#12/10 choice right there

[harbingerofsoup]

daniel really is the number one freak of iwtv because he’s Like That™ as a human, the rest of these freaks at least got vampirism as an excuse for their freakishness

[iliveinprocrasti-nationn]

one thing abt being disabled/chronically ill that some people don’t get is that sometimes body maintenance that ensures you have the absolute minimum amount of function can also be something that takes away a lot of control and autonomy. you can argue till the cows come home that making those decisions to try and help yourself (or realistically to try to make sure things aren’t worse than they already are) is something that exhibits control and autonomy and stuff, but they can be so limiting in practice because they’re things that take up so much time but have to be done to do anything else

[thenotoriousscuttlecliff]

One of the problems with the 13th Doctor is that Chibnall and the other writers saw them as being like 10 or 11, an eccentric, quirky, hyper active adventurer who quickly rattles off technobabble explanations and witty lines at an inhumane speed, but I don't think that really suited Jodie's acting style and so when they gave her typical 10 and 11 lines they come across as awkward and stilted (Chibnall lacking his predecessors gift for dialogue didn't help either). It just never felt like the writers were able to tailor the Doctor to fit Jodie's performance. From what I've read in interviews it does just sounds like Chibnall was expecting Jodie to do a lot of the heavy lifting in creating the character like many previous actors had done, but she just played the part as written.

[doctor-who-binge]

Davros speaking to 10: The Doctor, the man who keeps running never looking back, because he dare not, out of shame, this is my final victory Doctor

..... This face coming back, is it perhaps The Doctor finally looking back? Mature enough to handle pride and shame equally.

[thebadtimewolf]

why r u so mad about ppl preferring ten x madame de pompadour to ten x martha like ten/martha will never be a thing. ten don’t want anything to do with martha. he literally said to her face she wouldn’t replace rose… and she never did… isnt canon enough for you

hm.

im glad im only a scorpio on this alone. if martha deserved better than ten then so do all of em but anyway:

this ask is giving 2006/07 i dont want to see tenth doctor in a romantic relationship with a person of color because i can't project myself or relate to them if they arent the very thing being catered to me ever since the silent pictures vibes. u know the same vibe when rtd was told to not regenerate 14 in 13's clothes. just. Ick.

but im not mad. its just interesting for a ship so big as tenrose, it is usually correlated with hating madame de pompadour and/or joan and/or river [though in joan's case they hate her not because shes racist but because shes not rose]

though comics tend to release to combat that in multi doctor stories where they jump through various alternate universes of themselves where the doctor sees themselves settled down with dr. grace holloway (for 8th dr multi doctor stories) and professor melody williams/river song (for 11th dr multi doctor stories) where in those cases, they are frightful of the concept settling down at all. [take note that both times, he settles down in the same house that he owns bc of that unit paycheck on the dl] so i am curious that with this new drs, the equivalent of this would be 13 14 15 being terrified of settling down with rose because they had grown past her as this point.

i prefer the doctor in a polyromantic ace relationship than their umpteenth 🌟tragic heteronormative romance with yt human woman number 23445788764443356743🌟 i want 14 to sweep martha off her feet in pure joy and kiss her passionately while badmouthing tf out of 10 like 9 11 12 13 do with no filter before cradling her like a baby because hes about to crumble under his brand new identity complex and then take her kid to an amusement park and then 14 trips over a brick and dies. hell i rather have nina sosanya play a whole different lady in nod to doctor who recycles their actors trope as a way to introduce a love interest to 14

that amusment park one weirdly sounds like a 8th doctor audio. pls 🙏🏾 dont make it into one i couldnt handle schezro let alone the rest of his content. Empire of the Wolf made me so fucking worried for rose marion tyler like im just she back home 🫣. as for rose tyler from the sea devil universe still out about. whoop his ass. if billie come back as HER? MISS COVER MODEL MISS DICTATOR MISS EMPRESS ROSE?

NOT

i would love for ten to be strictly friends with the new miss empress rose. get that martha karma real quick ehehehehe after all rtd did say they need freema for somethin and im sure seeing 10 get treated the same way he treated martha by no other than empress rose herself -AND THEN EMPRESS ROSE FLIRTS WITH MARTHA??? FINGERS CROSSED??? im just saying that i personally will ride on that for 8 black history months and christmases straight like woo

also real glad it is collectively decided by every one that tentoo is just john smith not corin so yay thanks big finish and titan comics

[anyroads]

What's interesting to me about this discourse is whether or not it holds any place for how many series have been cancelled without an opportunity for a satisfying conclusion because of the very producers the WGA is striking against? If you think writers don't want to finish telling their stories, then wow are you confused about why they do what they do. As opposed to the networks and the AMPTP who don't care about story for a second, they only care about the bottom line. If their threshold for a show is 3 million viewers and it's only got 2.8 million, then that show gets cancelled, and don't think for a second they think twice about the 2.8 million people who don't get to hear the rest of the story they've committed to. They don't.

The writers not only don't owe you their labor, but most of them WANT to finish telling you the story. It's just that if they don't get reasonable pay and healthcare, then they aren't able to. And the guy who could be telling you a story in five years won't even get a chance to start it. That's what they're fighting for.

The big discourse on twitter right now is that writers going on strike or cancelling their own series are breaking an invisible “contract” they made with their fans and all creators owe their fans a satisfying conclusion to their stories. Actually if a creator says “I don’t want to perform this labor anymore,” then regardless of the cliffhanger that leaves you with, your only response should be “take care! Thank you for all your hard work!!!” :)

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[ccsainzleclerc5516]

You’re My Baby Too

Pairing: Lando Norris x reader

Warnings: none

You'd think that the second pregnancy would be a breeze. You already know everything about how it goes, how to prepare, what to expect, but in your case, your second pregnancy was dreadful.

First trimester, horrible nausea, you spent half your time over the toilet with Lando holding your hair. Your baby boy was so much bigger than Isla it made your back hurt like crazy all the time, and the worst thing of all was that your baby boy didn't wanna come out.

You prayed you wouldn't give birth before Lando finished the season, so when the season ended you were relieved. But then your due date passed, and nothing happened. Then five days passed after your due date, nothing again. 10 days after your due date - the baby just doesn't wanna come out.

You were frustrated, exhausted, and tired of being pregnant. You just wanted to be able to see your feet again and be able to get up off the couch without Lando having to pull your hand.

"It's because you make such a good home for him he doesn't wanna come out, love." Lando tried to calm you down in a nice way, not even realizing that he irritated you with that because he's been saying that for the last 10 days and your nerves have become very thin hearing it.

"I swear, if you say that one more time.." You barked rolling your eyes at him while holding your still very pregnant belly.

"I'm sorry, I'll shut up.."

“Thank you.” You glared at him.

He didn't hold it against you for your brazen response because he understood that it had become too much for you. Lately, he's been walking on eggshells around you because everything has been annoying you, and he didn't want to be the one to contribute to that.

When the twelfth day passed since your due date, you realized that too much time had passed and you even started to worry a little that something was wrong. So Lando decided to take you to the hospital, where you very clearly told the doctor that you weren't leaving the place until you gave birth.

You thought that by some miracle, as soon as you stepped into the hospital, labor would start and you would just pop the baby out and everything would be over in less than two hours just like it was with Isla, but of course that wasn't the case with this baby.

"I think we have no other choice but to induce the labor." The doctor said.

"Okay, how long does it take?" You asked. "Is it like natural labor or?"

"Induced labor can last from a few hours to a few days, it depends. It's most often completed within 12 to 18 hours from the start of the procedure."

"Oh my God" You sighed in despair with tears in your eyes and Lando immediately squeezed your hand to offer you at least some comfort.

"Does it hurt more than a normal birth?" Lando was very concerned about how painful it would be for you. While you were giving birth to Isla, Lando was of course by your side, and even though it was much shorter and easier, he was still terribly shaken to see the pain you went through.

"I don't want to discourage you and scare you right from the start, but many women have said that induced labor is more painful."

And boy oh boy was it painful.

When they gave you the drip to induce contractions, that's when the real agony began. The drip makes contractions stronger and more frequent and you can't even begin to explain what you'd compare that pain to.

You were sweating.

Crying.

Gripping the sides of the bed and Lando's hand, which at one point you thought you were going to break.

You honestly felt like dying. What was supposed to be the most beautiful experience of your life was quickly turning into a nightmare.

Lando was heartbroken seeing you like this. He was putting cold compresses on you, hugging you, kissing you, comforting you, begging you to endure this.

"I'm so sorry baby, I wish I could go through this instead of you. I'm so sorry."

He didn't leave you for a second, except when you caught a 5-minute break from the contractions and managed to close your eyes for at least a moment and calm down. Lando said he had to go to the bathroom.

He lied actually. Instead he went to the hallway outside your room where his parents were patiently waiting. By the look on his face, Cisca and Adam could see that Lando was not well and that he himself was traumatized.

Lando didn't say anything, he just hugged Cisca and buried his face in her neck, soaking her shoulder with tears.

"I'm so fucking scared for her. It wasn't like this the first time." Lando cried quietly.

"Oh honey, y/n's going to be alright, I promise you. I know it doesn't seem like it right now, but soon this will pass and you'll be going home with your baby." Cisca comforted trying to lift his spirits. "Honey, you need to get yourself together, alright? She needs you right now and you need to be there for her."

When labor finally began after 14 long hours, you were running out of strength. You were so exhausted that you weren't sure if you would be able to push the baby out.

"Push y/n, push!" The doctor encouraged.

"I c-can't" You cried breathing rapidly. "Lando, I can't do it.."

"Come on baby, you can, I know you can. Just a little bit more and it's done, I promise. You've got this" He was pushing your hair out of your face, holding your hand, and holding your leg at the same time.

"Come on, push, push! I can see the head!"

Finally, the baby's cry was heard and soon the baby boy was on your chest. As soon as you saw him, all the pain instantly vanished.

He was so perfect. So worth it.

Lando couldn't contain his emotions as he rested his head on your shoulder, carefully observing his baby.

Later that day, when everything had calmed down, Lando was still there by your side. He couldn't be separated from you nor did he want to. His gaze shifted between you and the baby watching you both sleep peacefully.

He was tired too. He didn't really remember the last time he slept, but he knew you had it worse than him anyway, so he didn't even think of complaining.

"Lan?"

"Hey, love" His face lit up when you opened your eyes. When he saw you smile, it brought energy back to him. He took your hand and pressed a kiss to it. "Did you get some rest?"

"I did, why didn't you?" You asked him when you saw the huge dark circles under his eyes and the same clothes from the day before yesterday. "Baby, please go home, I know you're exhausted too."

"The only way I'm getting out of here is with you two."

You didn't want to argue with him because you knew it was pointless. You were just grateful that he was there and that he was yours.

"My pretty, pretty girl. I'm so proud of you." Lando said softly caressing your cheek and looking into your tired eyes. "I love you so much you know that, right?"

"I know, I can feel it. I love you too, so much." You say before kissing him. "Where are our kids?"

"This little guy is sleeping here without a care in the world."

"And Isla? She didn't come with your parents?"

"No, I told them not to bring her because I knew you'd get too emotional if you saw her, and I wanted you to rest as much as possible."

"You should've told them to bring her, I really miss her and I can't wait for her to meet her brother." You said, but you could still see the worry in Lando's eyes. "I'm fine, Lan, I promise."

"We're done with the kids. Our family is complete now."

"Lan.." You chuckled.

"No, I'm serious. I never want to see you go through so much pain again. It's been so hard to watch you like that and not be able to do anything and I'm not putting you through it again. "

"It was worth it tho. Look at him, he's so perfect. I'd do it all over again for our baby"

"I know, I know, but you're my baby too." No matter how many children you have, his protective attitude towards you will never change.

"Oh, love.." You pulled his hand to get up from the chair and come sit on the bed next to you so you can cuddle up next to him.

"I can't wait to take you home, both of you." He said quietly kissing your forehead.

You rested your head on his chest, knowing that wherever you are, as long as he's there, everything is fine.

[bubble-you]

#I feel a constant need to remind people that the first thing Danny asks after Clara explains who the Doctor is#is 'do you love him?'#it's that transparent#and he asks already knowing the answer and immediately calling bullshit when she denies it#and apparently accepts this as not a threat to him on the basis of the Doctor being an untouchable alien incapable of loving her back#like as if she had a crush on a dragon or the Great Wall of China#I can't tell if that speaks to his lack of self worth or if it's just really patronising#I appreciate In the Forests of the Night so much for the scene where he finally realises he should be jealous#but then he's just Extremely Reasonable about it again#he has total faith in his idea of who Clara is- utter conviction#and it's completely misplaced#I feel owed the psychological fallout from this is all I'm saying#calling this meta is being very generous bc did I even say anything#but whatever it's a bunch of words I'll put it in the box with the other words#I've realised 95% of my whouffaldi meta is in tags on gifsets so

Danny 'I don't do weird' Pink frustrates me as a character, because I'm honestly not sure whether he was supposed to have an arc or not.

His primary role is as a foil for Clara's arc and, in aid of that, as a mirror to the Doctor. A solider with survivor's guilt and a man of action who can't stand by when people need help etc., in some ways he and the Doctor have a lot in common, but he's also a very grounded and circumspect personality versus the Doctor's being fantastical and adventurous. Danny isn't curious and doesn't want to pursue new things or experiences, instead he wants to be fully present with and grateful for what he already has. The Doctor is incorrigibly curious and always interested in new things.

Danny is someone who desires nothing more than an ordinary life, and looks for beauty and satisfaction in the normal things and people around him. He wants his world to be small and quiet, he values the mundane things others might take for granted. He's normal, patient, dependable, simple, honest, etc. His reaction to trauma hasn't been to disavow the things which lead him to that event, or to seek out stimulation to avoid thinking about it, it's to be thoughtful and cautious and somewhat rigid so he can always apply the mindset and skills he retained from before he was traumatised.

He's very firm and unbending in his worldview and in his self-image. He doesn't seem to ever reassess people once he's decided what he thinks of them. He's not unreasonable or unwilling to compromise, he is in fact maybe too reasonable, but he is implastic. He's extremely even-tempered except for around his identity as a soldier, which he's prickly about, but still pretty quick to let it go as long as he's not being deliberately antagonised.

So anyway Danny represents this other path, and this opposite response to the horror of war and making a catastrophic mistake, but he never learns, he never grows and he and Clara are never much on the same wavelength about anything. He's supposed to be stability, the things she 'should' want, the 'person she's supposed to like', the safe choice, the presentable life which Clara feels like she has to have. He's orderly and ordinary and that's what she wants from him. She has to control her image, her future, and her options.

And their simple relationship, once it exists, functions well as the contrast to her complicated and tumultuous relationship with the Doctor while the companion power dynamic is being dismantled and rebuilt so they can be emotional equals. But like, the set up is confusingly executed.

Listen- they have zero chemistry, they have nothing to talk about and have to resort to talking about work, every conversation goes instantly off the rails, they rub each other the wrong way, there is never any reason for them to keep reconciling and trying again to connect. Like. You are not hitting it off! and keep offending each other bc you're not compatible! Quit!!

Clara is forcing it, that makes complete sense with what she's going through, she's trying to take control of her life and her emotions, trying to prove to herself she's not pining for the Doctor and at the mercy of his whims for her life to be full and complete. She doesn't want to need him or to be dependant on him. She doesn't want to be the heartbroken sadsack whom he abandoned at Christmas or who will take whatever scraps he'll throw her. She wants to control his position in her life and control how she feels about him. Hence her assigning him a specific day and confining their adventures on her own terms. She's trying to keep the Doctor compartmentalised. Having an Appropriate Human Relationship means she's successfully put the Doctor in his box (lol) and neutralised the chaotic power of her feelings for him. I mean, obviously not, but that's what she tells herself.

But what is Danny doing? Why does he keep pursuing this when it's so clearly not a good match?

Again in Listen, and much more so The Caretaker, Danny illustrates that he does not know who Clara is, he's wildly wrong about her and what she's like, and he's very high handed about it as well. He's convinced that the Doctor is taking advantage of her, that the Doctor is domineering in their relationship, that she is not a person who wants to be put into challenging or dangerous positions, that the Doctor is pushing her to takes risks and become a leader where that's not her nature. None of this is true. Clara was always a decisive, assertive, strongly driven person who seeks out new experiences and naturally assumes a leadership role any time that's necessary; she relishes being challenged and facing the unknown. Her blow up with the Doctor wasn't about him 'pushing her too far', it was about him failing to support her when she needed him and condescending to her as a human rather than treating her with the intimacy and equity their bond and history together demands. It's personal and it's about their emotional relationship. It's not about making hard choices, it's about having to make hard choices without her partner being honest with and emotionally available to her.

Clara was always an adventurous person, willing to be spontaneous as long as it's on her terms, and excited by the prospect of authority and responsibility. The danger and challenge isn't an unfortunate side effect or a risk she has to take to see amazing sights, it's part of the appeal. She lied to Danny by omission when she said she went off in the box to 'see wonders', not just because the real reason is that she's in love with Doctor, but also because she doesn't just want to be a tourist. She wants to get involved and save people, she wants things to sometimes go pear shaped. She enjoys and craves that part of it too.

Danny is also wildly wrong about the Doctor, but this is understandable and would be fine except that he's never corrected? He never learns better? What's the point?

In Death in Heaven Danny goes out still wrong about the Doctor, still condemning him cruelly and unfairly while knowing nothing about him. He had a point with his original rant, there was actual insight there, but it's buried in assumptions and bitterness and then Danny keeps tripling down on the assumption. The one which doesn't understand that the very thing he's shitting on the Doctor for (being willing to lead and make hard choices which must be made in order to save people) is something the Doctor has in common with Clara. And always has. The Doctor didn't change her or push her into that, that's who she's always been.

What is the point of Danny calling him a blood-soaked general and mocking him, calling him an officer as a pejorative again, and again because the Doctor is trying to save the planet. Like, memory check, that's what Danny is mad about. The Doctor doing everything in his power to save literal billions of lives. Doing it for no reason, out of altruism. Doing it while always trying very hard not to fight or kill anyone.

I don't understand how we're meant to find Danny sympathetic in that moment, because he comes off like a complete dickhead. And it's all the more frustrating because in the intervening episodes Danny has been eminently reasonable. As I've discussed before, we're exhaustively shown that Danny is 100% okay with what Clara claims is going on, that he doesn't want to get in the way of her friendship with the Doctor, that if it really were only the relationship she's pretending it is, there would be no conflict. He's the one who encourages her to make up with him after Kill the Moon! He tells her to go on travelling and it's fine!

Even when he discovers she's been lying to him and cavorting with the Doctor behind his back (again despite him telling her it was fine!), he's calm and repeats for the millionth time that all he wants from her is honesty. The truth. Which is the one thing she can't give him because Clara knows their relationship is built on the lie. The truth is, as Moffatt said, that Danny never stood a chance. There is a conflict between the two relationships and she's always going to choose the Doctor.

And that does come out, she gives the whole speech to Danny, not knowing it's him, finally being honest. And he seems unsurprised by it, which makes sense because on some level he definitely always knew ('do you love him?' 'no' 'really sick of the lies'), but then nothing comes of it. Clara just soldiers on and he allows her to pretend. He goes off on the Doctor, but not in a way he actually deserves at all, and just sweeps her confession under the carpet. Letting her get away with it again. True to form, I guess! he always did. But shouldn't we make progress?

And it's like... I hate that he dies on that note. It feels like he dies in denial. I guess you could argue it contributes to his decision to not come back, but that feels like a disservice to the character. Saving the kid is important to Danny, it allows him to atone but he didn't need to change or grow to accomplish that and it doesn't provide closure to his actual role in the narrative, which was as Clara's foil. Clara is off the hook, free to go on lying to herself about their relationship. It's not addressed in Last Christmas, either, it's only hinted at.

[ailesswhumptober]

Prompts for AI-less Whumptober 2024

As promised, we're bringing you the official prompt list of AI-less Whumptober 2024 today!

We have 31 days of excellent whump prompts, with three prompts per day to pick from, fun themes, and 10 alt prompts to play around with. We hope you enjoy! Additional info + plain text versions of the prompts can be found under the cut.

FAQ and Rules

What sort of content can I create for this event?

You can create whatever you want (fic, art, edits, etc). Any fandom is allowed, as well as OC stuff. NSFW is allowed, but please tag your content accordingly! The only thing not allowed is AI-generated content.

Do I need to make 31 things to participate?

Oh heavens no! You can make as much or as little content as you like, skip days when desired, or combine prompts (so for example, write something that covers a prompt from day 1, 2, AND 3). You don't have to do the days in order either, go wild! To be considered a 'completionist', you only have to make sure that at the end of the month, you've covered 31 prompts from 31 different days, but whether you do that in 31 works or just 1 is up to you.

What are these alts about?

If none of the three prompts of a particular day are your cup of tea, you can swap them out for an alt prompt of your choice.

What are these themes about?

Just a little bit of extra fun for the mods. Like last year, we'll be handing out various badges for people participating in the event. A full list can be found here, perhaps there is a special badge or two for people who can't be completionists but who do manage to finish every single day of a specific theme ;)

How do I tag and is there an AO3 collection?

It suffices to tag your work with #ailesswhumptober for us to see and reblog it! Please also tag nsfw, since we'll be using that tag too. Tagging the day is optional but does help the mods along.

There is an AO3 collection to add your fics to here.

That should be all. If you have any additional questions, check our pinned or hit us up in the ask box. Or join our discord maybe, whumping can be a great group activity!

---

Plain text versions of the prompts:

October 1 - Torture Tuesday

public torture/public use, stress position, “If you cry, we’ll go easy on you.”

October 2 - Whumperless Wednesday

Unfortunate fall, car accident, “Don’t move. You’ll be okay.”

October 3 - Trauma Thursday

Shared trauma, survivor’s guilt, “It’s not your fault.”

October 4 - Fright/Freaky Friday

Painful transformation, non-consensual body modifications, “You’re a monster.”

October 5 - Sensory Saturday

Overstimulation, migraines, “I can’t take this anymore.”

October 6 - Surprise Sunday

Multiple whumpees, self sacrifice, “I’m the only one who can do this.”

October 7 - Medical Monday

Field medicine, running out of supplies, “Hold on, we’re going to have to improvise.”

October 8 - Torture Tuesday

Rope burns, gagged, “You’re so much prettier this way.”

October 9 - Whumperless Wednesday

Hypothermia, heatstroke, “You look pretty pale.”

October 10 - Trauma Thursday

Self worth issues, pushing away a loved one, “You don't need to earn this.”

October 11 - Fright/Freaky Friday

Hallucinations, truth serum, “Why would you even say that?”

October 12 - Sensory Saturday

Isolation, sensory deprivation, “Can you feel me? I’m right here, whumpee.”

October 13 - Surprise Sunday

Whumpee using themself as bait, defiance, “Take me instead.”

October 14 - Medical Monday

Seizures, concussion, “See if you can follow my finger with your eyes.”

October 15 - Torture Tuesday

Waterboarding, removing body parts, “Don’t break down on me yet.”

October 16 - Whumperless Wednesday

Drowning, hostile environment, “I don’t know how anybody could survive that.”

October 17 - Trauma Thursday

Abandonment, misunderstanding, “Why did I even think you cared?”

October 18 - Fright/Freaky Friday

Mind control, possession, “Everybody will end up despising you.”

October 19 - Sensory Saturday

Disassociation, losing a sense, “I wish I could get you back.”

October 20 - Surprise Sunday

Enemy/Stranger to caretaker, accidental de-aging, “I’m absolutely not qualified for this shit.”

October 21 - Medical Monday

Drugged, ambulance ride, “This will make you feel better, okay?”

October 22 - Torture Tuesday

Forced (to kneel/watch/hurt somebody else), whipped, “Do not look away.” October 23 - Whumperless Wednesday

Fever, passing out, “Hey?! Stay with me, okay?!”

October 24 - Trauma Thursday

Deconditioning, relapse, “It’s normal that you need more time.”

October 25 - Fright/Freaky Friday

Humiliation, betrayal, “How could you?!”

October 26 - Sensory Saturday

Electrocution, burning, “This is going to sting.”

October 27 - Surprise Sunday

Before vs after, Alternate universe, “Well, there’s a first for everything.”

October 28 - Medical Monday

Internal bleeding, needles and stitches, “I didn’t think the wound was that bad…”

October 29 - Torture Tuesday

Ownership, branding, “Everybody will know that you’re mine.”

October 30 - Whumperless Wednesday

Poison, delirium, “You’re not making sense.”

October 31 - Trauma Thursday

Panic attack, facing a phobia, “You need to get out of here!”

Alt prompts:

1) Pistol whipped

2) Co-dependency

3) Animal bite

4) Zombies

5) White room torture

6) Shock collar

7) Pulling teeth

8) Kidnapping

9) “You always make everything worse!”

10) “If you weren’t around, I’d be long dead by now...”

[moonstruckme]

Are you going to continue the roomate James series? I’m actually in love with it😍

Yes! Thank you for reading <3

part 1 │ part 2 │ part 3 │ part 4 │part 5 │ part 6 │ part 7 │ part 8 │ part 9 │ part 10 │ part 11 │ part 12 │ part 13

roommate!James x shy!reader ♡ 804 words

“Honey, I’m home!” 

A smile tugs at your lips, even as you roll your eyes to yourself. James has become more and more fond of these pet names, and of announcing his comings and goings like he’s worried you’ll miss him. (He’s never gone long enough for that, though you might actually miss him if he were.) If you don’t respond in some way or another, he’ll—

“Hey.” He pokes his head through your cracked door. “You alive in here?” 

You pause in folding your laundry to give him a deadpan look. “I could have been in my underwear.” 

He looks mildly horrified. “I’d hope if you were, you’d close the door all the way.” 

“You know, I did manage to stay alive even before you moved in.” 

James leans on your doorframe, giving you the sort of lazy grin you have to pretend doesn’t scare butterflies into flight in your stomach. You really hope that wears off soon. “See, but now I’m convinced if I don’t check on you, you really will die and it’ll be my fault.” 

“How would it be your fault?” 

“Classic case of roommate neglect. I smell the rotting coming from inside your room, the police come, they ask How did you not know your roommate was dead for a month? I reply, Well, officer, she said she could be galavanting in her underwear at any moment. They put me in handcuffs and I spend the next five to fifteen years having Sirius bring me cigarettes I don’t want so that I can trade them for ramen noodles in the yard.” 

You scoff, fighting a smile. “As if you would ever eat ramen.” 

“That’s what I’m saying, sweetheart. You’d be forcing me upon desperate times. But hey,” he raises his hands in a show of surrender, “I didn’t come in here to discuss prison currency. Would it be alright with you if I had friends over tonight?” 

“Of course,” you say, looking back down to match a pair of socks. “You don’t need to ask every time, it’s always alright.” 

“Thanks,” he says warmly, “but it makes me feel better to ask. What do you want on your pizza?” 

You blink. “Me?” 

“Yes, you.” He smiles. Butterflies all over again. “You don’t have to hang out with us to eat it—though we’d love to have you—but I’m not just going to order pizza to your own apartment without having any for you.” 

“It’s your apartment, too,” you remind him. “That’d be a very normal thing to do.” 

“Irregardless.” James waves you off. You wrinkle your nose at the word choice. “What do you want?” 

You swallow a sigh. There are some things, you’ve found, James is nearly impossible to argue with about. If you really dig your heels in, sometimes you can make him move first, but you don’t feel like it right now. 

You do the next best thing you can think of: choosing the least obtrusive option. “Cheese is good with me, thanks.” 

His eyes narrow like he knows what you’re doing, but he says, “Got it. I’ll let you know when it’s here.” 

“Thanks.” You turn your attention back to your laundry. James lingers in the doorway. 

A month ago, you would have kept ignoring him, working on the (unfounded) hope that he’d go away. Now, you look up. 

“Do you think you might come downstairs and hang out?” he asks. He has a strange look on his face, one you can’t quite decipher. “You know you’re always invited.” 

You give James a terse sort of smile. He’s not stopped inviting you to do things since the day he moved in. Your open invitation has been made very clear, and you’ve been accepting it more often lately. James is someone who makes it easy to feel close to him. He tosses pet names at you like they’re nothing, comes to check on you when he gets home, pretends he needs to go grocery shopping just because you need a ride to the store. Last week, you’d sat down to watch a movie with him and woken up to a black screen, your cheek smushed into his shoulder and his head resting atop yours. 

Somehow, you’ve let him spill into your life without meaning to, and now you have these childish, crush-like reactions whenever he smiles a certain way or calls you pet names with that familiar bent to his voice. You know you just need time to sort these feelings out. It’d probably be ideal to keep yourself from spilling into his life as much as possible in the meantime. 

But it’s hard to deny James anything when he’s so sweet to you. And he’s nice. His friends seem nice. 

“I might,” you say. 

“I’ll take the win,” James replies, smiling. These butterflies are seriously inconvenient.

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[wiptw]

Pokémon Stadium Series

Nintendo 64 - Nintendo - 2000 to 2001

You as a Pokémon fan are absolutely fucking spoiled these days. Aside from the mainline games you have spinoffs and fangames offering different experiences, you have entire websites dedicated to documenting everything down to the internal maths of the series, there's no end to the free content you can access with an internet connection between emulators and battle sites like 'Showdown!', and it's now socially acceptable in most circles to be older than 13 and have something with Pikachu's face plastered on it (especially if you're female presenting, especially if your friend group is also infected with the Pokémon hype). Back in my day™ you had almost none of this. You had the anime on Saturday mornings, you had the early run Pokémon licensed merch which WOULD get you called a baby if you continued buying past 10-12, and you had the games. Those sweet, sweet games that indoctrinated a generation of young people into being gamers and awoke a horde of JRPG addicts.

Literally Me

So remember this when I tell you that Pokémon Stadium, both one and two, aren't great games because they do something back then that you can't get today; they're great for what they did back then. So Pokemon Stadium 1&2 were a duology of games from 2000 and 2001 respectively that allowed players to battle Pokemon in 3D, with the addition of some side content such as minigames included to prevent the game from being 100% Pokemon battles. Because otherwise, the game is in fact navigating a series of menus and completing Pokémon battles with 3D models.

Whether it's taking on the gym gauntlets, the marathon of battles in the Pokémon cups, or just free battles with friends and loved ones, 98% of the experience is either selecting Pokémon from a roster of pre-built 'rentals' or transferring them from a saved game using the Transfer Pak, then fighting them in a series of 3D environments. An experience which you can definitely do today using web apps but as I said earlier, we didn't have that.

The peak of Pokémon battles in 2000

So if you're buying Pokémon Stadium (either version really) you're already probably a Pokémon fan right? So that means you have Red/Blue/Yellow/Gold/Silver/Crystal, so why not just play that game and get the full experience? The fun of exploring, talking to NPCs, discovering new and exotic locations? Simple, because in those games battles looked like this

While in Stadium, battles looked like this

If you grew up watching the anime while playing the Gameboy games, there was this special kind of dissonance where you might find yourself saying "Yeah, (for the time) these graphics are RADICAL but I wish I had something closer to these cool Pokémon Battles they had in the anime." As you hide under the covers with your Gameboy Color worm light, nestled in your Ash Ketchum pajamas while you attempt for the 100th time to capture a ditto. Pokémon Stadium was the answer to this dissonance, providing you with vibrant 3D graphics unlike anything you'd ever seen before; bringing Pokémon to life in a way that would be unmatched until Colosseum came out during the Gamecube era.

So, to actual mechanics, you play both games pretty similarly; by building a team of Pokémon (either on your handheld or by using the rental mons the game provides) and take part in a series of battles to become the ultimate battle master. To use your own Pokémon, you'd need to use the aforementioned 'Transfer Pak' to plug in a copy of Red/Blue/Yellow (for 1) or Gold/Silver/Crystal (for 2) with a game saved to the cartridge; otherwise the rental Pokémon covered all released Pokémon (except for some hidden ones) allowing you to build your dream team, sans a few caveats here and there.

Evolved Pokémon have better stats but worse moves, while weaker Pokémon tend to have better moves to compensate

In terms of WHERE you can battle, there's two choices: Either in the Gym Leader Castle, or the Tournaments held in the center of the map on either game. Either way, the game will then have you battle through a series of 3v3 matches versus a set number of trainers who will also select 3 random mons from their full team of six.

A bit bare bones, but there's some spice to how things are run. For one, the rental system was a huge thing for us younger players back in the day. Even if you had the games some Pokémon were hard to catch, had evolution requirements some players couldn't complete (like the trade-mons), or were locked to a version you didn't have. The rental mons give you a list of every Pokémon (some exceptions, but not many) and then lets you build your dream team. Sure, you can't set their moves, EVs, IVs, and it's the era before abilities and natures but I CAN HAVE A MEOWTH/PERSIAN ON MY TEAM. Do you know what I had to do as a child to have this Pokémon outside of Stadium? I had to find someone in the American South who also enjoyed Pokémon, hoped they had Blue instead of Red, hoped they had a link cable, then get them to agree to a trade despite both of us being children (and therefore, objectively terrible) which likely meant giving away a rare Pokémon in exchange for what amounted to common garbage in their game because it was Version fucking Exclusivity™ and everyone seemed to know that meant you'd do anything to get that one fucking Pokémon you wanted.

In the handheld games, if you wanted to build your dream team then likely you'd have to put in some more effort than other games of the time would've required of you. With Stadium, your dreams come true, and if you already have that dream team you can just import them to fight in glorious 3D. Circumventing the fact that rental Pokémon are kinda terrible overall.

Don't feel like building? The challenge cup mode that gives you randomized team comps that has it's own charm (for masochists)

Not to say all of them were bad but construct a normal distribution of 'Good' to 'Bad' picks then that graph is gonna skew left so hard you'd be forgiven for thinking it was just a straight line. To keep every choice 'viable' Pokémon rentals were balanced around stats and moves. More powerful evolved Pokémon and Pokémon with high Base Stat Totals (BST) were given weaker moves and first form and low BST Pokémon were given generally better moves. Charizard might have better stats than Charmeleon and Charmander but his only fire type move is going to be something like Fire Spin. Conversely, Charmander might have Fire Blast but his stats are gonna make him an easy target for the computer's pokemon, which are not bound to the same builds as the rental mons you're using.

Once your team is assembled, then you're off to battle trainer after trainer after trainer with beautifully scored (for the Nintendo 64) soundtracks giving you an unearned sense of importance every step of the way. Battles themselves are conducted with a weird, but functional control layout where A and B access sub menus you then check with the R button before finalizing with the c-buttons, which on original hardware or a USB N64 controller is fine but on emulation with a more modern controller like Logitech, can be a little nerve wracking as you worry about whether your 'up' input on the control stick was up enough for the game or if you accidentally drifted right or left using an unintended move.

fun fact: the name of imported Pokémon affects their coloration in Stadium

Battles are also largely regulated by (at the time) tournament standard rules. Little and Pokecup have level restrictions, and all three non-random cups include clauses for sleep, held items, and repeat Pokémon. Additionally, in any cup if you win the round with all 3 Pokémon still in tact, you're granted a continue; meaning you can retry the battle if you lose. Additionally, there is no 'draw' outcome in these games. Use a move like Explosion or Selfdestruct and the game will register it as your loss on your final Pokémon, regardless of whether you took down the opposing fighter with you or not.

You'll be doing a LOT of back-to-back fights here against trainers with varied team comps, but even with over 246 Pokémon in the available potential lineup you'll get tired fast of fighting. This is, however, slightly mitigated by the 3v3 nature of the matches but even so be ready to here the same Pokémon noises, watch the same effects play out, and wait for the same health bars to tick down over and over as you claw your way to the spot of Pokémon Master.

The art style of non-battle scenes like the main map and minigame plaza have that nice, 90's charm to them as well.

If you do get tired of battling it out, then Stadium 1 and 2 both offer minigames for players to partake in. Either in a tournament format or by using the free-play browser, players are able to take part in a multitude of different Mario Party-esque (without the hand burning) minigames featuring the Pokémon as stars. Minigames consist of stick twirling, button mashing, and point collecting all while controlling fan favorite Pokémon such as Togepi, Eevee, Scyther, and Pichu with no real rhyme or reason behind why these game exist aside from a amusement park theming the minigame zones have for their icons and menus.

You won't get a real explanation as to why you're racing Donphans, cutting logs as Scythers and Pinsirs, or playing Simon Says with a bunch of Clefairy, but you don't really need that either. The games are fun, the models are charming, and watching Clefairy get smacked in the head for each wrong input brings me a level of joy I should probably talk about with my therapist. You won't likely spend hours in this mode, but it's a nice breather from the onslaught of battles otherwise.

fun fact: I still won't talk to some people because of the outcomes to Rampage Rollout over two decades ago. You know who you are.

Additionally there's a quiz minigame separate from the main selection of minigames with easy/normal/hard difficulty selections. Players compete to see who can be the first to get a number of questions correct before anyone else based on facts about the Pokémon (typing, size, silhouette, etc) or facts about the game (where you can find things in the game, names of routes and towns, names of figures in the game).

It's not the most challenging on easy or normal, but playing on hard the game will try to screw you with trick questions so playing with others becomes a balance of "do I let the question play out, or attempt to steal it before someone else can answer correctly?"

Sometimes even playing the game won't prepare you for how out of pocket the questions can get

The real advantage of 2 over 1 is that, in addition to minigames, the game has the trainer academy; a kind of in-depth battle tutorial to teach players not only the basics of Pokémon fighting, but also some secrets as well

You can learn about held items, a feature new to the second generation, as well as participate in mock battles to demonstrate the materials you've been reading and quizzed on. Some of this information for the time too was obscure or hidden knowledge, like the fact that using Defense Curl before using Rollout would boost the damage significantly or that using Stomp on an opponent who used minimize would double the damage.

Some type matchups just make sense, like Ground v Electric.

Overall though what really makes this game is the presentation. The soundtrack does a great job selling the feeling Nintendo wants you to experience, climbing the ladder in a tournament or the Gym Leaders Castle makes you feel powerful, and the little details on top of it all just tie it together in a nice package.

The fights, for example, are also narrated by "The Announcer". A bombastic voice shouting over every detail of a fight. When you score a crit, when you apply a status effect, even using certain moves will get the announcer loudly narrating each detail like a Pokémon prize fight. Seeing the ground rip apart when you use Earthquake is only half the charm, the other half comes from that man yelling in your ears "A DEVESTATING EARTHQUAKE ATTACK!". Clearing gyms or clearing opponents in one of the cups grants you gym badges, a dream for any child growing up on the handheld classics or watching the anime who wished they too could earn shiny bits of metal that gave them an inflated sense of importance.

I would literally kill everyone I came across if it'd get me a real life Zephyr Badge.

Stadium 1 and 2 aren't evergreen classics. They're stuck in Gens 1 and 2 respectively, the roster of Pokémon while impressive is largely useless and makes collecting trophies way harder than it has to be, and the games were made before things like abilities and double battles were introduced, leading to the Pokémon battling game missing out on the generation of Pokémon that made battling more fun (Revolution doesn't count, Revolution is dead to me and disappoints me more than I disappoint myself.)

But for the time especially, it gave fans an opportunity to experience a form of Pokémon more advanced than what the handhelds could output. It was a window into a world of potential that wouldn't be truly fulfilled until arguably the 3DS era of Pokémon released, and gave fans a fun little romp handcrafted for them at every twist and turn. Whether you were a gamer or you enjoyed the anime, there was something here for you.

Overall: 7/10 Sound: 8/10 (for the time) Graphics: 9/10 (for the time) Memorable Moments: Stadium 1: Hearing about Mewtwo, thinking he was an urban legend, then finding out he wasn't Stadium 2: Finally beating the elite 4 using only rental mons.

[fanfic-obsessed]

Knowing

I have just had the worst, or best, brainwave and I need to share it. 

Here is an AU for you.

Vader thinks that he killed his wife and child, right?

Right up until he meets little Leia Organa when she is 10 years old. Like his one brain cell woke the fuck up when he was confronted with a passionate, angry little girl with Padme’s eyes and his chin. This is maybe a month after she was kidnapped and returned to Alderaan. Leia decides that she would need to learn how to be a senator and insists that Bail takes her with him to the next session of the imperial senate.  

Bail does not want to bring her to the imperial senate. However he knows very well who her birth parents were, it is either Bail brings Leia to the Imperial Senate or Leia brings Leia to the Imperial Senate, probably bringing with her someone she really shouldn’t (Like actual Obi Wan Kenobi-I just want you to picture for a moment, because Bail certainly did, looking up and realizing that Leia is charging down the halls outside his office, dragging with her a bemused and sandy Obi Wan, both in badly conceived disguises).

Bail is super stressed as he tries to run a rebellion while riding herd on his well meaning but very direct 10 year old daughter on top of his normal duties as an imperial senator. Bail is also very afraid that the moment the Emperor sees Leia, he will make the connection between Leia and Padme Amidala (The emperor does not socialize with the senate any longer, thank the stars). He has no idea that Vader was once Anakin Skywalker, so has no cause to be more careful than normal (because Vader) about Vader seeing Leia. As such Bail does not even notice when Vader stops to consider them from the shadows. Leia is haranguing another planet’s senatorial aide who had chosen the wrong moment to make a bigoted joke. 

Vader is very abruptly, though mentally, thrown back to this very hallway 12 years earlier where he watched his wife do the same thing, for the same reason, possibly to this same aide. Though Leia is still a child and Padme was an adult, he can still see his wife in this little girl.

The realization that this is Padme’s child hits him with the force of a Ventanor. Followed immediately, before he even realized that this meant that his child was standing in front of him, by the soul deep knowledge that she must be protected from the Emperor at all costs. 

Vader had known for years that his suit had been designed to cause him more pain, he just thought he deserved it. The thought of Palpatine getting ahold of Padme’s daughter was abhorrent. Vader sticks to the shadows and watches, seeing how well Bail loved and protected Leia. 

While he is thinking(read Obsessing) about his daughter, the part of him that is always centered on Obi Wan points out that his old master had been one of the last people to see Padme after Vader choked her. But the little voice that spoke in Padme’s tones piped up, the shock of Leia living being enough to finally make this little voice loud enough to be heard, saying that until recently Obi Wan believed that Anakin Skywalker was all the way dead, he was protecting their child as best as he knew how. 

And Vader has issues with just about every choice Obi Wan Kenobi ever made. But he will admit that hiding Padme’s daughter was the best option. 

As Vader knows that paying too much attention to Leia would draw the Emperor’s attention, he would be willing to wait until the right moment to get his daughter back. His one concession to his need to protect her was taking one of his personal guard, one of the few units still made up almost entirely of clones, and assigning them to be Leia Organa’s bodyguard, her shadow (I also want you to take a moment to consider what that did for Bail’s stress level).  And then Vader gets to planning. 

With his one brain cell awake and focused on the Organa’s it takes Vader all of 15 minutes to realize that Bail Organa is running the Rebellion (I want it to be clear, this is not a slight on Bail at all, Anakin Skywalker was a war general, well educated through the Jedi on a number of subjects, and does have a fair measure of politics learning from both his former master and his dead wife).  However Vader is no more loyal to the Empire than Anakin was to the Republic.  In fact, upon realizing that Padme’s daughter had lived Vader firmly decided that he needed to find a way to kill Palpatine to crown Leia.  With the realization that Bail, and likely Leia (neither Vader nor Anakin have any idea what activities are appropriate for a 10 year old), are part of the Rebellion, Vader decides that The Rebellion would succeed (or everyone would die trying). 

Note: Vader only really gets away with no one realizing that he now supported the Rebellion because, well, no one can quite believe that Darth Vader supports the Rebellion. Most people think there is a new type of Space Madness, and that one of the symptoms is hallucinating Darth Vader giving you intel for the Rebellion.

By the time Leia was a teenager, rumors abound about the odd way that Vader acted around her. By sheer happenstance (and some judicial violence on Vader’s part) these rumors had never reached the Emperor. A good deal of these rumors implied that Vader was looking to the Princess of Alderaan as a wife.  The reaction Vader had, the only time it was brought up in front of him, was…impressive, even for the amount of violence he normally dealt out. Still there are members of Vader’s personal guard who watch over Leia whenever she is on Imperial Center, and no one wants to repeat the time when she was 12 when one of Bail enemies tried to kidnap her for ransom.  It took an entire corps of engineers to put those levels back to rights (after they scrubbed the blood off).  

So we get all the way up to the timeframe of ANH. The Death Star in this does not start out under the control of Darth Vader. It starts out under the control of Tarkin, it is important to note this. Leia still sends out R2D2 and C3P0 to find Obi Wan Kenobi, none of that part changes. 

It is after Leia is captured that Darth Vader shows up (does he lurk silently in any system that Leia is due to be in as often as he can get away with…why yes, yes he does). Tarkin had wanted Leia tortured, however no one wanted to find out how many decks Vader would spread their entrails across for touching her.  Vader arrives on the bridge just as Tarkin is threatening to blow up Alderaan. Tarkin orders the weapon to begin its charge. 

Leia, Leia who is so like her mother in that she will use every weapon in her arsenal, turns to Darth Vader and speaks to him for the first time. ‘Please’ she said, no effort to hide her distress, ‘please save my planet’

Something Leia had no cause to know-An angel who she resembled once thanked Anakin Skywalker for saving her planet. 

Tarkin is dead almost before she finishes speaking. Vader orders the DS weapons to power down and disengage, which is done post haste. Then announces that Leia Organa was now in control. 

So Leia now owns a Death Star (genuine article-never used). Leia is not sure if that is how this works, but no one is arguing with the tall man in black who has OPINIONS and will enforce them.  Leia manages to communicate this to her parents, who take a shuttle up to the space station to figure out what the fuck is going on, and what, if anything, they need to do next.

Two hours later: Obi Wan Kenobi, Luke Skywalker, Han Solo, R2D2, C3P0, and Chewbacca have just been caught trying to sneak onto the Death Star. The Organas are still on board, trying to get answers (In that time Vader has said precisely five words to them ‘You have raised her well’).  It is to this room that the troopers manning the station (who are deeply confused and a bit conflicted because it seems like they may have all been forcibly defected from the Empire, but no one is willing to disobey Lord Vader) bring Obi Wan and co. and present them to Leia, as she is considered in command.  Somehow Luke’s full name (I kind of picture him still dumbly introducing himself to Leia, followed with ‘we’re here to rescue you’) gets used before the situation deteriorates. Which naturally causes everything to deteriorate further and faster than before.  

Far away on Imperial Center, the Emperor pauses in the middle of a hallway ‘I feel’ he says to no one ‘a disturbance in the Force.’ another pause ‘like some shit has just hit the fan’

Far away on Dagobah Yoda looks up, ‘weird, shit just got’

[todays-xkcd]

Hint: If you ever encounter this puzzle in a crossword app, just [term for someone with a competitive and high-achieving personality].

A Crossword Puzzle [Explained]

Transcript

[A square 15x15 crossword puzzle is shown. Only 21 of the 225 squares are black. The black squares are in a pattern that are 180 degree rotationally symmetrical. Three black squares down from the 11th column and similarly three black squares up from the 5th column. Three black squares out from the right in row 7 and then two more black squares diagonally up from the end. Similarly three black squares out from the left in row 9 with two more black squares diagonally down from the end. A single black square is three above the first black square on the diagonal going down to the right and similarly there is a black square three under the first of the diagonal squares going down to the left. (Row 6 column 12 and Row 10 column 4). Finally there are three black squares on a diagonal crossing over the central point by going up from the left through the central point (Row 8 column 8). There are numbers at the top of every column (except the one that is a black square) and similarly at the left edge of all rows (except the one that is a black square). There are also numbers at the bottom of every black segment (except the one that reaches the bottom) and all rows after black segments except the one that reaches the right edge. In total all numbers from 1 to 51 is written. They are written in reading order from 1 to 51.]

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51

[Below the square there are two rows of clues for each number that belongs to across (rows) and to the right there are one row of clues for each number that belongs to down (columns). Both segments have an underlined and bold title above the clues. ]

'''Across'''

1. Famous Pvt. Wilhelm quote

11. IPv6 address record

15. "CIPHERTEXT" decrypted with Vigenère key "CIPHERTEXT"

16. 8mm diameter battery

17. "Warthog" attack aircraft

18. Every third letter in the word for "inability to visualize"

19. An acrostic hidden on the first page of the dictionary

21. Default paper size in Europe

22. First four unary strings

23. Lysine codon

24. 40 CFR Part 63 subpart concerning asphalt pollution

25. Top bond credit rating

26. Audi coupe

27. A pair of small remote batteries, when inserted

29. Unofficial Howard Dean slogan

32. A 4.0 report card

33. The "Harlem Globetrotters of baseball" (vowels only)

34. 2018 Kiefer song

35. Top Minor League tier

36. Reply elicited by a dentist

38. ANAA's airport

41. Macaulay Culkin's review of aftershave

43. Marketing agency trade grp.

44. Soaring climax of Linda Eder's ''Man of La Mancha''

46. Military flight community org.

47. Iconic line from ''Tarzan''

48. Every other letter of Jimmy Wales's birth state

49. Warthog's postscript after "They call me ''mister'' pig!"

50. Message to Elsa in ''Frozen 2''

51. Lola, when betting it all on Black 20 in ''Run Lola Run''

“Down

1. Game featuring "a reckless disregard for gravity"

2. 101010101010101010101010 [sub]2→16

3. Google phone released July '22

4. It's five times better than that ''other'' steak sauce

5. ToHex(43690)

6. Freddie Mercury lyric from ''Under Pressure''

7. Full-size Audi luxury sedan

8. Fast path through a multiple choice marketing survey

9. 12356631 in base 26

10. Viral Jimmy Barnes chorus

11. Ruby Rhod catchphrase

12. badbeef + 9efcebbb

13. In Wet Let's ''Ur Mum'', what the singer has been practicing

14. Refrain from Nora Reed bot

20. Mario button presses to ascend Minas Tirith's walls

24. Vermont historic route north from Bennington

26. High-budget video game

28. Unorthodox Tic-Tac-Toe win

29. String whose SHA-256 hash ends "...689510285e212385"

30. Arnold's remark to the Predator

31. The vowels in the fire salamander's binomial name

32. Janet Leigh ''Psycho'' line

34. Seven 440Hz pulses

37. Audi luxury sports sedan

38. A half-dozen eggs with reasonably firm yolks

39. 2-2-2-2-2-2 on a multitap phone keypad

40. .- .- .- .- .- .-

42. Rating for China's best tourist attractions

43. Standard drumstick size

45. "The rain/in Spain/falls main-/ly on the plain" rhyme scheme

[a-d-nox]

web of wyrd: annual energies and relationship milestones

my best friend is newly engaged, as i said recently, which has inspired me to focus a little more focused on love and romance posts than you typically would see from me. i previously covered annual energies and some broad themes associated with them, so i thought lets look a bit more at the romantic themes seeing that it's over a year later (since that post) and i have seen WAY more webs at this point and picked up on some other trends.

something to keep in mind though - these are COMMON energy markers, any of this can happen any year. these are just the best case scenarios in my opinion.

for instance you can get married in a 22 year, but i feel like it may not last long term or it might be an elopement that upsets the couple and those around them long term...

or you could have a baby in a 12 year but need a c-section.

just some examples. by no means should you feel limited by what i say below!

let's get to it!

energies that indicate meeting your person

3 (the empress): finding a relationship where both people feel nurtured. it's a loving connection with a great potential to become something beautiful. this is a connection where you can dream about a life and a family together.

5 (the hierophant): meeting someone who shares your values and beliefs. this often leads to a conventional, committed relationship, often marriage.

6 (the lovers): friends to lovers energy for sure - it starts with simple conversations and evolves into love. it more often than not leads to meaningful and deep connections.

10 (the wheel of fortune): suggests that meeting your future spouse / person could be a part of your destiny, often through unexpected or "serendipitous" events.

17 (the star): the relationship is blessed/guided by a higher power. destiny seems to bring you both together. you can sleep well knowing you're on the right path and that the universe is bring you a significant relationship.

19 (the sun): a connection will bring happiness, warmth, and a sense of completeness.

21 (the world): finding a partner with whom you feel whole, a sense of completion, and/or a deep understanding. this leads to a long-term, potentially lifelong partnership.

energies that indicate moving in together

4 (the emperor): moving in together often requires a stable and organized environment, which aligns with the themes of the energy such as establishing a solid foundation and practical arrangements.

5 (the hierophant): moving in together can be seen as following milestones in a relationship leading towards a more traditional or serious commitment (like shared housing).

7 (the chariot): directly linked to movement and travel. represents taking control of one's life and moving forward, which can include physically moving to a new home or location.

energies that indicate becoming engaged

4 (the emperor): suggests that a relationship is entering a phase of solid commitment, usually it's the formalizing of a bond through engagement if that is the next phase of commitment in terms of your relationship.

5 (the hierophant): suggesting that a relationship is moving toward a more traditional and committed phase - if you are in a relationship, it is likely that the next step will be an engagement.

6 (the lovers): this energy is all about love, union, and making choices that align with one's heart. it can symbolize making a significant commitment, like being engaged.

11 (justice): there is a desire to make things official, usually this is an engagement leading to marriage. this is the most common marker i see in the years where people get engaged to one another.

19 (the sun): suggests a joyous occasion, like getting engaged, where both parties feel a sense of fulfillment and happiness surrounding their future together (there might be a large engagement party to celebrate).

21 (the world): signifies reaching a milestone. it can indicate that a couple is ready to complete one phase of their relationship and move into the next one, like engagement.

energies that indicate a wedding/marriage

4 (the emperor): often this is a sign of "securing" the partnership, which can extend to the formality and structure of marriage.

5 (the hierophant): represents tradition, societal norms, and formal ceremonies. this energy can signify a traditional marriage or commitment in the eyes of the community/law, suggesting a formal union. all of the events of a wedding are ticked off: engagement party, bridal shower, bachelorette, bachelor, rehearsal, ceremony, reception, send off, and honeymoon.

6 (the lovers): the union of two individuals. it doesn’t always spell out marriage ceremony, but it often comes up in the context of a relationship oriented commitment.

11 (justice): this can indicate making things official through marriage.

13 (death): this could be a symbol of a brand new era in your relationship (aka marriage).

19 (the sun): this energy can symbolize the happiness and celebration of a wedding, suggesting that marriage will bring joy and fulfillment to the couple.

20 (judgment): like 13, this could be a symbol of a brand new era in your relationship (aka marriage).

21 (the world): indicates that a partnership has reached a stage where marriage feels like the natural and fulfilling next step. symbolized a long-term commitment.

energies that indicate having a child

2 (the high priestess): often this energy shows up when a couple has been trying to no avail to become pregnant and suddenly does. this is because this energy signifies hidden or secret aspects of life (like the early stages of pregnancy). the energy is also connected to the moon and other feminine mysteries.

3 (the empress): the most obvious energy linked to pregnancy and fertility - it symbolizes motherhood, creation, and nurturing. there is a strong possibility of pregnancy in these years

17 (the star): symbolizes hope. this is a time of fertility and holds the possibility for new beginnings. may suggest a blessing or a dream come true (becoming pregnant after a period of trying or waiting).

18 (the moon): deals with cycles (ovulation), intuition, and hidden aspects of life. like 2 energy (but more common in the outer ring) this energy signifies the mystery of pregnancy and the feminine cycles. sometimes i see this in the ring where people weren't trying and tested negative or they don't show (physically or publicly) when pregnant.

19 (the sun): can signify a healthy, happy pregnancy, and the birth of a child (come on it's a kid on a horse). suggesting a positive outcome (you test positive hCG on the stick or with blood).

20 (judgment): suggests the arrival of a new life / the transformative experience of becoming a parent. this could also be a positive sign for couples looking to adopt or foster a child (as it could be a sudden and somewhat unexpected change of events (the list is often long)).

21 (the world): symbolizes the completion of a cycle, such as successfully conceiving or carrying a pregnancy to term (if not beyond the "due date"). can represent the fulfillment that comes with creating life.

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