#180 posts

[rightnewshindi]

सुक्खू सरकार 180 पदों पर करेगी भर्ती, चयन आयोग जारी करेगा भर्ती परीक्षाओं का परिणाम; पढ़ें मंत्रीमंडल के फैसले

सुक्खू सरकार 180 पदों पर करेगी भर्ती, चयन आयोग जारी करेगा भर्ती परीक्षाओं का परिणाम; पढ़ें मंत्रीमंडल के फैसले #news #viral #trending #update #newspaper #breakingnews #currentaffairs #dailynews #newsletter #newspapers #newsupdate #People #Media #info

Himachal Cabinet Decisions: हिमाचल प्रदेश मंत्रिमंडल की बैठक शुक्रवार को मुख्यमंत्री सुखविंद्र सिंह सुक्खू की अध्यक्षता में आयोजित की गई। बैठक में कई बड़े फैसले लिए गए हैं। राज्य मंत्रिमंडल की बैठक में 780 मेगावाट की जंगी-थोपन-पोवारी जल विद्युत परियोजना को हिमाचल प्रदेश विद्युत निगम लिमिटेड को सौंपने को मंजूरी दी गई। बैठक में 1630 मेगावाट की रेणुकाजी तथा 270 मेगावाट की थाना प्लाउन पंप भंडारण…

[hai-nae]

uno reverse

[astarionancuntnin]

shoutout to sassy traumatized vampires, gotta be one of my favourite genders

astarion + text posts (part 21)

[lorelxlz]

school commute in the rainn

[lupins-hehim-pussy]

[ ID in ALT ]

what's wrong with him (based on That Scene in the hit wriolette fanfic Love Will Find A Way, So Will Naked Mole Rats by noxetic)

[cynicallyneutral]

😘😘😘😘😘

[cirrus-grey]

Maybe he wasn't. But-

maybe

Jon

was.

[daguerreotyping]

Daguerreotype of a gentleman with an artfully tied blue silk cravat, c. 1840s

[priestofberath]

one funny thing about the book of bill is the sudden shift in fanon bill cipher characterization i'm seeing on here. everyone read the book and collectively thought "oh he's like, spamton levels of divorced"

[dukeofthomas]

why does every reconciliation fic go like this

[tickety-boooo]

S1 final camera angle

Ok I literally JUST woke up for the day and this is what was in my brain: the gomens brainrot runs deep. I have to write it out and I shall from the coziness of my bed on a rainy morning :D This is gonna be a longish one!

Been thinking about this thanks to @vidavalor's post. As a fandom we know that Crowley and Aziraphale always position themselves the same way: Zira on the left, Crowley on the right (from our pov).

But wait! What about that final scene at the Ritz? It ends with a zoom-out of the two continuing their conversation: From Behind.

Why did they film this perspective? It's odd given that the rest of the scene is shot from the other direction. It breaks the 180-Degree-Rule, which is a "rule" in filming that prevents confusion for the viewer about where the characters are and what the action is in the scene. If there's an imaginary line between two characters, the camera cannot pass over that line when filming because then the pov changes.

This zoom-out is an example of a "Reverse Cut", it's literally the opposite of what we've seen for the rest of the scene. So why? They could have zoomed out from the table in the other direction, maybe sending the camera through the window for a cool effect.

This is shot this way on purpose. This is like a private viewing for the audience. We aren't in the audience's position anymore, we're in Crowley and Aziraphale's position. The two continue their conversation, which we cannot hear, so it's still a private moment for them even though we're getting a glimpse of it. I have to go back and watch again to really find examples but I think this is the scene that confirms the idea that when in private, Crowley and Aziraphale break their position rule (whether through them physically moving, or by way of the camera and how the scene is filmed), implying that it is something they do for public appearance. Like with this scene, they're still obviously sitting down and in the same place, but now the audience is welcomed into their pov for a moment. We are now part of the positioning outwards to others.

@vidavalor wrote about a footstool near the couch in the bookshop that would put Crowley on the left (in our pov), and that's one of the earliest scenes in the show between the two of them where they are completely in private. Here are some more examples I can think of off the top of my head/ what gifs I could find to use xD

Calling out specifically any time they're in the car; Aziraphale never drives, so Crowley is ALWAYS on the left (our pov), and it's always a private moment between them, no one else around. Look at the scene where they arrive at the hospital and how they get out of the car. They both specifically walk to re-position themselves on the "proper" side. (I can't find a gif of the whole bit but this scene here:)

This scene also has a brief bit where they switch positions again; they're reminiscing about a personal memory, 1941 and the magic show (even though the audience wasn't aware of it yet before s2).

Actually the whole bit at the hospital is very involved with camera angles (it would merit its own post at some point for sure.)

Calling out the Wall Slam™ Crowley on the left, Aziraphale on the right, UNTIL they are interrupted by someone else and the scene is no longer private, and the camera flips position for the rest of the scene.

Also Rome. Oysters. This one's odd, there are two very brief reverse cuts in this scene.

And lastly, this key shot of them going to their respective offices. This one stands out to me because it's not a "private" moment between them, but it shows that their "public" position matches how they have to arrive at Heaven and Hell. Aziraphale and Crowley actively go out of their way to position themselves relative to one another in public in such a way to face Heaven and Hell. And in this shot, we get to be a part of their pov. We get to be on their side.

[spampai]

Inside Out Concept Art

Read from right - - - > left :)

Time taken: Saturday, 7 Sept 2024- Friday, 13 Sept 2024 (I am astonished).

Okey y’all REALLY asking for more hehe funny lil’ movie, so I deliver more hehe funny lil’ movie + more effort + more content :)

Lots of changes from the previous post (well not really) but I got to see their anatomy more and familiarize myself with it so have it at that ;)

[deoidesign]

I'll either succeed or I'll learn trying

[eridude]

johnkat is very funny to me

[royalarchivist]

Mariana: Pendejo, my English is bad, no–

Roier: [Lying] Tubbo, Mariana wants to talk with you in English because he wants to practice

Mariana: No, he's fcking me—

Hannah: LITERALLY???

Forgetting 1 word in a sentence can sometimes change its entire meaning (poor Mariana 🥲)

[brother-emperors]

CARRION EATER

this is some kind of standalone idea. the original version was much more goofy, crassus was going to cover up pompey's mouth and say, 'no, no. he's got a point. let him speak,' and then pompey was going to bite his hand and say, 'you're not even supposed to BE here.'

then I read a review about a staging of julius caesar that sounded like it got REALLY mean (because it involved improv since it seemed like the intention was supposed to be interactive with the audience) and decided to add some teeth into it.

(also yes, I broke the 180 rule. it’s fine. usually I try to include panels that show characters walking around when I do that, but this comic was a standalone, so instead pretend that I’m spinning the theoretical cameraman around on an office chair or something. or that the camera is a ghost.)

also because titling something Carrion Eater and then NOT having it get a little mean and nasty in the dialogue seemed. like a waste.

eventually, I'll figure out a design for lucullus that I like, I keep wanting to draw other characters when I draw him, so he might need a new hairstyle.

ONWARDS! this is playing off of this scene

To this Lucullus retorted that Pompey was going forth to fight an image and shadow of war, following his custom of alighting, like a lazy carrion-bird, on bodies that others had killed, and tearing to pieces the scattered remnants of wars. For it was in this way that he had appropriated to himself the victories over Sertorius, Lepidus, and the followers of Spartacus, although they had actually been won by Metellus, Catulus, and Crassus. Therefore it was no wonder that he was trying to usurp the glory of the Pontic and Armenian wars, a man who contrived to thrust himself in some way or other into the honour of a triumph for defeating runaway slaves.

Plutarch, Pompey 31

the romans are fightingggggg 🍿🍿🍿

finally, the painting panel is taken from Giovanni Battista Tiepolo's The Triumph of Marius (through the Met's Open Access/Public Domain use policy etc)

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost