#- smaller stage saved parts of that as well

[callixton]

hmm i think another thing i like abt kencen is chess should be played on a smaller stage. now i am an intimate staging truther for almost every play so i may be biased but that doesn't make it less true for chess. like i get the appeal of the big sets bc of the way they travel thru location and our initial reaction upon literally visualizing chess on a stage, but i think it makes it so easy for characters to get swallowed and for the stage to feel very empty. which may work like. conceptually but i think in practice it just limits the actor's effect. & i know that you can argue that chess is a show that needs to get by partially on spectacle bc of the quality of the book but i disagree just choose a good book. or make up for it w staging and strong character choices. it's not like it has a shallow plot bc it really doesn't it just doesn't have a well resolved one. which is actually another argument for it to be in an intimate space bc it will make the audience feel more personally invested in the characters rather than the story and will care what happens to them even if they leave with questions (does this distinction make sense?). i'm also not saying that chess Couldn't be done well on a big stage i just think most of the time it isn't

[kuiinncedes]

not me just realizing i can put stickers on my sketchbook cover and then immediately using up almost all of the rest of my stickers lmao

[piratefishmama]

Just ONE chance | Part 1

Eddie Munson was only certain about one thing in his life, and that was that it was supposed to end in his twenties.

But it didn’t.

Thanks to a very dedicated swimsuit model with first aid training, a kick up the backside from Wayne, and a solid year long stint in rehab, Eddie Munson did not die at 23 years of age, when he fell, system full of drugs, into a pool head first from the pool house roof and didn’t QUITE stick the landing.

His head hit the edge of the pool, dyed the water a sickly red.

He still had the scar, he knew he was infinitely lucky that that was ALL he had, but that scar remained forever, buried beneath the mass of curls atop his head where they’d had to operate to reduce the swelling. A terrifying reminder that life was fleeting, and fragile, and god he could have died.

He could have wound up paralyzed, he could have wound up permanently disabled needing round the clock care, could have wound up as ANYTHING but perfectly healthy. Doctors said he must have had some kind of exhausted guardian angel looking out for him because a miracle was really all they had to describe it as.

Eddie gave a toast of apple juice to the terribly drab ceiling of his private hospital room, thanked his mother who’d long since passed for her life saving help because honestly who else would it have been, and then, after that kick up the backside from Wayne, not that it was needed but it was appreciated, he proceeded to fix his life.

Of course, the rockstar life wasn’t easily fixed, but he was a man on a mission. A man with a life he realised that he actually wanted to live.

Corroded Coffin hit fame early, they struck what initially appeared to be gold at some back ally dive bar in Indy, a guy, a fancy embossed business card, a label, words of promise like roses hiding thorns. It was all flashing lights and good times at first. They were thrust upon massive stages to crowds mostly paid to be there to make it look ‘packed,’ label never told them that, they’d told them they’d put their material out on the air and people had responded well, half-truths really. They had gotten the music out there, but the people hadn’t really come until those packed venues hit the magazines.

Everyone wanted to be part of the next big thing. The up and coming next big name in the music industry, already selling out shows!

They were stars, they were famous, they were puppets on strings being pulled this way and that, given alcohol and drugs and thrust into the limelight to dance a jig that’d keep them relevant, not for their music but for their mess.

How very entertaining a human can be when they’re not fully coherent, when they exist purely to make a mess of themselves.

He’d lost himself, his bandmates lost themselves, and only through him not dying did they finally realise that somewhere along the way things had gone so terribly wrong, only then did they finally realise that those perfumed words said in a dank bar back in Indy those years ago, were just well masked poison all along.

They spent two years of their lives after Eddie emerged from Rehab, two years and frankly way too much of the money they’d risked their very lives to earn, to free themselves from the web of legal bullshit their label had ensnared them in.

But they were free. Sure, some of their old material was lost, claimed by their old label, but a quick rerecord, few changes here and there and a solid re-release under their own, self-made label, Corroded Records, well. They weren’t too worried about the future after that. Sure, their old label attempted to slander them online, tried to spread awareness of how they’d paid their earlier audiences to attend shows, but the real fans didn’t care.

The real fans hit back just as hard.

Used that fancy lil internet gizmo everyone now seemed to have to spread awareness on the frankly abhorrent practices their old label had engaged in, practices they hadn’t only used on Corroded Coffin, but several other smaller, younger, vulnerable members of the entertainment industry.

It was a long hard slog to the top full of pains, addictions, rehabilitations, and recoveries. But finally, they had their footing. They were making new music. They were comfortable. They were happy.

It was a brand new, quickly evolving world, and thanks to those new world advancements, thanks to home computers, laptops, smart phones, tablets… the internet, they very quickly found they had a way to get their creations out to everyone from the comforts of a  home studios while they figured themselves out post nightmare. Dove into their roots, rediscovered themselves, thrived.

But survival didn’t come without its downsides.

Eddie Munson… hadn’t died at 23 years of age, but that didn’t mean he’d gotten to live straight away afterwards. Even as a clean and sober man, there were things he hadn’t done, things that’d just… taken a back seat on the list of priorities while the years had ticked on by during their long haul trek to creative freedom.

Life had taken a backseat. For him at least.

Gareth had found himself a girlfriend, and now fiancée in a girl they’d known of back in high school, but had only recently reconnected after they found out she was a back up dancer in one of their new music videos. Once Head Cheerleader, now professional dancer Chrissy Cunningham, the reunion had been adorable, and aired on TV in ‘behind the scenes’ footage.

Jeff had had an ongoing thing with the backup drummer they’d taken up at a gig when Gareth had broken his arm a few years back. Never having been able to talk about it publicly thanks to their old label.

And Dougie was engaged, fell ass over tit for their lawyers assistant, thankfully it was mutual. Their relationship was a whirlwind but soulmates were supposed to be like that.

Eddie was thrilled for them all, really he was but no matter how much he’d realised he’d wanted to LIVE after nearly dying… he still hadn’t really lived at all. He was still just… Eddie Munson, now thirty something rockstar. Single, sober, and honestly kind of sad.

So sue him if he watched a few slice of life things on the internet every now and then.

The bands accounts were thriving nicely with him at the helm, he got the hang of itquickly enough, adapted well as the technologies advanced, so much so that people accurately guessed very early on that it was him running the channel himself, rather than a social media professional. It was a nice distraction! Kept him busy, allowed him to watch silly little videos and find the occasional fan being adorable in their mentions, he loved his band accounts.

But his private account was his favourite.

Because of her.

He’d found her videos on the camera app within a few hours of signing up the bands account, and very quickly made a private one just to follow hers.

Was it weird? Was it a little stalkerish? From the experience could he possibly understand where some of his own fans were coming from when they stalked the bands socials? All of the above, yes.

But he’d found a goddess on his very first real adventure into the internet. He figured he ought to be cut some slack!

Stevie was her name, or Stephanie, but she never went by Stephanie. He found out very quickly that she was a mother through her morning makeup videos where she ranted about PTA mothers, from what he heard, Sally was evil and her potato salad was garbage.

He would have been more than happy to just watch. He followed the account on his private one very early on, and he’d have been content to just simply watch, swoon in silence, appreciate every little mole he could see on her without ever doing anything about it. He’d had crushes as a kid, he wasn’t a stranger to unrequited attraction, or even completely one sided attraction cause the other person didn’t know you exist, so it didn’t matter to him that she would never really know he existed.

He didn’t even comment on her videos. Liked them sometimes, but he’d never commented. Even on the one where she let slip that she’d been single for a while. He remained respectful.

That was… until the lunch videos.

Specifically, the little teddy bear thing she did with the rice.

He didn’t know what it was about that specific video, he’d watched a few of her cute lunch videos before, the sushi was adorable although not to Eddie’s taste, the ramen pots? Genius, Eddie had even tried to do that himself a few times, although the ‘soup’ never tasted half as good as hers looked like it would be, the little fruit animals? He actually, for a moment, genuinely wanted to eat fruit!

But he still kept his words to himself.

But that little teddy bear… nestled in a cushion of healthy greens with a small pot of home-made sauce on the side, it hit Eddie in a way he couldn’t really explain, he wanted that. Wanted someone who loved so hard that they went out of their way to make cute lunches for the person they loved the most. He wanted… the domesticity of it all. She didn’t just have what he wanted. A life. A lived life. She was what he wanted.

Everything about her, that he knew at least, that she was smart, creative, full of love, beautiful, but also pretty damn feisty if her inspired rants about Sally and her potato salad were anything to go by. He wanted her.

He typed a comment, hit send, closed the app, and turned off his phone. Certain that that would be it, she’d ignore his personal account, as she ignored everyone else, he’d get the urge out of his system, he’d feel sad for a little while after the inevitable ignoring, and all would be well.

If only he’d have just looked at the account he was on, before he pressed send.

Maybe it’d have protected his poor front door from the abuse it suffered a few hours later when Dougie finally realised he was at home, because really out of all four of them, Dougie really was the only one with the solid arm strength to really beat the shit out of his front door.

“EDDIE, OPEN THE DAMN DOOR!” Or the vocals to reach him all the way up in his bedroom where he’d very maturely burritoed himself after turning his phone off.

It’d been up for hours. Had he not turned his phone off, he’d have known immediately, because it wouldn’t have shut up, there were over fifty thousand likes on his comment already, over six thousand replies to it.

And the first video on his for you page was someone REACTING to it.

There were screenshots circulating. Stevie hadn’t replied to it, everyone ELSE had, but she hadn’t, deleting it wouldn’t do anything, but he did it anyway. The damage was done, the spotlight was lit and aimed. It was only when the others managed to get to his place and get him seated on his comfy couch, that he finally asked the most important question. “What should I do?”

“Well… we could blame an imaginary social media guy” Gareth offered, already expecting the following, “tell everyone it was just an oopsie?”

“Nah, everyone knows Eddie mans the account” from Jeff. “Maybe we just… silent treatment it, let it blow over?”

“That’s not exactly fair on Stevie though, is it?” Chrissy piped up from where she’d perched herself on the arm of the chair Gareth was sat on. “She’s been thrown into the spotlight here and some of your fans can be kinda… intense.”

“She’s an influencer though, being in the spotlight is like her job.”

“Uh, no, Dougie. She’s not.” Chrissy argued “nothing she does is sponsored, she’s just… popular, and Eddie’s just given her a lot of unwanted attention. Eddie… you really should address it. Either say you were joking if you were, or… I dunno, own it. Be serious about it.”

“Were you joking?” Jeff stepped a little closer, into Eddie’s space, crouching down a little to his level. “Was this just little Eddie talking? Or—or were you serious? Like, she’s hot, don’t get me wrong—”

Gareth snorted, cutting him off “you think she’s hot?”

“I’m gay, Gare, I’m not blind. Eddie?”

“…An if I were serious? Would that be okay? I could hear a but before Garebear interrupted.”

“But, she does have a kid, right? She comes with a real little human being, kids are fragile, impressionable, opinionated, and rockstar lives aren’t kid friendly most of the time… I know we’ve cooled it down, and I know you’re great with kids, Ed but… are you prepared to like… have one? Like a whole ‘this is one I made earlier’ little kid with its own pre-built personality that you’ve made zero contributions to?”

“I made zero contributions to you shits too and yet you turned out alright” Eddie sniped right back, a little more defensive than he really had any right to be. “If it weren’t for me hunting this lil chubby cheeked fuck down after his first hellfire he wouldn’t even be here!” Eddie motioned to Gareth, who squawked in objection

“Hey! I’m neutral here leave me out of it!”

“Do you not think I could take care of one?” Eddie ignored Gareth completely, eyes on Jeff, who shook his head without any offense taken from the outburst.

“I think you’d be great at it, I’m pretty sure you’d be like, the first choice for godfather if any of us had kids, but I’m asking you… are you prepared to take one on right now, even if they might not like you very much at first, if she’s interested? Because that kid will come with her, there’s no ignoring that.”

He didn’t even have to think about it. Even though the godfather thing was something he’d undoubtedly circle back to later, his answer was an instant “Yes.”

“Then own it. You have our support to use the account to make a public statement, however you choose. See where it gets you.”

His public statement was a picture, a black square with big white writing on it. Just a big ol ‘WHOOPS’, captioned “I regret nothing. Just ONE chance, sweetheart, just one.” And then he opened their DM’s in the hopes that maybe.

Just maybe.

She’d message.

Part 3

[capnsupernova]

The Death of Batman

Four years. Four years since the streets of Gotham have seen Batman. Four years since the Justice League has seen Batman. Four years since the Robins have seen Batman.

And now he stands, in full gear, mask and cape and all, in front of a podium in broad daylight with a microphone in his face, surrounded by cameras. The audience is still. No one dares make a sound. No one dares ask why, after all this time, he is here now. No one dares to say it, but he’s different than they imagined he’d be. He is tall, yes, and his shoulders broad and sturdy enough to carry the whole weight of the world, but they see his weariness etched in the lines of his mouth, the only part of his face they have ever been able to see. For the first time, they see, not some cryptid of the night meting out justice, but a man. Just a man in a suit. No one dares say it, but he looks tired.

For a long time, he is silent.

When he does speak, his voice is softer than they expect—tinged with the first hints of age.

“I have watched this city for so long.”

The people of Gotham hold their breath.

“For so long, I have been your knight, your judge, your hero…. No, not your hero. It’s been a long time since I’ve been anyone’s hero.” He sighs and all the burdens of darkness and justice escape with his breath. “I am so tired.”

His enemies wait in the shadows. Everyone knows they’re there, waiting for an opportunity. Never has Batman announced his presence so publicly. Never has he handed himself so neatly to them, and with so many potential hostages and casualties around his stage. But they find themselves frozen. This is not the voice they know, not the gruff growl that haunts their nightmares. He is tired. They hear that, and this is familiar in a different way. They have all, villain and civilian alike, felt this exhaustion themselves. And so, they wait to see what he will say next.

“I don’t know if I’m doing the right thing. I don’t know if I’ve ever done the right thing. My children are hurting. I have hurt my children.” His voice catches. He takes a moment, looks up at the sky, blue and cloudless and bright. “I just want them to come home.”

He pauses, head tilted upwards before looking back at the people of Gotham, people he saved, people he fought and locked away—all of them, in one way or another, people that he has tried to help. People he has tried to protect.

“The Batman,” he says, “is retiring.”

Somewhere, a pin drops, and the echoes reverberate around the world. No one notices, but in the crowd, among reporters, a tall, barrel-chested man with dark hair and thick-rimmed glasses smiles. It’s a small smile, a twitch of the lips. He meets Batman’s eyes over the tops of the heads of Gotham’s citizens. He nods, barely perceptible, and the man behind the black mask stands just a little taller.

“That is all. Thank you.”

And just like that, Batman is gone. No one stops him as he walks off the stage. No one stops him as their Dark Knight, their strange and mysterious vigilante, disappears into the shadows and out of their lives forever.

--

The first to return is Jason. He knocks on the door with all the casual confidence of Gotham’s premier crime boss, duffel bag slung over his shoulder, eyes so green they may as well be glowing.

When Bruce opens the door, he looks the old man up and down. “I’m assuming my old room is still available?” His smile is half-cocked and arrogant as ever, but there’s uncertainty furrowed in the space between his brows. If you didn’t know him, you wouldn’t see it at all.

Bruce sees it. And of all the things Jason excepts—the door slammed in his face, all the security systems of Wayne manor targeting his chest and head, a lecture at the very least—what he doesn’t expect are the tears that well up in Bruce’s eyes. He doesn’t expect to be wrapped tightly in his strong arms, arms that feel so much smaller than he remembers.

“Oh my boy,” Bruce whispers into his chest. “Oh my sweet, strong boy. I’m so sorry. I’ve missed you so much. I’m so glad you’re home.”

And it’s too much. The man behind the red hood, the man who beat Tim within an inch of his life, the man who shot Damien in the back in an effort to kill his own pain, crumples. In his father’s arms he is reduced to that 15-year-old boy who died and came back to life. The 15-year-old boy who, after all this time, only ever wanted to come home.

--

The rest showed up one by one that very same day. Dick showed up first with Tim and Damien in tow, surprised—not that Jason was there—but that he had beat him home. Then Barbara, Duke, Stephanie. It wasn’t long before the house was full of every single Robin and Batgirl who ever passed through these halls. Draped over chairs and couches (or, in Dicks case, swinging from the chandelier in the foyer while Tim and Damien did their best to use him—unsuccessfully—as target practice).

Not much changed in Gotham, after that. The villains didn’t retire with Batman, just as they didn’t disappear with Batman four years ago. But neither were they given free reign of the city, for Batman had ensured so, so long ago that there would always be someone to protect his home and his people. Gotham would always have their symbols of hope, their bats of blue and red and green and purple and yellow. New symbols that filled the night with a rainbow of colors.

And when their work was done, they returned to the manor, where their father would dress their wounds, mend their capes, and make them heaping piles of pancakes and eggs (“Yes, Dami, you have to finish the eggs. I won’t have some villain getting the better of you because you don’t have enough protein in your system”) with bowls of fruit and fresh squeezed orange juice. Bruce was, at the very least, a better cook than Alfred had been.

Things weren’t perfect. There were wounds that couldn’t be healed with a simple hug and a few tears. Wounds that would take years of therapy and hard talks and patience to fully close over. Bruce never told them where he’d been for those four years, and they never asked. This was the beginning of something entirely new for all of them.

But for the first time since anyone could remember, the sun shined bright and warm over the city of Gotham.

--

Writer’s Note:

This is an idea I have debated with close friends—the retirement of Batman. The main issue boils down to this: what becomes of Gotham without their symbol of hope? And to me, the answer is simple. Nothing. Because Batman is no longer their only symbol of hope. He hasn’t been for a long time, since he first took in Dick Grayson, that colorful bird of a boy. I think, in all honesty, that this is the true purpose of the Robins. Maybe Bruce himself didn’t realize it at the time, but he always hoped for something brighter for Gotham than Batman. Bruce has always been a reflection of Gotham. “The hero they deserve.” In a way, by taking in each sidekick, he adds another possibility, not just for the people of Gotham, but for himself too. A brighter future. Isn’t this what we all hope for our children?

[batneko]

bowuigi rock star x roadie AU.

The Mario bros are still plumbers by trade, but they're friends with the guy who manages the nearby concert venue and often get roped in to help out during big shows. They're both stronger than they look, and have plenty of experience at repairs even aside from plumbing. And Luigi has always been good with machines so he takes to the new equipment with ease. Though Mario is better with people and makes friends faster, Luigi is the one that everyone comes to rely on when things go wrong.

At a concert a few years ago Mario got into an actual physical fight with the star, but since the guy was already well-known as an asshole Mario's friend pretended to "fire" him and then brought him back to help out again next week, no big deal. Just can't work the next Bowser concert, that's all.

Bowser got famous when he was only eighteen, which means he never really had to grow up. He's spent the last ten years getting his way and experiencing no consequences (as long as he punched down). However now that his son is old enough to talk about how he feels and what he wants, Bowser is starting to realize he's been absent at best and a phenomenally bad example, and wants to start being better. Too bad he has no idea how.

His star is also starting to fade, and he feels conflicted about that. He's had enough hits now that as long as he manages his portfolio well and does enough stupid celebrity appearances to keep himself in the public eye, he'll never have to work again. But he likes performing, he likes rock, he doesn't want to be the "cameo appearance by" guy. He's not even thirty yet, dammit!

So he's doing this show at a slightly-smaller venue he hadn't ever intended to return to (some little guy with a mustache tried to step to him last time), and trying to figure out how much he can cut down on touring and still be able to afford the nanny and all the stuff he likes, and some intern just told him "my grandma loves you!" and then one of the subwoofers explodes and the replacement won't work for some reason and the concert is in twenty goddamn minutes and Bowser is going to lose it.

But out of nowhere another little guy with a mustache (not the same one as before? that one got fired, right? this one's cuter anyway) turns up and fixes the replacement and gets everything back on track so efficiently that Bowser is on stage ready to go with ten minutes to spare.

Come to think of it, that same little guy had been the one organizing the roadies to unload all the equipment earlier. And Bowser's pretty sure he was running the sound check. Does he do everything around here?

In the middle of his concert as Bowser is about to start a rather raunchy song, he suddenly says, "This one goes out to the guy who fixed my subwoofer and saved the show. Come to my dressing room after and I'll thank you properly." There's laughter from the audience (plausibly-deniable bisexuality has been a part of rock music for as long as there's been rock music) and Bowser adds, "I'm not joking," and then starts the song.

After the concert, Luigi comes to his dressing room.

True to his word, Bowser is all set to get down to business, but it turns out there was some work that needed running by him and everyone figured Luigi had earned some goodwill so they made him go. He didn't even watch the concert, he was too busy working behind the scenes.

Of course this only comes out after Luigi was halfway seduced to go ahead and let an asshole rock star blow him, but Bowser is so embarrassed at the misunderstanding that he throws him out into the hallway, breathless and disheveled. A lot of people see him and a few people caught Bowser's dedication, so by the end of the night everyone assumes it happened anyway.

And that was just the Friday show. There's one more to get through tomorrow.

[burstingwithbellies]

I looooooove when someone begs begs begs to be made pregnant, then later they're miserably huge and regretting their words (except not really~)

Talk about getting more than you bargained for ~

Thinking of maybe this slim young thing who wants to bred so badly, who is so horned up that they don’t think about the consequences at first.

What that would mean for their future; their future relationships, how their family would react them and their brood-filled belly, their body, their everything.

The heat of the moment clouds their better judgement. Their eggs were plentiful and keen to be fertilized; just a drop of your seed can make a prolific difference. It was dangerous, but that was just what the both of you loved. The rush of just one act bringing down someone’s entire life to make room to multiple little other lives. It’s really intense.

I shouldn’t have taken that leap, but I was too greedy and you were too extreme and eager. Now, imagine me – a profound mass of babies. The rest of my body has wildly changed, but it was my belly that took centre stage. It was the first thing that stuck out about me. It is what is so absurdly altered and full (aside from maybe my breasts). We all knew that I was bound to swell up big and fast, but not like this.

Well, maybe you expected it. And maybe a smaller part of me expected it too and wanted it.

Either way, the damage is done. I am bitter, stuffed and completely helpless, but also stupidly aroused by my situation.

I am nothing but my gestating body, my lust and my shame now. I should feel bad and I do, but I do love it as well. It’s a weird mix of emotions but to maybe save some dignity, I complain.

I AM miserably huge.

[stil-lindigo]

hi! i'm currently taking a stab at a short comic for the first time and i was wondering — if you're willing to share — what goes into the “base” of your projects? your creative notes have been a HUGE help in pinpointing things i might want to outline in my own work before i actually start making the project, but i'm still incredibly curious about the initial work and planning that goes into the making of yours. love your art!

hello anon! first of all, congratulations on starting on a comic! I hope you find it very fulfilling, and a great learning experience. To answer this ask, I'm going to use bite of winter as the main example for my work process.

Text: More often than not, I start with the entire textual part of the comic finalised. This is kind of obvious, considering my comics are entirely built around it serving as a sort of narration substitute, but it stays true for comics that are just dialogue as well. Speech bubbles will always take up more space than you think. It's good to have all the dialogue finalised before you start so you can accommodate them in the thumbnailing process. --

Thumbnails: I make thumbnails for all my comics so that I can, at a glance, see if things are cohesive. I'll often spend a lot of time at this stage, since it's also the part where I wrack my brain for smart things I can do compositionally (sometimes I go into comics knowing what sort of smart things I want to do e.g the comparison between the open grave + the empty bed was the entire inspiration behind making shallow grave). Thumbnails are always quick and dirty for me. I know my own brain, so I always just do the bare minimum and know I'll be able to interpret it later. Here are the thumbnails I made for bite of winter.

note: the bright blue border on all the 'pages' is just to indicated where i should try to keep my panels.

it's extremely shitty but it's decipherable to me, and the whole point of thumbnail is that you're hopefully saving yourself time in the future by getting all this planning out now. --

3. Colour: Colour blocks are how I plan out how a comic's colour scheme should look as a cohesive package. Although I didn't used to do this for comics, I do it now ever since I wasted around 8 hours on patchwork canary just fiddling with the colours (ugh). I'll usually go into a project knowing what kind of tone I want to convey with it, which gives me a launchpad for what kind of colour scheme I'd like. For instance, RED, one of my best comics, only uses three colours (black, white and red) and that limited colour palette enhances the message behind it. I think it wouldn't be nearly as impactful if it was all standardly coloured - having that contrast pushes Red's impact as a significant character in the narrative by making her pop on the page.

In a similar vein, almost all of the sunset's emotional complexity gets expressed through its colour palette of red, blue and yellow.

Even though it might be more conventionally coloured with shading and whatnot, the choices behind making certain scenes darker/lighter and etc really sells the story more in my opinion.

These are the colour thumbnails I made for bite of winter. It's incredibly rough, but at a glance you can tell the comic doesn't have any particular page that is jarring or pulls you out of it.

As one more note: I'd advise doing all thumbnailing/colour-blocking at a much smaller size than the actual page is going to be. It keeps you from obsessing over fine details, and encourages you to just block in shapes and colours really quickly.

--

that's all from me for now. I hope this helped, and I wish you luck on your project. Pace yourself! Comics are more work than people ever say they are, and it's good to just take your time and enjoy the process.

[hatigave]

A LIFE LIVED ON A TECHNICALITY is hardly a life at all. One prison is traded for another; even when he is now allowed to stand on the other side of the bars. The Renown made way for the Jersey, but the harrowing sickness which had lodged itself into his heart and soul remained all the same. Every ounce of joy he had once been able to find on the open sea lay death and rotting underneath her waves once more. SIMPSON HAUNTS HIM STILL, even when the other man is long since dead. Logic matters little now that the Jersey is even smaller than the Justinian, and with even fewer places to hide.

If the others had not yet realized that some screams in the middle of the night came from him, and not solely from the prisoners below, Archie did not expect them to remain clueless for long. He was living on borrowed time, and he was well aware of it. The kind words of Commodore Pellew could not save him here, for they had saved his life, but they had brought him ruin all the same.

It is impossible to learn the names of the prisoners or to find any familiar faces in its crowd. The cast of the play is constantly changing, and even he who prides himself in his ability to spot familiar features from miles away, finds himself at a loss most days. It is perhaps the most painful fact, that he cannot provide the same comfort offered to him in Spain by uttering a dying man's name without a hint of disgust. Archie still tries, remembering bits and pieces but having them stripped from between his teeth just as quickly. They call it hell, and he agrees.

Samuel Tallmadge however is a name he recognizes all too well from dreams and memory     ⎯⎯⎯⎯ just as he recognizes that this is not that man. He keeps his mouth shut. Sticking the knowledge of a lie firmly against the roof of his mouth until he can nearly taste copper from where it festers. Getting what you wish for is easy when you have a silver tongue, and you know how to play the part they wish for you to. All it takes is a few bribes before he's allowed to participate in the exchange.

Childhood friends are not easily forgotten, and now that all he has once owned has been stripped from him, the mere concept of Benjamin is a spark of serenity on the horizon. His breath is held while he watches the interactions of the other men, his gaze fixated on the stranger who came in Benjamin's place. A BROKEN MIND STILL KNOWS HOW TO REACT when the shot rings through the quiet, the moment taken to change costume as quickly as he had done once on stage. Uniform discarded in the grass before heading into the woods to abandon the English.

Archie has never been a tracker, never good at following a path marked by others, and he is quick to lose all signs of other humans in the woods after making his escape. Perhaps it's for the better, even when he has abandoned the uniform he's worn since he was a boy, he is still painfully British ( death to both countries and alive to none. What a curious thing to be. )

The first shot grabs his attention and spurs him forward through bushes and branches with no more evidence than a firm belief in his heart. He has always been a fool. ❝ Benjamin ! ❞ An outstretched hand is offered to the other who has recently fallen from his horse. There is no time for a re-introduction. No time to waste on formalities and pleasantries as his fingers twitch waiting for the other to take his hand.

@honorhearted

[bellatrixobsessed1]

A Kinder World

Summary: Azula wakes up from a coma to a different world than the one that she had known.

Everything has changed.

From the grander things like Caldera City and Ba Sing Se—the world as a whole to the smaller things; her friends, her family, that statue in front of the palace…

She could still hear them. And she thinks that they knew that she could. Otherwise they wouldn’t have been talking to her. Especially for such a long time. Zuko had told her about the more profound changes; how lightningbending is more widespread, how it is in the beginning stages of being used to replace candles and torches. How there is a new city called Republic City and how the buildings are shaped and crafted very differently. How there are blueprints for new means of transportation and how parts of the palace have been renovated. Apparently he has a dragon now and he has been saving it’s twin for her. 

But he never thought to tell her about how she has changed. 

For some reason she had expected to wake up exactly the same. 

Azula doesn’t exactly recognize herself at first. She looks mostly the same, but just different enough to feel a sense of detachment. A distance from herself that may take some time to bridge.

They have been kind to her though; they kept her well fed, her hair silky and glossy, and painted her nails. Nails that could use a trim. They haven’t bothered with makeup but she is nicely dressed and her skin has seen sunlight.

She is older, significantly so, she can see that much on her face—in the accentuation of her cheekbones and in the length of her hair. She isn’t much taller but she has gained some height, maybe an inch or two. 

She plucks a necklace off of her dresser, the one with the citrine dragon pendant on a golden chain. The one that looks upon her with ruby eyes. It hasn’t seen her in years. Almost a decade, according to Zuzu.

She clasps it around her neck and lets it rest against a chest that is more supple than she remembers. She grits her teeth and drums her fingers upon the dresser. She could dress those fingers in glimmering rings. Could fix a bracelet or two around her wrists. 

She feels her earlobes and deduces that she will have to get them repierced. 

She supposes that this is good enough for now. 

She doesn't bother with her old armor, she knows that it will be a size or two too small. She swallows. She is a woman now. A woman whose mind has yet to catch up.

She touches her fingers to her cheeks, if only just to confirm again that this face does belong to her. 

She takes a breath and exhales. She supposes she should go greet everyone. Zuko had said that they are all waiting. That, in light of things, there are no hard feelings. At the very least they would be putting hard feelings aside until she has a chance to reacclimate to the world.

But Azula isn't sure that she is ready to see so many faces that she had once known so well look so different. The Avatar and the earthbender will be particularly jarring. But not nearly as much as looking upon her own altered reflection.

“Are you ready yet?” Zuko asks.

He has a beard now. And his hair…its so long.

Azula nods.

It is a lie. She doesn't think that she can be ready.

She picks up her hair ribbon and curls it around her pointer. At least she has that going for her; her bangs are no longer a choppy, unsightly mess.She finds herself frowning nonetheless. 

“Am I…really awake?” 

She knows that nobody had expected her to do so. 

And she has had this dream before—a sensation of waking only to find that she had simply been walking about a dream rendition of her life. The life outside of her mind. 

Zuko nods. “You’re awake, Azula.”

“How does it feel?” TyLee appears in the doorway. TyLee looks different too. Her face isn’t as soft, she is really tall now. Perhaps taller than Mai unless Mai has grown too. She feels so small in comparison. The coma has probably stunted her growth, or maybe she was just meant to be small like Iroh. She brings her attention back to TyLee. TyLee who still wears pink but speaks with a deeper vocal quality. TyLee who still wears the smile that Azula has always known but now wears her hair down and loose. 

Azula feels dizzy.

She presses her lips together. “I’m not sure…I haven’t decided.”

.oOo.

Sometimes she misses the world in her head. That strange place that could have had some tether to the spirit world. 

She misses its strange colors that are also taste and sound. She misses its smells that also come as images flickering over the visual stimuli that exists without odor.

She misses the music. Those bizarre melodies spoken in tounges that she used to be fluent in but can possibly hope to comprehend now. She misses those soft, scintillating voices that whispered kind and reassuring things to her.

Mostly, Azula misses the sense of freedom. The lack of stress. 

People don't ask questions there. They leave her be. It isn't quite as overwhelming.

She never felt out of place nor left behind.

She hasn't been abandoned and she can't say that the world left her behind. But it did move forward and progress without her. 

Most days this leaves her feeling adrift and purposeless. Leaves her wondering where she fits into the strange but familiar land.

She is well aware that she should be further than where she is. That she should think like a grown woman. She wants to. But she hasn’t lived enough to be able to. Katara and Aang talk about their children. Toph talks about her children too and is far too open about how those children have come to exist. Mai is pregnant. Sokka talks about drinking and his job as a councilman. They all speak of adventure and memories that she doesn’t share. 

She should have a job. 

She should have achievements. 

These have been stolen from her. 

Zuko promises that she will catch up. If anyone can reclaim ten years in less time than ten years, it would be her. But Azula isn’t so sure. She hates how insecure and self-conscious it makes her feel. 

It isn’t as though she could control that she had been comatose. At least that’s what Zuko tries to insist. 

But it is her fault; she had demanded the Agni Kai that had caused her brain injury. The one that she doesn’t remember. 

She only knows that it happened via word of mouth. She gets her proof and her reminder when she brushes her hair, when she parts the strands in just the right way, to reveal the scar on her scalp. She asked Zuko if it had been bloody. His lack of answer is itself an answer. 

She had gone to visit the spot. 

They have long since torn up and replaced that pavement, taking with it any trace of her suffering. 

It is morbid anyhow, probably better that she hadn’t seen. 

.oOo.

She is still ten years behind, twenty years later. Everyone around her seems to think that this is a good thing. She has more energy, more curiosity. A zest for life that hasn’t faded with age and having experienced things already. 

So far, TyLee has been her favorite experience. The woman’s touch on her body. The woman’s taste on her tongue. These days, she finds the most pleasure in simply intertwining their fingers or letting TyLee rest her head on her chest. 

She feels as though she should have experienced love before falling into a coma. Better late than never, she supposes.

She has a job now. 

Several of them. 

She enjoys working.

She is an advisor and a council woman. A singer and a healer of sorts. Although healer might be the wrong term—she does the research and the studying so that healers can perform new methods of healing. So perhaps she should call herself a scientist. She likes studying the brain and how injuries impact it. 

She enjoys that job the most, but singing is rather charming too. 

She feels like she is ten years behind but she has caught herself up, at least where careers are concerned. 

Emotionally, she isn’t so sure. She always feels as though she is so much younger than everyone. Agitatingly naive in some ways. 

At least these days she no longer feels unsettled and disoriented when she sees her own face. It has become familiar again. And the palace has long since stopped being daunting.

She rolls onto her side and presses her forehead against TyLee’s. TyLee raises a hand and brushes her hair aside. Her finger traces the line of Azula’s scar. She has acquired more of those through the years. Mostly the product of years and years of lightningbending. 

“I’m glad that you woke up.”

TyLee says that every now and again. And it still makes Azula feel tickly and teary eyed. She had been so sure that everyone had been glad that she was gone and that she had inconvenienced them by waking up. 

TyLee kisses her forehead. 

She is also glad that she had woken up.

And that she had awoke to a kinder world.

[collectivecloseness]

Eddie Munson x Rockstar!Reader

Eddie got into the nearly nonexistent line, hours before the show he’d saved up for so long for, the sidewalk behind the black rope soon to be filled with your adoring fans, who’ll wait for you to enter the stadium, hoping for autographs. You were so kind, Eddie knew, that you’d give some lucky people your presence! Or the ones who were good attention grabbers, and oh was Eddie skilled at that! Easily he made his way to the front, and he stayed there after being one of the first in the row, and through intimidating the many people who tried to barge in front of him. Body firm as he held tight to the rope, and stuck in place.

Until you came out of your car. Eddie’s body went through a rush then, every cell in him firing up and making his body soar, as he became just another part of the cacophony of screams, jumping up and down in place while you headed down the line to the stage doors, waving at everyone who screamed your name.

He couldn’t believe he was seeing you again! He’d seen you a bunch of times, but he’d never gotten this close! You were so... amazing, this close up, and not just on a poster or record art. This was you, in all your glory, pumped before a show with that intense surge he knew all too well from his smaller gigs. And Eddie was not only starstruck, but lovesick...

You signed two people’s books, who were closer to your car, before you reached Eddie. His smile beaming as he realised you were stopping! And then you took off your shades, just to smile and look into his eyes. Just for him. His mouth dropped open.

“Hey! I think I saw you this morning, outside of Brent St? I recognised your hair. It’s soooo pretty on you!” You genuinely compliment him, seeming enthused at his looks. Asking him, like this was just a normal conversation between two warm strangers. And that was Eddie. You remembered him...!

Eddie literally can’t help but cry. Fat tears blocking his vision of his dream girl, so he swipes them quickly away from his face, even as they keep coming. The charm bracelet he made based on titles from your albums, scratching at his cheek. Eddie nodded hard, his voice loud and eager. “You’re right! That was me! I’m Eddie! I’m your biggest fan I- I’ve been to every show!!! Thank you so much! You’re the pretty one!” He hopes that last one was okay, swallowing a lot of spit as it blurts out. After he tried to cram every thought into his small one on one time with you. Nervous, but you making him higher than any drug in his stash back home would do to him.

But you keep smiling at him, and his breath stops, as you lean over, and so tenderly play with his hair. “Don’t put yourself down pretty boy. You’re beautiful Eddie!” Your fingers are still teasing the roots in his hair and Eddie just about melts. It felt so good. Eddie couldn’t remember the last time someone played with his hair, someone touched him like this. And you’re touching him! You! Trying with near pain not to close his eyes from your caress, your petting, because he wanted to watch you holding him so fondly!

You sign the little autograph book Eddie can barely keep a hold of, that’d he’d almost forgotten about, and he’s thanking you over and over, just word vomiting about how he’s been following your music since day one, how much he worships it! Mentioning an underground concert basement he saw you play in, which he sees your body light up at, knowing it was one of your very first professional gigs. While you keep on signing.

But then you take his hands, cooing audibly over his rings, before letting your fingertips play over them, up to his own pads. “These are guitar players hands, right Eddie?”

Eddie nods, eagerly informing you all about the model he plays, knees trembling as you’re holding his hands. His eyes flitting between how beautiful you are this close, and what you’re writing into his skin, as you take the pen cap lid between your dark lipstick, and focus on his hand. He swears he’ll get it tattooed. Whatever it is, as soon as he’s home.

Eddie looks as you finally (unfortunately) let him go. It’s not only your autograph on his skin, but some random word. Fleeting panic bubbles up in Eddie for a second, was he supposed to understand some kind of reference? But you explained straight away, “It’s a password.” You had leant in to whisper, ducking your hand and your mouth under those pretty curls to press your cheek to his ear. Giving you two some privacy. “Give it to a backstage manager before the show. But don’t worry, I’ll still remember you again, like I did today.” When you finally leant back, you winked at Eddie. A few fans behind you screaming into his ears at the display. But almost like only you and Eddie existed, you stroked those gorgeous curls you couldn’t believe you’d only seen today, knowing you wouldn’t forget them now you had been so blessed.

Eddie can barely nod, his hands gently holding onto yours as it starts to softly slip out his grip. His eyes as wide as his lips were thick, mouth on the floor as Eddie watched you slink away. Not taking your affectionate eyes off of his until the final second, where you put your shades back on, and turned around to sign one more picture. Before ultimately waving to everyone, and heading inside. Disappearing from public view, behind heavy doors, and butch security.

Eddie’s puppy eyes could finally leave you, head slowly creaking down to his hand that was just trembling. Especially as he looked and saw the black ink still there. That just really happened... Now Eddie wasn’t running to get to his front row place through the auditorium’s doors. He was running to any stage door, any, so he could obey you. To see why you gave him this password and why you wanted to see him! And so, just like you wanted, he could go follow his star...

[pumpkinpartynoelle]

The Secrets of Power, Sin, the Weird Route, and More

Variable Angel Theory - Part 2

Hi! Noelle Holiday here!

I went over a lot in that last post, but I didn't go over everything. Partially because it would have taken too long (it was already over 10000 words), and partially because I hadn't found everything there is to find so far in Deltarune, and I'm sure I still haven't here.

My main goal is to refine my theory more and give you even more evidence, in case the original post didn't have enough to convince you. As it turns out, there's actually quite a lot more evidence than I thought there was, and considering how solid it already felt at the time, I'm more and more certain I'm right. Plus, I found a lot of new stuff too.

I’d also like to request anyone that finds this interesting please share it around (along with part 1 of course, for context), I want to start a community discussion on the topic.

Like in part 1, I’m expecting you’re at least mostly familiar with Undertale and Deltarune, and know all major routes released so far, because I’m not going to retread the basics. This post will contain spoilers for Undertale, and hopefully Deltarune as well.

Plus, of course, make sure you’ve read part one first.

Here’s the new stuff:

More info on “Power”, A.K.A. Soul Power

How Kris’s soul works, a unified explanation for the new abilities we have access to in Deltarune (and possibly even abilities we had in Undertale)

What the vessel in the intro is for

A general idea of Gaster’s involvement

A clearer picture of the ending

A more thorough analysis of Jevil and Spamton

An analysis of “Holy” and “Sin” in the same vein as "Angel" and "Demon"'s analysis in part 1

A guess on what the hell NEO is

An alternate purpose behind the DT extractor

The possible identity of the Egg Man?

A vague idea of what The Song from the Sea might be

A comically thorough analysis of Rouxls Kaard as an angel candidate

Save file mitosis

The worst plot twist of all time

Much like the last post, this won’t have exclusively stuff directly and immediately relevant to Variable Angel Theory in it, but will instead show most of what I found in the process of refining this stage of Variable Angel Theory. This is because of how interconnected everything in Deltarune’s world is, it can be hard to completely isolate one element from the others, and even the less relevant parts can still be useful context, so I’ve decided not to bother trying to separate them. You’re getting not just VAT, but a lot of the smaller stuff I found along the way. Just know that, if some parts are wrong, and at least something probably will be, that doesn’t necessarily invalidate the rest.

Finding more evidence isn't the only purpose of this post though, there's also just some stuff I decided I wanted to mention after I published the first one, so that'll be in here too. Originally I was just going to call this "Extra Thoughts", but there's more than enough stuff here that "Part 2" feels warranted. This post will probably end up bigger than the first one, so expect at least 10000 words, possibly closer to 15000.

Something to keep in mind about Deltarune, that I may not have placed enough emphasis on in part 1, is that the idea for Deltarune, and specifically its ending, came even before Undertale. One can expect then that many details in Undertale intentionally relate to Deltarune, and so far, that seems to be the case. That’s why I’m so confident making these connections based on information that isn’t directly in Deltarune itself.

Another important thing to keep in mind, again, is that we only have 2 chapters of Deltarune so far. With so little information, I’m basically forced to rely on foreshadowing, narrative parallels, double meanings, and the like as evidence for my theories. Aren’t we lucky, then, that Toby has proven himself a master of that craft? I’m willing to rely so much on this evidence that might be shaky or meaningless in any other game because this isn’t any other game, this is set to be Toby Fox’s magnum opus, and I’m confident he’ll put everything he has into its story.

I'll also be taking some other points as read that I hadn't before, most namely Timeloop Theory (that the game will end in a reset and the world of Deltarune is in a time loop because of this), and Jaru’s Asriel/Ralsei theory (the general idea of it, not the specific hypothetical scenario Jaru gave for how it could have happened). It's only relevant a few times in this post, and you still don't need to know it to understand what I'll be talking about for most of this, as long as you're willing to go along with me and trust that I believe it for a good reason. Or, dozens upon dozens of good reasons, as the case may be.

The game hints at both of these theories all over, pretty blatantly in a few places. I wouldn't assume them as true without being very confident in it, and the reason I’m choosing to take them more as fact here, aside from my being confident in them (I would genuinely be shocked if either were somehow incorrect in their broad strokes), is that these theories are somewhat important to certain parts of Variable Angel Theory that I’ll be discussing here.

Most of Variable Angel Theory and its branches remain valid without the Asriel/Ralsei theory (the time loop theory is a little more important since it’s the entire reason for the weird route at all), but since we’re now getting into the details and specifics, I don’t want to keep restricting the information I draw from. I was originally going to remove most references to Jaru theories, despite how well a few of them compliment VAT, to avoid hate related to him, but as I'm setting up this thing for posting, I've decided fuck it we ball. I've been working on this thing for like a year, I'm making it how I want it.

However, even though I’ll be assuming these theories as true, even the parts that involve them are often not vital to the theory. It’s strong enough, I think, that taking out some pillars won’t bring down the whole structure, so even if you don’t believe them, you’ll probably still get something out of this post. Quick primer on the Asriel/Ralsei theory for those who don’t care to look up the full reasoning: In spite of what Toriel believes, Asriel is dead (like in Undertale). Kris feels guilty for it and may have caused it (but if they did, without an intent to harm, their light world LV is still 1, or perhaps human LV starts at 0 and Frisk killed someone). Kris absorbed Asriel's soul (humans absorbing monster souls was clearly foreshadowed in Undertale but never happened), and Ralsei is a lightner/darkner hybrid made partially from Asriel's dust (hence his weird similarities to Asriel and Flowey, and why the game goes out of its way to never explicitly call him a “darkner”). Kris's unique soul means Asriel is the one possessing them (and the person we play as, similarly to how we play as Chara possessing Frisk in Undertale), and it gives Kris special powers like being the only one able to seal a dark fountain, grazing, shared damage between party members, etc., powers that, despite their variety, Variable Angel Theory’s understanding of soul power can and will explain fairly simply. I can’t tell you specifically how Asriel died, there’s just one or two pieces still missing, but there’s so much evidence pointing to it having happened that despite this I still have a lot of confidence in it. Kind of like Variable Angel Theory itself, actually! You can still get the big picture even if you're missing the details, I think.

I'm also assuming, of course, that you've read my first post on this theory before this one, as rehashing all of that groundwork would take way longer than is worth. If you haven't, maybe go do that or you'll be really confused. If for some reason you really just want to read this part and don’t care about the evidence I used for part 1, there’s a TL;DR at the bottom of that post. This one too, for the new stuff.

Soul Power: Determination, Magic, and Love:

To start us off, I have a better idea of what soul power is that I want to share, or more, a refinement of the idea I already had. I think that, much like determination, magic (as in, the magic used by darkners and some monsters in the dark world, as well as Undertale's monsters) is an aspect of soul power. We know that magic is strongly tied to the emotions of its users, as is determination, being a physical embodiment of the will to live.

Magic, too, operates on many of the same rules as determination, and so does a power like LOVE. So, I think all 3 of these are aspects of soul power. That explains how high LOVE manifests powers similar to determination, why monsters’ emotions have so much impact on their magic, and how Undyne was seemingly able to generate her own determination. It all comes back to emotion, and the power of the soul. In hindsight it's kind of obvious.

What can this tell us? In Deltarune, many party members show a magic stat. The tie between magic, determination, and LOVE may mean that someone's magic stat can be used to get a rough idea of their other soul power stats. And, of course, I have the most latent magic, having as much at LV 1 as Ralsei would have at LV 3. Ralsei seems very knowledgeable about and experienced with magic, one could extrapolate that he's probably the equivalent to a fairly skilled mage. If my base magic is above this, that backs up Queen's insistence of my latent power, and of course my candidacy for ascension in the weird route. Of promptly available choices for a new angel, my high magic stat may translate to high soul power in general, thus making me the best candidate.

Catti:

Of all likely party members we know of, Catti seems to have the most potential to rival me in magic. She has enough associations with it that it would be odd not to make her a primarily magic-oriented character, and the "nekomancer" pun feels too good for Toby to pass up. The earliest she'll show up, I think, is chapter 4, which, as I said in my last post, I feel places her a bit too late to be a serious angel candidate. I think, however, that she’ll have her biggest role in chapter 5, as I believe that’s the most likely chapter to take place in the church, a location that would fit very nicely with Catti’s whole theme and aesthetic. But really, who knows specifics? I sure don't!

What I'm wondering is, what will her magic stat be? For game balance reasons, it would make sense to have a higher magic stat than I do (11 at LV 1, 16 at LV 2 in the weird route), as most of the party will be at least LV 4, maybe even higher, by the time she joins. This should place Ralsei's magic stat around 13-15, possibly up to 18 or more depending on how violent you've been. Maybe Catti's spells will be stronger to compensate for her lower magic stat? Maybe she'll start with a higher LV?

My best guess is that I'll have higher magic at this level in a weird route, assuming I show up (I might not), but in a normal route, Catti's magic may be higher. Though, it's also possible that her magic will be extremely low, on the level of early-game Susie, despite her magic associations, and Toby will use this to make a point about the nature of magic and soul power.

Either way, I think that by the end of even a normal route, it will be farther hinted in some way that I have more potential power than Catti, regardless of what her stats are, and in a weird route, I'm sure I'll be much more powerful by the end than Catti would be. All signs point to it.

LV, Love, and LOVE:

So, what's dark world LV? It's a different stat than light world LV, so what's it mean? For the main members of the Fun Gang, LV increases upon encountering a dark fountain. This makes sense. The fountain seems to be raw magic, and magic, like determination and light world LV, is an aspect of soul power, so they have a solid connection. Light LV, though, is tied directly to killing, and Dark LV isn't. That explains why Dark LV, instead, is earned through exposure to fountains of raw soul power. This could be extrapolated to mean that all stats (HP. ATK. DEF. EXP. LV. (maybe not gold)) are aspects of soul power. Which, again, feels like it should have been obvious from the start, with the way emotions affect this, and maybe most other people have already picked up on it, but it was kind of a minor revelation for me. But, with most major stats all tied back up with soul power, it's almost like we've come full circle. It's a bit harder to say anything uniquely useful about them when they're all tied to the same thing. Either way I think magic in particular is the closest, other than maybe LV, to quantifying "power".

What strikes me as odd is that I start at LV 1, and while I can become LV 2 through the weird route, which I think makes some sense, I can also become LV 2 by just acquiring a title. This raises the question: is this purely a gameplay thing, or does this mean something? Do titles have some tie to soul power? Maybe! I think it's too early to tell either way. Maybe a title is somehow some achievement for your soul that allows it to draw on the power of others nearby? Maybe Kris being LV 2 at the time of title acquisition allows my soul to power up to that level? Or maybe it's related to their unique soul and the powers it has from absorbing Asriel? It could be related to why Ralsei levels up from dark fountains despite not directly being there for their closing. Kris's soul may be uniquely tied to party members, (like how everyone takes damage when Kris's soul is hit) so when Kris levels up, so do other party members. We'll have to see if other characters have their LVs raised mid-chapter this way, our sample size may just be too small, but with Toby it's never safe to assume that a gameplay mechanic is just a gameplay mechanic.

So, with basically every theme of the game tying back to the power of the soul, or the power of the heart, we have an explanation for the bizarre plot importance of all the romance theming, but that still makes Ralsei seem a little weird. My best guess is that Ralsei maintains the essence of affection for Kris from Asriel, like how he might have affection for Susie because of Asriel's interest in hot purple dragon girls (discussed a bit more in the next subsection, as it’s strangely relevant), but that affection takes a different form. It’s possible romance itself enhances the power of the soul, and the romantic implications of the weird route are in part a deliberate choice by the entity possessing Kris.

As a bonus, here are a couple more hints I noticed after the last post about Kris and Susie potentially having, or more likely, foreshadowing that they will have, a romantic relationship. Alphys subtly hints that, when she didn’t know where Kris and Susie went off to, she suspects they might have been doing something of a romantic or sexual nature together. When I show up, and ask Kris and Susie what they’re doing outside of the storage closet, the options are “hanging out alone in the closet”, obviously implying romance, and “crime”. Selecting “hanging out alone in the closet” leads to Susie stumbling over her words, acting almost flustered, and remarking that they were just “touching brooms”, a clear innuendo.

Kris’s Soul:

Speaking of Kris, I’m writing this section about 2 weeks after the previous one, and I think I’ve figured out sort of why Kris’s soul acts the way it does. I’ll go over all of Kris’s soul’s special abilities here (at least the ones new to Deltarune).

Shared damage between party members, and not dying until all of them are defeated

Grazing and TP

Shining “power” on a party member to grant them new abilities

Sealing fountains

Trance

Fighting battles even without Kris present in them (Susie Vs. Lancer)

Surviving briefly without a soul

Wielding determination without a soul

Raising stats without leveling up

I think Kris’s soul has the ability to ���sync” with soul power, creating a line of connection between Kris’s soul and other souls and soul power. This alone can explain every single one of their demonstrated abilities introduced in Deltarune.

Shared damage between party members, and not dying until all of them are defeated

With Kris’s soul synced to the party, it acts as a shared soul between them for battling purposes. As such, they can all take damage when it does, and are only defeated when everyone is.

Grazing and TP

Bullet patterns are established in Undertale as being made of magic, and darkness seems to be magic manifest. As such, darkner bullet patterns are likely also magic. Since magic is an aspect of soul power, Kris’s soul being able to gain strength and share it with the party by staying close to concentrated soul power in the form of bullets makes complete sense.

Shining “power” on a party member to grant them new abilities

This ability, and the abilities it unlocks, require the presence of a fountain, because it provides the party with power that Kris doesn’t have inherently. Instead, it channels the fountain, made of raw darkness A.K.A. magic A.K.A. soul power, into the party to give them a boost while in proximity.

This also explains why the party only levels up when Kris closes a fountain, except me. Instead, my level syncs to Kris's when I earn a title, as matching the level rather than exceeding doesn't require the use of a fountain (probably). This may also be how Catti and other potential party members will get on par with party level. A good lore-friendly fix for scaling issues.

Sealing fountains

Because the fountain is made of magic, and can be opened with determination, one can assume soul power is also capable of sealing it somehow, but determination alone can’t make that happen. Instead, the hole in the fabric of reality created when the fountain was stabbed into existence can be sealed by connecting the soul power back together, patching the hole as if sewing it up. It’s a bit of a different implementation of a soul connection, but still follows a similar principle I think.

Trance

Soul power is heavily reliant on emotion, and trance seems to subtly manipulate its target to be more suggestible and open by syncing their souls together.

This could also explain how ACTs work, but that’s more ambiguous because Frisk can also ACT effectively. It’s possible that the presence of Chara within Frisk allowed them to ACT, and trance may be an ability associated more with combined souls/essences in general, rather than specifically a human soul that absorbed a boss monster soul. It’s also possible that, since Chara was absorbed by a monster, their spirit maintains the trance ability from that, since we don’t know for sure if a monster absorbing a human can use trance the same way a human absorbing a monster seems to be able to.

There’s also a chance that trance isn’t an ability tied to Kris’s soul at all, and it’s just tied to equipment, but I think it would be more narratively compelling if it weren’t exclusively an equipment thing. As I trust Toby’s writing to generally pick the most compelling option, I think it’s more likely that trance is actually connected to Kris’s soul, unless Toby has other major plans for trance, some possibilities for which I’ll explore later.

Trance is one of Kris’s abilities that I’m the least sure about. There are a lot of ways it could work and it may be distinct from Kris’s other abilities, but it doesn’t have to be. Toby could take it many different ways and it would still fit nicely, I think.

Fighting battles even without Kris present in them

While the soul is Kris’s, it isn’t Kris. We know Kris likes Susie, but so does Asriel, the other likely component of the soul, which we can glean from things like the How to Draw Dragons book, and Susie’s reaction to his room in Queen’s mansion, which implies Asriel’s search history heavily involves purple dragon girls, hence why Asriel didn’t want Kris to be able to see it and closes their eyes when attempting to look inside without Susie present. It’s also possible that Kris just doesn’t want to see their brother’s search history. Sharing a soul might mean Kris already knows how weird it is.

Either way, Asriel’s likely affection for Susie, combined with Kris’s, may be what gives the soul the ability to maintain its connection to Susie over a longer distance. We’ve always checked what Susie is up to at a distance, but never Ralsei, after all, but even if that changes I think there’s still merit to this.

Surviving briefly without a soul, and wielding determination without a soul

As the soul belongs to Kris, and can sync over short distances, Kris may still be able to use the soul’s power even while it’s not in their body. I’m imagining it like a cable astronauts use to tether them to their spaceship for spacewalks. Go too far, or stay out in space for too long, and it might snap, or you might run out of air. Figuratively, I mean.

Raising stats without raising LV

Defeating enemies with violence, as established earlier, can raise your stats. Much like the link to dark fountains, Kris’s soul establishes a link to the darkners they defeat, siphoning off a small amount of power from them, much less than a dark fountain, but enough that your stats can be increased by defeating multiple. Of course, this bonus is shared with the team through Kris’s soul sync as well, farther splitting the power and explaining why it takes so long for a relatively small increase.

If I had to guess on future abilities, the soul may have the ability to sync up with a target soul so forcefully that it can override their own control of their body. If this happens, it will likely be in the weird route, and I think this is what the vessel may be for. I’ll provide more details later. It also may be possible for Kris’s soul to drain a target’s power until there’s nothing left to take.

Funnily enough, you could call elements of this soul connection a “hyper link”, but as Spamton’s “[Hyperlink Blocked]” seems to just be a standin for the word “love”, that might not be intentional. Or maybe Toby is on some galaxy brain nonsense, it would certainly explain a lot.

Holy:

Undertale has no mentions of "holy" anywhere in its dialogue, so that’s a pretty easy one. Instead, I just want to mention something interesting I noticed. Like I talked about in the first post, the Angel religion shares a lot of similarities to Christianity. It doesn’t have sin as a concept, but other than that, the aesthetic resemblance to specifically Christianity feels significant, especially given its incorporation of angels, all the mentions of demons, the heavily implied existence of Christmas, that sort of thing.

One of Jaru’s theories (that I’m less confident in than the Asriel/Ralsei one but still seems like a valid possibility) is that, long ago, there was a previous angel, and that angel sealed away magic into the dark worlds, as well as memory of it, and gave the monsters physical bodies (that still turn to dust so monsters can maintain their cultural traditions involving it). If this is true, but that angel is no longer around, that could make sense, as the magic and the then-magical bodies of monsters would fall under the purview of an entity with significant control over Soul Power. So would memories, as we know from Undertale that a reset isn’t actually a perfect time rewind, since people still keep some memories, and Flowey specifically mentions erasing memories as a particular part of the reset process.

As such, the making of a new angel now calls to mind the second coming of Christ, with the roaring resembling the rapture, but instead of some people getting sent to heaven while others are left behind, the darkners are turned to stone and the lightners are left behind. It feels like an intentional parallel now that I think on it, which makes me even more confident I’m on the right track comparing some of UT/DR’s supernatural elements to their Christian counterparts. Plus that also explains why the angel religion exists at all, and seems to have been a presence in the world for a decent length of time. If the angel hasn’t been made yet, why would that religion exist, unless there used to be an angel long ago? The prophecy doesn’t seem well-known enough to have spawned an entire religion from it, especially in the light world.

Deltarune:

The “Holy” element

“Holy Fountains, whose shadows are creating a new world… OUR world.” by King

Berdly calls his weapon a “Holy Halbird” a couple times

“HOLY [[Cungadero]] DO I FEEL GOOD …” by Spamton before the Spamton NEO fight

“Holy Circuits Are You Serious” by Queen upon learning about the roaring

“THE HOLY”, song that plays when encountering a dark fountain

Unlike the word “angel”, “holy” doesn’t seem to have as strict of rules regarding its use. Half of these probably mean nothing.

The “Holy” element

Deltarune’s element system is barely relevant to anything. It’s almost entirely unimplemented, with only the Cat:Puppet pair actually having even the slightest bit of functionality. Holy’s pair element is “elec”, probably short for “electric”, reminiscent of a divine smiting with lightning or something. The only place you can actually see a character’s element is in the recruits menu of the Cafe, and thus far, no one appearing there has the Holy element.

There are a few people with the Elec element, Holy’s pair, specifically Ambyu-Lance (Order:Elec), Tasque (Cat:Elec), Werewire (Elec), Maus (Mouse:Elec), and Werewerewire (Elec:Fight).

Oddly, Mauswheel and Tasque Manager are not Elec elemental. Mauswheel is just the Mouse element three times, and Tasque Manager is Cat:Order. Jevil appears there too, in the game files at least, with the element Chaos:Chaos. Fitting.

It’s hard to tell what information we could draw from this due to how little implementation and relevance the elemental system has had thus far. I can assume, by the fact it exists at all, that it will have more relevance going forward, but what that relevance might be I’m unsure. I’m hoping it will have much greater combat relevance, as while I love the lore and story of Deltarune, the gameplay feels a bit samey, especially if you’ll end up having to play it for 7 chapters at least twice over, possibly more depending on how much the pacifist and neutral routes diverge, and whether there will be significant changes in subsequent time loops. While I trust Toby to write the story well, I’m not so sure if he and his team will nail the gameplay, as it’s only the bosses that are particularly interesting in that regard so far.

The only thing I can gather right now lorewise is that the Cat:Puppet pair may be a bad omen for Catti’s involvement later.

“Holy” fountains

This makes sense. I think darkness is made of raw magic, or at least something closely tied to soul power, something in common with the angel, who I think is made manifest via high concentrations of soul power. It would be perfectly in keeping with that to consider the dark fountains “holy”. It also implies the knight has some connections to holiness, which tracks for candidates like Alvin, or a dark world being made from Gerson’s dust, the candidates I think are most likely to be the knight given what we know so far.

The Holy Halbird

We’ve already examined Berdly briefly as an angel candidate in the previous post, and I haven’t found any new indications that he’ll be a viable angel candidate since then. However, Berdly often fights on my behalf, treating himself as my knight in shining armour and the like, so it makes total sense to call his weapon holy when he’s so often using it on behalf of the angel. It even makes sense when he teams up with Susie, as she’s also a likely angel. I don’t think Berdly knows about this of course, he’d be kind of a weird character to give some deeper hidden knowledge to, especially since he never gives any indication of knowing anything secret, but it makes sense from a thematic standpoint.

HOLY CUNGADERO!

From everything I can tell, “cungadero” is just a nonsense word that might refer to a fictional type of car or something. In that case, a holy cungadero could be that vehicle I briefly mentioned in a hypothetical extrapolation of the thing Alphys went into about The Symptons, but even given Toby Fox levels of foreshadowing that seems like a bit of a stretch to actually mean anything. It could, though! Outside of that, this just seems like an exclamation, I don’t think it’s foreshadowing much in specific.

Holy Circuits!

The same goes for this, I think it’s just an exclamation. It could mean Queen’s circuits are holy, maybe in a similar way that King and the dark worlds are likely holy, but if it does mean that, that still doesn’t really tell us anything new.

THE HOLY

One could potentially dismiss the fountains being “holy” as something King thinks given his particular position and goals, but the fact that the fountains are also called HOLY by the soundtrack itself puts more merit behind King’s referring to them as such, unless the songs of the soundtrack are meant to be named by a particular character rather than by Toby or whoever else worked on the music, something that doesn’t seem to be the case so far. We know that ALL CAPS song titles tend to be related to Gaster, so if anyone named the songs in-universe it was probably him, but then, why would ANOTHER HIM not be called “ANOTHER ME” or “ANOTHER SELF” or something?

Sin:

Oddly, despite sin not being a part of the angel religion according to Alvin, the concept of damnation seems to still exist, as “damn” is a swear used a couple times in the game. That may not mean anything, but it’s possible sin used to be a concept in the religion but was gradually lost to time, or it might mean that both the angel religion and Christianity exist in this world, hence the presence of Christmas, and a potential reason why Monster Kid might be wearing a cross necklace.

The angel religion may bear similarities via cultural exchange, or evolving from Christianity into its own thing around the time of the first angel, like how Christianity itself came from Judaism around the time of Jesus. Though, if that’s true, it’s a little odd that Christianity is never really referenced by the characters outside of Christmas, but not so odd as to be out of the realm of possibility. It would explain where Asriel got his concept of sin from, which is why Alvin mentioned that sin isn’t a thing in the religion in the first place.

I’m not sure, it could swing either way. Damnation might also just mean something completely different or even positive in the angel religion. It wouldn’t be the first time Toby has inverted the meaning of a word like that.

Undertale:

“It means you’ve lived a life of sin” by Ragel after performing his mushroom dance

“You felt your sins crawling on your back” and “weighing on your neck” in the Sans fight

“The potted plant is judging you for your sins” in MTT cafe

All of these use “sin” in basically the same way, and all are exclusive to the merciless route, so one can assume that killing a bunch of people is a sin. Not exactly revelatory, but it means in Undertale at least that sins aren’t somehow a good thing, probably. The narration in the Sans fight, however, could imply that sins can physically manifest and potentially damage the host, but that may also just be a flowery description and isn’t meant to be taken literally. It’s possible none of these lines are all that useful, and I’m starting to think that I made the right call in choosing “angel” and “demon” as my main words of analysis in VAT1 rather than “holy” and “sin”, as these so far have been much less impactful.

Deltarune:

Discussion with Alvin

Forgiveness from Hathy

“My hearts go out to all you sinners!” by Jevil

The Hathy one is much the same as how Undertale used sin. If you’ve defeated a Hathy with violence, they can forgive your sins against them if you talk to them in Card Castle, and you can still get the pacifist ending as long as you only hurt one of them. As for Alvin, we’ve already discussed it earlier, touching on it in this part and going over anything relevant in part 1. That just leaves Jevil.

Jevil:

Jevil's lines are hard to parse without some idea already of what's going on, but I think we've figured out enough by now that we can start to understand what some more of these lines mean.

“MY HEARTS GO OUT TO ALL YOU SINNERS”

The “multiple hearts” thing could just be a joke about his attacks firing multiple hearts, or the “hearts” suit. It could mean Jevil has multiple souls, as absorbing a soul is something Spamton established as a possibility for darkners, but he doesn’t seem powerful enough for that. Sure, Jevil is widely considered one of the most powerful residents of the Card Kingdom, but that implies Seam would also have a soul to match him, and that the residual essence of a lightner’s passion was enough to give Spamton NEO power on par with an entity that stole a lightner’s soul. None of it feels right, so I don’t think Jevil actually has a soul, let alone multiple. As for sinners here, I believe we, on principle, stand in opposition to the Angel’s Heaven, making us sinners in a sense, as he uses this line even if you play pacifist.

 “I AM INNOCENT, INNOCENT! I JUST WANTED TO PLAY A GAME, GAME!”

Jevil believes he’s the only free one because he’s the only one in the kingdom, other than Seam, who’s accepted the truth. Everything will be reset in the end, so it doesn’t matter how many people he’s hurt, all will be undone, thus, effectively, no crime was committed. Though, since Jevil did this before the start of chapter 1, it’s possible that the reset will go back to before chapter 1. It’s also possible that it won’t, as regardless of when a dark world is created, its history seems to be created retroactively.

 “NOW I WILL SLEEP FOR THE OTHER 100 YEARS.”

Following this, it’s possible the card kingdom had 100 years of history before the time we enter it, and it may have 100 more years in its time before it ends, or rather, dark worlds in general may have 100 more years, given we seal the fountain at the end of chapter 1. Time does seem to flow differently in dark worlds, and Ralsei’s impatience when we first return to him at the start of chapter 2, and his not knowing for sure how long a day is other than that it’s supposed to be short, may mean that the time he spent in the dark world alone was much longer than the time Kris and Susie spent in the light world. Susie saying “just waiting for today felt like years” is obviously a joke about it taking multiple years for chapter 2 to release, but it may also be hinting that, for Ralsei, the time he waited was much longer than it was for Kris and Susie. This would also explain how he set up so many rooms in his castle so quickly.

If Dess is trapped in a darker world, as I think she might be, (a dark world created within another dark world, like Berdly almost did in chapter 2), the time dilation may be even worse. She might be unrecognisable by the time we find her, and unfortunately for her, due to soul power’s association with modifying the flow of time, the odds that dark world time flows very differently are pretty good. If Dess is trapped in a dark world, that may be the reason the unused fountain theme that Toby still wants to use somewhere has an acoustic guitar playing the melody, one of the very few things we know for certain to be associated with Dess from the Spamton Sweepstakes. It's possible she's been trapped for centuries, or millennia, unable to die, being surrounded by the energy that gives things life. Would she even remember me?

“AS PUNISHMENT, THEY CRAVED TO IMPRISON MY BODY. BUT I’M FAST, FAST, CLEVER CLEVER. THEY LOST THE CHASE, AND LOCKED UP THEIR ENTIRE RACE, NOW I’M THE ONLY FREE ONE.”

As far as Jevil is concerned, his mind is still free. He’s the only one who’s accepted the truth. There are no crimes, there are no victims, all will be undone, and as the only one who can accept this, he’s the only free one. Locking him up just allows the rest of the card kingdom to stay in their own mental prison, not accepting that they can do anything they want. To Jevil, the time loop isn’t a curse, it’s a blessing.

It’s also possible that, if Jevil has stolen a soul, he may be able to project it out of his body like Kris and influence things outside of his cell that way. Seam’s vague light connections may mean that he also has a soul, and thus, is the only person that could defeat Jevil. But so far, soul projection and soul sync, being able to operate without your soul, seems unique to Kris. If Darkners don’t have souls normally, and it seems like they don’t as they’re basically made of soul energy anyway, Jevil may not need the soul in him, but would that allow him far greater remote control of his soul than Kris has?

Importantly to note, if Jevil does have a stolen soul, it’s odd that Spamton NEO is seemingly comparable in strength to him without one, so I’m far from convinced of this possibility. It seems just plausible enough to be worth the mention.

It’s possible Seam has a soul but Jevil doesn’t, as Seam is more powerful and has the only Delta Rune in the dark worlds outside of Castle Town, but much of Seam’s history is still a mystery. However, when you ask about Jevil, Seam says “After all the trouble I went through to lock him up, you want to release him?”, which implies that it was difficult. If Seam had a soul, and Jevil didn’t, shouldn’t it have been much easier than Seam seems to let on?

Maybe Seam’s seap song is just called “lantern” because Seam’s face kind of looks like a Jack-O-Lantern, with the orange glow inside Seam’s mouth and the pointy triangle teeth when Seam smiles, and I’m reading too much into it. But given how important a character Seam seems to be, I’m inclined to think there’s more to it than that.

After selecting “Do not play a game”: “HOW CAN YOU REFUSE, WHEN YOU ARE ALREADY PLAYING?”

There’s obviously the meta interpretation, as Deltarune is a video game, but considering Jevil has every reason without meta knowledge to interpret his reality as some kind of playground, I don’t think we need to assume he actually knows that Deltarune is a video game. He might, I just don’t think it’s necessary for anything Deltarune’s seemingly trying to do, so I don’t want to assume he has more meta knowledge than he necessarily does.

After selecting “Do not” when asked to use the key on Jevil’s door: “YOU CAME TOO FAR! YOUR CHOICE HAS RUN OUT!”. The door unlocks anyway.

Pretty straightforward, but given secret boss doublespeak, he may also be referring to the end of the game where, no matter what you do, the angel resets, or it may be a warning about the weird route. At a certain point, you go too far and you don’t get to stop anymore. If I had to guess, (and when it comes to this sort of stuff, it really is just a guess) it’s when the vessel takes over, which I’ll be discussing later.

“OH, IT’S JUST A SIMPLE NUMBERS GAME. WHEN YOUR HP DROPS TO 0, YOU LOSE!”

This one actually could point to Jevil knowing that his reality is literally a video game, but it might also be that, as darkners are made of soul power, and all stats seem to be an aspect of soul power, he may know about it that way. So far, everyone to mention stats, I believe, is either a darkner, or in the case of Ralsei, partially a darkner. This makes me wonder though, Sans, Flowey, and Chara all reference game stats, but I believe they’re the only people in Undertale to do so. Flowey and Chara make sense, as the game’s angels, they may have that special connection to soul power. Sans is somewhat different, but as he has ties to Gaster, and Gaster’s main subject of research is soul power, it makes some sense for him too. As such, we can assume Gaster also knows about stats. Keep in mind that, while these are game mechanics, most if not all of Undertale and Deltarune’s game mechanics have some lore reason for them as well, so knowing about the game mechanics doesn’t necessarily mean someone knows that Undertale or Deltarune is a video game.

Pirouette

I think the pirouette ACT operates by Kris soul-syncing with Jevil’s chaos? Something like that. Each outcome is on a cycle, repeatedly looping, much like Deltarune’s reality itself. Beyond reference to that, the number of outcomes doesn’t seem to match with the number of chapters, though it might match up with the number of dark worlds by the end of the game or something? Or, the number of options may have no secret meaning. I just don’t want to dismiss something in a secret boss fight as meaningless before considering the possibilities, y’know?

Hypnosis

This one is a little more confusing. This ACT makes Jevil far more tired than pirouette. It requires the use of Kris, Susie, and Ralsei. How it operates could potentially be a combination of Kris’s soul sync and trance, and Ralsei’s pacify, though that doesn’t explain why Susie has to be involved. Toby has proven time and again that a game mechanic is rarely just a game mechanic, so I’m inclined to think it means something. It may be that, as Susie is frequently prone to falling asleep, she may be used as a conduit to intensify the sleepiness effect?

There are 3 different messages that can appear upon using this ACT.

“Ralsei chanted something!”

It may be a lullaby, it may be some magical incantation, it’s too vague to say. A repeated instance of music and specifically singing being used in a hypnotic context, as putting someone to sleep is generally the stereotypical hypnosis effect so one could argue Ralsei’s standard lullaby is hinting at a hypnosis song. I don’t think Ralsei is actually using the Song from the Sea here, which I think may be a hypnotic or mind-altering song, but it puts the possibility on the table for that song to exist.

“Susie spun something around!”

Another instance of spinning, looping. The entire fight supports the time loop motif extensively. Even the music, when it uses the  “Don’t Forget” melody, loops one part of it over and over and over and over until the very end of the song when it starts all over again. Focusing on something spinning can be a good method of hypnotic induction too, I just wish the way this was worded wasn’t so vague so it’d be easier to extrapolate something.

“Kris gazed strangely!”

“The eyes are the window to the soul” is a fairly well known saying. It’s possible that trance, operating via soul sync, is more powerful under Kris’s gaze, creating a stronger soul link. Hypnotic eyes are also a common trope in hypnosis-related media.

 “UNFORTUNATELY, YOU KIDS CANNOT HAVE SUCH A PLEASANT DREAM. FROM NOW, A NIGHTMARE WILL AWAKEN IN YOUR HEARTS. IN THE SHADOW OF THE KNIGHT’S HAND… LIGHTNERS, CAN YOU STOP IT?”

Deltarune is all about the woke agenda, and I can prove it!

We know from Undertale that “nightmare” is often in reference to Flowey/Asriel, arguably Undertale’s most significant angel. In Deltarune, Chapter 2 is referred to as a dream, though in the weird route, I call it a nightmare. So we can assume then that the “nightmare” in Deltarune is related to both the weird route and either the angel or Asriel specifically, or even both. Both is what I’m inclined to guess, as there are a lot of readings I can make of this line.

The “nightmare” in your hearts, or the Asriel in your soul, makes complete sense for Kris, as far as my understanding goes. Will Asriel begin to awaken? Has he already? One could argue our control over Asriel, and thus indirect control over Kris, is awakening us as the nightmare within Asriel and Kris’s heart.

Reading “nightmare” to more generally mean something akin to “angel” or “weird route” makes more sense for me. My growth in power and participation in chapter 2’s weird route is referred to as “waking”, and Queen insists that the events of chapter 2 have already awoken me too much. She makes clear that she thinks I should rest, go back to sleep. Whatever awakening the nightmare would do in the weird route, as far as Queen is concerned it isn’t anything worth doing.

Susie: Get out of our way. Susie: Noelle needs to wake up!

Queen: Wake? No, She Has Already Awakened Too Much Queen: Let Her Close Her Eyes And Sleep Away Queen: Into A Darker, Darker Dream

“Darker, Darker Dream” makes me wonder if the reason Queen wanted to expand the reach of darkness as a way to “help” me is because she agrees with me that Dess may be trapped in a darker world, and expanding the reach of darkness may give me a way to find her. Sure, it’s possible she just misinterpreted the bits of my search history pertaining to Dess, that’s the implied reading, but it’s also possible that she actually completely understands what I want and how much it means to me, and it’s why she wanted so badly to help me get her back.

The “shadow of the knight’s hand” could be referring to “the actions the knight takes’, but it could also be referring to the dark worlds the knight creates, the “shadows” of the knight’s hand.

There’s also, of course, the lack of distinction made between Ralsei and “lightners”, farther implying that Ralsei isn’t just a darkner.

 “HA HA HA! WHAT FUN!!! YOU’RE FAST, FAST, STRONG, STRONG, BUT THERE ARE YET FASTER, YET STRONGER. THE HAND OF THE KNIGHT IS DRIFTING FORWARD. SOON, THE “QUEEN” RETURNS, AND HELL’S ROAR BUBBLES FROM THE DEPTHS… LIGHTNERS, CAN YOU STOP IT? UEE HEE HEE! EITHER WAY, A MISCHIEF-MISCHIEF, A CHAOS-CHAOS…! LIGHTNERS! FROM INSIDE YOUR LITTLE CELL!! TAKE ME AND DO YOUR STRONGEST—!”

We've presumably met the queen. Hell's roar, I assume, is the roaring, with hell possibly being a darker layer deeper down? Given the constant personification of the Earth I'm inclined to think the roaring is literal, although the wording of "bubbles" is confusing. There's enough in VAT to make sense of a lot of this, but I don't think we know enough just yet to make sense of all of it.

Spamton:

Writing this in mid October trying to finish up this post on time despite the executive dysfunction, here we go! A lot of Spamton’s lines aren’t all that relevant to Variable Angel Theory. Most of the ones that are are on the weird route.

1. LOOKING FOR [Irresistible Deals] THAT WILL [Blow Your Mind!?]

As with all Deltarune lines, but especially with secret bosses and heavily lore relevant characters like Spamton, we're gonna have to do some reinterpretation to find out what Spamton might mean here. "Irresistible Deals" could mean multiple things. Kris can't resist making the deal, we force them to, and we make this deal for the thorn ring, with Trance, so I presumably have a harder time resisting orders. I still think Kris (or their soul) has some innate trance ability, allowing ACTs and the like to be so effective and getting me to this point in the weird route in the first place, but it's possible for the truly heinous stuff, like killing a friend, I'd need that extra push (I sure hope I would!). "Blow Your Mind" has similar connotations, but given Spamton's crass nature sometimes, it could also mean "blow" in another sense, like you're getting "mindfucked" or something, but I’m kind of “maybe” on that. While we’re on the subject, the ring of thorns reminds me a bit of the biblical crown of thorns Jesus was given to wear prior to his crucifixion. Possibly a coincidence, but, I think, probably not one. Either way, for anyone concerned about my safety in this route, red flag! Add it to the pile.

2. THIS IS [One Purchase] YOU WILL [Regret] FOR THE REST OF YOUR LIFE!

This farther reinforces to me that the weird route isn't going to end well. We'll touch on specifics of how I think it's most likely to go wrong a bit later, as one of Spamton's lines sort of changed where I was leaning on this, albeit not too significantly. It's also possible he's not talking to specifically Kris here, but us as the player. I don't think Spamton exactly knows that the player exists, he might but that's unclear, but I think it's possible this line is meant for the player's eyes as much as Kris's and could hint at permanent consequences for the weird route, even on subsequent playthroughs, much like what happened with Chara in Undertale. My best guess for that consequence is that Kris is effectively erased from the game and replaced with the vessel on subsequent playthroughs, but that's potentially more work than the team would be able to do reasonably, so I'm iffy on it. I'll go into more detail in the Gaster section later. Either way I don't think we'll see it until chapter 7 releases, so it'll be a few years until I'm proven right or wrong on that guess, unless chapters 3 and 4 introduce the vessel earlier than I expect they will.

3. THANKS TO YOU AND THAT LIL [Hochi Mama]

Spamton calls me stuff like this all the time, reinforcing the romance tie between myself and Kris, especially with how much more often he does it in the weird route. "Side chick" is another one that we've gone over.

4. SOON I'LL HAVE EVERY[One] IN THIS CITY EATING RIGHT OUT OF MY [$!$!]!

Ew. But I guess this implies Spamton's ambitions are mainly for the cyber world, he seems like he only wants his good old life back rather than anything much grander, he just wants to make sure it can't get taken away from him again. Plus, he's bitter and might be wanting to dabble in light revenge.

5. IT'S NOT MY JOB TO BE SOME KIDS' [Extra Boss]!

This could be talking about Kris, but including them in "kids", as is perfectly reasonable to do, implies a different boss, like fate or the player or the soul or something. This is how I expect the player to be mainly referenced, with some degree of ambiguity. I expect only a few characters, Gaster especially, are likely to call the player out directly.

6. KID! I'M BUSY BECOMING [God]. GO PLAY [Minecrap] OR SOMETHING!

Of course this could imply greater ambitions. Maybe he doesn't want to limit himself to getting his old life back and keeping it, he may want to completely control the cyber world to an even greater extent than Queen. Maybe he even wants to escape the dark world entirely, and perhaps with the Power of NEO he could, as it's wrapped up in the hopes and dreams of a lightner, maybe that would allow him the ability to exist outside of a dark world.

It's equally possible that that wouldn't work, and even with this power he's still trapped in the cyber world. There's also the tie drawn between God and Demon and Angel but I don't think this is an instance of that being so meaningful. "God" has always seemed the least restricted of the three, and Spamton NEO isn't nearly as powerful as even 6 soul Flowey, which we required 7 souls to beat rather than the mere 1, arguably a max of 3, required against Spamton NEO (the solo fight would have, at most, Kris, their possessor, and myself). And the true 7 soul Flowey, more of an actual god, was only defeated when he chose to give up. I'm still under the impression that actual gods, like the angel, would be essentially untouchable to anyone but their equals in power regardless of what Spamton implies here with the vocabulary.

7. THANKS TO YOUR [Total Jackass stunts] I HAVE [Becomed] NEO.

Catti wanted to talk about this one, she's been helping me finish up this section.

a bit of my own theorycrafting here. what the hell is neo? cuz like neo is "new" right? or something like that. so is spamton neo like... neo because its a new version of himself? supposedly theres some sort of "power of neo"  but what the hell even is that, the power of new shit? deltarune and undertale are both stuck in time loops so like. the only real new thing is the influence of the player, so is that the power of neo? are instances of "neo" something the party wouldnt have encountered on their own in any loop? so like, they never meet jevil and they never activate spamton neo? jevil's instance of neo btw being the voice line "a true and neo chaos" when performing his finisher thing with devilsknife. (noelle has filled our brain with so much weird niche deltarune info) presumably frisk never fights mettaton neo without being influenced down the geno route, if this holds true. so like... noelle talks about this more later but, gaster is seemingly drawing on the power of neo for whatever purpose he has? cuz if the player's influence is the power of neo and he's the one that makes contact, that's probably what he's going for. either breaking deltarune's time loop or maybe studying it to figure out something greater, like how and why every universe in the undertale/deltarune multiverse seems to be stuck in a time loop? idfk, its the ingredients of a theory but im not sure how to mix them all together.

8.  AND NOW IT'S MY [Mansion]! MY [City]! MY [World]!

This line solidifies his ambitions as, at least, reaching greater heights than he had before, and wanting to be able to strongly influence or even control the cyber world. But again, there's no indication of ambition beyond that. He may just be content controlling the cyber world, spam and ads taking over computers. What a cruel fate we've subjected these people to then, they really need an adblock. At least Kris seals the fountain soon after, and we avoid all that.

9. I SHOULD HAVE KNOWN YOU WOULD HAVE USED MY [Ring] FOR [Evil]... OH [Right]. THAT'S WHY I SOLD IT TO YOU

We already have a lot of evidence that Spamton knows future details, but he kinda just confirms it here. Though, if he does, it's odd then that he didn't expect to be stopped at the fountain after taking over. However, much like Ralsei seems to, he might not know all the details. Ralsei was surprised at a few events in the weird route, things not going how they were "supposed" to, most notably Susie's interactions with Noelle in her room and our perspective not following them.

Maybe it's some external influence, like the player, not directly interacting with the world but making decisions people in that world wouldn't normally make and there isn't really precedent for it in Spamton and Ralsei's knowledge of the future, or of past time loops, or whatever info they might have, and we exist as some external intervention brought in to break the loop via indirect influence.

10. YOU THINK MAKING [Frozen Chicken] WITH YOUR [Side Chick] IS GONNA LET YOU DRINK UP THAT [Sweet, Sweet] [Freedom Sauce]? WELL, YOU'RE [$!$!] RIGHT! BUT DON'T BLAME ME WHEN YOU'RE [Crying] IN A [Broken Home] WISHING YOU LET YOUR OLD PAL SPAMTON [Kill You]

We've discussed the "side chick" thing before, but this line is so great I wanted to include the whole thing. The important part is the latter half. This one makes me think there's actually a real chance the one ending is the weird route actually working, breaking the time loop, but you've essentially killed the world you saved.

I think "broken home" probably means home world,  or hometown at the least, because Kris's home is already broken. Toriel and Asgore have divorced, evidence suggests Asriel is likely dead and possessing Kris, there's not all that much more broken Kris's home specifically could get if Spamton is just referring to the household itself, plus that would be a little underwhelming a consequence.

I'm inclined to think we'll essentially destroy the world, and only then break the time loop, and when we do, we have nothing left worth saving anyway. After all, Spamton likes Kris. He finds them relatable, a kinship between puppets. They can become friends in the normal route which Spamton likely knows about to some extent, so I think calling Kris his "pal" is sort of genuine. Spamton may actually think killing Kris is doing them a favour, and he gives an actual reason why that isn't just that their souls might be freer together like in the normal route.

Either way, at least when it comes to Kris, I don't think Spamton likes to be malicious, so I'm inclined to trust his information.

11. I’LL ADMIT YOU’VE GOT SOME [Guts] KID! BUT IN A [1 for 1] BATTLE, NEO NEVER LOSES!!! DIDN’T YOU KNOW [Neo] IS FAMOUS FOR ITS HIGH DEFENSE!? NOW… ENJOY THE FIR3WORKS, KID!

Catti may actually be onto something. In a one on one battle, the player’s character has always had a chance to win as far as I can recall. Of course, this places Spamton NEO as the Neo in this scenario, and to beat it we have to get help making it no longer a 1 for 1 battle, so I’m unsure exactly how this relates. If Neo does mean the player, being able to reset any mistake could be considered having high defence? I think we’re still missing a couple pieces we need to know quite what Neo is supposed to be, but I figure we’ll have what we need with the release of the next 2 chapters, or at least a lead more concrete than “maybe something player-related”.

12. THERE WILL BE NO MORE [Miracles] NO MORE [Magic]. YOU LOST IT WHEN YOU TRIED TO SEE TOO FAR…. …YOU LOST IT…

Another hint at a sad ending, but it makes me wonder if Gaster really is trying to harvest the darkness from this world or something, if the weird route ends with no more magic. This could also be a reference to trying to see into H E A V E N, which I’m gradually becoming more convinced is some other layer of reality where Gaster is or something, whether that be a darker world or something else entirely. Speaking of whom:

Gaster:

Yeah, we have to talk about this guy now. I wasn’t sure if he was all that relevant before since we know so little about him, and I don’t find him that interesting because, again, we know so little about him that there’s not much to get invested in, so I didn’t bring him up much in part 1. I assumed he probably had some relevance, seeing as this is the ending of the game angel stuff we’re talking about, and Gaster’s presence is felt all over the game, but it wasn’t until recently that I figured out what that presence might mean. I still don’t know many of the details, but I’ve gotten the broad strokes in place I think. Don’t expect me to go super in depth with the specifics. Either way, this section is going to require more guesswork than the rest of this post, and I’m already working with only the evidence I didn’t find for my last post. If something in here is wrong, and there likely will be something, don’t disregard the rest of it. Plus, if these guesses (educated guesses at best) end up being right, I want to be able to say I called it!

The Egg Man:

I think the Egg Man is Gaster. Revolutionary, I know. But specifically, I think there are two Gasters, the Undertale Gaster and the Deltarune Gaster. Which one is which, I’m unsure, but we know that Gaster in Undertale was researching things like darkness, a concept that may be exclusive to Deltarune and certainly wasn’t explored in Undertale, unless you consider the underground to be something of a light world / dark world hybrid, which you could make an argument for. I don't have a lot of evidence for this, especially not in-game evidence, this is just who I think is most likely based on what little I know about it.

People have said that the Gaster dialogue in the 2024 Valentine’s newsletter, while it has similar formatting and speech style to Gaster, doesn’t really sound like Gaster. It sounds too goofy and too casual to feel like something Gaster would say. However, since there could very easily be two Gasters, I think it’s not difficult to reconcile this. Toby may be planning both a Gaster similar in personality to what the fandom expects, and another Gaster, the Egg Man, who’s a lot goofier and less serious to fit a style Toby seems to really enjoy writing. He could get the best of both. The first song in the game, in the sequence talking with Gaster, is literally called “ANOTHER HIM”, and the egg man is only referred to as “man”, “he”, and “him”. I just can’t tell you which Gaster is which. The Undertale Gaster may be originally from Deltarune for all I know.

The Vessel:

I think the Vessel is exactly as advertised. I don’t quite know what it is, but I have an idea of where it might come in useful. I think that late in the weird route, around chapter 6 or 7, Kris will decide they have no choice but to stop the soul by any means necessary, and will attempt to remove it, willing to die without it to ensure the soul doesn’t have a body to possess. This is where the vessel comes in, a convenient alternative to ensure our time loop breaking plan comes to fruition even without Kris’s help. The reasons I think it will be so delayed are twofold:

1. I think that the vessel replacing Kris isn’t something that people are going to just brush off, so it has to happen pretty late as otherwise there would be multiple chapters that have to get rewritten. If it happens at the end of chapter 6 through to the middle of chapter 7, as I think is its most likely window of timing, the amount to rewrite will be much more manageable. 

2. There’s a sword with the trance ability, the Twisted Sword. As Kris is the only one who can use swords, and so far the trance ability seems to affect the user of the equipment, this implies we’ll use it in the weird route to keep Kris docile enough that they won’t try to stop us until the situation is much more dire. Unlike Undertale’s merciless route, the steps to play out the weird route in Deltarune are already very specific and precise, and already require the use of specific equipment in the thorn ring, so this is entirely within the realm of established possibility. It’s also possible, however, that since it’s a weapon with the ability rather than something wearable, it inflicts trance on a target. It may do both, but we don’t realise it affects Kris until later because of how rarely they’re able to express themselves during possession. If, after equipping the sword in the merciless route, Kris suddenly stops getting a lot of their moments of independence and character establishment, we’ll know what it does.

As the sword presumably turns back into a pencil in the light world, this shouldn't change chapter endings much. Since I offer Kris a candy cane pencil in chapter 1, something that could easily match the description we have of the Twisted Sword once it transforms in the dark world, it’s possible I already have the Twisted Sword, though what that could mean I don’t know.

As for the fate of Kris, I think they’ll die. Without their soul, I don’t think they could survive long, and as Susie says, it would be a shame for Toriel to have to bury her child. Which one? Both?? Especially given the ultimate fate of Chara in Undertale, a character Kris very clearly has many parallels with, things aren’t looking good for at least one route’s version of Kris. However, even for Deltarune, killing off Kris in pacifist feels like a stretch. Kris won’t die in pacifist, at least not until the very end at the earliest, they might die in neutral, but I think it's more likely than not that it will happen in weird.

The Song from the Sea: 

My ideas on this are very limited. My best guess is that it may have something to do with how trance works, like a siren song, or Shyren song as the case may be. It’s possible this can be used to override the will of a target. At the very least, it seems to be messing with Onion’s head, as they have severe memory problems that they didn’t seem to have in Undertale. They mention hearing music coming from below the water, likely the bunker that’s probably underneath town, and Shyren’s in the hospital for straining her voice too much that day. This could be related to what happened to Shyren’s sister, Shyra. Maybe she died attempting to perform the song from the sea, and Shyren may suffer the same fate. Maybe the Song from the Sea  is “Hell’s roar bubbling from the depths”, as Jevil says, but the phrasing implies that to be related to the roaring.

Either way, I’m confident this is in some way related to “voice”, and if it is, the connection to trance is supported by the emphasis placed on my being able to hear the commanding “voice” in the weird route irrespective of Kris. Beyond the “voice” relation though, I think there just might be too little info to extrapolate very far with any confidence.

The File Select:

Potentially more evidence in support of additional Gasters is on the file select screen. Choosing a save slot to copy to is choosing “a target for the reflection”, and upon doing so, “the division is complete”, like mitosis. Could Gaster be cloning other selves? Is that “another him”? Multiple vessels? Even cloning timelines, hence its presence on the save file screen? Whatever the process, you can’t copy a file onto itself, because it’s “immune to its own image”.

If he’s cloning himself, it could be so he could have more eyes on his work and more minds thinking before the reset erases his memory.

If he’s cloning timelines, maybe he’s trying to simulate as many options as he can to find a way to break the loop, or maybe the entirety of Deltarune is a reality of Gaster’s creation, hence why he can seemingly destroy it at the press of a button. It may be that the Deltarune we play through is one of these simulations he’s using to find a way to break the time loop. Though, the idea of Deltarune being basically a game within a game feels as though it might undermine investment somewhat. Much of the rest of Variable Angel Theory is so convincing to me in part because I trust Toby as a writer to create a compelling story, and I think VAT is pretty compelling, but if, even in its own fictional universe, it still isn’t real… it just feels off, almost like poor writing. Maybe Gaster is using darkness to bring these simulated universes to life and make them real?  Maybe Undertale was a simulated universe? But I still don't know why he would do something like that other than the reasons I already gave.

Long shot, but maybe “the other 100 years” is the amount of time our Deltarune’s reality has left before it gets deleted? Maybe Seam’s “toast to the end of the world” doesn’t mean the reset, but the literal, actual, permanent end of the world? To me, all of this feels like a needless extra layer on top of a story that could already be complete without it. I trust Toby as a writer not to undermine his own story, or the importance of Gaster in it, especially after all the hype he’s let build up, so I’m inclined to believe I’m misreading something here and this isn’t actually Toby’s plan. If it is, there must be a lot more to it to make it work and be compelling.

While I agree with Jaru on most things related to Deltarune, and he’s the reason I got into Deltarune theorycrafting in the first place, hence why I’ve brought up his work so often, the idea that Deltarune can’t be as compelling if it’s a video game in-universe and explicitly addressed as such isn’t something I agree with quite as strongly as he seems to. It’s a very risky play, and I don’t think the payoff would elevate Deltarune’s story very significantly even if Toby makes it work, but I don’t think it’s unachievable or anything. All rules in writing have certain situations in which it can be better to break them. It’s just that personally, even as a writer myself, and one who prefers less conventional stories, if I were writing it, I don’t think it would be worth the risk, unless I have some very specific and exceptionally compelling plan in mind, which Toby may well have given his clear passion for the story he’s dreamed up.

As such, I won’t rule out the possibility that even in-universe Deltarune is a simulated world akin to a video game, I’m just inclined somewhat against it given the limited amount I’ve looked into Gaster thus far. It’s possible there’s far more evidence in favour that could make this much harder to deny, and I just haven’t found it yet, and it’s not like it would be too far opposed to the themes established in Undertale. After all, Undertale and Deltarune both operate in-universe on many video game rules, this wouldn’t be coming completely out of nowhere if it happens.

It’s even possible that the undermining of narrative importance from this is actually the point, making it even easier to distance yourself, because even in this fictional world these people are still not real. It’s just another reason why your choices don’t matter. Even then, will you still choose to be a good person since their world is still real to them? Will you be like Jevil, and just have fun with it, thinking (probably correctly) that you’re not actually doing any harm? Or will you be like Ralsei, even knowing that the consequences of your actions are so minor, still choosing to be as good a person as you can in spite of it? I think by the time chapters 3 and 4 come out, I’ll be able to more easily swing one way or the other, so I’ll have to follow up on that once that happens. Right now, I’m kind of 50/50 on it, but if it does happen, I wouldn’t be surprised, especially since the more I think about it, the more I write this, the more I’m convincing myself that it’s a genuine possibility. If things keep going the way they have been, it's like the entirety of Deltarune is a buildup into making one of the worst twists in fiction actually hit properly and be kind of good, just for Toby to prove that he can.

If Gaster is cloning vessels, it could be that he’s trying to create the proper one for the job, breeding iterations until it matches his specifications. That fits fairly well with one of my Spamton Sweepstakes pages, wherein I’m breeding pets in a video game to get the right one, and of course, one of them is a glitchy egg that I can’t maintain proper memories of. Whether that’s due to the passage of time, or some supernatural force, I don’t know, but given how many things in Deltarune could potentially have control over your memories and ability to maintain them, and how odd it would be to drop this hint and have it not mean anything, I’m inclined to believe that the memory loss is supernatural in nature and not simply related to the passage of time. Memory of Gaster in Undertale seems to have been erased, so something associated with him might be fair game for erasure as well. Of course, this also makes me wonder, could Gaster be breeding universes? Is that why he would bring them to life? Or might they already be alive by default?

I don’t think the pipis is the same thing as the eggs from the egg man, Spamton clarifies as much, but they may be related. The egg man eggs may duplicate via mitosis as well. Are they an “easter egg”? Or are they meant to be a bug in the code or something? Are they like the “bad egg” in Pokemon that turns other things stored with it into more eggs? Once we put the egg in Asgore’s fridge, and it duplicates, the narration doesn’t clarify if the pickles Asgore had are still there or if they became the second egg that appears in the fridge.

Might the eggs hatch into a new universe, even? Homestuck comes to mind, a project Toby worked on, where, to create a new universe, you have to breed frogs until you get the perfect one that can then become the new universe. If universes or timelines are alive, could the Song from the Sea or some other Trance method be used to influence them? Do all Undertale/Deltarune realities end up in a time loop, and Gaster is attempting to create one that doesn’t by manipulating it manually? I’m not strongly inclined toward any one possibility just yet, but I wanted to lay it all out in case anyone reading this comes up with any ideas, or any more evidence for the ideas I’ve proposed. The idea that Gaster is cloning or breeding universes seems entirely plausible, though to what end, I’m unsure. As for why there are three files, the only thing I can think is Kris’s soul sync with Ralsei and Susie adding up to 3. Susie, as a lightner, should be able to wield determination, and Ralsei, who I believe to be a darkner/lightner hybrid due to his relation to Asriel, should also have this ability. It’s also hard to tell exactly what Gaster’s interaction with these files means. It doesn’t seem like saving in the light world is possible, though the angel may be able to, as Flowey attained that power in Undertale and it didn’t seem to require being underground to work properly, so maybe it’s something Gaster has some access to?

But it’s hard to know exactly which properties Undertale’s underground has in common with Deltarune’s dark worlds, all that seems consistent and clear is that as you go underground, the presence of magic, of darkness, increases. It’s probably why we fall into dark worlds, why the true lab was so deep down, and what the CORE was tapping into to power the underground. As you go deeper, things get dark, darker, yet darker, to borrow a phrase. Thematically too, it seems like the deeper you go the darker the story gets. Toby loves those double meanings. Whatever happens in that bunker, it won’t be good.

The DT Extractor:

In Undertale, the DT extractor is never explicitly called a “DeTermination extractor”. I think that’s one of its functions, (Alphys doesn’t seem to have a deep enough understanding of soul power to be able to do what she did without it, and some of her logs imply the DT extractor is what she used to extract determination) but there’s a good chance it stands for something else or has additional functions, especially given Toby Fox as the writer. It resembles a caprid or cervid skull, which calls to mind the Dreemurr and Holiday families, and some version of Asriel uses it as an attack to erase the timeline, something we’ve just established Gaster may be able to do as well.

I think, at least in some routes, the DT extractor is one of if not the final step in the angelmaking process. If it can extract soul power, which it seems like it can, that gives us the perfect repository for soul power and a way to get it all into one person, as Undertale established it can be injected into someone to allow them to use that power. As I think the angel will reset the timeline, it’s yet another parallel to Undertale, where Asriel, Undertale’s angel, used Hyper Goner, an attack that looks suspiciously like the DT extractor, to reset the timeline. One could ask, why not just inject Kris with so much soul power? After all, we have control over them, it would be easier not to reset the timeline if we have direct control of that power, rather than indirect control through me in the weird route. I see six reasons: 

Giving Kris soul power may allow them to override our control, especially as they can already somewhat do that. Undertale established that sufficient soul power allows someone to override our control, and we don’t even control Kris directly, we control them via Asriel, or at least via the soul, so that should give them an even better chance at taking control from us with that much power. 

We don’t know if humans can even wield soul power in the capacity an angel would. Chara seems to, in Undertale, but they've been dead for presumably decades, and the abilities of ghosts, if Chara even counts as one, are extremely vague and underexplored. Chara is a very special case and I don’t think we can extrapolate from them exactly how it would operate with Kris. The reason I think we can assume it would give Kris control, then, is that It’s also shown with Flowey that high soul power allows someone to wrest control from us, and even though it happened in a different way with Flowey, with him taking control of the timeline rather than control of our actions, it creates a thematic throughline.

By the time we come across the DT extractor, the roaring will probably have started already. Shelter from the roaring is an obvious "in" for exploring the bunker. If Kris did take control from us, they would likely choose to reset, because just like Susie, their hand would be forced.

Everyone’s memory is reset for each loop, it’s hard to know all of the possibilities you’re working with under those conditions. Gaster might know how soul power works in monsters, but he’s much less likely to know how it’d work in Kris, as not only are they a human, something in short supply in Hometown, they’re likely a human with a monster soul, which complicates things farther. It’s not like he could just check how it works because, unless that was his plan from the start, his memories would be erased and he would have to relearn everything each loop. Not only is it a gamble, it’s a gamble he’d have to choose to take as one of his first options.

It’s also possible that Gaster might have more time than I think. If he’s holed himself up in a dark world, or a darker world even, the time dilation effects may allow him to concoct some plan I can’t foresee, making this reason a bit shakier. However, the fact that the reset has already happened several times at least, and it definitely has, may point against him having a successful plan, as if he did, why would the time loop be happening at all anymore? This could also mean the time loop is part of his plan, but if that’s the case, I’ve no idea why. 

Maybe, if you’re in the dark worlds, you’d be immune to the angel’s resets? But if that’s the case, the stakes for darkners are null, they shouldn’t be erased in the dark world. If it’s exclusively a property of darker worlds, that also doesn’t make sense, because then Gaster could easily just go there and savescum until he has time to come up with a working plan. However, if Dess is down there like I think she might be, and she had the determination to create a darker fountain in the first place, she may have more determination than Gaster and is therefore blocking him from resetting.

But if that’s the case, Gaster may not have a DT extractor at all, as otherwise he’d have been able to give himself more power to reset with, something that feels a little off to me as the DT extractor has always felt like it meant something bigger, beyond just what we saw of it in Undertale. Its resemblance to the hyper goner and gaster blasters, and the giant pit under it, which may be used to harness darkness from deeper underground, feel too significant, I don’t think Toby would just leave it at what we saw in Undertale especially with Deltarune being so much more Gaster-related.

Maybe Gaster can’t do it with himself, maybe he’s split into too many pieces or something, and that’s why he’s trying to create an angel by proxy? Maybe his experience with Dess is why he might think I’m a good candidate?

It’s also possible that, if Gaster does maintain memories, he’s already tried just about everything he could. Much like Flowey, he’s gone through loop after loop after loop, and can’t find a way out, so his solution is to reach outside the bounds of Undertale and Deltarune’s realities, and contact us, as hopefully we aren’t bound to fate the same way they are.

When we take control of Chara in Undertale, Flowey posits that it might be because we heard him calling Chara's name, which, while I'm not sure what it means, is an interesting consistency. We have to be called, before we show up. A demon that comes when you call it's name? Maybe Gaster is desperate enough to make a deal with a demon, like Kris tried to. Granted, that's a bit wonky with the angel-demon synonym idea, so I'm inclined to wait for more evidence on it before I consider our involvement demonic, but it's something.

Injecting Kris with this power and making them the angel feels like one of the less interesting ways this could go, given everything we know so far and all the potential character arcs we could be in for, and I don’t think Toby would go with anything less than an extremely compelling option, especially for the endgame. Of Kris, Susie, Ralsei, and myself, I still hold that Kris is the least compelling angel candidate of the four. I just think there are better places to take their character.

This whole thing is so incredibly speculative that there could be dozens of reasons we don’t even know about yet. 

The Roaring:

There’s a good chance that Gaster tapping into the deepest parts of the Earth, like he did in Undertale with the CORE, may be what causes the roaring. If the Earth is alive (which it very well might be given how it was personified in the legend and how darkness brings objects it makes contact with to life), Gaster tapping into it may be the very thing that causes the roaring to happen, as a more literal roaring, the Earth itself being the biggest and most dangerous titan of all. “Crack with fear”, “her heart pounding”, I think there’s a good chance this isn’t going to be metaphorical, even though at first, before you know how darkness operates, it sounds like it would have to be.

Normally, darkness seems to be contained in a separate layer of reality, but with dark fountains punching holes in it, and potentially darker fountains punching holes in the layer beneath those holes, it may only be a matter of time until the Earth’s roar bubbles from the depths. If I had to guess, I’d say the roaring starts at the end of chapter 6 or the start of chapter 7. I expect we’ll explore the bunker in chapter 7, which has a good chance of looping around back to castle town where we’ll end the game, at least in pacifist, being surrounded by all our new friends for the reset. Plus, everyone hiding in the bunker at the end parallels Undertale, where everyone hid in True Lab, the bunker’s likely equivalent, in the merciless route.

Another reason I think this, aside from the fact that it makes sense from a storytelling perspective, is how weird the entrance to the first dark world was. Unlike with the Cyber World, we don’t immediately jump into it, there’s a brief part where Kris and Susie, still appearing in their light world outfits, walk through a room that’s too large to be a closet and doesn’t have any nearby walls. If this happened again in chapter 2, I would be more willing to dismiss it, but there’s clearly something special about this closet that’s being hidden by being shown first, and therefore seeming less weird because we don’t have much to compare it to.

Unfortunately, 2 examples is a little less than we need to establish a pattern, so knowing for sure if there’s anything particularly weird about the closet may have to wait until the next chapters release, so all I can do is guess that it’s connected to the bunker in some way, be that figuratively or literally.

The End, Again:

So uh... that's basically part 2! A little all over the place, but I just wanted to share my thoughts on pretty much everything I've come up with in the process of researching VAT since part 1's release. A lot of stuff here is a little more half baked, but that's kinda what you get working with scraps of the scraps of info we have from 2 chapters I guess.

Rouxls Kaard?:

Here’s something a little less serious to wrap up, like a palate cleanser or something. A couple years back, Jaru made a video going over every even somewhat significant character in Deltarune (and Undertale), to figure out roughly how likely they were to be the Roaring Knight. For some reason, Rouxls has so many similar attributes to the knight, including even sharing the same initials as the knight’s title, that he seemed to be an intentional red herring. And gamers, he’s done it again. Toby Fox has done it yet again. The amount of ties Rouxls has to the angel is actually so damn goofy and it makes me wonder if maybe this does mean something, angel forbid.

Rouxls may have more knowledge about the nature of reality than most characters, as one of his lines gets cut off by the size of the text box, and he complains about this at the end of that line in the game files “Thou gazeth upon a man most handsometh. This daringst genius, adoredeth beyondth all hey let me speakst”

Rouxls’s speech patterns call to mind sort of a parody middle ages type of vibe, a time period associated heavily with Christianity having a strong influence. Especially if there was an original angel centuries or even millennia ago, as there may have been, invoking a time long past. Of course, his speech has to remain somewhat comprehensible, and what it’s going for needs to be understandable by most players, so even if the angel was around well before Early Modern English, it still makes sense for Rouxls to speak in that style to give the general vibe.

The fact that he frequently uses English loan words in the Japanese version, in combination with an older style of Japanese itself, also leads me to believe that specifically Early Modern English is the intended style of his speech and not just something chosen because the game is in English, as otherwise, his use of English-related words even in the Japanese version feels a bit off. I don’t read or understand Japanese nearly well enough to verify this myself. It’s possible my understanding is incorrect, and I know Japanese has a lot of English loan words so it’s unlikely that only Rouxls uses them. I’m just going off of the information on the wiki for this one.

Rouxls says he has some sort of “Reale Powere” we haven’t seen yet, and oddly I’m inclined to believe him. He looks like he has some pretty flashy powers, and those powers seem to operate via holy light. He even teleports with a beam of light from the heavens. I wish we knew what element he is, in case it’s holy, or holy’s pair element, elec.

Rouxls maintains a consistent presence throughout the game, establishing him as important enough to potentially get a role like the angel if he weren’t such a goofy and comedic joke character

The angel would probably have control over the “rouxls” of the universe (or at least the rules of Soul Power), making it the new rules card essentially

Rouxls views himself as above just about everyone, except maybe for the entity he chooses to serve at any given time

Rouxls can fly (or at least levitate a bit), and much of the other information about the angel implies this is common among angels

In Rouxls’s unused proper battle theme, there are bells playing in the background Church bells seem like a likely instrumental motif for the angel, both because of its connection to Christian religion, and the end of the world (when the bell tolls). While the bells in this theme don’t seem to be church bells specifically, they’re still bells, so it seems worth a mention.

The same goes for his shop theme, but as Swatch demonstrates in chapter 2, that seems to be a generic shop theme rather than specifically a Rouxls theme. Since Rouxls is the first one to have it though, and he visits Swatch’s shop, you could make an argument it’s also a Rouxls theme.

White may be a colour associated with the angel, with black or dark blue being a colour associated with darkness and/or the roaring. Rouxls’ colour scheme has both of these colours, exclusively, unless you count the inside of his mouth being lighter blue.

Rouxls is able to create decoy save points, using one for a puzzle in Chapter 1. They’re supposedly “the light only you can see”, so how would Rouxls know generally what it looks like?

Rouxls’ ability to mind control certain characters implies he may have an ability similar to Trance, which could be something people with significant Power have access to. Though, it also operates through equipment, (the Control Crowne) so maybe that’s evidence that trance only works through certain items rather than through the powers of a specific person. Keep an eye out for any disc shaped lifeforms that might be a threat if mind controlled, and any crown shaped crowns that might do the controlling.

The sound of Kris creating a dark fountain at the end of chapter 2 is a modified version of Rouxls’ teleporting sound

So either Rouxls is a masterful double-red-herring, which, knowing Toby, is entirely possible, or he’s actually vital to the plot. However, since Toby wasn’t initially sure if players would even like Rouxls, and actually thought he would be disliked, on top of his goofy personality and status as a mostly joke character, I assume he, at the very least, isn’t a realistic angel candidate. Though, since Toby would have realized how positive his reception was soon after Chapter 1’s release, that could have given him time to give Rouxls a more important role somewhere else.

As both a writer and hobbyist game designer, I just don’t see how a Rouxls angel could have nearly the same impact in the story as myself, Susie, Ralsei, or even candidates I don’t think are all that viable, like Kris, Catti, and Asriel. Knowing how much the impact of this ending means to Toby, being the main inspiration for Deltarune’s creation, and probably even Undertale’s by extension, I don’t think he would risk undermining that ending with Rouxls as the angel.

Maybe Rouxls was the previous angel and he wants to reclaim his lost glory? But that implies the angel serves some specific entity, and while I think the angel is still beholden to fate, I don’t know that you’d really call “fate” an entity. Maybe Rouxls used to serve under the previous angel? But if he did, he sure doesn’t act like he’s been around for that long, and if it was thousands of years ago, or even more than a couple hundred, playing cards may not have even been invented yet, let alone a modern-enough looking rules card that the narration wouldn’t point it out as odd.

Rouxls Kaard even slightly resembles Gaster, so I have to wonder if he’s potentially a triple red herring for something related to that. This character is a mess, and as I’m writing this, I’ve just noticed yet another thing. "My hobbies includest calligraphy, lawkeeping, bugkeeping, cages..." If Jaru’s knight theory is correct, and Gerson’s dust and hammer was reanimated like Ralsei with Asriel’s dust, then Rouxls’s hobbies each match one of the main three opposition characters in Deltarune. Calligraphy for the knight, as Gerson was a writer. Lawkeeping for the angel, as it has control over soul power and the laws of reality itself. Bugkeeping for Gaster, as in programming bugs, given his association with errors in reality and the like, and cages because the game places everyone (except Jevil, he’s the only free one) in a metaphorical cage via the time loop.

That’s all, folks!

At least for now, anyway. Maybe I’ll find even more stuff to share and I’ll have to make a third post about this that’s even longer! But that will probably have to wait until the release of chapters 3 and 4. In the meantime, you can expect the occasional update with some more minor theories of mine, unless the wait is significantly longer or shorter than I expect it to be.

Thanks to Kris, Catti, and some out-of-system friends for helping me puzzle this all out. Without people to bounce ideas off of I would have lost the motivation for this months ago and might not have even finished part 1. Thanks to @jarujaruj, who, without his videos starting me on this nonsense, I would have never gotten this far. Thanks to Toby and his team for not releasing the next 2 chapters before I finished this, despite the multiple scares they gave me in the process and this potentially being the month it'll release. And thanks to everyone for reading, and hopefully, now that you’ve presumably read 2 of these giant things, being willing to give my theory a fair shake.

Here’s your TL;DR:

Kris may be able to sync up their soul with other souls and sources of soul power like dark fountains, potentially explaining every power they uniquely have access to in Deltarune and the dark world leveling system. The angel is created by high soul power, power of the heart, hence the romance themes with Kris and the main angel candidates. Kris will likely remove the soul in the weird route, attempting to take us both down together even if it kills them, and we’ll have Gaster’s vessel as a replacement to ensure we complete the route without Kris’s help.

The DT extractor, assuming Gaster has one in Deltarune’s reality, is likely used to acquire soul power and inject it into a target to make the angel in at least one route. “Holy” and “Sin” don’t seem to be as strictly regulated in their use as “Angel”, so the information we can gather from them is limited, but they seem to help indicate there’s a decent chance Christianity is a religion in this reality, or it used to be, and the angel religion’s traditions evolved from it, making the roaring like the rapture. The Egg Man is, by my guess, a second, goofier, less serious Gaster, from whichever reality the other Gaster isn’t, though they may be a clone as the save file screen implies Gaster can mitose save files, possibly breeding vessels, more Gasters, or even more timelines or universes. The Song from the Sea may be able to create a trance-like effect, and if universes are alive, may be able to control them.

Noelle is the angel in the weird route, Susie is the angel in the pacifist route, Ralsei is likely the angel in the neutral route because Susie won’t have had her full character arc, but this may just happen in a particularly violence-heavy neutral route. Dark worlds have different time flow, and their histories seem to be created retroactively, there’s a good chance a day in the light world could be weeks, months, or years in a dark world, maybe even longer in a darker world (i.e. a dark world created within a dark world, like Berdly tried to do near the end of chapter 2), all decently likely given soul power’s association with time control and darkness being an aspect of soul power.

The personification of the Earth may mean it's actually alive and has a will, and this is what enables the roaring. NEO may be related to things only possible via influence of an outside force, like the player. The Ring of Thorns' similarity to the biblical crown of thorns implies I may be murdered or sacrificed late in the weird route, probably in my attempt to break the loop. I suspect the most likely conclusion of the weird route is successfully breaking the time loop, but being left with a world that's only a broken shell of what it used to be. Don’t forget, even when the places you’ve come to know start feeling like a fantasy being enacted over and over, I’ll be with you in the dark. See you next loop! It’s not like I’m going anywhere.

[popculturebuffet]

Top 20 Animated Episodes of 2023 Part 1

Hello all you happy people! It's now 2024, and with 2023 behind us it's time for my faviorite yearly thing on this blog: my top 20 episodes of the year list!

For those of you new to this tradition or needing a refresher, each year I take 5 episodes each (or less if the show had less), from the various shows I watched that year, and then slowly wittle it down from a massive pile to the 20 best, split into two digestible parts, and let you all enjoy the results. It's one of my favorite things as it gives a nice, personal, wide berth of what happened in that year, gives this blog something unique to do, and allows me to touch on shows I haven't covered yet or may simply not get to for some time, if ever.

2023 was a mixed bag for me, both professionally and personally: It started.. with a kick in the teeth as my cat Stewie died after living a long, fufilling life of looking mildly pissed at everything but still being cute.

He was a good cat and his loss is something I still haven't fully gotten over a year later.

It was a harbringer of change: with Stewie's death we finally moved out of the house I lived in pretty much my whole life, and into a smaller, nicer and far better apartment with my own mini office in my room even and all my children/books/children returned to me. It's taken 6 months but I feel like i've fully settled into my new, wonderful home.

And towards the end of this year as the loss of Stewie still stung all this time later, I got another great change with the addition of Maddie

Maddie was the dog of a close friend of the family who had to go into a retirement home. She needed a home, and now has one in my room looking morose, licking my face and occasionally going under the bed for hours at a time like the cave goblin she is. She was a much needed bolt of sunshine in this storm of a year. I do metaphor good.

So with all these c-changes, how did this blog fair? Suprisingly great but not entirely in tact. Quality wise I do think I did some of my best work this year: I tackled the first apperances of every spider-man, woman and pig in into the spider-verse, the movie itself, finally web swining around a bit thanks to kev with a little more spidey planned for this year, with a tie in for Kraven later this year that's exactly what you think it is. I finally got to do an x-men month, covered rocko's modern life static cling for pride month, and in one of my finest hours, got to do a retrospective on one of my faviroite fairly recent comic strips breaking cat news with the help of my friend emma. Her sponsorship meant I got to cover something great and while few people have read it, i'm happy just to have it out there.

In addition to that I covered Tugs, an osbcure UK series and spirtual brother to thomas the tank engine that involved state mandated death dates for boats, pirates, and eleven minutes of explosions. I finally got to enjoy the madness that was the Telltale Sam and Max Games, with Save the World in the pocket and Beyond Time and Space wrapping up next week. And biggest, best and brightest of all I did a retrospecitve on little shop of horrors, finally seeing both the stage play and original corman film, as well as little shop. And someday i'll have recovered from seeing little shop.

The delay on that though brings me to the other shoe.. this year my productivity was in the basement and my week was at an all time low. Several reviews got delayed, from stewie's death leaving me unable to work for a few days for damn obvious reasons, to the move frequently taking my time or leaving me off balance. Not only that I didn't plan my time off for the move well, so I was left having to rearrange my whole schedule. It's why both pirate month and pride month, proud institutions on this blog, were reduced to a week and a three part special, something I wasn't remotely happy with. Things kept slipping by, and in general it wasn't my best year for getting shit done. I realized i'd simply taken WAY too much on, and thus have scaled back to ten reviews instead of 12 a month, and may scale back further if necessary: i'd rather these reviews be their best and get put through a spellcheck than be glad it's done only to realize I have nother thing that's due yesterday.

Not helping were towards the end of the year, a massively loud noise from my computer fan that made it hard to concentrate, something that's hard for my adhd ass in general let alone with a giant whirring fan that nothing can out loud, and having finally solved tha tproblem thanks to my dad's help.... then having my wrist go out, and while it's recovered now, it meant an extra week off, which sounds nice and was in places.. but was mostly spent in pain or asleep to escpae the pain till I got things to help with that. Then after a nice christmas, a lovely few days after... I got a cold, which spent up a large chunk of my vacation in a sick coma.

I apologize a bit for all the venting as you can tell this year's been a long one. I came out the otherside well with a loveable dog and a great new work/living space, but it was a bitch getting to here.

Thankfully animation wise, the industry wasn't in as MUCH turmoil this year. It still wasn't great: We got more cancelations with Lumberjanes and Phoebe and Her Unicorn announced formally dead before arrival had even started, and cancellations for Inside Job, Star Trek Progidy and Praise Petey, the last two seemingly in limbo as a result, with only one getting saved. While it wasn't the cancelnado of last year that wrecked many a service and nearly ended me, it was still pretty bad and Warner showed zero signs of learning from their lessons: after taking a few months off thinking the heat died down they tried canceling coyote vs acme.. only to then nakedly start a bidding war, making what they were really doing with most projects obvious: making them unaviliable.. and then starting a bidding war for other streamers. I'm not upset many of these shows are on other streamers as their safer from Zaslav there, but it shows just how nakedly greedy, transparently corrupt and blatantly fraudlent Warner Bros Discovery has become.

While the sales of the brilliant Merry Little Batman and sure to be great Batman: Caped Crusader to amazon are GOOD as Amazon has learned what animation means, it unmasks warner as simply doing all this tax writeoff shit to make money.. and then often forgetting to even sell the shows, not carring if no one's buying and just shrugging off someone's heart and soul being cast into the void. The loss of Final Space and Close Enough STILL stings and hasn't gone away even with the maker of the former both having found a way to finish the story and move on with his life.

The cherry on top of this shit sundae is Zaslav, no shit, saying the decision to shelve Batgirl, a movie that was entirely done and could've had the elseworlds label slapped on it if they didn't want it in the DCU, BRAVE. Yes that.. really happened.

It wasn't just Zaslav fucking up this year though, as other execs certainly tried their hardest or were arm and arm with him: The biggest blunder is obviously the strikes which while not affecting animation for the most part, was still a long dark night of the soul that was entirely the fault of executives not wanting to give up the precious theorietical money they could make once AI gets to the point it can create actual things, nor the likenesses of DEAD PEOPLE they should have no right to. Exec behavior was at it's most disgraceful this year... I don't know how that bare somehow got lower but that's the hellscape we're in with both zaslav and iger beign part of the corprate hydra that kept rejecting any deals presented and tended to flip the table and leave in a huff , leaving the negotations for weeks at a time till it became apparent that no amount of veiled threats of starving them out.

That said the strikes... were a net positive: they were long, brutal and threw tv off and delayed a show or two.. but it was well worth it. It helped show just how much actors and writers of all pay levels are needed, got them badly needed pay increases and protections and left the door open to help fiddle with AI protections as while AI isn't remotely good at creating scripts, that's never stopped execs from promoting something anyway. Despite MANY attempts to demonize the strikers, frame them as hollywood elites despite the fact the bulk were just trying to live on and were putting their liveleyhoods at stake to make sure they had one, or paint them as the bad guys.. it never worked. The public held firm, the strikers held firm and deflected most attempts with solidarity, with said big fish they tried to use as propoganda.. instead gladly donating to help the strike keep going. Fran Drescher and co fought hard, and the result is a slightly better hollywood.

And that hope for a brighter future really radiated this year: while Animation is still in flux in places, a lot of the networks hit hard by corprate dumbfuckery last year started to regrow: Netflix, after a year or two of rapid cancellations and baffling decisions, finally regrew it's animation divsions: Outside of Inside Job, most cancelations were shows that really weren't the best idea or execution to start with, and most hits got renewed, with them even picking up Star Trek Prodigy for another season and likely as many as they can carry. They pivoted more to adult animation with hits like Scott Pilgrim Takes Off, Pluto, Castlevania Nocturne, Carol and the End of the World and Blue Eyed Samurai, the latter three I wish I got to but i've heard are incredible.

While WBD was still BURNIN DOWN THE HOUSEEEE, it snuck in a few hits with My Adventures with Superman and tons of great stuff I did'nt get too like Scavengers Reign, the beginning of the end for Craig of the Creek, Fired on Mars, and Hair Love, while having a suprise banger in the form of Tiny Toons Loonveristy, proving just how to reboot a classic property once again. Not only that the finale movies for Venture Bros and Metalocalypse came out, which given the last year was a huge fingers crossed thing. But both came out, I got both on blu ray, and got neat posters with them in the bargin and both closed up two of adult swims best series in the way they richly deserved. We also got an Urkel Christmas Movie. I guess.

Amazon continued it's own building: in addition to the dark knight picups mentiond, Invincible and Legend of Vox Machina both had amazing season 2's, with Vox Machina picked up for two more seasons to close it out proper and a Mighty Nein spinoff, with a Belles Helles Spinoff all but guarnateed at some point, and Hazbin Hotel after a truly agonizing year of waiting for someone to announce they had it, finding a perfect home for the happiest place in hell.

Finally, the indie scene, already thriving blew the fuck up. For the first time I nominated six diffrent pilots from various indie creators who all did a fucking great job: Godspeed, Lackadaisy, In Limbo, Atlas and the Stars, and Swift Spark and the Defensive five all had impressive showings and I regret not watching Lackadaisy in time to support it, but I can't wait to see what it brings to the table and to see all of these shows make it to series, not to mention up coming ones like ToonrifiqTariq's "Hey" that are likely going to come out next year.

It's a strange time for animatoin.. but one tha'ts proven you can make your own way, that the big coprations are trying and that in film.. is at one of i'ts brightest: while there ere some stumbles we had masterpieces like Nimona, which also made disney look horribly stupid for homophobically canceling it, Across the Spider verse (which needed to treat it's animators better but still deserves mention), and TMNT Mutant Mayhem.

It was a hell of a year and I can't want to share the best of it with you. And as a result of such a good year there's a few firsts: This is the first year with Anime included and if you want to know why i'ts taken so long it wasn't snobbery.. I just.. plain forgot to watch the ones I DID want to watch the past few years. That's... really it. I usually prefer reading the manga, as it's both faster and less time consuming, and Some of the best often aren't on the streaming platforms I do have. Pluto and Scott Pilgrim got by by being adaptations of something I love with all my heart a piece and thus coudln't bear myself to miss, but I might try to vary up my viewing more next year. I do want to check Zom 100 out at some point.

Anyways the other is that I allowed two dtv movies in here. Now this is with a caveat: It has to be directly linked to an existing animated series, a sequel, a prequel, etc. It's something I never really thought about before, but makes sense: While Radiant is the Blood of the Baboon Heart and Army of the Doomstar were both considered for my film list too and are films.. their the proper conclusion to their stories. Not only that with Pluto's inclusion on this list, we have a series that had episodes only about ten minutes or so shy of both films runtime, so I figured fudging the rules like this was fair. I would've included Craig Before the Creek, but I want to wait to watch it when it comes on HBO Max next month.. and buy it on Physical as I don't remotely trust WBD to keep digtial copies up forever anymore. And really it feels in the spirit of things like operation zero back in the day or in both metalocalypse and venture bros own histories, all this and gargantua 2 and doomstar requieum.

Okay now that's settled this years list is intresting as while there's a decent amount of returning shows most haven't been on this list before. Of the nominees the only returning shows are The Legend of Vox Machina, Invincible, Helluva Boss, The Great North, Miraculous and Big City Greens, with mainstays like Tuca and Bertie and Close Enough sadly gone thanks to WBD being pralines and dicks. Thus our shows competing are an eclectic mix of returning combatants, one for sadly the last times, revivials of old shows, reboots of old shows, two limited series, and a handful of spectacular pilots

These are the shows that I got to see this show and thus entered the running, all sorted by platform since.. there's a lot.

Amazon Prime: The Legend of Vox Machina Invincible

HBO Max: YOLO: Silver Destiny Clone High Tiny Toons Looniversity Adventure Time : Fionna and Cake Aqua Teen Hunger Force My Adventures with Superman Disney+: Moon Girl and Devil Dinosaur The Owl House (Final Year) Kiff Miraculous: Tales of Ladybug and Cat Noir Big City Greens Hulu: The Great North Futurama Bob's Burgers The Simpsons Netflix: Scott Pilgrim Takes Off (Limited Series) Pluto (Limited Series) DTV: Venture Bros: Radiant is the Blood of the Baboon Heart (Special) Metalocalypse: Army of the Doomstar (Special)

YouTube: Helluva Boss Godspeed Lackadaisy In Limbo The Amazing Digital Circus Atlas and the Stars Swift Spark and the Defensive Five

So with our nominees in clear view, who shined the brightest, who didn't and whose going to yell at me over my choices? find out under the cut!

FULL SPOILERS FOR MOST EPISODES ON THIS LIST. YOU'VE BEEN WARNED

20. The First Episode (Atlas and the Stars, Pilot)

"Sorry for dragging you into this man. You don't have to trust me but I promise to make this up to you, I swear."

Coming in just under the wire as the last released episode on this list, it's placing is just a fun concidence, we have The First Episode... the pilot for new series Atlas and the Stars. You can watch it here

So it's come up soon but the reason I put MOST episodes on the spoiler warning.. is this pilot and another on the list, I really DON'T want to spoil much as both rely on you watching it, this one in paticular not revealing what the show's premise will be from here on out, instead telling the parallel tales of Atlas, a human from a dying planet who hyjacks a space ship to acheive her dream of endless freedom in the stars, Atmosphere, a shy loveable alien embarking on his first day regestring ships at a space port, and Quasar, the lord of a mysterious planet who keeps having to sacrifice.. somethign to a portal to keep it alive... and it can't keep up forever and his beligeured assitant nebula. ALl of this comes togeter in a beautifully animated, well active and creative sci fi adventure with one hell of a hook from where it goes form here, awesome character desgin work and some neat sci fi tek in Atlas' googles. Miranda Toomey used every inch of whateve rbudget she had to make this and it turne dout gorgeous, and I can't wait to see the next episode in this and how this story progresses. It's well done, gorgeous, heartfelt and engaging and I recommend you go watch it before we move on to our next entry.

19. Radiant is the Blood of the Baboon Heart (Venture Brothers, Finale Movie) "All you need to know is the person who gave birth to you loves you, I promise you that"

From a start to a finish we have Radiant is the Blood of the Baboon Heart, the long awaited and thankfully came out with a dvd and everything ending of the Venture Brothers. It's shockingly low on this list, but as much as I love this series.. it came out in a tight year with some even better finales, and had the burdern of having to cram in a season's worth of content, even with the cuts they made, into an 84 minute film.

The results are still excellent: Radiant is a fun, frantic race to the finish line that satisfyingly answers a lot of the series biggest questions: Who the boys mom was, how Monarch and Rusty are related, can HELPER fire a shot gun, will Hank and Dean reconcile... all the closure we needed in a tight 88 minute story that also includes classic hip hop traick it's takes 2, magnetic shenanigans, Hank using giant novelty checks for money, dermott using a piss filled super soaker, dean thinking he's a vampire, a halfway house for supernatural heroes, and Mantilla, one of the series most delightful villians and one I really wish we'd gotten proper time with. It's a joyous reaffermation of what this series is about, has nice moments for most of the best cast members, including Brick Frog my beloved, and ends on a mostly satisfying note. It also gives us a golem made entirely of pants and isn't that the greatest adventure of all?

18. "Lights, Camera, Sparks?!" (Scott Pilgrim Takes Off, Episode 5)

"You've known him for three f***ing days!" "Is that all it's been?!" Scott Pilgrim Takes Off was an easy faviorite this year and given my longstanding love of the Scott Pilgrim comics and like of the movie, it wasn't a huge shocker i'd love whatever the anime turned out being. I was pumped from the announcement, worried it'd just be "the movie but animated" when the cast was announced.. and then over the moon when it turned out that no, the cast was all coming back but the take on the franchise was all new.

What we got wasn't the straight adaptation that was pitched.. and was all the better for it. If you haven't seen Takes Off.. please do it's fantastic, I did a whole review on it, go, and if you won't then this is your last warning as I can't really talk about the episodes of it on this list without getting into spoilers as it's one of those series where the first episode twist.. defines the rest of the show.

Okay we good. So the first episode progresses as normal, a few tweaks to let you know this is it's own universe, enough character moments to show that even with the film voice actors the main cast is closer to the comics..... then Scott seemingly dies.

From there things go off the rails, and that's where the magic kicks in: While Scott's still key to the story and turns out, naturally, NOT to be dead, instead kidnapped by a mysterious portal, Ramona takes the lead, with us getting to know her better now she's the pov character instead of the guy worshipping the ground she skates on. While Ramona was fleshed out in the comics, the series gives her more to do as she solves this mystery. It's intriguing, it's fun, and it gives Mary Elizabeth Winstead the chance to play a more fleshed out version of the character with more sides to her than "aloof".

What the series also does well.. is go the fuck off the rails. Matthew uses his newfound confidence to punch gideon out of all his companies and fancy suits, Gideon becomes the best worst couple with julie, and Young Neil becomes a spacey moron who assumes the mysterious person writing a script based on how the story originally went is his sleep paralysis demon. The series has a lot of great character, animation and development as Ramona's forced to .. talk with her exes instead of her new boyfriend punching most of them for her.. but it can't be forgotten it's also delightfully nuts, easily the goofiest this franchise has gotten and i'm here for it.

That brings us to "Lights, Camera, Sparks?!", easily the biggest shit post of the entire series, and one of the funniest episodes of the year easily. While the previous ones are a bit melancholy in tone with the goofy stuff as a nice side dish, fitting how scott pilgrim rolls, LCS is just one long farce with Ramona struggling to get any detective shit done while Wallace wrecks envy and todd's relationship, Edgar Wright but voiced by Kevin McDonald slowly looses his mind, and Neil gets into various shenanigans while only being a quarter aware of anything going on, including what was in the script his sleep paralysis ramona from the future wrote.

The setup is simple: Toronotwood is making a film based on how scott's story usually go, again ghost written by a mysterious sleep paralysis demon, and hired Lucas and envy to play scott and ramona. Lucas got can...something for dating a 30 year old who looks like a high schooler, so now i'ts todd clumisly shoved into Scott's clothes. Wallace is also there, having throughly humilited the notoriously straight actor playing him out of a job and letting his ego grow 15 sizes that day.

What follows is a mocumentary masterclass as Envy and Todd can't stop being horny for two seconds, Wallace making out with Todd and being his bi awakening reading them to constantly "run lines in his trailer", Neil is hilaroius and you will repeat everything he says and Ramona is left bobbing around unable to actually get any answers.

This all leads to a delightful explosion as Todd falls in love with Wallace, Wallace is a callous dick, Wallace sicks his stunt doubles on Envy, Ramona is sicked on them, and everyone is confused, all cumilating in todd binge eating poutine and crying, an option I wish americans had but alas we are poutineless while Matt shuts down the production then sputters like a kid who got a lucky punch in on his bully when he finds out Scott is alive. Also Knives and Stephen get a meeting with him leading to the greatest musical of all time.

As you can tell this episode is very stupid and I love it. It's just 100% nonsense the whole way through, letting Wallace do something since the only main character who isn't Ramona he interacts with is in the future right now. There isn't much to disect, i'ts just pure comedy gold with props to both Kirean for really nailing a more douchestastic wallace and especially Brandon Routh who has shockingly deep comedic chops. A great episode and a nice break before we dive full speed into just where Scott went.

17. Lackadaisy (Pilot Episode)

Old Man River! That seems far too austere a name for something made of mirth and rage. O, roiling red-blood river vein. If chief among your traits is age, You're a wily, convoluted sage.

Is "old" the thing to call what rings the vernal heart of wester-lore? What brings us brassy-myth made kings. And a preponderance of bug-type things.  To challenge titans come before!

O, demiurge to a try at Avalon-once-more?

And what august vitality in your wide aorta stream. You must have had to oversee alchemic change of timber beam to iron, brick and engine steam!

Your umber whiskey waters lance the prideful, sober sovereignty of faulty-haloed temperance, and wilt her self-sure countenance; Yes, righteousness is vanity.  But sport's for imps, not elderly.

So if there's a name for migrant mass of veteran frivolity That snakes through seas of prairie grass and groves of summer sassafras; a name that flows as roguishly as wild waters, fast and free, It's your true name: Mississippi.

That beautiful poem opens up Lackadaisy, thank you wiki so I didn't have to transcribe that whole glorious thing, as a roustabout cat in 1927 St. Louis names rocky spends the first few minutes playing fiddle, basking in the glorious moonlight and waxing poetic about the mighty missisipi. It's a beautiful opening that shows off the series deft animation and MIssouri setting, something that makes me want to learn more about my own state's history. It's clear from the word go a LOT of love and research went into this setting, and given creator Tracy Butler had started Lackadaisy as an even MORE lavishly drawn webcomic.

Lackadaisy has a simple setup: three cats working for the titular saloon, Rocky, our dreamy narrator and mild loon, Freckle, his grumpy sidekick whose perhaps a bit TOO good with a gun, and Ivy, a peppy girl who takes jabs at Rocky and flirts with Freckle. I .. I ship the fuck out of it. These two are adorable. The three are robbing a body for canadian hooch but have to deal with the deathly serious and deathly hot, Mordecai Heller and his much more excitable, jokey and bloodthristy associates Serfafine and Nico Savoy.

The short is mostly a tense back and forth between both parties as our heroes barely surivive, we get a lot of good Ivy and Freckle content and Rocky saves the day by hyjacking a goddamn steam shovel and loading it with dynamite while waxing poetic and laughing madly. If that's not enough to get you to check it out if you haven't, I have clearly failed in some way as Lackadasiy is excellent and like Atlas and the Stars, leaves me wanting more of this cast. I'll defintely be reading the comic and plan to at least try to get the print editions coming up soon, as the pilot does a good job of showing who these characters are simply by action.. but leaving you questioning WHO they are and how they all ended up in a failing saloon, and why say Mordecai spares Ivy towards the end. Whatever it is I only want more of this, and am so happy those of you who weren't late adoptres like me helped get us a full season 1. Thank you so much and I can't wait for this show to show up here again. It's gonna be a riot and Micheael Kovach steals the show any time Rocky speaks, while SunWongCho is just... amazing as Mordecai and gives us a great antagonist to work with, a classic mystery man whose side your not sure who he's on, you just know he's a threat when he shows up.

16. Simon Petrikov (Adventure Time: Fionna and Cake, Season 1 Episode 2)

Does somebody jump for joy? Does somebody cry? Now that I'm not part of that sadness? Does somebody want me now? Now that I can’t fly? Now that I'm not part of the madness? Part of the madness?

Adventure Time: Fionna and Cake surprised the hell out of me in the best way possible. See while I never stopped caring in SOME way about adventure time, my dropping off mid series after ... THAT happened in Breezy, only coming back occasionally for an episode or two, the orgalorg arc and the finale, I really wasn't interested. I did enjoy the two episodes of Distant Lands I saw, Stakes was excellent and Together Again felt like a more fitting final chapter to the series. Both didn't feel like continuation of the story: Stakes was a coda giving us the Bubbline content CN denied us and Together Again is an Epilogue, set at the very end of Finn's story.

So I was kind of.. Meh on Fionna and Cake's announcment. I wasn't against it but I'd just never really cared about these two, with the series having made two great episodes about them (and two more I hadn't seen at the time), but the whole "created by a creepy old guy" part of it always held me back from fully embracing these two. I was badly hoping they'd throw away the whole fanfic conceit and just move on.

They didn't do that.. but Fionna and Cake not only found a way to revitalize that, but reminded me WHY the original series was so strong. Fionna and Cake grew up with the original audience, a piece about metafiction, fandom, growing up, and depression all made wonderful and really stretching the property as far as it'll go and i'ts unexpected season 2 greenlight makes me all too excited.

The thing I was most excited for though.. was still greatly done. Alongside Fionna and Cake getting a slice of life makeover thanks to Simon going back to "normal", we get some closure for Simon who ended the series seemingly fine: Betty is gone, but he's sane, Marcy gets her real dad back, job done right?

Adam Muto, Adventure Time's ep from season 6 and the archeticht of most things from Rebcca Sugar's leaving till present day, disagreed, planning a simon special for distant lands before rewriting it for this series. And it points out something a lot of fans noticed about this ending: it's.. not okay. Simon lost betty AGAIN, and is now trapped in a world he never made.

And the series makes this into his arc, how does he fit into this world, and what he tries to do to escape it instead of dealing with it. Simon Petrkiov paints a picture of where Simon's been in the 10 year time jump between Come Along With Me and his debut in this series, Simon Petrikov.. and it's a deeply depressing picture.

Simon's a living exhibit on the humans floating island, unable to connect with his fellow humans as he can't relate to them in any way shape or form. He's a 20th Century man and their 24th century men and women. Not helping is an overzealous, or sweet fan girl he keeps shooing away who just CAN'T understand that the man who wrote Fionna and Cake.. ISN'T the same guy making toast in a fake apartment and watching Cheers every day. The Ice King was PART of simon, but they were never the same person and every reminder of the hell the poor man went under, the things he did, the people he hurt just reminds Simon how far away he is from home.

Not helping is something all too common with depression and trauma, something I know all too well... Simon won't open up to people. He doesn't get help (and as we learn via a minerva bot in the finale Therapy was ALWAYS there for him), and he keeps space from the surrogate family he does have. He dosen't want to "ruin" marcy finally being in a good place and thus barely calls her, content to just visit and pretend things are okay. Finn TRIES reaching out.. but while he's older, wiser, and beardier now, and to my delight still with Huntress Wizard (and in headcanon in a throuple with Flame Princess, but that just me. ), but he's still an adrenline junky raised by a loveable manchild who can't quite relate to someone like Simon, who just wants his old life back.

All this is punctuated by the return of Rebecca Sugar, who sings the beautiful and tragic "part of the madness" which sums up where Simon is: he's normal, he's who HE wants to be.. but the world simply feels like it rejects him, when really he's just as much rejecting it. Instead of trying to find some calm in the storm of this life and admit he needs help.. he chases betty, trying badly to get her back even though it just.. isnt' possible.. and causing this series as a result. He just can't let go.. but the series shows him he has to if he wants to truly live.

15. Miraculous World Paris : Tales of Shadybug and Claw Noir (Miraculous: Tales of Ladybug and Cat Noir World Special 4) | In the daytime, I'm Gabriel Just a normal man, with a normal life But I have a secret I must keep at any cost Or all hope will be lost. Miraculous! Fear is a cage! Hear the message, answer the call! Miraculous! Yes, you can change! The power of love will free us all! Miraculous!

Yeah after two years of watching it, Miraculous Ladybug actually made this list. I'm shocked i'ts both this high AND this good. See while i'm a fan of Miraculous Ladybug, most of the fandom is more a fan of what it could be, the potetial it'd have if Thomas Astruc hadn't been the one mostly running it for 5 seasons and running it straight into the ground into the molten core of the earth. The Recent film, while far from perfect, felt like more what the series SHOULD'VE been, with the secret id bullshit resolved by the end of what's essentially movie/season 1, Gabe given more depth etc.

So i'ts ironic that in the same year the show itself, via it's spinoff specials gives us ANOTHER universe that's way better than the mess they've made of the main timeline with Miraculous World Paris. Mirror Universes are nothing new, to the point Kev and I have a whole series on mirror universe episodes featuring this very special planned, starting later this month.

With Ladybug's lack of subtley, misuse of good ideas and goofy incompetence, I assumed this special would be at best goofy fun with overblown multiverse and mirror universe tropes. Instead... it's the single best episode of the shows run, a truly moving piece that made me enjoy mirror universes again the same way Fionna and cake has made me enjoy AU's again

Miraculous knows just the right way to make evil counterparts: instead of the earth 3 versions of Marinette, Adrien and Gabriel the complete opposites of our heroes or just "Evil, Evil and less of a prick", Shady Bug, Claw Noir and Betterfly are all the same people we've come to know, simply gone down a diffrent route. Gabe is a better person, having STARTED as his earth 1 shitheal self working with his earth's eviil shadow overlord supreme... the loss of his life somehow changing this course. Instead of using the butterfly miraculous to try and bend the world in shape to get his wife back, he honors her legacy as Betterfly, helping others, something that seems IMPOSSIBLE for our gabe to consider without an ulterior motive.. but all too plausible if he just let go of his ego and his wife and let her die in peace instead of holding her in a dome coma and fighting teens. If he accepted he can't control something

Likewise Shadybug is Mari if Alaya hadn't befriended her, if Chloe just kept bullying Mari and Mari never stood up to her, the bullying just made her worse. If her parents WEREN'T there to support her: the bakery and her room is.. but it's very clear her alternate parents just aren't the loving duo our Mari's are. This is the kind of Mari that would've easily become an akuma.. but instead becomes something WORSE thanks to Supreme, a mysterious entity linked to the guardians, very heavily implied to be earth 3 Master Wu, who gives out the miraculouses to those who can tighten his grip on earth, and selected Mari and an Adrien who never went to school and thus never got out of his shell and is even MORE distant form his dad due to Gabe's new job as his pawns.

It results in a tearful battle as our heroes are both forced to TRUST the best life version of their nemisis, and battle what easily could'e ben them, while their counterparts find out , after Shadybug tries the wish thing, that supreme was using them and their lives are being drained by overusing their powers, explaning why the regular miraculouses limit our heroes to one use of their powers and limited timing. This is what happens otherwise and Monarch is all too happy to take advantage of that. There's more to this special, a lot more I can't wait to explore in april, but needless to say Miraculous World Paris.. is what I wanted from this series: a creative, tightly told, heartbreakingly well done superhero story with tense action, creative uses of the kwamis, and good character stuff for BOTH versions of our protagonists. I'ts a true masterwork and I wish THIS is the show we got more consistently.

14. The Amazing Rudy (Bob's Burgers, Season 14, Episode 2)

"I kinda walked away on dinner with my dad and her boyfriend and dad and his vicky for the first time which I guess how family dinners are gonna be from now on and I guess technically... I ran away"

It's weird but despite my deep love of the Great North (Which for the first time since it's debut missed the list this year, but damn did it have a good one, even if season 4 had to wait for 2024), until this year I wasn't consistently watching it's sister show Bob's Burgers anymore. I liked Bob's, I loved the movie, I had nothing against it. But any time I tried to get back there'd be an episdoe that just took me out. So now while I won't watch every episode, I still watch most, as the show is good as ever, if not on a comeback after a few seasons apparently felt (if TV Tropes is a good indciator) as very hit and miss. Season 14 is fantastic and it's no surprise it's second episode ended up being one of the series best.

The Amazing Rudy is something completely different in tone and staging, with a more melancholy peanuts style soundtrack, a somber tone and more muted humor. It fits perfectly, as the episode isn't centered around the Belchers this time but Louise's best friend, future husband and morality pet Rudy. The show has had secondary character spotlights before, Rudy getting a few himself, but usually the Belchers are still front and center and one of them still plays a major role in following this character around. For instance a few episodes later we get "bully-leive it or not" a zeke spotlight episode, but one where the other three kids are still very present: Zeke and his shameful past are the focus, but Louise and Tina still figure heavily into the plot, louise nearly bullyign Zeke's former bullying victim thinking the guy bullied zeke and that's why zeke freezes up seeing the guy, while Tina guiding the kid around is what kicks things off. The two aren't the focus, but it still feels like a bobs burgers adventure, helped with a bob subplot where he grapples with Jimmy Pesto, now played by Eric Bauza after a long absence thanks to his previous actor being an insurrectionist which lets face it Jimmy totally also was or at the very least thought about before finding the air fair was too much.

Here the focus is on Rudy to the point it feels like an episode of a Rudy spinoff show that does not exist but we now all want it too. It's still in Seymour's Bay (Which I forget is the name of the town this show takes place in as mostly people we know are in wonder wharf or on ocean avenue), just following Rudy as the lead instead. The Belcher's show up, in the middle of a bob's burger's episode we'll never see about Gene getting good grades and thus getting baked potato lasagna, a recipie he made up and assumes "everyone else must enjoy" is part of the reward, with the payoff him realizing he can't force someone to love his abomination, but he CAN have their portions. Being Rudy's closest friends and future wife it makes since there the ones he talks to when he goes to the mall with his dad to get a magic trick for the night and a snappy hat when he crosses them.

The Belcher's presence also hammers home what Rudy's dealing with though and that's.. a loss of family. Rudy's Parents are divorced. This isn't a new fact as it's come up casually in the past: being the kids Teddy, i.e. the person closest to them in their age group to be clear, not the person who defintely has passed by the restraunt at night every night and just.. stares in the window. But being the kids most prominent supporting character, with Jimmy Junior and Zeke a close shared second, we've gotten to know him: his parents divorce is amnicable, he alternates weekends, and they've both moved on. We haven't really seen his mom but Rudy seems just fine with her and with his dad being his primary caregiver, is a bit closer to him, as shown in this ep as the two are adorably in synch and have their rythm.

See Rudy didn't LOOSE his mom or dad, both are still very present.. but he lost the three of them as a family and until recently had their monthly "We're still a family' dinner", what, as we learn in a heartbreaking montage i'll get too shortly, was a monthly family dinner and became a way to show that both his parents still loved him and still liked each other even if they weren't together. The problem is while a well meaning gesture, both parents have started bringing their partners, which is fair but makes it less a family dinner.. and more Rudy stuck with four adults having a hangout who accidently forget he's there. While I never went through one of these as a middle schooler when my parents broke up, I know the type of event Rudy deals with all too well: it's mostly adults, there's no one to talk to and your alone. Granted I was fine with it because I just.. read whatever book I brought anyway, but rudy is a social butterfly, an awkward awkward butterfly, so he has no idea how to handle this, or really deal with it.

His one ace in the hole is a magic trick, from his faviorite shop, the same one we saw in the magic episode way back. See while Rudy's love of being a magician is another character trait that's come up, this episode gives weight to it: Rudy got into magic not just because he dearly loves it and the person at the shop gladly mentors him and supports his talent, but it's seen in a montage of previous dinners that any time his parents started fighting, before and after divorce, a simple trick reentered the night and reminded them what's important.

Naturally the trick, done using a glass of drinking water and some tablets, goes wrong, and while Rudy's parents encourage him to try again and no one really is mad at him or upset it went wrong and spilled everywhere, he feels utterly humiliated, something we all went through as kids: you screw something up and while your parents don't make a deal out of it, you just can't. Hell I still have that problem. So combine that with already not wanting ot be here and Rudy bounces, his parents not aware he's gone.

Naturally, given the earlier setup, he bounces to the Belchers. And it's easy to see why: The Belchers are a loving, wonderful family, and Bob and Linda not only gladly let Rudy join, but engage with him in a way Rudy's parents simply forgot. Rudy's parents aren't callous... adults simply make mistakes and in likely trying ot make sure rudy's okay with both their partners being there, their partners feel good, the million other things they got going on.. they talked over Rudy. It's what makes this work: we feel for rudy, but it stings more that this isn't some problem with an easy fix. There will be plenty more dinners where he's wallpaper and plenty more times they likely forget him without meaning to. The trick COULD'VE helped.. but it failing was a reminder it was just a distraction from the fact his parent's aren't a family anymore, just two people who share a kid, loving him and caring about each other.. but what little bit of what he had before the divorce is just gone.

Brian Huskey's voice as he gives the monologue I used for this episode's quote is just heartbreaking.. you can feel the kid just.. relaizing he can't just run away from it. It's just.. how things are. HIs sad revelation of this just hits, Louise's "Oh boy", and Rudy sounds on the verge of tears.. we've seen him mad, we've seen him kinda sad.. but never like this. Just a child realizing things won't be the same and he has nothing to do but go back to it.

Thankfully as bob and linda mindly panic after realizing "oh god this child just ran and his parents don't know oh god", Louise knows what her best friends need and offers to walk him back. not only is the moment shiptastic.. it's sweet. Louise gets Rudy is having a hard time with all of this and needs some support, needs someone his own age there to talk with and to help deflect attention. And to punch out anyone on the way who tries to hurt them with brass knuckles, which naturally linda gave her as santa. After all he IS from the streets. It provides a pretty morose episode an utterly sweet ending as the two walk back, Bob couldn't be prouder, and Rudy.. for now at least.. isn't alone among his own family anymore. He may never have what he had back.. but he's gained someone pretty good along the way.

13. Watching and Dreaming (The Owl House, Season 3 Episode 3, Series Finale)

"Eda, King, Thank you for Everything" "Right Back atcha kiddo" "Weirdos?" "Weirdos"

The Owl house was the best show of the 2020's and while it had some stiff compettion this year, it still hasn't been surpassed. It was hilarious, had a wonderfully built messed up world with lots of thought, deep character arcs, and was sadly cut short way too soon, but will never leave the hearts of those of us who loved it.

So thankfully they stuck the landing, as Watching and Dreaming was a worthy conclusion to the series. After the decent but easily weakest of the three season 3 specials "For the Future", Watching and Dreaming is a nicely packed finale that wraps up the series wonderfully and while it leaves me wanting only MORE, MORE DAMN YOU MORE, as the series always had, it's a good note to end on while Dana gets the hell out of mouseton for a while.

It was also the last episode of a show I covered as it came out, with an attempt to do so with legend of vox machina adding way too much to my work load this year to really work out, and as a finale to that.. it was just as welcome.

Watching and Dreaming spends it's first third on the Collector, and while there is a bit of disconnect between what he puts our heroes through and where he left off, with Luz once again hving her anxieties reinforced via a horrifying puppet show, the show quickly recovers as the big three are reunited after two long episodes and several long months in and out of universe: Luz has her other mom and little brother back, Eda has her kids back and King has her family back. We also get a quick show of just how far they've come since the pilot as each one easily bodies the collector's games... and leaves him wondering why they won't play fair, why this isn't working. It takes three people who had to learn their lessons the hard way through tears, isolation and learning their life was a lie, to teach the boy god empathy and unveil that at his heart.. he's just a kdi who REALLY didn't know what he was doing was awful.

Unfortunately just as the collector learns friendship, belos POSSESS THE TITAN'S CORPSE ITSELF and plans to do .. something.. genocidey and after an attempt to just forgive him fails, the only thing our heros have is each other, with Luz's friends aka our other heroes busy saving allt he puppets with their new starry pjamaed pal.

Luz gets a last minute somewhat asspully upgrade, but it's all three together that defeats belos. It's an epic finale but one that nicely focuses on who Dana intended as the core of the series: a child who found her place in another world and learned responsibility and to forgive herself, a witch who learned to forigve and let others in, and a titan who learned empathy, all kicking that blobs ass. And then curb stomping it. It's a moving, fast paced, excellently animated finale with a fun time skip epilogue to tie it all together. Owl House may be gone... but it'll never be forgotten.

12. Army of the Doomstar (Metalocalypse, Finale Movie)

"I am a wheel in the gear of the Klok. I feel not my mortality".

The other adult swim finale movie this year and the one that had the harder road. While Venture Bros got it's movie offer at the same time as cancelation, it took Brendon Small a decade, a whole ass album designed to be as close to a finale as he could get without a lisence and a LOT of campaning to finish his story to get here. Metalocalypse ended just as the final verse of blood, metal and stupidity was about to be written, and it was thanks to Small and the Fans themselves that we finally got it with this movie.

Army wraps up 4 seasons and another movie, a movie I dearly loved when it came out and still do, with an epic. It's darker in tone as the metalocalypse that begun at the start of the series is almost here and Nathan Explosion has a full on existential crisis trying to write the song that will save the world, having no idea how and not helped by his disasterous attempted propsoal to abigail while on a lot of wine and xanax (Props to small for ending a pretty disliked subplot exactly the way it shoudl without just.. tossing it out for time or some shit AND making it tie perfectly into the plot). The films dives into the overexpecations we put on creatives to MAKE US MORE DAMMIT, and how hard that actually is.. but also how fans.. are something to treasure and not spit in their face as our heroes have the whole series, seeing them more as parasites than people.

It maintains the series ballance of having an epic story.. but not sugarcoating that these guys are fucking morons with Nathan charging into a funeral on xanax and telling everyone, Pickels having ot literally be everyone's mom, and Pickles ordering a last meal fo rnathan of cool ranch diritos and choclate milk. The shows as goofy as ever, but adds a heart that's been only glimpsed on occasion as our heroes are allergic to feelings, as our heroes must save the world. We also get some kickass metal music as always, with SOS being a standout, giving us one last awesome dethklok performance and song as our heroes rally the world to show them their not alone.. and they never were. An epic, hilarious, and well done film that manages to cover all the bases it needs to and wrap everything up in 96 minutes. Pretty brutal.

11. The World Vs Scott Pilgrim (Scott Pilgrim Takes off Episode 6, Series Finale)

"Hey, because I'll have a lot of trouble saying it later, let me say it now: I love you, Scott. And I run away from the thing that I love. But what I've done in the past doesn't have to define me. Help me keep remembering that, okay?"

Scott Pilgrim Takes Off was a thrilling watch but there was one worry I had as it went.. sticking the landing. It set up a compelling mystery, to the point I genuinely wasn't sure who would kidnap scott as while the twins DID have to show up and were likely involved.. it just didn't fit that it was them. It being their robot who being a robot has never eaten anything, thus never eaten meat and would have none of the bilogicial weaknesses of a human, was brilliant as it is hilarious bonkers.

Who sent the robot.. was even better as it turned out to be Scott himself, a twist that told me everything was going to be alright. Specifically this is a scott who lived what this story would've been: Scott beats the exes, gets the girl, and they have a happy relationship and then marriage for 15 years, having become their best selves. The thing the series challenges though .. is if they can STAY better versions of themselves. It's something the other versions didn't really WANT to poke at because it makes the ending less happy: if they don't end up together, what's the point of all this. Yet.. relatoinships break up. Hope Larson, the real life inspriation for Ramona, divorced Brian Lee O Malley. The relationship COULD fail and where would that leave them.

As it turns out.. not great as Ramona bailed when it got hard while being vauge as usual, and Scott spiraled hard into his worst habits, moving in with wallace, again, and rather than figure out where he wen twrong.. wanted to hit undo on what he felt was a sunk cost, a relationship he put his heart into only for it to seemingly fail, even if he still had a chance to save it. Hence the brilliant and only not making this list because this year was paccckkked with good episodes, 2 Scott 2 Pilgrim before this. It also helps the takes off scott spedrun his charater development as future him is everything Scott tries to ignore about himself, his laziness, selfishness, short sightentess and very stupid brain, as a person he really can't ignore because that person kidnapped him because he took a joke Wallace made seriously.

So Scott naturally motors with the help of Future Wallace and Older Ramona, who was indeed the sleep paralysis demon and like her ex husband really sucks at plans, but gives Scott a lift home. So.. everything good? Ramona Grew, Scott Grew, Scott acknowlegeds he never should've dated a literal teenager... we goo dright? Right?

Thing is as this episode reveals midway through... Older Scott REALLY didn't want his past self to take the gamble that he could do it the right way and instead of giving himself tips.. gave himself anti kissing nanites so he and ramona can't kiss, the two naturally thinking it's the exes. We get a great opening here as scott confronts each of them, having only kinda witnessed their changes.. and most don't care. Even Gideon's moved on to Julie, his perfect match and a pariing I can't belivie I love and fits perfectly: their both the worst, and together their awful. Brilliant.

The two seemingly don't solve things.. but thankfully Old Scott is more than willing to show his hand.. as even older scott. Even Older Scott is terrifying, taking some of Scott's good traits.. and making them into something nightmarish. After his failure to change the future, not considering that

Instead looses his mind, training himself in video games and the martial arts for 10 years, all to counter everything his friends and the exes can do... all so he can KILL EVERY LAST ONE. Scott's worst nightmare across all realities has come to past, he's an evil ex.. and the evilest ex of all. Well in terms of power and madness, Gideon still put a bunch of women in jars because they broke up with him who Matt hopefully let out in this timeline.

We get a great fight as the utterly jacked, utterly terrifying even older scott, who nicely resembles evil ryu from street fighter and has pixel effects ala movie!gideon, cleans house, with Ramona wondering if she should just.. leave all this. It's only realizing that's literally all she does that gets her to realize she want sto fight for this, even if it ends poorly, and Scott, already all in, helps her.

Ultimately it's not the duo who win their future this time.. but Ramona's own future, what could be, even older ramona, saving her past self via fusion, a super mode (Just like Sonic 2.. or 3.. or dragon ball.), and some words of encouragment, giving EOS another chance and Scott the beautiful words above.

It's a powerful message and one that's real: it's hard to change.. but it's even harder to get change to stick. You just have to keep remembering it.. and keep trying. No matter how bad things seem.. you can make it better.

This is all helped by the beautiful ending, a pixel version of god only knows as everyone, exes now included, gets to live their best life and we last see Ramona as she dons what we finally find to be her natural hair color, blond (with some highlights because, hey, it looks badass), ready to face the future)... and the best worst couple hyping a sequel that will never happen, but frankly it'd be werider if they didn't, A truly spectacular finale to what may be the best version of this story.

[rogueddie]

Stranger Things: The First Shadow

This is going to be a full review; starting with production, some characterization issues and some of the plot holes.

But, before I get into the spoilers, I would just like to clarify my biggest issue; these characters are not the same characters that we see in the show. Every play demands suspension of disbelief, but it was completely impossible with this play.

I knew the play would be bad when I got my tickets. I didn't think I would have a bad time watching it.

warning; I am about to level a truly gruesome amount of critisism at the stage show. if you liked it, I'm glad you did; this is just my opinion and experience xoxo

My Review:

The production was, physically, beautiful. The designs and use of space was extremely well done. Some of the ways they used the screens and projections was stunning. It had the potential to add a lot to the story.

The sets are easily the strongest part of the production. The use of screens, levels and painted background- especially in the introduction- were stunning. It doesn't feel overwhelming and it makes it almost easy to remain engaged in both scenes playing out at once.

The design for the lab, too, is extremely well made. Having a box that can be rolled onto the stage is the perfect idea for the scene- it appears even smaller thanks to the contrast with the larger stage and the bright lights in white walls, the set feels ominous.

Unfortunately, the production ended up sabotaging itself. They default to special effects, screens and pyrotechnics to create the experience instead of trusting their designs or actors. It makes it seem like they are trying to hide their designs instead of enhancing them.

The introduction scene is the perfect example. The smoke machine initially added to the scene, it added an element of reality that could have drawn the audience in.

But, with how the smoke machine was overused, it ended up hiding the second set used in the "boat scene". In the stalls, I could barely see anything and was drawn out of the show completely and immediately- instead of watching a play, suddenly I'm worrying about whether I need to get my inhaler or not.

They overused everything. The screens were used so often that I have to wonder why they didn't just make a short movie instead of a play.

Similarly, the pyrotechnics were immediately overused- the first scene should not be making me wonder if you are using all of the visually compelling tricks in the first five minutes. But to keep using them at the same frequency? It makes it seem like you are more interested in making something look cool and care very little for the story you are supposed to be telling.

The lighting and music was simply poor. Half the time I couldn't hear what the actors were saying due to the music blasting at a painfully loud volume and, in scenes where the actors are clearly giving a brilliant performance, they are so poorly lit that they might as well not bother.

The poor lighting was very similar the show though. Props to them for managing that horrendous feat.

The directing definitely didn't help. The actors use of space is so poor and unnatural that, at least, I hope it was the director.

The lab set, for example; the actors both left the box set made. Henry's character roams the entire length of the stage, which makes the small lab set feel entirely pointless. His character never feels trapped or in any way boxed in by the box set. Instead of adding to the scene, it takes away- it's a giant set design that is ignored or takes up space in a way that is obtrusive.

On a positive note, I would like to point out that most of the actors did a phenomenol job. But I would especially like to emphasize how well Anika Boyle, Christopher Buckley, Oscar Lloyd, Louis McCartney and Isabella Pappas did. I can't wait to see what they do next.

Unfortunately, they're brilliant performances could do nothing to save a script that had already doomed them and their characters.

Doctor Brenner is easily the biggest problem when it comes to the characters. I'm not sure if it was the actor, the director or simply the writing, but he is the worst part of the entire play. He has no discernible motivation, none of his actions make sense with his character- if he can even be called a character. The show twists him so much that he becomes a caricature that bares no resemblence to the Doctor Brenner we see in the show.

Throughout the show, he's constantly encouraging Henry to kill. Literally, he verbally tells Henry to kill people. It's completely different to the sly and manipulative Brenner we see in the show- and not in a way that would make sense for him to have evolved from the stage Brenner to the show Brenner.

"Kill her," Doctor Brenner, The First Shadow, 2k23. Why does he say this? Uh... he wants the big scary interdimensional monster. Why does he want that? Uh... HEY, LOOK OVER THERE, PYROTECHNICS!

Henry Creels issues mostly stem from plot holes and retconning well established canon. In the show, he is not a victim and that fact is made abundantly clear. It's not that he's tricked into thinking he's in control, he simply is. The stage show tries to completely turn that on it's head and make him the poor little victim to something that, in canon, he made.

If he was a different character, or if we are to take the stage show as an au of sorts, I think he's pretty well written. His motivations and powers are well established. We, as the audience, understand his thought process. He is a believable character... even if the 'siezures' do often come across as nonsensical, borderline silly.

Hopper, Joyce and Bob were almost perfect too. It's something that has been slowly irritating me more and more- they could have easily been the protagonists, taking attention away from plot holes and poor characterization. They were strong enough as a trio and well written enough to be- almost- convincing.

I'm not sure how to explain my issues with Hoppers character in the show without it boiling down to 'dissappointing'. Nothing about the arc he goes through makes sense to me and it feels like the show forced him into the ending he had simply to remind the audience of the show, despite it making no sense with the story or arc that his character went through during the show.

My issues with Joyce are both- it breaks canon for her to know so much, so intimately, and her ending is also incredibly forced. The budding enemies-to-lovers that she had with Hopper also led to the ending feeling unsatisfying. It feels like the growth is for nothing.

The characters in the background too, somehow, are full of just as many flaws.

Claudia is the perfect example. When her cat is killed by Henry, she is immediately ready to start a literal witch hunt. She's insistant and frequant about it. There's even a small scene where she is seen to be irritating with how much she brings up her witch theory.

Yet, she stops talking about that very suddenly. She doesn't express as much as distaste for the play- about witches and killing. She's actually excited.

Her pets death and her character are important, but only until the plot demands she be quiet so they can move on, hoping that the audience will somehow forget this somewhat major B plot.

I could go on forever about the characters. A lot of the plot holes stem from how poorly they're handled and how much they immediately change to fit the narrative around Henry. None of them act like people and the play does not treat any of them like they, as characters, matter at all. They are just people to fill the space whilst Henry and Patty have a love story.

But, even then, the characters the play seems to care about are completely mishandled as well.

Joyce, in her introduction, spends most of in trousers and a bra. She's supposed to be a student in high school. It feels weird to ask your audience to watch someone standing on a stage in their underwear whilst also asking them to believe she is underage. It is so incredibly uncomfortable to think about. She didn't need to be topless for as long as she was.

Pattys ending made no sense. She died, but also she went to see her mother. So... she's alive? But also she's dead. But she's there, physically, so she must be alive... but also it's made clear that she died.

Eleven being 10(ish?) in the end made no sense with the timeline. They reduce characters to badly told jokes; Ted the idiot and Karen the blonde "slut".

I don't have the energy to go over the plot. There are so many holes and problems that it would take forever to deal with act one alone.

But, to summerize; this play had a lot of potential. There are parts that were almost brilliant and there are a lot of incredibly talented people working on it behind the scenes. The way all of that talent and potential is wasted for something as simple as lack of effort in the writing and directing? Dissappointing is not a harsh enough word.

0.5 / 10

[samkat10423]

Port District

In one of her posts, Hancyan said that the area down by the port was a tourist destination. So, I decided to add to that idea.

Where the Wan-Goddard house used to be, is the Drea Salon. I plan on making a family of designers named Drea, so in my town history, the old owner of the property died and the city fathers decided to foreclose on the property and put it on the auction block to try to recover back taxes. Realizing that there was a dearth of skilled stylists in town, the Drea family decided to use all of their savings to purchase and renovate the property, and bring some much-needed fashion to Sunset Valley. And this is the result!

This lot came with the town and other than change out some of the interior furnishings for stuff from that Storybook set - and add a couple of mud-bath tubs from Around the Sims - I really didn't do anything to this lot. Oh! I did arrange the tattoo chairs to look like they were part of a barbershop, but nothing major.

Next door was a house. But since there are more houses in this town than I will have sims to stick in them, I decided to change it into a commercial lot - in keeping with the tourist-trap thing.

This is another lot from that Magic Kingdom Disney world, called the Crystal Arts and Music Studios. The ground floor has a bunch of musical instruments, and the 2nd floor has some artist easels. Anyway, it was originally on a much smaller lot, so I had room to add stuff. Like the parking for buggies and bicycles, the planters and the small stage in the back, and all the rest of the landscaping. The building itself was sort of a pinky brick color. Again with the Pepto-Bismol theme the creators of that world seemed to like so much. So, I aged it up a bit to better fit in with its new surroundings. On that tiny stage in the back, I used that "singing spot" that I think I got from @danjaley, plus some instruments. That little table with the umbrella came from Around the Sims 3 and is a foodstand.

Then next door - where Claire Ursine's lot was in the original town - is my firehouse. There was a pretty little park there, but since there is another park right across the street, I moved the one that was here elsewhere in town. Mostly because I really wanted my firehouse down in this area and didn't have anyplace else where it really fit.

Then - where the Frio lot was in the original - is this little lot. I haven't done anything to it yet, but I plan on using that industrial kitchen set and making it into a restaurant. Right now, it's a little tearoom - although to make sharing easier, Hancyan left the interior of the build almost empty. So, that works perfectly for me.

This is the final lot on this side of the street - and the only residence now. It did have wood siding, but I changed it to brick. Again, to fit in better with the area. I have 2 sims lined up to live here. The owner is a naive dude in the science track who took in a young, homeless "lady" who was wandering aimlessly around town. Unknown to him, she has "sticky" fingers and is on the run from the Pinkertons.

And this area of town is now done! I did build a tiny Asian eatery using that one store set down by the port. But I'll show that to you on another post. I've also started creating sims for this town - something I HATE doing, since I have to go into the hated CAS. And, I remodeled the Goth residence - getting rid of the graves since none of those sims have died yet. In fact Gunter's father is a little boy in this town. I do have to create some more "dead" sims for the town cemetery to replace all the Landgraabs and other sims that wouldn't have been around when the town was founded. Oh well. Gives me a reason to use some of that period stuff.

[forevergoldgame]

Post-Demo Update

So, we're a few days out from the demo being out for a month, and so I thought it was about time we start giving proper updates... or at least a proper followup on the event!

We would like to give a(nother) warm thank you to everyone who has left feedback so far.

THANK YOU! 💛

Honestly, we're delighted at how well such an experimental shot-in-the-dark of a project has been received by the small audience who has chanced it!

Both compliments and criticisms are very valuable to us at this stage of development. Do continue to send us your thoughts if you have them. We want to hear everything - what you liked, what you didn't, which character you want to punch in the face most, etc.

Now, onto more specific talk about development, because that's something we can be reasonably open about now that people can actually see and smell how the game works.

So, what've we been up to since the demo dropped?

The short version is: we've been hard at work building the first proper release of the game.

However, we have a little cleanup to do (not to mention writing) to get everything in order! The tasks at hand are...

Fix some back-end stuff.

Nothing is ridiculously broken, don't worry. The demo just taught me a lot about managing Twine variables and how the engine handles memory in general. In the 27-ish days since the demo dropped, I've done a ton of data reorganization that should greatly reduce the amount of memory the game uses in browser saves and prevent the twine variables from bloating as the the story progresses and the amount of information tracked increases. 👍

Do some minor interface fixes based on user feedback.

Again, nothing crazy - mostly simplifying navigation and choreographing information better. Look! A nicer, more intuitive codex with a search function and better touch navigation for mobile users!

Write like crazy. Conjure new portraits for all the characters appearing in the first release.

As usual. ;) We're on it. Don't worry.

And the big one: reassess how we plan to handle releases.

When this project was in the planning stage, we came up with the "2 Acts, 4 Parts per Act" idea with the intention to release the game in 8 installments, with each installment being comprised of multiple large quests and spanning roughly an in-story year. However, once we got into the meat and gristle of development, we realized this would make each installment take a ton of time to make, leave unpredictable gaps in releases, and complicate testing & bug fixing.

So - we're aiming to ditch our original release approach for one which allows us to make smaller, more frequent updates and give you more new stuff to play faster.

This does not change anything about the story itself, but it will take some squinting on our part as we figure out the most logical "breakpoints" in the story so that each installment feels like a satisfying addition.

Until next time!

-LS

[wareagleofthemountain]

What Do You Know of Love? (Part 2)

A/N: I’ve decided to do a part 3 as well from Tauriel’s pov. Coming soon. Enjoy!

See parts 1 and 3

Tags: @sotwk, @coopsgirl

The cause of the maryment resounding through the normally somber halls of the Mirkwood king was Yenearsira, the Winter Solstice. Marking the elvish new year.

Thranduil spent the rest of the morning seeing to his appearance, taking more care than usual to soothe every wrinkle from his robe and comb every freshly washed strand of his hair into place. He looked at his reflection approvingly in the mirror as he slowly adorned his legendary headpiece. The branches framing his cheekbones were now barren save for patches of tiny blue and white blossoms sprouting spontaneously throughout them. It was why his people treasured the crown so much, as it allowed them a small glimpse of the former beauty of their homeland.

Now, the trees were too sick to change in the seasons, and the forest had become too hostile for the migrating birds and elk to make it their haven in the Spring. The only creatures who dared take up residence in his dying land were the black ravens that cawed from the tree tops and the foul, massive spiders who made their webs in the dark caves. Even so, the snow still fell in thick sheets upon the ground.

After taking a moment to gather himself, the Elvenking deposited the necklace into the deep front pocket of his robe and strode out of his chamber to bless the festivities, signifying their beginning. Feren met him at the closed double doors that were the entrance to his throne room. For holidays, the space was cleared out to make way for the long banquet tables filled with food and a small stage that held the minstrels. At the end of the meal, the tables would be pushed back and the floor would be given to the eager dancers. At exactly midnight, the elves of Mirkwood would all gather out in the gardens and release fireworks high into the dark Winter sky.

Thranduil fixed his guard with a disapproving stare as he noticed Feren’s hands shaking as he passed Thranduil his ceremonial staff. “nervousness is not a good look on a soldier who bears the crest of the Woodland Realm.”

“Your grace…” Feren tried, but Thranduil pushed the door open before he could finish. All chatter in the room stilled, and heads bowed respectfully to their monarch. But Thranduil was not looking at them. His eyes were narrowed at the steps leading up to his throne in the distance… and at the smaller seat just to the left of it. Gifts and flowers had been left upon it by the festival goers. It was a tradition, he knew, to honor late members of the royal house at holiday gatherings, especially those following wartime such as this. It helped keep their spirit alive in the hearts of their subjects, and the gifts acted as a sort of offering to the deceased royal so they may aid the spirits of the recently fallen soldiers on their journey to the Halls of Mandos. The same tribute had been paid to his father long ago, during the dinner of Thranduil’s coronation. He recalled his wife herself had even placed a pearl necklace atop the former king’s throne for the safe passage of her older brother Ailwe, who perished on the fields of Mordor in Thranduil’s arms. Though he was a dear friend and loyal soldier, Thranduil did not cry. Nor did he shed a tear for his father. Thranduil never cried.

However, seeing that seat, void of the smiling elleth who had held his hand to calm him in fits of rage and sent amusing images through ósanwe to help break up the dullness of back to back council meetings made an insurmountable lump appear in his throat. He loved their bond. How, even when it seemed to outsiders like the two hardly spoke to each other in public, they’d take every opportunity to find rest in their private mental sanctuary where the troubles of the world could not get to them. Without her warm presence running over his fae, it felt cold and hollow like the hole left in the ground by a tree that had been pulled out by its roots. Continuing his slow strides up to his throne, eyes purposefully avoiding the seat to his left, the Elvenking gave the ancient prayer of goodwill and took the first sip from the first glass of wine poured that night, signaling the official start to the Elvish New Year celebration.

Only staying as long as was customary, Thranduil slipped out of the secret back exit of his throne room to be met by an apologetic Feren.

Eyes blazing, the king tried to keep his voice neutral. “I thought I ordered that throne destroyed years ago.”

“My lord, we tried, but the council insisted we keep it on hand for these occasions. It’s tradition…”

“Last I checked, it is I who gives the final say. Now get rid of it!” Came Thranduil’s retort.

“You’re not the only one who lost her, sire…”

The words escaped his lips before his mind could think better of it, and the next thing Feren knew his back was roughly pinned against the stone wall. Thranduil’s hand encircled his throat and pressed down with just enough force to let this insubordinate know that his words would not be tolerated. For a moment, Feren feared the king might actually strike him, but instead Thranduil shattered his empty wine glass on the wall right above his head. Without another word, he strode away, leaving a wide eyed Feren to stare at his retreating back.

Perhaps the biting cold should have bothered Thranduil more than it did, but his thick robes and knee-high boots proved capable of warding it off. That and the blazing anger he felt running through his veins. How dare he? How dare that lowly foot soldier tell him how to deal with his wife’s passing? He did not know her even a fraction as well as Thranduil did! If he had, he would understand how impossible it is to let such a light go. Thranduil loathed the idea of sharing her memories with his people. They were all he had left of her.

Without giving his direction much conscious thought, Thranduil looked up to find himself standing at the entrance to his realm.

“Your majesty, I did not think to see you here.” Came the voice of Cardon, one of Mirkwood’s border guards, as he leapt soundlessly from a tree and bowed low to his ruler.

Thranduil granted the young elf a polite nod and motioned him to return to his feet. “Take leave of your post for about an hour. You are dismissed.”

Cardon was no doubt curious as to why Thranduil would request such a thing, but knew enough about his king’s ill temper not to argue. Giving a shallow bow, he took his leave.

Once he was sure he was alone, Thranduil began searching for the object of his Winter escapade. It took him a while to find the statue, it having been covered up by decades of overgrown vines and now the falling snow. He hurriedly removed his sword from his belt and began cutting away the obstructions to reveal a beautiful face of marble. Tears froze on his lashes at the sight of his wife’s memorial being utterly forgotten in such a way. He gently caressed the statue’s cheek with his fingertips.

“I am so sorry, my love. I did not intend for it to be so long between visits…” He gave pause. It truly had been a long time since he had ventured this far away from his palace, and even longer since he had dared to gaze upon the statue. Thranduil had it built shortly after his queen's death. It was not a true grave, but a symbol of all she was to him and their people. Guardian of the realm and his heart.

Reaching into his pocket, Thranduil slowly, reverently, clasped the white diamonds around the statue’s neck. Standing back, he smiled.

It was a poor compensation for the moment that was stolen from him… but it was enough.

He still recalled the night, not at all unlike this one, when having the necklace created for her first graced his mind. She had dragged him away from the warmth of the palace into the cold forest, an action he found rather treasonous at the time.

“Where are we going that’s so important? We’ll miss the fireworks.” The young Prince grumbled, pulling his thick cloak tighter around his frame.

“To the stars!” The elleth walking in front of him turned her head to give a playful wink. Thranduil tried to be annoyed, but he secretly loved her ability to make life an adventure. Her smile disarmed him and he couldn’t help pulling her to him and kissing her firmly.

“How much further? I fear if we’re gone any longer your brother will think I’ve thrown you in prison.”

She giggled. “What reason would you have for doing that, my Prince?”

“Exposing me to the elements for one. And for two, making me leave my wine glass behind. It is a very expensive vintage and I doubt there’ll be any left upon my return.”

“I promise it’s worth it.” She clasped his hand, still somehow warm, and her voice was sure.

He followed her to a snow covered field that was empty save for the trees with blue blossoms on them. There was a look of wonder in her eyes as she caught tiny snowflakes in her palm, only maintaining their shape for a moment before melting away on the heat of her skin. Thranduil hummed in slight amusement, stepping forward and gently brushing the frost from her lashes with the pad of his thumb.

“You are like the changing of the seasons; vexing and untamable. But each aspect of you lovely in its own way.” He looked down at the moisture spreading on the sleeve of his cloak from the snow. “What is your fascination with the cold, dear one?”

“Mm…” She thought for a moment before meeting his eyes. “The earth hibernates under her armor of snow every Winter. The death in Autumn, when the trees give their final show of gracefully letting go of that which no longer serves them, is concealed from view to be reborn in the Spring. A new beginning. That is why we celebrate the turning of the new year.”

She turned and smiled off into the distance. “Until then, we get to live in a world covered in white light as bright as the eternal stars themselves.”

“Where are you going?” Thranduil called after her as she began climbing a nearby tree.

The elleth smiled down at him as she grabbed hold of a vine and swung over his head, reaching her hand out to him. “On our wedding day, I said I’d give you the stars if I could, and the falling snowflakes are the closest thing we’re going to get on earth. Come!”

Thranduil, amazed, took hold of the vine and they swung amid the falling stars there in the calmness of the seemingly mundane forest clearing. Laughing, Thranduil pulled them up into a tree and they caught snowflakes on their tongues.

“Look!” He pointed out the fireworks visible from the palace, their vantage point granting them an excellent view. They entwined their fingers and Thranduil pulled her under his cloak to keep her warm.

“You’ll own the very stars. I’ll see to that meleth nin.”

He was pulled from his reverie as he sensed a presence behind him. It was Tauriel. King and subject briefly locked eyes, if only long enough for some unspoken understanding to pass between them, before walking silently back to the palace side by side. Thranduil chanced one last look at the statue, the gems now glowing as they caught the moonlight. Indeed, it was beautiful… but lifeless. Her true memory was living. Living in the hearts of their subjects, in the falling snow that came every year, forever in his soul, and in the eyes of their son…

Methrandir’s words came crashing back to him, “Those gems were not all your wife left you, my friend. She left you a son. Tell me, which would she have you value more?”

After all this time, Thranduil finally knew he’d figured out the right answer.