#(come WAY MORE from like. interactions with Very Particular People)

[ros-sauce]

Oughg my god Speaking of Mizuki Regularly Getting The Trans Flag Glued To Her Forehead. Today I am thinking about Solitus Utopia. Big yap session ahead

In terms of cards, it's probably The bluntest example of aforementioned trans flag forehead gluing; pink, blue, and white take center stage. And ouughhh. OUGHHGH. The placement of those colors is making me absolutely crazy

Her outfit has a similar deal to her first casual outfit. Lot of blue and white happening with the clothes, and then her hair and eyes are the pink needed to complete the set. To me, what that says is "This character is a walking trans flag, and she herself is the pink. The Girl Color. The girl!"

I've always felt that pink being the only one of those three colors to be Attached To Her was significant, but it's only now that I'm realizing that the clothing has significance too... I'm feeling two meanings from it:

It signifies the importance of cute clothing in Mizuki's transition. Being as cutesy as possible and altering her silhouette are some of her main tools in the way of passing as cis. (The former being a source of joy and the latter being a dysphoria alleviator also deserve mentioning!!). Her clothes complete the trans flag that her Girl Color Hair started; her clothes build up the road she took on the journey that her Girl Color Very Being started. ... And on a less positive note, I think there is also some significance to the fact that the trans flag color palette is only all there when something is Applied To Her. Without her outfit, she's just Girl Color. When the outfit is put on her, the Girl Color is made to be a part of something else, The Trans Colors. Your first thought is no longer "That's a girl and she happens to be Girl Color. Neat!", but "That's a trans girl and she happens to be Trans Colors. Neat!". I feel like there are parallels between that and how much she hates being labelled Different. This is crude, but it's how the words want to come out of my mouth. Sorry: Because Society Says So, you don't need to wear clothes at home, but you do in public. Because Society Says So, Mizuki can exist as Just A Girl when she's at home. She can be Just Pink. "Her home" means two things here. Firstly, Literally Her House, with Yuuki "Ally 9000" Akiyama & her supportive-enough-I-guess parents being the only people who she interacts with. To them, she's just a girl, and they're not weird about it. They know she's trans, but they don't act any particular way because of that. Her other home is Nightcord, at least before Niigo started meeting up in person. As Amia, she was assumed to be a cis girl, and there was no risk (in their pre-mainstory days) of Niigo ever finding out otherwise. While being presumed cis isn't quite as close to "Girl With No Modifiers" as living with an unfathomably based family, it still didn't carry the Othering that she's used to accompanying her status as a trans girl. If she wants to exit her home, she has to put on the clothes, has to put on the label that is made when the color palette is completed, and go from "Girl" to "Girl And By The Way Did You Know She's Trans?". And that makes everyone and their mother feel like it's fine to treat her weird. The pitying and resentment that she fears so much at best, and "HEY DID YOU KNOW SHE'S NOT NORMAL? ISN'T THAT WEIRD? AGREE WITH ME NOW OR YOU'RE WEIRD TOO" to anyone who'll listen at worst. With a million billion other forms of othering in between. (Hm. Suddenly I'm thinking about blue's absence from her 3rd anni casual outfit. She's no longer a walking trans flag, and is way pinker than before. Because it's a marketable game with marketable characters, we always had good reason to expect Niigo to be normal about her when the secret came out. But still, I feel like having Even More Girl Color glued to her forehead in Trans Palette's place could be considered some kind of foreshadowing for Niigo being normal... BUT ANYWAY this is not a post about the most incredible pants this world has ever seen, this is a post about Solitus Utopia, so I'll get back to that now.)

With the clothing out of the way, I'd like to move on to the rest of the card. This card is from late 2022, when Mizuki's transness was not quite as obvious ("a few inches away" levels of in-your-face as opposed to the more "you are a school principal at a fundraiser and her transness is a cream pie" level we are at now). This makes me extra ready to take this card as an unspoken "To be clear yes she is a trans girl".

The background walls and furniture are largely blue, and the decor is largely pink and white (and purple. Hi, Niigo!). The former is something that's hard to alter or move or acquire more of, whereas it's pretty easy with the latter. If you have walls or furniture that you hate, you can make it look more palatable by decorating it with things you like, with relative ease. Mizuki did that! The background is covered in all manner of fashion-related pink things, and the pink sewing machine and other supplies carry the implication that she made them herself. They do a great job carrying out their purpose, popping so much in comparison to the blue walls that said walls appear more grey than anything else. And also, you don't really feel like looking at the walls, because all that decor makes them Not Really A Point Of Interest.

To me, that sounds a whole lot like transitioning. There's an unfortunate status that's pretty hard to get rid of, both legally and socially, because Government and People just love to obsess over what you were assigned at birth. But changing the way you appear helps make things more bearable for you, both because you're happier looking a certain way, and because the public is slightly less awful to you when you look a certain way.

Cycling back to the "you focus on the pink things more than anything" point, I feel like the most significant pink thing is Mizuki herself. And I think that is also very nice!! Her pinkness is at the very center of the card. It is the heart of the card! Pink!! Girl color!! Heart!! Mizuki's heart is girl color!! Woah!!

(Obligatory "I do not speak Japanese and I do not live there, so I could be wrong", but I think "I was born with an [insert gender] body, but my heart is [insert other gender]" is a fairly popular way of describing being transgender in Japan? I feel like that phrasing has been losing popularity in English, but I still hear it fairly often in Japanese LGBT+ circles on social media and stuff. If I'm right, then that adds a few more significance points to the Pink Center Of Card thing)

Neat card. I love this pink girl a lot

[dadrielle]

I have to assume from context that this is about the glasses question, and with all due respect, I think this is deeply unfair. I really like your work, and I have also long suspected that a lot of the resentments that have built up within fandom come in part from the way everyone vague blogs instead of talking to each other, which is why I am responding to you directly. Sorry if this is an overstep.

I think the majority of people who are deep in fandom find the Fireside chats in general kind of disappointing because we want them to have more depth. I know you and I agree that the format is not super well suited to in depth character stuff, and obviously CR has not been using it as a vehicle for that; Marisha's was half about Stardew Valley, and many of the questions that are pre-selected by Dani or whomever else are not about the characters or even the campaigns. Plus the actors in the hot seat choosing to just read whatever question they can see while the chat moves at lightning speed means that some of the stuff that gets answered is just random chance. I also don't like it, but I think that's just baked in to it being a live Q & A. The interactive component is its main unique angle for better or worse.

I also think it's fair to look at the questions that get submitted and cringe as someone deeper in fandom—there were somewhere in the realm of 50 different questions about dice, stuff that has been answered before, etc. But I do think we need to remember that as frustrating as those are, some of that is due to the fact that not everyone is In Deep, you know? Most people who watch CR are not active in fandom. We're a tiny subsection. Live chats with actors very often draw casual fans who don't know that these things are redundant or uninteresting to other people. They are just excited to get to ask their favorite something! I find it maddening too, but it is what it is, and it's not new—con audience Q & As have always been the same.

But here are the facts about the glasses question specifically:

It was not the only question Cole submitted; he also submitted some deeper character questions.

It was submitted in the pre-stream phase and was pre-selected by Dani.

It is something Laura has referenced on stream and in 4sd multiple times before without coming to a resolution so it is not completely out of left field for Laura.

The glasses have become a weird lightning rod in fandom, with people assigning moral value to whether someone likes Imogen in glasses, as if liking the idea of glasses means that you infantilize Imogen.

To the above point, it was one of only a couple questions that some people, in a departure from the standard of decorum in the chat, decided to explicitly react to with thumbs down emojis.

I am not going to address the last two points here (though I think I am going to make a post about it generally) because I don't know your feelings about them and I don't want to ascribe the feelings or behaviors of others to you. I only bring it up because I think that they color the reactions people have to this question in particular quite a bit. I think there were many people, myself included, who enjoyed that question being asked not because they have strong feelings about the glasses fanon (I am deeply ambivalent), but because it felt nice to see it be treated as something lighthearted and fun, to be reminded that all the fanwank about it is really just insular and small.

So my main reason for making this post is the rest of it. I do not think it is fair to throw shade at Cole for asking that question. He asked other questions, deeper questions, which I know that you'd only be able to know if you looked at the question thread, but needs to be said because it is directly in opposition of what you said here about not caring about the characters or campaign. And Cole is also one of the people active in fandom who interacts with the discourse the least. He is not someone who is a diehard for any particular answer regarding the glasses; sometimes he draws her with them, sometimes he doesn't—this was clearly not about getting his favored fanon proven correct because he doesn't have one. Which again, you might not know! But that's part of the problem here—there is a lot of assumption of intent and character that is just both off the mark and really ungenerous. Cole is a genuinely nice guy who is getting all kinds of splash damage over a completely innocuous question and it honestly bothers me a lot. Saying that he must not care about the characters or the story because he asked that question, that it makes him or anyone else who enjoyed the question selfish, feels to me like offloading frustrations about the format on him and he does not deserve that. I get why Dani chose it as the final question; if you divorce it from the discourse, it's lighthearted, something Laura has actually been considering back and forth all campaign, and a bit tongue in cheek. It had an inside joke component of ribbing Laura about needing the teleprompter made larger. Ending on something heavy is not the usual strategy for talk segments, and without the drama hanging off it, it looks like a quick, cute send off.

I get being frustrated with what questions were asked and answered, I really do. I also desperately wish we got something juicier, even though I did ultimately enjoy the experience of watching, because Laura is very charming. But I suggest you consider that maybe taking that frustration out on other people who love the show, to say they are selfish and don't actually care about it, is unkind and disproportionate.

I shouldn't be surprised by the fireside chat being the state it was, seeing as I don't follow any CR themed blogs myself or really go into the tags because I find it frustrating but still, the bleed over of fanon is depressing and a lot of you are showing your asses in terms of how you don't actually gaf about the characters or the story the players have chosen to tell.

I love my au's, I love my headcanons, I love my not quite canon ships, but they're for me and the people who chose to enjoy them if they want to. and what makes creating those things more fulfilling is trying to really be true to the character it's about, otherwise just go play with OCs

this will be my last salty post on the matter (guess we'll see) but man, the timing? all of this crazy shit is going on, it is well established that the audience is frustrated with how little downtime we've had with these characters and getting to see those long rest bonds we got to enjoy with previous campaigns, 4SD is over, and that's what you wanna ask about? it's selfish, honestly.

[deathxproof]

hm, out of all of the things I was expecting when I slowly started putting myself back in fandom spaces, “unresolved trauma from being an autistic kid/teen who was always perceived as Too Much” wasn’t on the list, to be quite honest.

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is��as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[drchucktingle]

my masks

hey there buckaroos. due to all of the attention the TEXAS LIBRARY ASSOCIATION situation has gotten i am going to take a minute to talk about my personal way as an autistic buckaroo. im going to tell you about my masks.

im doing this for a few reasons, some are good FUN reasons full of love and some are not so great. 

lets start with the GOOD STUFF. first of all, i am talking about this because speaking on my way can help other buckaroo feel more comfortable speaking on there own way, ESPECIALLY if they are good at ‘passing’ for neurotypical like chuck is. 

unfortunately the NOT SO GREAT reasons im talking about all this dang stuff are two fold. reason one: i have been put into a position of having to explain and justify my needs and boundaries by the TXLA. this is not something that i WANT to be taking up all of my time, but when large organizations do not make space for those who they have pledged to support, it puts us smaller buckaroos into position where were have to defend our existence. it is not plesent but it is necessary.

the second NOT SO GREAT reason is that ‘passing’ bisexual and autistic people like myself are ALWAYS just seconds from being gatekept from folks both outside and inside these communities. there will probably be a day on chucks deathbed where i take off my mask and say hello to this timeline (mostly so you can all see how handsome i am under here but I DIGRESS). i KNOW with absolute certainty (the same way other bi and autistic buckaroos are probably nodding along right now) that when that day comes i will STILL be accused of ‘not being real’ and ‘faking’ because i ‘dont look autistic’ and i have a beautiful ladybuck partner in sweet barbara.

ALL THAT IS TO SAY, i am taking a moment today to talk FOR THE RECORD about my neurodigence and my particular needs. hopefully i will not have to keep diving this deep every time an organization takes a discrimantory action against me, but i will also say this: at least it is a good fight on an important battlefield

anyway buds, here is the story of my way on the spectrum

when i was a young buckaroo i knew that my thought process was different. i could socialize easily, which is unique in contrast to many autistic buds (it is a spectrum after all), but my social ease was for an interesting reason. I ALWAYS KNEW WHAT OTHERS WERE ABOUT TO SAY. it was like a strange ‘human game’ where someone would say one thing and i would think ‘well you actually mean something else’ in a sort of logical way (this is why i later related to DATA from star trek so dang much). at first i remember thinking ‘well i am just NOT going to play along with this human game’. i quickly learned neurotypical buckaroos do not like this, that there is a BOB AND WEAVE to social interactions that must be learned. 

later i realized ‘actually if i WANT to make friends and prove love is real then i can do this like an expert because i can SEE the game where most cant’. this got chuck many buds and took me on many adventures. please understand, i am not saying these connections are not important to me, they are just different. they are full of love, but i express this in my own unique way.

HOWEVER, while growing up i felt disconnected from this timeline in other ways, like an alien or a reverse twin trotting along in a world that is not quite my own. i did not feel emotions the same way my buds did. they would get upset over the ‘human game’ interactions and i would not be moved at all, HOWEVER i could see the way sunlight hit a window and start crying my dang eyes out over the beauty. so my emotion was still there and VERY STRONG, i just felt it in more existential ways (like hearing the call of the lonesome train). these days that feeling has progressed to where i am pretty much in a constant blissed out state of cosmic emotional connection (make of that last sentence what you will, but it is the truth). when i make existential posts online i am not just FIRING OFF SOME CONTENT, i really mean every word. this is really my trot.

anyway as a young buckaroo these feelings made me worry sometimes. i thought about various mental health dianosises and marked the parts and pieces that matched with myself. am i this? am i that? sometimes, instead of just being’ different’ i worried i might actually be ‘wrong’. 

when i saw david byrne on letterman in my younger days i immediately recognized something connected to myself. i thought ‘wow this is the mystery being solved before my very eyes.’ i could hear it in the music of talking heads too. i started doing research and realized that i might be on autism spectrum, something that was later confirmed by a therapist (back then the diagnosis was called asperger's). it was a glorious and fulfilling moment. i was SO EXCITED TO BE AUTISTIC LIKE MY HERO. i felt very cool because of it, and i still feel very cool because of it.

one of the big reasons i talk so much about being autistic these days is because i want to make sure OTHER buckaroos can have that same moment that i did. they can see chuck and think ‘wow i really like this autistic artist, maybe being autistic is cool’

so what does an average day WITHOUT wearing the pink bag look like for me?

my thought process is exactly like ROSE from CAMP DAMASCUS, which is part of why i wrote the book. we have the same stim (complex order of finger taps), we prepare for social interactions the same way, we analyze things in the same logical trot that neurotypical people might think feels ‘detached’ but for me feels natural (certain reviews of camp damascus are very funny to me in this way. you can tell when a reader is just very confused by existing in an autistic brain for 250 pages.)

from the outside you would not be able to tell that i am on the spectrum. in fact you would probably find me very socially adept. 

the problem is, all of that masking can take its toll. i spent years trotting in and out the emergency room, talking to confused doctors who could not figure out the chronic phantom tension and pain that radiated through my body. i eventually accepted the fact that i would either live a life constantly on heavy painkillers or just stop living altogether.

eventually, however, i started noticing a correlation between the way that i felt, and the space that i allowed for chuck and the pink mask. i was exercising that tension, allowing my mental mask of neurotypical existence to take a rest. i started practicing physical therapy and this time THE RESULTS STUCK because i was approaching from two sides, MIND AND BODY. after a while, i got my pain down to about 5 percent of what it once was. i still have flare ups in times of stress, but the healing has been very real and life changing.

lets get VERY specific now. if i attended the TXLA confrence without a mask and gave my talk i can tell you this: i would do a dang good job. i can work the heck out of a crowd and (not to reveal too much about my secret way) I HAVE BEEN KNOWN TO DO THIS ON OCCASION VERY WELL. however, going home from this event i would very likely be in pain. i would likely need to do physical therapy. i would likely need to stim for a while. i would NOT be emotionally fullfilled in the same way. in other words, without my pink mask i can charm the heck out of buckaroos, but THE SPACE OF CHUCK TINGLE IS NOT THE SPACE FOR THAT. the pink bag is a place for me to not have to put up with that tension. it is a place for me to unmask mentally by masking physically.

this pink bag space SAVED MY LIFE and i am not going to risk blurring these lines. if and when that ever happens it will be MY decision, not someone elses. that is my boundary. the part of me that neurotypically masks could handle a library conference in a purely technical sense, but the part of me that chuck represents absolutely cannot and should not be asked to do that without the pink bag. unfortunately, the complexity of this point makes it even MORE difficult for me to think about and takes up even more of my time, because it forces me to START QUESTIONING MYSELF and my own needs. to be honest, that is the most insidious part of other people questioning your identify and refusing to accept your accommodation needs without ‘proof’.

the thing is, while all of this discussion of disability and accessibility is important, i have a much larger point to make by writing these words.

a conference should not uninvite someone with an unusual physical presentation or a strange way of speaking REGARDLESS of it being classified as a disability. it does not matter WHY i look the way that i look and wear what i wear. i should not have to spend all day writing this post instead of writing my next book, just because my sensibilities are unique and my presentation is unusual. 

fortunately the solution is very simple: let other people be themselves. its not hurting you to simply accept and nod at the buckaroos you think look strange. let us exist

[brummiereader]

@mischievouslittlecreature fantastic chapter, Lily 😍!

I'm sorry I'm getting so behind on reading 😩. I've currently got a nasty case of bronchitis that won't fuck off 😭, so forgive me if my comments on this chapter don't make much sense.

He nodded. “There was a message pinned to it. Look down on earth and see the seeds you have sown,” he shook his head. I love how the title of this chapter echoes that pinned note. You're so clever at connecting everything together.

He closed his mouth, eyes narrowing down at her. “You’re so bloody stubborn, you know that?” But there was no bite in his words. If anything, he just sounded very, very tired. Lucy touched his chin delicately. He didn't really think she'd listen to him did he 😅? Poor baby, I couldn't help but notice how tired he was in this exchange too. He sounded like he was stating facts more than having a conversation with her 😔.

Together, they sat, listening to the shrill squeaks and squeals of Charlie’s violin. All the while trepidation sank deeper and deeper into their bones. Although the image of Tommy having to sit and listen to the screeching noises of Charlie's violin always makes me giggle, I've never really looked at this scene and it's deeper meaning until your descriptions. They're constantly trying to simultaneously keep up some normality for Charlie's sake, all while internally losing their minds with stress with everything going on. I wonder if they both ever ask themselves if it's all worth it?

“She likes the life, ey? Well, find one that hates it. Look at him,” Tommy gestured to Arthur. “That’s what he did, and now he’s chairman of the board.” I never really understood what Tommy meant when he said this. Seems pretty counterproductive coming from a gangster 😂. But I can definitely see why Lucy picked up on this comment in particular. She's already pretty fragile when it comes to her own self worth in Tommy's life, and she has a tendency to pick apart small remarks like this until she's convinced herself that Tommy doesn't want her 😩.

How could he not fall in love with Lizzie? She was sweet, beautiful, the mother of his child, and he had known her for years. It's interesting how Lucy only ever points out Lizzie's nicer qualities. Because those far and few between positive aspects of her are often completely buried under the hatred Lizzie shows 😬.

Once that happened, she would be done for. Because when Tommy loved someone, really loved them, like he did her and Grace, he would do anything for them. Why can she never see herself in this equation too 😭? I know he often fucks up when it comes to noticing Lucy's need for reassurance, but I fear she'll never fully see how much he loves her. And I feel like this is only going to get worse as the series continues 😬.

Lucy snorted. As if Michael had any reason to be mad after he’d just lost all their fucking money. Ha, exactly Lucy! Urghh I loathe him.

I love how you explored what Polly would potentially have felt about the situation if things did continue to get worse while she was still there. Because as much as Tommy and Lucy are right about Michael,and as much I think Polly would have agreed with them, there is no fucking way she'd let Tommy take him out. I get the impression that Tommy really doesn't give out second chances to people he's not romantically involved in.

Loved this chapter, hun. I'm eager to see Lucy and Gina's interactions in the next parts 😬!

Part 26: Do You Love Me

Summary: Tommy and Lucy begin to suspect Michael of a far worse betrayal than what happened on the stock market.

Word Count: 6,076

Warnings: Violence and insecurity.

Previous Chapter • Series • Fic • Next Chapter

Chapter 4: The Seeds You Have Sown

Lucy rubbed at her eyes with the heel of one hand as she descended the stairs sluggishly. The house was always disconcertingly quiet in the mornings. Even more so with Lizzie and Ruby gone. Normally she got up with Tommy, which helped to cloak over some of the eeriness that the huge house exuded in the early hours. Especially in her dark, isolated wing of the mansion. 

But this morning she had woken up alone. Well, the second time she woke up, she was alone. The first time she had stirred at movement beside her, rolling over with an arm seeking out Tommy’s space beside her in the bed only to find it empty.

“Go back to sleep, love,” he had said, large hand passing over the top of her head. Rather than laying beside her, he was sitting on the edge of the mattress, already mostly dressed. 

“Mm. Why aren’t you here?” she complained, patting the spot next to her, even as she nuzzled back down into his pillow.

“There’s something I need to go check. Won’t be long.”

“Want me to come?”

“No, sweetheart, just go back to sleep,” he kissed the top of her head.

She drifted in and out for awhile after that, but it was hard to find true sleep without him there. Finally, she’d risen out of bed with a sigh, yawning and stretching and slouching her way over to the wardrobe to pull on her clothes for the day. 

Dressed and at least half awake, she was just making her way to the dining room in the hopes of finding a warm breakfast waiting for her when Charlie came exploding in through the front door. His shoes clattered loudly on the floor as he raced towards her. 

“Lucy! Dad wants you,” he skidded to a halt, nearly colliding with her. “He’s outside in the garden.”

“Charlie, what–”

“Miss. Winters, there was a phone call for Mr. Shelby’s office phone that he just missed,” Frances appeared to her left. “And Mrs. Milligan is here for Charles’s violin practice.”

Who the fuck has violin practice this early in the morning?   

“Alright, um, Charlie, you go with Frances to your lesson–”

“He said I’m to play extra loudly today,” Charlie giggled. “Because there might be some bangs outside. Do you know why, Lucy?”

Her blood went cold, eyes snapping to the windows. Suddenly wide awake. She looked back at Charlie, forcing what she hoped was a reassuring smile to pull at her lips. “Yes, Charlie. I think I do. You said that he’s in the garden, did you?”

Charlie nodded.

“Right,” she turned to Frances, who had gone a little pale. “Where’s the teacher?”

“In the drawing room.”

“Charlie, go with Frances to see Mrs. Milligan. Frances, keep everyone inside until we get back.”

“Yes, Miss. Winters.” Frances took Charlie by the hand, quickly leading him away. Lucy waited until they’d gone before running to the cupboard in which they kept a small artillery. She snatched up a tommy gun, some extra ammo, and raced outside. 

She found Tommy seated on the grass by the barren fields, smoking and rubbing at his face with hands smeared with dirt.

“What’s happened?” she asked, hooking the strap of the submachine gun over her shoulder. Her eyes darted around wildly, searching for any signs of danger but finding none. Until her gaze landed on the middle of the field, where a scarecrow was erected on a wooden cross. Lucy stared at it, breath catching in her throat. 

They didn’t have a scarecrow in the field. Not at this time of year, anyway. There was no point when there wasn’t anything planted in it anyway.

If she squinted she could make out that it was dressed in clothes eerily similar to Tommy’s daily attire: a dark coat, trousers, waistcoat, and white button down shirt, with a pocket watch dangling from its neck that glinted in the sun, and a peaky cap a top its burlap head. 

Tommy looked up at her with bleary eyes, chest heaving up and down. 

“There are landmines in the field.”

“What!?”

He nodded, gesturing with his cigarette towards the scarecrow mounted in the center of the barren stretch of mud. “All around the scarecrow. Fucking miracle that I didn’t step on one.”

“You went out there?”

He nodded. “There was a message pinned to it. Look down on earth and see the seeds you have sown,” he shook his head.

“Fuck,” she looked out at the field, watching whisps of white mist float across it. 

“In our own fucking garden, Lucy.”

“Yeah.” Already, her mind had begun to work. Who? Who would do such a thing? They were not lacking for enemies, but she struggled to immediately think of any who would be so bold as to do something like this right under their noses. 

“Charlie almost stepped on them. He came running onto the field to get me. If I hadn’t grabbed him in time…” Tommy trailed off, shoulders shuddering. Lucy’s lips parted, eyes widening. A sick feeling twisted in her stomach at the thought of what could have happened to their sweet boy. A hand went to his shoulder, clapping onto it both for stability and in an attempt to offer comfort. 

Distantly, from within the mansion, she could hear the sounds of a violin starting to play. She closed her eyes against the sound. Normally, she wasn’t particularly taken with Charlie’s violin playing. Often she caught herself wishing he’d chosen a less…shrill instrument to learn. Like the piano or even the harp. But today, she relished in the shriek and squeaks of the bow against the strings. 

“He’s okay,” she said, to Tommy and to herself. 

“Yeah.” He heaved out a massive sign, head bowing. She rubbed back and forth across his shoulder, feeling the tension in his muscles even through the material of his coat and the shirt he had on underneath.     

“What do you want to do about the mines?” 

“We need to take care of them,” he heaved himself to his feet, “so no one risks getting their leg blown off if they step out there.”

“Alright,” she unhooked the strap of her gun from where it was secured on her shoulder. “Should I shoot at the ground from over here, or…?” “No. They’re only around the scarecrow. I think.”

“You think?” 

“If there were ones anywhere else in the field, I’m pretty sure there would be bits of me scattered all over the garden by now.”

She cringed at the mental image, heart twisting upwards into her throat. “Don’t joke about that.”

He looked over at her, saw the expression on her face, and wrapped an arm around her shoulders, kissing the top of her head. “Sorry.” He reached for the machine gun clutched her hands, but she pulled it away. 

“What are you doing?”

“Well…I need…” he had enough foresight to look sheepish at what he was implying. 

“I’m not letting you walk back out there alone.”

“Luces, please…”

“No! I’m not just going to stand here and watch you get blown up.”

“It’ll be fine–”

“Then you should have no problem with me coming with you.”

He closed his mouth, eyes narrowing down at her. “You’re so bloody stubborn, you know that?” But there was no bite in his words. If anything, he just sounded very, very tired. Lucy touched his chin delicately. 

“Look who’s talking.”

A ghost of a smile danced on his lips for a second. “You really would rather risk getting blown up with me than just wait right here?”

“Yes,” she said, without even a moment’s hesitation. His eyes softened, and he didn’t even need to say anything for her to know that she’d won. 

“Alright, then,” he sighed, looking back towards the scarecrow. “Just stick close to me, yeah?” 

“Yeah.”

Through the mist, Lucy could just make out the outline of another tommy gun laying on its side in the mud. He must have dropped it in his haste to get Charlie out of the field. 

“Come on.”

She followed him towards the gate that led out into the rows of soft, damp earth. She was careful to stay behind him and follow the path he cut through the mud, since he knew where the landmines were. He scooped up his gun where it lay on the ground, shaking dark tendrils from his fringe that had fallen forward out of his eyes. Immediately, he started firing upon the scarecrow. He emptied an entire magazine into it before coming to a halt, releasing the magazine drum to let it go tumbling to the ground, sliding a second one into its place with a click. Lucy’s finger found the trigger of her own gun, raising it once she came to a stop at his side. Squinting at the dirt around the scarecrow, she squeezed her finger around the trigger.     

The ground around the scarecrow erupted, dark soil and boiling flames exploding with a furious blaze into the sky. They were standing close enough for Lucy to feel the heat from the explosions on her face and smell the charred scent of smoke and burst metal. 

The explosions came one after the other as they swept the ground with bullets, setting off landmine after landmine, each bursting in its own mini inferno. 

And then all was quiet. 

Black smoke roiled upwards, rolling over itself, momentarily blotting out the sun above them before being broken apart by the wind. 

“You think that was all of them?” Lucy asked, lowering her weapon, glancing over to see Tommy doing the same.  

“Yeah. We’ll have to dig them up later.”

“Not now?”

He shook his head. “Charlie said that there was a phone call for me.”

“Yeah. To your office phone. Do you think it has anything to do with this?”

“Maybe.”

Mist danced around their ankles while he started to lead the way back to the house. She eyed him as they walked side by side. His entire face was pinched with stress, shoulders wound ever tighter than usual.

Michael was supposed to be coming back today. She knew that Tommy had been dreading the day; the tension within him seeming to build more and more as the date grew closer. 

Not that she could blame him. She felt it too; that sense of deep, approaching dread building in her stomach, hairs on the back of her arms standing on end, alarm bells blaring in her ears that danger was approaching. 

Once they were inside, she took a quick detour to lock both of their guns back up in the artillery cupboard before meeting him in his office. He was already on the phone when she slipped in, cocking it slightly when she came over to stand next to him so she could hear static crackling through the receiver, and then the buzz of the line ringing.

Whoever was on the other end picked up, and for just a second, she heard Michael’s voice before it was silenced. And then an Irish lilt filtered through the receiver, the voice introducing herself Captain Swing. Lucy’s brows pinched, stomach twisting into knots as Swing explained that Michael had been caught onboard the ship he’d taken from America, in his cabin making deals with men in Belfast who wanted Tommy dead. In the background, Lucy could hear the faint sounds of Michael’s voice, screaming that Swing was lying. 

Swing offered that she could have Michael killed then and there, or she could send him home for them to deal with. Tommy chose the latter. 

At Swing’s revelation that Michael was discussing with their enemies how they’d divide up the racetracks after they’d blown away Tommy’s legs, Lucy froze. 

That was a very specific way of wording things. And a very specific type of death. 

Her eyes shifted to the windows, looking out at the misty field. Despite the mines they’d detonated around it, the scarecrow was still standing on its cross, the wind ruffling its clothes.

How did she know about the mines?

Either what Swing was saying was true, and Michael had been in on the planting of them, or Swing herself had been involved in some way.  

“What the fuck,” Lucy said, soon as he’d put the phone down. Tommy looked as if he were seconds away from a stress-induced stroke, turning his back to the room to instead stare out the window while lighting a cigarette. “Do you really think…?” “I don’t know,” he shook his head, voice dropping to a whisper. “I don’t fucking know.”

It wouldn’t be entirely out of the realm of possibility for Michael to betray them. He’d done it before, during the vendetta. But at least then he’d had the excuse of choosing loyalty towards Polly over Tommy. 

“Fucking kid…” the shock was beginning to give way to rage. “We should never have taken him back in.” If it weren’t for them, he’d be some boring accountant, probably for a firm in London somewhere. Or maybe still trapped in that little village that he hated so much. How fucking dare he try to move against them? “He’ll be in Liverpool soon. Assuming that Swing actually lets him go and he doesn’t try to run. I could go to the station and assess him. Find out if anything that Swing said was true.”

“No.” 

She opened her mouth to argue, but Tommy put a gentle hand on her arm, drawing her in closer to his side. 

“I think that if either of us were to see him right now, we might kill him on the spot. I’ll send Polly and Arthur to pick him up.”

“He might not even show.”

“Then we’ll have our answer.” He lifted his cigarette to his lips, movements slow. 

“Even if Polly and Arthur clear him, I think we should quarantine him for a while. Just to be safe.”

Tommy nodded. “I’ll have him and the American girl he’s bringing with him put up at the Midland.”

“Good idea.” The Midland belonged to them. All eyes and ears employed within its walls were theirs. Every phone call, every activity, even every fucking thing that Michael ate would be reported to them. 

“And have some of our boys see what they can find on this Captain Swing and her people.”

“Will do.”

There was the click of heels against the floor outside, and then a few rapid knocks on the door. Tommy’s chest heaved with his sigh, lifting a hand to scratch at his brow. 

“Come,” he called, voice gruff, not turning from where he was still staring out the windows. His voice sounded very far away, and Lucy knew that he was currently locked within his own head, turning each and every possibility over and over in his mind. She inched a little closer to him, and when his arm draped around her shoulders, she looped her own around his waist, hoping that the warm press of her body against his side would help to soothe him. 

Frances came in, bringing with her inquiries from the violin teacher about the bangs she’d heard. Tommy waved away her concerns with an explanation of testing fireworks. One glance at the housekeeper’s face, and Lucy could tell that she didn’t believe him for even a second, but knew better than to pry.

“Also, will Mrs. Shelby and Ruby be home for dinner tonight?” she asked instead.  

“I don’t know.”

Lucy looked down, feeling the all too familiar pang of guilt wash through her. They’d had next to no contact with Lizzie since she’d left. Both of them too afraid of making things worse if they did not allow Lizzie her space. 

But God, it was eating her up not being able to see Ruby. The little girl was like a bright beam of sunlight in the otherwise dreary, melancholic house. The whole place seemed a shade darker in her absence.   

Surely Lizzie couldn’t keep her from Tommy forever. Despite everything, she was still his daughter. She would have to let him see her sometime. 

Him, maybe. But not you. You have no claim to her. No matter how much you love her.

She squeezed her eyes shut. The idea of never seeing Ruby again made her want to curl in on herself and weep. 

Approaching footsteps had the three of them starting and turning to see Charlie standing in the doorway, violin clutched in his hands. Excited to show Tommy the new tune he’d learned that morning. 

“And what have you learned, my boy?” Tommy asked, and Lucy detected that he was making great effort to lighten his tone so Charlie would not notice the deep tension practically radiating from him. He slipped down into the chair behind his desk, a hand on Lucy’s waist urging her into his lap. She settled there, arm around his shoulders and head leaning against his.

Together, they sat, listening to the shrill squeaks and squeals of Charlie’s violin. All the while trepidation sank deeper and deeper into their bones. Regarding Michael. Regarding whoever had planted those land mines in their garden, like deadly flowers waiting to bloom in a fiery inferno. And regarding the danger that seemed to be coming at them from each and every direction. 

∗ ∗ ∗

They stepped into the Garrison to find it utterly trashed. Broken glass crunched under their shoes, half filled and empty glasses littered the tables, and spilled booze seeped into the floorboards. There were only two people occupying the pub: a girl, who roused at Tommy scrapping a barstool against the floor to perch on, and Finn, who remained fast asleep spread out in a booth despite their less than silent entrance. The girl rushed to gather up her clothes and hurry out the door at Tommy’s command.

While he and Arthur set to work dealing with Finn, Lucy grabbed up a broom from the supply closet and started sweeping up some of the broken glass littered all over the place. They seemed to get through to him alright, though Lucy couldn’t entirely shake the wariness that had settled within her when it came to Finn. She couldn’t quite put her finger on it, but it was something not unlike how she always felt around Polly. That instinctual knowledge that, no matter what she did or how many times she proved her loyalty, Finn would never truly accept her as a part of the family. 

At his mention to Tommy that he’d found a girl he wanted to marry, she started. Jesus, she kept forgetting that Finn wasn’t a kid anymore. In her mind, he was still that little boy running throughout the streets of Small Heath with dirt smeared across his face, grinning as he weaved between the adults’ legs at the betting shop. 

That might explain some of his recent behavior, however, what with the running head-on into danger half-cocked. Whoever this girl was, he was trying to impress her. 

“Tell me about her,” Tommy requested. 

“She likes the life.”

“She likes the life, ey? Well, find one that hates it. Look at him,” Tommy gestured to Arthur. “That’s what he did, and now he’s chairman of the board.”

She frowned, grip tightening on the broom that she was holding, catching her lip between her teeth to worry at it while she shifted uncomfortably. Finn was dismissed, though Lucy barely noticed.   

Was that what he really thought? That all of them were better off with women who hated the lives that they’d chosen to live? 

She did not fit into that category. But Lizzie did. 

Of course he missed his daughter and wanted her to come home. Lucy missed her too. But it had not even really occurred to her that he may be missing Lizzie as well. 

Her fear that Lizzie would someday replace her was a constant, forever presence in the back of her mind. Sometimes it was quiet, hardly even a whisper to be heard. Other times it was a scream, a blaring siren warning her to brace herself for heartbreak that surely would be coming at any moment. The volume of it ebbed and flowed like the tide. 

His words ran on a loop in her head, doubts growing. Maybe the type of person that she was no longer appealed to him. Maybe Lizzie was what he really wanted. A nice, normal woman. Not some basket case who woke up most nights screaming from nightmares, or who flinched at unfamiliar touches or loud noises. Who didn’t find even the smallest enjoyment out of the sport or kind of work that they did. Who rode a horse sidesaddle rather than with a leg on either side.          

Did she like the life anymore? She honestly couldn’t say. The life had caused her an awful lot of pain, as the aches in her shoulders or the twinges in her heart so often liked to remind her. But it had given her Tommy. And if the life of a gangster was what she had to lead to be with him, she’d do it all again in a heartbeat. Without even the smallest hesitation. 

She swallowed hard, shifting uncomfortably. A combination of excitement and dread opened up inside her at Arthur’s report that Lizzie and Ruby would be home later that day. She couldn’t wait to see Ruby. But the idea of having to face Lizzie, especially after the fight they’d had and Tommy’s latest comments, left her feeling nothing but anxiousness. 

Tommy started to give Arthur orders for how to handle Michael once he arrived from Liverpool, but she barely heard him. 

She knew that Tommy cared for Lizzie. That had never bothered her. She cared for her too. But the idea that he might someday fall in love with her terrified her. Because if he loved her the way that Lizzie so desperately wanted him to, there would be no room for Lucy in his life anymore. No love left for her. 

A part of her had always figured it was an inevitability. How could he not fall in love with Lizzie? She was sweet, beautiful, the mother of his child, and he had known her for years. Even longer than he’d known Lucy. It was impossible that he could spend so much time in such close proximity to her–both emotionally and physically–without certain feelings beginning to bloom. 

Once that happened, she would be done for. Because when Tommy loved someone, really loved them, like he did her and Grace, he would do anything for them. And the first thing that Lizzie would ask of him would be to toss Lucy out onto the street like an unwanted dog. 

Everything she had, she had because of Tommy. She was not naive enough to think otherwise. Without him, she would lose everything. Hell, he was everything to her. Some days, she doubted she would even be alive if it weren’t for him. What would she even have to live for? Without Tommy she was completely and utterly alone. 

“Lucy?” Tommy called, and she started, realizing that he had stood and gone to the Garrison’s doors, waiting for her to follow him.

“Sorry.” Setting aside the broom she was holding, she wiped her hands down on her overcoat and moved to trail him outside, giving a sharp shake of her head to try to dislodge the thoughts banging around uncomfortably inside her mind. 

“You alright?” he asked, once they had made their way to the station and seated themselves in a compartment on the next train headed for London. The floor vibrated under her shiny black boots as they started to pull out of the station, beginning the journey south. She looked away from where she was gazing out the window with her knuckles resting against her lips to find Tommy eyeing her, mild concern shining in his eyes. 

She thought about asking him what he meant by what he’d said in the Garrison. But she didn’t have the courage to open her mouth and let the words come out. Too scared by what his answer might be.  

“Yeah,” she said, instead, shifting so that her temple leaned against the cool glass of the window. “I’m fine.”

∗ ∗ ∗

“Excuse me?”

Lucy looked up from her desk into the face of a bald man with a pointed nose and a dark mustache. He had his hat clutched in his hands, running his fingers along the fine material.  

“Yes?”

“This is the office of Thomas Shelby, correct?”

“It is.” She put down her pen. From his desk across from hers, Adam shot her a nervous look. “How can I help you?”

“My name is Stacker. I need to ask Mr. Shelby some questions. Is he in?”

“What sort of questions?”

The man shifted from foot to foot. “There was a shooting two days ago of a journalist who was in here to meet with Mr. Shelby the night before his death. I’d like to speak with him about it.”

“You’re police?”

“Yes, Miss.”

“Police aren’t allowed in here.”

“I’m here in a very…unofficial context.”

“Mm,” she cocked her head, both of them aware that wasn’t truly the case. But flat out sending him away might do more harm than good. “Adam, go find Mr. Shelby and tell him that there’s a policeman here to see him.”

Adam nodded, standing and slipping past Stacker to rush out the door. 

“You can wait in his office,” Lucy said, standing and walking around Stacker to open the double doors, leading him inside. “Who’s your Chief Constable, if you don’t mind me asking?”

“Chief Constable Wyatt, Miss.”

She nodded. Good. They knew Wyatt. “Mr. Shelby will be here in a moment. Can I get you something to drink, while you wait?”

“No thank you. I’m alright.”

She went out into the front office, plucking up a folder from her desk and flipping through it to appear busy while waiting for Tommy and keeping one eye on Stacker. The policeman prowled around the office, examining the papers and trinkets spread out on the big desk, then moving to inspect a painting of a white horse surrounded by a golden frame and hung on the wall behind Tommy’s chair. He didn’t touch anything, though Lucy was sure he was making mental notes about all that he was seeing. 

Heavy footfalls announced Tommy’s presence, entering the office with his briefcase in hand and Adam trailing in behind him. 

 “His Chief Constable is Wyatt,” she murmured into his ear. He nodded.

“Five minutes, then come tell me I’ve got an appointment or something that I need to get ready for so he’ll leave.”

She nodded, going to lounge behind her desk while he went in to deal with the officer. 

Just another day in Parliament, she thought to herself as she lit a cigarette, puffing smoke up towards the ceiling, keeping an eye on the clock for when she would need to rise and rescue Tommy from the clutches of the lawman.

The police investigating Levitt’s death wasn’t a particularly unexpected occurrence. Nor was them coming here to talk to Tommy about it, considering that Levitt had died not long after seeing him. Their boys had done good work on the hit, giving it enough flourish to send a message to any other journalists looking to try something, all while ensuring that the police wouldn’t be able to link it to them easily. If at all.  

Didn’t mean that their poking and prodding around wasn’t annoying, though. She had hoped that the police would simply assume that Levitt’s death was a result of conflict caused in his personal life, and they could avoid being pulled into the investigation all together. But apparently not. 

The clock chimed, and she rose from her seat, grabbing up some documents that she needed Tommy to look over anyway, going back into his office just as the last chime sounded. 

“Mr. Shelby, you have a meeting with an MP from Essex in a few minutes.” She reported, placing the documents she’d brought in on his desk. Tommy turned his gaze onto the policeman.

“Your time’s up, Mr. Stacker.”

Stacker said nothing, throat working. Whatever Tommy had said to him before she came in, it had either given him pause, or made him very angry. Perhaps a bit of both. His eyes flickered between them, and then he rose from his seat. 

“Thank you,” Tommy called to his back as he retreated from the room.

“Did it not go well?” Lucy asked, once she heard the door close shut behind Stacker, watching Tommy’s face while he moved around his desk to his chair. 

“He’s suspicious. But I don’t think it’ll stick. If it does, I’ll have a word with Wyatt about him.”

“Alright.”

Tommy’s eyes shifted to the clock. She glanced over her shoulder at it. 

“Arthur was supposed to call me at three,” he huffed, as they watched the minute hand tick over to the right. 

“It’s only two minutes past, love.” She moved around to his side of the desk, touching his shoulder. “Arthur isn’t always the most punctual.”

He just grunted, and she smiled fondly at his grumpiness, rubbing his shoulder a few times to try to massage away some of the tension she felt in his muscles. When she moved to retract her hand, he caught it in his, dipping his face to peck a kiss to the back of it. His eyes squinted at her, assessing. 

“Something’s bothering you.”

She looked down and away. His thumb rubbed back and forth across her hand where it was still clasping it. She glanced anxiously towards the door.

“There’s no one who might see us except for Adam. And he already knows about us,” Tommy said, reading her mind. “Talk to me. You’ve been quiet since we left the Garrison this morning.”

“It’s…it’s nothing, really.”

“Then why don’t you want to tell me?”

She finally looked up at him. The hard wood of his desk was digging into her back where she was leaning against it. She opened her mouth to tell him, then closed it again. It all felt a little ridiculous when she actually tried to put it into words. “Because I’m just being stupid.”

His brows pinched, fingers squeezing a little against hers. “Well, now you have to tell me.”

Her lips pricked upwards. His hand smoothed up her arm, nearly to her shoulder, rubbing a few times before finding its way back to her hand, raising it back to his lips. “Hm?” His head cocked, tempting. “Come on, now, talk to me,” he said, in a voice like a honey. Lucy huffed, trying to stifle a shiver at the warm rumble of his words, struggling to gather her thoughts into coherent sentences.

“I’m happy that Ruby and Lizzie are coming home. Really. I just…” she sighed, glancing away again. Tommy’s thumb massaged across her knuckles encouragingly, his piercing gaze fixed on her patiently while he waited for her to finish her thought. But she found that she couldn’t. She wasn’t strong enough to actually speak the words that rested on the tip of her tongue.

Am I not what you want anymore?

Are you falling in love with her?

Do you still love me?

And yet she didn’t need to. Both of Tommy’s hands landed on her hips. “Come here,” he drew her in closer, head tipping back to peer up at her through his dark fringe, gaze so softened with affection that it nearly stole the breath from her lungs. And she was left suddenly feeling very foolish that she could ever possibly have doubted his feelings for her. 

“I love you.” He laid a quick kiss on her lips. “I love you, not her. That’s never going to change.”

Her hands came to rest on the nape of his neck, skin warm under her fingers. Relief, that he understood what she was trying to say without her actually having to utter it, had tension that she hadn’t even realized had built up in her muscles melting away. A relieved breath released from her lungs. 

She lowered her head to press her lips to his hair, closing her eyes, voice dropping to nearly a whisper. “I know.” And she did. Deep down, she always did. It was just that sometimes the voices in her head screamed so loud that they drowned out everything else. “Sorry. Sometimes…sometimes I just get scared.” 

His eyes grew sad. “Don’t be sorry,” his thumb circled against her hip. “Brains can be stupid, ey?”

A quiet laugh left her. “Yeah. They can, can’t they?”

“Mm,” humming in agreement, he dropped his head to kiss her shoulder.

The phone on his desk started ringing, popping the little bubble of contentment that had formed around them. Tommy let out a soft groan, lifting his head and reaching around her to grab at the receiver. He tilted it just so against his ear so that she could lean in and hear what was being said on the other end. 

“Arthur?”

“Yeah,” the older Shelby’s gravely voice rumbled through the receiver. “Polly says Michael’s telling the truth.”   

“Did you see him?”

“Yeah.”

“And?”

“He was angry with us.”

Lucy snorted. As if Michael had any reason to be mad after he’d just lost all their fucking money. 

“Got some American girl with him, too,” Arthur continued. “They got married on the ship on the way here. Name’s Gina Gray. Formally Nelson.”

“What’s she like?”

There was a snort. “She’s got an attitude on her, that’s for bloody sure. Got rooms for them at the Midland. Michael’s mad as a swarm of hornets about it, but he agreed to stay there.”

“Good. What did you think of Michael?”

There was a long pause. “Honestly, Tom…I thought he was awfully fucking defensive for someone who supposedly doesn’t have anything to fucking hide.”

Tommy nodded, looking out the window, lips pursing together.

“I have my revolver with me,” Arthur said, after a moment. “I could probably catch up to them before they even get to the hotel…”

“No. I want to speak with him first. Before we make any permanent decisions. Just have our people at the Midland watch him, for now.”

“All right.”

Tommy hung up the phone, and then let out a groan, face falling forward to rest on her chest, arms looping loosely around her waist. Lucy laid her palms on the back of his head, hugging it to her while her chin rested on his soft dark hair. 

“Well, at least we can keep an eye on him here,” she murmured. With a sigh, Tommy raised his head. 

“Yeah.”

“If you change your mind and want him taken care of, just say the word.”

“We have to be absolutely sure.”

She examined his face, understanding. It wasn’t about Michael. Not really. Not anymore. Maybe at some point it would have been, but most of the good will that Tommy had towards his cousin had dried up long ago. 

This was about Polly. 

If he ordered Michael’s death without provable provocation, he would lose Polly forever. Hell, even if they were able to prove that Michael was trying to have Tommy killed, that may not be enough to sway Polly to their side. At the end of the day, Lucy believed that she always would side with him. Even over the other Shelbys, if she had to. And understandably so. Michael was her son. 

But Tommy loved Polly enough that he would not have Michael killed. Not until he either had no other choice, or he was confident that Polly would support him on it.

Delicately, she brushed a few tendrils of hair out of his face. “It’ll be okay.” 

He looked up at her with eyes worn ragged, stress pinching at the edges of his mouth and in his brow. She stroked his face, smoothing away the lines, drawing his head in close to rest on her chest again. He nuzzled into her with a sigh, eyes sliding closed and cheek resting comfortably atop her breasts. 

She wished terribly that there was more that she could do for him. All she wanted was to be able to help him. To help lessen the burdens that he carried. But there wasn’t much more that she could do. Not now, at least.

So instead, she just held him.  

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[magicpiano]

DCXDP demon twins AU where they were separated at birth and don't know about each other. (Maybe Talia wanted to protect at least one of them from life in the league and thought adoption was the best choice? Or something. Doesn't matter.)

Anyway, while on her world tour Dani meets Robin. Naturally Damian thinks she is another clone and either straight up attacks her, is very rude, or both even. Dani isn't ashamed of being a clone, so she readily admits to it when asked directly.

Dani already has a poor opinion on heroes in general, after all what have they done to protect amity park or ghosts from the GIW? Robin being so rude and violent to her when she was just vibing and being friendly? And none of these so called heroes even defending her? Her already low opinion goes into the negatives.

So Dani naturally thinks the justice league, and the bats in particular, are just bigots who hate ghosts and clones. So yeah she wants nothing to do with any of them. But this interaction is enough to make everyone else want to know more about her.

The bats start watching her and it becomes quickly clear that she is nothing like the other clones they have dealt with. Besides the powers (the league is doing science experiments with the pit and clones??? More info needed.) she has a lot of personality and individuality.

She is also a girl, which is odd for a clone of Damian. They come to the conclusion that she is trans. (Whether she is or not is up to you but the bats believe it.) As being trans requires a certain amount of knowledge of yourself and your identity, this just makes them more sure that she is not like the previous clones and shouldn't be treated as such.

She also kind of became a minor hero by accident. It is just if she see something bad happening on her travels and she knows she can help, she does. She never stays anywhere very long, especially if she used her powers, so it is not like she is that famous or anything. But this is how the bats are following her. (This is also how the GIW are following her.)

Anyway the bats decide they need to adopt her of course. She is all on her own! She needs a family! A network of people she can count on! And besides the league is surely searching for their lost powerful clone, so she is in danger. Unfortunately, again, Dani doesn't like any of them and absolutely does not want to join their family.

Identity and miscommunication chaos ensues featuring:

Damian Does Not Trust Her. Look he has so very legitimate trauma around clones, so he is sure this is just a trick. A elaborate ploy because the previous clones didn't succeed. He refuses to let his guard down. While understandable, this does not make it easy for the bats to convince Dani that they don't have anything against clones or metas (which they think she is).

Tim ends up being the only one she will talk to. He doesn't have issues with clones at all really. As a matter of fact he is pretty pro clone. Dani is hesitant around him at first, but when he tells her that Damian also tried to kill him and that they don't get along that well, she opens up. She really starts to like him when he introduces her to Connor, another clone. They start to get along great and Tim is thrilled to have a little sibling that hasn't tried to kill him.

Dick so badly wants to win the title of favorite sibling again but sorry, you lose, she likes Tim. Maybe she would be more friendly towards him if he wasn't so close to Damian, but as it is Dani really doesn't like Damian at all.

Jason is the only one to realize there is something... Dead... about her. Sure they connect her powers to the pit in some way, but they don't understand why Jason is so weird about her. He thinks he is going crazy but he can't help but be convinced that she is literally dead. She feels dead, she smells dead, sometimes when he looks at her from the corner of his eyes she even looks dead. Dani recognizes Jason as at least part ghost, and a bit separate from the rest of the bats, which makes him the only one she is even interested in talking to at first. He really does try to be friendly because he likes kids and feels bad for her, but she just really makes him uncomfortable and brings up memories that he would rather not recall. She recommends he see a ghost doctor. He is like, "what????"

The bats naturally assume that Dani knows their identities, after all the league knows and the other clones knew, why wouldn't she? But nope! She knows nothing about the Waynes. She has no idea why people keep bringing them up. This is also why she hasn't recognized Robin as being identical to Danny (and her). If she ever saw Damian without the mask she would likely assume he was also a clone of Danny.

Duke tries to be friendly towards her, but because of his powers she just looks really weird to him. He can't even properly describe it to the others but she just kind of creeps him out. (Let Dani have creepy little ghost girl energy). Again, Dani thinks this awkwardness is because he doesn't like her. The bats were really hoping Duke would be able to convince her that they don't mind that she has powers but it doesn't work out that well (at least at first).

Cass is thrilled about having a little sister. Little brothers are great but she has some already. Little sister is new and exciting! Admittedly, Dani freaks Cass out a bit too because she is one of the only people that have ever truly hidden from her before. (More than just invisibility, with intangibility and not needing to breathe or have a pulse, she can be truly silent if desired.)

Bruce wants to be a good dad so bad. Yeah he had not always succeed but he refuses to make the same mistakes that Clark made with Connor. He is so sure he can be a good dad to Dani. He tries to tell her that he doesn't care that she is a clone but she just thinks Batman is a fruitloop.

Batman is also a bit freaked out though because she is a seriously powerful heavy hitter and he has no idea how he could fight someone like her. Even more worryingly, how did the league make her? Are they going to make more?

Dani just doesn't understand why the bats won't leave her alone! She left Gotham! Why do they keep showing up wherever she is, including the other side of the planet!? At first she thinks they are hunting her down for the GIW, but they never bring out any ghost weapons so their goals are unclear. She doesn't love being stalked though.

At some point, Dani mentions changing her name (Dani is getting a bit confusing with Danny and she wants to have something a bit more original to her). The bats assume this is a trans thing again. Bruce, who has never gotten to name any of his children, is so excited about this and wants to brainstorm names with her as a bonding activity. She can't fathom why Batman cares about her new name but accepts the baby name book he gave her anyway.

Danny has no fucking clue about any of this. Sure Dani mentioned that she had a run in Robin and told him that Robin was a jerk who hated ghosts and clones, but that was really just a warning against approaching any heroes. She doesn't want to worry him with her new stalkers so she keeps it to herself. He is not happy when he finds out that she was in danger.

When the whole truth finally comes out? So much drama. Damian has a twin? Dani isn't even Damian's clone? Ghosts are real and being hunted by the government? And of course, the biggest plot twist as far as Dani is concerned: Batman is Bruce Wayne!?!? Crazy.

[pureastrologywisdom]

𝔖𝔬𝔪𝔢 𝔖𝔢𝔡𝔲𝔠𝔱𝔦𝔳𝔢 𝔓𝔩𝔞𝔠𝔢𝔪𝔢𝔫𝔱𝔰

Lilith aspecting Moon

This is a very powerful placement for women specifically. The moon, which is your emotions, connected to the unconscious self, habits, comfort and femininity is connected to the point in your chart that is powerful and dark, a part fuelled by pain, and all about transmutation. These woman often have a very intriguing essence about them. Strong and seductive. It's like you are playing with fire. She enjoys being a little off putting and knows exactly how to be enticing yet intimidating all in one.

Neptune/Venus/Pluto in the 3rd House

The third house is often overlooked when people are speaking on seduction and sex appeal in astrology. People are so focused on visual they miss a key point. Seduction includes all the senses. Someone being beautiful doesn't necessarily mean they are seductive. It's the way someone moves, speaks, the things they say and don't say, how they hold themselves along with present themselves. It's subtle.

This brings me to why the third house comes into play. It inductees how we communicate. As mentioned words can be very seductive. Having planets like Neptune and Venus will give someone a sweet and sensual demeanour when talking. Neptune is very receptive and often these people are incredible at being able to asses the needs of the person they are taking to, it's a very intuitive placement. Neptune is also all about fantasy. Playing into a role you project onto them.

Pluto in the third's seductive tactics are centred around power snd control. Manipulation if you will - not always in the worst sense. They are good at digging for information getting to the base of the persons psyche that they are speaking to. Once again it's about understanding the people around them. You can see how Neptune and Pluto have this in common but the way they use this is different.

Scorpio Rising

I feel like you guys know this one has to be mentioned. And I am sure I have written about this before. However I feel it's important to explain why this rising sign specifically holds such seductive energy. I often hear people talk about their eyes, which is very true. But it goes much deeper than just appearance. Scorpio naturally rules over the 8th house, a house that is very deep and dark. It's shrouded by mystery and taboo, along with being a sexually charged house. Now think about all of these themes being brought into the 1st house. Being at the forefront of someones being in not only the way they look, but they way they carry themselves and interact with the world around them. It's very provocative energy.

But there is more. Though people may assume that because of this scorpios may give off an overt sexual energy, its not quite as obvious one one may think. Whilst there is this air of sex appeal around them, this often doesn't come from being so open and bold about these things, but rather from holding a little something back. As we know scorpio is about the things below the surface, secrets, privacy. This creates a dynamic where people can sense this energy, however they must peel back the layers and investigate more to truly see what these people are like. This can create a push and pull, a little bit of an enigma. It piques the intrigue of people and encourages the chase.

Mercury quintile/Bi-quintile Mars, Pluto or Neptune & Lilith in some cases

Very similar to the previously mentioned third house, Mercury rules over communication, along wit the way we think and process things. Having a quintile or Bi-quintile aspecting mercury it shows us that someone has a particular skill around communication. I have already explained why having Pluto and Neptune connected to areas of your chart dealing with communication creates seduction.

I also included Mars, as Mars is a planet of strategy. Often working towards a goal these people like to win, and are very good at 'winning people over' in conversation. Mars is more of a dominant planet so domination is a tactic often used by these people. Sometimes being commanded is sexy. These people speak strongly which is sexy.

The reason why I put Lilith as a case by case aspect is because as we know, Lilith often states as a place of wounding in a natal chart. It's only after someone has healed those wounds and understood the source of power that that area of their chart is with Lilith sitting there that they can truly start to embody and experience this. Though I will say having Lilith in a quintile or Bi-quintile is often easier. When developed Lilith is a very untamed energy, a little wild and unpredictable. Two traits that are extremely enticing.

Thank you all for reading my loves,

Pureastrowisdom x

Also a quick notice - I have a TikTok account under the name of

.plutonian.priestess

I would love if you would go and follow me on there too where I can post more image based content and eventually go into video style content too.

I am thinking of putting a face to my name and my account as I want you guys to see the person behind my work

[laroserie]

— Various x-men characters dating a non-mutant!reader

— characters ; Scott Summers, Peter Maximoff, Kurt Wagner, Hank McCoy

— version with others characters ; not out yet

— warning ; no particular tw. talk about self estimee and doubt. (as always author has not started reading the comics and their knowledge come from the different xmen cartoon and my hazy memories of the film <3) ( also no cartoon gif for peter because i couldn't find any ... is he even in any of the xmen cartoons ), author decided that Peter has self-confidence issues, also Peter part kinda slide tracked and has more about Peter and his struggle than him dating reader whose a human ... sorry! (his part is also a bit short ...)

— Scott Summers

Scott has no particular qualm around you being a regular human, he loves you just as you are, and nothing can change that. That said, Scott cannot help himself but be, patronising at time. In his mind, you being a human just make you be at risks, you can't defend yourself if you get attacked, by others humans or mutants. He doesn't view you as weak, but, he know how fleeting life is. He isn't the greatest at expressing his feelings, and notably his worry for you.

He will also be more protective than if he was with a mutant. And it show in him being at first very against you befriending any others x-men, he very much care for most of them and he loves you very much, but he doesn't want to have those two part of his life mix up. He doesn't want you to get in dangers because of his job, but he also doesn't want you to possibly endanger one of his mission, he wasn't capable of choosing between you and one of his mission. Not to say, you are as or more important than his mission, but he was responsibilities as a X-Men and he cannot forget about them. But that said, with enough asking and pleading, making him crack and let you meet his friends and fellow X-Men.

Talking about you interacting with mutants, Scott will not let any remarks about you - well not being one - slide. He knows and understand why his friends may feel wary of humans, he get it, but you are different. You are quite literally dating him - a mutant, it couldn't make any sense for you to be against them. Scott may let it slide the first time actually, but anymore than that, and he's making them do extra session in danger room - or they aren't allowed in it, depending on who.

In general, there isn't that much of a different between how he treat his mutant or non-mutant partner, he just will be more protective and worried for them. He doesn't feel particularly insecure in your relationship - because of his mutation or your lack of mutation.

Again, he doesn't have any problems with you not being a mutant - he more so has problem being a mutant, not in general of course, but in your relationship yes. Peter can't really give an answer as to why, but if he had to guess it was probably due to this father, and the fact that he didn't want to do anything like his father did, to you. The worst is, he know damn well he isn't anything like him but he can't help but think that way.

He feels like he's going to mess your relationship up, because of what he is. He try to play it off as if it was nothing, but it's a feeling that lingers in the back of his mind often. He never truly wished to be a regular human before, and he still doesn't, but he just want your relationship to be more normal. Which isn't really possible. Peter knows that, he also knows that you don't care, about that kind of thing.

He can mask his doubts and awful self-confidence with his quirky attitude, he can fool most people pretty easily - expect you. At some point, it get to point, where you have to sit down with Peter and try to have a conversation about it, at first he will just act dumb and pretend he doesn't get what you are talking about, but his facade cracks relatively fast.

You listen, his fears and doubts. You comfort him, and assure him, that everything is fine, you reassure him that weither your relationship is 'normal' or not it's the last of your problem. You love him, he loves you and that all that matter in your eyes.

Now, Kurt could be the one that has the most difficulty dating someone that is not a mutant. He could be scared to hurt you more than anything. He's stressing out about doing or saying the worst thing, that will just break everything. One of the reason why he is friend, with his friends is because they share at least one thing - they can all relate on one crucial part of their identity - them being mutant, it's one thing that link them all together and make it at least a little bit easier to connect. You lacking that, make it hard for him. He still loves you all the same of course, but he feels like not being able to share something so crucial is sad.

So he desperately try to make it up in some way, he looks everything he can about your interests to be able to share that with you, everytime you share something about your interests Kurt will make mental note of it. And he will share a lot about what interest him in return. If you speak an another language that he doesn't know, he'll try to learn it, after all what is better than learning the language of your lover! Kurt can even teach you some german if you want to!

He wants something to link the two of you together even more. It's something he heavily crave. To be linked to you, by more than just, your love for each others.

Kurt may feel insecure at time, that you may leave him for well, a regular human, that isn't blue, has five fingers on each hands - he will try to keep it to himself, but he isn't really good at that. His insecurity just overflow and he end up offhandedly asking you while you are hanging out, if you could prefer to be dating a human rather than him. Obviously, you tell him that you don't, and ask where did this idea came from. He feels reluctant to admit as to why he asked. He feels, ashamed ? After seeing your reaction, he feels a bit silly, and even more when you comfort him and tell him that you very much prefer and could always choose to date him more than anyone else just because they are human.

On a more happy note Kurt loves seeing how amazed you are by his mutation, you never really were around mutants before - there isn't actually a ton of opportunity to meet mutants and to know that they are mutants, even if antis mutant politicians like to make people believe the contrary - most humans he met, weren't exactly thrilled by his, but you are the exactly opposite. Even after being together for a while and getting used to his mutation, there is still this curiosity and shine in your eyes when he teleport for example.

He is by far, the most chill about your relationship and you not being a mutant while he is. Well, that is if we are talking about Hank, after he accepted his entire mutation and all, which we are, Hank pre-self acceptance is different deal.

But once, Hank is settled as a scientific and has member of the X-Men, and has fully accepted his mutation, he doesn't personally really care. But sadly, a lot of people seemingly do and that's one thing that annoy him. The worst is it come from both fellow mutants, even his friends and colleagues sometime! And from regular humans. He doesn't really get why people care about him dating a non-mutant or you dating him - a mutant.

He personally try to not let it get to him, and if it does he will do everything but make you suffer because of it. It most often will result in him shutting himself in his lab for a bit of time, to calm down.

And like others, he feels like he needs to protect you because, you are so ... weak in his eyes, not in a bad way of course ! But in comparison to him you are so small and fragile. This cause Hank to usually like putting his arms around you, around you waist or on your back, to show you that he is there, and to show people around that you are his, and that they shouldn't try to hurt you in anyway.

[skydaemon]

so we (and by we, i mean the very specific overlap of jews and nerds among whom i make my home) talk a lot about how tolkien's dwarves, in both the books and movies, were likely influenced by certain jewish stereotypes. obsessed with gold/wealth, secretive (especially about their language and religion), refugees from their ancestral home, portrayed with big, sometimes hooked, noses and interesting facial hair, and most specifically: the favourite little meow meows of one particular god, causing them to be shunned and persecuted by other races and creeds. this is likely unintentional, coming from the subconscious of tolkien in the same way orcs were "based on mongols" (ew colonialism) and activating subconscious biases/stereotypes in the people who designed the dwarves for the movies. it's subtext, albeit subtext that influenced the next eighty years of fantasy.

but what i don't see much discussion of is the fact that in terry pratchett's discworld, it's intentional. terry pratchett's dwarves are, more or less, jews.

carrot is a human adopted by dwarves, based on human standards. but within dwarf culture, he IS a dwarf. specifically, he has undergone specific rituals and memorised certain passages, making him LEGALLY a dwarf. this is basically how conversion works in judaism. indeed, as in judaism, it's considered rude to even mention that carrot is six feet tall and obviously wasn't born into the culture he has adopted.

the dwarves also have internal rifts - there are a group of 'orthodox' dwarves who consider the dwarves in ankh-morpork (who have adopted other customs and don't follow traditional roles) not to be dwarves at all, and don't recognise carrot as a dwarf for the same reason. they believe that the way to be a dwarf is to live in an all-dwarf community and follow their traditional rules, while other dwarves believe they need to change with the times and integrate (at least somewhat) with larger society. jewish as fuck.

there's also the interaction of dwarves with gender. when cherie comes out as female (which isn't a recognised gender by dwarvish society) she is ostracised for taking on the feminine roles common to other discworld races. however, she could never THINK of cutting off her beard, because she is still a dwarf. i see parallels with women in judaism taking on roles traditionally considered 'masculine' (e.g., as rabbis, wearing tallit and kippot) and the acceptance of queer people into jewish communities. there's lots of great discussion about cherie as a trans character on tumblr, btw.

finally, something that particularly strikes me is the line from carrot in tfe, where he says that the biggest dwarf city on the disc is ankh-morpork. obviously all diaspora communities can relate, but it's really something to know that new york is the city with the most jews in the world (960k to jerusalem's 570k. btw, 3rd is LA!).

i just love that, again, consciously or unconsciously, pratchett incorporated more positive elements of jewish culture into his portrayal of the dwarves.

[ghostaholics]

fuck it i'm thinking about grump x sunshine trope and a neighbor au with ghost where he's known for being the building's loner-tenant, this brute bear of a man that keeps to himself.

nobody's ever seen him smile or caught a glimpse of the entirety of his face because he always wears a black surgical mask when he's going to and from his flat; nobody's ever had a full-length conversation with him, because true to his callsign, he's in and out of the building with as much silence and stealth as a ghost. the other residents gossip about him: the water-cooler talk usually goes along the lines of them trying to piece together his story, who he is, what he looks like, whether they should be worried about the fact that he lives there (because there's nothing wrong with being a recluse but he does give off slightly terrifying vibes due to his size and demeanor). the rumor mill’s churning out these outlandish ideas about his private life and they kind of make assumptions based on little things they’ve noticed about him since he’s started living there.

enter in his new neighbor who's never met him, but was advised on her move-in day that he doesn't interact much with the other residents, basically a light debrief on how he can come off as cold and aloof and while some people have made attempts in the past to greet him, they’ve been dissuaded by his general standoffishness and avoidance of any social interaction.

anyways, simon wakes up at odd times throughout the night because he's got the most fucked sleeping schedule from deployment; he can start his day anywhere from 4am, 6pm, and so forth but on one particular morning, he's up at 3:30am, ready to go out for a jog of all things at this hour and then in the hall, he runs into his cute neighbor who's holding this also equally cute german shepherd puppy in her arms; his reaction consists of slowly blinks and a blank expression because he doesn’t quite know what to make of the sight in front of him

and she's staring back at simon with wide, frightened eyes not because she finds him intimidating or anything of that nature (honestly she doesn’t really give two shites about what the others say about him) but because the landlord has a severe and well-known, no-pets policy so she's been sneaking the puppy outside to use the bathroom in creative ways (one of them being at a time where she's certain none of the other tenants are awake) – she's basically been caught red-handed and fuck she's not sure if he's the type to snitch so all she can really say is:

❝ You didn't see anything. ❞

to which he deadpans,

❝... Sure. ❞

because he’s really just trying to mind his own business and not get involved, ducks his head before shouldering past her in the corridor to get outside – he tells himself he can’t bring himself to care about this new development

however, she's not entirely confident that he's going to make good on his word, so she bakes these cookies (special recipe of hers that she’s hopeful will win him over), leaves them in front of his door as a bribe with a card that says please don’t get me evicted ♡ on the inside, which seemed like an excellent plan in theory until he shows up the next day with an empty plate, a very real, very genuine request for more, and a serious demand to see the german shepherd that’s trying to squirm its way out the door to greet simon

edit: love thy neighbor masterlist

[itsmemuffy]

I can make you feel better...

If you let me (chapter one)

Chapter Two out now ♡

Contents: Original Trilogy! Logan x fem reader, naive reader, obsessive and touch starved Logan, friends to lovers, mutual pining, hurt/comfort, non-sexual physical intimacy, sexual fantasies (real smut in pt. 2), mentions of Charles, Ororo, Jean, Scott and Rogue

Summary: You keep everything running as smooth as possible in the background while Professor Xavier keeps a very full plate of locating mutants, running the school, and leading the X-Men. A steady stream of mutants come and go through the mansion, but a certain one in particular makes it his mission to nestle his way into your life.

The past few days had been a whirlwind for Logan. He's the type of man that goes where he wants to go- and waking up in an infirmary on a small hospital cot after being round up like some sort of animal was not on his list of things to do that week, to say the least.

For all intents and purposes, his next plan of action was to get away from here as soon as he possibly could and get back to the life he lived on his own terms. His only home and form of transportation was totalled somewhere in the Alberta wilderness, sure, but he already had experience starting over from nothing.

Oh, but was one man ever persuasive: Charles Xavier. Not many people had an edge over Logan like he did. If his ego permitted, he would be thankful that the man that held upper hand had noble intentions.

When he first met you, a cute little thing diligently running errands to what was perhaps the one man who could have his answers, you immediately piqued Logan's interest. So sweet and so kind, and Charles put his trust in you?

He had barged in like he owned the place on you and the professor scheduling out the upcoming semester in his office. Charles appeared to have already gotten used to this type behavior from him. "This, my dear, is Logan. He will hopefully be joining us now."

Oh... so is he planning to stick around? You ponder as you bite the inside of your cheek, leaning onto Charles' desk with your hip. Logan immediately came off as brooding and dismissive, and he didn't seem like the type to settle into a place beaming with so much activity. Regardless, you extended your hand out to him as you told him your name.

It took him a second to register the gesture. He only now noticed how lost in thought he was, eyes caught below your neckline. With a clearing of his throat, Logan reached a hand back to you to shake it. The most formal of ways to greet someone, yet the feeling of your delicate fingers grasping his rough palm caused his mind to wander again. He forced himself back to reality.

"I guess I'll be seeing you around," Logan remained aloof in speech, hoping you didn't notice the way he devoured you with his gaze. He decided to promptly remove himself from the room, searching for the privacy to be alone with his thoughts.

A few interactions after your initial introduction, Logan started to feel something beyond sexual curiosity. You made his heart race, you made him nervous.

Not a single detail went unnoticed by Logan. The way your hips would sway, how you parted your hair, the shade of lipstick you wore, the softness in your voice whenever you greeted him, your scent.

Life kept throwing change in Logan's way, morphing his way of living into something unrecognizable to him. For the last however many years (boy, is he ever bad at keeping track of time) he had filled them with isolation and taking whatever cheap pleasures he could find. Now he finds himself surrendering the space in his mind to a woman he barely knew. You brought warmth and light into a cold, dark place.

No, this won't fly, he thought to himself. The fact that he was losing control over the dynamic between you made him very uncomfortable. Logan made it his mission to learn more about you. If he could just figure you out, he could take the reins over again.

The two of you would always acknowledge eachother in a group setting. The tiny smile Logan would throw your way whenever you caught eyes made you weak. You couldn't help but to want to know more about him, too. A rugged man who was a stranger not too long ago was showing you consideration? A man who nobody knows where he's been, what he's done, how old he is? It kind of wracked your brain, but you tried not to let it trip you up.

Oh, but he would catch you trip up. It wasn't lost on Logan the times you entered a space with him in it, seemingly to forget what you came in there for. Maybe you were a little ditzy- your mind often racing too fast that you couldn't catch up with yourself, but it had happened too many times for it to be a coincidence. At least, that's what he told himself.

He replicated your behavior, scouting you out amongst the mansion. It wasn't hard for him to find you. Your trail had become so much bolder to his senses, overshadowing anybody else that could be in vicinity.

Logan always found what he was looking for. Excuse after excuse slipped easily from his lips. Obvious to everyone else what he was doing, you earnestly took the bait every time without fail. He marked the first time he had a conversation with you alone as a significant victory.

"Hey, didn't see you there. Have you seen Charles around? I need to talk to him." He had cornered you in the library, watching you read for a minute or two before making his presence known.

You flinched up in your chair, "Jesus Logan, don't sneak up on me like that!" The yelp that initially left your lips was definitely a sound he would remember next time he's alone.

"Sorry, doll. Didn't mean to scare ya," he chuckled.

The upset you felt towards him for breaking your flow state lasted but half a second. You couldn't be mad. After all, whatever he needed Charles for must of been important.

"No, Jean and him are off chaperoning a field trip in the city. He should be back sometime this evening."

Logan let out a little "hmph", trying his best sound to sound disappointed. Inside he was estatic he finally caught up to you again. Now with no one else around, his mind flooded with possibilities on how this could go. The odds of you immediately throwing yourself at him weren't zero, were they? If he were to take you and bend you over the table right this very second, there was a possiblility you'd let him... right? God, am I really this desperate? he thought.

After letting a moment hang in the air, he sat down next to you in the ajacet seat. "So, what are you doing here all by yourself? Got nothing better to do on a Saturday afternoon, huh?" Good idea, Logan, change the subject.

"You're one to talk," your focus was now one hundred percent on him. Thighs spread as he lazily leaned back in the chair, rolling his head to the side. To say he wasn't beautiful like this would be a lie. You've rarely seen him this relaxed. "Aren't you here too?"

"Huh." Logan did not anticipate you to call him out like that, "I guess you've got a point, there."

An awkward silence sat between the two of you. You pretended to divert your attention back to your book, not letting him escape the corner of your eye. Logan lit up a cigar he fished from his pocket. He desperately needed something to do with his hands.

"This is a library, you know that right?" You chide him after an annoyed sigh.

"Oh, is it now? I thought all these books were just for decoration." His lips sucked in another drag.

"Very expensive books, Logan. There's plenty of perfecly fine places to smoke around here if you just look."

He got up from his seat, "Then why don't you show me around, darlin'? Open my eyes a little." You couldn't quite tell if the pet name was to belittle you or to be affectionate. A hand reached out to bring you to stand. "I'll let you lead the way."

You lead him outside to the back of the mansion, a secluded area with an old stone bench shaded by the surrounding trees. It was your favorite place on the property, and it soon became his as well.

After that day, it wasn't an uncommon occurrence for the two of you to catch eachother in that very spot on a warm day. You would watch the kids play in the field, discussing all the antics the students got into that week. Bright afternoon sun would peak through the trees as cigar smoke wafted in the air- everything felt so perfect when you were with him.

Logan often found himself falling asleep thinking of you. He would linger on any time you spent together in the previous hours of the day, overanalyzing the interaction. Any amount he got of you was never enough. He always needed more. More time with you, more closeness, more, more, more.

If he was lucky, you would visit him in his dreams. It was rare but whenever it happened, it was a blessing. You would appear to him as vivid and real as if he was awake. There, he was finally able to close the gap between you two. His hands would finally meet every inch of your plush skin.

However, Logan's mind loved to torture him. As much as your companionship has brought him peace, no amount of feelings for you could change the fact that he was a broken man. Most nights consisted of horrific images; an incomprehensible collage of blood and bodies that he desperately tried to make sense of. All he knew is that it was all real. It happened. The pain was too prevalent to be fantasy.

Tonight he had awoke in terror yet again. A cold, uncomfortable sweat coated his body, chest heaving up and down like a piston. Logan's eyes were blown wide, staring at the ceiling in an attempt to convince himself he was safe in his room. When did four walls around you ever mean you were safe? His intrusive thoughts were keen on keeping him in a state of anxiety. When did four walls ever make someone safe from you?

That was enough. Logan knew all too well how his mind could go on and on like this if he let it. He needed to get some air. The bed creaked under his shifting weight as he sat up. His entire body felt sore. It was if he fought off an entire army in the hours he was asleep.

After finally getting up, he made his way past his bedroom door and down the hall towards the nearest exit. The kitchen was along that route. He figured he might as well grab something to drink. Anything, as long as it was cold.

As he turned the corner, the narrow hallway met the open space of the kitchen. Logan was surprised to find the room already illuminated with light. His eyes lit up when he saw who was sitting at the counter.

Logan stumbled before you a dishelveled mess. His hair was matted, sticking up every which way. The white tank he wore was half tucked into sweatpants he haphazardly put on before leaving his bedroom, drawstrings not even tied as they sat low on his hips. His demeanor was one of a wild animal, cautious and running on instinct.

A wave of awareness washed over Logan. He combed his fingers through his dark locks and straightened his back as he approached you further. Once he got himself to think in actual words again, he greeted you.

"Couldn't sleep either, huh?" His voice was hoarse and deep. Logan just now realized how sore his throat was. He hoped to god that he wasn't screaming in his slumber- at least not loud enough for anybody to hear.

"I just woke up not too long ago. Was hoping a snack would help me get back to sleep." You sat before a plate filled with a random assortment of food you scavenged from the cupboards, "Want some?"

"No thanks, sweetheart," the way he spoke sweetly to you through his gravelly tone made your heart skip a beat. He didn't need to ask to know that you had a rough night as well. It was written all over your face. A gentleness Logan typically pushed down and tried to ignore was bubbling to the surface. Something in him was relieved he was no longer alone with himself tonight.

You watch him make the journey past you to the fridge, scanning the contents of the shelves like it was the hardest decision he had to make in a long time. Rootbeer or ginger ale... Ginger ale or rootbeer...

"You didn't hear it from me, but Scott keeps a few beers in the vegetable drawer underneath the celery."

"That sneaky little bastard," he smirks. "Don't worry, your secret is safe with me." Logan was delighted. Not only by the sudden promise of alcohol, but by the thought that you might share other secrets with him, too. He had a boyish urge to stay up the entire night with you and see if he could get you to spill all the other secrets you must have.

Two beers clanked together as Logan grasped them with a single hand. He took a seat across from you and slid a bottle over to your side of the countertop. Your eyes locked and held on to that contact for probably way too long. Time felt like it has stopped. The moment he walked into the kitchen and saw you, the clock might as well never ticked a single second past 1:37 AM.

"I don't know... Scott will probably notice if we take more than one," you say as you bite your lip.

"I'll run to the store in the morning, he won't even know they were gone," he was all too ready to combat your excuse. Logan wanted to see you come undone. You worked so hard, did everything you're told and were so diligent. Such a good girl. A beer in your hand looked terribly out of place and that made his heart swell.

"Guess it can't hurt, can it?" You opened the bottle and sipped as the frosty glass numbed the tips of your fingers.

He drank much slower than his usual pace, taking the tiniest of mouthfuls like the time with you would run out with the beer. Silence draped over the two of you like a warm blanket, both too exhausted to put on any sort of show to entertain the other. The satisfaction of just being in eachother's company was enough. It came all too easy when you were together. After witnessing all those horrors earlier in the night, Logan finally felt content.

You notice he rubs his neck, a strained noise rumbled in his chest. The stool you sat in screeches against the tile floor as you get up and make your way over to him on the other side of the island. Logan's eyes followed you with every step you took

"May I?" you ask as you now stand behind him, hands hovering over his shoulders, waiting for permission. It wasn't a big deal. You always help out Ororo and Jean when they have stiffness or a knot. That's what friends do for eachother, right?

Logan did his best to hide his signs of exitement. He couldn't let you know how often he thinks of your touch. If he had only one ounce less of pride, he would be begging you for the simplest of contact all hours of the day. "That's real sweet of you, but you really don't have to," he said with the slightest quiver in is voice.

"But I want to." That's it. Those four words just shattered him into a million pieces. If you only knew what you were doing to him.

Your digits grip the dip in his shoulder as your thumbs dig between his shoulder blades. You tried not to gasp when you felt the all knots going up his back. It has just occurred to you how little mind he must pay to taking care of himself for it to get this bad. Pain was a staple of his everyday life, why waste time to try and remedy it? Despite the ability to heal, the constant state of tension still took an immense toll on his body.

Logan leaned into your touch and practically melted under your fingers as he tentatively sipped his beer. If he were to turn around and look at your face, he'd see your complexion flushed bright red. Maybe you were enjoying this a little too much, and you chastised yourself for thinking that way. Little did you know all the scandalous thoughts Logan let his mind run away with on a daily basis when he was around you.

Your hands quickly grew weary working into the solid muscle, but you pushed through it for him. You know he needed this by the way his eyes were now closed and soft hums that left his lips. After working across his shoulders, you finally made your way to his neck. Logan let his head fall forward completely as your knuckles broke up the bundled-up nerves beneath his skin. The tightness in him was able to come loose a bit for the first time in a long, long time.

"Whew," you withdrew your hands and shook them out, "hopefully it feels a bit better now."

"It does," a smile crept up on his face that he tried to supress with each word. "That really was somethin', thank you."

You sat back down across from him and remained mostly silent after that apart from the occasional yawn. A single beer not quite enough to offer a buzz, but enough to lull you out of your wired state.

"Think I'm going to call it a night. You should, too. Danger room is on the itinerary first thing in the morning."

"Yeah, well you can tell Charles where to stick his itinerary." Logan was determined to make you smile one last time before you parted ways- and he succeeded.

He walked behind you on your way back down the hall, wishing the journey was not as quick as it was. Your room came up a few doors before his. Logan almost followed you into your bedroom before he shook himself out of auto pilot. It was like a habit that hadn't been formed yet. He belonged next to you in that bed, he knew because he felt it in every fibre of his being.

"Goodnight, Logan. Sleep well."

"I definetly will now. Goodnight, sweetheart."

Sweetheart. There it was again. You convince yourself it couldn't of meant anything.

When you gently shut the door behind you, time had resumed yet again. That little bubble wherein only the two of you existed had been popped.

He lied about going back to sleep, holding on to the delusion that he didn't need it. Besides, he didn't want to say goodbye to your essence. You still filled his senses, if only just barely. A deep inhale could capture your scent, and your breathing could faintly be heard if he really listened. Logan stood outside your door until the sun started to rise before he snuck back into his room.

He never ended up replacing Scott's beers.

As time went by, your encounters with eachother became more and more frequent. Excuses to talk were no longer required. You enjoyed Logan's company, as he did yours. There was no reason to pretend, you were just two friends growing closer by the day.

You gradually opened up to one another and Logan started to confide in you. Any insight on himself or his past was kept brief, giving carefully worded and vague details. You knew better than to push him for more than he was wiling to give and he liked that about you. Whenever the confusion, the regret, or the pain would get too much, he turned the conversation back to you. The more he learned about you as a person, the more his mind circled all his thoughts back to you.

Neither side knew, however, what things the other was keeping to themselves. You couldn't tell him how the casual touches felt different from him than how it felt with your other male friends. You couldn't tell him how hard it was to think when you would run into him all sweaty after an intense training session. You couldn't tell him that when you held onto your pillow at night, you wish it had his warmth.

And he couldn't tell you that you were the first thing he thought of in the morning. He couldn't tell you how he had a favorite pair of jeans that your ass looked best in. He couldn't tell you that he committed every detail about you to memory- from the curve of your lips to the way you say his name.

Anyone who saw the way Logan looked at you could deduce there was something more going on beneath the surface. Scott would tease him about it and he would swiftly shut it down. Jean and Ororo would pry you for details, only for you to tell them there was nothing going on between you and him. They didn't buy it. No one bought it.

All the words unsaid eventually built up so high it was suffocating. It was getting harder and harder to behave like normal around eachother, not knowing where the boundaries were and if it was okay to cross them. Something had to give.

It started out as a regular Friday evening with the team gathered together, watching movies and playing cards. Your initial plan was to work late into the night. Small, tedious tasks has accumulated as you had focused on more pressing matters throughout the week. Charles was having the X-Men find mutants at a pace more efficient than ever before which corresponded with an increased workload on your front.

You were leaving in the morning on a trip for the long weekend and you were determined to finish everything before you left. Ororo was always the one to break you out of your paperwork prison and get you to live a little. "Come on, everyone's waiting for you to come down before we put on the next movie."

"Storm, if I don't do this now, it will never get done."

"Oh, please. You worked so hard all week. Everything here can wait until you get back," your friend watches you as you roll your eyes and continue sorting files. Good thing she had a little trick up her sleeve, "...and Logan wants to see you before you leave."

"He said that...?" you inquire in an almost pathetic manner. She nodded but truthfully, he didn't have say it. She knew it was true all the same.

After dragging you downstairs you scanned the common room, everyone talking amongst themselves with a glass in hand. Everyone except Logan. Ororo had pulled a similar scheme to get him to come out of his self isolation, but when he saw you weren't there earlier, he decided to skip the socializing and retire to his room.

Jean, ever the fast thinker, was in on the plan, "Hey, we were thinking about ordering takeout. Can you do me a favor and see if Logan wants anything?" She hands you a menu knowing you wouldn't pass up a chance to be helpful to a friend.

Logan sat in darkness on the edge of his bed, rubbing his temples and groaning. He truly didn't mean to blow everybody else off. In actuality, he enjoyed shooting the shit with the mutants he was slowly starting to recognize as his family. Tonight was different, however.

Frustration was pushing him to his limit. He still wasn't any closer to finding the missing pieces to his puzzle. Charles told him these kind of things take time. He was sick of hearing that, he needed answers now. His sanity depended on it.

Only one thing was certain- another person had done this to him. There was no doubt the wiping of his memories was a deliberate effort on somebody's part. That wasn't the only thing. The recurring visions of being horrified at his own self, the sickening realization he was changed into something he hadn't been before haunted him on the daily. Is my body really my own?

All of this made worse by the multiple birthdays of a couple of students this past month. Simple things everyone knew about themselves- when and where they were born- was a luxury he was not afforded. Logan felt himself slipping, the feelings that were out of his control eating away at him.

A knock at the door stopped his thoughts in its tracks. "Logan? You there?" Only but a half hour earlier, you were the only person he wanted to see. But now that he has succumbed further down his spiral of self pity in that short amount of time, he didn't want you to see him like this.

"What do you want?" His uncharacteristically cold tone made you wince behind the door. As much as he needed you to pull him out of the hole he dug for himself, the dark recesses of his mind were commanding him to push you away.

"We're ordering takeout. Jean needs to know if you want anything."

"I'm not hungry." He was silently begging for you to walk away before he said something he would regret.

"Can I please come in?" You pleaded, hoping he'd recognize the worry in your voice. This wasn't like him.

"Fine," he grumbled. At the end of the day, Logan could never say no to you.

The door squeaked as you inched it open. You could barely make out his silhouette in the dark. With a flick of a switch, the space was illuminated. "Is everything alright, Lo? You're scaring me."

Careful footsteps slowly brought you to stand before him. The air in the room was undoubtedly charged. Every action you now took was deliberate, as if trying not to startle a feral animal.

"You wouldn't be the first person that's ever been scared of me," he spat out his words like daggers.

As serious as the conversation felt, you couldn't help a scoff from escaping you. You sat down next to him on the bed mere inches apart, "that's not what I mean and you know it. Stop being so obtuse and tell me what's going on."

"Nothing is going on, believe me," Logan sighed. His demeanor immediately softened just from having you close. He buried his face in his palm- an insecure gesture you've rarely seem him perform. But when he did, you knew exactly what it meant.

"Bullshit. I know you better than this, Logan." Maybe you were getting through to him.

Something about what you said must have struck him the wrong way as he tensed back up again. "You don't know me at all, actually."

"How can you say that? We see eachother almost every single day! Come on, now... You can't be serious," you playfully nudge his knee against your own, trying to lighten the mood.

"No, I am serious. How can you know me when I don't even know myself? You don't know what I've done and how many people I've had to do it to. I don't even know any of the fucking details but I know it ain't anything good, sweetheart." He watched outside himself as he was taking his inner frustration out on you.

Logan knew it wasn't right to speak to you this way when you were just trying to be there for him. As much as it stung in the moment, you tried not to take it personally. He was hurt and he needed you, that much was clear.

"Listen to me for just one second," you braced yourself, unsure how he would take what you were about to say. "I know what kind of man you are. And I don't need to know your entire damn history to be certain of that."

All he could do was stare blankly at your face as he processed your words. Without waiting for a response you continued, "How can I be so sure? Because I see it in everything you do, Logan. It's in the way you treat Rogue and the other kids, treat your teammates, treat me. I can't tell you that you've never had to hurt anyone, but you know what? I have faith in you. Faith that whatever may have happened in your past, you've learned from and are a better man for it."

A long period of silence sat between you. It wasn't exactly a comfortable silence, but the charge in the air had definetly diffused. You held his stare, now was not the time to back down. There was a chance you were finally getting through to him and you needed to make it clear you meant every word that you just said.

After a prolonged moment to properly think about what you were saying to him, the look on his face transformed into something you couldn't quite put your finger on. A look that was warm, and you could go as far to say it was a look that was loving.

Logan did indeed love you. He loved the way you didn't try to tame him, how you not only didn't shy away from the less savory aspects of his life- you met them head on with tenderness and understanding.

With this love came great guilt. You had a way of making Logan feel like the world had more to offer than just loss and suffering, for this he was grateful. Still, the feeling he deserved to suffer alone gnawed at him until his gut felt raw. If he were to send for you everytime he needed you, you would be a way busier woman than you already were. The fact that you always made time for him without the semblance of hesitation wasn't lost on him, either.

"How are you so sweet?" he croons as he caressed your cheek with the back of his hand. Logan was always gentle with his touch when it came to you, but the softness of his actions in this moment shocked even yourself. "You're too sweet for me, darlin'. Wouldn't want anything to change that."

It almost made you sick to your stomach how just barely your bodies were connected in this moment. He kept his touch as light as a feather as he trailed his hand down your neck before it made it's temporary home on your shoulder. "Say something, sweetheart," he pleaded as a firm squeeze brought you back to reality. Logan needed more of your words to keep him grounded. "Please."

"Logan, I..." your brain scrambled as you tried to gather your thoughts. The way you felt for him was so foreign to you. You couldn't put it into words right now no matter how badly you wanted to. This feeling could only properly be put into actions- an action older than language itself.

Without thinking, you close the gap and press your lips to his- Logan's bottom lip captured between your own. In his wildest dreams, he never thought you would be the one to make the first move and initiate a kiss. The hand that wasn't on your shoulder now cupped your face. He held you there, afraid you'd slip away from him.

"I'm sorry... I know it probably isn't the right time for this," you whispered against his lips.

"Mmm," Logan emitted a small chuckle into your mouth as he went in for a deeper kiss this time. More intense, hungry. His beard burned deliciously when it scuffed your skin. "Never a wrong time to kiss ya, sweet girl."

Now that he has felt your velvety soft lips, he knew he would never be able to get enough. His desire for you overrided his shame. Logan got a taste of what it would be like if you were his. From this point on, he wouldn't be able to hold back anymore. The floodgates were now open and he couldn't wait to pour himself all over you.

He pulled his face away from yours, still holding your body close, "all this just for you to leave in the morning, huh?" Logan looked down at you through half-lidded eyes. His mind was in a daze, in such bliss now that the invisible barriers between you were finally being torn down.

"Oh please, I'll only be gone for a few days." Even though the trip you were about to go on was a long time coming, you wouldn't mind throwing all your plans away just to be in Logan's arms all weekend. "Why, you gonna miss me that bad?"

"I always miss my girl when she's gone," he couldn't help all the syrupy words from flowing from his mouth. Inhibitions were nonexistent to Logan in this moment and he couldn't say anything but exactly what was on his mind.

He was right. You were his girl. In every sense of the word. His girl whose face would light up everytime he walked into a room. His girl who would save him a plate whenever he was late to dinner. His girl who would always make sure he was comfortable and had everything he needed. His girl who would do absolutely anything for him- all he had to do was ask. Logan had owned your heart for a while now.

You fiddle with the seams at the bottom of his tank, fingers brushing his abdomen underneath. It was enough to make you both shiver. "Just do me a favor while I'm away, Lo."

Jesus, how his pulse quickened everytime you called that little nickname. I'm so fucked, he thought. What a fool he was to think he was ever in control. Since the moment the two of you met, his heart belonged to you as well. "And what is that you need me to do?"

"Try not to be so hard on yourself," you punctuate your request with a chaste kiss to the apple of his cheek. You felt his face lift as a smile reached his eyes. "Shit... I haven't even finished packing," it has just now dawned on you.

The realization he couldn't keep you next to him in bed forever hit him like a brick- another bubble popped. It's a shame, but he told himself there will be plently of opportunities to conjure up the little worlds you built together. He had no other option but to placate his burning desire for the time being.

"Well, don't let me keep you any longer," Logan hesitatantly let go of his grip on you. He got up to escort you the few steps from the bed to the door. Excessive, yes. But so necessary all the same.

Just as your hand was reaching to turn the handle, turned your back to the door to embrace him. It took your entire wingspan to wrap your arms around his broad form. Logan's warmth was absolutely addictive. He held on to the back of your head with his face buried in the crook of your neck, inhaling your scent.

"Just in case I don't catch you first thing in the morning..." you whispered as you caress up and down his back, "goodbye, Lo."

"Goodbye, sweetheart," he withdraws from his burrow within your hair to slip his lips between yours again. "Think of me while you're gone, will ya?"

"Always do."

And with that, you were apart again. As you were folding clothes to go into your suitcase, you couldn't help but think about how well the two of you clicked into place. He already had you longing to feel his body up against your own again. You fell asleep imagining all the places you'd let his hands explore when you got back. Logan laid in his bed doing the same.

Fin.

[themeraldee]

Hii can you do one where the reader rejects homelander because she’s married? He gets mad and obsessive??

Thank you for the ask! So originally I wasn't gonna do requests because I'm very particular about what strikes my fancy. But I'm nothing if not a people pleaser so your request got my head popping up with ideas as I've not really explored the 'loving someone to a fault' part of Homelander where things take a wild turn. So this is my humble attempt - hope you enjoy!

(Also I spat this out fairly quickly so it's not very well reviewed)

The Price of Love

[Masterlist]

18+ Only | 1.7k | Homelander x fem!Reader | Early Season 2. Voyeurism. Dark themes but nothing very specific. Homelander being his own warning. Mention of canon-level violence.

“What the fuck do you mean you’re married?!” Homelander sputters, caught totally off guard by your admission. His body language frazzled, his arms expressing confusion just as much as his words as his presence towers over you. 

You’ve been Ashley’s secretary for a few months now. At first he took no interest in the presence of yet another busybody without a name that was surely going to crack under the pressure and either leave or fuck up beyond repair resulting in your resignation. But no, you’ve proven yourself to be reliable, responsible and most importantly you’ve got a fucking spine in you. You don’t cower in fear, shake when you talk to him or let yourself get talked into a corner. He likes that. He really likes that. 

His preference for you has become so obvious that Ashley made you his go-to. Any news, good or bad, just went straight through you. And somehow, Homelander didn’t mind hearing that he dropped a point or two when it came from your lips.

That’s why he felt so blindsided by your outright rejection when he asked you out. What the fuck do you mean married?! 

“I mean I’m unavailable.” Homelander tightens his hand into a fist now that his arms fell back to rest next to his thighs. He hides the lapse of control behind his cape as he clasps both hands behind his back. At this point the pose has become a bit of a defense mechanism, nobody can touch or hurt him when he’s playing a hero. It’s a whole lot different when he pours his heart out to some fucking assistant just to get it stomped into the ground. 

“You’re not wearing a ring.” His tone is quiet, sharp. He nods his head towards the hand that’s currently clutching a stack of papers, the last thing you were meant to bring over before you clocked out. In Homelander’s eyes, it was the perfect time to ask you out. He’d take you out the same night. Michelin star restaurant, booked out just for the two of you. But no, you had to ruin his whole plan.

“I know, I’m sorry. I oftentimes leave it at home. I worry about it getting damaged or lost.” You clutch your papers closer to you, Homelander’s eyes lock onto your empty ring finger. It’s like you’re trying to hide it from him. The skin where your ring would be sat isn’t even smoothed out or marked in any way. So either it’s a recent marriage or you barely wear your ring as is. Homelander scoffs to himself, what kind of marriage is it if you’re not willing to shout about it from the rooftops. 

“I just—what? You’ve been fucking coming onto me for ages!” He wheezes out in part anger, part embarrassment. His eyes widen at first before squinting, his eyebrows furrowing with the action. In his head he replays all your interactions and he’s not fucking stupid. He’s the Homelander. There’s no one who can read people better than him.

“Sorry? I haven’t, or I didn’t mean to. I wasn’t trying to lead you on.” You take a step back. As much as this whole time Homelander’s been more than tolerating your presence, enjoying and looking forward to it even, now he’s acting like a whole kind of different animal. He takes one step in. Part of him relishes in the way your heart speeds up at the loud thud of his boot taking the one step closer to you. The other part of him doesn’t want you to be scared of him, just like you haven’t been this whole time, you’re meant to be his! 

He raises an eyebrow. 

“Lead me on?” 

“You know, make you think I’m interested when I’m not.” He nearly laughs. Not interested? Not fucking interested?! Give him a break. He might not have many experiences with the most genuine of relationships but he knows attraction when he sees one. He’s not stupid enough to mistake your professional kindness for attraction, it’s more than that. He’s sure of it. Your pulse still races anytime you’re in his vicinity, your pupils dilate, you smile all flustered and sweet when he pays you a compliment and there’s definitely times he’s managed to make you wet just by saying or doing the right thing. Someone who’s not interested wouldn’t be reacting like that. 

He pinches the bridge of his nose shaking his head. “Get out.” His voice rings loud and clear in the empty room. 

“Yes, sir. I’m really so sorry.” His teeth grind at the way you call him ‘sir’. A habit he’s weaned you off a long time ago. Yet there you go again, reverting back to factory settings as if you two didn’t have a whole load of history behind you. He watches you scamper off, the intrusive, violent part of him has an intense urge to laser you in half for making him feel this way.

But no, he knows there’s another way. First, he needs to get this energy out one way or another. And the last thing he wants to do is hurt you. 

Homelander waits till nightfall before flying around just to get his frustration out. First Madelyn, now you. What is it with women being dishonest with him! But no no no, you’re nothing like her. You do love him. You have to. He knows it. He can feel it. He just needs to nudge you in the right direction.

His thoughts get disrupted by a shrill scream coming from the alleyway below him. He pauses in the air, watching the situation with little initial interest. He lands on the building ledge where a man has a screaming woman pinned against the wall. He notices the light reflecting against the switchblade the criminal presses to her neck.

Well look at that, he can get his frustrations out and he’s gonna look like a hero. This night might just be turning around for him.

He leaves the bloody carnage behind, shaking some of the blood and viscera off his suit, bloody droplets hitting his boots instead. He’s so used to the copper tang of blood, at this point breathing it in is as natural to him as air. He’s just not particularly fond of the mess it creates.

But finally, after some physical relief, he grins to himself and with a clear head he can devise a plan on how to win you over. He’s the Homelander, who the fuck else could be more worthy of your love? 

Well… He’s about to find out.

Homelander takes off into the air, shooting up up up, until he finds a happy altitude where the air is just about getting thin, but more importantly where he’s unlikely to be recorded or photographed at this time of night.

He lands on the rooftop of the building opposite where you and your spouse reside. Bleugh. Your fucking spouse. Just the thought leaves a bitter taste in his mouth. He was being patient with you. Wanted to take it the traditional way. Just like normal humans you’d meet at work, get chatting, get comfortable and start dating. So he gave you the benefit of your privacy. Wanted to see you naked for the first time when you’d undress for him. All pretty and sensual, giving him a good show. Now it’s biting him in the ass. If he wasn’t so chivalrous with you he would have long known that he’d need to get rid of the obstacle before he’d even ask you out. 

He watches through the building walls. He needs to see who, or what, has you so whipped that you wouldn’t immediately offer to get divorced just to go on a date with him. At the very least it better be some good sex.

He scans your meager one bedroom apartment. Your spouse is sound asleep in your shared bed but you’re nowhere to be seen. It’s not even that late in the night. Wouldn’t happily married couples be fucking through the night like rabbits at this hour? 

He lights up when he lands on the sight of you in your bathroom. Finally, some fucking reward. It’s the least he deserves after all that he’s been through. You’re submerged in your bathtub, the water level hitting halfway up your chest. You have the most pleased expression on your face, pure delight as you rest your head against the rim of the tub, eyes closed all dreamy. 

Homelander palms the front of his pants, feeling his cock immediately fill out at finally getting glimpses of your naked self. It’s only then he notices that you’re not just relaxing. No. Your hand is holding the shower head right in between your legs, letting the water pressure light up all your sensitive nerves. 

Then it clicks. He grins like he hasn’t in a long while. The pure satisfaction of being right. You’re not satisfied. You can’t be. It’s obvious you desperately need to escape this situation. You need him. 

He carelessly unfastens his pants, surprising even himself that he doesn’t manage to rip them in half as he eagerly grips his hard cock. He strokes it harder than he ever has before, the blood on his glove just easing the glide of the harsh pace he sets himself. Homelander almost chokes on air as he watches you arch your back and whimper quietly, clearly hiding your little indulgent fantasy from your spouse. 

He wishes he could tell you it’s alright, your spouse is dead asleep. They won’t notice. They clearly don’t care. He does. And that’s all that matters, you have his attention. You have an audience of one. 

He doesn’t care what the reason is. There’s no reason in his book that would justify your spouse leaving you this dissatisfied that you have to get yourself off behind closed doors and not with their help. 

He’s so worked up, riding the roller coaster of wildly contrasting emotions, from heart-break to euphoria, that it doesn’t take long for him to feel breathless, panting as he strokes himself to the image of you all wet, pleasured and relaxed. What really does him in, unexpectedly is the whispering plea leaving your lips. ‘Homelander.’

And just like that he cums hard, not caring where his load ends up, his grin never leaving his face as he watches you reach your sweet, sweet release.

He has to have you.

[Part 2]

Taglist (you can add yourself to be notified anytime I publish a new Homelander story)

[firestorm09890]

there's a part of canto vi I've been thinking about since it came out, and it doesn't actually have anything to do with Heathcliff.

this

She is bitter as fuck and as time goes on she's getting worse at keeping it down. Sinclair's the one who started it, by talking about how sad it is that they'd never get to see color, and Rodya starts to get a little irritated over it (yeah, sure, pity the Backstreets folk and their poor miserable little lives, privileged nest boy), but she's obviously trying not to straight up call Sinclair a privileged nest boy because she doesn't want to. But then Yi Sang and Ishmael join in on talking about how sad this place is with no color and she just can't keep her opinion down.

But that makes the atmosphere tense, and she hates a tense atmosphere, so she changes the subject and her tone, not giving a damn about how obvious it is. also, haha, ice and cold references.

And actually, this doesn't really have much evidence to support it, but I wonder if she holds a higher level of resentment for Sinclair in particular.

Canto II had some discussion about how Rodya wishes she was special (and while I think what Sonya said about her killing the tax collector just to feel special is absolute bullshit, I do also think there is some truth to her wanting to feel special), and introduced us to the concept of The Sign in a way that was vague and more like foreshadowing than actually introducing it. Then Canto III was all about The Sign, and how special Sinclair is, and since then we've had people talking about signs and stars and a new birth of the world and it's all stuff Rodya doesn't get to be part of.

I don't think she wants to hold resentment for Sinclair, and she especially never wants him to know, but going back after all this time and rereading this one interaction with him in Canto II felt pretty jarring.

the more important part of this is the way it feels like she's making a joke at Heathcliff's expense, for being poor, like even though she's also from the Backstreets she feels she's "above" it.

She absolutely does not feel this way.

On my way to find the first passage, I reread some other interesting stuff:

Once again, there's the harsh juxtaposition between casual, fun-loving Rodya, and tired, poor man's advocate Rodya. Almost everyone on the team speaks through the lens of a Nest dweller (I have to wonder if learning that Heathcliff was apparently raised in a mansion made her even more bitter), and the way she's so short with her mention of the Sweepers makes me think she's thinking about how painfully obvious it would have been to any other Backstreets dweller. And then, right after, dropping back into her casual voice, and Sinclair revealing that Rodya used the fucked up Backstreets creature to tease him...

Other obvious moments of Rodya being bitter as hell about rich people include this part of S.E.A.

and this part of her observation logs on Spiral of Contempt (actually, nearly everything in that log that isn't about the physical abnormality has to do with how much she hates how rich people look down upon the poor)

Hong Lu's canto comes after Don's, and then after his is Ryōshū's, who, based on her source material, probably served one of the most awful, contemptuous rich people the sinners have access to, and I really hope at some point here Rodya gets to snap in a big way

...hey so I wrote this entire post at 1 in the morning and then saved it to drafts because I didn't want to post something at 1 in the morning. the Timekilling Time trailer came out about two hours later, featuring both Rodya... and the long-awaited return of the Yurodiviye. so now it's past 3 in the morning for me but I'm posting it now anyway because ohohoho seeing the Yurodiviye again has given me SO much energy

I have a feeling all this is going to be very relevant extremely soon

[coline7373]

How to comment 101

A fandom is the subculture inherent to a group of fans. It touches anything related to the field of predilection of such a group of people and is organized or created by these same people. And, like everything that comes from people, it is alive and requires exchanges to continue to exists.

People who receive no comments have often and at length express how lonely it can feel to be shouting alone in the void and how discouraging such silence can be.

I have found after asking around that readers aren’t unwilling to comment, but mainly don’t have the energy or know what to say.

Some readers have also expressed a fear of annoying the author, as they are clumsy with words, or feeling intimidated in front of an author who has such a talent with words that the reader's own words feel too embarrassing. Or not feeling that their own five word sentence is worth the bother.

Every word matters.

Every comment is worth its writing to the author.

I refer you to this post if you doubt the importance and impact of comments on fanfics.

To help those willing to comment, I have done a very modest survey of roughly 20 persons, writers and readers alike, and here is what I have come up with.

For writers:

Write in your notes, at the end of the fic, clearly what type of comment you do not want. 

Clearly stating your limits and preferences helps readers who are uncertain or not very verbose to write in a relaxed way.

If they do not have the anxiety of offending, vexing or annoying the author, they will be more comfortable and therefore more inclined to write.

If you have repeated commenters, try to reply to their comments, even with just a few words. Some people who do not receive replies to any of their comments take the lack of response to mean the author is not reading comments at all, feel discouraged and stop commenting in turn.

If you do read the comments, but don’t want to reply for whatever reason, do say so at the end of the fic, in the notes, so that readers know what to expect and not be disappointed.

For readers:

Do:

About the story: 

You can write about a particular line that you liked, the themes, parallels with canon or within the story, the characterisation, a character’s exploration, a/several character’s motivation, a/several character’s mindset/thinking/emotional reaction, a/several characters’ interaction, the plot, the action happening, the worldbuilding, emotions within the fic, subtext, pacing...

If you liked everything and are overwhelmed on how to narrow it down, you can just say exactly that. “I loved everything!”

You can also focus on pointing out just one moment, one line, one specific thing and why you liked them, specifically. What matters is not that you wrote a novel but that you communicated to the author what made you happy, what you enjoyed.

About you: 

What emotions the fic made you feel, what you think is going on in a wip or what you (think you have) figure(d) out, what you are doing in real life while reading the story, afterward, because of it, and/or how the fic impacted your life (yay! motivation to make art!), how the fic is meaningful on a personal level because x, y, z, what it made you think of, like another fic, a book, a song, a movie, what subject/fact it prompted you to discover more of…

How: 

You can write an essay, a prose, or some serious, meaningful, impactful words but you can also joke with the author as long as you stay mindful or polite. A lot of authors have said they love when people make jokes or break the fourth wall. 

Unsure about your sense of humor? Here is an example: do not write "I hate you! How could you do this to me!” Write "How could you do this? The betrayal! die offscreen.”

Making a parody of what is going on with the characters with a few lines can be funny! Keep it positive. Not everyone has the same degree of sarcasm. But levity and good humor are always welcomed.

Small fics vs longer fics:

Emojis, keysmashing and incoherent yelling are very often correct comments for small fics or drabbles. (Unless otherwise specified.)

They are also loved in longer fics, (unless otherwise specified,) but people who have been writing a story for literal years appreciate you taking at least five minutes to say a bit more than that.

Try to go through all the “about the fic” and “about you” points above, methodically, and choose just two or three of them. Then write just one sentence per point.

If you really don't know what to say, look at other people's comments. Sometimes, you will recognise something you liked too or that you thought was really good. It can help and be the starting point of your own comment.

Long WIPs:

For long fics that you follow while they are being written, people have said they have at first a lot of enthusiasm for commenting, but find it harder and harder to know what to say as the number of chapters accumulate, and so does the number of comments they feel obligated to give in turn.

Please, keep commenting! Love keeps the writers motivated and helps creativity. It’s like shouting in the void and getting a high five back.

Even one line about something specific (a dialogue bit, a reaction, a plot maneuver) can make an author happy.

Writers are not really looking for length or details. They are looking for care. If you read something you liked, just point out what you enjoyed. That's engagement enough. 

Comments aren't really about the act of a compliment. They are about the shared joy of a fandom or a ship or a character. 

Example: “'X character diving headfirst into the sea like that is so like him!”

It’s good. It’s fun. It’s nice.

Some people have said to “save” a chapter, give a kudo and say “looking forward to reading this when I have time!” and wait until they do have time and energy to comment more at length, sometimes two or three chapters at the same time.

It let the writers know their fic is still being read. You just have to be mindful to not let months go by, otherwise, it goes back to leaving the author the impression they invested hours, weeks, months, into something no one interacts with. You can alternate strategies, lengthy comments, short comments, and commenting on several chapters saved.

If all else fails, go back to the tried and true. Choose one of the points above, choose just two or three of them and then write just one sentence per point.

If you are not a native speaker:

Google can help with the bare minimum. It's not great, but it lays the foundations. Write what you think in google translate and the translation will help guide your answer. You can always ask for help from someone else or warn the author that the fic’s language is not your native language, if you are unsure if your words come off in a tone not intended.

At the start of your comment, say “I am not a native speaker”.

Do not apologize. It’s not necessary. Just provide context. Use your words. Be clear.

Remember: 

The writer isn't what they write. They do not necessarily headcanon what they write, nor do they necessarily approve of it in real life. Be mindful to not approve or disprove of x, y, z going on in the fic as if they do. You do not know that.

It’s not about the length or the wording or the quality of your comments. Of course authors love that. But what they love most of all is to hold hands, jump up and down with you and squee and gush about the fandom, ship or character.

It’s about the sharing of the joy.

Don’t:

Do not ask for another chapter and for the author to finish a fic.

Do not threaten the author to put their fics in an AI if they do not finish the fic.

Do not say "I didn't like it" or "I liked but not that" or "It would have been better if x, y, z." If you want to talk about what you didn’t like, whether it’s part or all of the story, discuss it with willing friends. The author is not responsible for you reading something you didn’t enjoy (how it made you feel) and persevering.

Do not “offer” to correct typos, grammar, vocabulary, facts, canon facts, characterisation, ect. unless you know the author and know they are fine with it or they say so explicitly in the notes. 

Do not make demands. Do not.

Like that tumblr op said, “this is not the bespoke zone.” This is off-the rack. If the free suit is not to your liking, look for another free suit rather than demand to speak to the manager for "adjustments."

Tags are not owed to you. Ao3 is not a safe zone. Not everyone agrees on what degree of content merits each tag. Or what qualifies for a tag. So, if you found a fic that was more angsty than you expected and it broke your heart, comment on a part that was good and didn't make you sad, without saying you want a happy ending to the angst fic that was written for angst purpose. Off-the rack, remember?

Exemple:

"I found x,y,z to be upsetting. Would you consider tagging it?"

Vs "Your work is totally x,y,z triggery. You ought to tag it."

Vs "Hey, you do know some people find x,y,z, triggery, right?!? Because they do! So tag it!"

One of those answers is correct. The others aren't. No demands in the comments.

Your emotional well being while reading fic is your responsibility. If your expectations have been disappointed, do not say so. Talk about a point that was positive for you. If your expectations have been exceeded, do share!

Also, if you're mad, I have found that it helps to write your comment, leave it to decant, and wait a week or so to see what it looks like when you're in a different emotional mindset.

Some elements of fics can be very upsetting unexpectedly. It is not the responsibility of the writer to answer that. Nor comments are the place for it.

Once some time has passed, if you still want to talk about it, try to communicate in a way that is neither demanding nor negative. If you can't, talk about it with someone who is not the author.

My own personal opinion:

It can be so easy to focus on the fic and your own inner imaginary garden/cinema, that we sometimes forget to switch from "inner life" to "outer life" and exchange actively with people on both sides of the fence.

But it can also add so much more to the experience <3

Clear communication is always good. Even if you disagree. At least you know where you stand.

Say thank you. Fanfics are a gift. You have been given one. Say thank you. 

[kaijutegu]

Happy Valentine's Day! When you think about love and the animal kingdom, are alligators an animal that comes to mind? No? Well, they should be, because they have some of the most interesting courtship behavior of any non-bird. (Bird displays are something else entirely.) I think it's time that you all are introduced to the Big Gay Alligator Sex Study, more properly known as Courtship Behavior of American Alligators (Alligator mississipiensis), written by Kent Vliet. You can get the paper at the link below!

This was a study done over a 3-year period in the 80s with a population of captive American alligators to look at how they interacted. Alligators are incredibly social and have complex behavioral dynamics, and their courtship rituals and routines are pretty dang interesting. In general, crocodilians spend a great deal of time interacting with each other when compared to other reptiles, and the courtship behavior of a few species is well-documented. But in this post, I'm mostly going to talk about the American alligator (with a quick detour into Cuban crocs).

Why Do We Care About Courtship?

So before I dive into talking about this study, let's talk about why we care about courtship (the social behavior that leads to mating) and mating (sexual interaction that could, hypothetically, lead to reproduction). Courtship and mating are extremely important when studying animal behavior- honestly, they're extremely important when studying zoology in general. In some cases, understanding this behavior actually a major conservation concern! For example, the Cuban crocodile is an endangered species. They're largely constricted to two swampy areas of Cuba, both of which also have American crocodiles present. And unfortunately, the female Cuban crocs find the male American crocs really, really sexy. This is a big problem, because with only about 3-4,000 Cuban crocs left in the wild (possibly even fewer), they need to be breeding with their own species to make more Cubanitos.

These. Make more of them.

But what scientists have found is that not only are there hybrid crocs in the wild, the Cuban population of American crocodiles is more closely related to Cuban crocodiles than other populations of American crocodiles, suggesting this has been going on for a very long time.

You can read more about that here if you want, but back to the gay alligators.

Alligator? More Like Alli-GAY-tor, amiright?

(actually that IS wrong it's more like alli-bisexual-tor, but that doesn't sound like alligator)

So how does a study like this happen? Back in the 80s, the American population was Feeling A Way about alligators. Something that you gotta understand when you're doing any kind of conservation is that people protect what they love, and they love what they understand. Alligators are a major conservation success story today- there's millions in the wild- but they were in serious danger of extinction in the 1960s, and it was a combination of legislation, awareness campaigns, and captive breeding at both zoological parks and commercial gator farms that helped bring them back. As a result, they were one of the first species to be de-listed from the ESA!

All of this attention meant that alligator science was flourishing in the late 70s and 80s, and that's where this study comes into being. This post is long enough so I'm not gonna go into all the details and methodology- you can find that in the paper I linked up top!

However, there is one piece of methodology we should talk about, and that's the choice of study population. It's part of what makes this particular study so interesting!. See, in a lot of cases, captive behavior really differs from wild behavior. This can be impacted by captivity conditions- what other animals the study animal has access to, what behaviors the animal has learned in captivity, even down to things like how the animals are fed. For example, some courtship behavior in captive animals can be the result of unnatural habitat conditions or limited social groupings. If you only have access to a couple of conspecifics, you don't have the same choices that you do if you have access to something closer to a wild population. If you've got a breeding group with one male and a handful of females, you can't ask or answer any questions about male/male interactions! Crowding is also an issue- too many animals in a space can be stressful, and lead to atypical sexual behavior.

But that's one of the cool elements of this study: the alligators in question live in a large social group in a lagoon that's basically just natural habitat with a boardwalk going around it. It's about as close to studying a wild population as you can get, with the advantage that it's far more accessible. And what this leads to is that that the researchers were able to see a really wide range of behavior, because all of the alligators had lots of access to lots of different mates. They were able to make choices that you wouldn't see in a smaller group. There's a trade-off that Vliet notes, and that is the population density and captive situation means that results might not quite work out the way they do in the wild- but in the years since, the results of the study have been vindicated with research into wild populations.

So, what are alligators into? Gay sex, group sex, yelling real loud, and lots and lots of... gentle caressing.

that's not a euphemism they spend a lot of time gently rubbing each others' faces

So first things first, it turns out that the vast majority of alligator mounting, which occurs after courtship behaviors like jaw rubbing, bellowing, head rubbing, and swimming together is male/male. Over the three year study period, an average of 68% of all sexual interactions were male/male. However, what they don't really notice is exclusivity, because when it comes to the sex of their sex partner, alligators... well. They aren't all that picky.

Another fascinating aspect of alligator courtship is what's called courtship groups. These are readily observed in captive settings (and in the wild, too, as mentioned in Dragon Songs), and are mixed-sex groups that spontaneously form. As other alligators approach a mounting pair, the original pair will happily split up and switch partners. Usually what happens is that the alligator on top slides off to initiate courtship with a newly-arrived individual. What's really interesting here is that, as the author notes, "males engaged in courtship with a female readily terminate that interaction and initiate interactions with males." Another fun element of alligator courtship is that while in most vertebrates, males approach females, alligator females often approach males. Usually it's the males approaching, but for many crocodilians, courtship initiation is an equal-opportunity affair.

Alligators are also really vocal during courtship! This is pretty unusual for a reptile- usually they're a quiet bunch. But crocodilians are pretty chatty. And during the breeding season, something pretty spectacular happens: infrasonic communication, better known as bellowing. This is sometimes called water dancing, due to the ripple patterns it makes. It's a loud, low-pitched rumble that conveys information about size and location, and is used for territorial displays and as a mating call. During the not-breeding season, a bellow means "stay away!" During the breeding season, it means "HOT ALLIGATOR SINGLES IN YOUR AREA."

Here's some pretty spectacular videos showing you what this looks and sounds like. The vibrations make the water above their backs splash up.

Alligators are also extremely tactile during courtship. The study has detailed analysis of touch in specific tactile zones along the head and neck of the alligators. Vliet notes "These sites have increased numbers of swollen pustular scale organs, the function of which is unknown."

What's kinda funny about this to me is that now, the functions of these organs are known- they're highly innervated tissues that help alligators detect prey in murky water. An alligator's jaws are more sensitive than a human fingertip due to the sheer number of nerve endings! So of course these areas are going to be highly sensitive, and to me it makes perfect sense that they feature so heavily in courtship.

So what can we take away from this 40-year-old study? Quite a bit! First, it's a great reminder that humans aren't special. We see same-sex mating behavior in pretty much every species we look at. We see it in cockroaches, spiders, and butterflies. We see it in sheep. We see it in alligators. We see it in every other species of great ape. Of course we also see it in humans! There's nothing that special about same-sex sexual behavior. It's a part of... pretty much everybody's evolutionary history.

Another thing I think is really important is that while this is an old study, it was absolutely pivotal as a turning point in helping people understand alligators. Remember how I said earlier that we protect what we love, and we love what we understand? This study showed the world that alligators weren't just mindless eating machines. They're socially complex! Understanding alligator sociality and how they choose mates and interact helped us care for them better. It told us more about how to keep them happy in captivity. Alligators are smart, communicative creatures. They don't always get along, but they don't always fight, either. (Don't get me wrong: they will fight each other, and they've actually evolved some pretty specific anti-other-alligator defenses... but they don't always fight, even during the breeding season.) This is interesting to me because in mammals, it's hypothesized that same-sex sexual behavior may have evolved for prosocial reasons; that is, it helps reduce conflicts. Perhaps it does the same for alligators.

In conclusion:

If you want to know more about alligator courtship and mating rituals, I can't recommend Vladimir Dinets's Dragon Songs: Love and Adventure Among Crocodiles, Alligators, and Other Dinosaur Relations highly enough. I know I talk about this book all the time, but it's easily the most accessible writing on crocodilian social behavior. It will change the way you think about and understand these animals.

Another phenomenal book is Alligators: The Illustrated Guide to Their Biology, Behavior, and Conservation by Kent Vliet. (Hm, wonder if he's written anything else...) This is basically the Bible for gator behavior. The photographs are absolutely gorgeous, too.