#(screenshot is for context)

[cherryfennec]

Bad End Trio but I gave it a few retouches

It's been a while since I've drawn these goofballs, I missed them :).

There are quite a bit of things that I have yet to explore with the world building. I'm still currently at the beginning in my playthrough of the new TTYD which will probably fill in some gaps in my knowledge.

With the remake coming out recently I'm going to hold back a little for the time being with talking about Shadow Mario because while quite a bit of people are familiar with the Queen, not everyone knows about him.

[giveamadeuschohisownmovie]

Sci-fi shows, but really out of context:

Farscape

Stargate SG-1

Agents of SHIELD

Star Trek: The Next Generation

Battlestar Galactica

The X-Files

The Expanse

Fringe

Lost

Firefly

[heritageposts]

MARGARET BRENNAN: Governor Walz, if you are the final voice in the situation room, would you support or oppose a preemptive strike by Israel on Iran? You have two minutes. TIM WALZ: Well, thank you. And thank you for those joining at home tonight. Let's keep in mind where this started. October 7th, Hamas terrorists massacred over 1400 Israelis and took prisoners. Iran, or, Israel's ability to be able to defend itself is absolutely fundamental, getting its hostages back, fundamental, and ending the humanitarian crisis in Gaza. But the expansion of Israel and its proxies is an absolute, fundamental necessity for the United States to have the steady leadership there.

so intent on getting all his pre-approved zionist talking points across in the allotted two minutes that he forgot he wasn't supposed to say the quiet part out loud. and this is supposed to be the ''progressive'' voice of the harris campaign.

[soup-du-silence]

Out of context meme redraw from twitter

[dragonpyre]

Idk what it is but I just love drawing Jason fighting for his life

Commission info / ko-fi Part 2

[angelcake10023]

Welcome Home….

You get no context for this LOL at least not yet

[kilometresrufflefuck]

[creepymutelilbugger]

[zelkam]

The Untamed + text posts [3/?]

[ar-ghilas-vir-banal]

Look how into this kiss that man is. It’s like she is AIR and he is drowning. He can only have a single breath, because there’s no way this is real and there’s absolutely no way she’s coming too, but he’s in that breath.

Solas just had one of those cries and then he’s about to kiss his wife and that man looks like he’s about to die of sheer passion and they haven’t even kissed yet. Then in the other still, the way he’s just ever so softly lingering his lips against hers. Allowing a little space, savoring this. Like he’s drawing every single little millisecond into his mind. His soul.

[zerohirrotries]

[daily-odile]

odile with a gun perhaps

gun

[mentally-at-home]

[auspicioustidings]

Based on this. You are in Finland full of self-loathing and the 141 needs a fat wife if they want to win some beer.

You aren't exactly on holiday in Finland. It should be your honeymoon but since you caught your groom balls deep in your maid of honour you instead have used it as an escape from the country. You just cannot be around the people you love right now, can't have them all look at you with all that pity. Even worse is that some of them probably don't even blame him. Your former best friend is a size 8, perfect hourglass figure. Your former partner is trim and decently fit. They look like they belong together more than you and him ever did.

You hate yourself. You hate looking in the mirror. You hate how clothes fit you. You deserved it you think.

"Not a chance MacTavish, that's my wife!"

"Away and biel yer heid, I saw her first!"

"Actually I saw her first!"

"I outrank all of you muppets so I think you'll find that is my wife!"

It's a racket in the little cafe but you don't pay much mind, still just staring out the window and wondering if you could ever deserve anything. One of the servers comes to take your empty cup and grins at you, telling you in her heavy accent that she would personally go for the one with the mask since he's the biggest. You don't understand when you look around and there are a lot of locals smiling happily over at you while four Greek Gods of men are having a scuffle, moving slowly in your direction. More people chip in, arguing about who you should pick, some lamenting that they would claim you themselves if they thought they could.

One big man does try, basically some Viking God, but he's playfully (you hope it's playful) spear tackled by the man with the mohawk before he laughs and backs off.

When Gaz with warmed cheeks and excitement in his eyes gets to you while Soap is busy with the viking and Ghost and Price are wrestling one another he asks if you'd do him the honour of being his wife. You nearly choke, but he explains that the wife carrying competition is today. You look around, bewildered, ask him why he wouldn't pick any of the other women in here given that they are all gorgeous slim things.

"Fuck all use to us, need a nice soft bird with lots of fat" says the man in the mask.

Price scowls and whacks his lieutenant upside the head because he sees how you look a second away from crying.

"You're gorgeous sweetheart, he didn't mean anything by it. The prize is the wife's weight in beer though, so he's right about a little lady not being much use."

You don't know what to say. You don't know if this is mortifying or not given that everyone around you seems to not be looking at you with sneers or laughing at you, but instead looking with soft smiles that convey fondness. They think this is adorable.

"Dinnae listen tae their nice soft birds and sweethearts! I'll be a better husband bonnie. I'm shorter aye bit look at the power in these legs, naw going tae drop ye. And I'll split that beer 50/50!"

And then they're arguing. The four of them are arguing and trying to put forward a case to you about why they would be the best husband. When it starts to get raunchy, you fluster and stop them. But fluster is something. It's not self loathing. It's been weeks since you felt anything but self loathing. So even though you are sure everyone can feel the heat rolling off of you in waves at how bashful you are under so much attention from such attractive men, you pick one (the others are devastated but vow that you're only a wife for the competition, that after they should get another shot at convincing you that they're the best option).

And they do. Even though the man you picked doesn't win (gets DQ'd actually since you are heavy and he decided that you were getting over that damn finish line so the four of them took turns) they take you out for drinks after. You think you feel humiliated that they couldn't carry you a long distance, but you don't have time to sit with the feeling because they drown it out with how warm and giddy they make you feel.

They insist that they will compete next year, so you have 365 days to pick a husband. When you make a quiet comment about how you'll lose weight by then so they can carry you the whole way, they nearly riot as they assure you that they would be a shit pick for husband if they didn't spent the year getting stronger so they can carry you just how you are. Plus they'll not be losing any beer thank you very much.

By the time the next wife carrying competition rolls around you are a different person. You're wearing clothes that fit instead of trying to hide your body. You laugh and flirt back with the barista instead of assuming they are making fun of you by flirting. And you don't care if your husband makes it over the finish line, just that you have fun and laugh and joke about the attempt. Of course it's not entirely certain who that husband is yet, got to keep them on their toes after all.

[aisforinterval]

i've been rewatching the muppet show, so please enjoy these screenshots without context.

[tritoch]

i know a lot of people (very understandably) dislike the paladin job quests in ffxiv, particularly HW, but i do think it's fun that, now that the pre-ShB MSQ revamp is complete, paladins now have a very cool and thematic in-game storyline that happens without a word being spoken: the development of passage of arms.

none of the below is directly stated in the script, but imo it's a fairly obvious gloss on what the game presents, if you assume a paladin warrior of light. spoilers for all expansions through the end of 6.X.

in the new version of steps of faith, as vishap breaks through each ward protecting ishgard from attack, lucia mounts a final desperate effort to hold him back, with a very familiar looking animation:

but even lucia can't hold back vishap's flame alone, so the temple knights surge forward to assist her. their efforts make the shield visually more powerful and larger. the temple knights here band together in defense of ishgard, and their knightly resolve to protect their home is the difference between victory and defeat.

lucia and the knights do ultimately succeed in defending the last ward, as you have to defeat vishap before their shield falls or you lose.

later in heavensward, obviously, we will get ffxiv's most famous (failed) attempt at blocking something with a shield.

this moment can be read as fairly impactful on the warrior of light's development; as i've noted elsewhere, after the trauma of watching haurchefant bleed out in their arms at level 57, at level 58 paladins learn to channel their magic into healing (and it's called "clemency," or mercy. mercy for whom? who was guilty?), and as someone pointed out on that post, at level 58 dark knights used to get "sole survivor", letting them heal in response to a marked target's death.

for a time, you literally carry haurchefant's shield with you, and 3.3 very much literalizes in genre fashion the idea that even when you are standing alone, your fallen friends stand with you. you don't need to call any allies to stand at your side and raise their shields with you because they are already there, in spirit.

stormblood marks a pretty important turning point in the warrior of light as a combatant, in my opinion, and the text makes this clear in several ways. first, in pretty much all your jobs, you've now far exceeded your trainers and are pioneering new techniques. this is no less true of paladin, which for 60-70 abandons any trainers at all for you to show off your peerless skills in a tournament.

second, stormblood is straight up a story about you getting stronger. at level 61, zenos kicks your ass. at level 70, you kick his ass. why? because you fought and got stronger and developed incredible new techniques and became a one-man army.

for a lot of classes, this story lines up nicely with the big rotation changes or flashy new finishers on the way from 60 to 70. SMN is now busting out bahamut and casting akh morn; RDM gets verflare and verholy; DRG starts harnessing nidhogg's power directly through dragon sight and nastrond.

the tanks are divided in two: warriors and gunbreakers get huge damaging upgrades at 70 in the form of inner release and continuation, each of which lets them hit the same button many times for lots of damage and satisfying animations. paladin and dark knight get more protective abilities; dark knight gets the blackest night, and there's been plenty said about that already by pretty much everyone.

paladins get passage of arms. instead of a relentless new attack (and you get requiescat at 68, which is a way bigger deal for your dps rotation), your big reveal at 70 for zenos in your fight in ala mhigo is a superior way to protect your party, a shield that lets you stand for your allies so they never have to fall for you again. it's lucia's same shield, except you need no allies' shields to reinforce you, proof of your martial prowess and your ability to transcend limits, and perhaps in truth a reminder that you never really stand alone.

in many respects passage of arms should really feel like a paladin signature move to you now if you are playing it at this point, because you should be popping it in pretty much every fight (you are using your mits, right...?). basically every FFXIV fight has at least one big AOE with downtime that warrants passage of arms usage, usually after the mid-fight add phase with slowly filling bar. since that AOE usually drops during downtime, there's no reason not to pop passage of arms (which otherwise restricts your movement and actions), and even on normal, sometimes every little bit counts on a damage check even if it means dropping DPS (thinking here of harrowing hell P10N on release, which was...less consistent for a lot of roulette parties than you might hope).

so from 70 onward, passage of arms is in a sense a paladin warrior of light's signature move, and certainly the one a player gets to most actually enjoy (since if you're using it, you're by necessity not doing anything besides moving your camera and admiring your sick animation). it doesn't have any competition in terms of spectacle until confiteor, and those you're usually throwing out in the middle of movement.

it's such a signature, in fact, that the only other person shown using your one-person version of passage of arms is your greatest admirer, who studied your legend for over a century.

and it's when he fails (should've popped arm's length, bud) that the warrior of light decides they can't let their friends fall for them, and sends them away with the transporter beacon. this is all wrong: you were meant to die for them, not the other way around. yours is the shield that stands between your allies and defeat. it is you who will win this passage of arms and break your opponents lance. and you do.

and then later, when they need to quickly establish zero's domain as a place of fallen grandeur, the home of someone who once believed in heroes but is now a cool and cynical vampire hunter d, what do they use? a decayed statue of someone in the paladin endwalker gear doing the passage of arms animation, of course.

from a visible instantiation of knighthood as a joint effort to defend what is sacred, to a tribute to the fallen friends whose memories stand by you and animate you, to a symbol of the wol's power as emulated by their allies or darkly mirrored in other shards.

not bad for a mit button you hit once per fight and otherwise never think about!