#180 posts

[rightnewshindi]

सुक्खू सरकार 180 पदों पर करेगी भर्ती, चयन आयोग जारी करेगा भर्ती परीक्षाओं का परिणाम; पढ़ें मंत्रीमंडल के फैसले

सुक्खू सरकार 180 पदों पर करेगी भर्ती, चयन आयोग जारी करेगा भर्ती परीक्षाओं का परिणाम; पढ़ें मंत्रीमंडल के फैसले #news #viral #trending #update #newspaper #breakingnews #currentaffairs #dailynews #newsletter #newspapers #newsupdate #People #Media #info

Himachal Cabinet Decisions: हिमाचल प्रदेश मंत्रिमंडल की बैठक शुक्रवार को मुख्यमंत्री सुखविंद्र सिंह सुक्खू की अध्यक्षता में आयोजित की गई। बैठक में कई बड़े फैसले लिए गए हैं। राज्य मंत्रिमंडल की बैठक में 780 ��ेगावाट की जंगी-थोपन-पोवारी जल विद्युत परियोजना को हिमाचल प्रदेश विद्युत निगम लिमिटेड को सौंपने को मंजूरी दी गई। बैठक में 1630 मेगावाट की रेणुकाजी तथा 270 मेगावाट की थाना प्लाउन पंप भंडारण…

[artist-rat]

quick existential crisis vibe check 👍

[hai-nae]

uno reverse

[astarionancuntnin]

shoutout to sassy traumatized vampires, gotta be one of my favourite genders

astarion + text posts (part 21)

[lorelxlz]

school commute in the rainn

[lupins-hehim-pussy]

[ ID in ALT ]

what's wrong with him (based on That Scene in the hit wriolette fanfic Love Will Find A Way, So Will Naked Mole Rats by noxetic)

[jkvjimin]

(180/∞) the perfect nose for butterflies to land on it ♡

[cynicallyneutral]

😘😘😘😘😘

[tickety-boooo]

S1 final camera angle

Ok I literally JUST woke up for the day and this is what was in my brain: the gomens brainrot runs deep. I have to write it out and I shall from the coziness of my bed on a rainy morning :D This is gonna be a longish one!

Been thinking about this thanks to @vidavalor's post. As a fandom we know that Crowley and Aziraphale always position themselves the same way: Zira on the left, Crowley on the right (from our pov).

But wait! What about that final scene at the Ritz? It ends with a zoom-out of the two continuing their conversation: From Behind.

Why did they film this perspective? It's odd given that the rest of the scene is shot from the other direction. It breaks the 180-Degree-Rule, which is a "rule" in filming that prevents confusion for the viewer about where the characters are and what the action is in the scene. If there's an imaginary line between two characters, the camera cannot pass over that line when filming because then the pov changes.

This zoom-out is an example of a "Reverse Cut", it's literally the opposite of what we've seen for the rest of the scene. So why? They could have zoomed out from the table in the other direction, maybe sending the camera through the window for a cool effect.

This is shot this way on purpose. This is like a private viewing for the audience. We aren't in the audience's position anymore, we're in Crowley and Aziraphale's position. The two continue their conversation, which we cannot hear, so it's still a private moment for them even though we're getting a glimpse of it. I have to go back and watch again to really find examples but I think this is the scene that confirms the idea that when in private, Crowley and Aziraphale break their position rule (whether through them physically moving, or by way of the camera and how the scene is filmed), implying that it is something they do for public appearance. Like with this scene, they're still obviously sitting down and in the same place, but now the audience is welcomed into their pov for a moment. We are now part of the positioning outwards to others.

@vidavalor wrote about a footstool near the couch in the bookshop that would put Crowley on the left (in our pov), and that's one of the earliest scenes in the show between the two of them where they are completely in private. Here are some more examples I can think of off the top of my head/ what gifs I could find to use xD

Calling out specifically any time they're in the car; Aziraphale never drives, so Crowley is ALWAYS on the left (our pov), and it's always a private moment between them, no one else around. Look at the scene where they arrive at the hospital and how they get out of the car. They both specifically walk to re-position themselves on the "proper" side. (I can't find a gif of the whole bit but this scene here:)

This scene also has a brief bit where they switch positions again; they're reminiscing about a personal memory, 1941 and the magic show (even though the audience wasn't aware of it yet before s2).

Actually the whole bit at the hospital is very involved with camera angles (it would merit its own post at some point for sure.)

Calling out the Wall Slam™ Crowley on the left, Aziraphale on the right, UNTIL they are interrupted by someone else and the scene is no longer private, and the camera flips position for the rest of the scene.

Also Rome. Oysters. This one's odd, there are two very brief reverse cuts in this scene.

And lastly, this key shot of them going to their respective offices. This one stands out to me because it's not a "private" moment between them, but it shows that their "public" position matches how they have to arrive at Heaven and Hell. Aziraphale and Crowley actively go out of their way to position themselves relative to one another in public in such a way to face Heaven and Hell. And in this shot, we get to be a part of their pov. We get to be on their side.

[cirrus-grey]

Maybe he wasn't. But-

maybe

Jon

was.

[pinknnight]

i didn’t get to voice my thoughts of the recent chapter, i was just waiting for the reception to calm down. with that being said, the way i see it denji is going through all the stages with his issues. first, denial when asa pointed out how what denji was doing was not a right or nomal response to pain, guilt & anger and now depression.

many assumed that “oh, them being stuck in this place is just gonna be like the aquarium arc, they’re gonna talk it out and asa will get them out” we forgot that the denji and asa now aren’t the same as they were before, both went through traumatizing events leading up to this (their dynamic has changed). they can still talk in future chapters we don’t know what fujimoto could do, but what makes this different to the aquarium arc is that yoru is here with them as well.

yoru, continues to acts as an unpredictable factor in the story that's constantly terrorizing both asa & denji. i love the characterization with yoru in these recent chapters, we see her gain power and control in a situation, only to lose it and goes back to this pathetic being. once she loses that power, she tries to regain that semblance of power and control by taking out her frustration towards denji (hurting and kissing him) . what i’m still wondering is what is causing her to kiss denji (it is bc of asa’s feelings? is kissing him a way for her to find the one thing she can control/own in a world where she has no control?? her own feelings? or all three?) anyways much to think about, because it’s such a body horror-esque concept in regards to asa’s character and what could it mean for her and for future chapters.

i also want to point out, yoru refers to denji as "chainsaw man" consistently throughout the whole exchange & if we go to the direction of her trying to regain that power and control she lost by owning denji? it’s so much to think about because we are literally introduced to her character bc she became weak due to Pochita.

i can’t help but be interested in the distressing dynamic with yoru and denji. denji thinks sex as a way to be cared for and that’s how he coped with for so long that he’s at a point where he thinks being stuck in this world is a form of punishment, and combine that with yoru using asa’s body to kiss and harm him to cope with this loss of power and control in an uneasy environment where people turn to trees ,, it’s a recipe for disaster that i still can’t help but wait for future chapters to analyze them.

also, i saw some people voice their concerns with asa’s character. seeing people say “when will we see asa’s breakdown!?” i understand bc yoru is doing all these harmful transgressions towards asa’s own body and we don’t see her thoughts of it? i’m still holding onto hope we will see more introspection from her especially in this new setting bc last time we were interrupted by asa’s hunger. i found it interesting whenever anything catastrophic occurs in csm, many ppl on twitter always pull that panel of asa’s dream. so many people are waiting to know what is the darkness in her dream and fujimoto keeps teasing us with it. it’s his way of telling us “ik you guys are waiting to delve into that but we’re not there yet!” it makes me think when is it enough for her, fujimoto!! but alas, we must be patient and hope the wait was worth it.

[daguerreotyping]

Daguerreotype of a gentleman with an artfully tied blue silk cravat, c. 1840s

[priestofberath]

one funny thing about the book of bill is the sudden shift in fanon bill cipher characterization i'm seeing on here. everyone read the book and collectively thought "oh he's like, spamton levels of divorced"

[royalarchivist]

Mariana: Pendejo, my English is bad, no–

Roier: [Lying] Tubbo, Mariana wants to talk with you in English because he wants to practice

Mariana: No, he's fcking me—

Hannah: LITERALLY???

Forgetting 1 word in a sentence can sometimes change its entire meaning (poor Mariana 🥲)

[truefandemonium]

I’m not sorry but I’m gonna stop being quiet about my favorite Arcane ship here goes

JINXTOR

ahem thank you. Anyone who doesn’t ship them, no need to read further :)

Also I KNOW THAT LOGISTICALLY THIS SHIP DOESN’T MAKE SENSE and I DO NOT CARE

I’m actually so so thankful to whatever animator was in charge of Isha’s design because I know that despite it not making any logistical or timeline sense, it encourages me shipping Vinx a thousandfold.

Because look at them:

The big golden eyes.

The tooth gap.

TELL ME SHE ISN’T THE SPITTING IMAGE OF BOTH JINX AND VIKTOR

(In the delusional fantasy world I live in,) Isha is the illegitimate love child of Viktor and Jinx

Beautiful happy family 🥰 (let me pretend)

[dukeofthomas]

why does every reconciliation fic go like this