#-quoted directly from the tweet

[warpednyliummybeloved]

thinking about professor fir and his castform.

[fireyocean92]

In these doomed times, what we need most is the drive to push forward.

Quote directly taken from this tweet the official Sonic Twitter posted last time that orange fuck became president.

[thefirsthogokage]

The CDC is trying to limit the new COVID booster to only people 75+, pregnant people, and the immunocompromised.

We have two days (as of September 6th, 2023) to let them know this isn't acceptable.

(since there is some lack of visual comprehension in the comments, each picture has the link to the tweet just under the picture)

Under this first tweet is the link directly to the article Laurie put in her tweet and is quoting.

Direct link to the page to submit your comments: click here!

Please, PLEASE fill this out and boost this post!

For those of you getting mad at me in the comments and reblogs: saying vaccination is only recommended for groups IS a way to try to prevent people from getting vaccinated because EVERYONE NEEDS THE VACCINE! Everyone needs to know they should get the vaccine!

It's not that hard to figure that out.

Dr. Eric Feigl-Ding did the original reporting on this. I put a link to his thread in one of the reblogs, and I'm not going to be your Google beyond saying that. Go to his Twitter. Go check out Friesein's tweet thread.

[theworldgate]

I have to explain what is going on in the UK, because it is absurd.

So, this is Gary Lineker:

He's known for a fair few things over here. He was a very good (association) footballer, playing for England in the 1986 and 1990 World Cups, winning the Golden Boot in 1986, and managing to never get a single yellow card in his playing career. He played for Leicester City, Everton, Barcelona, and Tottenham, before finishing his career in Japan. But if you aren't in your mid 30s, you probably know actually know him him for a couple of other things. The first is the role of spokesman for another Leicester icon, Walkers Crisps (which are sort of equivalent to Lays, but hit different), as pictured above. Despite being a notably clean player, he used to play a cheeky serial crisp thief. I don't think he's done that for well over a decade, but his ads were on the telly a lot when I was a kid and it's a bit like learning that the hamburglar was an incredibly clean (American) football player or something.

The second thing Gary is widely known for is having presented Match of the Day, the big football program on the BBC, the sort-of state broadcaster, since 1999. He is, incidentally, very well paid for this (though with a consensus that he could get even more if he went to one of the non-free-to-view broadcasters because he is very good at the job). He also has a twitter account. And political opinions. So, the UK government has got itself dead set upon doing heinous stuff that will totally somehow work to prevent people who want to come to the UK making the perilous crossing of the Channel (between England and France). By heinous, I mean "openly advertise that they won't attempt to protect victims of modern slavery" stuff. It's very obviously using a legal hammer to victimise a marginalised group of people in order to win votes. And, uh, I should clarify that by "legal" I mean "using the passage of laws" - the policy is, in addition to all the other ways it's awful, probably incompatible with the Human Rights Act and the UK's international law obligations. Gary, top lad that he is, objected to this. On Tuesday 7th March, he made a quote Tweet of a video of the Home Secretary, Suella Braverman, bigging up the policy, he wrote "Good heavens, this is beyond awful.". This got a bunch of backlash from extremely right-wingers, and then he made the tweet that really got him in trouble (with right-wingers): "There is no huge influx. We take far fewer refugees than other major European countries. This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s, and I’m out of order?".

Now, I am not actually subjecting myself to watching a video of Suella Braverman bigging up a cruel policy to say whether the specific comparison of the language to 1930s Germany is accurate. But needless to say, Ms Braverman was amongst the many figures on the right of UK politics objecting to Gary's rhetoric. And here's the part where a fact about the BBC comes in: it is nominally neutral and impartial (and so, of course, is routinely accused of bias from all sides but particularly the right-wing), and has something of a code for its contributors to this effect. Now, that code has previously been applied to Gary Lineker, over a comment about whether governing Conservative Party would hand back donations from figures linked to the Russian regime. But it generally hasn't been applied too strongly to people like Gary, whose roles have nothing to do with politics (such as presenting a "here's what happened on the footie today" show), on the basis that, well, their roles have nothing to do with politics. However, when directly asked about whether the BBC should punish Gary Lineker for his tweets, government figures basically went "well, that's a them problem". But a couple of days passed, and it seemed like Gary's approach of "standing his ground because he did nothing wrong" was working and everything would die down. He was set to get 'a talking to' but not much more than that. The Conservative right, after all their fire and fury earlier, had gotten bored and moved onto something else. And then, on Friday 10th March, the BBC announced that he would be suspended from hosting Match of the Day this weekend. But it could still go ahead, because there are, like, other hosts! Except, well, funnily enough, when you take a beloved figure off air, for making a fairly anodyne tweet, no one wants to be the scab who actually takes up the role of replacing him. Gary's two co-hosts, Alan Shearer and Ian Wright, said that they would not appear without him. People who (co-)host Match of the Day on other days followed suit. The net result is that Match of the Day is currently set to air without hosts, BBC commentary, or global feed commentary. And the solidarity shown to Gary Lineker, over what is very flagrantly actual cancel culture and an attack on freedom of speech (the logic implied is that institutional impartiality requires that no one say anything too critical of the government ever), has continued to grow. The BBC has pretty much been unable to run pretty much any live sports content today, and has resorted to raiding the BBC Sounds archive to fill the sports radio channel. And, as of 17:30 on Saturday 11th March, the situation shows no signs of improvement, though some are calling for the Chairman Richard Sharp, who is separately facing corruption allegations, to resign (yes I linked to the BBC itself there, there is nothing, nothing, the BBC loves more than going into great detail about how much the BBC sucks).

[lizardsfromspace]

The factchecking this cycle has been so profoundly incompetent that it's finally getting some real backlash, but the extent of it really should be clear. So much of factchecking is not based in reality, but in a kind of contorted moon logic that can find true claims to be false and false ones to be true based on wildly inconsistent reasoning.

But this one really shows off some of the base assumptions of modern factchecking, and also bc it got a community note which is funny:

Let's take this one by one

The idea that quotes have any options but "he said it" or "he didn't say it". It is a binary, maybe with a third option of "it was clipped wildly out of context", but something you see constantly now is the idea that quoting someone's direct words without deceptive editing or removal of context can somehow be false

Pointlessly noting that it's from 2016, and that it's not clear if he currently believes it. What the hell does that matter to the question of if he said that in 2016? People understood that the "dig up someone's tweets from when they were 17" thing was inane, but they counter-balanced by apparently deciding that citing anything someone said more than about six months ago is Misinformation if we don't have objective evidence they would say the exact same thing now, even if there's no evidence they believe anything else. Analyzing someone's high school tweets and analyzing something the literal President said seven years ago are not equivalent

Noting that he walked it back following criticism. You see this constantly, too. Again, what does that matter to the question of if he said it? But this is just taken as a given now: if someone gets blowback and says "whoops I didn't mean it", that should be taken at face value. Effectively, Politifact is letting Donald Trump self-factcheck Donald Trump: their only evidence (and I read the article too) this is at all false is that Donald Trump said Donald Trump didn't really mean the words he said, so they must agree with the judgment of Donald Trump that Donald Trump was treated so unfairly here.

A general confusion over what factchecking is. If you're asked "did Donald Trump say this in 2016?", your sole job is to determine if he really said that in 2016. It's not to divine if he, deep in his heart, still believes it now. That's completely irrelevant.

The two guiding principles of modern factchecking are this: one, it's strongly rumored - and also, obvious to everyone literate - that the major factchecking sites have either standing orders to find equal numbers of lies on both sides, or are staffed by people who think it's their job to hold both sides equally to account (the exception is Snopes, whose writers are just terrible at their jobs). In the name of this, Donald Trump can say something on camera only for it to be judged false, while a Democratic politician can be excoriated for mildly rounding down a figure in a speech. A factchecking website once determined that saying climate change was a threat to life on this planet was a lie, because climate change won't kill all life on this planet. Politifact's lie of the year one year was a Democrat saying a Republican plan would "end Medicare as we know it", which was judged to be a lie because it wouldn't literally end Medicare completely. Figurative language needs to be scoured, comments said directly on camera need to be made fuzzy. This makes factchecking sites worthless at factchecking, because what even is this?

It's not true that Donald Trump will refuse to accept the election results, because he's merely said he won't accept, and has said if he loses, it's only because the election was fraudulent. Okay, what, do you demand that people prove he said his plans in exact words? What is the actual, functional difference between "he said he won't accept it" and "he said if he loses it's because he won and they stole it from him, and he won't commit to saying he'll accept it"? What are you talking about, who is this for? When you go to the Logic and Reason Site for Debunking & end up having to puzzle out their convoluted logic and reasoning to understand anything, the plot's been lost a bit

The other is the idea that context is exonerating. Any context at all. If they said they didn't mean it, partially false. If they walked it back, partially false. If they said it was taken out of context, partially false. If they said it a certain number of years ago, partially false. If there's a longer video, even if it shows functionally the same thing, pants on fire, five pinocchios.

Again, we have footage of Trump saying this, and the footage in the ad is unedited, and the factchecking website is declaring something that OBJECTIVELY HAPPENED WITH HARD EVIDENCE IT HAPPENED didn't really happen bc we don't know his heart, maybe he believes something different now, we simply can't know for certain. But we do know for certain. Because "false" at least used to mean "didn't happen". But factchecking sites are now on those Beyond Belief definitions of "true" and "false" I guess

But the real problem here is that they just accept anything someone being factchecked says at face value. Because, and I can't believe I'm saying this

It seems like the people paid to determine if other people are lying...have forgotten that people lie sometimes

[idlerin]

CAN I CALL YOU MINE?

celebrity!sakusa kiyoomi x f!reader

part 1 | part 2 | part 3

the ikarus incident (band au)

+ word count: 9.3k

content — you're the miya twins younger sister yes, essentially brothers bsf (thats if sakusa treats atsumu as a bff, tsumu says yes, still up for debate), in this au inarizaki is based in tokyo!, as usual can be read as a stand-alone despite it being part of a mini series :3, uhh light angst for now, reader has had a crush on sakusa since childhood, she has a fan acc dedicated to him and he knows abt it too lol. oh and four year age gap.

it seemed like everyone (well, mostly your brothers) was against the idea of you liking sakusa, even sakusa himself. although you'd do everything you can to reach him, impossible it may be.

“IKARUS’ SAKUSA KIYOOMI and Haiba Alisa dating rumors heat up after viral video claims evidence of lovestagrams,” you read out loud, eyebrows furrowing, “What the hell are lovestagrams?”

Despite knowing this was more than likely a case of false assumptions made by story-starved journalists, you continued to read the article trending in your circle.

Fans express a mixture of dread and joy for a potential romance between Haiba Alisa and Sakusa Kiyoomi as a trending tiktok video compiles ‘dating evidence’ of the pair’s relationship. The video meticulously pieces together videos and clips of the past three years of Haiba and Sakusa’s interactions that seem to hint at a deeper relationship between the model and the music artist. The account also pieces together instagram posts of the pair that insinuate that they were near or at the same place, sharing similar poses reminiscent of ‘lovestagrams’ shared by couples.

That was when you stopped reading. You clicked out of the tab to quote the tweet the article was attached to. Words such as ‘when has sakusa ever seemed like the type to plan an ig layout?’ and ‘isn’t it weird to say that two people are dating just because they looked at each other or breathed at the same place’ that you both deleted in place of saying ‘i’d be happy if this were true’—you would not—‘only if sakusa announces it. like he’s said so many times that if he were to ever be in a relationship he’d tell the media himself’. A couple of seconds pass before you get a notification.

leia @keijisrealgf · 1m Replying to @kiyominiscient ur so real oomf. sakusa hates gossip pages byeee 7:04 PM · Jul 3, 20XX

[name] | kiyo’s future wife (real) @kiyominiscient · 36s Replying to @keijisrealgf  he’s like their worst enemy lol 7:04 PM · Jul 3, 20XX

leia @keijisrealgf · 6s Replying to @kiyominiscient hes more likely to date atsumu !!! 7:04 PM · Jul 3, 20XX

In the middle of typing out a reply, your door slams open harshly, “Oi, you better be ready, we’re leaving in thirty minutes,” the sight of your older brother, Osamu, in a plain shirt and jeans (which eerily reminds you of your father) makes you turn your attention to him, “You better still not be in pajamas.”

“Is it true that Kiyo’s dating Haiba?” you ask instead, tone in slight distress, rising from your lounge on the bed. Despite your reassurance for Sakusa’s other fans, you were more than less assured of anything. The last time you had a proper conversation with the man even through text was over a week ago, and he would never tell you if he was seeing anyone.

Osamu raised a brow, “How would I know if Kiyoomi was dating anyone? And Haiba? The model?”

“Yes, the model and I don’t know, does Atsumu not tell you or something? He would tell you if that were to ever happen, right? Right?” you were insistent. You knew your twin brothers had gossip sessions without you because of their weekly calls you walk into now that you’re temporarily staying with Osamu. You wouldn’t have wanted to sit through Atsumu’s girl problems anyway, he’d ask you directly for advice (he does this a lot) if he needed it.

“I guess so?” Osamu affirms, kind of.

“You didn’t notice anything when you visited their studio two weeks ago?” you ask, looking back at the dreaded day you scheduled a pilates class because you wanted to try it out and Osamu told you last minute when he dropped you off at the gym that he was going to the studio because Atsumu paid him to make food. You stood there, mouth agape, watching as your brother drove away, missing the chance to see the love of your life—what’s worse was Osamu did that because you would have asked to come with him, “Cause ‘Tsumu would never let him be! He’d be all up in his ass about it.”

Osamu contemplates your judgment of Atsumu, “Fair, he would do that. But I didn’t notice anyone acting differently last time I went.”

You sigh in relief, “Oh oka—”

“But doesn’t that mean if Kiyoomi were to get a girlfriend he would never tell ‘Tsumu?” Osamu thinks out loud, you froze at his glaringly correct answer, “Anyways, it’s none of our business. You’ve got to get over your silly crush on the guy. Now get up, you lazy bum.”

You frown before putting your laptop to the side after shutting it down—not forgetting to hit post on the reply—you stand up, patting down the white layered maxi skirt you were wearing and fixing the sides of your top before showing him your palms to show you were all ready before he starts to nag you, “Why would I ever be lazy with an opportunity to see Kiyo? I’ll just do my hair for a bit.”

Osamu blinks at you before sighing, already used to your comments about Sakusa, “Okay just do it quickly,” he says before leaving. You were staying with him while on vacation from university because you had nothing to do if you went back to your house. Your parents were currently on a three-month-long trip touring Europe, they should be back in a month or so, and you’d hate to be stuck in the dormitory without any company (your roommate and most of your other friends went back to their hometowns or abroad), so what was left was bothering one of your older brothers.

Your other brother, Atsumu, was too busy being a famous celebrity to house you. Alright, he’s not that mean, the reality was he was too busy moving out of his old condominium and moving into his shiny new penthouse to offer you a place to stay. Even if he did make an offer, you would choose to stay at Osamu’s any day because it meant you didn’t have to cook for yourself. As much as you were interested in Atsumu’s band activities, or more specifically, bandmate, you would not suffer through the horrors of living with him again even for only two months, you’ve had plenty of experience in that field. It’s not like Osamu wasn’t the same kind of horror, he is, just in a different font, but again, he can cook!

Securing the last strand of your hair and smiling at yourself in the mirror, you put your essentials in your handbag. Grabbing the bouquet of blue dahlias made out of paper you decided to make on a whim the past week once you found out Atsumu was hosting a housewarming party and Sakusa would most definitely be attending. You eye the three flowers you spent hours perfecting, you were badly hoping Sakusa would keep them this time. Unreachable. The meaning of the flower coincided with how you felt for him. You’ve had a slight obsession with flowers and their hidden meanings since you gave him a rose on his birthday a year ago.

You skip out of the guest room to see Osamu by the counter twirling his keys, he looks at the bouquet in your arms, you asked him if it looked pretty and he replied by muttering a ‘when the hell did you even get the time to do that’ before leading you out of his cozy apartment and heading to the parking lot. The drive didn’t feel like it was forty minutes, you were humming in excitement as you clutched your hand-made bouquet to your stomach on one hand as it sat daintily on your lap and scrolled through your phone on the other to read through the latest antics on twitter.

Soon enough you were thrown in to face the security check in at Atsumu’s new place, you kind of didn’t get it when Osamu was asked to show his ID when he said that he was Atsumu’s brother. Isn’t looking at his face already enough proof? But of course you get that it’s for security reasons, it was just funny to think about since they were literally carbon copies of each other.

You continued your humming until you were in front of Atsumu’s door, you quickly faced your brother, “Samu do I look okay?”

Osamu grunted out a yes (very unhelpful) as he told Atsumu through the phone to let you guys in. You stayed fiddling with the hem of your top when the door opened and you were greeted by Atsumu, his platinum blonde dyed hair one of the only clear distinctions he had with Osamu.

“Well if it isn’t my dearest beloved sibli—” you ducked under Atsumu mid-sentence, patting his back and absentmindedly saying a ‘yeah yeah love you too’. You were faced by nothingness, portraits and paintings but no sign of people, you do admit that his marble floors facing the skyline did pose a pretty view.

“If you’d let me finish my sentence, you would’ve known everyone’s out at the patio,” an arm was lurched on your shoulder, the same arm twisted you and angled you to the direction of open glass doors leading out to a private terrace where you spot familiar silhouettes. You heard Osamu’s footfalls follow behind you two. You couldn’t escape Atsumu’s hold and was forced to be etched at his side as he stood still on his main living area with no plans of moving anytime soon.

“She’s been restless for the past hour,” Osamu quips, sitting comfortably on a sofa chair and stretching, the comment makes you the subject of Atsumu’s jabs.

“Was it because you were excited to see me?” Atsumu grins down at you, using his free hand to murder the top of your head. You made a sound similar to a hiss as you tried to shoo his hand away.

You display your displeasure with a large frown, “I see you all the time through Samu,” you grumble.

“Gross!” Atsumu’s face scrunches and Osamu raises a threatening fist from his resting position, eyes closed and completely relaxed, “I meant seeing me, I raised you!”

“You were four when I was born,” you scrutinize, trying to get his arm off your shoulder and fail again, you kept glancing behind you where you would very much like to be at the moment, “And I do see you. On the trending page on youtube, tsu-tsu,” you chuckle at the latest nickname your brother was given because of his recent performance wearing a pink tutu. That specific performance of the band went to every corner of the internet because of the ridiculousness of their costumes (well mostly because of the ridiculousness of your brother too). You couldn’t help but think Sakusa still looked attractive wearing a colorful zebra print jumpsuit.

“I rocked that, didn’t I?” Atsumu smirked, unfazed by your obvious mockery.

“Can we go out now? Shouldn’t you be accommodating your guests or something, I’m hungry,” you groan, saying the last bit as an excuse, eyes drifting out again. You spot a head of wavy strands standing from the settee and going deeper into the corner of the patio, making your eyes widen, clutching your bouquet even tighter in anticipation.

Atsumu ignores you and glances down at your flowers, “My guests are just the guys and some other old friends, they can serve themselves,” he scoffs, giving Osamu a look, “And I’m hoping those flowers are for me.”

You made a noncommittal sound, taking the bouquet in your hands away from his view, “It’s not.”

Your brothers have always been unsupportive of your feelings for Sakusa ever since you voiced it out when you turned eighteen, hoping that confessing your feelings at that age would make them more accepting of it (spoiler: it did not). They kept acting as if it was just some phase because Sakusa was one of the first guys you’ve ever known, but you knew it was deeper than that. It wasn’t like your feelings showed up overnight, you’ve liked him ever since you were eleven and moved in the house next to the Sakusas. Your family moved because your father’s job required him to stay in Tokyo, it was a difficult decision moving so far away from Hyogo and everything familiar to you, adjusting took a while.

As an eleven year old, you were upset that you had to move away from all of your friends. You sulked for days and your brothers had to use petty tricks to get you to talk to them. Teasing and annoying you were their way to get you to respond, it was torture. They did what they did because you weren’t yourself for weeks, they were worried and didn’t know how to express it properly as stupid teenage boys.

Until one day your brothers annoyed you enough that you stormed out of the house, tears brimming in your eyes as you ran and ran till you tired yourself out. You saw a bench nearby and decided to sulk even more there. You were missing your friends and was frustrated because of your brothers, you cried your heart out for what felt like hours but were really just minutes. You were sniffling to yourself and wallowing in self pity when a handkerchief was suddenly in your blurry view. You look up at the owner holding it out to you, seeing an older boy looking awkwardly to the side, you observe what you can and the most you can make of him was his wavy hair and lean figure.

“This is my second lap in the area and you’re still sitting there looking pitiful,” his words were sharp and shouldn’t have been something said to a total stranger, you knew that much at your age, your shock from his attitude momentarily made the tears stop flowing.

“So? Aren’t you going to take it?” the stranger nudges the cloth to you again as you reluctantly take it to wipe your tears. You felt a bit better knowing a stranger cared enough to approach you, even if he was a bit rude.

You watch as the stranger starts to walk away, you inhale a sharp breath and with your quavering voice you manage to utter, “Uhm stay, please,” it was so soft that you thought he didn’t hear you for a moment.

But the stranger does stop in his tracks and looks back at you with a pointed gaze that should have been intimidating, he just stood there and you realized that he was waiting for what you had to say. Now with your less blurry gaze, you observed him more objectively. Noting how he was what you and your friends would say was a cute boy, you guessed he was around your brothers’ age.

Before you could say anything else, loud, obnoxious voices started shouting your name and running towards you. You watch in horror as your brothers approach and in your surprise, you hide behind the boy you just met. It took minutes of your brothers shouting their worry and claiming how stupid you were for running around in an unfamiliar place (which you wouldn’t have done if they weren’t being so mean in the first place!). That’s why you refused to go back with them, still using the stranger as your shield. The boy was obviously starting to get more and more irritated with each second that passed, he never asked to be in this situation when he was just doing a good deed for once.

That was when the twins finally acknowledged his presence and started questioning him, the stranger explained that he saw you crying at the bench and approached you to give you something so you would stop (he said this in an annoyed tone), and that he was about to leave when they showed up. The twins, especially Atsumu, were relentless and kept drilling him with stupid accusations like ‘Were you planning to kidnap her?! Huh!?’ when Sakusa at the time barely looked like he cared.

“Stop it!” you finally intervened, stepping out from your human shield, “Stop being so mean to him! You’re already mean enough to me,” you huffed, dramatically crossing your arms and glaring at your brothers. This made Atsumu quiet down, looking at you with a large pout on his face as if that would make you start thinking he deserved forgiveness.

“Hey, you know we didn’t mean it like that,” Osamu began, stepping forward and reaching a hand towards you—a supposed comforting invitation, “We’re sorry, so let’s go home.”

“I don’t want to,” your glare was still set, your stubbornness evident as you placed your foot down. It made both of your brothers groan, knowing when you were in your mood, you were in your mood, meaning, it’s going to take them a lot of convincing and bargaining.

“Hey,” the voice from behind you caught your attention, the chilly air was making a mess of his hair, “I don’t know whatever it is that happened but you should go home. It’s getting dark and you wouldn’t want to stay out here so late,” the stranger looks at his watch.

You contemplate it because he did have a point, and you were missing the comfort of your bed… “You’re right,” your shoulders slump and you mumble a small, “Fine.”

Atsumu cheers and you glare at him again before looking at the stranger who really looks like he wanted to leave, “What’s your name?” you finally ask.

Your brothers took your calm tone as a sign that they could approach you and they flocked to your sides as if making sure you wouldn’t run away again, they also waited in curiosity for the stranger to introduce himself.

“Sakusa Kiyoomi,” he says, “And you guys are…?” The twins introduced themselves, their guard down after deducing that Sakusa wasn’t a threat at all. You were a bit more shy when saying your name, you suddenly felt bashful because it was now just sinking in that this stranger-no-more saw you crying your eyes out like a baby.

Sakusa was saying his long-awaited farewell when Atsumu asked him if he lived around here and Sakusa said he was ten blocks ahead to the right, Atsumu’s exact words were ‘No way?! Us too!’. It turned into you guys walking towards your homes together with Atsumu leading the conversation with Sakusa, it turns out he was dead-set on making this guy his friend. You stepped back with Osamu and just watched as Sakusa pointedly shot down a lot of Atsumu’s statements, it made you laugh.

A couple of minutes later you guys find out that you lived right next to each other, another ‘No way?!’ from Atsumu. Osamu had to push his twin back into the house to get him—metaphorically—off Sakusa in his excitement.

You stayed out as the raven-haired opened his door, you exclaimed, “I’ll give you back your handkerchief after I wash it!”

Sakusa waved his hand as an answer, the action made another grin slip through your lips.

That began a series of countless encounters and moments with the family living next door and Atsumu successfully making Sakusa his friend (still up to debate, although he successfully roped him into forming a band with two other friends so that’s a success in making him a lifetime friend for sure). You’ve had off-hand conversations with Sakusa here and there but as the days passed you grew more and more self-conscious around the teen, until one day you found yourself looking in the mirror and admitting to your reflection that you have a huge crush on Sakusa Kiyoomi.

“I thought liking Sakusa was just a phase,” Atsumu sounded baffled, this brought you back to reality, “How many times do we have to tell you he’s too old for you?”

“He is not,” you defended, four years was practically nothing! You were twenty this year! Sure you’ve liked him since you were a kid and it was just a stupid crush back then but you weren’t a kid anymore and you still like him. Doesn’t that mean something?

“He’s practically ancient,” Atsumu says as if the person he was talking about wasn’t a few feet away. The heavy weight on your shoulders makes its presence known, you look at Osamu for help but he just stares at you because he agrees with Atsumu. 

You grunt, “You’re literally the same age, are you calling yourself ancient?”

“What’s the hold up?” another voice joins, you all turn to look at Suna Rintarou holding a plate with pepperoni pizza, “Atsumu you need to buy more food, and before you say anything else Akaashi and Kita agreed that we do need more food. Oh! It’s little Miya, long time no see.”

You frown at the nickname, Suna insists on calling you that even though you’ve told him countless times that you had a proper name. He’s part of the same band Atsumu and Sakusa were in, he’s also the twins’ former schoolmate at Inarizaki High which was how they met in the first place, “Hi Suna,” you greet blandly, looking defeated.

“You’re looking more and more like the twins every day,” the corner of Suna’s lips raise in a smirk as your face contorts to an expression that could only be described as disgust.

“I will start crying, tell me you don’t mean that,” you use your free hand to cover your face in exasperation at your situation. You just wanted to see and talk to Sakusa! You don’t understand why your brothers were being such a pain by keeping you away from him (which they didn’t do before, they only started with this weird intervention when you confessed your feelings for Sakusa a year ago). It wasn’t like you were going to pounce on the guy as soon as you saw him! You still had some decency and respected his space. 

“I give you a part of your allowance, little brat,” Atsumu sneers. Your extra meals and clothes you were only able to buy because Atsumu spoiled you with his music money flash before your eyes.

“Tell me you didn’t mean it as a joke,” you add to remedy your previous statement. It seemed to appease Atsumu enough but it didn’t warrant him setting you free.

“This is starting to get tedious, I think it’s been enough. Let her loose,” Osamu states, standing up with his hands crossed against his chest. In his words, you scowl even as Atsumu finally lets you go, you massage the part of your shoulder where Atsumu’s weight was pressed using your free hand.

“I’m not your little pet,” you point using your handmade blue flowers in the air, dragging them from Atsumu to Osamu, as if making the statement ‘I’m going to do whatever I want’. You huff as you turn your heels to see Suna’s amused face which you glare at as well before practically running towards Atsumu’s fancy terrace.

Not before faintly hearing Suna badgering Atsumu about more food as you slide out the glass doors and are greeted by the chill of the evening air. You made eye contact and greeted the three people seated around the gray L-shaped sofa. Akaashi on the furthest to the left—the main vocalist of their band, the one most of your friends had a crush on—and Atsumu’s closest former seniors back in high school, Kita and Aran, if you remembered correctly. You knew this housewarming party would only consist of a few people because Atsumu wasn’t exactly sociable, despite his obnoxious and loud demeanor. You were surprised to not see another face though, you briefly wondered if they had another fight. You shake those thoughts away and focus on what’s important. Greeting Sakusa.

His tall figure was leaning on the edge of the patio, keeping to himself as usual. You walked around the small table displayed in the middle, sidestepping the decorative plants. You were careful as you approached, not knowing what reaction you would get. Would he act again as if he didn’t know you had feelings for him? Ignore you? Treat you coldly? But you know Sakusa wasn’t like that, despite everything, you practically grew up together. You could never be a stranger, you hoped you’d never be a stranger.

“Miya,” you almost jump in surprise at him acknowledging you first. He’s always called you by your last name, you didn’t know why when he could call the twins by their first name just fine. It’s not like he doesn’t say your name or nickname sometimes too, he just chooses to call you Miya for some reason. It improved in some way, he used to call you ‘Little Miya’ like Suna did back when you were sixteen, and you complained enough about it that he stopped. 

“Were you waiting for me?” you gave him a sheepish smile, braver, stepping closer until you were standing beside him. You didn’t wait for his response in case your heart gets crushed by his answer and instead showed him the blue dahlias, “I made these for you.”

Sakusa gives one glance at the paper flowers before meeting your gaze, you wait with bated breath for his response, “You didn’t get poisoned by the rotten apple fruit shake, then?”

You almost didn’t understand what he meant, then you remembered the series of texts you sent him a few days ago which he never replied to, so you thought he hadn’t read it. You almost pout at the thought that he just didn’t want to reply, but that was typical of him already, “It looked normal on the outside okay? I told you it was Samu’s fault, who in their right mind would keep those lying around in their homes—and you’re distracting me!” you accuse once you realized he was trying to change the topic.

The corners of his lips twitch and if you hadn’t grown up with him you wouldn’t have noticed that little change in his otherwise deadpan expression, you place emphasis on your gift once again by lightly shaking it. He takes another glance, a hand reaching out to gently nudge the delicate paper-made petals with his fingers, “How long did it take you to make these?” “Around three days,” you answer dismissively, waiting patiently for him to take it, “I chose to make a nonexistent flower eternal,” you boast, proud of yourself.

“You could’ve used that time for other things, enjoy your summer break,” Sakusa says offhandedly, turning to look at the view, “Don’t waste it making gifts for me.”

“Making gifts for you is not a waste, this is the only way I can show you that what I feel for you is sincere,” your brows furrow, “And I am enjoying summer break, I’ve done a lot of things already.”

“I know,” Sakusa sighs, you didn’t know what he was referring to. Your sincerity? Or that you’ve been spending your break to the fullest? You do update him through texts from time to time, you make sure not to bother him too much for fear that he starts finding you annoying like a lot of other aspects of his life.

To your happiness, he plucks the bouquet from your hands. You were then overcome with the irrational fear that he would drop it, which was silly, “Keep it in a vase, okay?” you ask, “Preferably somewhere like your countertop or in the lobby,” you began to suggest the most visible ways he could display it, your own little way of putting bits and pieces of you in his life.

“Why didn’t you come with Osamu when he delivered Atsumu’s food?” Sakusa asks instead, changing the conversation.

A small pout forms on your lips, “He left me,” you complain, “They’re on some weird pact trying to keep me away from you.”

“They mean well,” Sakusa says, a glint of amusement in his eyes, probably imagining the twins doing everything so you wouldn’t be able to make any advances on him, “You’re their only baby sister, of course they would be protective.”

You lean against the stone railing, looking out on the view, slightly upset, “I know they mean well, that makes it worse. It’s not like I can’t think for myself, I know what I’m doing.” “Do you?” Sakusa asks, adjusting his body to look at you properly.

“You said you’d let me try,” you mumble, looking back at the time you confessed to him and declared you would try to win his heart, that he should give you a chance. At the time, Sakusa looked surprised, never thinking of the possibility that you would develop feelings for him deeper than anything platonic.

“Because I thought you’d find some other guy your age you’d focus on more when you start university,” Sakusa lets out a breath, “I’m not the one for you, Miya.”

His statement stabs you directly in the heart.

“You don’t…” you gulp, a lump stuck in your throat, “...have to like me back,” you bit down on your lower lip, “Can’t you just let me like you?”

“You mean a lot to me,” ‘just not in the way you want me to’, you could almost hear Sakusa’s train of thought, “You’re young—”

“You are not that much older,” you practically groaned, that was always their excuse.

“And yet I’ve known and experienced more in life than you,” Sakusa states bluntly, “Be serious, Miya. What you want isn’t going to work, so get over me,” talking down on you.

Your jaw clenches and you raise your chin at him, even with his frame towering over you, “It’s not that easy, Sakusa,” it was petty, not using the nickname you’ve called him since you were a kid. Being petty by using his last name as if that would put more distance between you two. It wasn’t wise letting your emotions control you, and perhaps it was proving to him more that you were still too childish for someone who already presents himself to be so mature. Though it did give the point across, that you were seriously upset, watching as something flickers in his eyes as you turn on your heels away from him.

You decide to sit in between Osamu and Akaashi, Osamu was splayed on the couch talking to Suna who was on his left about stuff you hardly care about. Even if your brother does notice your foul mood, he doesn’t point it out. Atsumu walks in holding three more boxes of pizza with a delivery guy trailing behind him holding more drinks. Which consisted mostly of alcohol and a few juices, which was most likely for your benefit. You were allowed to drink but you never liked the taste of alcohol. You watch as Atsumu directs the guy to put it on the side and that’s when you lose interest, choosing to listen in on Osamu and Suna instead.

You were catching in on their topic, but you were mostly just confused. It looks like they’re talking about Osamu’s planned business. You know this one, the onigiri franchise he wants to start. He’s working a corporate job right now to save up for his restaurant-ish (you didn’t really know what to call it), he didn’t want to risk focusing on that immediately after graduating. You know he’s near his goal, you’ve been hearing talks about finding the right building and stuff. All this business talk almost distracts you from your previous state of anger.

“Can I sit there, Akaashi?” you don’t look up to see the one person you’ve wanted to see all night. You knew he was blunt, that was just the kind of person he is, and you were used to it. Doesn’t mean just because you were used to it and you liked him, that you were immune to getting your feelings hurt.

“Sure,” Akaashi says nonchalantly, he was just on his phone the whole time you sat here, he also probably noticed you weren’t in the mood which was why he didn’t attempt conversation. You see in your peripheral vision Akaashi offering to help Atsumu with arranging the food.

You continued to listen in on Osamu’s conversation, it was beginning to be difficult to ignore the presence next to you. Your body was always hyper-aware when he was settling down, it betrays your need for indifference.

In your view, a bottle of juice was presented, it was one of your favorite flavors, “Your drink,” his voice was closer, closer than you were when you were together on the ledge. It was so difficult to stay mad at him. This was his way of making amends, you knew, and it was hard to act like you didn’t like it when he paid special attention to you. When you take no action to take the drink, he places it on the table top in front of you.

“I’ll get you food,” he says, standing up and leaving the space beside you empty. It was natural, his knowledge of knowing exactly how to appease you. It makes you feel even more devastated knowing he’s just doing this because of his years spent on familiarness with you and your habits, usually, he’d be doing this after Atsumu or Osamu (or even both of them) did something to upset you. To him, you were still the shell of the child you used to be and that meant he still wouldn’t be taking you seriously.

That was partially your fault, you were still so… emotional and childish. You knew that, you were trying to work on it, really. Based on the way you acted just a few minutes ago, you’d have to work harder. Your gaze lands on the spot at the empty seat he was in where your blue dahlias rested, he decided to keep them after all. Your chest tightens in even more fondness. Osamu glances once back at you and you shove him away.

When Sakusa came back, you took the food he offered with no complaints and drank the juice he placed in front of you, murmuring a soft, “Thank you.”

“I heard you still have that fan account up, Rika says you play pretend there,” Sakusa mentions once he settles down beside you again, gauging that you were in the mood again to talk to him properly.

You were still a bit ashamed because of how you acted, which is why you replied hesitantly, “It’s not playing pretend, I’m genuinely a fan.”

“Rika says she saw some of your tweets acting like you didn’t know Atsumu,” Sakusa seemed amused at this notion which distracted you enough that you didn’t care Rika was technically stalking you. Komori Rika was Sakusa’s cousin who works for him as his assistant, you’ve met her a couple of times and you text her whenever you want to know if Sakusa was busy or not (so you would know if it was okay to message him). She was very sweet to you so you didn’t mind it that much.

“It’s not just online, I don’t tell anyone he’s my brother—mostly because they don’t ask. And my friends would start acting differently if they knew I was directly related to ‘Tsumu,” your nose scrunches. It does disgust you when one of your friends starts gushing over him, it is probably better that you never say that fact about your family relations because your friends would start being mortified remembering all the things they said about these guys.

Sakusa hummed, knowing that part of the reason why you don’t tell people you knew Ikarus and was related to one of the band members was because of your worry that people would start befriending you because of that. He was there when your high school friendships fell apart, after all.

“What’cha guys talking about?” Atsumu intrudes by sitting between you and Sakusa, your face contorts into another unpleasant expression as Atsumu makes his presence very known and very unwanted.

You give a look at Sakusa, silently saying ‘See? I told you so’ which he responds by giving Atsumu a once-over, “You’re half-sitting on my thigh,” Sakusa grunts at him, moving to the side to be free of your brother.

“Omi-omi my guy, you know our connection transcends beyond the naked eye,” Atsumu threw an arm around Sakusa’s shoulder as you rolled your eyes and took a bite of your pizza.

For the rest of the night, you never got the chance to talk to Sakusa one-on-one again. You’d try to start a conversation with him and Atsumu butts in with his own smart-ass answer unrelated to your question in the first place. Eventually, you gave up because you knew Atsumu wouldn’t back down. You stood up from your seat, earning a few glances from the men around you. When Atsumu asks where you’re going, you say you planned to raid his house. He lets you be and you take one look back at Sakusa who was getting bothered by Atsumu before stepping inside the living room again.

First, you walked aimlessly but your feet led you to the kitchen. You started opening Atsumu’s cupboards only to find them disappointedly empty. The fridge was your next stop, you open the freezer and find chocolate bars you gladly steal. You sat on one of the countertop stools, distantly hearing Suna and Atsumu’s laughter.

What can you do for Sakusa to take you seriously? Maybe you should distance yourself for a bit, make him miss you. You chuckle at the absurd thought, in your dreams. Though it would be okay to get some space away, you’re not giving up, not by a long shot. But you’ve never really given much thought to what Sakusa’s type was since he’s never dated anyone—no one that you know of—for the past almost decade of knowing him. During high school, he only cared about his studies and the band. Then in college—where you started seeing him less—you don’t know of him dating anyone. Maybe you should ask Rika? Or maybe Motoya? Since they’re the same age.

Having a plan decided, you hum to yourself, satisfied. Biting off the last piece of chocolate, you threw the wrapper in a trash can. Then you found that the drums Atsumu had displayed in the living room interested you, spotting a pair of drumsticks lazily thrown on a desk. You take these sticks and put one experimental hit on the cymbals. A stinging ring echoed in the room.

“Oi! You better be careful with that!” Atsumu shouts from the patio, but doesn’t storm in to take them from you so that must be a good sign.

When you were younger, he never even let you near his instruments. That made playing with his instruments even more desirable. Music has always been Atsumu’s thing—well, the playing instruments part, he wasn’t very blessed vocally, Osamu used to take lessons too but stopped because it didn’t interest him enough. Your parents tried to put you through music lessons, but after accidentally plucking off the strings of your guitar one by one, they decided that for your own safety, you weren’t allowed to touch instruments.

You can still clearly remember the day Atsumu brought the three other boys home and declared he was going to start a band with them. The only person that interested you back then was Sakusa, because you didn’t know he was musically inclined. You would sneak into their practices in the extra room in your house and would stay even when Atsumu would screech at you to leave. There were days when they went to Akaashi’s house to practice so you were left pouty because you were unable to come with.

Sometimes, Sakusa was the only one who would come to your house because Atsumu begged him enough to play with him. Those were the days you enjoyed the most because Sakusa let you stay with him and watch him play the guitar. You asked him once why he didn’t play the electric guitar in the band, he said that he preferred playing the bass because it was a more reserved position, they weren’t too loud but they were a vital part of giving soul to the art (his words, not yours). That made you respect bassists even though you knew nothing about the music industry.

It was the first time you saw Sakusa with that expression on his face—at peace—it made you think that this path really must be something he loved. You were overjoyed when his and the band’s efforts paved off, even though it meant seeing him and your brother even less. They became busy, too busy for you, but you’ve learned that it was nice seeing them trending and going viral. Your social circles began to talk about them and they fawned over you too for being Atsumu’s sister.

Of course, all good things come to an end and people who you thought were your closest friends just used you to get close to them. Sakusa was there during the fallout, he checked in on you and asked if you were okay. He even took you out to distract you in place of Atsumu, who had a brand deal scheduled at the time outside the city, and Osamu, who was also out of the district for an internship. Sakusa stayed with you as you cried and cared for you more than you could ever ask. Before that, you began to think your childhood crush on him was fading but that experience when you were seventeen was when you realized that your feelings for Sakusa never left even with the distance life took him, and it probably never will.

“I’m hopeless,” you mumble to yourself, letting go of Atsumu’s drumsticks.

It only took a few minutes for Osamu to call you saying you’re going because he still had work early the following morning, all the guys say their farewells to you two. Atsumu was a tad bit over-dramatic because he was a tad bit drunk. Osamu had to pull you away from Atsumu’s embrace. You met eyes with Sakusa, giving a smile reserved just for him before Osamu completely dragged you out, noticing you were quote en quote ‘making goo-goo eyes at the poor guy’.

The rest of your summer break was uneventful.

You managed to beg Osamu to take you to a pottery class on his day off, it was fun at first but Osamu showed extraordinary skill in pottery that made your work pale in comparison. You sent a picture of you two to the group chat you had with Atsumu and the latter spammed crying emojis and threatening gifs. On Atsumu’s day off you went to a bake-your-own cake store with him, his platinum blonde hair begged for attention so you forced him to wear a beanie the whole time. 

The end of break was nearing and in your last week, your parents had gone back so you had a nice complete family dinner for once. The next few days you started to pack your things again because you had to move back into your dorm, were three suitcases and a large shoulder bag a bit excessive for a two-month stay? You’d like to think not.

You were posed with another problem though, Osamu couldn’t take you back to your university because he had some three-day team building thing he was going to a day before you were supposed to go back. You thought it would be okay because you asked Atsumu and he was free that afternoon, he said that he just had a promotional shoot in the morning but he would be able to pick you up, so you thought you were all settled.

On the day itself, you stood in the lobby of Osamu’s building when Atsumu sent a message. You were starting to get irritated because he was supposed to be here by four, he promised to be here by four.

annoying blonde brother 4:00 PM I CANT MAKE IT IM SO SORRY :<< I TRIED TO I SWEAR THE SHOOT IS STILL GOING ON I THOUGHT IT WOULD FINISH EARLY BUT WE APPARENTLY HAD SOLO SHOTS???

you 4:01 PM why do u hate me :(

annoying blonde brother 4:01 PM I DONT IM SORRY IM SO SORRY :<<<< HB U WAIT IN OSAMUS APT FOR A BIT?? ITLL ONLY TAKE AN HOUR MORE I THINK

you 4:02 PM i cant i alr locked the door and left the keys inside because you were supposed to be here by now.

annoying blonde brother 4:03 PM I KNOW I KNOW IM SORRY OK WAIT THERE IN THE LOBBY ILL GET SOMEONE TO PICK YOU UP

You frown as you sit on one of the lobby chairs, alone with the receptionist. You pull your two suitcases against your legs and hug your shoulder bag, having nothing better to do. You scroll aimlessly on your feed, it wasn’t like you could do anything but wait as patiently as you possibly can in your irritable state for this ‘someone’ Atsumu is roping in to help you.

annoying blonde brother 4:11 PM he’s on his way

Atsumu neglects to tell you who this ‘he’ is. How were you supposed to know who it was? You don’t question it further, not replying back, your own form of rebellion. How could he promise to pick you up and then tell you at the last minute that he couldn’t? He had major making up to do, that’s for sure, you were not going to let him off easily. With that final thought, you were already browsing for links to clothes you’d make him buy for you.

Thirty minutes passed and you were already getting bored out of your mind. You had your head buried in your bag when your phone buzzed, signaling that it received a notification. You almost dropped your phone when you saw who it was from.

kiyo <3 4:43 PM I’m outside Osamu’s building

Sakusa? Sakusa was the one Atsumu asked to pick you up? Unbelievable. Was it his way of making up to you? What? Huh? That doesn’t seem like something Atsumu would do. What? You were puzzled, but oddly happy.

Once you got yourself together you stood up, making sure to fix yourself up, looking at your reflection on the walls. You hurriedly gather your suitcases, slinging your bag over your shoulder. You talk yourself into calming down, since this was the first time you’d be talking to him in a while. You refrained from messaging him, practicing your self-restraint, but you missed talking to him so much, even when his replies barely held any substance.

Walking towards the pavement, your heels creating a clicking sound. You held your breath as you finally saw his familiar figure leaning against his sleek black ride, was it a new car? You’ve never seen it before. His hair was styled from their usual free curls and he wore a classy white button up that hugged his body nicely. He looked straight out of a magazine—which was probably exactly where he came from. He looked up at you and your luggage.

He started walking closer to you and all you could say was a breathless, “Hi.”

Sakusa reaches for your suitcases and you gladly let him take them, “Straight to your dormitory?”

“Atsumu asked you?” you asked once you got your thoughts organized coherently, it was a spectacle you still couldn’t comprehend.

You saw that same ghost of a smile on Sakusa’s face again, “He asked Akaashi and Suna first, but they were still doing their solo shots. He even tried asking our manager. I was the last person he asked, even though I was the first one to finish, he looked pained doing it too.”

That sounded more like Atsumu, a smile plastered on your face, “Even better, fate wants us to be together.”

Sakusa shook his head as he got your shoulder bag. You followed him as he put your luggage in the back of his car, he told you to get in and you complied, walking over to the passenger seat. Happy to use this as a way to spend more time with him, and catch up with what you’ve missed in the month and a half you made yourself Sakusa-free (that didn’t mean you had to stay away from the media though, he posted exactly one instagram post that you liked immediately), that was technically abiding by being contactless.

The seatbelt clicks into place and you wait for Sakusa to get inside, you are silent as he starts to drive.

“Thank you for picking me up,” you say, hoping to start a conversation. Your university wasn’t that far from Osamu’s, probably around thirty to forty minutes away, but you didn’t know how to drive and you didn’t want to take the train with all of your necessities.

“Do you need help bringing your luggage up once we’re there?” Sakusa asks, steering, your eyes following the movement of his hands. “Uhm,” you wanted to lie and say yes, “No, I don’t think so. We have an elevator, and it would be more troublesome for you because you’d have to sign a sheet to go in. You might run into a fan too, you might see your name trending again.”

“Okay,” was his only reply. He continued to drive silently as you moped while thinking of a way to start another conversation. Time was ticking and you hadn’t realized almost an hour drive could feel this fast, does the world hate you after all?

Your brain cells were saved when Sakusa spoke next, “Have you thought about it?”

“About what?” you rubbed your palms to keep warmth, confused by what he meant.

“Dating guys in your university,” he states plainly. Your mouth hung slightly as you were struck by the memory of your conversation out at Atsumu’s patio.

You purse your lips, gripping the edge of your leather seat, “Absolutely not.”

Sakusa surprised you yet again with what he said next, “I thought that was the reason why you weren’t messaging me.”

You gaped at him, disbelieving. You didn’t even think he would notice! Suddenly you were overcome with a burst of joy, “You missed me?” you sounded way too happy for your own good.

Sakusa went completely silent. You knew you weren’t going to get an answer out of him but you were still happy with the thought of him waiting for a message from you. It was likely enough to keep you happy to be simply looking out the window on the whole way to your dormitory. But of course, you don’t miss the chance to talk to him more. You asked him a few questions here and there like how the new album was holding up and the shoots and other important marketing stuff the band needed to attend to. He answered in short one-word answers and if you were lucky, a full sentence.

Your good mood toned down when you were on the street that led to your dormitory, knowing you’d have to say goodbye to him again soon.

“Why don’t you consider it?” Sakusa asks as he stops the car in front of your building, “Seeing other guys?”

It was a bit funny how your mood went completely sour, when you were brimming with happiness a few minutes ago. Your expression was passive as you say, “I told you, you’re the only one I like,” he was bringing this up again. He couldn’t get it through his head that you would only ever like him.

“You started liking me when you were barely a teen,” Sakusa references your confession to him, where you admitted that you’ve liked him ever since you met him, “You should give yourself a chance to look at other people.”

“You won’t even look at me,” your shoulders curled, you felt like your chest was caving in on you with how loud it beat. You wondered if he could hear it.

“You’re better off with another guy,” Sakusa insists, leaning against his seat, exasperated, as if you were draining the life out of him.

“So you keep saying,” you say in almost a whisper, “Is it because you’re already seeing someone?” you ask, your mind thinking of other possible reasons as to why he didn’t even seem to want to let you like him. If he were to say that he was, you’d stop. Even though it would hurt.

“No,” Sakusa sighs, completely turning off the engine. 

“Then why can’t you even let me like you?” your voice almost cracks at the end. Your nails dug in your palm.

“Stop being stubborn, Miya,” Sakusa faces you completely, his jaw set, his eyes, the only tell for his actual emotions.

“Am I not pretty enough?” it was out before you could control yourself, you couldn’t even look him in the eye because of how ashamed you were at your question, “Sorry, I know you’re not the type to be shallow about appearances. But, of course you still have standards and that… might not… be me,” your voice getting fainter the more you talk.

There was a ringing in your ear, you felt lightheaded. Thinking of ways to remedy the situation, a sour situation you turned even more dour. You started feeling anxious in your seat, too bare, too exposed.

A touch was what got you out of your blinded stupor. A touch that was cold against your warmth.

“That’s not it at all,” a gentle hand raised your chin so you could meet his gaze, “You’re getting it all wrong.”

“I’m sorry,” you apologize again, guilty you were letting him in your emotional frenzy.

“Don’t… apologize,” Sakusa began looking frustrated, his jaw ticking and his eyes shaky, “You’re beautiful, okay?”

You blinked, once, twice.

Despite all the signs that you weren’t dreaming, you still weren’t convinced this was your reality. Sakusa just called you beautiful. Sakusa told you, you were beautiful. Sakusa called you beautiful. No matter how many times you rephrase it in your head, it still felt unreal. You dumbly stared back, not knowing what to reply.

“I, uhm, o-okay?” you embarrassingly stutter out. Sakusa found you beautiful.

“I’m only looking out for you,” the hand still on your chin caressed your cheek. His words brought your senses back. You were afraid he was going on another tirade about how your affection shouldn’t be directed at him. That you should find some other guy to pour your heart out to. That no matter what you do, he would never be the one for you.

You nibbled on your lower lip, observing as his gaze fell down to it and back up to meet your unsteady stare.

“But…” you began, thinking of comebacks, reasons, anything, “I like you,” your eyes fluttered, in the end, that was the only thing that mattered to you, “So much,” your voice was fragile, and you could barely look at him straight.

You watched as his gaze sharpened, you waited seconds for a frustrated remark but it never happened. Instead, it looked like he was contemplating something. You waited, patient, willing to take whatever it was that he was willing to give you. And then finally, as if he couldn’t resist it, he tilted your head to the side and slowly, softly, lips barely grazing your cheek. Like his touch, it was cool, yet it gave you warmth all the same as heat rose to your face.

It was quick, and abrupt, and he let go of you immediately after as if your skin gave him burns.

Sakusa was tense as he opened the door and stepped out of the car. You gulped, your heart wanted to escape your chest, and you could hardly remember how to breathe.

Steadily—as steady as you can manage in your current state—and carefully, a hand went up to hold your cheek where Sakusa kissed you.

a/n — alright so i went a lil crazy with this one BUT MY EXCUSE IS i am in love with sakusa kiyoomi HES SO UGH mine

general taglist + @luvrsthrist @cherries4denki @cloud-lyy @misscaller06 @noideawhothatis @wolffmaiden @rivaiken @wooasecret @nicerthanu @sukunasrealgf @ris-krispie @seiamor @electriclovei @leeknowsarchive @todorokiskitten @rory-cakes @sexyandcringe @rinheartshyunlix @wh0zumy2k @iluv-ace @xiakyo @sanaexus @clyches @noble-17 @renardiererin @gra-eae @ilyless @girlincrimson

[ef-1]

I see some confusion (both real and manufactured lol) about the authenticity of the claims reported by F1-Insider on the Red Bull seat.

There are two main claims in that article

That everyone, including "the Verstappen family" were told by Horner and Helmut that Sergio WILL be replaced by the next race in Zandvoort:

2. That the drastic change of course was the result of Liberty Media (the rights holder to all of F1) pressuring Red Bull not to drop Sergio during the break because it would cost Liberty too much money if the only Mexican driver, who is regarded a hero, is dropped before the Mexican GP- tanking the event:

There has been a lot of handwringing about how F1-Insider is not a reliable news source, this is only partially correct because they are not really AMuS (<- regarded as THE gold standard in f1 journalism and reporting) F1-insider mostly report on other people's interviews and sources, it is however a reliable Verstappen camp source. Ralf Bach, the owner of F1-Insider AND MORE IMPORTANTLY THE AUTHOR OF THIS ARTICLE is a career long f1 journalist (30 yr long veteran and is inducted in the paddock hall of fame) has been a Verstappen camp insider since 2016 (think of him as Erik van Haren-lite), if he says something about the Verstappens it is either from Jos or Raymond. He's also by extension close to Helmut (Helmut gave him all those exclusive interviews about how close Red Bull came to bringing Seb back into Red Bull after Ferrari refused to extend him). Most of F1-Insider's interviews are from Red Bull, specifically Helmut and camp Verstappen.

Ralf Bach and Jos are even closer than that because they're friends. In 2021, Jos complained to Bach about Lewis and Toto without knowing he was saying those comments on the record because he thought he was just chatting with Bach as a friend. When Bach wrote about those comments in F1-Insider, Jos tweeted that he doesn't know who F1-Insider is because he didn't know Bach had founded his own company and the website was still quite new. Bach then asked Jos to delete that tweet because it dented F1-insider's credibilty and Jos DID delete that tweet because didn't want to make his friend look like a liar and he HAD said those things to Bach lol. + Bach was only second to EVH when it came to reporting Jos' side of the story when they were trying to overthrow Horner after news of the allegations against him broke.

For Ralf Bach to say, and I quote ,"The Verstappen family were surprised [...] Horner and Helmut gave them a clear statement: Perez is gone" literally means only 1 of 2 things: This is coming directly from camp Verstappen, either from Raymond or most probably Jos given that's his friend and the way Ralf specifically made sure to say 'the Verstappen family' (girl who else? Sophie? Victoria?).

Whether both claims are true can be up for debate but what is a point of fact is that Ralf Bach is reporting what camp Verstappen is telling him they know. And they're telling him that they were verbatim told by both Horner and Helmut that Sergio will be booted on Sunday after the race. The heli ride with Daniel, Max, Jos and Raymond + the fact that camp Verstappen have no reason to lie about this point to at least most of this being true.

[iizzeee]

Guys, I am begging you. Please please please please please PLEASE do NOT vote 3rd party, or not vote at all.

I get it. I really do. Biden’s handling of Israel has been, not gonna mince words, dogshit. Abominable. Unspeakably bad.

But we cannot afford to protest like this.

We don’t need Biden as president. We do need to keep Trump out of office. And to those who respond “well, I don’t want just the lesser of two evils,” please, for the love of god, grow the fuck up.

For one, why wouldn’t you want the lesser of two evils. It is, by definition, LESS EVIL.

“Why can’t we just have no evil, why isn’t that an option.” I really wish it was. Just as much as you. But it’s not. These are our cards, and we have to play our hand to the best of our ability.

Which brings us to two.

Trump is more evil. Like, so much more evil. We’re comparing apples and oranges here guys.

I understand that a lot of you might doubt that. The largest demographic of people advocating for third party or non-votes are in the 18-26 range. New voters, with one or no elections under their belt.

So they don’t remember.

Most of us (I myself fall under this age range) don’t remember 2016. The election, that is. They don’t remember how so many people protested Hillary vs Trump by going 3rd party or writing in joke votes, because they saw the two as equally bad. And Trump won.

Half of us don’t remember the Trump presidency. We’ve heard he was a weird, bad, bigoted president, but don’t fully grasp the scope of how bad.

So off the top of my head, here are some highlights of real things Donald Trump did while he held office.

- threw toilet paper at hurricane victims like he was trying to shoot a 3-pointer

- fired the man investigating him for election fraud

- called African countries “shitholes”

- appointed members of the Supreme Court who would go on to overturn roe v wade

- stole classified documents from the white house to hide at his resort

- tried to instate a Muslim Ban

- incited a insurrection to try and keep himself in office, and maybe hang his VP if there was time

- looked directly at an eclipse. Like no glasses, full on.

- fueled covid conspiracies. Also told people to “drink bleach” to fight the virus

- withdrew us from the Paris Climate Accord

- cofefe. Remember that? What a fun, normal thing for the president to tweet at 2am.

- employed literal white supremacists

- called Nazi’s “very fine people”

- got endorsed by the KKK, and refused to condemn David Duke

And that’s just what I can remember right now.

So if you’re angry at Biden about Palestine, please please please do not think for a fucking second Trump would be better. He would almost certainly actively be worse. He would give Netanyahu the green light. If you think Biden has used a loose leash, at least it’s some kind of leash. Trump would be all in. Full chips, flying to the Middle East to send in the bombs himself.

If you’re still hesitant, consider this last plea.

Things are bad. These shouldn’t be the only two choice we have, but they are. You can’t look at the menu, which is offering either bland soup someone spit in or actual rat poison and go “could I have some steak”.

You can order the soup and live to write a one-star review on Yelp, maybe call health inspections on the restaurant or contact the owners and say “you guys know your menu has only two options and they’re both dogshit. If you don’t add more, you’ll be unemployed soon.”

Or you can order rat poison and die.

If we elect Donald Trump in the fall, we will be eating rat poison. He has repeatedly said himself to be in favor of a dictatorship. He quotes Hitler. If he is put in office, the change we all want and so critically need will not be fucking POSSIBLE. Because with Biden, it’ll be hard, and tedious, and long, and exhausting, but at least it will be goddamn possible.

So, come November, please don’t order the rat poison.

Please just eat your shitty ass soup so we can live to get really angry about it.

Please.

[simplydnp]

Hii as a passive fan looking in from sidelines, I read something along the lines that Dan and Phil did come out like few weeks apart but they haven’t confirmed or denied that they are in a relationship? I am confused as what is the official narrative from their side, can you clear this for me please.

I have no doubt of them being together just confused about official timeline, xx

dan and phil are embracing the ambiguity that is brought to them under the 'we know you know' mindset

you're correct in that they came out a few weeks apart (though, phil kind of did in his tweet supporting dan on the day dan came out)

it's funny you ask this, as we do have a recent answer to a reporter about their relationship:

this is the first time they've really been asked this since coming out, but it's important to note the context here: they're talking to a new zealand reporter, about their tour. to me, it reads as an aggressive fuck off signal to the media. ie, this topic is off-limits. so 'officially' their stance is that their lives are private.

unofficially? there's a year's worth of dapg videos that carry heavy implications. it's a lot of reading between the lines, it's a lot of interpreting jokes, it's a lot of paying attention to things both Said and not said. from explicit sex jokes to earnest moments to even specific games they've played, it's easy for an audience to pick up the clues because we're looking for them--cause dan and phil tend to put them there for us. it is important to note that there has been a significant change in tone of the gaming videos from the past vs the gaming videos now. while the language and the types of jokes have changed, so has the dynamic--in the best way possible. they're much more free and relaxed on camera now, both an intentional choice and the result of being out for 5 years.

they've got a mortgage together, alright?

in terms of them not directly commenting on it--at least at this point, it just makes things easier. they aren't usually on tour so reporters aren't usually asking them these questions, but even beyond that, they're incredibly internet famous. even they themselves were surprised about quote "how many people were horny for dan and phil in 2024". and sure, it isn't the same numbers as pre-hiatus, but there's definitely still a lot of people here. so while we champion for a hard-launch (since they keep moving closer) we also know that it's bigger than just saying it. it would be everywhere. everyone would have something to say. and then it's not about the content anymore, it's the relationship (though, one would argue their chemistry makes the content, but i would say their connection adds to it, but isn't the commodity they specifically sell)

in terms of the timeline in particular, we're days away from 15 years of dan and phil, in that they filmed and posted pinof 1 in 2009 at the end of this week. they've never intentionally specified any other anniversary, so we don't know (though we have suspicions), but it's unlikely it took That long to get there. coming out was the next Biggest step, one could argue, and you're right about the timeline of weeks between videos. what i reckon that's important to note is that dan 'appeared' in a phil video surprisingly soon after june, despite not having made any other videos since christmas of the year before. even though it was just his voice, it was enough. there were 4 ish years of limited joint content between them, but it did happen (mostly stories and podcast style things), up until the return of dapg last october. since then, there's been regular dapg uploads (crazy phrase) and dan's either been directly in or mentioned in every single amazingphil video since the return. it depends how much you think implications and indirect phrasing are evidence/signifiers, but there's been a Lot that's come out of gaming videos in particular that Mean Things to the fans, but aren't something able to be captured by the media and ran with (though, one article did see the 'dan and phil are getting divorced' title and reported on it as if it were true, despite it just being an 'it takes two' video)

[thepersonperson]

How old do you think lived to be in the Heian era?

Also do you think the marks on his body are like birthmarks or tattoos to mark criminals?

Not a clue about Sukuna’s death age. The Buddha reached enlightenment at age 29. Sukuna is “enlightened” so I’m going to put him at 29+ years old at death.

I’ve been meaning to do a Sukuna Tattoo post so I guess I’ll use this as an excuse. They aren’t birthmarks that’s for sure.

Sukuna's Tattoos

Notes before we start.

1) I will be mainly using the TCB scans for the manga because of their accessibility. 

2) Written as of JJK 267.

(Click images for captions/citations.)

Preface

I'm drawing from a lot of sources here because documentation of Heian Era specific tattooing customs is not something I could find. The reason I’m comfortable using non-Heian sources as a reference is due to Sukuna borrowing both language and arts from other periods.

For example, Sukuna scolds Yorozu for not using a Haiku properly. The form of Haiku that Yorozu uses did not exist until the late 17th century. A good 500+ years after the end of the Heian Era (794 to 1185). The Haiku is actually derived from Waka poetry that became popular during the Heian Era. (Very short summary: Waka (Sedoka specifically) -> Renga -> Haiku)

It should also be noted that Chinese influences greatly shaped the development of arts and social attitudes in early Heian Era Japan. These influences declined over the this era as Japan looked towards itself for cultural development. Since the Heian Era was from 794 to 1185, most of the Chinese influences came from the Tang Dynasty (618 to 907).

For all these reasons, most of this tattoo analysis draws from the Tang Dynasty in China and the Edo Period in Japan. However historical Chinese tattooing in general is referenced more due to its availability.

Anyone with more historical Japanese or Chinese knowledge are free to correct me if I get something wrong.

Facial Tattoos

Let's first compare the facial tattoos on Yujikuna Megkuna and OG Sukuna.

Yujikuna and Megkuna have identical facial tattoos, but OG Sukuna lacks the markings over his nose and forehead. I think this is because those markings have something to do with Kenjaku's vessel creation. When Kenjaku casts Idle Transfiguration to wake up the Incarnated sorcerers for the culling games, they also have markings on their foreheads.

Sukuna's vessel markings might be different because his incarnation occured outside of the culling games. It could also be from his cursed object’s division into multiple pieces instead of just one. Whatever the reason, these forehead and nose tattoos prpbably hold more information about Sukuna’s relationship with Kenjaku than his past in general. All 3 versions of Sukuna share the chinstrap markings, so those tattoos likely have significance outside of Kenjaku.

Now onto what they could mean…

Sukuna has already demonstrated that he knows his Chinese literature and wordplay via Enchain/契闊 (Keikatsu). (The person who brought this to my attention may or may not have their account nuked. A doctored version of the Tweets is screenshottes here). What's important for this analysis is knowing that Keikatsu comes from a Chinese Poem.

The poem referenced belongs to the Shijing or The Book of Odes. This book is a part of the Wujing or Five Classics, a series of documents believed to be compiled by Confucius that has greatly influenced both China and Japan. Amongst the Five Classics is the Shangshu or Book of Documents that cites the use of punitive tattooing. Quoted directly from Wikipedia:

"It lists the "Five Punishments": the five primary penalties employed by ancient Chinese officials on criminals. The first (and least severe) of these punishments was the tattooing of the criminal's face with indelible ink."

In the Edo Period of Japan, the criminal markings on the face seem to only appear on the forehead. These were given to any lawbreaker as a punishment and a warning because they didn't have prisons. (Source)

These sources both suggest the facial markings are for criminals. However, there are alternative meanings that should be considered.

Kenjaku’s vessel markings are on the forehead and many of the culling game players consider themselves to be manipulated by the promises of incarnation. It’s also odd that the strongest sorcerer is unable to incarnate properly due to Yuji acting as a cage. Kenjaku is all but outright confirmed to have done that on purpose.

For these reasons, I think the following historical tattoo practice from the Chinese Song Dynasty (960 to 1279) should be considered. Quoting directly from the source:

“Tattoos for slaves were things like a label of ownership, or a brand on the forehead. There are some examples of slaves, and concubines, receiving tattoos as punishment for things like trying to escape…”

Uro is a former slave, a military slave to be exact. I go more into detail about this in my Initial Sukuna Backstory Theory. There is also the fact that Kenjaku sees the incarnated and has access to their lives/bodies like this...

They're essentially toys with built-in tracking devices for Kenjaku to monitor and tinker with as needed. The forehead and nose tattoos on Yuji/Megkuna can therefore be seen as a mark of ownership by Kenjaku. And maybe this is why Choso has one across his nose too.

There is one more meaning I can propose for the facial tattoos, though it mostly applies to the chinstrap.

Within China there are tribes that used facial tattoos for other purposes. The Dulong women had their faces tattooed to make themselves look undesirable to invaders that would abduct them for slavery and rape. (If you've read that one revised Sukuna backstory of mine, this is significant.) But more commonly, these markings became a tradition for girls coming of age.

The Ainu women in Japan also used facial tattoos for coming of age, beauty, and preparing for death. I bring up the Ainu because they’re mentioned as a non-Japanese group of sorcerers. There's also this Yuji is of Ainu heritage theory to consider. (This could link Sukuna to the Ainu by blood.)

The tribal uses are discussed here because Sukuna’s tattoos are vaguely tribal in appearance. Though tribal tattoos tend to be more detailed, his feel like a simplified version of them. I think that works well with Sukuna being labeled an unwanted child at birth. Japan has wiped out a lot of its indigenous populations and customs (see the Emishi). After all, what minority group practices haven’t been demonized and associated with criminal activity by the majority?

So the facial tattoos for Sukuna may be a marker for his vessel status, a claim of ownership, a punishment for being a criminal, a deterrent for sexual assault, or a signifier of belonging to a tribe. You can come to your own conclusions about this, after all none of this is confirmed.

Chest and Belly Tattoos

Comparing the versions of Sukuna again. (All these sections are going to start like this.)

Yujikuna and Megkuna once again have the same tatts. OG Sukuna has “C” hooked markings over his pecs instead of the “S” hooks of the other two. He also lacks the belly markings entirely. Since his belly mouth seems to be replacing the belly tattos, I think those markings on Yuji/Megkuna are a stand in for that extra mouth. The pec style differences I have no explanation for.

Due to the chest tattoos extending over Sukuna’s shoulders and onto his back, I won’t looking for possible meanings until the back tatts are addressed.

Back Tattoos

The tattoos running down Sukuna’s back appear to be the same for all 3 versions. Differences are slight enough to be considered inconsistency in the art and not deliberate.

The neck tattoos between Yuji/Megkuna and OG Sukuna differ slightly however. The bands of Yuji/Megukuna remain separate while OG Sukuna’s fuse together and extend further down his back. I don’t really have an explanation for this difference, much like the hooks differing on his pecs.

Back and chest tattoos are associated with criminal activities in Japan rather than criminal punishments because they are hidden under clothing. (Well not in Sukuna’s case, but you know…) Most notably the Yakuza have very intricate chest and back tattoos.

But going back to China, tattoos were also used as dog tags for military members and could signify loyalty, mainly during the Song Dynasty (960 to 1279, which is still within the Heian Era). Despite this, cultural opinions at the time seemed to be conflicted due to tattoos sharing an association with criminals. Quoted directly from the source:

“According to Yue Fei’s biography, when the legendary general was slandered and interrogated for treason, he tore the shirt off his body, exposing four characters tattooed on his back: “Exhaust one’s loyalty in service of the state.” This study looks at two components of the Yue Fei story—patriotic tattoos, and tattooed generals—and examines their meaning in the broader stretch of Song dynasty history. Yue Fei was not the Song dynasty’s only tattooed general who came to a tragic end.”

“This study shows that underneath the nationalist historical narrative of the Song dynasty, of which Yue Fei is a famous example, there lies a different story of social conflict within the Song state. Rather than a story of Chinese fighting non-Chinese and of traitorous and cowardly officials struggling with loyal patriots, this study offers a narrative of a social conflict between high-born clear-skinned officials and low-born tattooed military men.”

Now that sounds a lot like how the higher ups clash with the Jujutsu Sorcerers who do all the actual work. This mentality existed even in the Heian Era, where Uro was exploited as a military slave by the Fujiwaras. And since Uro is a Sukuna parallel, these tattoos could also indicate a similar type of exploitation.

There are still tribal purposes to consider. Drawing more from Chinese sources, the Dai men had body tattoos as a symbol of strength that would accentuate their muscles. Sukuna’s chest and back tatts really draw attention his brawn. The Li women had body tattoos as a right of passage and as identifiers. Sukuna’s neck tattoos in particular are similar to these ones.

So my spattering of explanations this time around for the chest and back tattoos are criminal organization affiliation, military “loyalty” claims (this is a form a slavery), decorative pieces to accentuate the muscles, a right of passage, and an identifier.

Arm Tattoos

Remember how I theorized that the belly markings on Yuji/Megkuna were a stand in for OG Sukuna’s extra mouth? That’s what I think is going on with the arm tattoos as well. The double bands and circles on Yuji/Megukuna represent the extra limbs on OG Sukuna. When this fusion is pulled apart, you get the single bands and dots on the 4 limbs.

As for their meanings? There’s the criminal markings of the Edo Period that indicate where the particular criminal is from. (Courtesy of this Reddit post.)

Since Yuji/Megkuna tattoos are more related to Kenjaku’s vessel creations, this could hint that their deal took place in Nara, Oosaka, Koufu, or Edo. (Nara is most likely because of its significance in the Heian Era.) For OG Sukuna, this is more indicative of where he first got them.

However, the single band is not for a location but rather a status—Hinin. These are the undesirables and social outcasts that were marked for their uncleanness. Sukuna was born a conjoined twin and unwanted. It’s likely these markings directly correspond to that fact.

…

(An unserious suggestion. On queer men in the US, double rings on the arm can represent how far they can fist someone.

I don’t think Gege is referencing this at all. This is just an example of why cultural context is very important to consider.)

...

There are some other meanings to be drawn from armbands specifically, but those are easier to group with legs.

Leg Tattoos

Differing from the other sections, the leg tattoos have only been seen on Megkuna and OG Sukuna. As referenced in the image below, we have the ankle of Megkuna (top left), the upper thigh of Megkuna (right), and ankles of OG Sukuna (bottom left).

Instead of having the double rings, like on his arms, Megkuna only has a single band, which matches OG Sukuna. (It’s reasonable to assume Yujikuna is the same and that OG Sukuna has the upper thigh bands too.) This further supports the idea that the double bands and shoulder rings represent the fusion of the extra limbs. Sukuna never had extra legs so there’s no need represent missing limbs.

For what they mean? I have only the non-Japanese/Chinese sources to go by. Gege may be a fan of non-Japanese cultures, but I'm not sure if that means Sukuna's design elements would borrow from them.

In other cultures, armband tattoos can represent mourning. Which ones exactly I have no idea because all the sites making this claim don’t specify them in detail. (Source 1, Source 2, Source 3) It’s honestly pretty infuriating. If you’re going to “borrow” designs from “cultures” to sell, at least cite your got danged sources.

But if we are to read these as indications of mourning, I don’t believe they’re for a person. Throughout this analysis, tattoos recurrently are associated with some form of oppression—slavery, uncleanliness, social damnation. If Sukuna’s bands are to be read as mourning, I think it’s for the loss of his autonomy and personhood.

What does it all mean?

Sukuna's tattoos are permanent marks that appear to be directly linked to his soul. How he acquired them is currently unknown. Traditional means of application can be quite painful, using metal or bamboo rods to carve skin and fill the abrasions with ink. (Here's a video if you want to watch it be applied.)

If we consider Kenjaku’s use of brands to mark and control vessels, it could be assumed that Sukuna’s tattoos are ones others put on him through binding vows for his control. They could also be symbolic in nature, hinting at his heritage and origins, indicating that he was branded an outcast at birth or even blessed by deities for protection. Perhaps Sukuna wanted the tattoos himself as an act of rebellion against the changing social norms. Whatever the reason, one thing is clear, these tattoos separate him from other humans.

Existing on the Border

I think the ambiguity behind the purpose of these tattoos this fits nicely with Sukuna and other people not knowing how to categorize his personhood. He's so strong and different that he might as well be something other than human. But he's not a curse, he wouldn't be able to used Reversed Curse Technique if that were the case. Is he a monster? A natural disaster? A god? He's kind of all these things at once by way of projection. Other people assign these labels to him and Sukuna doesn't correct them. There's something profoundly gender about it all.

And if you noticed, tattoos in ancient China and Japan have purposes that differ by gender. For women they were used for beauty and protection, while with men they were used to mark ownership and criminality. Sukuna has a melding masculine and feminine elements which is why I consider the tattoo meanings for both with him.

That sounds kind of crazy given that Sukuna very much embodies strength born of toxic masculinity. However, he actively wears women’s clothing and seems to have no qualms with being associated with feminine things. (Godbless marketing team for leaning into that.) He may have a rough and masculine speaking style, but he loves poetry and flowers.

(Sukuna is lying when he tries to deny it. Megumi's hobbies have everything to do with animals, not flowers.)

The earrings he wears, though a direct reference to the Buddha (basically it’s shorthand for how Sukuna isn’t truly enlightened yet), are another symbol of Sukuna's non-conformity. Earrings are something the Japanese government went out of its way to ban for Ainu men during the Meji Restoration after it decided they were only for women.

Even the short hair both he and Uraume wear are quite rebellious for those times, if not an indication of their lower standing. Regardless of gender, long hair was seen as desirable, high-class, and attractive during the Heian Era. (Source for men and source for women.) Most of the Heian characters wear it that way.

Notice how the servant has her hair cut shorter. Sukuna and Uraume's is shorter than that. It would be considered ugly and possibly dehumanizing. And yet when Kashimo sees Sukuna's true form, he calls him beautiful. He uses 美しい (Utsukushii) to do that.

That kind of beauty is a bit deeper than the English language can get across. From the words of someone else, "...utsukushi can express the beauty of something that catches your heart."

Kashimo isn't really wrong, but he's also not entirely right. For every panel of Sukuna looking like an ethereal god, there's another of him being an amorphous creature or a rabid goblin. All of these types of faces for Sukuna occur within JJK 253 alone.

These contradicting elements that somehow fit together are what make Sukuna, Ryomen Sukuna. He both participates in and rejects beauty. He’s crude and classy, violent and merciful, masculine and feminine. That duality, that two-faced nature is Sukuna.

I think his tattoos reflect this. Directly quoted from the source:

“Tattoos have many different symbolic meanings in Japanese culture and can denote where an individual ranked in society or serve as a permanent means of defense against evil forces or perhaps members of the animal kingdom. With the arrival of the seventh-century, the idea of tattooing one’s body in order to make it more beautiful began to lose its appeal due to the strong influence of Chinese customs in Japan—specifically when it came to identifying and tracking criminal activity. Around 720AD during the Nara Period, it appears that tattooing as a form of punishment began to infiltrate Japanese culture. Once the dawn of the Edo Period began the art form was more widely used as a punishment for criminals as at the time there was really no such thing as a prison to send lawbreakers off to.”

The purposes and attitudes towards tattoos in the Heian Era morph in the way Sukuna morphs both physically and in perception. Since Sukuna is the Fallen One, that means he must have been Honored One first. What caused him to fall remains a mystery, much like the meanings behind his tattoos.

One last thing...

A small caveat in relation to everything else, Sukuna referring to himself as The Fallen is the only time he has introduced himself.

He’s not given someone his name nor identified himself as anything other than a former human (which was internal). Combined with the ambiguous nature of his form, tattoos, and origins, I don't think it would be wrong to read him as someone who has transcended gender.

[ckret2]

How do you (personally) rank the validity of different canon sources?

Ex. Show, Books, Livestreams, Panels, Deleted Scenes ect.

Disclaimer ahead of time that this is solely for my own personal canon-compliant fic writing purposes and I don't expect anyone else to follow this or even think they're obligated to write canon compliantly

Tier one: the show is more canon than the books, but only 1% more canon. In defiance of Alex's decree, I do treat Little Gift Shop of Horrors as canon.

Tier two: everything in the books (plus the books' tie-in websites, like Shmeb-You-Unlocked or TINAWDC) is canon UNLESS it's contradicted in the show. If there's a contradiction, usually the show wins, but it has to be decided on a case-by-case basis. Sometimes contradicting book info take precedence over show info if the book's info is better. The best outcome is when the info can be smoothly synthesized. (Note that having to weigh a book against the show only applies to CONTRADICTIONS; if the book just ADDS ONTO our knowledge of the show in a way that doesn't actually contradict it, it's automatically canon.)

Also in defiance of Alex, I consider Time Pirates' Treasure wholly canon, with the "official" timeline being one of the ones where they get the treasure and all of the other choose-your-own-adventure branches being things that happened in neighboring parallel timelines.

Out of the books, Journal 3, TBOB (+TINAWDC), and Lost Legends (+Shmeb-You-Unlocked) are the most canon. TBOB takes precedence over Journal 3 on matters where TBOB's lore is clearly intended as an upgrade on prior ideas (ex: the shaman's portal and the pyramids). Dipper & Mabel's Guide, Time Pirates' Treasure (+ the Axolotl page), and Don't Color This Book are secondarily canon. Lazy screenshot-based novelizations of existing episodes are whatever.

I choose to selectively semi-reject some of the skeevier conspiracy theory claims in the books as "Bill's lying about these": outside of those exceptions, going "there's no evidence Bill's lying about this part but I've decided that he is just because I don't like it" is the coward's way and dishonorable.

Info in the Bill Cipher AMA is third tier canon, since it was written in-character and comes directly from Alex. (Some quotes from the AMA were recycled directly into TBOB + TINAWDC.) Gus Burnside's twitter account is also third tier.

For the first three tiers, all info is canon unless something in a higher tier contradicts it.

The Cipher Hunt is 3.5th tier.

All out-of-universe materials—livestreams, panels, interviews, DVD commentary, tweets, doodles & concept art, etc—are fourth tier. If it's contradicted by anything in the higher tiers, they take precedence; but, for lack of a conflict, out-of-universe materials fill in the gaps. But the person involved matters: show writers' statements on the characters are more canon than voice actors' statements. If fourth-tier materials contradict each other, the newer one takes precedence. Fourth-tier materials can be selectively ignored if so desired, but better to find a way to twist them to make them work.

The Gnome Gemulets game is fifth tier; all the lore from it is canon, but the events may or may not have actually happened, or else only loosely happened like that. Gnome Gemulets may occasionally rank higher than the out-of-universe materials.

Disney.com flash games and the like are semi-canon; you CAN take lore and details from them if you want but the events probably didn't literally happen unless you really want to make it work. Okay to imagine that events happened that were loosely inspired by the games.

Deleted scenes and cameos (ex: Bill in the Simpsons) are semi-semi canon. They probably didn't happen, especially if it contradicts canon; but you can freely take ideas and vibes from them and use them as examples of the kinds of things that could happen (ex: Bill would try to con people into buying crypto just for the heck of it).

Unwritten episodes are semi-semi-semi canon: they definitely didn't happen, but by god, you could MAKE them happen.

The How Not To Draw Grunkle Stan short is as yet unknown. Under normal conditions it ought to be semi-semi canon, but since TINAWDC did some stuff with the Henchmaniacs escaping to reality shortly before this clip came out about Bill escaping to reality, there's a slim possibility this is part of a budding storyline about Bill & the gang in the real world, so I'm reserving judgment for now.

[under-lore]

About "Tweets aren't canon"

One misconception that one seems to be nearly guaranteed to see brought up by someone whenever discussing Undertale/Deltarune lore with people who are not particularly invested in it is that "Toby Fox said tweets weren't canon".

And, when you first hear it, it actually sounds quite convincing, because this tweet is in fact real and does seem to say that.

So... What's actually going on here with tweets and with this one in particular ?

The actual status of tweets

Before mentioning what's really going on with that specific tweet, i'd like to lay some groundwork first.

For instance, regarding the fact that this tweet dates back from November 2016. And that if the tweet were to be taken seriously, it would mean that no tweets especially after that date are to be treated as canon.

Something that is rather explicitely not the case.

There are several examples for this, although the Gaster tweets which introduced us to Deltarune and directly link up to the game's "Goner Maker" introduction sequence are i would say prime offenders.

Here in these tweets, we are not yet connected, then we are given a way to connect.

Then, we pick this back up where we left it in Deltarune, where we are then asked wether the connection was a success.

This has of course been pointed out to Toby (although he never responded to those messages), and yet it did not prevent him from re-doing the exact same thing a few years later for chapter 2.

In short, the situation is that, to this day, Toby Fox still purposely uses tweets in order to provide important canon-accurate information about his games, with the Spamton Q&A as recently as last year.

In light of that, using that one tweet to say that any information coming from tweets is invalid just can't be right... So one might wonder :

But then, why did Toby say that ?

The problem comes from the fact that this quote is usually cropped like this when people try to share it around :

Which is greatly misleading !

Obviously, Toby Fox's popularity comes mainly from Undertale and later Deltarune. Due to this, and due to the majority of the fandom nowadays being teenagers, many in the fandom are not aware that ever since his own teenage years, Toby Fox has been for the lack of a better term, a massive shitposter. A habit that only started to die out after Undertale's release and in the year that followed. (Though he still shows glimpses of it from time to time)

I mean, we are talking about the person who kept on posting memes on twitter for nearly a decade and who made "a goast poot on u" at the end of the Earthbound Halloween Hack, his first semi-serious game project.

Why ?

Because he's just that kind of "funny guy" and felt like it. His words, not mine.

This was, up until not so long ago, the kind of person that Toby was online.

When taking all this into account and looking back at the un-cropped version of that quote, it becomes pretty obvious what's going on here.

Toby Fox found a bootleg nursery rhyme video of Undertale characters, found that hilarious (As the "funny guy" that he is), and decided to make a shitpost about it. Joking about how this weird thing that he found, right here, was the peak of official Undertale material and might just be more canon in his book than the kickstarter or tweets were.

The post that started this whole thing in the first place was just that, a shitpost, a joke, not something that Toby ever actually meant. Which honestly should have been pretty obvious in the first place, i mean, this is still a post about Toby trolling bootleg nursery rhymes, people. It wasn't meant to be taken seriously...

Besides, that tweet's statement would have been self-contradictory anyways. If tweets weren't canon, then this tweet would not be canon either, etc... Leading to one of those silly paradoxical loops rather than to an actual statement about tweet canonicity.

So then, that brings the question : Why ?

Why do so many people still claim that tweets aren't canon ?

The reason is likely the same as the reason why this misconception was created in the first place : It is a rope to cling on to for some people to defend certain headcanons that Toby had debunked via tweets.

Because yes, between late 2015 and late 2016 Toby used to once in a while answer a question about the lore of the game on tweeter. Leaving some people with their headcanons turning out to be wrong.

(A few examples of headcanons that Toby denied on twitter were that Undyne killed the green soul human, or that ghost monsters used to be humans, for example.)

It was some of those people, in the first place, who started cropping this tweet to make it seem like their headcanons were still on the table and started the mess in the first place.

This rumor, at its origins, was not just a mere misconception but rather a deliberate attempt at misinformation from some fans that weren't happy with the way Toby had taken the game, which is unfortunately still being shared around to this day due to how sensible it seems at first sight.

[golbrocklovely]

outsiders // colin and penelope

A/N: i know this is unlike anything i've posted before on here. i'll be honest, idk how else to explain this other than i direly need to see luke newton play a vampire, so this is about as good as it's gonna get until then. this is also very vaguely based off of a tweet that said this picture of polin makes them look like a cunty vampire couple and you know what??? they ain't wrong about that lol i used direct lines from the show, particularly in the drinking scene with the boys and the carriage love confession (which will be in part two). there are also some quotes and line sprinkled throughout that are similar to those in the show/book. but most of the dialogue is not from the show/book directly. also this is the first time i've ever written a fanfic using characters rather than real ppl… well minus a spn fanfic i never finished. so, please be kind since it's all fiction anyway. hope you enjoy and lmk what you think :)

prompt: Colin is trying to deal with the fact that he is not only in love with his best friend, but that he is incredibly lost as to who he is as a person. It also doesn't help that he's a monster; a vampire. Pen just wants her freedom, her ability to be Whistledown without anymore people finding out. And in her mind, Debling is the solution to her problem. But one fateful night brings Penelope and Colin together in ways they never imagined.

trigger warning: jealous!colin, protective!colin, AU!vampire, the entire bridgerton family are vampire, colin's friends are dicks lol, formal english (but that's a given), vampire powers, manipulation, ANGSTY AS HELL, idiots to lovers (not until part two), somewhat of a cliff hanger but not really since the next part will be out soon, mentions of blood/blood drinking

word count: 3054

~~~~~~~~~~~

Colin knew deep within himself that going out with Fife and the rest of his so-called friends was a mistake. Mostly because his mind was preoccupied tonight, many thoughts swirling around him; all of which pertained to a certain red head he had known since childhood. The mistake was thinking that he could relax while being around these exhausting men and their childish ways.

However he really did need some revelry after what he witnessed during the day.

When he walked into the library party and caught Pen with Debling, smiling and laughing at whatever he was saying, his blood boiled. A permanent frown etched into his face and had stayed there the entirety of the day.

"Say, what ails you, Bridgerton? Are you not enjoying your night?"

Colin turned to Stanton, blinking slowly. He took a swig of his drink, shaking his head. "I am well. Please continue with your story."

Stanton smirked, turning back to the table, "On my Grand Tour, I encountered this Greek girl in the Balkans. My bear leader..."

Colin zoned out again, unable to truly listen much longer to the men's stories of different conquests they had over the summer. His mind was still reeling, his thoughts ever consumed by the image of Penelope. Of their shared kiss. Of his constant reoccurring dreams of her and him. 

"She sounds like the young woman who made my time in the French Quarter worth the length of the voyage. Much to offer upstairs, and I do not mean her mind." Lord Wilding motioned with his hands, causing all three men to burst into laughter. Colin sighed, staring at the ground for a moment.

Fife looked up at Colin, "What about you, Bridgerton? You were gone for quite a while. I am sure the girls of summer made your trip quite... fulfilling?"

The gentlemen chortled, and Colin could feel them all eyeing him, waiting for an answer. "I did tell you my story of the contessa, did I not?"

"Yes, but you did not give details." Stanton whined.

Colin half-heartedly smiled, "Well, a gentleman must keep some things to himself."

Wilding pffted, "Oh, come now. I do not see a gentleman amongst us."

"I concur with you there." Colin shook a finger at them. The gentlemen gave him a quizzical look, freezing him for a moment. "Oh, forgive me… But it is tiring, is it not? The necessity imposed on us to remain cavalier about the one thing in life that holds genuine meaning. Do you not find it lonely?"

Colin gazed upon the men, hoping to see agreeing eyes; but instead the table chuckled at his expense. He sat back in his chair, defeated.

"This wouldn't have anything to do with a certain Featherington girl, now would it?" Fife teased, his glazed eyes staring at Colin's face.

"You know, Bridgerton? Congratulations are in order. I heard that apparently Debling plans to propose to her." Stanton raised his glass, "The marriage mart whisperer actually made a match. Cheers."

"May God have mercy on that poor man's soul." Wilding whispered, finishing his drink.

Colin narrowed his eyes, "I beg your pardon?"

"I know you have a fondness for the girl, but I cannot fathom what type of wife she would be. I would never marry a Featherington, but especially Penelope." Wilding remarked, almost disgusted.

"Maybe that's why Debling plans to travel for years." Fife quipped.

"Well, like your lady in the French Quarter, she at least has a lot to offer upstairs." Stanton snickered.

Colin leapt to his feet, his chair slamming to the floor. His hands were clenched tightly at his sides as his anger raged through him. His red eyes shot up, glaring deeply into the gentlemen's souls, captivating them instantly.

"You will never speak about Penelope or the Featheringtons ever again. And if ever asked about them, you will say nothing but the kindest of words." Colin grunted, his gaze shifting from man to man, "If I ever hear you speak badly about her or her family again, I will tear your throat out with my teeth. Your trivial existence will be ended, and the ladies of the Ton will be better for it... Know this as true, but forget I said this."

The gentlemen blinked rapidly, clearing their throats and looking at each other confused. Fife glanced behind Colin, "What happened to your chair?"

Colin smoothed out his vest, calming himself, "Oh, it must have fallen over when I stood up. Goodbye gentlemen, I am growing rather tired of this night."

~~~

Colin had the privilege of being born a vampire; and with that privilege came the ability to manipulate those around him. However, there were only two types of people he couldn't manipulate: other vampires - which really only applied to his family since he knew of no others - and those he was in love with. That applied to all the Bridgerton siblings. It was their own little family quirk, as they so lovingly called it. In a way, it kept everyone in check. Because they knew out of everyone in the Ton, the people they loved couldn't fall victim to their ability.

But luckily for everyone in the Ton, the Bridgertons were a good family. Violet had taught her children to seldom use their ability, and the children all followed suit. Hyacinth and Gregory did occasionally use it on the maids in the house, so that he could get extra sweets or she, the latest issue of Whistledown before bed; but for the most part all of the Bridgerton siblings fell in line with Violet's beliefs. 

While most of the Bridgertons enjoyed being vampires, Colin did not. Maybe it was because he was battling with himself over who he truly was. All this did was make him feel even more like an outsider. He wanted to be normal, to be known and loved for who he is, but how could he? He was a monster.

And now this monster, deeply annoyed by the past couple weeks of events, was on the search for blood.

Colin did not enjoy hunting. In the day, when he couldn't hunt, it was easier to forget what he was. But at night, his cardinal urges always came to the surface. 

Hunting on the poorer side of London wasn't challenging. There was always someone out and about. And Colin only needed a little bit of blood. None of them ever killed; the rule was only take what you need and leave no trace. And they were all excellent at that.

The worst that could happen was being caught by authorities. Or even worse, somehow ending up in Lady Whistledown.

Colin lurked around a corner, waiting impatiently for a passerby. He glanced at the printer shop, the light inside telling him someone was there. He needed to move further away, in case those inside would hear his victim if they were to scream out suddenly.

He casually walked down the cobblestone street, his sense of smell picking up someone near. It was a woman; that he was sure of.

He knew he should have just drank from the prostitutes, the ones he couldn't even bring himself to sleep with tonight. But he didn't like the idea of drinking from them. They oddly had shown him kindness, something he couldn't even acquire from his friends.

A woman rounded the corner. She was young, and her dark black hair was slightly unkempt. Colin rushed over to her, their eyes meeting instantly. The only sound she was able to make was a small gasp.

"Don't be scared, Miss . This will be over quickly. I'm just so...." he swallowed hard, "hungry."

Colin cupped the woman's face, turning her head so her neck was more on display. His fangs grew, his mouth watering at the thought of blood. Her pulse had quicken when he rushed her, her blood now calling his name. He sunk his teeth in, moaning as the liquid poured into his mouth. He closed his eyes, his thoughts shifting slowly back to familiar ones...

Penelope. 

He hated admitting it, but he had wanted to drink from Pen. His dreams not only consisted of touching her in the most inappropriate ways or confessing that their kiss was all he thought about; it was how he longed to bite her neck, taste her salty skin and rich blood. He knew she would be heavenly, but he never allowed himself to ponder on it too long. These were fantasies after all. She would never, ever find out what he was. And he would not damn her to a life like this.

He groaned against the woman's neck, lapping up spilt blood. Penelope was haunting him, even in real life. How was it that he could smell her, even right now? Even with his mouth on a different woman's neck, drinking her life essence, was he able to feel Pen's presence? It's like he could hear her say his name.

Colin glanced up, the printer shop illuminating the archway leading onto the street. A short person stood frozen, watching him. 

He froze too, his eyes focusing on the figure. The woman in his arms slurred incoherently. His eyes connected with her for a split second, telling her to forget what occurred and to go home. He pushed her off down a separate street, his eyes remaining on the silhouette.

He took a whiff of the air, his eyes widening.

The person ran the opposite way, racing back towards a carriage nearby. Colin made it there long before they could, grabbing them by the shoulders and pushing them up against the wall. His hand covered their mouth instantly, staring deep into the blue eyes he was captivated by since childhood.

"Penelope?"

~~~

Penelope had known the Bridgertons were vampires for years. While she might have met Colin first, Eloise had been her closest friend; mostly because it took Pen a while to really strike up the courage to actually talk to Colin. But when Eloise and her were young, outside and playing in her mother's garden, El casually told her what she was. At first, Pen didn't believe her. Who would believe such a thing without proof? El suddenly waltzed up to a butler nearby and told him to start doing a dance for her, and he did. The girls laughed at the sight, and from that moment on, Pen knew.

She never asked questions, but she was curious as to what vampires were really like. El wouldn't confirm anything to her, understandably wanting to keep some things private. And once Lady Whistledown rose to power in the Ton, El was even more hush about vampirism. Pen could tell she was nervous about her family's secret getting out there. But Pen assured her that Whistledown would never write on such a thing, otherwise she would become the laughingstock of Mayfair.

And now with El completely ignoring her because of Whistledown, she hoped that El understood that statement still rang true. While she would write about what everyone was talking about, no one but her knew their real secret. She would never share it, even if her and Eloise were no longer close.

The carriage came to a stop, the footman opening her door swiftly. She stepped out, the newest addition of Whistledown in her hand. She smirked as she read it over, noting how many in the Ton were speaking on her and Debling's possible engagement. While Pen did not enjoy being the center of attention, she did enjoy knowing that the sniveling mamas of the Ton were wrong about her.

Not only was Penelope courted, she was going to get married. That is, assuming she accepted Debling's proposal. Or that he actually planned to ask her mother tomorrow.

A life with Debling seemed... fine, to her. And if that's all she could get, she would take it. She wanted a love filled marriage, that was true; but maybe time would change that. It's possible that Debling one day might love her. Or that she may grow to fully accept what she had.

Part of her hated admitting it, but her feelings for Colin were still there too. But she accepted that reality as a fantasy and nothing more. Somehow, vampires were real, but Colin reciprocating her feelings wasn't. 

God had a very wicked sense of humor.

She walked down the street, turning the corner to the printer shop. When she raised her hand to knock, something caught her eye. She gazed down the street, two figures stood out in the open. It appeared to be a man and a woman. She squinted her eyes, watching them. The man cupped the woman's jaw, burying his face into her neck. Pen blushed at the notion. She had thoughts similar to that of her and Colin. Dreams, even. But to see two people doing something like that, so out in the open, was very scandalous to her. She wanted to look away, but curiosity got the better of her.

The couple swayed into the light unintentionally, and Pen's eyes widened.

The man's mouth was latched onto the woman's neck, and she was limp in his arms. It almost appeared like he was biting her. As she took in the man, she noted his dark brown coat. His tall stature and quaffed hair were familiar to her. It almost looked like...

"Colin?" She whispered.

The man looked up, locking eyes with Pen. She gasped, seeing his face for the first time. Dear Lord in Heaven, it was Colin. His mouth was stained red from blood and his fangs were prominent, even from such a distance away.

Her heart raced, and she knew she needed to get out of there, now.

She spun on her heel, running back to the carriage. Before she was able to get remotely close, her body was pushed up against the wall, her mouth covered.

"Penelope?" Colin hissed, his red eyes almost glowing in the dark.

She studied his face, taking in the features she had yet to see of him. His eyes were the most surprising, but his fangs were shocking up close.

"I am going to remove my hand. Please don't scream." He moved his hand slowly, her face feeling hot from his skin touching hers. "What are you doing out here?"

"I could ask you the same question, Colin." Pen argued.

"It is none of your concern, Pen. Whatever you saw..." Colin fought to speak, "was not what it looks like."

Pen suddenly became aware of the Whistledown papers in her hand, "Well, if that's the case, then I should be heading back home."

"You didn't answer my question. Why are you-" He began.

She cut him off, trying to sidestep him. "Colin, I need to-"

"What is that in your hand?" He questioned, pointing down.

Her blood ran cold. "W-What?"

Colin grabbed the papers from Pen's hands before she could stop him, her heart dropping instantly.

He gazed at the papers, reading over the words hastily. She backed up, her body hitting the wall. His stare hardened, eyes watering. "You're... Whistledown."

The hurt in his eyes, his voice, made Pen instantly tear up, "Colin, please I can-"

Colin backed away from her, "I cannot believe this. How could you?"

Pen wiped away her tears, "I am terribly sorry, Colin. Please let me expl-" 

"No, no. I do not want your explanation. What is there to explain? Clearly you are the one who has been writing such horrid things about my family. I cannot believe you would do this to us. To El." He choked out, "To me."

She begged, "Colin, let me explain myself."

"On top of being Whistledown, you come out here in the middle of the night to do your dealings. Unchaperoned, and presumably with no one knowing where you are. You could seriously get hurt! Not only could you ruin your reputation, but you could be harmed. How can you be so careless, Penelope?" He furrowed his brow, his eyes boring into hers.

Pen hated being talked down to. Who was Colin to act so scared for her safety, or her reputation for that matter? He was a vampire, for God's sake. She spat, "The only thing out here that seems to be harmful is you, Colin."

She knew she made a grave mistake. Damn her mouth.

Colin's eyes glowered at her, his body tensing. "What did you say?"

"I-I," Pen took a moment, gathering the courage to speak. "I saw you, Mr. Bridgerton. You weren't simply... caressing some random woman on the street. You were feeding on her. You're a vamp-"

He glared into her soul, demanding, "You are going to forget we had this conversation. You are going to forget what you saw moments ago. You are going to go home. Now."

Pen copied his gaze, shaking her head. "Who are you to tell me what to do? Have you gone mad?"

This was a terrible time to find out that Colin was, in fact, in love with Penelope. He knew he was, but the timing of it all really could not have been worse.

Colin growled, walking up to Pen's carriage door and opening it for her. "Get inside, Penelope. We will talk about this on the way back to your home."

"How can I trust to get in a carriage with you? Are you still hungry?" She sassed, her hands on her hips.

He lowered his gaze, his eyes darkening. "Do not make me force you inside."

Her skin felt hot suddenly, his tone hitting deep within her body. She had never seen Colin like this, and she wasn't sure what to make of it.

Her mind was cautious, nervous. But her body... felt something else entirely.

She sighed, stepping inside her carriage with the help of Colin. He followed her in, sitting across from her. He called out to the footman to go to the Featherington residence.

"Take the long way, please." Colin sat back against the seat, staring at Pen.

"Make a stop at the Bridgerton's house first... please." She called out. The footmen acknowledged their commands, and Colin rolled his eyes at her petty attempt of control. She squirmed under his gaze, unable to make eye contact with him.

He asked bitingly. "Should you start or should I?"

|| Part 2 >>

[blackbird-brewster]

Meta: Jemily Queerbaiting

With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)

Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.

First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)

In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.

Please buckle in, I've got a lot of thoughts on this matter --

What is Queerbaiting?

If you aren't aware of what queerbaiting is, here's a good definition:

Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]

The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.

Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.

The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.

Jemily and Queerbaiting:

Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.

As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.

TVGuide.com: Of course, a band of fans want her to hook up with Hotch.

Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.

This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.

While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.

Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)

Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.

It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.

Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.

It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.

Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.

Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)

So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)

This is all to say --

Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.

That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.

And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.

Sources:

[1] 2022 Digital Spy article about the importance of Tara's coming out

[2] 04/18/24 Paget Tweet

[3] 2017 Queerbaiting article from medium.com

[4] 2009 Broken TVGuide link

[4.a] Tumblr quote from the above TVGuide Interview

[5] 2010 Kirsten interview screenrant.com

[6] 2019 AJ Instagram Post

[7] 2020 Paget video on Twitter (via @karasluthqr)

[8] 2015 Kirsten interview AfterEllen.com

[9] 2016 Paget Interview CriminalMindsFans.com

[10] @PagetPaget search 'Jemily'

[am-i-the-asshole-official]

AITA for making a post about an adult making a sexual comment under one of my sfw work posts as a minor?

FYI, sorry for any bad spelling, I have really bad dyslexia.

(🐶👀❤️ for future finding)

Cw for sexual comments to a child, online harassment, and mentions of grooming.

Just for context this didn’t happen on tumblr, this all happened on twitter (yes yes the Elon musk rat site that we all hate) and I’m putting this here because I use both twitter and tumblr and I want a second opinion.

here’s the characters before we start

Me, (17 trans masc)

nsfw account (22 they/them)

so recently I posted a tweet that was a fun fact type tweet about a character from a show I like. Along the lines of “this character can play the tuba!”

Then a 18+ account (this will come up later) replied with “he must have a strong mou*gets shot*”

this is a common meme format but it was obviously nsfw in nature. Now don’t get me wrong, I am in a fandom for a more mature show and understand 18+ accounts may engage with me, and not check my bio. But putting a blatantly under a sfw post and not even bothering to check for my age is just- really disgusting. Not to mention this account had replied and liked many of my tweets.

I gave it a few hours to see if they would correct the obvious mistake, cuz sometimes I back track and realize a mistake, correct it and move on.

but nothing, radio silence. So I replied to their comment stating they had made me incredibly uncomfortable and that I was a child, and then made a small post since a few my adult mutuals follow them (for context I have like 100 followers and they have over a thousand)

it wasn’t a “call out post” just a simple “hay this person did something wrong and I’m telling my tiny bubble of people because some of you happened to follow” I wasn’t trying to get anyone canceled basically.

I didn’t put their @ in the post directly, just a screen shot of the inappropriate replay and their profile showing some mutuals follow.

they then quote retweeted me, telling me “I could have just blocked them and moved on, and that this is a 18+ fandom so I shouldn’t even be here” (it’s actually a 16+ show but whatever)

mutable of their followers processed to gang up on me and tell me I was a pathetic and should leave the internet forever, repeating with the person had said in their quote retweet when ever I tried to argue.

I ended up having to full on private my account because I was so triggered (I’m a grooming victim so this whole situation made me feel almost sick)

I know the person fucked up, but was the post not ok? At first it felt like it was warranted but now I’m second-guessing myself and thinking that I might be the one in the wrong. Should I have just done what they wanted and blocked and moved on?

AITA?

[carriesthewind]

I can't stop thinking about the notes on this rage-bait post about To Kill a Mockingbird.

Some of it is the sheer number of people falling for the bait and believing that the school district in question banned the novel:

But there's also this...tone to so many of the notes that I find fascinating. And I think two sets of comments illustrate why:

Every time I look at these tags I feel like there is something more to unpack. If I am being kind of flip, I can roll my eyes at someone "sigh[ing] at the lack of reading comprehension" while falling for outrage bait.

But more seriously, I feel like this comment is completely right about needing to be uncomfortable and leave sterile environments in order to grown and change...but that comment exists in the context of the writer being so deeply uncomfortable at the mere idea that an over 60 year old book will no longer be taught to some children that they completely fail to interrogate the underlying story. There's a failure to take the next step. It's possible the writer was uncomfortable when they first read the novel, but to quote a tag I didn't capture here, it's "one of [their] favorite books." The book doesn't make *them* uncomfortable at all. The writer is not willing to interrogate that the school district might have had good reasons for switching the book out of the curriculum. Instead, they assume that the reasons are because "people don't understand" the book - the writer "see[s] what they look for."

I love To Kill a Mockingbird. (Hell, I'm one of those white future-public defenders who read the book and saw the movie and watched Atticus with my soul in my throat and, while I was not directly inspired by him, he resonated with a deep part of me.) It would be an uphill debate to convince me to remove it from a teaching curriculum - but then again, I'm not in charge of any teaching curriculum and have zero relevant expertise. I've read now a number of different articles and reactions to this incident, and the reactions rarely have anything to do with the reality of what decisions were made and why. You have to jump through numerous links to find what appears to be the original parent complaint:

Yolanda Williams said she found out that students were saying the N-word and laughing in the classroom, and it was offensive. “Students were laughing out loud at the teacher’s response. That’s unacceptable to me,” she told the board. “Is there not a better way to teach about that era and the horrors of that era, other than having kids laughing in class when the N-word is said? It should not be required reading for all students. My child shouldn’t have to sit in that class like that.” “It’s not a conducive environment,” Yolanda Williams said. “It’s not just the book, but supplemental material that had the N-word.

(How much do we value, how do we weigh, one way of learning about the history of racism, against the pain of a black child? Whose comfort are we willing to sacrifice, and for what?)

The second comment I come back to is much shorter, but I feel like it's where everything fell in to place for me:

Were the people made uncomfortable by the book white people? How many of them? I don't know for sure - although I know at least one of the parents, as quoted above, was black - and neither do any of the commenters.

Why do we read "people" and see "white people?" And in a way, I'm asking a rhetorical question - because of course we do, because the tweet is set up that day. And, even more so, of course we do - because the people the book is for are white people.

To go back to the previous comment, the one I can't stop unpacking: the writer quotes a famous line from the book, "You never really understand a person until you consider things from his point of view...until you climb into his skin and walk around in it."

And yes, I love this quote.

But.

But.

To Kill a Mockingbird was written by Harper Lee, a white woman.

The narrator of the book is Scout, a white child.

The hero of the book is Atticus, her white father.

The embodiment of the theme, the person whose skin Scout tries to step into, is Boo Radley, another white man.

Do you remember, the man who was murdered? Do you see him in that picture at the top of the post? How long does it take you to remember his name?

When do we step into his skin? When do we walk around with his perspective?

I love To Kill a Mockingbird. But if a school district wanted to teach a book to embody this quote, aren't there so many better ones?

Another commenter on the post appears to have actual lived experience with this book being removed from the teaching curriculum.