#(it’s a very literal alternate version of events because my friend and I played as livian and aria respectively in KHUX’s global version

[flowering-darkness]

today is Ephemer’s birthday!! happy birthday to Ephemer!! he is a treasured friend~

at this point I think I still only have the ruby AU so I can say one of my self-inserts actually gets to interact with him, haha (in this case it’s Linaria). But, since Clio takes the role of KHUX’s Player, she also gets to meet him and interact with him! which is fun

May his story finally be further told once Missing Link stops being missing..

[atinystraynstay]

Off Limits - Jeong Yunho

MINORS DO NOT INTERACT

Synopsis: Going to college for you was very serious. Nothing could stand in the way which meant often rejecting social events and saying no to anything to risk. That was until you met Yunho, someone you would risk it all for.

Pairing: College!Jeong Yunho x fem. reader

Genre: mutual pining, strangers to friends with benefits - MINORS DNI

Contains: mentions of celibacy, mentions of alcohol consumption, nudity, oral (f. receiving), fingering (f. receiving), dirty talk, slight begging, protected intercourse, characters losing their virginity, orgasm

Note: based on a request from @jonghoslvt ☆ no joke, I adore you and never thought you'd take up my offer. I really hope this doesn't disappoint because I literally fell in love with the idea the moment you hit my inbox

Word Count: 7.8k

"But y/n, it's not even a frat party," your best friend whined. "Yeah! We're too old for that anyways," your other friend chimed in.

You currently found yourself in a standoff. At first, you had situated yourself in your bed with your textbooks to have a quiet night in. Your friends, however, took it upon themselves to propose an alternative idea. One that you often rejected.

"Are you forgetting that we have midterms next week? I would like to start spring break stress-free."

Your entire life has been focused on going to college. If asked about your childhood, you would always recall how happy you were growing up. But you never overlooked the sacrifices your parents made for you. Going to college was never realistic or them, so they worked overtime I order to provide you with the opportunity to live a better life than they ever got a chance for. Their struggles were something you can never ignore, which made you want to work hard to make them proud.

And since getting to college, it was about doing well to be able to show them why their hard work was worth it. You also had a personal goal of being able to afford to repay them for everything.

To get to that point, that meant often saying no to social obligations so you could study. Your weekends often looked like you were crammed in the library. Or, if you needed human interaction, propping yourself at a coffee shop to mix in with the crowd.

Breaks were the opportunities to let loose and have a little bit of fun. Yet, your breaks often looked like doing work for internships. Now that senior year has arrived, you are also adding in time to scroll through LinkedIn and Indeed for potential job openings

"Y/n, I adore you, and what a little studious bookworm you are. However, it is senior year. We have less than 3 months to make stupid decisions before adult obligations. There is also the chance we might not be living even in the same state or country! Do you really want to live life only when we come to visit or you visit someone else?"

You never went to a frat party. You never had a random hookup. You always played things safe.

You couldn't help but let out a sigh as you gazed down at your lap where your textbook rested. She had a point. While you were very excited about being that true adult version of you, you weren't ready for the hard parts of it like no longer living with your best friends or really having little interaction.

"And I'll tell you what. We don't have to stay all night. If you get overwhelmed or are over it, we will come straight home and watch Love Is Blind."

You perked up at her compromise. When you looked up, hopeful eyes were staring back at you before you silently nodded. That was enough to send them into squeals and start to drag yourself out of bed.

What were you getting yourself into?

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Little did you know, across campus, a similar debate was going on.

"Guys, I really don't like house parties like that," Yunho huffed. "And how do you know if you've ever been?" Mingi challenged him.

Yunho couldn't help but narrow his eyes on his best friend. He had a point, but damn, did he hate it when he was right. Out of the two them, Mingi was the more social one. Before a party was finalized, Mingi was already receiving texts about the details so word could spread like wildfire.

On the other hand, Yunho often opted for quiet nights in. He would spend nights either gaming with Seonghwa or drinking at home with a few friends. What was the point in going to a house party when they already had beer in their apartment?

There was also a part that loved hearing Mingi's retelling of what went down. Yunho simply didn't like parties, the situations that could arise from consuming too much alcohol, and the morning recovery.

"You owe me!" "For what?!"' "I mean," Mingi began. "I am your best friend. I'm sure you owe me something!"

Yunho rolled his eyes but couldn't fight the smirk curling onto his lips. It amused him greatly the antics Mingi always tried getting into, and how he basically became a whimpering puppy for attention.

"What will you do for me if I go?" Yunho challenged. "I will literally never ask you to come out again if you absolutely hate it. Or I will do all the chores in the house for the next month."

That caught Yunho's attention instantly. He liked to consider himself a very clean man, never knowing who might step into their humble abode. However, Yunho still liked to maintain a welcoming household and seemed like he had things together. First impressions mattered the most to him. And it was no secret Mingi often dirtied up any clean space, no matter how recently Yunho finished cleaning.

"Wait? Are you being serious?"

With Mingi cleaning, that meant that Yunho could just spend time the way he wanted to - playing video games and chilling with his friends. Yunho definitely was a person who liked being around people, but he didn't like situations that could get messy quickly. Hence why there was a slight aversion to going to parties where things could go 0 to 100 too quickly.

At home, Yunho was in control. He was the mood maker who kept a warm, welcoming environment. That meant one that was clean and safe for everyone. An oasis from the chaos of university.

"I'm dead serious, Yunho." "Deal!"

Little to Yunho know just how overwhelming the atmosphere would be. Even though Yunho certainly liked making memories with his friends, he was almost intimidated. All around him were drinks being passed left and right, not even knowing what was in the drink but it made his noise scrunch up as all he could smell was cheap perfume and alcohol. It practically burned his nostrils.

"Relax, Yunho," Wooyoung laughed. "You are about to give away that you've never had pussy before."

Yunho's head snapped towards his younger friend, a look of shock on his face. "Do you ever not think with your dick?"

"Will you ever sleep with someone? Come on. You're in college. Make a bad decision." "I'm fine with sticking to this one," Yunho sighed.

It wasn't that Yunho didn't want to have sex. However, he knew just how special being intimate with someone is. What mattered to him was waiting for the person he felt like he could be that vulnerable with. Just finding a random person and doing it sounds disgusting. Not how he wanted his first time go.

Nobody has caught his attention yet.

"Oh ease up, Yunho. Woo just is looking out for you," Mingi laughed. "But if you do find someone, bedrooms are open upstairs.

I think I'm going to be sick.

"Well, to be the bearer of good news," Jongho called out. "It seems like Yunho has a pair of eyes on him."

What was he talking about?

Slowly, Yunho looked over his shoulder whereas his friends seemed to wipe their heads around. Way to be subtle. There was this pattern that always occurred where girls seemed to have taken an interest in Yunho, but he never reciprocated. He was just content with the way things were in his life - no drama, no mess.

His eyes widened slightly at the sight behind him. There's no way.

Yunho has seen you around campus before. The two of you have never had a class together, seeing as your respective programs were in two different buildings. Yet, there were always ways you two crossed paths. You were heavily involved on campus or often in the library studying. Yunho did frequent the library, but if there was no immediate open spot available, he would leave. He always thought you were cute, but the opportunity never presented itself where he could make a move.

He didn't quite think that asking someone, a complete stranger, out on a date in the library when they were obviously busy was romantic.

To be honest, he never saw you as a party girl. You were often studying out of your mountain of textbooks or typing like your life depended on it on your laptop. He adored that side of you. When your hair was pulled back and your glasses framed your face, highlighting your big eyes.

Tonight, you opted for a different look. You ditched your sweats for a short black skirt that had a small slit on the right side. You wore a white shirt but that was mostly hidden underneath the leather jacket you wore. Your hair was downing loose curls. Your makeup also looked like it was light, but he was drawn to your cherry red lipstick.

I wonder if it also tastes like cherries.

Yet, tonight, you seemed like you had no agenda. Your eyes did glance in his direction, followed by whispers and giggles from your friends. To say his interest was peaked is an understatement.

You were someone who caught his attention. And his friends seemed to notice.

"Hey y/n," Mingi called out.

Yunho's head immediately turned towards Mingi who wore a smirk on his face. He wouldn't.

But it was too late. Mingi was already halfway across the room to greet you and your friends. And Yunho was hot on his trails.

"See you finally are breaking out of the library to join the rest of us," he commented.

You rolled your eyes before greeting him with a hug. Of course, Mingi knew you. He knew everyone. How did you two meet though? You weren't an ex-girlfriend or else you would have been over to the dorms. And you had a face that was impossible to forget. Maybe Mingi got tutoring from you?

"Don't hold your breath, Mingi. I was offered an out if I want to take it," you warned.

Your voice was just as angelic as Yunho imagined it. You often studied alone, unless you were shoved into a group project by your professors. Hearing how you speak made his heart flutter.

"Well maybe I can offer a reason to stay?"

You tilted your head in confusion. Mingi nodded over his shoulder which caused you to instinctively look over.

Everything else froze the moment your eyes met. It was like a scene from a romantic movie where the lights highlight the dream girl, music fades out. Nothing else matters at the moment besides you.

"Y/n, I want you to meet my best friend, Jeong Yunho. Yunho, be nice. This is y/n."

I was brought back to reality by Mingi gently patting me on the shoulder and giving me a slight shove. Luckily, I was quick on my feet to prevent myself from stumbling into this girl and making a fool out of myself. The wouldn't be a great first impression.

By your body language, Yunho could tell that you were out of your element. But so was he. Your eyes bounced around as you noticed your friends and his had left the two of you alone.

"Why don't we head out of here? Maybe go to the kitchen? Away from the crowds?"

Your eyes instantly lit up at his offered. The sight of you feeling relieved made Yunho felt proud, but also served as a motivating factor to ensure you always felt that content especially around him.

With a hand on your lower back, Yunho escorted you two out of the main part of the house. His eyes flickered all around to see where there were less people. However, people were playing drinking games in the kitchen. He glanced down at the cup in your hand to see you still had something to drink. The stairs, on the other hand, were vacant.

"Come on, let's go upstairs. I've been wanting to get to know you, y/n," he confessed.

Instantly, you felt your cheeks heat up. You nodded before following Yunho's lead. Your friend groups watched almost in astonishment at how quickly things progressed. Mingi was the proudest, as he played cupid after all.

As the two of you descended up the stairs, you could hear the bass of the music from below but could not quite make out the words. The loud conversations faded out to where you could just hear the footsteps of you and Yunho. You swore though you could feel your racing, and you were nervous Yunho could hear it too.

He flashed you a warm smile as he began trying the doorknob on the first door he saw.

"Occupied!" Someone shouted from within. The two of you felt yourself get hot in the face.

Quickly, he maneuvered the two of you to the bedroom across the hallway. Luckily, the door was slightly cracked and lights were off. An indicator that it was unoccupied. And to confirm, Yunho stepped in first by gently pushing the door. He let out a sigh of relief as there was no one.

"Perfect. Now I can actually get to know you."

He wanted to know me? The girl who is always studying?

He stepped out of the doorway, his back against the bedroom door to allow you inside. You thanked him with a soft smile before stepping into the room. You did notice he closed the door but also left it unlocked. It honestly made you feel a bit safer just by his gentle gaze and consideration.

Whenever you've seen Yunho walking around campus, you've always taken note of his soft aura. Maybe that's why it was so easy to lean into the potential friendship with him.

You found yourself walking into the room, sitting on the edge of the bed. Your hands flattened out the skirt so it covered a bit more of your legs. Yunho joined you, keeping a bit of space but nothing too much. Just enough so you could speak one another but be respectful and mindful of your own personal space.

"I'm surprised to see you here tonight," Yunho commented, a smile still on his lips. "You just never seemed to be the party girl." "You know me already," you laughed. "I'm honestly not but my friends want to make lasting memories before graduation," you explained.

Yunho couldn't help but chuckle which caused you to raise an eyebrow. He quickly cleared his throat, a light hue coating his cheeks.

"Sorry, I'm not laughing at you, I promise. It just seems that our friends are in the same mindset since that's why I got dragged out of the apartment tonight." "I guess it isn't so bad now that I'm here with you."

You swore that Yunho's cheeks got darker. You also noticed how his smile widened to the point his eyes became hidden. He was just too adorable.

"So mystery girl knows who I am," he chuckled again.

God, his laugh was so infectious. I could just sit hear and listen to it all day.

"And I'm surprised my campus crush knows even who I am." "Oh? I'm your campus crush?" He smirked.

Now it was your turn to blush a bit. Damn, caught red-handed.

"Well yeah. I've seen you all over with Mingi or when you are trying to study in the library. Guess you could say I've always been curious."

Yunho's ego soared. He didn't come here to get lucky, but he was. He felt as if he had one the lottery.

"There's something else I've been curious about," he admitted.

Your upper body had turned towards him. The moonlight shining from the window made your eyes sparkle. It was as if you had the whole universe in your eyes. Your head was tilted slightly, a habit Yunho was quickly learning about you and equally adored.

One hand remained at a respectful spot in the space between the two of you. Yet, his right hand reached across to cup your cheek. His thumb caressed your cheek affectionately as your eyes widened slightly. Yet, your body felt relaxed underneath his touch.

He never wanted to take things too far, but a little kiss never hurts, right?

"Is it okay if I kiss you, y/n?" He whispered.

Your name coming from his lips sent butterflies in your stomach. "Yes," you whispered back.

He offered another gentle smile before he leaned in to press his lips against yours. His lips felt soft and gentle as he didn't want to pressure you to kiss him back. But you would be a mad person if you didn't. You matched his tempo, allowing him to lead the kiss.

Tiny electric shocks were sent throughout your body. You couldn't help but allow your arms to wrap around his neck, which gave him the green light to move his hand off the bed to your knee. His warm hand caressed your exposed skin.

"I like the feeling of your hands on me," you murmured against his lips.

Fuck, Yunho, you're in trouble. Your statement made his brain all fuzzy. Yet, he didn't want to get too ahead of himself. He was almost positive you meant innocence in your statement.

His hand moved from your knee to your hip where he lifted you with ease. You gasped softly, pulling back from the kiss. You never expected him to be so strong! Your mouth was slightly open as you were positioned on his lap.

"Fuck, I'm sorry," Yunho said. "Did I move too fast?"

You turned towards him and shock your head. Your heartbeat was felt throughout your whole body. If it was anyone else, you might have gone running out the door by how overwhelmingly intense the moment felt. With Yunho? All you wanted was to stay.

"No, this is perfect," you confessed. Your one hand stayed wrapped around his neck, your fingers running through your hair. "Is this okay? I mean, I've never done anything like this before. I don't just kiss cute boys who I barely now."

Yunho couldn't help but smile softly at your sentiment. You were too sweet. "Well, maybe we can become more than strangers?" His hand caressed your side affectionately, easing any nerves left in your body.

"I'd like that," you whispered.

You were about to go in to kiss Yunho again when the bedroom door busted open. You gasped as Yunho gently moved you off, shielding your body. The people who busted in just gasped before quickly closing the door behind them, muttering apologizes.

Way to kill the mood.

------------------------------------------------------------------------------

That was three weeks ago. Yunho and you kept in good contact, especially now that Mingi prided himself in bringing two of his favorite people together. Even though you and Yunho were as far from being a couple as anything else. If anything, you two were beginning to deepen your friendship.

Yunho now had a reliable person to study, with who would keep him accountable for actually getting work done. And you had someone who made life fell less lonely.

And it was a bonus that each study session ended with a makeout session at your apartment. It was almost a ritual between the two of you. At the end of the night, Yunho would make sure you had eaten before walking him. You would then offer to come in for some water or coffee, depending on what else he had going on in the evening. Which were ultimately excuses to go to your bedroom.

Never before had you felt so safe with someone. Yunho looked after you, which honestly blew you away considering how new the friendship was. Yet, for Yunho, taking care of you was a duty. Even if you weren't official, he always wanted to make sure you knew someone was looking out for you.

That was as evident as ever when you two were behind closed doors. Light kisses led to light touches. His hands often wondered to your lower back, maybe underneath your shirt to cup your bra-covered breasts. Your hands would fall on his chest, sometimes down his abs towards where his belt was. Kisses on your lips led to neck kisses then to hickies which your roommates teased you relentlessly about.

Nothing more though. You had told Yunho that you were always anxious when it came to sex. You didn't want to jeopardize everything you worked for. And Yunho always respected that, especially since he was waiting for the right person. He didn't want to regret something so meaningful. And you respected that too.

Yet, you couldn't ignore your own urges anymore. There was something powerful between the two of you. You just weren't sure how to tell Yunho how you were feeling without scaring him off.

The past three weeks have been the time of your life. He made you feel warm and fuzzy, as if you were the main character in a Nicholas Spark's novel. And Yunho felt like he was on Cloud 9 with you. He never wanted to lose that feeling.

Buzz buzz

You were currently in the kitchen of your college apartment, slicing up an apple and peanut butter. A favorite study time snack of yours. Your eyes warned over to see Yunho's name flash on your phone which instantly brought a smile on your face.

"Oh! Y/n must be talking to Yunho," your roommate teased.

You rolled your eyes but couldn't fight the smile growing on your lips. Yeah, you were down bad for him.

"Hey pretty girl, what are you up to today?" "Not studying! I got everything done." "So you have time for me?"

Your smile grew wider at his text. You literally felt your heart flutter.

"Maybe.. is it worth it though?" "Oh darling, don't you worry. I'm going to make sure you feel on top of the world." "Where are we going?" "My place? 7pm?"

You glanced at the time at the top left corner of your phone. 5:41pm. Not much time to get ready.

"Anything I should bring over?" "Just yourself. It is all I need."

Lord have mercy.

Your snack was long forgotten as you ran up the stairs. The excitement about seeing Yunho, being alone with him drove you in ways academic achievement and goals accomplished never could.

You wear wearing a loose sweatshirt and a pair of leggings. Nothing too suggestive but also easy to remove. You never wanted to go in assuming any situation, but you couldn't help but be hopeful. Your roommates also noticed your change of perspective since Yunho came into your life. They liked seeing this side of you - the side where you were allowing yourself to enjoy life rather than focus on work and outcomes.

"Make sure you say hi to Yunho for us," your one roommate teased as you rushed to grab your wallet and keys. "Should we expect you tonight or tomorrow afternoon?"

Your cheeks were a bit red, not from embarrassment. There was not one ounce that was ashamed to be so scandalous with Yunho. Maybe it was because it was your little secret, the part of your that you were allowing to flourish for the first time, that was being exposed. While you weren't sure if you and Yunho would be anything more than friends, you were safe to say you were no longer strangers.

"I'll just text you guys when I'm heading home," you laughed, trying to ease your own nerves. Yet, you felt all the butterflies in your stomach which mad you jittery.

"Oh, no need. We have your location, y/n." "Creeps," you huffed. "Or just care about your well-being! But we also know Yunho will take care of that part."

I need to get out of here. Glancing at the clock, you saw it was 6:47pm. Yunho was just a 5 minute walk away from your apartment, so you were in no rush but any excuse to get to Yunho quickly.

"Hey, I'm heading over now :)" you texted him. "Can't wait to be with you."

You waved goodbye to your roommates who sounded off in encouraging cheers. You shook your head playfully before walking out the door to Yunho's apartment. With each step, your heartbeat is faster and louder. He had you wrapped around his finger and you didn't even know how to tell him.

"Hi pretty girl," Yunho said, answering the door. His height always left you breathless. You knew you were down bad when his height is something you adore. He was dressed in a grey sweatshirt with a yellow smiley face in the middle and black sweatpants.

Gently, he stepped out of the way to allow you to enter. You smiled appreciatively before walking in and slipped off your shoes. Mingi was in the kitchen, wiping down the countertop after dinner assumedly.

"Hey y/n. I'm about to head out!" He exchanged a look with Yunho, but you were too hyper-focused on Yunho's hand on your lower back. You could basically turn into Jell-o. "I'll see you around," he snickered.

"Bye Mingi," Yunho muttered. His demeanor softened when he turned towards you though, offering that gentle smile that makes you want to do anything he says. "Wanna go up to my room?"

You nodded before taking the lead. You've been all too familiar with the staircase that led up to Yunho's bedroom. Each time you walked in front of him, Yunho struggled. He surely had the best view in the world but wanted to do his absolute best to remain respectful.

Once you arrived in his room, you were a bit taken back. This wasn't the usual setup. You were much accustomed to the floor lamp being on, his laptop ready for a movie.

Tonight, the no lights were on. Instead, he had lit a few candles that were new additions to the top of his dresser. It created a glow in the room that was warm and welcoming. It also had a smell of vanilla and cashmere, two of your favorite scents. He was a good listener. Soft, sensual music was playing in the background from the speaker by his desk.

You stepped into the room but didn't go to the bed this time. You turned towards him, keeping a bit of distance but yearning to be close to him.

"What's all this for, Yunho?"

He loved the way his name sounded from your lips. It sent shivers down his spine. He smiled gently before taking a step closer, closing the door behind him. Once again, he didn't lock it right away. Yunho was the exception in a world of boys where he was a gentleman. He always offered you an out, always a way to leave if you so choose. Yunho never placed expectations on you. He followed your lead.

"Y/n," he began. One of his hands gently reached out for yours, fingers gently wrapping around your own but not quite holding it just yet. It was endearing. "You mean so much to me. I mean, I've always been mesmerized by you, but I never knew someone could have such a large impact until you came into my life. I've never wanted to open up to someone the way I open up to you."

Your eyes widened slightly, stepping even a bit closer to Yunho. Your mind was jumping to conclusions but you did everything to stay calm.

"There is just something special between us, angel," he whispered. His hand fully slipped into yours as the other gently moved to hold your hip, keeping you close. His touch was gentle yet firm, almost as if he was begging you to say but also allowing you to move if you desired. "You complete me in ways I never imagined. Both emotionally and mentally, and our physical connection is something I'd like to explore more."

Oh my god.

"I understand if maybe that's something you never wanted with me but-" "But just kiss me. Please."

His eyes now widened this time. You were biting your lip gently as you gazed up at him with your big doe eyes.

Come on, Yunho. Get it together.

No longer hesitating, he leaned in fully to press his lips against yours. His hand squeezed your hip affectionately. Unlike the other times he's kissed you, this was more passion. He had a certain level of assertiveness that made you melt. Your hands moved from holding his to resting on his chest and the other on his arm.

With ease, Yunho picked you up which caused you squeal. He pulled back from the kiss to look up at you. You noticed this time his gaze was a bit more seductive which made you feel all tingly.

"Oh darling, I'll get you squealing for another reason soon enough," he promised you.

Your legs wrapped around his waist. You knew he'd never let you fall, so your action was more to lure him in closer. His hands moved to hold your ass, giving a playful squeeze which indeed sent your squealing again. Even though the sensations were newer to you, it felt so good when it was Yunho touching you.

Gently, Yunho tossed you on his bed. Your sweatshirt moved a bit to expose your midriff. Your hair was sprawled out on his comforter. And with the glow from the candles, Yunho swore you looked angelic.

"You can say no at anytime, darling," he promised you. His voice was in a soft tone but firm. This was serious for him which made your heart swell.

"I trust you. This is new for me too, but I want to experience it with you."

At first, he remained standing at the foot of his bed. Just enough so he could slip his own sweatshirt over his head. You couldn't help but stare at his exposed chest. He was built so beautifully.

Yunho noticed which caused him to smirk. Not wanting to be apart from you any longer, his hands gently then moved to your exposed skin. "What do you crave first, darling? I want to make sure you're all wet for me."

His words caused your cheeks to warm up tremendously. Your brain was all fuzzy just coming to realize this was actually happening. You were about to have sex with Yunho, your campus crush. This felt just too good yet nothing extraordinary has happened yet.

"Could you eat me out? I've always wanted to know what it feels like," you confessed. "Your wish is my command, princess."

His hands moved from your hips to the waistband of your leggings. He glanced up at you once more to make sure you were comfortable and okay with proceeding. You couldn't help but giggle before running your hand through his hair comfortingly, giving him the nod he needed.

"So gorgeous, y/n, baby," he murmured. His lips kissed the exposed skin of your tummy before both of his hands began to move your legging dow your legs. "You look amazing in these leggings, but I'm so honored to be the one to take them off of you." His eyes then noticed the pink lace panties that you were wearing underneath. A tiny bow was in the front which made his mouth water.

You shivered as his hands gently began to tug off your panties. It was a bit chilly in the room for which Yunho smiled apologetically.

"I'll warm you up in no time, darling." "I have no doubt, baby. I know you always look out for me." "Always," Yunho vowed.

With your leggings and panties on the floor, Yunho crotched in front of you. His hands rested on your knees gently, thumbs caressing the outer part. He was a bit surprised how you opened them almost automatically for him, but he was overjoyed to know you wanted this just as much as him.

His cock twitched at the sight of how wet you already were, a slight glisten already noticeable. "My baby girl needs me, hmm?"

"I like when you speak to me like that," you confessed, letting out a shaky breath.

Yunho moved your one leg over his shoulder as the other rested on your thigh. He wanted to make sure you were comfortable. "What? You like knowing that I want you all to myself? That I want to be selfish?"

You were propped up on your elbows, gazing down at him. Your teeth were sunk into your lower lip in anticipation. All you could bring yourself was to nod in confirmation.

"Well, y/n, sweet girl. You are mine. You've been mine since the party, so don't doubt it again."

His tongue then licked a long strip along your pussy up to your clit. You let out a loud gasp, head tilting back. His hot breath hit your pussy causing you to shiver and spread your legs a bit wider, offering yourself completely to him. He hummed in satisfaction before letting the tip of his tongue circle your clit.

Your back arched slightly off his comforter. Your eyes fluttered shut as you let yourself immerse fully into the pleasure.

He loved the taste of you. So sweet. His tongue ventured up and down your pussy before sticking into your tight hole. You let out a soft moan. It was music to his ears, knowing that he was capable of making you feel so good.

His cock was hardening by the sounds you were making. Twitching and began for attention. Soon though, he would get the relief he's always fantasized about.

You were his main priority though. He wanted this to be just as special, as meaningful for you as it was for him.

He pulled back which made your head snap down. Yunho couldn't help the small pout that formed on your lips. "Don't worry, darlin'. I'm not going anywhere." His lips began to press kisses into your thighs as his one hand left your knee to gently trace along your pussy.

"Is it okay if I finger you, angel? Just want to make sure you're stretched out for me. Don't want to hurt you."

His speech was a bit slurred, almost as if he was drunk off the taste of you.

"Please. I want to feel all of you, want to feel of this for the first time with you."

Yunho leaned down to kiss your thighs. He moved his kisses towards your clit. He could imagine the feeling might be a bit uncomfortable for you at first, so he wanted to help ease you a bit.

When his lips met your clit, he kissed it delicately before wrapping his lips around it. He began sucking on it which had you moaning sweetly. He couldn't help but smile before sliding one finger into you. His eyes looked up at you to see your mouth slightly open. Yet, your body remained relaxed on his bed.

He moved his finger in and out of your pussy slowly. He let out a groan at the feeling of how warm, how wet you were. You just felt so inviting it sent him into a frenzy. He craved more that he was struggling to hold himself back but he knew all good things come with time. His cock was straining against his pants painfully.

"I'm going to add another, sweetheart, okay?" He murmured against you. The vibration of his voice against your pussy caused you to whimper out in euphoria as you still nodded your head.

"Can I hold your hand, baby?" you begged softly.

Instantly, his free hand left your thigh to rest against the comforter for you to hold. He didn't need to be told twice. Whether it was for reassurance or to feel close to him, he would do anything for you.

Slowly, he slipped another finger into you. This time, at the feeling of how full you were, your body tensed a bit. Yet, Yunho kept his fingers still inside of you. He didn't want to rush in as he kept his gaze on you. Feeling your fingers slip into his hand, he squeezed your hand reassuringly. And this time, you squeezed back. "Keep going. Please."

His fingers moved slowly. He couldn't help but stifle the moan from his lips as he wanted to suck on your clit a bit harder, to make sure you were still feeling good. When you started moaning again, he began to curl his fingers gently into your g-spot. That made you moan louder than before, an encouragement for Yunho to proceed.

He then began to spread his two fingers apart, stretching you out properly. Your eyes widened, your breathing becoming shaky and shallow.

"Speak to me, baby girl. How does this feel?" "S-so good, baby." "Tell me what you need." "You. Please." "How do you want me? You've already got me. Right here, angel." "I want you to fuck me."

His fingers stilled inside of you as he pulled back from your clit. He looked up at you as he knew there was no going back. He knew he wanted to continue, but he just wanted to make sure you weren't too caught up in the moment. He didn't want you regret such a vulnerable moment with him.

"Are you positive?" He asked in a gentle voice. "I've never been more sure of anything."

Slowly, his fingers slipped out of your pussy. You whimpered at the lose of contact but quickly moaned when you saw his fingers enter his mouth. He sucked on them gently, humming against his digits. You've never witnessed something so attractive before. Your cheeks were flushed at the sight too.

"So delicious, angel. Thank you for letting me have a taste."

Now standing fully at the end of his bed, his hands moved to undo his belt and unzip his pants. Your eyes widened when you saw the tent in his pants. You couldn't believe he got so turned on by tasting and touching you.

Seeing the effect you had over him made you feel powerful.

Noticing you were staring, he winked at you. "You are the only one with this effect over me. Only one I ever want." His belt clinked against the floor as his pants soon joined, exposing his grey boxers. He was so hot. Does he even know that? You were going to move up to offer to jerk him off or suck him but he stopped you before your upper body could even leave his bed.

Did you do something wrong? You frowned a bit as your eyes quickly landed on his. Was he regretting going this far with you?

"Tonight is all about you, sweetheart." "But I want to make this special for you too," you frowned. "You just being here is enough to make this special. I promise."

You were a bit hesitant, wanting to be insistent on making him feel good. But with the look in his eyes the lustful gaze, you knew it was not a topic up for debate. You settled back onto his comforter as he moved to grab a condom from his bedside table.

He was a man prepared for any scenario. Whether it be one of his friends needing a condom or when a moment like this finally presented itself.

His boxers soon joined the floor. His cock instantly slapped against his abs. You noticed the veins running around the sides and the angry red tip, begging for attention. You made a mental note that you just had to suck Jeong Yunho off.

He grabbed the gold wrapper to tear it open. His right hand grabbed the base of his cock to hold it still as his left hand skillfully slipped the latex on. It just made his cock glisten, make it more appealing.

Finally, Yunho joined you on the bed. His knees rested in between your legs to keep you spread for him. His one hand rested by your head as the other cupped your cheek. You felt his forehead press against yours but not once did he look away from you.

"I mean it when I say we can stop at any point, angel. Just say the word." "Yunho, you're too sweet to me but I need you."

You needed him. God, his eyes nearly rolled at the words you spoke.

He pressed his lips to yours for a moment. Even the room felt hot and heavy, he wanted to remind you just how important you were to him. You kissed him back for a moment until you felt his tip against your pussy. He kept his gaze on you, wanting to make sure you were okay with what happened.

"You ready?" "Yeah," you breathed out.

As slow as ever, Yunho pushed his tip into you. You bit you lip as you kept your eyes trained on him. It felt familiar, just like when his fingers entered you. You nodded slowly before he began to push more of himself into your pussy. His head nearly rolling back at the feeling of how warm and tight you were around him. "Fuck," he breathed out.

The sound of you letting out another whimper caused him to snap back to reality. He frowned when he noticed the tears in your eyes.

"Oh angel," he whispered. He didn't dare move another inch. This wasn't about his pleasure, this was about you. "What's wrong?" "It's just a lot," you confessed. Salty tears began to leave your eyes as you let out a shaky breath. "Do you want me to stop?" "No, no," you begged. "I just need a moment."

Yunho nodded understandingly. He began to press soft kisses along your cheeks, your nose - anything to distract you from the pressure and temporary pain. He wanted to kiss you fully but he noticed you were breathing in deeply, trying to collect yourself and he didn't want to be inconsiderate.

"Take your time," he whispered. His hand moved to wipe your tears. "I go when you say go. I stop when you say stop." You took in another deep breath, really being able to feel how deep he was as your puss instinctively gripped his cock. He bit his lip to not moan, not wanting to do something that pressured you to say go.

However, in the few seconds of regulating your breathing, the pain began to feel like pleasure. It felt good. It was an odd feeling for sure, but one you wanted to continue with.

"Yunho?" you called out gently.

He pulled back so he could look into your eyes. His lips were curled up into that signature soft smile.

"Keep going. Please."

His eyes were trained on yours, almost as if he was looking for any hesitation. Yet, when he didn't see any, he nodded his head gently.

Before continuing to slip himself into you, he offered his hand for you to hold again. He really was a gentleman. Your fingers instantly slipped into his and you gave him a reassuring squeeze. That's all Yunho needed to continue slipping into your pussy.

Your breathing hitched again, but you remembered to breathe through it. And while it was a bit uncomfortable, it wasn't as bad as when you two started. You moaned when he eventually filled you completely.

"You okay, darling?"

He kept still but you could feel all of him inside of you. You felt so close, so vulnerable with him. It was overwhelming in the best sense.

"Never been better," you breathed out.

Satisfied, he began to retreat his hips before thrusting into you. Your head rolled back against his pillows and he rolled his head back at the feeling. "God damn," he breathed out. "You feel so good, angel. All for me."

His thrusts were slow at first, at an even pace. He was treating you as if you were the most delicate thing in the world, something that needed to be fiercely looked after. And while you might have enjoyed the sentiment, you just needed him.

"Baby, go faster, please." "Fuck, are you sure? If you say yes, I might not be able to hold myself back anymore." "Let loose, baby boy." That's all he needed to hear. His hand planted firmly on the space by your head, his other hand still holding yours. However, his thrusts became quicker, became deeper. It was as if something primal took over him.

Your moans were louder as you felt all of him entirely with each threat. He was so big, so thick. He filled you up just so heavenly, in ways you couldn't describe besides perfection.

"That's it," you whined out. "Right there, baby." "God, I could die a happy man this way."

You couldn't help but giggle as you moved your free hand to rest on his shoulder. Your fingernails dug slightly into his skin which seemed to send him pounding deeper into you.

The sound of wet skin slapping made him nearly delirious. He never imagined this would be happening especially not with you. Yunho truly won the jackpot. He watched as your eyes rolled back, your cheeks a light pink color. Your lips were slightly parted as you moaned without any control.

"You're so gorgeous, y/n."

Your walls began to tighten around him, a fire-like feeling taking over your stomach. His jaw was clenched, almost as if he was concentrating. You were a bit curious but began to notice the veins protruding out of his forearms from how hard he was thrusting.

You began to put the dots together.

"Are you close, baby?" "So fucking close," he huffed out. "Are you?"

His eyes were practically glued on you. All to make sure you felt on top of the world. He loved knowing that you two were sharing this experience together. The grip you had on his shoulder further encouraged him to give you everything he had.

No room to hesitate or overthink. "Yeah," you whimpered.

Sweat was beginning to coat his skin. You early drooled at the sight of how delicious he looked. How did you get so lucky?

"Let go, y/n, baby. I'm right there with you."

With one particularly hard thrust, you lost it. You felt like you were being sent into another dimension but the intensity of your orgasm. Nothing could have prepared you for the feeling as you truly believed you saw stars. Your legs shook slightly as Yunho groaned loudly, spurting his hot cum into the condom.

The heavy breathing from the two of you filled the room. The world outside of his bedroom seemed so far away as you felt so consumed by Jeong Yunho. You wouldn't want it any other way.

His cock started to soften inside of you but you two couldn’t bring yourselves to move. Your arms moved to wrap around him softly as he laid gently on you, keeping you close.

There was no other place you wanted to be. I guess sometimes you do need to take a risk and do something that might seem like it is off-limits.

[lime-bloods]

I honestly didn't ever expect that I'd be in the position where I'd be using this blog not just to analyse what has come before in Homestuck, but to look toward the comic's future and do some real old-fashioned theorycrafting. but the time has come. so here goes; lime-bloods' Beyond Canon theories as of the July 6th 2024 update:

Vriska's Going to Hell

were all gonna help you! / whether you like it or not

a select few eagle-eyed readers already noticed that the sound used in last month's (Vriska: Figure shit out yourself.) is called "hell_tierwav". while it was easy to dismiss this as irrelevant composer shenanigans at the time, it's now become clear exactly what this was foreshadowing. whether it would be more apt to call this "Hell" or "Purrgatory" is probably up for debate - but whatever you call it, Vriska's been placed in a dimension seemingly tailored specifically for her personal torment.

while Vriska characteristically interprets the recreation of her childhood home as a symbol of how badass she was, the ghosts of her past - both literal, as the shades of the trolls she killed as Mindfang, and figurative, in the form of sprites wearing the faces of her dead friends - show us in no uncertain terms that Vriska's childhood home is the stage where traumas play out.

Erisolsprite puts it succinctly with his welcome to hell, but pay close attention to what exactly we're being welcomed to: this update ends on page 665. so as of this next update, we'll be starting on page 666.

Does Homestuck Have Hell?

the exact bubble of reality Vriska's currently found herself in seems to be an entirely new construction of the likes we've not yet seen in Homestuck - but that doesn't mean this kind of cosmic torment is without precedent. because while 666 is a number with Satanic connotations in the broader cultural context, it also has a very particular meaning of its own within the world of Homestuck. indeed, the latter half of the comic almost revolves around it, culminating in a climax in Act 6 Act 6 Act 6.

specifically, this repetition of a single digit is emblematic of recursive storytelling. to summarise what you can already read about in detail in my essay The World / The Wheel: when Caliborn is 'gifted' the Act 6 Act 6 supercartridge, which he is told is an "expansion" of Homestuck, it's a trick. there is no "expansion"; he's going to be trapped in a story that never ends because it keeps dividing into smaller and smaller versions of itself forever. the only way to truly beat the devil who trapped the heroes within a story is to trap him in his own story.

that's what Caliborn's "Hell" is, and that's also exactly what the Alternate Calliope achieved in Act 7 by creating the black hole which Vriska knocked Lord English into, ending Homestuck's story - something that Calliope even hints at in this very update, when she refers to the black hole as "containment"; not an accident, but a deliberately crafted prison. black holes are a symbol of recursion and regression; being sucked into one means being forced to live out your whole life over and over again, forever. so really, this is all we ever could have expected to happen when Vriska stepped into a black hole within a black hole! the presentation of the narrative even subtly hints at this; events in Beyond Canon that take place in the black hole are enclosed (in brackets), and now events that take place in a black hole-within-a-black-hole are contained within {curly brackets}, because you should always use a different kind of brackets to differentiate nested parenthesis from each other!

it is absolutely no coincidence that when Caliborn closes the curtains on his appearances in Homestuck, thinking he's won when really he's been condemned to a hell of his own making forever more, it's with a tribute to this exact same Sweet Bro and Hella Jeff strip.

IF YOU REMEMBER JUST ONE THING I SAY, OF SO MANY GREAT THINGS SAID BY ME, THEN PLEASE REMEMBER THIS. I WANTED TO PLAY A GAME.

So What Does That Mean?

one of Beyond Canon's central missions is expanding upon Homestuck's exploration of the relationships between author, text, and audience. as discussed above, a large part of Homestuck's thesis is the evil of forcing characters to live the same lives and the same stories over and over without the chance to grow or move on, and Beyond Canon picks up on this by placing Dirk in the position of trying to keep Homestuck going forever purely to appease its fans, while the Alternate Calliope continues to oppose this ideology. and while the alpha Calliope outwardly seems not to have taken a hard position on where she stands in this cosmic battle, the question posed by her device seems to be an entirely new one: can it actually be a good thing to regress, to return to ground that the story has already covered? can this path lead to something new, rather than merely stagnation?

it's so relevant that Vriska is being confronted with the crimes of her past, not only in the form of all the trolls she was personally responsible for killing but also in the form of the exact same punishment she condemned Lord English to with her heroism - complete with the herd of horses that are always present at Caliborn's demise! but where being condemned to an eternal cycle was fitting punishment for Caliborn, someone who refuses to break free of cycles of abuse and instead chooses to enact that same abuse on the world around him... if Vriska is someone who can break free of these cycles, who can change and become a better person despite what happened to her, will this punishment have the same effect? or, as Davepeta seems to believe, is forcing Vriska to reckon with her own past and traumas exactly what will allow her to break free of that cycle?

DAVE: [...] ill just be over here in the hyper gravity chamber training to beat lord english KARKAT: WE HAVE A HYPER GRAVITY CHAMBER???

it's hard not to be struck by the parallels in design and purpose between the Plot Point and Dragon Ball's Hyperbolic Time Chamber, and not just because of the Dragon Ball enthusiasts present on Beyond Canon's writing and art teams: albeit in typically Strider-bastardised form, the Time Chamber got a shoutout in Andrew Hussie's own Homestuck (see quote above), in a reference that was even picked up on by prolific theorist bladekindeyewear at the time. for the uninitiated: the Hyperbolic Time Chamber allowed its users to train for extended stretches of time, sometimes even spanning years, while a significantly smaller time period passed in the world outside - something that is actually true of real-life black holes! and with the Plot Point's own emphasis on time, represented by the hourglass included among its mechanisms, it seems to me that an essential part of making the 16-year-old Vriska ready for the trials ahead will be giving her the time to undergo the same growth her adult friends have experienced.

considering that Beyond Canon is already playing in the Ultimate Self space, where there are levels of power beyond merely the "god tiers", it also doesn't seem too farfetched to speculate that Vriska, forced to reckon with the fact that becoming a powerful Thief of Light isn't the be-all and end-all of personal growth, will take another leaf out of Dragon Ball's book here and ascend "beyond Super Saiyan". perhaps this is even the "hell tier" so cheekily alluded to in the Plot Point flash? certainly this kind of evolution would be the perfect way to challenge Dirk's belief that the Ultimate Self is the only logical final step for a character's development.

whatever the case, I believe we can take Davepeta at their word here. I don't think it's just a joke that by the end of this ordeal Vriska Serket is going to be fucking RIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIPPPPPPPPPED!

[chiangyorange]

Do you ever think about how aoc is an alternate timeline where link doesn’t pull the sword at around 12/13 years old like in botw

And instead pulls it after becoming Zelda’s knight, so she couldn’t easily project some idea of the hero onto him, or at least couldn’t properly hate him, bc she got to know link a little beforehand

Of how, while he still doesn’t talk, he seems to be more openly expressive and more free with some of his emotions, rather than having to coaxed into letting his guard down like pre-calamity botw link. (Or at least, it seems that way to me)

And that he’s shown to be friends with the other soldiers/guards, rather than isolated like pre-calamity botw link

This isn’t to say aoc link doesn’t have his own suffering, or unhealthy coping mechanisms. Just that it can be an interesting portrayal of how unhealthy coping mechanisms can be exacerbated by not having easy access to genuine human connection.

(Being told a key part of the plan to prevent the apocalypse depends on his ability in combat and to fulfill the role of legendary hero, at the age of 12, also probably played a role but y’know.)

What’s your take on the matter?

i do. i do think about this a lot.

the discrepancy of when link pulls the master sword within the breath/tears era can and will fuck me up bc that implies that in one universe it HAD to happen that way and in the other one it didnt have to.

and even then link will always be set on that path because in memory 11, he was following his dad's footsteps in becoming a knight, so we can assume that's just what aoc has been doin. there is a lot of potential in the tragedy of having that question of "well what if x happened? what we could have stopped x?" in a tangible sense.

for aoc link, if he knew that his botw counterpart pulled the sword at 12-13, how would he feel about it? would he be horrified that a much younger version of himself pulled the sword? would he grieve for that little kid who got robbed of a peaceful childhood?

and then on pre-botw's side, would he be a little envious that aoc was able hold off being the Hero just for a few more years? the pressure of being the one who wields the master sword literally stole some if not all of his voice away. or would be a little worried that that timeline went on a little longer not having that hope, putting even MORE pressure on zelda?

but whoever that person pre-calamity was died at fort hateno.whether you believe the theory that the link we play in botw has the heroes spirit or not, i dont think it matters much because i dont think its that dissimilar to the death of the person you were now vs the person you were 5 years ago.

that was you. its still you. but you grew, and you forgot, and you lived and grieved and if you said some things to the you back then, they wouldn't get it all that much

its a grief of self, and a grief of identity, and it fucks me up if i think about it too hard.

(god. theres fucking more under here. its an au. sorgy.)

any fucking way. after the events of aoc, link gets like. dream visions meeting his pre-botw counterpart, first at 12-13 when he pulls the master sword, 15 when hes put under his knighthood and uncomfortably quiet about his experience because of the pressure and again AGAIN at 16-17 right at the thick of the calamity.

its awful, no one is having a good time in this.

and then,

he gets another visit when post 100 year link pulls the mastersword from korok forest. the first meeting probably goes fucking awful because botw? filled with complicated emotions that is difficult to parse through.

and then maybe a few more snapshots aoc can see of botw's journey till he defeats calamity ganon. and then maybe once again during the events of totk when he pulls the master sword from the light dragon.

its very much still a rough draft of an au but god. GOD. the scenes in my brain are buzzing.

[kerubimcrepin]

Crepinlore and the 30-50 random games 90% of fandom has never heard about

This post, like everything else about this blog, is very self-indulgent. I discovered many things during its making, and I simply can't not share. So, let's begin with something you likely have literally never heard about, and go to more popular things from there:

KROSMASTER ARENA 3D

Krosmaster arena online was a video game it seems nobody played, and honestly, I am mentioning it here because I fear that if I don't document it, it will disappear, and it will turn out that it was simply a vision I had, as if in a David Lynch movie. Evaporating, like tears in rain.

I don't think anyone ripped/tried to rip/found a way to rip the models from it — and considering the fact they're pretty... mobile ad-core, not much may have been lost.

Anyway, here's Keke beating the shit out of some guy.

Wakfu Les Gardiens

Joris appears in the quest "The Tree of Life" of this game, which, as far as I'm aware, was updated in time with Wakfu episodes.

Even back then, Ankama knew that 1. Joris is very sus and 2. you cannot let him get close to you during a battle, or it's OVER.

It's all very cute.

There is something interesting I wanna say about this sprite, actually:

An alternate version of it exists, made as a concept for the Dofus MMO. I am assuming it was Juien Druant elaborating on the ways Joris might look in the game. The first two designs are: baby Joris (probably not used because he looks too young to be a 200 year old man...) and Welsh & Shedar 60yo Joris. They were combined to make the iconic Dofus MMO-era 200yo Joris design.

I'm quite sure that this sprite references the Les Gardiens one very heavily.

One More Gate: A Wakfu Legend

The first game in this list that actually has implications for real lore, and yet its plot is literally "it was all a dream that Oropo was having while inside the Eliacube"

For this reason, the events of this game are not entirely reliable — but are probably based in some way on the memories Oropo has.

The main contribution this game has to Crepinlore is a third Crepin, who might be an ancient ancestor of the brothers, whom Oropo met and remembered, some sort of cousin, or he might be based entirely on fiction, and inspired by Kerubim (though ehhh I severely doubt Oropo would care so much about him that he'd hallucinate a guy like him within Eliacube's fake world).

I really want to headcanon that the events of the game are based on something he really experienced, waaay before forming the brotherhood. But that's just my brain disaeses.

Here we can see the store itself.

Krosmaga

I saved the best for the last — Krosmaga.

A video of the casts of Dofus and Wakfu beating the shit out of each other

There are characters besides Atcham, Joris, and Kerubim in this game — Julith, Jahash, Lou... But I choose to concentrate on my favorite three ones. Or I will die fr.

If this Ecaflip gives the impression of constantly having a bad hair day, it's precisely because he doesn't have any! Brother of Kerubim Crépin, Atcham is fiercely jealous of the man he considers his worst enemy. And how could he not be, when not only does he occupy the prestigious position of Ecaflip's favorite son, but also displays his dense, silky fur without any modesty or sensitivity?

Here are his three forms:

I'm.,. unwell about the white one. I have to draw Atcham in a Bontarian getup one of these days.

They're really giving a fight to this Joris costume recolor from a Christmas event in one of the MMOs... (Now I want to see Kerubim in red too!)

On topic of Joris,

Adopted son of Kerubim Crépin, Joris is a curious and mischievous little boy. His favorite pastime is listening to the childhood adventures of his beloved "Papycha". And when he's too busy serving customers in his antique store, he's off playing with his best friend Lilotte! An avid boufbowl player and fan of Khan Karkass, Joris also hopes to become a star of the horned ball. While his destiny may already be mapped out on the stadium pitch, his origins are much less clear… But the good thing about not knowing where you come from is that you can imagine anything! For the little boy, there's no doubt: his parents were great boufbowl players, and it doesn't matter if it's true or not!

Here are his alternative forms:

I LOVE THE WAY HIS ADULT SELF IS DRAWN IN THIS GAME... I'm insane.

And now, last but not least: Kerubim.

Judging by his adventures, Kerubim seems to have had more than 9 lives! From small-time opera rat, to Bontarian police officer, to lawyer: the least we can say is that during his youth, the man Joris calls his Papycha never stopped working! So much so that today, the owner of the antique store Aux Trésors de Kerubim takes advantage of his free time to purr quietly in his armchair, or to tell his adopted son about his past adventures. Past? Well, not quite! Because when the terrible witch Julith arrives to retrieve Jahash's Ivory Dofus, and seems intent on attacking Joris, the old tomcat doesn't hesitate to get in her way. With Kerubim, there's no age limit to being a hero!

Once again, it is confirmed that the store's name s literally "Aux Trésors de Kerubim". Sorry, I'm insane about the name of the show being the name of the store.

And his alternative forms:

He's beautiful.

[snakestardraws]

These are hilarious and so true. I hope it's okay if I add some of my own funny little things from when I was a baby Pink Floyd fan:

• The way I first got into them was kind of funny. My mom bought me a DSOtM shirt because it looked cool, but I was very serious about the idea that I had to be a fan of a band to wear one of their T-shirts. So I decided to search up their music on my school Chromebook so I would be able to name at least a few songs. This literal interpretation of a shirt was the canon event that lead to my most intense, long-lived, and iconic special interest.

•My very first song was Wish You Were Here. For some reason, upon listening to it, I thought they sounded like "the Beatles but American."

•Listened to most of their songs for the first time on Scratch, a coding website, because my school Chromebook had YouTube and all music sites blocked and I didn't have a phone yet.

•Drew the DSOtM cover (or "Pink Floyd triangle," as I called it) on absolutely everything.

•Found a hot GIF of David Gilmour (the one from Saucerful of Secrets) on my school Chromebook and turned the brightness all the way down so nobody would see what I was watching.

•Creepily whispered the full names of all the band members to myself as I was falling asleep so I would remember them.

•Creepily whispered the lyrics to Comfortably Numb on the playground while trying to memorize it.

•Wrote down all the album names from memory and drilled it until I could rattle them all off in order.

•Shipped David and Syd, for some reason.

•Did my big 7th grade history project about Pink Floyd and embarrassingly mispronounced the name of one of their songs in front of 2 separate judges.

•Played DSOtM and Meddle nearly every day on my crappy suitcase record player.

•Literally cried and prayed while watching the P.U.L.S.E. DVD for the first time because it was so good. I think it actually made me more religious.

•Listened to Pink Floyd while watching those 10 hour fractal zoom ins. I would do this whenever I wanted to zone out. It probably looked weird.

•Downloaded Pink Floyd smut from Deviantart ON MY FAMILY COMPUTER. My mom found it and I tried to claim i did it on accident.

•After that little incident, I discovered incognito mode so I could read all the Pink Floyd fanfiction I wanted on the family computer early in the morning.

•Downloaded crunchy bootleg recordings on my mp3 player and listened to them constantly. One of them was an alternate version of Keep Talking that I've never been able to find again.

•When I finally did get a phone, I filled up half the storage space with Pink Floyd photos.

•Wanted to draw the band members, but couldn't draw humans, so I traced and copied drawings from a popular Pink Floyd artist and tried to pass them off as my own. Thankfully, I never posted any of them and they remained imprisoned in my tiny Pusheen journal.

•Wrote Pink Floyd lyrics on my edgy Wings of Fire fanart to make it even edgier.

•Wrote David Gilmour x Michael Jackson fanfiction with my friend on - you guessed it - my school Chromebook.

•Skipped around the Live at Pompeii recording to find the shirtless David parts, screen recorded them, and posted them in a privated YouTube video.

•Cried about how Rick and Syd were dead so many times.

•On a very different note, cried about how horny I was for David.

•Made the most boomerific YouTube comments about kids these days with their pop music and how Pink Floyd was so much better. I then made friends with another "cultured" Pink Floyd fan in the comments section until we had a falling out over the fact that they wouldn't stop posting Five Nights at Freddy's content.

•Found a recording of Oenone, aka the moaning session, on Tumblr and listened to it at 4 am while giggling in shock.

•Searched up Pink Floyd porn on my SCHOOL IPAD to see if I could find any actual, real-life NSFW videos of them. I don't know why I thought they existed or could be found, but I sure tried.

•Googled David's address on my school Chromebook and actually found one of his residences.

•Screenshotted the most atrocious Pink Floyd memes on Pinterest.

•Started beef with someone on Pink Floyd Amino because they were trying to get me into other bands and I refused. They were literally all I wanted to listen to.

•Had a phase of obsession with Ummagumma where I tried to get everyone I knew to listen to it.

I think that's everything that comes to mind. Your post made me feel so nostalgic for the good old days where I was discovering this band and having incredible brainrot about them for the first time. Thank you so much.

Calling my younger self out for all the embarrassing things they thought/did when I first started getting into Pink Floyd (I just think I was endearing albeit annoying)

Initially confused them with LED Zeppelin because for some reason my brain put them on a similar tier

Went to watch the Pulse tour DVD … promptly realised it was post-Waters, cried, shut it off immediately, and haven’t seen it since (I actually own a DVD and a VHS tape of the film…both of which were gifts actually)

Saw that Live at Pompeii gif of Roger blowing the smoke rings and just stared at it for a long while promptly falling in love

Didn’t know the Wall was a double album and just assumed the second disc was demos so I never listened to it and would only listen to half the album. Eventually I decided to play the second disc and realised how stupid I was (In the Flesh confused me)

Had an entire wall in my room dedicated to The Wall (I painted out the brick design and had these posters)

Didn’t really care much for the WYWH album (and now it’s my favourite Pink Floyd album..)

FUCKING GAVE AWAY THE IN THE PINK NICK SEDGWICK BOOK BECAUSE I WAS GOING THROUGH SOME SHIT AND ROGER WAS MAKING ME FEEL GUILTY AND HORRIBLE

Would listen to the Wall at least once a day for months on end especially while sitting alone at lunch

Used the fact that my mum desperately wanted me to make friends to go to a Roger Waters concert with this boy who had a crush on me and then promptly started trying to convert me to Catholicism once he found out I’m atheist, bisexual, and non-binary. Roger Played the Gunner’s Dream for the encore so no regrets there

Had a long and unhealthy obsession with The Final Cut and would play my LP of it at least once a day

Read something about Roger calling the rest of the band “the muffins” and promptly dubbed David “greasy muffin”…and got the rest of my online friends to join in

Wrote endless HCs with a friend about Watershend (Roger Waters x Pete Townshend)… I stand by this one. Sorry

Did a 10 minute presentation on the Wall for a history class when I was…14

Called in sick to school even though my teachers knew I was going to watch Roger Waters in concert

Found a copy of Rick Wright’s Wet Dream on vinyl at a market… had no cash in the moment … asked my friend if they could give me cash and then I’d pay them back later… my friend agreed thinking it was for food (I wasn’t trying to deceive them I promise I just didn’t communicate what that money was for as clearly as I thought I did… but I did pay them back plus a bit extra!) I did get my record tho

Went to Battersea Station…. DIDN’T REALISE IT WAS A FUCKING SHOPPING MALL ON THE INSIDE BECAUSE I FAILED TO DO MY RESEARCH AND DIDN’T EVEN ATTEMPT TO GO INSIDE BECAUSE I AM AWKWARD AS HELL… so instead I opted to awkwardly stand around the outside and check out the nearby shops (this is recent ;-;)

I used to draw and would just fill my notebook up with drawing of Pink Floyd (mostly just Roger…)

I am just now remembering how much of my fanart was nose-centric

You know that common trans experience of “trying desperately to live as your assigned gender one last time so you overcompensate before you come out”… well that overlapped with my “ukulele and Syd Barrett let’s dress psychedelic” phase

Have bought way too many pieces of clothing because they remind me of something Roger wore once (I think I’ll make this into it’s own post perhaps)

That’s all I can remember for now. Just feeling nostalgic. I could make a second part of all the most recent cringe shit I’ve done. I’m not laughing at myself I’m laughing with myself. Honestly my younger self was iconic, gotta love her

[oviids]

pls share some of your spn fic recs 🥺🥺

ok, a few things first:

followers and mutuals who do not have supernatural brainworms, kindly avert your eyes

i don’t normally rec or even read much fanfic any more but this is a CRISIS ok (cont.)

there is so. much. content for deancas out there and i have incredibly high standards, several ancient ao3 bookmarks, can speedread, and want to spare you guys the experience of wading through it all.

i also have a section for spn femslash since I was pretty into that back in the day (sadly a lot less fan content for this :/)

I don’t really like au’s or pure smut (I honestly usually just skim or skip those scenes) so if you’re mainly looking for that kind of thing this probably won’t be very helpful to you. jsyk.

i’m not great at describing stuff but i’ll do my best, i’ll also try and add tw’s when neccesary.

i wil try and keep updating this with any other decent fics i find, feel free to rec stuff too since i’m like 7 years behind.(edit 1/25/21) this is getting looooong so i’m going to start making another list on my spn blog rather than update this one

(edit 1/3/21) since this has gotten pretty long i’ve added rating/approximate word counts and marked my particular favorites with an asterisk.

Dean/Cas fic:

So Says The Sword*** - explicit/85k. FUCK its good...au/time travel where dean is not pulled out of hell by cas and says yes to becoming the michael sword. honestly could serve as an alternative to actually watching the show, if you want to get into dean/cas without actually doing that to yourself.

Fata morgana.*  - teen/6k, pst s9 finale. very bela centric and i love it, she finds cas looking for dean in hell.

Redemption Road -misc/600+k. an incredibly long fic from a collaborative writing group back in the day. canon divergent from the end of s6 on, has a cool take on godstiel and the leviathans, as well as the lovecratian mythos connection. ngl when i reread it i only made it about 28% in but imo the casual reader can actually stop around there, the rest concerns a lovecraftian apocalypse that is still good (i think i don’t remember it very well) but not required to enjoy the first half. if you prefer i have an ebook version i can send you on gdrive.

Someone Who's Feeling For Me* - mature/45k, s12. they run into lisa braeden and dean thinks cas is into her while cas thinks dean still likes her. treats lisa way better than the show ever did and the miscommunication is pretty funny rather than annoying.

a turn of the earth - mature/95k. time travel fic where cas from s10 keeps showing up in deans life from a few years before s1 to right before the hellhounds take his soul.  slow burn, good character study, and at one point cas punches the dad in the face and it rules.

On the Wings of War - teen/85k, canon divergent s5. dean accidentally becomes the Horseman of War. plays fun, fast and loose with biblical lore, michael has some rights.

Named - mature/95k, alternate s5. EXTREMELY blasphemous in a fun sexy way. manages to predict metatron almost to a T. there’s one major character death and its literally jesus christ, everyone is very sad about it and it sets the rest of the story rolling. an alternate interpretation of cas’ mission to raise dean from hell which had me on the floor. ngl its kind of misogynistic at points, but its from 2010 and tracks with late oughts-2010 spn (sorry anna the author did you dirty here:/).

The Girlfriend Experience - explicit/15k. uhhh i don’t normally rec or even read smutty stuff unless someone i know is specifically asking for it but this has stuff like sam trying to be a good ally and dean thinking holding hands with cas is ‘kinda gay :/’ minutes after having gay sex with him.

i crippled your heart a hundred times - explicit/19k, s8. cas confesses his feelings and dean spends a long time getting his head out of his ass about it. truly hits different after the actual confession, despite being written six years early it feels like its actually what could have gone down more or less if the writers weren’t talentless demons who hate us.

My Roots Take Flight** - mature/125k. reverse au where cas is a hunter and dean’s an angel...OR IS IT???? an alternate retelling of s4. tw for briefly being set in a psychiatric hospital/the hospital being mentioned somewhat frequently throughout the fic, plus more references to torture in hell and heaven than usual.

The One Thing You Can't Lose* - teen/4k.you know those posts about how cas is a super-strong super-tough ancient warrior but he just lets dean tug him around because he likes it? thats it thats the fic.

Hands, From Which All Things Are Built - teen/14k, post s8′s ‘goodbye stranger.’ cas is on the run with the angel tablet but keeps in touch with sam and dean by text, he and dean still manage to be terrible at Actual communication.

Autrement, Danger - or, The Account of an Exceedingly Long Day - mature/30k, post s11. a monster that takes the appearance of your soulmate leads to some wild miscommunications and dealing with years of repression, also dean gets to see cas’ true form which is always cool. tw for non-graphic mentions of underage sexual assault/sex work.

Down to Agincourt - mature/explicit/900++++k, endverse continuation. endverse!cas survives his encounter with lucifer and discovers another time-displaced dean from s7. i’ve only read the two of four parts but its really good, veeeeery slow burn, has a lot of fun oc’s and takes a rather surprising but (imo) entertaining and intriguing turn into Hellenic history and mythology. usual tw’s for endverse/endverse!cas but nothing graphic, it’s actually pretty light-hearted (relatively speaking of course).

Nothing Equals the Splendor** - explicit/8k, THEE finale fix it fic you’ve been waiting for! posits that the entire final episode was just a (very bad and lame) djinn’s vision.

like moses and batman and james dean - explicit/31k, post s8. explores dean’s trauma and internalized homophoba from his technically canon experience with sex work and its impact on his relationship with cas. the sex work itself isn’t really shown in any detail but it’s still a relatively heavy fic.

Crazy Diamonds - explicit/25k, s4/alternate s14. fresh-out-of-hell dean and dean from 10 years in the future are displaced from time and sent to each other’s present.

where the weeds take root - explicit/30k. au where the men of letters kick them out of the bunker and they accidentally move out into the country, get over their codependence and semi retire. featuring chicken coop building, sam volunteering at a dog shelter, gardening, and blissfully mundane domesticity.

No Resting Place - teen/6k. djinn dream fic, switches back and forth between cas’ dream of being married to dean and retired from hunting to the aftermath when he wakes up. tw for brief mention of suicide since, y’know, djinn dream.

any port in a storm - mature/52k. post s8 finale. cas and dean have to pose as a couple going through a rough patch for a case and actually deal with their emotional baggage, cas struggles with being human and metatron is up to stuff.

all this and heaven too* - explicit/7k. in the author’s own words ‘...a love letter to every trans person who ever projected onto Dean Winchester.’ absolutely unzipped me emotionally and theologically, its just. so good. tw for very brief mentions of internalized transphobia/dysphoria.

Because it is* - mature/6k, finale fix it. killing chuck does not bring back anyone back and the winchesters spend a very long time dealing with what they’ve lost, cas and dean SOMEHOW still manage to have signifigant communication issues even after the confession. tw for suicidal thoughts/brief attempt.

Vena Amoris and Other Old-Fashioned Bullshit* - teen/4k, s6. when cas fell for dean it automatically soulbonded/angel married them, shenanigans ensue when dean finds out during the angel’s civil war. funny and actually written back when s6 was airing so cas is still (or at least pretending to be) kind of an OP asshole which is fun.

Rinse, Repeat - teen/3k, s8. angsty character study of cas as he’s reprogrammed and trained to kill dean. not really dean/cas since its just cas’ pov of canon events but its beautifully written and ends with him snapping out of it through the power of love (also now a canon event!).

Emergence - explicit/59k, canon divergent after s11. dean meets a hunter he only recognizes as their friend claire novak’s missing father, but soon realizes he might be the answer behind the mysterious void in his memories and feelings (aka everyone’s memories of cas are completely wiped away for three years).

Cuckoo And Nest - explicit/10k, early established relationship/character study, cas tries to figure out how he fits into dean’s life and space in the bunker.

Build a Home* - teen/20k, canon divergent s12. sam and eileen are cute and turn the bunker into men of letters/hunters hq and everyone but cas moves in, mutual miscommunication issues and pining ensues.

Down in the River - teen/5k, early s8, cas prays to dean in purgatory while sam and dean try to figure out a way to get him out.

Teaching Poetry to Fish* - mature/52k, ?? BC through the entire series/canon divergent s14 and 15. retelling of crucial scenes throughout the shows timeline from cas’ pov, feat. actual fish and poetry.

the minor fall, the major lift - gen/4k, post confession/finale fixit. dean goes into the empty to save cas and runs into several old friends (and enemies).

With the Kisses of His Mouth* - teen/3k, gen later seasons. dean and cas keep kissing by accident.

Remaining Grace - explicit/109k, alternate s6. au where cas asks dean for help with raphael and dean, of course, does. tw for temporary major character death/semi-graphic depictions of alcohol withdrawal.

The face of heaven.* - teen/10k, au, dean is a regular guy and cas is a fallen star (think ‘stardust’, kinda).

Stories Are Made of Mistakes*  - teen/5k. newly human cas has trouble getting used to a human body and humanity in general, but still figures out that he and dean are A Thing before dean does.

Hurry Up And Wait - mature/21k, canon divergent s12. a fairyland and quite possibly LOTR related case comes up and dean goes full fanboy, mary is introduced to the wonders of the peter jackson adaptions, many references and comparisons (including between cas and dean’s ‘friendship’ and arwen/aragon). also charle is still alive and has just been doing fairy stuff this whole time.

There Are Many Things - explicit/28k, s9. cas is extremely lonely/touch-starved and trying to figure out this whole human thing, as well as where he and dean stand after being kicked out of the bunker.

It's A Long Life to Always Be Longing - teen/40k, post s11 finale. amara helps dean by putting him in a magical coma so he can finally get some much needed rest and show him possible futures for him, sam and cas. meanwhile sam and cas go on a roadtrip (or several) to find componets for a spell to wake dean up. really good sam and cas friendship, they actually talk about their shared lucifer trauma and stuff.

Non-Photo Blue - gen/2k, s4/5/alternate s5. fifty moments from cas’ memories of dean.

Tall Grass - explicit/57k, canon divergent post series. cas becomes the ultimate plant dad. feat the wayward sisters gang, cathartic character growth, fun oc’s, domesticity, and lots of actual botanical info-dumping.

on vessels - no rating/gen/2k. established dean/cas, cas tells dean about how he used to imagine what it would be like to have him as his vessel.

search for tomorrow on every shore* - teen/11k, post-finale (extremely derogatory). some angels in jack’s new heaven act out and dean gets temporarily resurrected in 2003 and runs into his younger self.

Architecture of the Minotaur’s Heart - explicit/45k, very canon divergent post s1. dean’s new house seems to have a life and mind of its own, while in his dreams he sees glimpses of a world and apocalypse that never came to be and an angel that looks strangely like his mysterious neighbor, cas. loosely inspired by the book house of leaves (which i highly recommend for fans of weird horror).

The Distance Of The Setting Sun - explicit/17k, post s5. established dean/cas relationship, team free will finally takes advantage of cas’ abilities to go on vacation around the world.

diamond star halo - teen/5k, s11. dean lets cas use him as a temporary vessel while he recovers from rowena’s spell, sam is a long-suffering third-wheel.

Make Known** - teen/16k, s6/7. dean struggles to understand how cas could have become his enemy and whether he ever truly knew him in the first place.

blunt little instrument* - mature/1.4k, post finale. dean finally confronts his father in heaven, very cathartic.

my heart a compass*** - teen/10k, post confession. the empty forces cas to re-experience his most regretted moments while dean tries to snap him out of it and bring him home.

A Crash Course in Someone Else's History - teen/11k, s6. cas from the very start of s4 is brought forward in time by s6!cas to distract the brothers from his and crowley’s plans.

The Cuckoo Father - mature/8k, s7 au. the woman who found cas in the river post-leviathans does not marry him bc he was sent to her by god or whatever, but actually identifies him as jimmy novak and sends him back to claire and amelia.

The Dead Dean Clause* - teen/5k, post alt s5 ending. team free will celebrates surviving taking down lucifer by getting blitzed, cas lies to a cop and gets an impromptu driving lesson. title/description sound dark i know but it’s actually very funny and light.

Suck It, Judy Garland - mature/20k, s12 (after the ‘i love you...i love all of you’ episode). cas and sam have to pretend to be a couple for a case and dean is NOT happy about it.

By Daylight and In Dream - teen/16k, s5. pre-dean/cas, dean invites cas to use his dreams to hide from the other angels. tw for very brief mention of a memory/dream of alastair sexually assaulting dean.

The Five People You Meet in Heaven - mature/22k, post-canon. an actually happy (if sometimes bittersweet) heaven endgame written several years ago, though some details are rather eerily similar to the show’s ending.

heaven is a place on earth* - teen/2k. dean’s pov of some of the times cas left him behind throughout the show, and one alternate ending where he finally gets to stay.

I Cleanse The Mirror - teen/20k, alternate s6. dean’s body is stolen by an ancient elemental and his soul has to hitch a ride in cas’ vessel.

an exploration of gender; angelic*** - mature/4k. *oscar isaac voice* lets get into angel gender politics!! aka cas is trans.

Zenith - explicit/33k, s9. after 9x06 an angry witch curses cas with the ability to see supernatural beings and human souls.

La cucina. - gen/3k, alt s9. dean goes wild helping a newly-human cas find out what kinds of food he likes, or the early s9 domesticity we deserved!

Dean Winchester, Cocksucker at Rest***** - teen/7k, post-finale. john and mary finally come over for dinner and john reacts to dean/cas in a rather predictable fashion. SOOOOOOOOO good omg, its so funny and a little sad and very very cathartic. part of a series that has a few other really good short fics.

The Way You Didn't Go - teen/5k, s15. coda to 15.09, dean has nightmares about the moc!cas timeline.

On Drowning - teen/28k. dean saves cas after he nearly drowns, they both try and deal with the physical/mental fallout (aka the fic where thee iconic “you only touch me when you think I’m dead or dying” originates). tw for realistic depictions of drowning/triage/misc medical information.

The Thirty-Six Questions That Lead to Love* - mature/13k. claire has dean and cas pretend to be her gay dads for a case and they play the titular 36 question game, get mistaken for swingers, and birdwatch, among other things.

Assorted F/F stuff:

Deep Breaths* - mary/ellen, au where mary said no to azazel’s deal and let john stay dead, still becomes a milf.

Like Rebel Diamonds - krissy/claire, they become hunter gf’s on the hunt for cas to kick his ass for taking jimmy. not-so-stealth dean/cas as well.

To Ash and Bone - anna/ruby, same author as the previous fic (p much all of her stuff is good from what i recall). au where ruby is a witch and helps anna when she’s cursed.

Holy Clockwork Angels - jo/ruby, STEAMPUNK au with very cool worldbuiilding.

At Day's End - jo/anna (my fucking KINGDOM for more jo/anna content, the dean/cas parallels are allllll there), au where they are both at the camp in the endverse and gfs.

these posts - ok so not actually a fic but i’m now obsessed with this hannah/meg dynamic.

Tagelied - mary/ellen, the true story of how ellen got into hunting before angels interfered.

Hell's Bells** - meg/abaddon, alternate s8/9 where meg survives crowley’s attack with sam’s help and teams up with abaddon (who she has a sk year old crush on) to take back hell.

The Ecstasy of the Rose - anna/ruby, anna travels back in time to escape heaven and becomes a signifigant part of ruby’s old human life.

Angel Underground - anna/jo, kind of an urban fantasy au with a very intriguing premise (sadly its very short, i’d love to see more if this ‘verse).

Clover, Flame - billie/mary, billie was always the reaper that showed up to take mary after her death(s) over the years.

Drag Me To Heaven - anna/ruby, a variant on the ‘last night on earth’ thing with dean.

Come Home* - jo/anna, canon-divergent au where anna is the new waitress at the roadhouse and helps jo set up a (probably not really) haunted house for halloween.

[cardentist]

I haven’t been in the star trek fandom for very long (I’ve only just started binging the series in the last couple months), so it’s been pretty surprising to find out just how negative the perception of the reboot movies are.

this isn’t coming from the perspective of someone who grew up with the series, so it hit different for me than it might for people with a different relationship to TOS, but I thought it was genuinely clever and Respectful with how it was handled.

To quote leonard nimoy: “Well the alternative timeline gives them license to escape from canon concerns. I can’t see people saying ‘they shouldn’t do that because…’ or ‘that doesn’t tie in to such and such’ because it is a different time and place. Am I right about that?” [Link]

the entire Premise is that the original series happened as it was presented in TOS, but an event late in Spock’s life caused the creation of a parallel universe in which everyone’s lives were significantly altered through two key changes to the timeline. this gives them the freedom to Both revel in fanservice And explore different facets of the characters and their relationships. 

the destruction of vulcan Vastly impacts the characters and the plot moving forward, and its a detail that a lot of people take issue with. but the emotional impact of sarek admitting Directly to spock that there is value in his humanity, that his feelings Aren’t wrong, that sarek married amanda because he Loved her cannot be understated. you can read all of these things into sarek as he was in the original series, but he Never had an open conversation about these things with spock. this creates a Believable and Rewarding change in their relationship, where we get to see a different facet of them Because of the changes made. and that’s exactly the appeal. showing us pieces of these characters that we never got in TOS that are nevertheless undeniably Them.

everyone is Different yes, but they’re also fundamentally the same people at their core and that matters.

kirk’s personality obviously takes the biggest change, with him experiencing trauma at a young age, losing his father, and having an implied abusive father figure after that point. he has a harsher personality in reaction to harsher conditions, he’s spikier and harder to love. but he’s also still fundamentally a Good person whose willing to risk everything to help people. he still has what made kirk prime a good captain and a good friend.

I’m not gonna say that it’s the most nuanced story in the world, but it explores a version of kirk that was born from even Less fortunate circumstances than kirk prime, exploring a kirk brimming with potential who learned to bite back after he was kicked down. exploring those themes of trauma and loss, of insecurity and growth, and coming to the conclusion that Fundamentally He Is Capable Of Good isn’t a Bad thing. you don’t have to like it, but his growth into a better person is The Point. they deepened his flaws (all of which were present in a less exaggerated form in TOS) To Show That Growth.

and then of course there’s his relationship with spock.

people are totally justified in not liking that they had a rough start to their relationship, I usually don’t like to see that kind of thing in reboots or hollywood adaptations either, but the way people talk about it is just unfair.

Yes kirk and spock and bones have a very strong relationship in TOS, they also already know each other by the time the show starts. to look at them having to learn to get to know and trust each other when they first meet and say that it’s Bad because they were already full on ride or die for each other in the og series is silly. TOS kirk and spock had to meet and fall in love with each other too, it didn’t just happen over night kings.

secondly, the entire point of the first movie is that Even With reality itself being altered to pull them apart they are fundamentally compatible people that are Bound to each other. they meet each other on bad terms because of circumstances outside of their control, and yet they’re still pulled into each other’s orbit and find the other slotting into place next to them as if they always belonged. one of the first things that spock prime says in the movie is “I am and always will be your friend,” spock and jim are Meant for each other and the movie goes out of its way to explain that. which is what makes it so Weird to see people complaining about how they don’t like each other.

it’s a Different relationship, but it’s absolutely no less steeped in yearning or queer subtext. 

speaking of queer subtext ! some people are Very unhappy with spock’s relationship with uhura.

first thing I wanna say is that making the argument that they’re doing anything that the original series hasn’t done is just, completely untrue. kirk has fallen in love with more girls in the og series than he knew what to do with, leonard nimoy was a heartthrob in his time (and he deserves it, awooga) and spock reflects that ! Spock usually turns the women who come onto him down (or when he doesn’t it’s because a plant has literally altered his mind), but there are exceptions to even that. all of three of the main boys have plenty of romance subplots, it happens. if that takes the possibility of them being queer off the table for you (which it shouldn’t, m-spec people exist) then I’m sorry to say that TOS is not exempt.

now, I can understand why Specifically This Relationship could rub people the wrong way or being disappointed that they didn’t outright depict kirk and spock as having a relationship (if not in the first movie then in the following ones after they’ve gotten to know each other), but even in that context the way I’ve seen people talk about it comes off as insensitive.

no, the relationship did not come out of nowhere. they considered having spock and uhura date each other in the original show (and you can see signs of this in the earlier episodes, where uhura very obviously flirts with him and they spend time together in their down time) before they decided against it, and spock was originally going to kiss uhura until shatner insisted that he wanted to do it (because it was the first interracial kiss on tv). [Link 1, Link 2, Link 3]

nichelle nichols was asked about this exact thing (spock and uhura’s relationship in the movie), you can read the interview in full here [Link] but I’d like to highlight this paragraph in particular:

“Now, go back to my participation in Star Trek as Uhura and Leonard (Nimoy) as Spock. There was always a connection between Uhura and Spock. It was the early 60’s, so you couldn’t do what you can do now, but if you will remember, Uhura related to Spock. When she saw the captain lost in space out there in her mirror, it was Spock who consoled her when she went screaming out of her room. When Spock needed an expert to help save the ship, you remember that Uhura put something together and related back to him the famous words, “I don’t know if I can do this. I’m afraid.” And Uhura was the only one who could do a spoof on Spock. Remember the song (in “Charlie X”)? Those were the hints, as far as I’m concerned.”

the film makers looked at the fact there were Hints for uhura and spock, that they were Interested in exploring an interracial couple for the first time (both before and immediately after interracial couples won the right to legally get married) but Couldn’t because of the circumstances of the times and decided to Make that depiction. you don’t have to Like their relationship just because of that fact, but it’s Incredibly reductive to play down it’s significance as just a No Homo cop out. explicitly queer relationships are not the only progressive or culturally important relationships in fiction.

moreover, if you can’t imagine polyamory in the communist utopian future that’s on you.

moreover, this perception that this was a soulless cash grab is just, unfounded.

leonard nimoy returned to the role as spock for the first time in 16 years (since 1991) and this was Entirely because of the respect they had for nimoy, spock as a character, and the franchise as a whole. 

Lets look at some quotes from nimoy in interviews regarding the film:

Leonard Nimoy: When I first read the script (...) I immediately contacted J.J. and said “I think it is terrific…I think you guys have done a wonderful job. There is still work to be done, but it is very clear that you and your writers know what you are doing and you know how to do this movie and know what it should be about….and I am very interested.” Then as time went by we worked things out with Paramount, but the most important things were J.J. and the script. (...) I am very pleased about that and I am very comfortable with where this is going. I think the writers have done a terrific job. They have a real sense of the characters and the heart of Star Trek and what it is really all about.

(...)

TrekMovie.com: Now in the case of the new movie you have been retired from acting for years. What was it about this one that made you want to act again and go through the make up again? What was it that made you say ‘I really want to do this?’

Leonard Nimoy: You are right, this is a special situation. First it is Star Trek and so I have to pay attention. I owe that to Star Trek. Second place is that it is J.J. Abrams who I think very highly of, he is a very talented guy. Then came the script and it was very clear that I could make a contribution here. The Spock character that I am playing, the original Spock character, is essential and important to the script. So on the basis of those three elements it was easy to make the decision. So those three things: Star Trek, J.J. Abrams, and an interesting Spock role.

[Link]

Praising the cast playing younger versions of characters from the original 1960s TV series, he [Leonard Nimoy] said: “Let me take the opportunity to say this. Everybody at this table [the cast] are very, very talented and intelligent people.”

“They found their own way to bring that talent and intelligence to this movie, and I think it shows. (...)  When Karl Urban introduced himself as Leonard McCoy and shook hands with Chris Pine, I burst into tears. That performance of his is so moving, so touching and so powerful as Doctor McCoy, that I think D. Kelley would be smiling, and maybe in tears as well.”

“The makers of this film reawakened the passion in me that I had when we made the original film and series. I was put back in touch with what I cared about and liked about Star Trek, and why I enjoyed being involved with Star Trek. So, it was an easy way to come on home.”

“[In this Star Trek] they said things and showed me things, and demonstrated the sensibility that I felt very comfortable with, and I think that shows in the movie. I like it.”

[Link 1, Link 2]

again, you don’t have to like it just because leonard nimoy did, you don’t have to Agree. but the idea that nobody working on the film Cared is provably false. near everyone working on the project was already a fan of the series or were excited to be involved and did their homework. it’s genuinely a Miracle just how much of a labor of love this was, and in my opinion you can feel that through the movie itself. I’d highly recommend looking into interviews and behind the scenes details about the movies. they had a respect not just for the source material, but for leonard nimoy as a person.

there’s definitely more I Could say about this, but it’s 4 am now so I’m gonna shelve it jklfdsa

that said! it’s Fine to not like the movie, not everything is going to be suited to everyone’s taste, but the specific criticisms I’ve seen feel very off base

[kellyvela]

Chronicle of a Death Foretold

July 21, 2018

In the earlier published Targaryen family tree as found in The World of Ice & Fire, Princess Daenerys did not exist. In her place was Prince Aeryn Targaryen, Jaehaerys and Alysanne's sixthborn son who died young. Besides Aeryn having been exchanged for Daenerys, several other children of Jaehaerys and Alysanne were shifted in their order of birth.

Regarding these changes, Elio Garcia has stated the following:

... George had some new ideas for some of the names and the stories of the children who died young, and corrected some issues that came out of his original birth order (we actually got the names of all the kids quite late in the production of TWoIaF—literally a month before we had to finalize the book—so there was not much time to interrogate it). However, the stories of those who live to adulthood, as published in TWoIaF, do remain the same (just, of course, much more detailed).

[Source]

November 20, 2018

Jaehaerys loved all three children fiercely, but from the moment Aemon was born, the king began to speak of him as his heir, to Queen Alysanne’s displeasure. “Daenerys is older,” she would remind His Grace. “She is first in line; she should be queen.” The king would never disagree, except to say, “She shall be queen, when she and Aemon marry. They will rule together, just as we have.” But Benifer could see that the king’s words did not entirely please the queen, as he noted in his letters.

(...)

It was the hour of the owl when Queen Alysanne was awoken by her daughter shaking her gently by the arm. “Mother,” Princess Daenerys said, “I’m cold.”

There is no need to dwell on all that followed. Daenerys Targaryen was the darling of the realm, and all that could be done for any man was done for her. There were prayers and poultices, hot soups and scalding baths, blankets and furs and hot stones, nettle tea. The princess was six, and years past being weaned, but a wet nurse was summoned, for there were some who believed that mother’s milk could cure the Shivers. Maesters came and went, septons and septas prayed, the king commanded that a hundred new ratcatchers be hired at once, and offered a silver stag for every dead rat, grey or black. Daenerys wanted her kitten, and her kitten was brought to her, though as her shivering grew more violent it squirmed from her grasp and scratched her hand. Near dawn, Jaehaerys bolted to his feet shouting that a dragon was needed, that his daughter must have a dragon, and ravens took wing for Dragonstone, instructing the Dragonkeepers there to bring a hatchling to the Red Keep at once.

None of it mattered. A day and a half after she had woken her mother from sleep complaining of feeling cold, the little princess was dead. The queen collapsed in the king’s arms, shaking so violently that some feared she had the Shivers too.”

—Fire & Blood - Volume I

May 19, 2019

Standing before the Iron Throne, Dany steps forward and kisses the man she loves. A perfect kiss, an expression of pure love and passion.

We push in on them until we’re tight on their faces -- their eyes closed, his hand behind her head, her hand on his cheek.

Dany’s eyes open suddenly as she draws a sharp breath.

Jon’s eyes open as well, already filling with tears. For a moment, neither moves, as if moving will make this real.

In a wider angle, we see Jon with his hand still on the hilt of the dagger he just lodged in Dany’s heart.

Her strength leaves her and she collapses to the marble; he keeps her in his arms as she falls, kneeling down to the floor beside her.

He looks down at what he’s done. Terrible. And necessary. He hopes for one last moment with her.

But her eyes are already glazing over. Winter has come to the Throne Room. Dany lies dead in his arms, Pieta-style, as the snow drifts down.

—GAME OF THRONES "The Iron Throne" - Written by David Benioff & D.B. Weiss - Based on A Song of Ice and Fire by George R.R. Martin

January 19, 2020

WELT: Again: We know what will happen to the Mother of Dragons. How do you want to surpass that in a novel – with an alternative literary version?

GRRM: Counter question: How many children did Scarlett O'Hara have? In Margaret Mitchell’s novel “Gone with the Wind” she had three children. But in the cinema version of the novels she only had one child. Which version is the only one valid - the one with one or the other with three children? The answer is: neither. Because Scarlett O'Hara never existed, she is a fictional character, not a real person, who would have had real children. Or take “The Little Mermaid”. We know her from the fairytale of the same name by Hans Christian Andersen and from the Disney movie. Which one is the true mermaid? Well, mermaids do not exist. So you can chose the version that you personally like the best. Changes are inevitable in this process. Even if the adaption is as faithful to the literary source material as it was the case with “Game of Thrones”.

—GEORGE R. R. MARTIN “Die Leute kennen ein Ende – nicht das Ende” - WELT 2020 - (Translation)

April 18, 2021

Q: It is my impression that there are parallels between Westeros history and current events in ASOIAF. so in your opinion to what degree is George martin's history cyclical? Because we have a lot of parallels. For example with the current history and the dance of the dragons.

Elio: You know George even uses that line from talking about the the arms of house Toland, the dragon eating its tail, but it was from the Archmaester Rigney which is a reference to Robert Jordan the writer of the wheel of time, that history is a wheel or time as a circle. I think George certainly deliberately sees, creates parallels. I mean this is a very obvious example, you know if you read The World of Ice and Fire, you saw the family tree of the Targaryens, and the family tree for Jaehaerys and his offspring changes quite a lot when fire and blood comes out. Because George realized that he wanted to create a kind of parallel by introducing another Daenerys. and he said like, i like the symmetry of it, I like the the sort of the way. You could perhaps read it as reflecting on Daenerys's story, maybe. I wish it was true. I mean I think fans of Daenerys need to be really worried about what's going to happen to her. Although I guess Game of Thrones maybe has revealed kind of where things may possibly end. Again the journey is going to be very different. I think you know circumstances, things are going to be very different. So there's a journey that matters. But in any case, so yes I think George uses cycles and things a bit. He likes setting up parallels of events, he likes paralleling characters, he likes paralleling events, and he likes paralleling the past and the present as well.

Linda: I think certainly that when he fleshed out the details of Fire and Blood, even when he first did the sidebars for The World of Ice and Fire, and they just grew. We could see that, okay here he's looking at foreshadowing or commenting on current events by doing a similar scenario in the past and he definitely likes to play around with those aspects.

[Source] (*)

(*) Thanks to @istumpysk and her friend for sending me this link!

[whentherewerebicycles]

wow okay i am skipping the lingerie party lol and am instead going to just briefly jot down some thoughts before i go to sleep and wake up at 5 for my flight tomorrow morning. jesus christ i have ONE MILLION thoughts and feelings about this weekend. i want to preface this by saying that on the whole, it was a fine social experience! it was nowhere near as awkward or painful as i was expecting. or like, parts of it were painful, but it was 100% to do with my own complicated feelings about literally every part of this tradition and the wedding industry in general lol, and not anything to do with the people themselves. the other women were friendly and very welcoming, i made an event best friend who was wonderful company, and it was really fun to get to spend time with both my sister-in-law and her older sister, who was so charming and wonderful. i’m glad i came even though thinking about the $$ i spent on this trip makes me physically gag.

but okay i want to just record some THOUGHTS that maybe i will continue unpacking with some distance. i feel likeeeee okay here are my thoughts.

the social norms around femininity are just a fucking minefield and i feel like i really just gotta keep walking back the impulse to judge other women for the choices they make as they navigate around the manifold traps and snares and half-buried landmines that constitute the landscape of being a woman. like jesus christ. it’s so fucked up, it’s so fucked up, the received and socially enforced norms of femininity are just so fucked up. I think ALL THE FUCKING TIME of this margaret atwood poem i love so much, which was REALLY on my mind this weekend:

How can I teach her some way of being human that won’t destroy her?

I would like to tell her, Love is enough, I would like to say, Find shelter in another skin.

I would like to say, Dance and be happy. Instead I will say in my crone’s voice, Be ruthless when you have to, tell the truth when you can, when you can see it.

I feel like the first bit was very much on my mind throughout the weekend, but those last three lines have come to the forefront over the course of this last day, as i have tried to do some Thinking about what i observed/experienced/felt this weekend. whether or not this is what it means in the context of the poem, tell the truth when you can, when you can see it, expresses something of my complex feelings: I don’t know that I can tell the truth about femininity because I don’t know that I can see it. i am both too close to it/still emotionally entangled in it and too far from it to know which parts of it are ‘real’ and which parts are just performance.

i feel like one thing that struck me this weekend, in ways that i don’t know if i’ve noticed as much before, was that so much of the things women say to each other or do in these social contexts is performative, and they know on some level it’s a performance, but we are all going through the motions of doing and saying the expected things anyway. that has not always been clear to me. i have spent so much of my own life as a woman thinking that other women perfectly, seamlessly, naturally embodied the norms of femininity, and i was the only one (or part of a group of only ones) who couldn’t remember my lines, or kept fumbling my cues, or felt so painfully, self-consciously aware that i was playing a role that i could never deliver a convincing performance. but this weekend, after the initial social panic had passed, i started trying to get out of my own head a little bit and look for things that disproved the very strong theory i had brought into the weekend. and of course then i started seeing more and more of the little moments where women say one thing and do another, or profess one belief/conviction but then the whole corpus of their lived experiences and choices contradicts that stated belief, or whatever. and also just like, moments of pathos, where someone i had judged harshly at the beginning of the weekend offhandedly revealed something about her past that really changed my perception of her, or at least made me think like, ah god, i have to have empathy for and with this person, because i think she might be a complex person just like me, with an intricate inner life that her performance partially reveals and partially occludes from view, and agh, it sucks to have to think of people as complicated instead of as safely two-dimensional & easy to dismiss, and the reason it sucks is because then it forces you to realize that you share more with this person than you’d like to admit, and that some of your wounds are the same, even if you dealt with those wounds (the wounds of girlhood, or rather the emotional wounds that our culture inflicts upon girls, which then become tangled up in complex and painful ways with the lived experience of girlhood itself) in really different ways.

but also ugh. we are all performing gender norms but there is just something that does not feel playful at all about embodying conventional femininity. i can’t think of a better way to phrase that right now but it’s like.. the performance isn’t fun. it doesn’t seem to be fun. i don’t know that anyone here was having fun doing it, even if they were having fun being with each other. but it was like doing the intensely gendered social rituals was like, the price of admission? like it was the toll we had to pay to be together spending time in the company of other women? i don’t know man but it fucking exhausts me. like i can push myself to stretch my genuine empathy and sense of solidarity with other women much further than my knee-jerk judgmental reaction, but i can’t ever get to a place where i find any of those social rituals anything other than fucking exhausting. they feel so fucking joyless. they feel like things that many women have internalized as ‘things we must do in order to have relationships with other women.’ (please do not even get me started on how exhausting heteronormativity is i think i could write an entire other essay on how women use these bachelorette party-type rituals to spend time with their closest female friends, but the whole event is still implicitly organized around men, and these women’s male partners are still positioned as the priority in their lives, and the whole event is framed as like, a last burst of intense closeness between women before the bride is delivered over to her husband. like i KNOW that this is not how women think of it but all the RHETORIC of the bachelorette party, the little events and rituals and games, the little comments everyone makes all fucking weekend, good fucking lord, my jaw is so TENSE.)

anyway god i just AGHHHH. idk sorry this is definitely not coherent at ALL because i’m tired and still need a bit more distance/time to process some of this. i guess here is one last thing i want to register before i sleep. i am in my 30s now and i am living a life that is so, so far removed from the social world i grew up in. marriage is not a norm among my friend group, almost all of my female friends are queer women, many women i know are not partnered and have no interest in being partnered, and the friends who are in heterosexual relationships tend to be in very gender-balanced relationships or slightly nontraditional relationships where it feels like both partners have engaged in conscious reflection about what they want their relationship to look/feel like. also i now date women, am out as a lesbian, and spend most of my time teaching/working with queer- and trans/nonbinary-identified kids.

so like, the world i live in now is just so different from the world i grew up in. and sometimes it is easy for me to kind of downplay the intensity of my own gender distress as a teen and young adult, or to sort of - act like it was a phase in my life that had much more to do with me than with the social environment i lived in. i don’t mean ‘phase’ in a dismissive ‘those feelings weren’t real’ kind way, but more like, ‘oh that was just part of the normal growing pains of figuring out who you are and what kind of person you want to be as an adult - everybody pretty much goes through some version of that.’ it’s true that everyone DOES go through some version of that, as just like, part of the process of individuation in that age range. but also like. idk man. being back in this environment - straight white women from the midwest and south, all engaging in the rituals of heterosexual white femininity - was just so intense and so MUCH, and it brought back a flood of feelings and visceral memories that i feel like i will need to spend some time sorting through over the next few weeks. like, what i experienced back then really WAS gender distress, and it was so, so distressing. i spent the years from age 11ish to 24ish existing with this constant lowgrade baseline feeling of wanting to claw my own fucking skin off because my own gendered body felt like such a prison, and i sometimes felt like i literally wanted to destroy my own body because i could not yet conceive of an alternative to inhabiting that body or playing the role that had been handed down to me. until i started reading queer memoirs and inhaling lesbian media and (especially) reading about queer femme identities, i literally did not have an image or any kind of felt sense of what another way of inhabiting my own body might look/feel like. i literally could not imagine it!!!

and that is why the distress feels so distressing, and becomes internalized in such violent ways, i think. because it’s the blind, mindless panic of a trapped and wounded animal. except that you lack any real understanding of the larger social forces at work, or any language with which to describe or conceptualize what social norms are or how they’re enforced. so in your mind, the only thing you can see wounding you is your own gendered body, or the way that gendered body is socially 'read’ by others. and that is why you want to claw your own fucking skin off, just literally dig your nails into your own flesh and claw it the fuck off. because you can’t see a norm, but you can see your gendered body, and you can see the ways that it causes other people to react to you, or treat you, or hold you to a certain set of expectations, and so in your mind you are like: this must be destroyed. in your mind you are like, the only way out is to get out of this fucking body, but that’s impossible, surely, you can’t get out of your own body, so you have to settle for starving it and self-harming it and ruthlessly punishing it in a thousand terrible ways, because you might not be able to leave your girl’s body behind, but you can make it suffer and pay for what it’s done to you. 

i am old enough now, and have spent enough time thinking and writing about those feelings, to identify them when they arise again, and to get the necessary distance from them so that i can say, what i want to destroy are the norms themselves, and the distress they cause, and not the body that has done nothing to me but be me. so i am not quite as sucked under as i used to be. but i think that there is something about the violence and intensity of those feelings that i forget sometimes, or misremember with age and distance. it’s easy to be a little bit patronizing to my younger self (or by extension to my younger students sometimes), because i now live in a social world that is largely arranged in ways that minimize rather than intensify or amplify gender distress. but when you have no choice in how to arrange your life, and no language with which to understand what is happening to you or what you are experiencing, and no frame of reference to help you understand that this is a period in your life and not forever, and no models you can look to in order to discover alternative ways of inhabiting your body or arranging your life... my god, that’s quite different from being an adult with a wide range of experiences and with much greater autonomy over your own body and life. anyway idk i need to keep thinking but now i must go to bed and try to sleep five hours before the plane.

[magnetothehedgehog]

Dimension’s Ridge Announcement!

Hi everyone, With all the rise in Sonic media and the great releases coming up, such as The New sonic game in 2022,the sonic movie 2, sonic prime, and literally anything Idw has been releasing including their new side series “Imposter syndrome”, I am challenged to up my game and release information on my long running project in the works. Especially Since sonic prime and Idw is literally gonna blow out all the spoilers before I do if I don't start releasing stuff first. Since its been happening constantly, I gotta be a step ahead.

So, without further ado, I introduce you to the World of Dimension's Ridge.

Dimensions Ridge is My personal Alternate Universe that seeks to combine all aspects of sonic media. In fact, its super similar to the upcoming Sonic prime, archie and Idw Comics in this regard, with it possibly being a bit more ambitious, or at least equally as ambitious as Idw.

The Series will follow a number of favorite canon and non canon characters alike, but will also their universal counterparts and alternate universe selves.

The Main overarching plot line is that a Existence level Threat is putting everything in jepoardy. This Creature Known as an Existence Eater spreads its influence to a planet by releasing its minions into it, then after enough time, it comes to absorb the planet, thus erasing it from existence entirely, as if it had never been there in the first place. This has been happening for quite a while, until a few people caught onto it. They began leaving messages and warnings to others in a attempt to save them.

Being an existence level threat, this will take the combined effort of every Version of Sonic,Tails,Sally, Eggman and everyone else if they want anything to be left in the multi-verse. This Story is about how they all come together to do just that.

However that is the main plot. The story follows many minor or sub plotlines and stories that all connect and weave into this ultimate narrative. For Stories featuring Sonic and friends, Stories start off in the classic area and work their way into the modern area as the characters develop and mature, so we get to see and live their journey alongside them. For older characters and parents, I wanted them to have a  more staple involvement in the series, even if only at the beginning. Their Adventures as the World slowly slips into chaos can be read in War on Mobius.

While there are Prequels to the beginning of the story, such as the “Rift War.”, the main storylines that kicks off all the other starts is one of my current productions “War on Mobius.”This follows the economical and political collapse following the Recent End of The Rift War and begins the Egg Empire's rise to Power.I would like to mention that The Egg Empire Now consists of the collective versions of Eggman all working together as a family. Egg Fam for short. But we have Great additions such as boom eggman, Ova Eggman, Aosth Eggman, Satam Eggman, Russian Eggman,Eggette, and a few custom additions such as Omelette and Scramble.

Things That happen in War on Mobius will be seen effecting or influencing the states of things in my Classic Era Story “Classic adventures.” and others ones such as “The Freedom Fighters.”

Alongside canon appearances of less known or scrapped characters and designs, such as Tiara and Honey the Cat, Readers can expect appearances of my own characters, both as counterparts to main characters, and also as people who drive the story forward and show interesting and dynamic opinions of their changing world. A few Such ones would be “Tribal Ties” Focusing on the Tribes of Echidnas, Bayblonians and Pangolins Tribes, all of which play a part not only in Mobius history, but also will play a vital part in its future.

After Classic adventures, comes one of my long running claims to fame and a personal favorite of mine from my early script writing days. Zone Runners. This takes place after the Events of Classic adventures and as the world has been influenced by the political unrest in War on Mobius. It follows the Group of People on the East Side of the World as they try to fight back against the Egg Empire, Newly risen Oscillators Group, and The Very lack of Sonic and Freedom Fighter there. This series will also begin unraveling some of the mysteries behind the existence eater and the ultimate narrative. Originally this concept came from the Fleetway comics, and ever since I've been completely inspired to incorporate this into my own series. If anyone was ever on Sonic Amino, they might have seen me post things related to it back in the day.

I also wish to be a more character focused series as a whole, one who focuses on the people collectively as opposed to just Sonic himself. I want it to as if each character us actually a main character and can save the day, and that the day is only won because everyone has done their part, whether powerful or powerless.

To that End, I have many characters stories intertwine, or lead to one another. Some characters will have branching off stories, while others will be closely intertwined, and always interact with each other, regardless of who the story is currently focusing on.

A few I'd like to notable mention is, Shadow's Ark, Silvers Sanctuary, and Heir of Sol. Focusing on the characters Shadow, Silver, And Blaze Respectively.

While I have a lot of other Titles for the stories respectively, I'd just to touch on a few more before I close.

Worlds collide finally answers the question in sonic media about two planets and the dimensional connundrum of sonic rush and sonic 06. While also bringing together multiple characters who were on their own paths, for the collected purpose of setting up how everyone will be needed much later.

Dimension Forces is, a reimagined Version of Sonic Forces, including a whole new team of villains to take on the heroes from our prior stories. I call them: Forever Force. The Main Three Hitters Being the Villains Infinite, Eternity, And Enigma. In this Story we'll get to see Whispers team in action, and also get to see new stories involving Gadget and His Brother Widget, and a host of other rising heroes soldiers and returning cast members.

I also had this Idea that the wisps were able to use their abilities on their own, except in smaller weaker versions then when they had a mobians help.Thus you could call in drill air strikes and other things to help you in battle, and the flew alongside you rather than in containers. I had these idea way long ago, but what do you know Idw beat me to the punch again in rise of the wisps. However I would just like to say before they do it too, that I had the idea of the wisps combining their powers, as if anyone played Sonic simulator, you would know you can actually combine wisp powers. If its the same type, its twice as strong with a bonus effect. If its different, you can combine the strengths of two different powers. Think how eggman used cube with laser in the boss nega wisp armor.

Speaking of Sonic Simulator! Thats another Story I have plans for. Following alongside the events of Sonic colors, Sonic simulator follows the group of hedgehogs abducted from Mobius and sent to eggman's interstellar amusement park as part of an organic experiment to take out sonic. Suggested by The Leader of the Oscillators, These hedgehogs will now have to work together to prove their worth to Eggman and as worthy adversaries of Sonic! But what of their past memories? What will happen if they remember? And if they do, can they escape? Find out! Also its follow up story leads to sonic lost world.

I'd also like to talk about the Idw Verse Mini series I have been working on! Getting Art from the Talented CatRage and getting to voice my Ideas to My Friends as well as My sister, I present my own Miniseries! Mimic's misadventures!

This story takes place between  the events of Idw's Bad guys, and follows mimic's operations and struggles as he tries to complete his missions, and deal with people of similar caliber to himself. Will this mercenary manipulate his way easily out of another situation? Or has the Octopus finally met the one group who will send him back to the ocean? Find out!

Currently, this miniseries has 5 canon issues and one undecided.

1.Ghost Of The North.

2.Into the Spiders Nest

3.Hunt is on

4.Jaws of a Predator

5.Belly of the Beast

undecided: 6.Seaside Escapade.

Currently I am writing the script for Part 1 of Ghost of the North and hope to finish up the Audio drama reading for it soon.

So this is all the stuff I've had in production for the past few years! Along with my co writer Pinky heart.

Please, Please! Reblog or retweet this. It would mean the world to me. Also please! Ask as many questions as you'd like. I'll answer as many as I can, and would love to hear everyone's thoughts and opinions, as well as questions and inquires involving the series.

[radramblog]

What happened to Dirk in Homestuck^2?

Why am I doing this to myself.

I memed a little yesterday when I was posting that article around social medias about Homestuck jokes, because once again we are in lockdown and I am therefore Stuck at Home. Canned laughter goes here. But there’s a topic related to the comic- or more specifically, its aborted sequel, Homestuck^2, that I’m interested in delving into a little bit. I’m going to avoid talking about spoilers as much as possible, but considering said comic takes place not only after the events of the massive sprawl that is Homestuck but also the more linear but still messy Epilogues, some amount of sus shit is inevitable.

Anyway. Much maligned is what the Epilogues and 2 did to everyone’s favourite decapitation target, Dirk Strider, and I have a theory as to why it happened this way.

To begin with, let’s summarise what and who Dirk is through the course of the comics. Fair warning from me, though, it’s been a while since I read through this.

Dirk Strider is a teenager who grew up in a post-apocalyptic future Earth, completely devoid of physical contact with other people and only really ever gets to talk to 3 other people, only one of whom is in anything remotely resembling a relatable situation. He struggles with self-identity, having created numerous robots including an artificial intelligence based on his own brain, aka Lil’ Hal. He’s somewhat of a control freak, and a bit of a cold aloof asshole, but means well, and is pretty gay. NBD. The kinda guy to set up a plan meticulously and thoroughly, not informing any of the moving parts even if said parts are his friends, and often involving some form of self-sacrifice.

Throughout the comic he further reckons with self-identity problems and his own self-loathing including entering a relationship with Jake which doesn’t go well and he eventually breaks off since he knows his overbearing and manipulative behaviour is Not Cool and Pretty Toxic but doesn’t know how to shut it off. Eventually he reaches the God Tier as a Prince of Heart, gaining the power to literally annihilate souls, which he never actually uses since he gets yeeted into deep (Paradox) space and then everything goes to shit. Except none of that happens because of the Retcon (aside from the God Tier bit) and we don’t actually see how that shit progressed in the canon timeline. I think. Dirk’s arc, as it were, doesn’t really come full circle- while he does assist in Dave’s character…growth? he really isn’t the focus of that conversation. This immediately precedes the action climax and there isn’t literally any dialogue after that so that’s what we’re left with.

I like Dirk in Homestuck a lot. It’s hard not to, considering the flashes heavily featuring him (Unite/Synchronise and Prince of Heart: Rise Up) are genuinely excellent, along with many of his music themes being absolute bangers. He gets to interact with Caliborn a lot, with a pretty great banter, there, and the whole splintered personality thing is a really interesting hook for a character. I think he’s my favourite of the Alpha kids, a controversial pick considering I know everyone loves Roxy so much. I think, I’m not as in tune with the fandom as that statement implies I am.

And then the Epilogues/Homestuck 2 came.

Now I read the Meat half of the epilogues first, but that’s more interesting, so we’ll tackle Candy first (this is going to get real confusing for those who haven’t read this comic, huh).

In Candy, Dirk almost immediately kills himself, citing the irrelevance of the timeline as cause, an act considered by whatever mechanism governs God Tier deaths to be Just because he hates himself (and also bc of things we’ll get into), so it actually sticks. This isn’t super relevant for the discussion, but that’s just kinda so unbelievably fucked up? Entirely? I’d imagine if you read Candy first you might get entirely turned off by this, which I’m sure a lot of people did.

Meat is where the, well, meat of post-canon Dirk is. You see, a concept very quickly introduced in the tail end of the original comic is the Ultimate Self, an idea where you somehow encompass every different timeline iteration or alternate version of yourself. This was pretty clearly tacked on to make it so characters whose arcs all happened in the retcon timeline could have their not getting an actual arc explained away, but it didn’t land then and it sure doesn’t land for me now. Anyway, in Meat, Dirk becomes his ultimate self, making him near-omniscient and able to control the fabric of the story himself- for much of this story, he is the narrator. And he uses this power to fuck with all his friends really distressingly without their knowledge (or consent), including breaking up a marriage, in order to further his own goals which largely appear to be just keep the story going so to not fade out of relevance. It’s a plot that makes no sense with his previous characterisation, but I guess now that he’s the Ultimate Self he’s a different person? But I liked old Dirk, and I don’t like New Dirk. He’s a villain now, but he made a much better anti-hero.

But this would be fine if he (or the epilogues, or Homestuck^2) were written well. But they aren’t. Dirk’s dialogue is long, painfully drawn out, with tangents that tend to amount to pure wank, misused literary references and pointless metaphors that go on and on, filling the screen with a bright orange screed that hurts to look at as much as it does to comprehend. It’s not fun. And we’ve seen Dirk communicate before, obviously, the story of Homestuck is built around chatlogs, but it wasn’t like this. He was sarcastic, dryly witty, blunt at times. Even when he was literally talking to a different version of himself it didn’t get that masturbatory.

I was so confused about what the hell happened to Dirk, because I had no idea what the hell someone writing this character was thinking when they turned him into this. And then, the 21st page of Homestuck^2 dropped.

And it all came together.

What Ultimate Dirk and Terezi are referring to is Pony Pals: Detective Pony, a children’s book about some girls who hang out with ponies and solve a mystery. It’s a real book, buy it for your 5-year-old.

Except they’re not referring to that, they’re referring to the Homestuck Canon version of Detective Pony- a birthday gift from Dirk to Jane, heavily edited and to be much more obscene and eventually developing into it’s own story, stated to be “tough, emotionally draining, but cathartic in all the worst ways possible”.

Except the quote “Remember Longcat, Jane?” and references to philosophy, dead languages, and ancient earth culture aren’t referring to the three pages of the Dirk-edited Detective Pony we see in the actual comic itself. That quote doesn’t appear there.

That image is from Detective Pony, by Sonnetstuck- the 40,000 word fanfiction from 2014 that serves as a completed version of Jane’s copy of the book. An expansion of what we see in canon. And it’s a tough, emotionally draining read, but cathartic in all the worst ways possible.

It’s a very good fanfiction.

In the later bits of Detective Pony, we can start to see the origins of what would become Ultimate Dirk’s signature style of writing. Long blocks of rambling text, orange dripping down the page, references to philosophy and history and language that go on and on. And it probably does look familiar to those who read the Epilogues and ^2. 

But there are a couple of key differences here. First of all, it’s just better written? The way these rambles circle back on themselves is so excellent, the absolute absurdity of this being written on top of a pony book for little girls, the humour (beyond some of the more immature stuff), it’s just a really well-written piece of fiction. Hell, you don’t even need to be familiar with the character of Dirk to enjoy it. It’s a harrowing piece, but it’s also self-aware- because it’s not supposed to be tough, draining, cathartic etc. just for Jane- it’s clearly that for Dirk himself.

The second part is, of course, that this is a fanfiction. It’s not canon, it’s not official, this is by someone who really likes Dirk for people who really like Dirk. It doesn’t matter in the grand scheme of things, so if you bounce off it (and I’m sure a lot did), then you don’t have to keep reading it, it’s fine, thanks for playing. As much as Homestuck^2 tried to doll itself up as “dubiously canon” it’s still the official continuation of the story, and that means if it’s as difficult to get into as Detective Pony, that’s going to be a problem for a lot of people.

The other part of it is that Detective Pony’s exploration of Dirk’s character is, well, in character. When the man himself steps in as a character in his own book, the explorations of what he is as an author, who he is as a person, make perfect sense for what we see of him at the start of the comic. He is that manipulative, blunt person, and he is aware of his faults. He’s the kind of person to hide a lamentation on his own failings inside an impenetrable maze of a story layered on top of a book about fucking ponies. Ultimate Dirk does not act like Dirk, outside of the “manipulator” angle, something that Dirk was aware of and trying to improve in the comic. But I guess people don’t have arcs, right?

It’s so interesting to see the seeds of Homestuck^2 laden within Detective Pony- because the meta angle that and the epilogues take is also represented in said fanfiction. While the nature of canon is a facet of the work, the idea of authors and narrators fighting for control of a story, different ideas in mind for the characters, one being more personally connected to them than the other, it’s all there. When I wrote about Fallout 4 in the past, I mentioned being worried that Bethesda took the wrong lessons from Skyrim- seeing something successful and trying to recapture that lightning in a bottle. I think Homestuck^2 is an extreme example of this- the writers of the comic saw Sonnetstuck’s masterwork and thought, yeah that’s great, we can do that. But they just can’t. And with the comic crashed and burning, the probably won’t ever get a chance to. Dirk is forever stuck as this amalgamation of himself that looks nothing like any individual version of him ever did.

At least we will still have Detective Pony, and many other excellent fanworks, for actually good Dirk content. I admittedly haven’t looked into much fanfic written during/post-epilogues, and I’m kind of afraid of what I’ll see- I can only hope the fanbase didn’t take the same wrong lessons as the official team did.

[itsthenovelteafactor]

Superhero Gothic

Thanks to everyone who responded to my previous post (special shoutout to @jeyfeather1234 💛 ) about superheroes and gothic media! I know it’s been, like, a month, but here we go.

Here’s a bit of a look into some common gothic themes, and how they apply to Doom Patrol, The Boys, Watchmen (2019), and The Umbrella Academy. This one’s a bit long, not gonna lie, but I hope you enjoy! 

Part I: Let’s Talk About Gothic Media

There is not actually an all-encompassing definition for gothic media, or even a universally agreed-upon one. You’re probably familiar with some well-known gothic works (think Dracula, Frankenstein, Edgar Allen Poe, Stephen King) but there is a lot of debate on what exactly makes them gothic. 

There are some common themes in gothic works, though: families/characters under the control of a tyrannical paterfamilias, the crumbling of the established order/estate, long-buried secrets that have consequences in the present, and supernatural events that are stand-ins for/reflective of the emotional state/past actions of the characters. 

(Note: these aren’t all the themes of gothic works or even most of them, but for purposes here, I’d like to limit this analysis to them. I’d love to talk about other themes/ideas, though, if anyone has them. 😊)

So… superheroes (quick overview in case you haven’t watched any of them… spoiler warnings for the rest of this discussion)

Doom Patrol:

Five misfit superhumans attempt to rescue their mentor figure when he is kidnapped by an old enemy.

They are very, very bad at it.

Also features a singing horse head, a sentient nonbinary teleporting street (who is by far the best character) and the narrator is the fourth-wall breaking series villain. 

Beautifully weird but will also emotionally devastate you. Criminally underrated, tbh.

Watchmen (2019):

Story takes place after the canon of the graphic novel which is too much to summarize.

Alternate history (that should really feel more fictitious than it does) where white supremacist organization the Seventh Cavalry, masked police officers, and former superheroes in hiding all collide in Tulsa Oklahoma

Swept the Emmys this year and ABSOLUTELY DESERVED TO

The Umbrella Academy:

Washed up former child superheroes are forced to reunite when their father dies under mysterious circumstances 

Time travel, dysfunctional siblings, and a killer soundtrack

Basically a family drama with the superhero story as secondary (complimentary)

Probably the most obviously gothic of all of these it is aesthetic AF 

The Boys: 

Superheroes exist but they are corporate sellouts under the control of evil company Not-Amazon (AKA Vought)

Regular human protagonists try to hold them accountable for their actions with varying (read: usually minimal) success

Yes, it’s the one from those weird ads earlier this year

Billy Joel!! 

Part II: Niles Caulder, Ozymandias, and Other Terrible Father Figures

The Tyrannical Paterfamilias: 

Does not always mean a father figure explicitly, often relating to the notion of a patriarchal tradition, or family inheritance that plays a role in controlling the main characters. 

Sometimes, it is a father figure. 

Sometimes, it is a representative of patriarchal tradition/male head of pseudo-family unit.

So, uh, role call: 

Reginald Hargreeves (even in death) holds power over his children, and has shaped all of them into the adults they have become, and that drives the majority of the conflict. Each of the major character individually grapples with the after-effects of his abuse. Luther feels the need to be the leader and protect everyone and alienates his allies as a consequence. Diego constantly asserts himself as a hero (often to dangerous extremes) because it is the only way he was ever valued. Allison has to teach herself boundaries and responsible use of her powers after he encouraged her to abuse them for years. Klaus turns to drugs to cope with his childhood trauma. Five disobeyed his father with disastrous consequences and is constantly fighting to not become him. Vanya spent her entire childhood in the background, and never learned to assert herself in a healthy way. Thanks, Reggie.

Homelander says that The Seven are like a family. While whether or not this is accurate (it isn’t) is up for debate, he does occupy the tyrannical paterfamilias roles incredibly well. Homelander controls every member of the Seven, threatening them and their loved ones whenever they step out of line (read: do not do exactly what he wants in the exact way he wants them to do it.) He is also very closely tied with conservative/patriarchal rhetoric in-universe and at one point dates a literal Nazi. 

William Butcher less evil than most of the other characters on this list but the bar is also like, on the ground. Butcher tries to control the Boys in a similar way (Butcher and Homelander are character foils, okay? it’s actually pretty neat). He’s perfectly willing to sacrifice them in pursuit of his own goals, disregards their points of view and the well-being of their loved ones, and tries to cut loose anyone who disagrees with his methods (recall when Hughie tried to rescue his friends at the end of s1 and Butcher… punched him in the face? Yeah, that.) The difference is that the Boys can push back against his without being, you know, brutally murdered. (And also the Butcher isn’t a literal monster; I’m not anti-Butcher, okay? He’s an interesting character and the fact that he seems constantly on the verge of becoming that which he hates most is part of what makes him interesting.)

Guess what, folks? It’s hating Niles Caulder hours. He engineered accidents to turn the main characters into his test subjects, and then kept them conveniently hidden away in his large manor. Stole their autonomy and independence but paints himself as a benevolent father figure. And that’s not even including what he does to his actual daughter, Dorothy. He’s terrified of her growing up (read: becoming a young woman) and so he locks her away for almost 100 years and, when she is freed, yells at her constantly and makes her terrified of showing any signs of maturation (even though she’s 111 and clearly tired of being written off as a child).

The relationship between Ozymandias and his daughter, Lady Trieu, is integral to the final act of Watchmen. Heralded as the “smartest man in the world,” Ozymandias refused to acknowledge his daughter as his until he needed something from her. While Lady Trieu is more self-sufficient and independent than some of the applications of this trope, she goes to great lengths to prove herself, first to him, and then to herself when he rejects her.

Part III: Been a Long Time Gone (Constantinople) 

Gothic fiction is often associated with change, and particularly, the collapse of established systems of power. For example, many works like The House of the Seven Gables and The Fall of the House of Usher take place in old, crumbling manor houses. There is a reason for this! These kinds of estates are remnants of a past that is irreversibly gone, and their continued presence in decrypt forms serves as a reminder. 

Each of the four series takes place at a moment, either on a wide scale or on a personal scale (or both!), in which an established order is being questioned, and the constant reminders of that failed order are used to gothic effect.

The Umbrella Academy plays this most directly (In fact, there are TONS of parallels between the end of s1 of TUA and House of Usher that I don’t have the time to get into right now... lmk if you want that meta). We can see the Hargreeves mansion as a very literal example of this. While not worn down, the house is notably both very large and very empty. Shelves are filled with merchandise for a superhero team that disbanded over a decade prior, and portraits of a family that no longer speaks to each other. None of the family members ever seem truly comfortable or at ease in the house, and for good reason - every back corner is a reminder of their incredibly traumatic childhood. 

In The Boys, the story begins with the fridging death of the main character’s girlfriend, Robin, at the hands of a member of the Seven, a group of heroes so ingrained in the public consciousness that when they later hide out in a costume shop, literally every single costume is for one of Vought’s heroes. The Seven represent the system in power, which, at the disposal of Not-Amazon means corporate greed, shallow altruism, and the cultivation of public personas at the expense of actual humanity. 

From that moment on, the sheer presence of The Seven on everything from public billboards to breakfast cereal is a remainder for Hughie (and the audience) that this established system doesn’t work and is based on lies, which serves this effect on a personal level. In the broader scale, however, we also see that the Seven themselves are fracturing under an unsustainable business model. Even their name, “The Seven” starts to seem a bit dated when halfway through season one through the end of season two there are notably... less than seven of them. 

The main characters in Doom Patrol are all in recovery after the accidents that irreversibly changed their lives. We see through flashbacks the people that they used to be, and the difference is striking. They were each established in their own elements: Cliff a famous race-car driver, Rita a world renowned actress, Larry a hero pilot, Jane was involved in counter-cultural movements, Vic was a student and athlete. The foundations upon which their worlds were established are completely decimated by the accidents, and now they (save Vic and sometimes Jane) live mostly in isolation in Niles’ manor house, an estate that is far larger than would be necessary to comfortably house a group of their size.

And you feel the emptiness, both in the manor, and in the lives of the characters. They have barely created a shadow version of their own existence when the series starts, so fragile that a simple trip into town devolves into utter chaos. 

Angela Abar of Watchmen has also constructed a life following the terrifying act of terrorism on the White Night. It’s a bit of a double life, and we see that the balancing act is challenging for her, even before the story truly begins. The death of Judd Crawford, and the revelation about him that follows is not only traumatizing on a personal level (but it definitely is that), but also upsets her understanding of the world. People she’s come to trust are not just dishonest but truly monstrous. And the more Angela learns about what has been happening, the more her understanding of the world begins to unravel. Her memories, and the memories of those around her are cast in a much more sinister light, and the effect is genuinely chilling. 

Part IV: “I’m the Little Girl Who Threw the Brick in the Air”

In episode 3 of Watchmen, Laurie contacts Dr. Manhattan on the cosmic phone booth to tell him a joke. It’s a version of what TVTropes calls the “brick joke,” and it relies on set up taking place early on, other stuff happening, and then the response coming at an unexpected moment. 

So, yeah. Events of the past/buried secrets resurfacing with consequences in the present.

Continuing with the theme from Watchmen, the entire series is punctuated with the way the past and the present intertwine, with elements from both the original Watchmen graphic novel, and actual American history. One of the things we talked a lot about in my gothic lit class was the manner in which the overhanging specter of past atrocities casts a shadow over the present, and how many works cannot help but have gothic themes because there are so many horrifying things in the past that cannot be ignored, and provide both context and nuance for the discussions we have in the present. No series tackles these topics quite so directly (and with as much care) as Watchmen. (note: it does not always make for easy viewing, but if you’re in a place where you feel like you can engage with that kind of material, I highly recommend the show.)

In Doom Patrol, the past actions of the characters very much control the storyline (see: previous discussion of Niles Caulder), but the character whose storyline I want to talk about here is Rita (partially for plot reasons and partially because I just love Rita, okay?). We learn when we first meet Rita that in the past she was... not a great person. We know that the trauma of the accident that gave her her powers has changed her, we also know that she still holds on to the guilt and that her guilt has limited the scope of her world for years, but we don’t know what exactly it is that she’s done. 

Enter Mr. Nobody, all-powerful narrator who is not just aware of Rita’s greatest sins, but perfectly capable of manifesting reminders of them into the story. She is confronted with empty cradles, and the sound of crying children in the background of many scenes and we see how much it effects her, without a full understanding of why it does (see: The Tell-Tale Heart). Her past begins to haunt her physically, and she begins to crumble in response to it, until finally she is forced to confide in a stranger (and thus the audience). The past actions do not just inform the audience of Rita’s character - they show up to influence her behavior in the present. 

The ending of The Umbrella Academy season 1 is super evocative of the gothic genre with Vanya breaking open the soundproof chamber (wherein she was silenced for years) and rising from the basement to destroy the last remnants of the Hargreeves legacy (which would be awesome if the last remnants of the Hargreeves legacy didn’t include the rest of her family). Pretty much every mistake the siblings make over the course of the season feeds together to create the finale, but the primary cause isn’t something any of them actually did. It all ties back to Reginald Hargreeves’ complete inability to be nice to children. Any children. His own and random strangers that need help. 

In The Boys, while the extent to which people are making f-ed up choices in the present cannot be expressed enough, we see through the characters of Homelander that many of the present difficulties are a result of past mistakes. Particularly, the profit-seeking corruption within Vought. We learn in s1 through Vogelbaum that Homelander was raised in a lab by Vought as an experiment, only to be unceremoniously thrust into the spotlight and told he was a superhero (which... does not justify a single one of his actions but is still a major yikes). As the head scientist of the project, Vogelbaum is very aware that ignoring his conscious if the name of research has essentially created the biggest threat their world has ever seen. 

(Seriously y’all just stop raising your super kids in isolation) 

Part V: Put Them Together, and They’re the MF-ing Spice Girls 

Having the environment respond to characters’ emotions/mental states is pretty common in gothic works (it was a dark and stormy night = someone is probably not doing super well). One of the advantages of the genre’s tendency towards the supernatural is that, often, those elements of the stories, as well, are reflections of the main ideas of a work of fiction (see: Stephen King’s really unsubtle period metaphors).

Because all of these shows have a ton of supernatural/scifi elements by virtue of being, well, superhero shows, I thought it would be easier (and more fun!) to come up with a short list of elements, what they mean, and what cases they might apply to.

1. A Nonlinear Experience of Time

The Umbrella Academy: legitimately about time travel. Characters are attempting to fix the timeline but are unable to because they are both mentally and sometimes literally stuck in the past. 

Watchmen: In the episode This Extraordinary Being, Angela experiences firsthand the experiences of her grandfather, under the influence of a drug called Nostalgia. The episode touches on many themes, one of which being the impact of generational trauma in marginalized communities. Throughout the series, Dr. Manhatten is cursed with experiencing all time at once, and the episode A God Walks into Abar illustrates that, because of this, he is constantly facing the consequences of particular actions before, after, and while he is preforming him.

Doom Patrol: Mr. Nobody is able to physically travel to one of Jane’s flashbacks via his fourth-wall breaking powers, and gives Dr. Harrison an ultimatum for the future. 

What it implies: Events, particularly events that evoke guilt or conflict, are not as rooted in the past as one would like to think.

2. Powers/Abilities that reflect personal trauma/failings

Doom Patrol: Larry’s abilities/bond with the Negative Spirit have made it so that he is constantly covering himself with bandages/avoiding other people, which reflects his experiences having to hide his identity as a gay man in the 50/60s. Rita forced herself to walk a thin line, betraying everything in pursuit of her image; her abilities require constant effort to keep her entire body from becoming misshapen and out of control. Vic’s father with boundary issues can literally control his perception of the world through his cybernetic enhancements. Dorothy’s abilities manifest as imaginary friends because she was kept isolated for years at a time. 

The Umbrella Academy: pretty much all of the kids’ powers are representative of the interpersonal skills they were never able to develop. Luther is super-durable but also the most emotionally vulnerable of the group. Five can teleport and time travel but always seems to be too late to stop things. Diego can manipulate the trajectory of projectiles but cannot escape the path his father set out for him, not matter how much he resents it. Vanya always forced herself to stay quiet until the sound literally explodes out of her.

The Boys: Annie’s abilities allow her to control light, but she struggles (in the beginning) to bring to light the horrible things done to her behind closed doors. 

Watchmen: Not technically a power, but Looking Glass’ mirror-mask is a constant reminder of the hall of mirrors that both saved his life and traumatized him forever. 

What it implies: from a story perspective, these allow for an exploration of trauma/guilt to occur on a scale much larger than people simply talking about their problems (as if anyone on any of these shows knows how to talk about their problems...) It also means that the trauma/guilt of the characters takes on a physical form that is able to haunt them, and constantly remind them/hold them accountable for their past actions.

3. Diluted Sense of Reality:

Doom Patrol: The first season is narrated by its main villain, and throughout the season we see that the act of narration itself has an impact on the story.

Watchmen: The event that kicks off the plot of the story is hinged upon a paradox introduced by Angela near the end of the series when trying to speak to her Grandfather in the past through Dr. Manhattan.

The Umbrella Academy: The pair of episodes in season 1, The Day that Wasn’t and The Day That Was take the same point in time and explore two possible avenue for the future from there, with The Day that Wasn’t ending with the events of the entire episode being completely erased from the timeline.

What it implies: you can’t necessarily trust everything you see, even from the audience perspective, giving them a position not unlike that of the characters. The character’s uncertainty and confusion is magnified and reflected in the world that surrounds them.

Other examples: an apocalypse (The Umbrella Academy, Doom Patrol, Watchmen (of a sort)), ghosts (The Umbrella Academy - hi, Ben!), immortality/invulnerability (Watchmen, Doom Patrol, The Boys), and characters that look significantly younger than they actually are (The Boys, The Umbrella Academy, Doom Patrol). 

Part VI: Why Did You Write a Literal Essay Don’t You Have Real Schoolwork (yes... shhhhh...)

And... there you have it. I don’t really have some grand conclusion here. This is (clearly) far from a complete analysis but it is the most my finals-week brain can concoct at the moment. 

If you have other ideas, let me know! You can always add to the notes or message me – my inbox is always open!  If you got this far, thank you so much for taking the time to read this! Much love! ❤️

[cooltrainererika]

A Star Wars Noob’s ideas for fixing the Disney sequels

Okay so just to get this out there, because it won’t leave my mind.

So I’ve been binging on SW lately and the sequels only annoy me more and more by the day. So just wanted to throw my character ideas out into the world. Focusing on characters because I like writing characters way more than plot. Hopefully if I ever actually write this thing, or even somehow pitch it to someone with the right connections to animate it with the actors as voice actors, this wouldn’t have gone viral. But since no one looks at my blog it probably won’t lol. Hopefully.

But just in case, I’ll say that this will probably contain spoilers for a story which may or may not exist by the time you read this.

I’ve deliberately been trying to avoid as much emotional spoilers and normal spoilers as I can before the sequels despite the temptation, so sorry if some stuff is a bit off. Augh I hope I can get the time to watch the full OT and PT soon. I was too tired from hiking when I watched SW4 and I now really wish my dad didn’t show me when I was half-asleep.

Rey: Rainbow of possibilities; Cynical Scavenger, Adventure-seeking Audience Surtogate Geek, or Lawful Good to the core Paladin Padawan with a personal grudge, and may be descended from a family line, maybe not, but currently most likely a Skywalker by blood. Story and other character arcs change dramatically depending on which route chosen.

Finn: Stoic soldier man learns power of friendship, finds meaning of life, causes Stormtrooper mutiny, probably becomes a Jedi and second main character and hooks up with Rey. “What‘s a joke?”. Awkward dork and stunted socially but doing his best. May instinctively find it hard to disobey orders. He may be the one wanting to find his family; but that’s dropped soon enough to focus on what’s ahead. 

(Alternatively: Proud warrior guy who acts like a stereotypical North Korean soldier who finds himself outside the First Order, learns power of friendship etc. The rest is the same)

Poe Dameron: What we Japanese people call The Aniki. The funny charismatic ace pilot who keeps everyone sane, overall bro. Wholesome but a bit rough, that guy you would want to share a beer with. But within that easygoing nature burns a hotblooded, determined, dutiful streak, and an even stronger snarky streak. The one with the social skills. Loves his droid like his son though Cynical!Rey and Finn find that initially kind of stupid/strange. 

Kylo Ren/Ben Solo: Appears to be yet another quietly imposing Star Wars villain with added edgelord factor, but actually a mentally unstable, borderline yandere berserker of a man crushed under the weight of a legacy, with a horrifying inferiority complex, identity issues, and an unhealthy obsession with familial honor, constantly stuck between Dark and Light. Despite his high rank, basically the First Order’s attack dog. Usually has the emotional maturity of a 16-year-old, if not younger. If anyone is, he’s the damsel in distress of this story.

Luke Skywalker: Cuddly sunshine headmaster sage doing his best, has been on many adventures before that are hidden ads to future Lucasfilm projects. May have gone to search for answers as to what is causing recent events, or is still present at the beginning. May survive at the end. He could be anywhere from kind of jaded but at his core still that sweet optimist, to Basically Uncle Iroh, to can-literally-summon-Porgs-by-whistling/Space Sage Mr. Rogers.

Han Solo: General of the Republic Armed Forces or courier who decided military life just wasn’t for him and now delivers important messages through still unstable areas of the New Republic, a war hero, and a dad doing his best. Wants to hold hope but may have at least outwardly given up on Ben, with Poe filling in the void. Has gone clean from his life of crime and still married 30+ years strong with Leia. He would be the one who is the closest to Poe if he’s still in the military and Leia is a Jedi, with Poe being seen as his likely successor. He might die at the end of 8? Maybe Hamill and Carrie would somehow talk him into sticking around past 7? He might still die in 7?

(Side note: I wish we could have seen Old Harrison Ford in a military casual coat-cape. He would have looked awesome in it. I mean no one would really complain that he plays fast and loose with the dress code if there even is one, he’s Han freakin’ Solo and he gives no f*cks.)

Leia Organa-Solo: Preferably a Jedi Knight, leader while he’s away if he’s away as well as their tactician, or senator considering her personality; maybe have basically what Colin Trevorrow planned for her (I mean… why not just use CGI at this point? They’ve done it before. I’m sure Carrie wouldn’t have wanted her swan song to be such a passive role either), with her bond with Luke being a major factor and us actually being able to see it in practice. May have outwardly given up on her son as well, but still is at the end of the day a mom doing her best. Basically a strong, smart lady like how she’s always been.

Chewbacca: How he always is, but he plays more of a role than basically the guy bussing the cast around, an active combat role definitely. Han’s second in command and maybe fellow dad. Possibly the part-time chaperone of the mess that is the new main duo. Also was Ben’s first friend, and you bet there will be drama here.

Lando Calrissian: Business mogul who probably helps the heroes out, maybe by selling them stuff and using his many connections to get information. And/or he’s basically an economic diplomat for the Republic. Has known Ben since he was a child and may have snuck him on too many joyrides without telling Leia, to her chagrin and Han’s amusement. 

Grand Admiral Armitage Hux: Basically how he was in SW7. Calculating, manipulative, coldhearted, intelligent, and ruthless, the brains to Kylo’s brawn. Son of former Imperial officers, killed his own father to get where he is. Gives no f*cks, except when he goes full ham. Maybe even he goes cold and pale if Kylo starts getting angry, just to show how terrifying he can be, but I also like the idea of him being one of two people who can manipulate Kylo out of a tantrum and not end up a pile of flesh or choked to death. 

Captain Phasma: How she is in supplemental material probably. A walking chrome machine of merciless death. Probably not very talkative, and probably does not take defectors lightly. She may defect at the end or not depending on how truly evil she’s portrayed to be, but I’m thinking she’s likely this cruel disciplinarian who expects complete and utter, machine-like obedience to the end, and Finn flinches at the mere mention of her, though she herself is equally as extremely loyal to the cause.

Snoke: A mysterious being, the likes of which are not of this galaxy. Probably some kind of ancient eldritch abomination who can torment vulnerable minds with an untraceable curse. Not your average Sith, and despite how it may seem it may not be connected to them at all… Or perhaps it is. Or perhaps it itself serves a larger master. It wants to use Kylo Ren for… something. Just what it is is what Luke has been trying to find out for years.

Knights of Ren: Idea borrowed from Thor Skywalker (check him out on YouTube!); possibly a military cult of Sith/Vader worshippers who see Ben as the second coming of Vader, and have aligned themselves with Snoke. Probably basically Kylo’s personal guard and troops. Or possibly directly liked to whatever otherworldly entit(ies?) Snoke is, not being of this galaxy themselves.

Anakin Skywalker: Determined grandpa doing his best for his kids, grandkid(s), and the galaxy. Doesn’t appear often, but plays a major role in the story; maybe he’s the one who led Rey to his lightsaber, and maybe he advises Luke while training Rey, or secretly follows Kylo, trying to speak to him but unable to be seen or heard by him. He’d be the one who ultimately convinces Ben to return to the light, and to, in an echo of the words Ben heard when he was being impersonated, “finish what I started”.

Rose Tico: A probably relatively new, wide-eyed young recruit in the Republic Military, and maybe seeks revenge on First Order for killing or kidnapping her sister. Not sure if she will be needed, but if there’s room for her she might be interesting. Maybe she’s one of Poe’s friends or part of his squad. She could also be the resident girly girl because there aren’t many of those here. 

Vice-Admiral Amberlyn Holdo: She’s in the Aftermath books, and those seem pretty good, so she’s probably how she is there. A quirky mostly background character that is probably at most there for Han and/or Leia and Ackbar to give commands to and salute back, but most importantly she actually does her job properly, even if she’s still a bit of an odd person. Also Poe knows her and they have a way more amicable work relationship. Also give her something which actually looks like something military personnel would wear. She could even be a legitimately good tactician who comes up with off-the-wall tactics.

(Side note: I heard that she basically has the Star Wars version of Autism, and while I’d appreciate that as an Aspie myself, I’ll also have to say that Autistic people would probably be terrible military leaders due to us not being able to adjust to sudden changes well and our bad communication skills. So yeah, sorry, unless she’s recast to something like, say, a mechanic or logistics or medic or any other more Autistic-friendly job, that’s going to have to go)

Maz Kanada: …Admittedly not sure what to do with her. But she’s more likely to be an acquaintance of Lando before Han, if she doesn’t know both. In fact, Lando may be introduced early alongside her. But she would still have the important role of keeping Anakin’s saber; how she has it, either Lando found it, or basically what was cut from TFA showing that she’s indeed pretty awesome. 

BB-8: BB-8 doesn’t have to change. He’s perfect as he is. Maybe what he can do should be more consistent though. Poe and him are basically Ash and Pikachu, they stick together whenever possible. If Rey or Finn need a droid to tag along and Poe isn’t in the party at the moment, R2 is right there. I once read a fanfic in which BB-8 was actually a droid Luke made for Ben and I liked the idea… though it probably would be a bit of an unnecessary detail in practice.

R2-D2 and C3P0: They’re basically business as usual. They would still have that boke-tsukkomi dynamic they had going on, sometimes with the added childlike cuteness of BB-8 in the mix. If there’s any extra time left for comic relief scenes, or if they’re sent on some kind of mission together, I can see these three messing around doing their thing (or rather, BB being childlike, cute and curious, Threepio being overly nervous, and Artoo being too old for this sh*t and/or BB’s cool uncle/older brother) being both cute and hilarious.

Also Worldbuilding stuff will be featured at the bottom

Elaboration on the “big four” of the sequel cast:

Rey: Aged 19, speaks with Daisy Ridley’s normal accent, not RP (I mean really, her accent isn’t that hard to understand). A whole rainbow of possibilities with this lady, though many don’t realize it. I might be leaning towards her being Luke’s daughter, though her being Just Rey may also be interesting, and her still being a descendant of Palpatine or the main villain could also have potential, though if Finn is a Jedi I don’t think there’s any need for her parents to be nobody. But the three main routes I can think of for her are these three: Cynical!Rey, a Rey with a backstory identical to the canon Rey from her abandonment onwards, Fangirl!Rey, a sort of estimation of a dorky female Star Wars nerd in-universe and the most lighthearted start out of the three, and Padawan!Rey, a Rey who is already Luke’s Padawan at his academy. Maybe making her starting point less crushingly bleak and Fangirl!Rey could work, but it might dilute both ideas, and that characterization might be a bit too similar to ANH Luke. 

As is apparent, Cynical!Rey, is, well, cynical. She’s strong and independent, but extremely distrusting, on-edge, and not used to friendly interaction. Think Female SW4 Han Solo but even more antisocial and probably not even bothering with the bravado, and basically with Anakin’s upbringing except she doesn’t even have a loving mother like Anakin did. Fangirl!Rey was my initial idea but I’m starting to become less partial to it because of the aforementioned similarity to ANH Luke, but my idea was she’s basically Harry Potter, living with stepparents who hate her, or she’s still used as basically child labor but her conditions are nowhere near as bad as Cynical Rey’s, and she would have grown up on stories about the Rebels and the Jedi and everything else in the past movies, collecting every single bit of memorabilia she can get her hands on. If one wants to go for very lighthearted and slightly meta for SW7 this is the route. Padawan!Rey could go anywhere, but I’m thinking she would basically be our D&D Paladin; ever since Ben Solo went berserk and ran off to join the First Order, she’s become very protective of her fellow students and has a really understandable personal grudge against him. She might be the strongest pupil left after the Second Jedi Massacre, and by the end maybe she becomes the successor to headmaster of the academy. It is possible that she was found abandoned on Jakku or Luke’s doorstep, however, so the theme of growing up lonely is there, and because being a Jedi is what has given her meaning in life it means a lot to her. But while I don’t want her parentage to be revealed early if it is Luke, it does raise the massive plot hole of why this was never disclosed to her or to Ben. 

And yes, I did say fellow students and academy. Wiping the new Jedi Order feels really cheap and it makes the whole hopeful Jedi Starting Anew implication that I’m 90% sure the OT ended on feel very pointless. I’d prefer them still being there, though their inclusion would be obviously way more natural in the Padawan Route. This also has tons of marketing potential for Disney, because I wanted to take IRL realism into account; what’s in it for Disney? Maybe potential to expand on other students and Luke’s academy? It could be like a smaller Jedi Hogwarts/Xavier Institute basically. Though the survivors wouldn’t be too numerous; just, like, four at most. Maybe there would be elements of an Avengers/Infinity War/Endgame-esque team movie, even if the rest are a bit out of focus.

I did think maybe the heroes would still go to Ahch-To after SW7 where Luke would have been hiding with his students researching the new threat, but maybe I could have him stay and sort of take a few cues from Harry Potter by introducing the heroes to the world of the Jedi early and giving them a break in the action as they settle in their new homes, so there’s more time to develop the padawan side characters, what the academy is like, and Luke gets to appear in SW7 as well so there can be a OT trio “reunion” (not a reunion in-universe). Though that kind of messes with other parts I want to include like Rey and Finn having to take on Kylo and getting completely whipped because he’s a rampaging madman before having to be saved by Luke. Also Rey getting kidnapped has potential for developing her trust in others, and her and Finn getting a breather moment at the Republic after the heroes and Han regroup would kind of remove a point where that could be easily slotted in the story. It would also require everything before this to be crammed in the first act. 

(Newer edit 5/27/21)  I also like her getting a golden double-bladed saber like many fans depict her. It’s not only awesome looking (because she only gets her own saber at the end of TROS… Why?), but it’s more toys for the moichendise! It fits her starting with a staff, it has more reach, and it would fit Cynical Rey especially for her to have a style centered around keeping as much of herself defended as possible. Watching Battlefront 2 footage has made me think about fighting styles a bit, and if she and Finn are a duo how their styles of combat might compliment each other, especially as their relationship develops (coincidentally she and Finn apparently are a very good combination in BF2). A Cynical Rey would probably contrast the most, with a fighting style based on keeping enemies away, trickery, and defense (a good choice for a blade made of light), maybe a bit wild at first but initially her goal in fighting would be to hold out until there is an opening to get the hell out, only staying to fight if she has no other option. Fangirl Rey wouldn’t really have a fighting style initially, and it’s gonna be very dependent on where her arc goes. Padawan Rey would have the most Prequel Jedi-esque, choreographed style, showing a lot of skill though not quite mastering it and with tons of openings at first. A Cynical Rey may have an uncanny skill to detect suspicious people, which would make her trusting the heroes easier, and though this ability isn’t super strong and is more “a slight gut feeling but it could be nothing” than “human lie detector” it could maybe be honed more. And while not quite wall vision like in BF2 (because wat? Where do they come up with this stuff?), maybe she’s good at detecting people’s presences too. These are very apt ambient skills for someone in her position. Meanwhile, Fangirl!Rey would have probably suspected she had the Force already, and her ambient abilities could be whatever, just rather passive abilities unless trained. 

If she is Luke’s daughter though, that would open up the can of worms of who her mother is. Just making it so that she died before the events of SW7 might seem a bit… unfortunate? I kind of want Luke to have found love sometime (and seriously with how much of a bombshell young Luke was, in addition to him being such a hero, I’m shocked that he never got one. I can see why Mara Jade wanted a piece of that. *wolf whistle*), but then I’d have to figure out how to incorporate her in this already character-dense story without her having cheaply died offscreen. I might be able to think of something? I could always go digging in the dusty pile of old fan theories, I might find something good. Thor Skywalker did hint at her but his story stopped at the end of where SW8 would have. If I do name her Mara there’s probably going to be extra pressure to do something with her. …But I can’t be the only one who thinks that Daisy Ridley kind of looks like Natalie Portman. Then again I’m pretty face-blind. I guess blond hair and blue eye color genes are also recessive traits for Star Wars humans. Though it seems the height genes skipped a generation because she’s actually pretty tall for a woman at 170 cm - I’m sorry what. That’s as tall as the average Japanese man! Holy sh*t Daisy! She only looks a bit small because she’s often depicted with Kylo and Kylo makes everyone not Phasma look diminutive. I guess Ben would get it from Anakin and Han (though he’s still taller than both of them…), so maybe a taller actress would be cast as Mara (?). And despite Rey’s malnourishment in the Cynical route, this actually isn’t that implausible, because stunted growth apparently only happens if children are deprived from gestation to about 2 years of age. 

And again, why wouldn’t Ben know about this? But if this isn’t the Padawan!Rey route (the hardest to incorporate Rey The Actual Skywalker into), maybe Ben took Rey’s assumed death as even more of a reason to burden himself with the entire Skywalker legacy? This would give him a reason to already care about her.

Further edits: According to the Aftermath books, Jakku was a “Lightside Nexus” planet. Maybe this has to do with her powers? (Perhaps she was kept sane by the Force speaking to her on occasion, in dreams or as she lies staring at the ceiling after a long day, showing her the loving life she used to live and unknown to her she will return to someday). Or why she was dropped there? Maybe she was supposed to be living with Lor San Tekka (the old guy Kylo kills at the beginning of TFA), but got lost one day or was kidnapped by bandits to be a scavenger because her small size would have been perfect for getting loot from small spaces? Why not take her back then? This probably is one of the biggest plot knots in the Cynical Rey Skywalker route, alongside who her mother is.  

Small detail lightning round before moving on: I once read a Japanese fic, and in it she mentioned she hates alcohol because she saw how it turned people into monsters. I actually kind of liked this headcanon, and maybe a bit unexpected. Though there’s also the route of her just being too used to it, setting her apart from previous more wholesome protagonists even more.  Also Daisy would have to start hitting the gym and protein shakes because I think her character design evolving from her thin build to a very athletic, Wonder Woman-esque body type would be pretty good in representing her growth as a character, and combined with her height she would be so very badass looking. 

Finn: Probably around 23? Infamous for lost potential, so his backstory is the same. However, I’m thinking that due to his dehumanizing upbringing, he’s a bit robotic and pretty stoic initially, a total opposite to Poe. He doesn’t understand jokes or sarcasm, and now that he’s completely left the life he’s always known, he feels pretty lost. He would basically act like a male Rei Ayanami, though I was going more for Drax at first. Alternatively, he’s a proud warrior type, imagine a stereotypical North Korean/Prussian soldier. He’d be a bit more emotional and probably less cartoonish here (I mean I have compared Star Wars to anime but full-on anime tropes in live action probably looks super corny), and he’s a massive hardass who also doesn’t get sarcasm or jokes and fanatical and would have thought of his fellow soldiers as a collective as his band of brothers and comrades, collectively serving the FO like a smoothly running machine. My initial thought was that after a life of war crimes and the influence a certain pilot whose cell he was guarding who gave him his name, and maybe witnessing the death of a comrade, he had defected from the FO, but I started thinking it would be plausible if he defected from the FO probably by accident. Highly likely to be the second protagonist, if not POV character, and if so I think it’s logical that it’s Finnrey that becomes the canon ship here. In the Padawan!Rey route, he’s the newcomer protagonist, not Rey. If they’re shipped, or even as friends, they may bond over their dehumanizing, harsh backgrounds and the feeling of being lost in the world. Also he likely starts a mutiny. Like it was such an obvious plot point but they never use it for some bizarre reason. It’s like the DM didn’t read his character sheet at all. Actually one didn’t and the other kept forgetting it in the third campaign.

There’s two ways I think his arc could go; first would be a focus mainly on his search for identity and becoming his own person. Second, his guilt about having done the First Order’s bidding for so long. Probably a combination of the two, though I’m not sure how to address them both. He also wants to see his colleagues free from slavery. But I am sure about I’d that he’d have to overcome his conditioning, learning to regain his humanity.

Especially if Rey is a Skywalker and he becomes a Jedi, he’d be the one who the movie makes a point about being from nowhere. He has no idea who his parents are, but it would not even matter in the end, it’s what he makes of his life from here on out. And if he and Rey end up together, which is extremely likely in this scenario, he not only finds his family in the figurative sense with the other Jedi and his new friends plus girlfriend, but in the literal sense as well, going from nameless Stormtrooper FN-2187, to just Finn the ex-Stormtrooper, to Finn the Padawan and then Jedi Knight, to finally, Finn Skywalker, Jedi Knight; maybe the last movie ends with one of them proposing to the other, with SW8 having previously ended with the climactic big damn kiss that cemented that they are a thing now. (Cue Luke jokingly asking when he’s getting grandchildren and How It Should Have Ended!Anakin squeeing over him getting great-grandchildren lol) His name would have this real symbolic value to it with how it changes as he goes from nobody to somebody. Not to mention “Finn Skywalker” is just a freakin’ awesome name. If they make up the leading duo, he and Rey may have some kind of inherent connection, or they progress into two parts of the same whole, even attaining something like a Dyad.

I thought an interesting thing to do if Rey is a Skywalker, and this is Cynical Rey, is a twist on the expected pattern by making him the one who sees the good in Kylo, not Rey. Because while Rey might be his cousin, she’s also a very distrustful person who couldn’t afford to think deeply about people act the way they do when she was growing up and fighting to survive. Meanwhile, Finn knows Kylo, and he also knows what it’s like to be determined to be a killing machine from a very young age, and if he has to forgive himself, or if he’s able to see the light, that Kylo deserves a chance as well. It would be the ultimate show of kindness from him, to show him forgiving the man who works so loyally under the same organization that enslaved him. I can also see Kylo being angry at himself for being unable to sense the Force-Sensitive in their midst. 

Maybe he was born on a “Lightside nexus” planet too so that it makes sense that he can keep up with other characters? Presuming he’s in his early 20s, I don’t think him being raised by the Order since he was a baby is that plausible, so maybe he was already an orphan? I can see the First Order spinning their Stormtrooper program kidnapping street orphans as “rehabilitating” them, which combined with good old Victorian style citizen apathy to street children allows them to get away with it. But if he was, say, around 6 years old when he was taken away, it would make sense why he was able to break out of his programming. Perhaps Poe showing him friendship awoke the humanity long dormant in him. But on the other hand, the younger, adolescent soldiers may be beyond saving, and I can see that being absolutely heartbreaking. 

I can see his fighting style with a saber being direct, forceful, and pragmatic, but unlike Rey the emphasis would be on engaging and keeping up the fight, and be very disciplined, calculated, and controlled in contrast to Cynical Rey. At least he’d attempt it while he gets used to the properties of a lightsaber, before there would probably be a lot of awkwardness as John is directed to swing this weightless prop blade with a weighted hilt like he would a club or sword. If he isn’t a Force Sensitive, he’s a good sniper just like in BF2, in fact this would be his primary combat ability, though still able to hold his own in melee combat. Though even as a Jedi he’d probably still use a gun as a sidearm, and his good aim would also translate to him being very good at spotting openings and spotting danger from a distance, as well as enhanced ability to dodge. 

Poe Dameron: Age 29 (?). A total bro. I’ve kind of come to think of him as this embodiment of the good, wholesome side of traditional masculinity. I can best describe him as the guy you expect to think of when you think of the guy who takes the boys to the bar for beers on the house and hosts Super Bowl night (for the Americans out there). Basically just that big bro/cool uncle everyone likes. I think he’s the least changed from how he is in SW7; he’s a laid-back pilot with no special powers, and while he’s probably the most static and admittedly flat character (and unfortunately more minor than the other two) he has tons of charisma and optimism to compensate, though being the one who keeps everyone sane definitely helps. Not to mention his piloting skills; which, note, are never eclipsed by Rey, because that’s dumb. His skills are a bit more downplayed here, but he’s still extremely good, especially for his age. Despite being the pilot he’s the most down-to-earth, and may be the only one of the big four with any social skills, even if he’s a bit dorky, especially regarding BB-8. 

Son of Rebel pilots, graduated top of his class in the Republic Flight Academy, and his background is squeaky clean, no drug trading involved, though he spent a lot of his adolescence and his adulthood in the Academy or in the military, just like in pre-TROS supplementary material. He’s the main source of jokes and wisecracks out of the trio in all but the most dorky of Fangirl!Rey routes probably, teaching Cynical!Rey and Finn what it’s like to smile and laugh. He still has a close relationship with Leia and Han; possibly closer to the latter due to the latter being a pilot and likely still a General. Not sure about him keeping his rank because him starting and staying at the top might mesh awkwardly with the rest of the trio, but maybe he’s still a Commander; whichever makes his inclusion in the main cast most plausible. Due to an adorable Pixiv comic I found he may have been inspired to become a pilot by Luke or Han. I’d like to think that he breaks the hotshot pilot cliché a bit by not being too overly arrogant, immediately setting himself apart from Han by being a wholesome guy there for his buddies from the start, even if he is fond of wisecracking and snarkiness (probably from hanging around Han and Leia), and inside that laid-back personality lies a hotblooded, passionate, unwavering core. Like, he’s not exactly hotheaded like a Latin stereotype (*ahem*), but he’s got this more subtle, but still apparent, underlying fiery hotbloodedness to him, something that especially makes itself apparent in high-stress situations and when it comes to his loved ones. He’d also be Rey and Finn’s mentor of sorts in stuff that doesn’t involve the Force, being their role model for what a functional member of society is. He may make some self-depreciating jokes about being “normal”, but I think mostly he’ll take it in stride. Though I can see him and Han having a chat about this in a more quiet scene. 

Ironically, out of the trio he could maybe be said to be the most suited to be a Jedi personality-wise, despite the fact that he has no Force Sensitivity whatsoever; he goes with the flow, he isn’t troubled, he’s happy with the simple pleasures in life, he’s just a good, genuine guy who does good things, passionate but not obsessive, and he’s forgiving, willing to give even an enemy soldier a chance, appealing to the humanity in him. The last one is particularly Luke-like, don’t you think? Oh, to elaborate on the escape; I still like the idea of him giving Finn his name (though another idea I love is a fallen friend giving Finn his name, that would change stuff around a lot from what I am thinking at this moment). I also think that perhaps supplemental material or some flashbacks, or even an animated short could be made showing just how Poe broke Finn’s programming; by showing him genuine kindness, because somehow, despite his lack of Force Sensitivity, he saw that FN-2187 could be talked out of his programming if he was constantly nice to him, befriending him, starting up casual chatter with him, and after a while the trooper starts opening up to this pilot. …Yeah, Luke-like indeed. Though since there is the plot hole of why Finn could be convinced in mere days and why he’s the only one guarding such a high-profile prisoner, a more realistic idea may be that they talk to each other this way a few times, then Poe escapes and Finn goes after him before they both crash on Jakku and have to work together, with Poe immediately being friendly with Finn and later Rey, to his (and her) confusion. (I can just imagine Poe being all chipper and trying to engage Finn in conversation, or telling him “Good job, sport!” after they fight off bandits or something, and Finn just is all deadpan and “We are enemies, we have no reason to fraternize” and I find that kind of cute).

He may ultimately be the most static of the main cast, but I can see him having a huge impact in more subtle ways; like maybe Rey and Finn think of what Poe might do in a given situation in their training, and he could be the catalyst behind why Finn thinks that Kylo can be redeemed, just like how Poe was able to light another way when it felt like there was only one path for him. He also definitely wouldn’t be the type to be so reckless with his men like he was in TLJ, if he’s still a Commander; he cares about his men a lot, and in fact they may be the reason why he tends to act like an older brother. I can imagine a pretty poignant scene with Finn where Finn sees Poe by himself and BB-8 paying respects to his fallen comrades by this handmade cenotaph, as he sets some flowers down and pours a drink to them, and Finn once again is able to see how different the culture outside the First Order is, as he would have never been mourned like that if he died on the battlefield, nor can he imagine he ever would have done so himself. Or maybe Rey is there too, because if this is Cynical Rey she’s only known a life where people exploited each other. Maybe other characters like Jessika (who he’s already close to I think? Did she show up in the movies though?) or Rose would have the opportunity to be more than background characters by being part of his crew, and we’d get some charming scenes about the bond he has with his squadron.

Again, admittedly he’d be the least deep character out of the big four, with his feelings not being explored nearly as much. But he probably doesn’t really hide his feelings much anyway. For any supplementary shorts involving him, they would be mainly lighter stories about his relationship with the OT cast and their families and his friendship with BB-8 and his crew, or action-y ones about missions he’s gone on; as opposed to, say, Finn, which would show his life as an expendable trooper who knew nothing but war, Cynical!Rey and her crushing loneliness and growing disillusionment to the world as she struggles to survive, or Padawan!Rey and her anguish and grappling with the Dark Side in the aftermath of the Jedi Massacre. 

I can also imagine him being this adorable Shipper On Deck for Finnrey lol. Just looking at his two friends, all proud, maybe even tearing up like “*sniff* I’m not crying Buddy, you’re crying!” when the inevitable big kiss scene happens. I can also imagine him being the one to tell Finn that “Hey Finn, what you’re feeling is love!”…And then he has to spend hours trying to explain what love even is to him lol. He always has his friends’ back after all. Again, he’s most likely the one guy who isn’t completely socially inept among these dorks. I’ve also had the potential idea that he could maybe be a good cook, and he’d be the one who introduces Rey and Finn to actually good food. Some fics I’ve noticed tend to show him cooking stuff probably for that reason. It’s just kind of cute, and it sets a good example if despite his traditionally masculine, salt-of-the-earth character, he likes some less “manly” stuff like such and sees no shame in it.

He may sacrifice himself in a blaze of glory towards the end, especially because quite frankly he may lose his plot relevance as the story goes on, though it would definitely be way more respectful than a lot of deaths were treated in the sequels. But I also want him to stick around because I want to imagine him being all proud of Rey and Finn after they propose to each other and giddily planning their wedding, and I feel he could have some very good interactions with Ben to build on for any spinoffs taking place after the trilogy. Speaking of…

Kylo Ren/Ben Solo: AKA Yet Another Ball Of Lost Potential: Anti-Villain Addition. This is gonna be a doozy, so strap in. He was probably the most developed character here but that just makes his lost potential stick out even more, so I have so much to say about him.

About 27 probably. While people complain about it, I actually like him being a manchild. It makes him a bit unique in this series. It’s kind of like Vader if he didn’t get stuck in that suit and kept acting like Anakin. In fact, that could make him even more terrifying if that feeds into how destructive he can be; at first he seems like your typical intimidating SW villain, not even that bad a leader with a seemingly calm if tense, imposing air, but it eventually becomes clear he’s this terrifying, volatile berserker who can throw some of the most destructive tantrums ever, and is ultimately a pathetic, broken, pitiful shell of a man. …He just happens to be a very powerful shell of a man. Maybe if he becomes emotional or angry enough, he can unleash powerful shockwaves that basically blow up everything around him, or cause mini Force Storms, or cause any number of unpredictable effects. Though he’s not quite constantly raging either; these berserk states are indeed triggered by anger, but I’m thinking that they are also basically weaponized panic attacks, there’s a sense that it’s also a self-defense mechanism that he lapses into when emotions overwhelm him or when he otherwise feels threatened (though whether it’s necessarily involuntary all the time I’m not so sure; but while he’d definitely want to be able to trigger them voluntarily, there will always be some sense that he doesn’t have full control over it). Also a lot of his rage is directed inwards as well, much like with his grandfather. I thought that maybe his unpredictability in these rages would be the key to his destructiveness, though I can see how someone who is out of control would also pose a problem, no matter how powerful; so maybe this is when he becomes the most focused, becoming locked onto the elimination of the perceived threat at all costs, and/or he can be controlled by his Master more directly like some kind of attack animal. 

Luke’s first padawan, or at least after Leia or Grogu (I might make him show up as Luke’s first knighted pupil and allude to this, providing more exposition on Kylo, and being one of the Jedi who help fight in the final battle as the Skywalkers go on to take on the final boss (and Grogu’s name being revealed would be a massive hype moment in The Mandalorian)). Due to his storied family, plus the name of his uncle and grandfather’s own master, he had heavy expectations on his (at the time) small shoulders from an early age. However, he had long been tormented by the Dark Side due to an untraceable curse placed upon him by Snoke, and probably a pre-existing anxious personality. The expectations placed on him, or maybe perhaps just self-imposed expectations, only worsened his turmoil, resulting in a festering mess of self-hatred, extreme perfectionism, and an obsession with familial honor and obsessive attachment to his family, especially Luke, that is a nasty combination of hero-worship and the abovementioned complexes and may border on almost incestuous.

There’s three ways for his backstory to go; “Underachiever Ben”, where Ben is either mediocre as a Jedi or still good but outperformed by others, or “Elsa Ben”, where he’s basically like Elsa from Frozen, possessing an extreme amount of power but barely able to control it, possibly due to Snoke’s curse, and a sort of middle ground, where Ben was super strong and a quick learner, but the dark side in him made Luke feel mixed about Ben’s increasing power, which Ben sensed. If the former, Ben becomes increasingly frustrated at himself for being such a “failure”. If “Elsa Ben”, there’s that, and also the added pain of him growing up terrified of himself and able to sense the terror he causes to those around him, so he was taken in by Luke so hopefully Luke could figure something out; he could have been destructive from the start, or maybe he started to become increasingly destructive despite his training. If the middle ground route, he takes Luke’s mixed emotions to mean that he doesn’t think he’s good enough. How severe Snoke’s curse would have been I’m not fully sure on; he could have voices in his head and nightmares keeping him up for days, chipping away at his sanity, tempting him to accept the darkness, or it may have just been an amplifying of his already unstable emotions. They could have even started as the latter and escalated to the former. But I’m thinking that to best explain his behavior I’m leaning towards the Elsa route. Eventually, his nightmares morphed into repeated visits by Darth Vader, his grandfather, who told him about the truth of his lineage and how he became Vader, slandering everything and everyone he ever admired or loved, telling him of his “true” destiny, and how he should give up and embrace it; unable to hear the real Anakin’s ghost screaming at him to not repeat his mistake. This extended campaign of mental torment stunted his emotional growth in many aspects, and at times he may seem to regress even more. Maybe other padawans were afraid of him because of this dark side presence, avoiding him, and/or were jealous of him because of his lineage and relation to Luke. He often felt entitled to be Luke’s right hand, getting jealous at other students and taking any reprimanding, no matter how gentle, extremely personally. Luke would have needed to struggle between not seeming to be biased towards his nephew and giving him the attention he needed, especially because Ben would feel like Han and Leia abandoned him because they weren’t able to help him, but considering how attached he is to Luke this would hurt him. So when Luke went to speak to him one night, or rushed in sensing an overwhelming dark side presence in his room, and was suddenly attacked by Snoke with a vision of what his nephew would become and making him go into fighting mode for a split second, drawing his weapon to protect Ben, and/or earlier admitted in anguish that he had no idea what was tormenting him despite his efforts, the straw broke the pedestal and he resigned himself to his “destiny”. Ironically he’s just exchanging one sky-high ideal for another, but he’s too emotionally immature to realize this, nor does he fully realize the fact that Snoke merely sees him as a malleable, gullible means to an end. Yet he still feels that pesky pull to the light, and he becomes increasingly frustrated with himself that even as a Dark side user, he still can’t be “perfect” or “worth” anything, not even able to sink himself into the darkness and finally rid himself of his pain. For all the privilege and power he has, or because of it, he always feels worthless. 

Basically I want to break him down and make his pitifulness obvious, but that’s what makes him sympathetic. He’s nowhere as far gone as Vader, even if he wants to be, kind of like a reverse Jekyll and Hyde situation where the Hyde is dominant but Jekyll hangs on, so to speak? Maybe? Is that the right analogy? Or I guess it is kind of like Anakin but sort of not, but he’s rapidly going down the same route of hurting his family like his grandfather. 

From researching a bit, his proposed behavior seems pretty close to the symptoms of BPD, which is actually pretty fitting because I was thinking Luke’s philosophy on the Force would be influenced by a more modern understanding of psychology, and Dialectical Behavior Therapy actually seems pretty in tune with what I understand to be how the Light Side of the Force works (I mean it even has basis in religious meditation…). Perhaps a mystical version of DBT was one of the things Luke was studying in exile. Though obviously it isn’t exactly BPD; portraying an actual, named mental illness not only has way too much baggage behind it, but it breaks immersion. And with him a lot of it will be the influence of the curse, though I think I would rather him have a personality that made him vulnerable to it from the start, so the curse had something to latch onto. 

Going with the “Elsa Ben” scenario, his “real” personality is anxious and even a bit shy. While I like the idea of him being cheerful when he was very little, the shyness always being there is also a characterization I like. Combined with his lumbering physique from his teenage years onwards, this made him a kid who gave off an impression of being extremely dorky (an act that would probably be very natural for Adam Driver to pull off lol) and/or withdrawn and aloof, the latter of which may have made some other padawans think he thought highly of himself and start to resent him. Unlike Anakin he’d be probably a dutiful student, almost creepily obedient, probably actively distancing himself from rebellious behavior, though his way of speaking isn’t exactly super formal either because of the influence of the adults around him. In his obsessions lies a genuine love, even if twisted, of his “favorite person” so to speak. He was also a genuinely sweet kid who wanted to please these special people in his life. He could be said to be actually really selfless in a weird way, because ultimately he values familial honor and being “good enough” for whatever higher purpose more than he values himself. TROS implied some sassiness with that Han-like shrug, and while I can maybe see some of Han rubbing off on him like that, that might be something that started from him trying to copy his parents’ air of confidence, and another coping mechanism. He might, like Vader, have a 501st legion 2.0 which Phasma is in charge of and Finn is part of, and show a more nicer side to them. Perhaps he opened up one or two times to Finn specifically; I can see this image of him venting to him while Finn stands still like how someone might vent to their dog, not really expecting Finn to be listening (also sarcasm might help Kylo obscure his true anguish from Finn, because FO troopers don’t understand sarcasm probably).  

He will be redeemed at the end… and live. Even if not necessarily paired with Rey. I’m neutral on Reylo (though admittedly I have a weak spot for pairs involving a strong woman and a troubled guy, so it’s kind of growing on me), but I really think this ship, or even centering the story strongly around a platonic relationship between these two, could have worked if it was built up strongly (Though if I were to go this route Finn would have to be established as a secondary character from the start, with Rey as the definitive main character, to focus on this). But either way, he’s definitely going to have to face the consequences of what he’s done, make up for his atrocities at least somewhat, and think about what he truly wants to do from now on. I can imagine him quietly reading stories to younglings as Rey, Finn, and Luke train some other pupils outside, or thanklessly working behind the scenes in other ways. For his haters out there, I could make the pill easier to swallow not just by making the reasons for his fall and how he was slowly and meticulously gaslit more clear, but also making him not as awful. Yes, he’s extremely destructive, but he could show more reluctance, or pause after his berserker rages, staring at the destruction he’s caused as the weight of what he’s done sinks in. He’d of course resent that he still has mercy left in him though. I don’t think that there will be a Starkiller Base, but even if there was he might argue with Hux a bit over whether it’s really necessary, until Hux sneers at him for having mercy, saying that Vader never hesitated when blowing up Alderaan, and Kylo reluctantly backs off.

…Actually, what about making him and Rey cousins? On one hand, if Rey is a Skywalker by blood, a direct daughter of the Master himself no less, Ben is now suddenly freed from carrying the weight of the family legacy on his own. On the other hand… He basically loses the thing he has spent his entire life building his identity around; since his fall would have partially been because of his obsession with Luke, he may become jealous and extremely resentful of her, and/or take this as even more reason for Luke to not “need” him anymore. Or perhaps, he pulls a reverse of “I sense the conflict in you” with her, wanting to “save” her from embracing the Light and wanting her to embrace the “true” Skywalker destiny with him. He could even be overjoyed that he could have someone else alongside him to carry on the legacy with; in this scenario he could have an unhealthy obsession with her that might also start crossing into “are you sure this isn’t incest?” territory. Yeah it’s a “join me and we can rule together” scenario again, but it would be done differently. Or perhaps it’s a mix of some of those. Exploring that and how he chooses to take it could be extremely interesting. Maybe it’s resolved when Anakin tells him to “finish what he started”… not just by saving the galaxy, but by also living the rest of his life loving his family not as an ideal, but as family, like Anakin wasn’t allowed to. And platonic Reylo sounds nice too. Though that’s going to make all that shipping fanart so awkward lol. Well it’s not as if Star Wars shippers haven’t been cockblocked by incest before (though his obsession with family and extremely questionable mental state would probably make such shippers go nuts anyway…). 

And going off of Poe being close to his parents, while the main interactions with Kylo from the heroes would be Rey, Finn if he’s the second protagonist, Luke, and his parents, I can see potential for an interesting dynamic and some interesting conversations between them too. Much like how he might react to Rey being Luke’s daughter, I can see him being jealous of Poe and resenting him for being his “replacement”, but after his redemption I can see potential for seeing the start of a friendship between them in epilogue comics, novels, or a mini-series. It would be pretty in-character for my version of Poe to want to help rehabilitate his sort-of stepbrother. Also I now have the adorable mental image of Ben quietly helping Poe (and maybe the rest of his squad) decorate and arrange Rey and Finn’s wedding, or the two surprising Finn with a very elaborate bachelor party, though I’m not sure if those exist in this universe. And because of a certain Inside Llewyn Davis scene I’m also imagining Poe getting Ben to sing with him and BB-8. It’s adorable. 

Also if both Rey and Finn are the main heroes, he might have some kind of link with both of them, and the main duo would both contrast him in their own way (lonely scavenger who no one expected anything of and nameless trooper who defected from the First Order vs. someone who grew up in greatness but seemingly threw it away and chose to be in the First Order; and much like Kylo Finn in particular has been manipulated from childhood to do heinous things, so he may sympathize with his situation). Maybe he’s the missing piece needed for both him and the leading duo to reach their full potential, or the main duo are the last piece needed to finally break Snoke’s curse on him, or something. Or it could simply just be Finn showing his growth and strength of character by understanding and forgiving Kylo, despite him now understanding just how badly the First Order treated him, which makes Rey (who, again, might start as this super cynical scavenger or may have seen Kylo go berserk and massacre her friends and betray her Master) come around to the idea. In this scenario it may actually be even more important to emphasize that Rey and Finn are two making up a whole, so as not to bog stuff down. It’s possible to ship Finnrey and want Kylo to have a better ending, what a shock! 

Maybe Rey and Kylo could switch places, and he comes back to the light in SW8, which is an idea I’ve seen floated and is something that would make the story truly unique. He would seem like basically a less stable Vader 2.0 at the start, but over SW8 he could be seen breaking more and more out of his own terrible mindset, coming to a head in a cathartic realization that bring him back into the arms of his beloved family. It would also add an interesting dynamic that he and Finn have to be equals now. But that may mean that Rey would have to be killed off and I’m not so sure about that. 

Though speaking of her, since in all these scenarios a common thread is that she understandably doesn’t like him, it would be a bit of a twist if Finn sees the good in him but Rey, if she’s a Skywalker, his cousin, doesn’t. 

And to bring up Poe again, I also really like the idea of them having been childhood friends and thus knowing each other before the events of SW7; after all, they’re around similar age, it isn’t that far-fetched to think that former Rebel families would be still pretty close to each other, and I’ve seen some adorable fanfics with the concept. It also adds connection between them and adds even more tragedy, even if this relationship may have to be elaborated more in supplementary material due to time. I can definitely Poe speaking like an old friend to Kylo and constantly calling him “Ben”, to his irritation. The abovementioned feeling of being replaced could be what caused Ben to suddenly break off the friendship. And making the main cast kind of tight-knit like this might also help make the cast easier to manage. 

Granted, there is the possibility of killing him off, though. I heard that one of the initial ideas for TFA was apparently that Kylo would be a reverse Vader, falling deeper and deeper into the Dark Side as the trilogy goes on. In fact, this may have been where Kylo killing Han may have been leading to. This actually sounded like a super cool idea, but considering the backstory I laid out I thought it would be way too bittersweet for the concluding movie of the saga, and if one were to say Kylo basically has BPD… That might lead to some unfortunate implications. I mean nothing is stopping me from not using the Elsa backstory, and if I didn’t use it maybe this route would be pretty viable, but I’m kind of starting to get attached to it. 

—

Other characters:

Hux: I’ve never really been a villain person. I mean I liked sympathetic villains, yeah (but even then I preferred anti-heroes for a while; I’m talking like nothing beyond N from Pokémon levels of “evil”), but straight-up villains I just have merely seen as obstacles. Like back in my Smash fic days I was often like “Eh… They’re there… Because they want to take over the world I guess?”. It’s why I’m having trouble with Snoke probably lol. But for some reason Hux interests me. If I take a guess it’s probably because of the potential he had as an actual foil to Kylo in his own faction. He had so much potential as a villain, and in having this tense dynamic play out. In fact he does seem to have been set up that way in SW7. But yeah, I imagine him as one coldhearted bastard. His backstory, though not elaborated on in the movies, would be much like TFA supplementary material set him up; he’d still have killed his father, but while yes, Brendol was abusive and strict, Armitage didn’t kill him completely because he was a young man who wanted to break free from his strict father, but also genuinely because he knew doing so would be good for his standing. Unlike Kylo when he (most likely) kills Han, he doesn’t regret killing Brendol at all. While he might have a tragic backstory kind of explaining his behavior, it doesn’t bother him at all, while Kylo, who considering what happened to him and how he’s literally under a curse you’d think would have a much steeper fall into unabashed evil, is constantly conflicted. It’s a very Sith Lord-like backstory funnily enough… In fact I’m pretty sure that Palpatine had a backstory very similar to this with his parents.  

He’s a very logical, analytical, brutally pragmatic person, and he looks upon Kylo’s emotional state with condescension. I’m increasingly starting to like the idea that he’s somehow able to talk Kylo down, while still being hardly nice. Perhaps he preys upon Kylo’s constant need for approval from others, even if he doesn’t like the person in question (this may also be why Kylo reacts so strongly to Finn escaping as well, in fact. He genuinely cares about people’s loyalty, even from literal no-name soldiers). Though I can’t decide whether he’s this deceptively charming snake or basically an evil Spock. I also can’t decide between him being in this constant state of “Why do I have to babysit this manchild” or giving absolutely no visible f*cks around Kylo no matter what happens, or even straight-up trolling him often, toying with his emotions because it amuses him; preferably two or a bit of all somehow? I can see him using having met Vader as a child to mock Kylo for how much of a pale, childish imitation he is, or reminding Kylo of how much better he is as a leader objectively; perhaps that’s what he holds over Kylo’s head. Or him explaining to Kylo how he was raised by less than stellar parenting and tried so hard to live up to his strict father too… So he brutally murdered Brendol in cold blood (possibly with Phasma’s help), became a better admiral than he ever was, and got over it “Like an adult. Unlike you.”. They’d be in this constant state of delicate, tense equality; Kylo can easily overpower Hux if he pisses him off a bit too much, but Hux is able to walk that fine edge seemingly without much effort. 

But when he realizes whatever grand cosmic plot he and the entire First Order has been participating in this whole time is when, ironically, there would probably be a really dramatic villainous breakdown from him. It’s kind of a Zuko and Azula situation with Kylo and Hux perhaps? Or is this Hux more a mix of Azula and Zhao’s roles rather?

——

Worldbuilding stuff: Since I’m more a character person, there isn’t much here, but because the worldbuilding was another issue in the movies I’ll also be adding these.

The New Republic isn’t nuked in the first movie. In fact it stays there for the duration of the trilogy and the hero faction is now its armed forces, not The Resistance (Also that name makes no sense. Seriously. At least name them The Peacekeeper Corps or Vigilantes or something, or since they’re basically Leia’s personal military maybe the Organa Free Army or Organa Corps or something of that sort. No wonder people mistakenly call them The Rebels sometimes. It’s a similar setup to Chrom’s Shepherds in Fire Emblem Awakening, albeit with a better relationship with the kingdom; it would be downright strange if the Shepherds called themselves The Resistance despite literally existing with the queen’s permission, and it still is here. Hell, Leia’s Shepherds is a better name). There would be elaboration on the political stuff going on behind the scenes, and if Leia isn’t a Jedi that’s her plotline probably, though a big part of me wants her to be part of the action instead of being stuck on the homeworld. 

Meanwhile, The First Order is made up of Imperial Remnants and people and planets who were unsatisfied with the democratic but still new and fragile New Republic. Basically think White Russians if the Soviets weren’t also awful. It happens a lot in history. While it may have some mining planets in its orbit (not literally, you know what I mean) so it can plausibly refurbish anything Kylo wrecks with his tantrums, Starkiller Base is probably a bit much, and a lot of their equipment might be old Imperial or Rebel stuff, or stolen from the New Republic, with new stuff being produced but not in overly high quantity. Some of the equipment deemed less important might even be kind of crappy due to how old they are. They’d probably be at most an equally powerful faction to the Republic, if not smaller than them, seeming more like a terrorist cell. I don’t have much of an idea why Snoke would want to be involved in it yet though. 

But while the First Order might be smaller, the New Republic is hindered by it just now finally gaining its footing, and the military previously only having been used for peacekeeping and sniping stray Imperial remnants. Because it’s peacetime, it might have been kept pretty small, and also the military academies are literally not even 30 years old at this point, so new that it’s possible Poe, despite his youth, was one of the earliest graduates; one of the military’s most high-ranking officers is literally a scoundrel with no formal training - even if he is good at his job - it isn’t exactly a well-oiled machine, though its less rigid, casual structure also does benefit it in some aspects. Also the FO can easily use Kylo as intimidation, and its upper staff is nothing if not driven and motivated as well as ruthless. They may engage in more underhanded actions like sabotage and suicide bombers, or rely on small elite units like the Knights of Ren or small companies of troopers, to poke holes in the enemy just as much as open combat. And maybe if all else fails Snoke causes something really bad to happen seemingly out of nowhere. 

While I do think that making the baddies an Empire 2.0 is an… uncreative decision, I want to keep Finn’s backstory, plus it fits Kylo’s story too so blah, I kind of have to keep it. Plus I want to do Phasma and Hux justice. Maybe Snoke or whatever it serves turns into a giant Eldritch abomination and have no use for the FO anymore. And again, reactionary forces are a thing that have existed throughout early modern history. But as already mentioned, due to the nature of the First Order’s existence, maybe the Stormtroopers aren’t kidnapped, but they were orphans picked off the streets, and/or some more dedicated Imperial parents gave them their children? I had the idea that Troopers like Finn are “Junior Troopers”, the child slave type, while older members, “Senior Troopers”, would be legit Imperial revanchists and former troopers. Maybe there’s a separate company of Juniors who think they’re cool by fighting for the First Order, but generally Juniors would be the lowest on the social rung, though some might make it into higher positions, and don’t know any other life than what they have now. Though I also like the idea that Finn was part of an elite unit directly connected to Kylo Ren like the 501st, so he has a reason to be particularly hurt by his betrayal (but that could throw a wrench in the whole Finn was a faceless cog in the machine thing). They’re pretty Prussian in command structure; officers work under mission-tactics, but the rank-and-file are machine-like in their discipline, more than even some actual droids. The Republic’s forces also probably engage in mission-tactics a lot, except how far it is acceptable goes way further down the chain of command, so stuff like the Holdo situation doesn’t happen. If that situation were to happen when mission-tactics were to be expected Poe’s independent action would be seen as reasonable. This would have potential for very interesting battles and tactics, though I’d need a lot of help with those because I’m the furthest thing from a tactician you can find (but even I can tell the bomber scene from TLJ was dumb, which should say something).

I kind of realized that it’s possible that the four OT legacy characters may end up basically representing four major aspects of the New Republic; the Jedi (Luke), law and justice (Leia, if she’s a senator), the military (Han, if he’s a general), and economics (Lando). I think some worldbuilding into how the republic functions should be explored through these characters as they move the story forward, except for the Jedi since they’re obviously a central focus, and Luke might very well be introduced after them, and the military will also get focus for obvious reasons, and Poe exists. The information definitely needs to be conveyed as efficiently and organically as possible through the story, because there’s two, likely three, equally important main characters and an unholy amount of secondary characters who aren’t exactly minor. 

May write more later idk. I need to be doing other stuff…

[shirtlesssammy]

15x16: Drag Me Away (From You)

Then:

Castiel confesses a bombshell to Dean

Now:

We pick up right where we left off. Dean and Cas are about to share mutual I love yous and ---. A man checks into a motel late at night. The man is nervous entering the room, but reassures himself that he “can do this.” He sets up shop, and by “shop”, I mean he starts hitting the bottle. 

Travis gets a text from Caitlin asking him why he would go “back to that place.” The creepy ring he grasps as he tells himself it was never real tells me it was VERY REAL. Get out of there, Travis! 

Alas, it’s very real and he’s murdered by Closet Ghost Boy. 

Sam and Dean are on the case!

Oh wait, I guess they knew the guy back in the halcyon days of their youth and they’re actually heading to his funeral. Sam recaps recent events, including Cas bailing on the fam. Then he asks if Dean and him are fighting again. 

AND IT SENDS ME. #SamKnows

Dean denies knowing anything (AHEM. I sense DRAMA by the end of this episode --I’d normally say this would be left for the end of the season, but we’re really at the end of the season and the END OF THE SHOW...what’s with all the manufactured drama??) Dean then gets a text from Cas asking if he’s told Sam. 

That’s a negative. 

*Flashback Alert*

January 1993

Dean’s about 14 or 15 and Sam is 10. They’re dropped off by John to chill at a motel while he heads out on a hunt. Sam’s hiding something under his coat, and with a little prodding from Dean, it’s revealed to be a college guide. 

#NerdAlert

Also, angst alert, I guess. This sets up the rift between brothers. Sam wants a normal life, Dean’s happy being a good little soldier. (Hmmm, something tells me neither of them will be in The Life when this is all said and done…) 

Sam laments his life but unpacks his bag anyway. 

Dean, meanwhile, heads to the vending machine to grab dinner. A young girl and her younger brother catch him stealing and introduce themselves as the mysterious Caitlin and Travis. And the young Travis is the DEAD KID. 

They exchange life stories and Caitlin insults Dean’s Precious. 

Present Day Sam and Dean meet up with Caitlin again. 

(Mid recap mind-melt: THERE ARE FIVE EPISODES LEFT! What are we doing here????) 

She tells them that the funeral was last week, but she needed them to help her. “I think she’s back.”  

*Flashback Alert*

Travis was her first “victim”. He attempts to get a candy bar from the vending machine, and her gnarly hand attacks him instead. Travis DOES NOT deal well with it. 

The group gathers in the motel room and Travis is upset that no one else saw the old lady in the candy machine. Dean tells Caitlin and Travis that monsters are real. Dean asks if weird things are happening in the town. 

Apparently kids go missing in this town. 

And in the present day, Dean tells Caitlin that he killed the thing that preys on children, so Travis had to have killed himself. 

Team Youth start their investigation.

They think they’ve got things figured out, and Dean is IN CHARGE...or a dumbass even at 14. He heads out alone to fix things. Caitlin follows. (Insert Lucille Bluth gif: Good for her!) 

Sam and Travis stay behind to play Boggle. #nerdalert

But seriously, now they’re setting up the idea that SAM might die at the end? No.

Dean and Caitlin continue their explorations, and Caitlin takes their endeavors less than seriously. GIRL. They find a nest, and something Dean freaks out about and pushes Caitlin to leave the area. 

Sam and Travis start to spell out very grim Boggle results, when the game shakes and the room goes dark. The hag appears in a tangle of gnarled hair and dirty robes and heads straight for them. Dean and Caitlin burst in just in time! Dean chops off her fingers and gives her a bit of a stabbin’ and the witch evaporates into dust. Her ring is left behind on the floor.

Grown up Dean paces through the motel and encounters a ghostly version of his younger self. Young!Dean mocks him, tells him he failed, and hands him a knife. “You know what you have to do.” Dean sinks to his knees, the knife poised to slice into his heart. 

When Sam interrupts him, Dean discovers that he’s been hallucinating everything - even the knife. 

Later at the bar, Dean confesses to Sam and Caitlin that he saw the monster’s nest when he was hunting her as a kid. It was full of dead kids around their age. Sam’s horrified and asks why Dean never told him. Sweet bby Sammy, you know why! Though he tried to forget, the experience cursed him with nightmares for a long time. “We were both just kids,” Sam says to Dean’s BIGGEST GUILTY FACE MY GOD. “We used to keep a lot of secrets from each other!” Sam assures him. But that’s toooootally not the case now!

At the adjoining cafe, Dean orders dinner to go when Billie appears. “Working a case? NOW?” she asks. (Mmmmmm yes Billie lay it on us!) She’s fresh from the last of the alternate universes, having just watched it burn alive. (Guys, it was probably squirrel-verse but Boris saved Team Free Squirrel 2.0 for us!) Billie warns Dean that Chuck’s only days away. Amara’s on board and Jack’s ready so...let’s go Team Free Destruction! Dean asks her how she convinced Jack to turn himself into a bomb. Billie flips that right back on Dean. She told Jack that destroying Chuck and Amara (and incidentally, himself) was the only way to earn Dean’s forgiveness. And just...YEESH EVERYBODY.

Anyway, Billie’s not in Chuck’s book again until the very end, so she bids Dean a broody farewell. “This is on you, Dean.” No presssuuuuure! “I don’t like loose ends. I don’t like disorder,” she scolds. She orders Dean to come clean to Sam about Jack.

At the motel, Sam and Caitlin research monsters. She wonders whether he wants a normal life. GURL there ain’t no normal in Winchester-land. Sam stumbles across an article on Baba Yaga. She wears a ring which contains her heart, and is the source of her power. Caitlin recognizes the ring as belonging to her brother. Her mom had given it to Travis from the lost and found years ago. She heads outside to her car to find it.

In her trunk sits a box of Travis’s belongings. She can’t find the ring and is soon confronted by her dead brother holding the ring and grinning maniacally.

Dean returns with dinner, only to find Sam ready to hunt Baba Yaga and find the now-missing Caitlin. Because the attacks have all been at the motel, they prowl from wing to wing. Dean heads to room 214. 

He walks inside, and I am momentarily agog at the wonders of these perhaps final motel rooms of the series. I love that the floor tiles in the rooms echo the Patchwork logo from the prior episode and that the quilt square design itself emulates tradition and family. And all the eyes in the wallpaper!

For Motel Room Science:

Ahem. Anyway. Dean heads inside, only to be instantly trapped behind the slamming door. Suddenly, he’s not in the motel room anymore. He’s back in the cannery, prowling its quiet spaces. He finds the site of the nest and flips back the tarp, only to reveal young Sam’s face lying there. Rattled, he tries to leave. Travis confronts him, but of course it’s not him. Baba Yaga tells him that she’s hungry for delicious people, and starts to throttle Dean.

Sam hears the struggle and heads in, stabbing the witch. Stabbing is distraction enough that Dean can yank the ring off her finger and smash it with the butt of his gun. 

Later, Caitlin bids Dean farewell. He confesses to always being afraid and she smiles. “The old you never would have admitted that. What do they say about getting older? You tell the truth more because lies...they don’t make anything better.” Okay, first of all, literally nobody says that. Second, thank you for this theme acorn - I shall settle on my haunches to eat it! Nom nom nom.

Flashback to Dean and Caitlin parting ways as children. Dean hands her a phone number to call if she ever encounters trouble. So...typical kid stuff.

Young Sam asks if anyone ever found the missing kids. Baby Dean lies to his face and tells him that they were never found. John pulls up in the Impala and honks to beckon them out. The boys head out, a team for the moment.

As adults driving in the Impala of Feelings, Sam tries to call Cas. Dean orders him to hang up because he’s got a confession - I mean, update - to make. Billie visited him and told him that it was time to fight Chuck. “And there’s something else,” Dean adds. Jack’s going to die from the encounter and he’s ready and willing to sacrifice himself. Furthermore, Dean tells Sam that he learned this a while ago from Cas before he left. 

Sam’s outraged that Dean would keep this from him. “I knew you couldn’t handle it,” Dean shouts at him. “You raise these ethical questions.” (I perk up.) He tries to justify it, but Sam shouts him down in turn. 

They drive into the fade-to-black in brooding silence.

Brooding Quotes Lay Fragile Eggs:

I thought your imaginary friend told you it was bad to steal

Don’t you want a partner?

Hunting usually means going to gross places

Shoved it down the ol’ memory hole!

Not to make light of the death star galactic genocide, but what else is new?

I’ve seen this movie before

Want to read more? Check out our Recap Archive! 

[cellydawn]

Sans is a Darkner Theory (MASTERPOST)

I know that this theory has been touched on before, but I’d like to compile all the evidence from the original post with some additional stuff I found relevant into a single comprehensive post. To preface this, I would like to remind everyone that the merchandise based on Sans isn’t canon and that though Deltarune isn’t a direct sequel to Undertale, the Deltarune FAQ confirms that connections between the two are not precluded.

I’m going to divide this theory into three parts because I want to cover all my bases and there is an extensive amount of evidence, so without further ado, let me introduce you to my completely self-indulgent crazed ramblings!

WARNING: This is very long. Also, a bunch of speculation here so read at your own discretion.

1. Sans has connections to the Deltarune universe

Let’s list off what we know for sure:

Sans instantly recognizes the Player as a human and has knowledge of the Surface.

In the conversation at MTT Restaurant, Sans confesses that he knows the feeling of wanting to go home.

According to the Snowdin Shopkeeper, Sans and Papyrus showed up one day and “asserted themselves”.

In his lost soul dialogue, Sans says that “you’ll never see ‘em again”.

During his battle, Sans reveals that he “gave up trying to go back a long time ago” and that “getting to the surface doesn't really appeal anymore, either.”

After being defeated, Sans says that he’s “going to grillbys”. In Deltarune, the first place we see Sans is at Grillby’s. Sans’s house and the restaurant in Deltarune are the same as in Undertale (except for slight alterations like the lack of snow and...’sans)

Undertale!Sans and Deltarune!Sans have identical sprites.

After talking with the Clam Girl and learning of Suzy, you can go to Sans’s workshop and find a card sticking out from the back flap of the binder, described as a poorly drawn picture of three smiling people with the words "don't forget" written in lowercase. Deltarune’s credits song is titled “Don’t Forget”.

We can safely assume that Sans came from another place that is not the underground nor the surface; Sans misses his home and his friends there (presumably the people in the picture); Susie and Suzy are related somehow. Additionally, we can speculate that Sans and Papyrus may have arrived from another dimension. It might very well be the case that Sans originated from the Deltarune universe: Sans is completely resigned to the fact that he can’t alter the past no matter how hard he tries. Deltarune’s prophecy is all about inevitability. Sans’s defeatist attitude might stem from this.

Here’s some evidence that is more debatable:

River Person warns the Player to “Beware of the man who came from the other world”. It’s possible that the man in question is Sans.

I’ve noticed this isn’t brought up as much, but Sans’s word search is from ICE-E’s, which is a brand we only see in Deltarune. As far as we know, there is no trace of this brand in the Undertale universe. It definitely doesn’t appear to be one from a newspaper—it’s a distraction given to kids at restaurants.

BONUS: There’s a wacky inflatable mascot that resembles the ICE-E’s mascot in the dog shrine found in the skelebros’ house (console version)

During Shyren’s encounter, if the Player hums twice, the flavor text describes Sans selling tickets made of toilet paper. Now, we know that all the food in the Underground is made out of magic. Magic nourishes monsters, but it doesn’t pass through their bodies as waste. Why does Sans have toilet paper? 

Alphys seems to be in-the-know about Sans’s time-space shenanigans. In the epilogue of the pacifist ending, there’s some dialogue that suggests Alphys and Sans are quite familiar with each other. Both of them want to keep this a secret for whatever reason. In a neutral ending in which Alphys becomes the ruler, she is mournful of the deaths of Undyne, Alphys, and Asgore, but is glad that “at least Sans is here”. In the MTT quiz, if you pick “Don’t Know” to the question about her crush, Alphys reveals that she has done research on alternate universes and knows they exist. Both Sans and Alphys have connections to Gaster, who is quite prevalent in Deltarune. She, along with Sans (and coincidentally, the ICE-E word-search) are affected by Fun values and have their own Fun events. It seems a little random, but what if all the Fun events are Gaster-related? Are Alphys and Sans the two people mentioned in Entry 17?

So I think all of these pieces are sufficient in establishing Sans’s connection to Deltarune, though it is still unclear whether Sans came from Deltarune into Undertale or vice versa, OR Sans showed up from yet ANOTHER universe. That’s a theory for another time, though. On to the next part!

2. Sans has abilities/properties exclusive to Darkners

Some of the basics:

Sans can teleport, that is, use “shortcuts”, as evidenced by appearing both in front and behind the character in Snowdin, going to Grillbys, chasing after Papyrus in the wrong direction during the Pacifist ending scene, etc. Though Rouxls Kaard is shown to teleport, Lancer’s style of teleporting most closely resembles Sans’s. There are multiple instances in which Lancer stays ahead despite the Player passing him (for example, Lancer sneaking a sign past the party despite there only being one way to the door).

The door to Sans’s room greatly resembles the fast-travel doors that only Darkners are able to create. If you get the key to his room, the pitch-black and seemingly-endless walkway is not dissimilar to that of the supply closet. Papyrus also happens to liken Sans’s room to “another world”. All of the weird junk could be representative of various landmarks in the dark world.

Sans can manipulate shadows as seen through his first appearance (I also like to think that this is the reason why his “eye-lights” can disappear). This is most prevalent with Ralsei, Lancer, and the King obscuring parts of their body with shadows.

Darkners have colored portraits. At first glance, you would assume Sans doesn’t have one, but his head is already—conveniently—black and white.

If that wasn’t enough, let’s take a look at Sans’s battle in the Genocide Route. The most distinguishing feature of this fight is Sans’s ability to dodge your attacks, an ability that was thought to be unique to him. As it turns out, Darkners are also able to dodge (provided that they are warned). In order to actually beat Sans, you need to tire him out, and once you have dealt the final blow, he runs away. Sounds familiar, doesn’t it?

I believe that Sans actually survives the encounter as well. I’ve seen people claim that when he goes off-screen, the “dusting” sound effect signifies that he dies. This is wrong. That sound effect plays at the end of every battle, regardless of whether you spared or killed an enemy. I’d like to point out that the EXP you gain from the battle does not confirm Sans’s death. If you pick on Loox, you can get 5 extra EXP stacking up to 3 times. This means that killing an enemy is not required for you to gain EXP. I’ll also include that the kill counter doesn’t go up once Sans’s battle is over. It’s believed that this is the case because of Chara’s interference, though I don’t personally agree.

Let me also present this tidbit that I see no one else talking about: unlike literally any monster in the underground (besides Flowey, but he doesn’t count), Sans HAS NO HP BAR. When he gets hit, the damage numbers are present, but the HP bar that should have appeared above him is absent. Darkners don’t have a visible HP bar when struck.

Here’s some stuff that’s a little bit more controversial/speculative:

Lancer more or less implies that Darkners bleed, though we haven’t seen any examples of this yet. Ralsei doesn’t correct him, however. We know that the monsters in the light world don’t bleed (“Does it hurt to be made out of blood?”), and Susie’s comment (“Everybody bleeds, right?”) could be read as her trying to look cool for Lancer. Then, does Sans bleed?

It has been confirmed by @nochocolate​ that the red coming out of Sans is the exact same red as his ketchup bottle. This is a deliberate choice, but it doesn’t completely deconfirm that it may be blood because we don’t have other instances of blood to compare it to. Additionally, there is a mention of both blood and ketchup from Noelle: "This isn't another trick, is it, Kris? Like when you put ketchup on your arms and told me it was blood?" This might just be Toby Fox poking fun at the fandom or intentionally misdirecting us—really, it could go either way.

Sans’s mouth doesn’t move at all while he talks. It turns out that there may be an explanation for this! In Undertale, you can see the mouths of face sprites move while words are being spoken.

However, in Deltarune, both Lightners and Darkners don’t feature moving mouths in their textboxes! In instances wherein the full-body sprites are shown (Papyrus date, Alphys date, literally all the battles), the mouths don’t move either. So while his expression rarely changes, it might turn out that Sans DOES actually move his mouth while speaking, we just can’t see it. I’m a bit iffy on this theory since it varies from monster to monster in the Light World. Moreover, in Undertale, while Mettaton’s mouth doesn’t move at all (I’m going to disregard this since he is a robot) it’s very peculiar that the same can be said for Alphys.

Seriously, why doesn’t Alphys’s mouth move at all?? This HAS to be intentional, all of the other characters with a face sprite have moving mouths. Deltarune!Alphys doesn’t have one either. This brings up more questions than answers: Are certain monsters Lightners and others not? Is Alphys a Lightner? Did her “research” on alternate universes involve her actually traversing the multiverse? Am I overthinking this? In any case, it’s more stuff linking her to Sans...

If it turns out that not all monsters are Lightners, then it makes sense that Sans is so devoted to Papyrus, assuming that Papyrus is, in fact, a Lightner. No other person’s death makes as much of a difference as Papyrus’s concerning Sans’s behavior towards you. Alternatively, if Papyrus is not a Lightner, then it stands to reason why Sans is so depressed—he has no way of fulfilling his purpose. “Sans”, after all, means “without”.

The Light World has virtually no indications of monsters being able to use magic. In Undertale, it’s stated that magic is a method of self-expression for monsters, yet the only magic we see in Deltarune is from within the Dark World. If we compare Deltarune!Toriel’s stovetop to Undertale!Toriel’s, we see that the flavor text has omitted her use of fire magic. Susie is able to send out magic ax attacks, but this is likely due to the nature of the Dark World. I need to clarify that she is not the one that casts the Pacify spell at the end of a “neutral” run; she realizes that the King is tired, and waits for Ralsei to finish the job. Her remembering Pacify is exactly what it means, and Ralsei comments on it because he is expressing surprise that she cared to remember the spell she made fun of him for. I’ll also point out that the lack of magic would be the reason why the monster-human war ended differently/didn’t even happen, therefore allowing monsters to reside on the surface. If Sans did hail from this world, he wouldn’t have magic or would have very limited magical capabilities if he isn’t a Darkner.

Here is a piece of dialogue from Sans about the Underground. Interestingly, he differentiates himself from monsters, though this could just be because he doesn’t want to lump in Papyrus with them. The King has a similar line (“Show my son the monster you REALLY are!”). Monsters are possibly complicit in Darkners’ imprisonment. Is it possible that Sans is also resentful? Do Darkners exist in Undertale?

I feel like this interaction is worth mentioning. It’s entirely possible that Darkners were sealed so long ago in the Undertale universe that nobody even remembers their existence. 

Going back to Papyrus, if Sans is a Darkner, then it’s important to mention that Papyrus is not. We see Papyrus turn to dust when he is killed. For that reason, it seems that Sans and Papyrus are not biological brothers. I think this actually makes a lot of sense given how different they look. Yes, it’s true that Sans and Papyrus both have a skeleton motif, but they don’t look remotely similar. The face shape, the jaw, the build, the height, the eyes, the nasal cavity—nothing matches! Each monster species look the same, hell, even boss monsters like Toriel and Asgore resemble each other. Compared to Papyrus, Sans seems a lot more solid (his gut) AND he’s almost completely covered up save for his face (what are you hiding under there?).

Their bone attacks are distinct as well: Papyrus’s have a more angular aesthetic compared to Sans’s rounded edges.

In comparison, Toriel, Asgore, and Asriel have the same exact fire attack.

So, if Sans is a skeleton-themed Darkner, what type would he be?

3. Sans is the Ace of Spades

This part of the theory is a bit more conjectural, but I think there is enough evidence to put this in here.

Let’s start with how Sans, Lancer, and the King are similar:

Their sprites have the same color scheme: black, blue, white, and grey.

They sport uneven and toothy grins, are round and chubby (“if you eat too many hot dogs…you’ll probably get huge like me”), and have a hood.

The spades seem to have a smile motif. The grinning “mouth” of the Card Castle has the same number of “teeth” as Sans. Additionally, you can see portraits of spade people inside the castle. They’re all smiling.

These three are the only characters that can freely shift between being completely submerged in the shadows and becoming visible. The ability to cloak their body with shadows is a trait thought to be shared by all Darkners; Ralsei, after all, exhibits this all throughout our journey. What’s interesting is that there are clear parallels to Sans, Lancer, and the Kings’ shadows: they conceal their entire form and reveal it during their first appearances.

Sans and Lancer are shown to be able to teleport. I’m bringing this up again because it seems that not all Darkners can teleport without the use of a door as indicated by Ralsei’s confusion. If Ralsei has extensive knowledge of Darkner powers, and he is unaware that Lancer can teleport, then teleportation must be an ability unique to the spades, or, at the very least, card-themed Darkners.

Sans and the King’s fights are eerily similar. You need to fight/tire them out and listen to them monologue in order to progress. A major theme of both fights is how you can’t truly spare them. Appearing worn out from the battle, they appeal for mercy. Should the Player fall for it, they launch an unavoidable attack that deals catastrophic damage. Additionally, before his fight, the King employs the use of silent text, just like Sans during his judgments and his intimidating moments. Also worth noting: in both fights, the battle box is manipulated deliberately to suit the needs of the Player (for our last attack against Sans) and the King (his weird stomach tongue latching onto the box). Sans is also capable of stretching the box as seen with the attack before his special attack.

Lancer and Sans, in particular, parallel each other quite nicely. They are both playful jokers, they both own bikes, and both of these characters have a strange relationship with food (particularly with red condiments).

The two just so happen to have stands to sell questionable foodstuffs.

Sans is evidently constantly eating:

Undyne: “And his brother kept making 100’s of midnight snacks.”

Papyrus: “GRILLBY’S… IT’S DARK AND FULL OF GREASE. PURGATORY OF FRIES… HAMBURGER ABYSS… ANYWAY, MY BROTHER PRACTICALLY LIVES HERE.”

Big-Mouth: “Sans is interesting. He has told me about all kinds of incredible foods. But, despite his knowledge, he always orders the worst burger off the menu.”

And we know that Lancer barely eats at all. He doesn’t think that having three glasses of milk as his dinner is unusual, he’s not allowed to eat the Dark Candy, he pretends to eat the salsa in the stump, and he has to get fed worms by Rouxls because his father forgot to feed him. Sans and Lancer both have terrible eating habits. I’m not sure what this is supposed to mean, but you know, food for thought.

Why the Ace of Spades:

The designs of both Lancer and the King originated from @kanotynes​ who created an entire deck of cards. The Ace of Spades does not have a distinct design.

French manufacturers standardized the four playing card suits. “Sans” and “Lancer” are both French words.

It symbolizes uncleanliness and depression (Sans’s socks and his room, the latter is pretty self-explanatory), omens (River Person’s warning, Flowey alerting us to not reveal our abilities to him, “you’re going to have a bad time”), and death (the reason for his skeletal nature).

In Blackjack, Aces have a numeric value of 1 (matching his stats) or 11 (the same number of unique pre-battle dialogue from Sans, though this may just be a lucky coincidence). The Eleventh Hour is an idiom meaning nearly too late. Sans’s fight is your last possible chance at quitting before the world ends and your game gets corrupted.

Remember that bit where Sans has toilet paper? In the Card Castle, you can see that a bathroom, the Royal Flush, is occupied. Darkners have to digest their food. On a related note, the royal flush is a poker term for an A(14), K(13), Q(12), J(11), and 10 hand. Interestingly, in the sequence before his “special attack”, we see Sans disappear and reappear at the edges of the screen 14 times (again, probably just a neat coincidence).

The ace is paradoxically the least and most valuable card (in Blackjack, Poker, etc.), paralleling Sans being the weakest and strongest enemy.

Ace of Spades also represents “an end”, and Sans is there at the end of our journey, judging us before Asgore’s fight. He is also responsible for initiating the phone calls at the end of every neutral route.

Okay, this one is a little bit of a joke. In this deleted tweet, Toby said that Sans would be too lazy for sex, causing fans to speculate that he is “ace” lol.

BONUS: Sans was originally intended to run a casino. This one’s a bit self-explanatory. Also explains his poker face.

The most important piece of evidence, however, is this: the French expression fagoté comme l'as de pique means "(badly) dressed like the ace of spades." Checks out.

On Gaster Blasters:

Gaster Blasters might have a spade motif. If you connect the natural curves of the eyes and the top of the nose ridge, you get a spade shape. The GB's crests resemble King Spade's crown and possibly the neck/shoulder part of his cape.

A GB's nose resembles King Spade's when he isn't snarling at you; this might also apply to Sans if he stopped smiling (mouth shape affects the shape of their noses). 

Also on the topic of noses, Sans, Lancer, and King Spade's noses translate to the same shape in their overworld sprites.

The fog from Snowdin, which has been theorized to be either a front-facing GB or Sans' face (and honestly I lean more towards it being Sans's face because of the eye shape) has a hidden line underneath and above the nose. Perhaps Sans resembles the Gaster Blasters and the Spades more than we anticipated?

HMMMMMMMMMMMMM.....