗉𝖾𝗋𝗌𝗈𝗇𝖺𝗅𝗂𝗍𝗒 𝗍𝗈 𝗁𝗂𝗌 𝗅𝗈𝗈𝗄𝗌. 𝗃𝖾𝗈𝗇𝗀𝗁𝖺𝗇 𝗐𝖺𝗌 𝖼𝗈𝗆𝗉𝗅𝖾𝗍𝖾𝗅𝗒 𝖺𝗇𝖽 𝗎𝗍𝗍𝖾𝗋𝗅𝗒 𝗂𝗇 𝗅𝗈𝗏𝖾 𝗲𝘃𝗲𝗻 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝗯𝗲𝗴𝗶𝗻𝗻𝗶𝗻𝗴

○▹ 𝗂𝖽𝗈𝗅 𝗃𝖾𝗈𝗇𝗀𝗁𝖺𝗇 𝗑 𝖺𝖽𝖽𝖾𝖽 𝗆𝖾𝗆𝖻𝖾𝗋 𝗆!𝗋𝖾𝖺𝖽𝖾𝗋 (𝖿𝗍. 𝗋𝖾𝗌𝗍 𝗈𝖿 𝗌𝖾𝗏𝖾𝗇𝗍𝖾𝖾𝗇) 𝘄𝗰. 𝟧𝟢𝟩 𝘄. 𝗌𝗅𝗂𝗀𝗁𝗍𝗅𝗒 𝗒𝗈𝗎𝗇𝗀𝖾𝗋 𝗋𝖾𝖺𝖽𝖾𝗋 (𝟣𝟫𝟫𝟪 𝗅𝗂𝗇𝖾𝗋), 𝗃𝖾𝗈𝗇𝗀𝗁𝖺𝗇 𝖻𝖾𝗂𝗇𝗀 𝖽𝗈𝗍𝗂𝗇𝗀 𝖺𝗇𝖽 𝗌𝗆𝗂𝗍𝗍𝖾𝗇, 𝗀𝖺𝗒

Since the very beginning, Jeonghan had been struck by the beauty of the m!n. Despite the three-year age gap and the fact that m!n was male, Jeonghan couldn't help but feel captivated by his presence. To Jeonghan, m!n was one of the most mesmerizing individuals he had ever come across.

In 2013, Jeonghan joined Pledis at the young age of 17. Over the years, he had experienced fleeting crushes and even been in previous relationships. However, everything changed when m!n entered the picture in early 2014. Jeonghan realized that his feelings for m!n were much deeper than a simple crush. He found himself completely captivated by m!n, whether it was his radiant personality or his talents as an idol. It was as if m!n had ensnared Jeonghan's heart like a net, refusing to let go. Jeonghan didn't mind at all - he was happily captivated by this irresistible pull.

Later in their careers, after years of friendship and working together, Jeonghan finally mustered the courage to confess his feelings to m!n in early 2020. This confession coincided with the onset of the Covid-19 pandemic, adding an extra layer of uncertainty. Fortunately, m!n reciprocated his feelings, solidifying a new chapter in their relationship amidst the challenging circumstances. Their relationship only seemed to blossom to conscious touching to Jeonghan’ s bold displays of affection on and off camera, and although the couple never explicitly told fans their had their inklings especially when October 2023 rolled round along with their ‘NANA Tour’.

With the freedom of being a relationship within a group, Jeonghan didn’t have to worry about the headlines of his ‘out of character’ behaviour: especially with the fact he participated in skin ship with a lot of the younger members, however what did catch both fans and non fans attention was his actions towards the third youngest member. Sticking to him like glue, never letting m!n move to far away from him even if it was a few metres.

Jeonghan knew that his transformed self would inevitably attract a great deal of notice, but he had reached a point where he was unconcerned. He had finally found happiness, even though the relationship had to be kept under wraps. He was deeply in love, and for him, that was the most important thing.

Following the tour, fans were still pondering the topic of ‘Jeonghan & m!n’ compilation videos, along with ‘evidence’ proving their relationship. With clips spanning from that disastrous green room.             

Jeonghan's adoring gaze toward m!n was as if he believed m!n hung the moon, while m!n's look at Jeonghan conveyed a sense of finding his soulmate. This mutual admiration and connection between the two filled the fans' hearts with joy and contentment, two of the members finding solace in each other even if that means Jeonghan lets the younger of the two get away with anything causing even more fights in GOSE episodes, both the fans and the other members could live with little meaningless disagreements if it meant something much more meaningful would grow and flourish.