#.night terrors one

[goryhorroor]

“1950s horror movies contrast radically with their 1940s predecessors. understandably – they were reflecting a whole new world. audiences wanted stories that connected directly to their lives, to the ever-expanding technology in their homes and workplaces. they also wanted horror movies that played to their fears – stoked by politicians – of the shadows that lay beyond their immediate, personal experience of the shiny american dream (applies to some of these movies).”

[illiaccrest]

You know what else Aventurine needs is a nap buddy.

[anne-is-confused]

The words hung above (but never would form)

[evviejo]

thirteen + her goggles

[novelconcepts]

There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.

Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.

Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).

But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?

How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.

How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.

How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.

How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.

How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.

How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?

All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?

They brought it back with them. Of course they did. It was the only way.

[voltrons]

catwoman #36

[im-totally-not-an-alien-2]

It was only supposed to be a simple mission. Red Robin and Nightwing were sent to investigate some magical ruins that might have a lead on one of thier shared cases. Kon had practically begged to come along since he and Tim hadn't seen eachother in a while. Nightwing didn't see a problem with it so off they went.

It was later that night when they were asleep in thier tents (Timm was forced to sleep via the power of kons puppy dog eyes) that something strange happened.

---

Phantom wobbled a bit in flight. He didn't know where or when he was. He had just escaped his parents after they saw Vlad transform and in a fit of rage, Vlad outed Danny too.

Vlad was killed pretty quickly. But Danny? They tried to "fix" Danny. It was only thanks to Jazz freeing him that he could bolt into the Ghost Zone and disappear. And bolt he did. He went so far so fast that he didn't even notice when he re-entered the living realms and just kept going.

Not wanting to make his situation worse, he decided to bed down for the night. His wounds weren't exactly healed but they were closed and that was what really mattered. He phased the blood out of his clothes as he silently approached a camp. Thier fire was out, properly drenched too. Danny had a thought to swipe some food but decided not to. Not out of morality, desperate times and all that, but because he physically couldn't muster up the energy to do anything more than curl up on the grass and pass out from exhaustion.

Needless to say when Tim wakes up the next morning and sees what appears to be a younger version of himself curled up outside he freaks out. He sneakily snags a sample and compared it to his own DNA and, suprise! Its a match. Aside from the obvious marks of cloning in his genetic structure and this odd unknown element sticking to it he was a perfect match for Tim Drake Wayne.

Nightwing woke up to find Tim standing over his unconscious mini and muttering about him being a dad. Dick was glad he packed that expensive coffee. They were all going to need it.

Kon was just excited to be an uncle.

[altcvnningham]

up late bc i keep thinking ab adlerbell and how bell is this vehicle of and for adler’s pain…….. like literally in the sense that all of bell’s memories and trauma of vietnam is imprinted onto them by adler, but also based on adler’s own memories of vietnam, how bell’s trauma and pain isn’t only theirs but adler’s too- that the two are not bound by the false camaraderie bell believes they share but instead bound by suffering, borne of adler’s. bell’s pain IS HIS pain.

and like,, does he know what bell dreams about when they wake screaming in the middle of the night?? does he share those same dreams too?? does he ever listen to bell talk about vietnam and feel, in a way nobody else possibly can, understood?? or does he feel angry, that they carry his trauma and his pain as though it were their own?? or envious, that the pain they feel isn’t even real, and that they were, for a time, spared of the horrors he endured?? or does he feel some sick satisfaction in knowing that the pain they feel is his?? that his enemy feels what he feels?? that they are bound and locked together, nearly sanctified in joint suffering??

does he care?? does he care????? i need to sit down,,,,,

[sp00ky-scary]

Twyla!!!

*stares at you autistically*

[superlove167]

Happy birthday to this sexy man 😘🥰🥳🍰🎂

[stormsandskies]

what if i said i think Gill and Chip do the thing Katniss and Peeta do in the later books where they ask “real or not real” and the other confirms.

Gill can’t remember if the fight with price was real and he’s imagining that chip and jay are still alive or if it was just a nightmare so he asks Chip

Chip dosen’t know if this good thing actually happened to the crew because he’s losing himself in the black sea so he asks

just the two of them confirming that they’re still there, that there is still good left. it’s a small way they can cling to hope

Jay also picks up on it and it becomes a normal thing to ask if something is real or not real after they wake up from a dream or get back from a dangerous journey

[goryhorroor]

horror sub-genres: anthology

[phoenixcatch7]

The Wayne doll house

Have some haunted doll au, since it's been bubbling away in my mind.

The bat cave is large and sprawling, many layers and tunnels and hollowed out cracks in the walls. It takes many years to fully reinforce to prevent stray kids from tripping into stagnant waters or fall down crags as he once did. The doll cave, as it becomes known, is in one of the deepest, darkest corners, one where the lights of the furnished caverns above don't reach.

It's one late night sitting at the computer when it suddenly occurs to Bruce that his first encounter with a doll was at the well entrance, many levels above.

There was nothing there when he went back.

-

The justice league stared at the subaru. The subaru, having no eyes, did not stare back.

The seven of them had just finished a very long, arduous mission, and narrowly escaped government censure after the base they'd been raiding had turned out to belong to some corrupt official. With the alert up, they couldn't escape through city airspace, or even in their hero suits.

So civilian it was.

Batman had hotwired some bloke's car while the rest of them ducked into alleys and shop bathrooms, but the problem remained. There was seven of them. And five seats.

"I can shift into something more suitable for being carried," suggested j'onn, "but I believe one of us might have to hide."

"Foot well?" Hal tried, and everyone looked around at the tall, bulky, broad heroes.

"Think they'd have to go in the boot," Barry finally said. Everyone immediately turned to him. "No."

Batman spoke up before the discussion could devolve.

"I think.... I would be best for that."

The team stared.

"Batsy?"

Having no lungs meant he could not drag in the tired sigh he wished, but whatever force allowed this body to talk was capable of approximating something suitably resigned.

"As I am, I am... incapable of fully passing as human. It would be best if I remained out of sight."

"So just? Go change? I swear we won't be weird about whoever you are under the mask. Even if you're like, bald."

"Thank you, Wally, but I'm afraid I'm being serious." Reaching for the mask in broad daylight was unpleasant, but the glue and wires held as he gave it a few thorough tugs. "It doesn't detach."

Everyone stared. Clark reached out as if he wanted to check, but withdrew.

"Do you even have a civilian identity??" Oliver eventually asked. "Because at this point I'm genuinely not sure."

Wayne Enterprises and Queen Industries had a meeting that same evening. "Hn."

"Can we go back to the 'incapable of passing as human' part?!"

"We can discuss it in the car," he snapped, stalking past Barry and popping the boot. "In case you haven't forgotten, we're on a time limit."

For once, that seemed to encourage them, and batman, with great dignity, folded his joints and cape into the small space, ignoring Hal's mutter of 'what kind of contortionist -' as he slammed the lid. With a little shuffling he managed to activate his comms.

"I will inform the watchtower of our delay."

"Batman, they're tapping all outgoing signals, you can't -"

"It won't trigger," he interrupted, before he twisted his consciousness and sent it spiralling across the country.

Bruce awoke with a groan, stretching his limbs and taking a moment to marinate in his annoyance before he reached for the comm and voice modulator on the beside table.

"Batman to watchtower, we've encountered delays. If the Texan state government calls we haven't entered the state in six weeks. Batman out."

-

"Alien?"

"No."

"Reanimated corpse?"

"No."

"Uh... Demon?"

"Hm. No."

"You're not just a meta human, are you?"

"No."

"Vampire?"

"No."

"Robot??"

"No."

"Batsy, please, someone's got to win the bet eventually. How do we even know you're not lying?!"

"You don't," Batman said, not looking up from his paperwork and Flash groaned, letting his sticky notes fall to the floor as he buried his head in his arms.

"One day," he bemoaned to the keyboard, "one day we'll figure it out."

"Until then please keep your eyes on the monitors."

Flash groaned again.

-

Robin ducked under superman's arm as he scuttled down the corridor, laden with the night's haul of snacks. The real problem wasn't getting them - stopping league members from raiding the kitchen would be extremely counterproductive - but keeping them until he could return home to his human body to eat them. Batman had started searching him each time they left and it was really cutting into his daily sugar intake. Unfair! Just because he didn't actually use energy to stay up my night to fight crime, it felt like he did!!

'Oh, you're broken, Robin, oh, don't go out until the glue has fully set, Robin' his arm was fine! It wasn't like there was much crime to be fought on the watchtower anyway! At least not physically.

So he was pretty pleased with himself until he went to set the snacks down and found that the tar like glue they used had soaked through the sleeve and gotten all over his chocolates.

With his other hand, he tried to pry them off, wincing as the wrappers tore and stuck. He tried to shake it, ignoring the way his elbow rattled in the joint.

"Come on, come on - aw, cheezits."

The arm fell off. Robin stared despondently at the limb, surrounded by torn wrappers and dripping black glue where it connected to the elbow. The sour stink of formaldehyde filled the air.

He was going to be in such trouble with Bruce.

The click of the door jerked his head up.

Flash stood in the doorway, wide eyed. Robin stared back.

Flash screamed.

Oh yeah @dehydratedmockingbird have a thing

[cutemothman]

they really nailed the casting for hickey like everytime he's on screen i am completely mesmerized he's the perfect combination of smarmy and charming

[balconyskeletons]

03.12.24

[hitokiri-izou]

traveling like a dream one night