#(if you believe in that sort of theory)

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[snekdood]

so uh

for 1. most people are gonna take advantage of black friday and wont see your specific niche tumblr post, I hate to say it

2. the us isnt running out of money for war any time soon, so...

3. this is just antisemitism???????? all we need is some (((echoes))) around the us and israel and then I'd have no reason to suspect otherwise from op...............

[dykedvonte]

I find the line "I have to believe our worst moments don't make us monsters." Fascinating because it comes from Anya, and I feel she really proves it the best.

For obvious reasons most people are in the "Anya did nothing wrong" camp and for good reason but there is a single action that I don't think she did well and it was her suicide. Specifically her method.

Realizing that Anya took Curly's painkillers was horrifying to me. As a Nurse I have no doubt that she'd know how terrible dying from overdose is. She had access to a gun which is well known for having a far more instant and far less painful death. And despite everything falling apart around her, knowing how bad Jimmy was, she still left Curly alive.

I don't think I thought about it much like that at first but the longer this game has sat with me the more horrified I am by the action. Curly is man who has been horribly disabled and is completely unable to help himself and he is very much a human being who does not deserve to be anywhere close to that amount of pain. Those painkillers were one that the few things that could give him any amount of relief and Anya took them.

She could have shot herself and left the painkillers for whoever was left to help Curly. She could've shot Curly and then taken the painkillers. She could've shot them both and quickly put an end to their misery, yet she didn't. Anya had a great amount of her agency stripped away from her, to the point that she didn't deem life to be worth it anymore and ended it, right next to a man who couldn't make that choice for himself even if he wanted to.

It is easily her most horrific choice and yet, she's still an angel.

(Please don't take this as Anya slander, I genuinely love her so much. I just find this to be an incredibly interesting thing)

I do subscribe to the idea that Anya realized that Jimmy was hitting Curly when giving him his medicine but didn’t intervene. I also don’t think her taking the pills from Curly as monstrous mainly because (while she knew he suffered worse with out them) she likely also knew they were basically bandaids on a bullet wound.

I have this sort of belief that that statement can only really apply to Jimmy in the inverse. Like some statements in the games aren’t meant to apply to all characters and not in every context of every action they do. It’s the idea that no one should be responsible for Jimmy’s actions but himself but they are forced to by him or the environment. Everyone is experiencing their worst moments but no one is a monster outside of Jimmy due to his inability to take responsibility and how he escalates the severity of the situation through his bad choices. Even then it’s not one moment that makes Jimmy a monster it’s the culmination of every moment that prove his inability to be anything but in this scenario.

With Anya you must remember she did have the code to the gun. Yeah, she could’ve broken it open but who’s to say how easy or how long it would’ve taken. Not to mention, there’s this misconception that she wanted the gun to kill Jimmy which isn’t true. She wanted the gun to defend herself in the case he got aggressive which is an important note of Anya being the only proactive person on the ship vs reactive. Locking the door, knowing there was no way in was likely a duel mercy for them both. A person in his state would die relatively soon without constant care and she has ample time to pass. It’s a hard decision to make for herself and someone else but it was the easiest even if it caused more damage than it was ever meant to cause.

It’s a sort of parallel to how Curly made choices he thought would help Anya and everyone but ultimately doomed them all further. Jimmy got what he wanted in both scenarios of crashing the ship and wanting Anya gone. What happened on the Tulpar will go down as a tragedy if they are ever found, a mystery if not but certainly not in a way that Jimmy wanted. Anya and the pregnancy are effectively gone but he’s still facing the repercussions for it.

There’s this idea that it’s controversial to say that Anya was anything but perfect and while I don’t think she did anything wrong, she certainly didn’t make the best choice in telling Jimmy but that again was because of the situation and environment she was in. We don’t know why she didn’t wait on Curly after their conversation in the cockpit, we know that was the plan and we know Jimmy finding out through her alone was the catalyst to the crash within like the next hour, yet you can’t really blame her. We don’t know why Jimmy came to medical nor what anyone else was doing. It can be considered her one mistake but then again we can’t blame a reasonable action on someone’s unreasonable response.

I think that’s a big aspect a lot of people look over in the characters actions. Most of them are normal, reasonable, human. But the systematic responses to them and Jimmy’s are unreasonably harsh and punishing.

This has gone off in a tangent from what you originally posed but I genuinely think of what might do happened if that confrontation happened with Curly there and away from the cock pit. I assume it’d happen in medical or even utility, hell, an area away from anything sensitive but what if? If the ability to do something awful wasn’t at Jimmy’s finger tips, if there was more than one voice in Curly’s head during that moment, what would’ve changed?

When I look at Anya I see her as having the best responses to anything happening during the events of the game but the environment, systems against her and even the other crew mates to an extent made it so it would inevitably backfire on them and mostly her hard.

[rosetterer]

what I don't miss about being a part of the buddie fandom is looking for clues everywhere where there weren't any: colors of their shirts, for example... Like now I just get to enjoy canon stuff, actual kisses and hugs and shared looks and I know they mean SOMETHING

[aseriesofunfortunatetexts]

[victusinveritas]

[the-way-astray]

as a sokeefe and keefe hater, i hate the theory that shannon's keefe lover editor is responsible for the uptick in keefe in the later books

[saturnskyline]

hi. so i saw this gifset on the dash, and it's entirely too late for me to be awake doing this but i am now spiraling over kim's outfits. so anyway here goes nothing 👍

(below the cut is my descent into madness. you have been warned)

now when i saw these gifs i began musing in the tags, as one does, so here they are for context:

(feels truly unhinged to screenshot my own tags but oh well)

so once i started thinking i found it impossible to stop (as often is the case with this gay mafia business) and i decided to go through and look at each of kim's outfits. for science

now i know the fandom has looked at wardrobe stuff before, so it's very possible that someone has gone through this already. BUT! i'm already in way too deep here so i'm just gonna go ahead with this dfsdhgjsdf

kim's wardrobe is, to me at least, very interesting. you get a mix of things, depending on how he is presenting himself. for example:

(here we have wik, kim, and what seems to be something in between)

it's hard to differentiate between these styles at times, and i think that's purposeful bc kim appears to dart between personas: beloved singer, distant son, solo detective... the list goes on

so first things first! i was largely right about the jacket thing! in most every one of his outfits, he has some kind of jacket on. however, the first time we actually see him without a jacket is actually in this scene where he gifts chay with the guitar:

(hasty screenshot to prove my point and yet jeff is still doing the jeff thing. bless)

okay so i was wrong about that. i think the jacketless look is definitely intentional on his part – to help him seem unguarded, especially since he is giving a gift – but the first instance is still not the scene i thought it was. however!!! there is one thing i'm really excited about, and it's about the next thought i had in the tags...

every time kim wears white it relates to chay.

now you may be thinking, wren. is that really the case, or is this claim a bit of a stretch? and now i answer.... *gestures helplessly* some of this may be a stretch! but i can explain, and i will!

let's look at the instances of kim in white then, shall we?

#1

this, to me, is a quintessential wik look. far more approachable than the full black leather, and even his typical sleuthing fits (although a lot of it is in his mannerisms tbh, remember that withering look he gave big?). now this one miiiight be a stretch... but to me it still fits my thesis bc i feel like kim dressed this way for chay on purpose so he would look more like one of his peers. just my two cents

#2

first sleuthing scene where white is involved. here, kim is investigating porsche's (and therefore, chay's) parents, and he gets a call from chay, which he ignores. everything and nothing in this scene is about chay; he's not in it but he actually is. (now if you're thinking, wren, that doesn't make any sense... you are not the only one. idk what i'm talking about. let's carry on)

#3

our boy in songwriting mode! worth noting that, with the combination of the shirt and the pants, there is more white going on here than usual. here, instead of avoiding chay, he actively remembers him and even looks a little.. fond? *gasp*

#4

the confession scene :') this one is particularly interesting bc it's the same jacket kim wears when he's in full dark mafia mode (more on that later). like most instances of kim in white, it's a dark jacket with white peeking through, and this scene might be the best instance of that. he reaches back when chay offers his feelings, and opens the door to.. a relationship? idk but something with emotions

#5

(jeffrey, sweetie, i'm so sorry about the screenshot quality. consider it retribution for your gender crimes?)

NOW. here is the look that made me start this deranged analysis in the first place. not only is it sans mafia jacket, but it is a full white shirt! he cuddles chay on the couch! they talk (?) about their feelings (?) ... well i mean, he's clearly having a hard time being vulnerable, but at least there is progress being made :)

#6

(bad screenshot, bad moment. they r matching)

would you believe the next white-wearing instance is THIS MISERABLE SCENE. the jacket's back on, he's desperately trying to put up his guard again, and he blatantly lets chay think that he never had feelings for him (lies lies and more lies... we all hate it here :D)

#7

look. i'm aware this is the biggest stretch yet bahaha. i mean my man is dressed for SCHOOL. however. the focus of this scene is him learning that chay didn't show for his audition, so it still fits in my book!! idc idc

#8

(if you look at chay's hair here, this scene also has bisexual lighti- *gets shot*)

pretty self-explanatory, he shows up to the bar to fight chay's friends and confront chay. about as chay-related as you can get

#9

finally! the Human Shirt™ !! about as on-the-nose as you can get, really. while wearing a white shirt that reads "human" and no jacket, kim has, demonstrably, his most human moment in the show: he breaks down crying over chay. cue jeff acting his heart out while his own song plays in the background (why don't you stayyyy~)

#10

it's a flashback scene, but we see kim watching chay in the studio. he's mostly guarded, but a little white comes through. good stuff

#11

putting these together bc they are two different moments but the same outfit. 1) kim learns that porsche and chay have disappeared, and 2) he contemplates the state of things after korn's "death". i put the family moment here too especially bc of what he tells kinn: "you don't have time to think about other stuff anymore", basically "eyes on the prize". now perhaps this only applies to his older brother, but in the case that we apply it to him.. we can't really be sure whether he is sticking to his personal main goal or breaking from his own advice. i suspect the former bc at this point, he seems to see chay as his main priority, despite his family's situation (again idk if this makes sense, but just. go with it. lol)

#12

dare i say? the sexiest example?? no mafia jacket, full white shirt, and yet, unlike the other white shirt instances, this one isn't about his emotional vulnerability with chay. no no, here he takes out six guys without much difficulty, in an attempt to protect chay (and then he leaves the bodies, but still! the love is there!)

(a gif for fun! worth pointing out that kim also acts to protect chay the first time he wears that white shirt... :0)

in conclusion... idk what i am talking about, and frankly, if you are still reading this post i am very impressed lol. but yay kim's clothes and motifs, fashion as a disarming tactic, and white as a color of vulnerability!

[isurrendertoclones]

Jurassic World: Chaos Theory spoilers:

(This is relevant to Star Wars I promise lol)

The ending of this season just makes Tech’s death that much more frustrating!!!

Like we, the audience, knew Brooklyn was alive, because that’s the way the story was set up. That’s the story we, as humans, like and understand and crave. We didn’t know when or how she was coming back, so it was still a surprise! And she lost an arm in the attack, so there were consequences! None of the tension or emotion was lost because she’s actually alive.

It just parallels Tech’s death so perfectly…except that in Chaos Theory they actually went with the story that both made narrative sense and satisfied the audience. There was still genuine pain and grief for her through the whole season, making her ‘death’ impactful (haha we didn’t even get that for Tech, so it was pretty much meaningless 🙃), but they’re still bringing her back into the story. It doesn’t feel forced or juvenile—it feels like the way the story is supposed to go.

It just feels like a kick in the teeth coming right on the heels of the end of TBB (mixing my metaphors a little lol) because yeah. This. This is exactly what I wanted: we get Tech back. He’s changed, irrevocably, but he’s back.

There just doesn’t feel like there was any point to Tech’s death except to hurt the audience—and it barely has any impact on the in-world story at all!!! A couple of almost throw-away lines over the whole third season. We don’t even see Crosshair finding out what happened.

TL;DR

The ending of the first season of Chaos Theory is exactly what I wanted to happen with Tech, and there’s no reason we shouldn’t have gotten him back.

[capricious-bastard13]

I've watched Jack's (Jacksepticeye's) playthrough of MyHouse.Wad, and at first, because I only heard of Doom and never played it, I let it play in the background. Until Jack's voice starts reading the attached letter to the game.

My thought immediately went, "This is something, and I feel like I'll like this something." I rewind it and watched it from the very start to the end. But I felt it wasn't all that it was, I bounced from his to the comments, explaining the game and all being recommended to play it for yourself. I don't have the resources to do so, so when I saw a comment about a video explaining it, I looked it up. The video lays out the house and the different ways you can go from point a to point b. I've seen Power Pak's after watching Jack's playthrough. And just now, I've watched Pyrocynical's video and theory on it.

There's two that stood out to me, near the end; he lays out the theories and practically dismisses the queer interpretations of it. Until now, I've always been in the camp of "Thomas and Steve were a couple, but due to the time period, or their families, they kept it hidden." When watching Pyro's video, I started realising, why were there pills on the bathroom floor, why the crib, the ring? And I felt like Pyro was nearly there, he was so close to putting it together.

But he dismisses Thomas perhaps being trans or that Steve and Thomas are gay--calls a "fat stretch" and "Level difficulty: Medium" respectively.

I've prefaced all this, because as someone who's transmasc, it felt invalidating. For months I've seen this game--although I never played it and only watched it--as a queer story of grief and loss, of processing that loss, of going through stages of denial, of reliving memories, of just wanting to reach an end where you feel at peace, of looking back on that journey and thinking to yourself that you've made it--past the hardships to a place where you can feel at peace again.

MyHouse.wad being as ambiguous as it is but leaving all these little tidbits is as when it comes to art, hard to piece together. But hearing about how there's also a trans interpretation of made me perk up, thinking, "oh, it's going to be talked about in detail," only to be disappointed.

So, despite being that MyHouse.wad has probably had this interpretation ("tHeOrY") put up already, I still felt compelled to write my own view on it using the pieces that I know of--but, there might be details that I describe vaguely because I don't remember them all that much.

We get tiny little small glimpses of Thomas through Steve's entries, of introduction we get along with the link to download it. And even just from the descriptions of the items in the game like the ring, the die, and whatnot. And the first thought is, "oh, they're gay, but they're not out," which is a sad thought, yes. But I held that interpretation close to me. It's a journey of Steve trying to get through his grief, of plunging in to his thoughts, dismantled and breaking apart as they are. The rawness of everything, of how for him, it probably felt so fresh still and this game, of going through their mod map is his way of processing--never mind how it consumed him, as he said.

And what I consider to be the best ending; the real beach, with a heart on the sand, initials--"S and A, forever". Who's 'A'? Isn't it supposed to be 'T' for Thomas?

I've seen how 'A' could be for "Allord", Thomas' last name, and at the time, yeah, maybe it is A for Allord. But what if it isn't? What if 'A' is the deadname--using that initial, despite it being a deadname, was probably used to protect them, protect him-Thomas. To be seen a heteronormative couple to get away from the hate, the stares, the animosity.

What about the excerpt of their death? Thomas' photo clearly being of a man? Well, that's just it. It's an indication of how the family has accepted Thomas for who he is and to honor him properly, used what a photo of what he looks like now, of who he really is. Proudly too, showing him as Thomas Allord, age 35, in the newspapers. This is their son, brother, and husband.

This is certainly something that will be labeled as a "fat stretch". The crib, then? The pills? And the bloodied bathroom? Perhaps, Thomas had gotten pregnant, experienced a miscarriage in the airport bathroom and had to be rushed to the hospital. As Steve puts in the description of the baby bottle; "It wasn't meant to be." And as he writes in his journal entry, he had a dream, a baby crying in the attic, in the crib, a still born baby.

Perhaps, Thomas was ready to carry the baby--their baby and due to complications, what happened, happened. They'd already bought the crib, but put it away, and we see, maybe both of them had hope that they still had a chance, clinging on.

"If Steve and Thomas are together as you say, then why does Steve refer to Thomas as "my friend" or "my childhood friend"?" Living through life closeted brings habits, unfortunately.

I've grown up without realising that I'm trans, and it was only the past few years where I've realised that the gender I was given and raised to be, isn't who I am. Despite my family knowing, they still call me with feminine pronouns, I get referred to as "sister", or "she/her" a lot of the times. And it's become the biggest norm for me that they just fly by my head without even noticing it, without getting the chance to say "that's not my pronouns".

Is this a "weak" point of the "theory"? No, because I see it as valid. People who aren't out or don't have the chance to express who they are live day to day with being misgendered, seen as someone they're not. I don't want to say, "everybody experiences this" or that there are people who don't go through intense dysphoria that it becomes crippling; I'm just saying, that for me, this is how my day to day is today, what it's like--a sort of cynical indifference to it that boils beneath the surface of my skin.

Or, this is Steve's way to be ambiguous; Thomas was Steve's friend first before they reunited, gotten married, lived together, after all.

Maybe, he wanted to detach himself in his grief and longing. A way to protect himself from the immense loss he's going through and this is his way of doing that. By saying that Thomas was just a childhood friend, it probably eased the pain just a bit.

Or, Power Pak states in his video, isn't it strange how explicit names are never--if ever, rarely-- given. Thomas' name doesn't show up until February of 2023. Steve's name is never used. Maybe, Steve wasn't the one who wrote the journal; a third party who saw the effects of loss on Steve, instead?

In the newspaper clipping of Thomas' life, it's stated how he reconnected with his high school crush, got married and moved in with his partner. The ambiguity could mean that the family simply didn't want bigots to be bigots toward their loved one.

In Steve's clipping detailing his life, he also reconnected with his high school crush. "Soulmate", this person is described as. And like with Thomas', "partner" is used, rather something explicit like, "husband" or "wife."

Although, "wife" can't be correct either since Steve doesn't have a partner listed who outlived him, simply his family.

With MyHouse.wad being as up for interpretation as it is, there's ways of reading into things, one can take it however way they want to, where they want to.

And I, personally, like to think that Steve and Thomas are happy together, with their cat, cuddled up together in their home.

You picked up Die. "Roll for intercourse?"

I feel so helpless, like I can't do anything to bring him back. I feel so sad and it feels like my heart is heavy. I can't help but think about all of the fun times we had together growing up. All of our adventures, our secrets, and even our arguments. I miss him so much and I can't believe he's gone.

You picked up Ring. "I do."

I attended the funeral of my childhood friend, and I was overwhelmed with grief. As I looked around at everyone else in the room, I could feel the sadness in the air... I never imagined that I would be saying goodbye to my friend so soon.

You picked up Wine Bottle. "Drunk Buddy." You picked up a Bauble. "Christmas makes me happy."

Happy Valentines day to the only person I ever loved. For a short time, you brought a little happiness to this painful existence called life. I hope we can be together again one day.

You picked up Baby Bottle. "It wasn't meant to be." You picked up Pill Bottle. "Refill needed." You picked up Full Pill Bottle. "Feelin' fine."

You picked up Game Controller. "It's my turn."

Somewhere, in another dream, the version of myself that winked back is sitting on the real beach, happy and content, knowing life is finite, there is no afterlife, and happiness is found in the small things around us that we can control. Happiness has to be fought for.

[embarasseddragon234]

*shaking the narrative*

hey hey heyheyheyheyhey

Hey.

HEY!

My insane theory about Luffy I had at like- the beginning of One Piece isn't TRUE, RIGHT??

we've SEEN his family now!

There is NO WAY he's some sort of Gold Roger clone!

I tossed that crazy theory aside AGES AGO! Before we even met Gaarp! Because there was no evidence cloning existed! I was only half serious about it to begin with!!

*Shakes the narrative harder*

YOU CAN'T JUST INTRODUCE CLONING THIS LATE AND EXPECT ME TO BE NORMAL ABOUT IT!

[ghostlynimbus]

Steve & Robin move to California together.

And one day not long after the move they spot a drive through coffee place on the way to work and decide to try it.

Neither of them is prepared to handle the bizarre magic that is Dutch Bros employees and they leave the drive through with no idea what drinks they ordered and already half in love with employees Billy & Heather. (Heather took their order, Billy handed them their drinks).

It becomes a Thing.

Steve & Robin are barely making rent on their shared apartment but they find room in the budget to get Dutch every work day (and some days off too if they end up going out).

The Dutch Bros sorcery works on them regardless of who is on shift, but Steve & Robin are especially effected by Billy & Heather are working.

They try to logic their way out of it. Like sure Billy and Heather are good looking, but so are a lot of people. And yeah they’re nice to talk to, but it’s not like they’re saying anything particularly special. Its fine.

They can get coffee and not want to ask the employees out.

It’s not fine, it’s never fine.

One day, on a day off, Steve and Robin end up finding a stray dog on the beach. They ask around for the dog’s owner and don’t get any answers so they plan to take the dog to the shelter. But they decide to get some dutch on the way to help fortify them for the Difficulties of having to see a bunch of adoptable shelter pets and not take any home.

However when they get to the drive through and all the employees (including Billy & Heather) absolutely love the dog and lavish it (and Steve & Robin by association) with so much extra attention, Steve and Robin decide then and there that they are keeping the dog.

The dog becomes a regular part of Steve & Robin’s dutch bros trips, getting lavished with attention and treats every time. Heather & Billy pout whenever Steve and Robin show up without the dog and take to saying stuff like “where’s our boy/girl? 🥺” whenever the dog isn’t with them and absolutely destroying Steve & Robin bc of their big stupid crushes.

[shousimi]

Good omens season 2 mini meta

alright good omens I’m not done ranting about the second season yet BECAUSE (spoilers under cut)

There’s a few things that I can’t stop thinking about:

1. Crowley was his happiest this season in heaven

Did anyone see how giggly Crowley is in heaven? He’s smiling, chuckling and jumping around and snorting with Muriel, and then again with Saraqael, and then again when going down the lift. 

And I know it isn’t heaven specifically that’s making him giggle: it’s doing something mischievous (just like how he laughs when Aziraphale tells him about the halo thing) but isn’t it ironic? That this is the happiest we see him in the present time, and it’s when he’s snuck into heaven? It’s not heaven itself that makes him happy, but regardless, in this season we see him giggling and in a good mood the longest when he’s in heaven. 

2. Aziraphale’s Halo

This is something my sister pointed out, and I don’t want to give more attention to it partly because I don’t want to believe it. But if we think about foreshadowing in this season, Aziraphale literally takes off his halo and throws it down. I know it’s something angels do during war, and the halo is more of a weapon than a symbol. but still, could it be foreshadowing? The immediate worry that he could have caused a war, and how pleased Crowley was by that. If it is alluding to something in the next season, it’s either Aziraphale falling (I hate that idea) OR Aziraphale declaring war, rejecting both heaven and hell as well as his status as an angel. 

3. Aziraphale pulls Crowley in for the kiss

I am SICK of no one talking about this (jk). but right on minute 47:00 of episode 6, right before the camera shifts again, Aziraphales hands hover before getting closer to Crowleys back, and then their bodies shift closer together as if by force. I FULLY believe Aziraphale used his hands to pull Crowley in closer before pulling them away in the next shot after realizing what he did. 

I’ve rewatched those few seconds so many times that no one can convince me thats not what happened. 

4. Aziraphale has been wooing Crowley this entire season

Crowley only realized he was in love with Aziraphale in the final episodes. 

I think Aziraphale has known since the start. 

He’s been establishing intimacy with Crowley this entire season. For example, why ask to borrow his Bentley now? Like Crowley says, he likes taking the train. And instead of just asking to borrow it, why say that it’s “our” car? Why imply that it’s their bookshop?

He was constantly pushing Crowleys limits to see how far he can get, from the apology dance to borrowing his car and then asking them to dance together. 

And Crowley lets him. He does the dance, he lets him use the car (though he’s not happy about it), and he dances with him even though he says he doesn’t dance. Aziraphale has been establishing an “us” from the beginning, and Crowley let’s him, mostly. 

Crowley lets him borrow the car, but doesn’t allow Aziraphale any liberties with it. Crowley takes care of his bookshop, and doesn’t sell any of the books. but he also immediately takes his plants out of the bookshop before Aziraphale even has a chance to step inside. I’m sure he’s uncomfortable with Gabriel there, but this is also him asserting his independence, saying no to an “us” implicitly. 

5. The ball

“Why were we all dancing?”

“I thought it might make you realize that [Maggie] loved you, and then you’d fall in love with her”

This might be a bit of a stretch, but HEAR ME OUT. What if, what IF, this is what Aziraphale was trying to do but with himself and Crowley?

Think: his ‘wait and see’, keeping the ball a surprise and shooing Crowley out of the shop while he sets up. His weird insistence on creating a perfect atmosphere at the expense of ignoring any and all dangers outside, which he knows can’t enter the bookshop anyways. Crowley is panicking, while Aziraphale literally manufactured a romantic setting and then dragged Crowley to dance with him, excited and giggling. If there weren’t demons outside the bookshop (which Aziraphale didn’t know about yet and was desperately trying to ignore any distractions), and Crowley wasn’t busy panicking, how would that scene have gone differently? 

Aziraphale was trying to establish an ‘us’ this whole time, and in the end Crowley was too. But their timing was tragically off. 

(6. More in the tags about the metatron btw.) 

[dan-crimes]

POV me trying to act like a normal human in order to give my OCs traits that normal people have (it isn't working and I'm overdoing it)

[laurelwinchester]

There is no way I will EVER believe Dean Winchester was supposed to say, "and I you." There's no way they would've written the line that way even if it HAD been written. It's so grammatically awkward out of his mouth that it makes me laugh when I see it. I'm not against the ship, but the delusion about 15x18 is unending.

honestly...yeah. i have to agree with this. it's a strange and somewhat awkward line of dialogue anyway but it is a super strange line of dialogue to attempt to give, of all people, dean winchester.

listen, i am not anti d*stiel. i'm at the point where i have no strong feelings either way for the ship itself. it mostly just makes me feel a bit bored. i believe cas was definitely in love with dean. i believed that long before he said it out loud. it was pretty obvious. i think there are different ways to interpret dean's feelings - and yes, one of those ways is that he was in love with him too. it's very possible. ultimately i just don't care enough to put any real work or feelings into that ship in any way.

but dean would not have said that.

it is so stunningly out of character that i'm genuinely boggled as to how so many people are just like ''oh good. now we have confirmation. this sounds right. this is a fact now.''

if people want to believe dean reciprocates, i get that. of course people prefer their ship to be a mutual thing. i totally understand that. i have zero problem with that. but there's just. no way dean winchester would have said it in that specific way. unless he was very suddenly and momentarily possessed by the ghost of an old english gentleman.

which, to be fair, does sound like the kind of thing that would happen to him, but that would be a weird time for it to happen.

[fingertipsmp3]

I wonder if Taylor knows she’s releasing Speak Now TV tomorrow