#(bc it's an exceptional story)

[acorviart]

not to sound like a boomer, but I need some people to learn how to write emails in a semi-professional (at the very least) format so you're not cold emailing a business/potential employer/any other stranger about formal matters in the exact same way you'd DM a close friend on instagram

the formality/language can loosen up in the email chain once you've established a rapport and you match the other person if they're being less formal, but please don't have the very first email you send a stranger be written in all lowercase ultra-casual sms slang with no greeting or signature and a billion emojis

[softichill]

JtKCU (Jeff the Killer Cinematic Universe)

[ganondoodle]

i will never forgive totk for giving us 5 minutes of zelda being excited and confident about her actual interests right at the start only to yank her away for the rest of the game and into the scared puppy eyed little maiden role standing uncomfortably besides the cool new guy™️

like is it actually a genuis tragic move of the writers to let her yet again not be allowed to be anything but a puppy eyed sacrificial maiden or is it just … bad writing how do i explain that i care so much about zelda that totk made me care not even a little bit about anyone but master koga bc of how it was written

i was more emotionally invested trying to get a chicken out of a well than i was with totks story or new characters (if you take the yiga out of the equation)

(and no, finding a few scraps of text, you have to grind to find, telling me that actualyl she had so much fun there and did like .. one thing with an some sort of never seen or otherwise hinted at construct and omg she totally was integrated like famillyy and found friends we never see isnt remedying anything imo)

[guardian-instincts-bad]

start of soto like

[raiiny-bay]

finally finished cricket's group

[cctinsleybaxter]

Artists who admit to not knowing small details about their characters and worldbuilding have inadvertently given better advice than any character design post on social media tbh. as fun as it is to come up with what your guys would order from a restaurant or the contents of their backpack or their favorite color I've run into very few people who can leave that stuff in a story (or even leave it offscreen as paratext) without it being distracting and poorly written because it's rarely in service of the narrative. a lot of that is def just down to personal taste, but it feels more like designing characters for a TTRPG

[milkbreadtoast]

doodled Stayn from living with magicians webtoon... I like him :) (just felt like drawing random webtoon characters fsr lmao)

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[redrobin-detective]

From the first moment I started Iruma-kun, I was fascinated that Iruma is only ever referred to by his first name. Pretty much everyone else in the series has a first and surname with the majority of people calling others by their surname. But everyone from family, friends, teachers, enemies calls Iruma by his given name. The non-canonical narrator outside of the story is the only one to call him Suzuki Iruma.

From a practical perspective, it makes sense not to give him a last name because names and titles have power in the Netherworld. Iruma is making a lot of waves and people might want to investigate his lineage if given a potential avenue and be surprised to come up blank. On a more personal note, Iruma’s parents sold him to Sullivan. By selling Iruma, they lost all claim to him and the ability to have their surname attached to him. Sullivan seems petty enough to refuse to acknowledge the names of people gleefully who abandoned their child alongside his precious grandson’s name. In the Netherworld, Iruma is only Iruma. He is a chaos causing young demon, the chair demon’s beloved grandchild, Clair and Azz’s best friend and so much more.

The Suzukis lost the right to call Iruma their own the moment they sold him.

[haunted-xander]

BBS is a tragedy in many ways, but one of the things that gets me is that the catalyst, the one big thing that caused this mess to begin with, is so avoidable.

Like, the story starts primarily because Terra starts to fear himself (because of the darkness he has unwittingly 'used') and this causes a spiral of doubt and obsession. A spiral which he could've escaped from or maybe not even started if he just 1) had been taught the balance between light and dark properly (that darkness is more than just unquestionable evil, that light is more than unquestionable good, that they can and should co-exist in balance), and 2) had consistent socialization from more than the same 3 people.

Like. BBS is a cautionary tale about what happens when people aren't exposed to a wide enough variety of people and, therefore, end up naive and overly trusting because they never learned that people have ulterior motives. Terra is consistently manipulated and used by people literally everywhere he goes, because he can't see that they might not have the best intentions! He can't see the red flags because he doesn't know there are red flags to look for!

Xehanort knows this. It's why he targeted Terra to begin with: because he would be susceptable to his words. The main reason he couldn't use Aqua is because she was too confident in her own values, she didn't have the seed of doubt that Terra had. It's the only thing that prevents her from being used the same way he is, even though she is just as naive and trusting as he is.

Ven probably has it the worst socialization wise. Unlike Terra and Aqua who, presumably, has/had a family and life outside of the Land of Departure prior to beginning training there, Ven doesn't remember anything before then (not that he had much he'd be happy to remember anyway). And since he's the youngest and most 'fragile' one (due to being in recovery for most of his time here), he gets somewhat coddled and shielded by everyone else. Not to mention the way Eraqus completely forbid him from leaving and never intented for him to ever see worlds outside the Land of Departure. Sure, Terra and Aqua aren't typically supposed to leave either, but at least they'd be allowed in certain situations. Ven wouldn't.

Ven isn't allowed to interact with anyone outside of home. He's not allowed anything that involves the outer worlds. (He and Naminé are a bit alike in that sense. Though at least the people he's stuck with are nice to Ven and do genuinely care for him, unlike Naminé...)

BBS happens largely because Eraqus failed as both a teacher and a parental figure to all of them, but Terra most of all.

[near-dareis-mai]

Vote for your favourite horse/horse-adjacent character from Fantasy and Science Fiction books, and yell at me in the replies/comments about your fave that i missed.

[sorrelpaws]

proper refs for my new r&m ocs :-) more info BELOW

morty v-37 - basically gets used as a human shield and then promptly left for dead by his previous rick(which is why hes got the scar and prosthetics), y-4441 finds him and fixes him up + erases his memories of the whole nearly dying thing. he’s pretty chillaxed and a bit more cynical than an average morty, more “rickish” i guess idk. tends to be skeptical, likes poking holes in rick’s arguments/inventions etc etc but like in a teasing way

rick y-4441 - very peppy, upbeat and emotional. he kind of reeaalllyyy dislikes the cfc and stays away from it as much as possible, especially after finding and unofficially adopting v-37. he’s not as tech savvy as most rick’s, his abilities are more akin to s1 rick’s skill level? as in, he lives off of scraps of materials and creative solutions, less god-like and more “old man in garage who happens to know physics and chemistry”. loves to ramble about basically anything and happily indulges in morty’s hypotheticals/questions whatever. EXCEPT! for why morty doesnt have his fingers he shuts that topic down immediately just does not want to deal with that can of worms at allll

[chirpsythismorning]

Why I Don’t Experience Byler Doubt

It’s simple. One of the most essential techniques in storytelling: Show, don’t tell.

Show, don't tell is a technique that allows the audience to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than exclusively through the creators' exposition, summarization, and description.

Even more importantly (assuming we want to enjoy ourselves bc this is supposed to be high quality entertainment), it adds drama. Rather than telling viewers what's happening, a filmmaker will use this technique to show drama unfold. 'Telling' is factual and avoids detail; while 'showing,' is detailed and places the human subject at the centre of the drama.

This technique is literally playing out in the narrative when it comes to Mike’s inability to tell El he loves her (or even simply write love Mike in his letters), which he never would have had to tell her (spell out) in the first place, if he had just shown her that he loved her.

It’s no fun having to spoon feed your audience. Instead, it's much more enjoyable for the storyteller to present the truth in the details, even sometimes contradicting very basic assumptions that are being outright told. Hence why, for example, when the Duffers were asked about the Vecna reveal, Ross used the opportunity to go on a mini tangent: 'the best twists are ones that you go, “Oh, I should have seen that coming.” As opposed to the twists that go, “Oh, well that just came out of nowhere.” So, “Oh, I missed these clues along the way.” But you get nervous when you’re writing it because you go, “Well, to me it seems obvious--'.

In fact, Show, don't tell is what largely allows surprise revelations to hide in plain sight. Because obviously, if a writer just tells their audience everything that's happening while it's happening, we would always see what's coming next.

And so the problem I have with downplaying or even completely refusing to acknowledge the importance of Show, don't tell, in the case of Stranger Things especially, is that, in order to comfortably subscribe to what is being told, I have to ignore what is being shown.

We see this play out all the time on Reddit in particular, which if I'm being honest is the only platform at this point that treats mere speculation about Will and Mike's relationship as if it is the end of the world. On the rare occasion the mods don't remove a byler related post, the post is either already negative towards byler or the comments are filled with fury over the poster simply thinking critically by speculating about byler. Even if you manage to get a fan over there in the comments to consider certain evidence pointing towards byler as incriminating, they'll still manage to end it by downplaying the Duffers and their abilities, because 'They're not that smart!'...

They'll ask for evidence, be presented with it, only to insist that it's all reaching because details mean nothing and everything about the show is actually just surface level, ie. it's not that deep.

Without even realizing it, they're low-key admitting that going the byler route would be smart, and yet here they are tirelessly defending a show that, according to them, has shit writers and no deeper purpose. All this does is prove that they are hoping this is the case. Because even despite being presented with strong evidence that the show might very well be epic, they would rather reject it altogether.

They would rather have one of their favorite shows suck and defend it religiously, then consider the possibility that it's good and gay...

Don't get me wrong, there are definitely fans on reddit that don't hate byler. I imagine out of the million in that sub, there's a silent majority that would be open to it. Keep in mind, most fans still active at this point in hiatus are hardcore fans, and so they're obviously opinionated, that goes for everyone on most platforms rn. And yet, I know there are very likely casual fans who are popping in there every now and then, the same people in the majority when after s4 dropped, saw that monologue and said What the actual fuck was that?

There’s a reason no other couple on the show has needed to hear the words I love you to believe it. Well, besides Steve and Nancy…

Because SHOW, DON'T TELL. That's why!

So, what do I mean when I say that Show, don't tell is why I no longer have byler doubt?

It's actually pretty ironic, but basically the moment Mike told El he loved her, that's the moment they showed us that he didn't.

I mean, for starters, how does one go about filming a romantic love confession? Because if we're being entirely serious right now, they made just about every artistic and creative choice possible to go against what a romantic love confession should look like to feel satisfying.

I mean, you'd probably want the atmosphere to be intimate, right? Make the audience feel like these two are the only two people in the room (world) for this moment?

Well, that's not the case for Mike and El, nor is it the case for literally any of their scenes in s4 (arguably a lot of their scenes in the series; Will the wise drawing in El's room, I'm looking at you). Almost all of the scenes with them together in s4 had Will in the background, often times in the literal frame between them. That is NOT how you film scenes for a romantic pairing that you want the audience to root for, from beginning to end.

You guys gotta understand, rewatch value is one of the most important aspects to this story for the Duffers. When talking about the prospects of s5, they mentioned that they rewatched all the Lord of the Rings, saying how important it was, despite what some fans might say about the ending being too long, or this or that, bc to them, it was necessary to watch it all, and to rewatch it and rewatch it, in order to appreciate the entire story as a whole, aka the way it was intended.

If you're a serious about Mike and El as a romantic pairing, but because of the way the show has set up their relationship over the seasons, you can't sit down and enjoy more than a quarter of each season bc they're either separated, broken up, or on the rare occasion they are together and happy, they're accompanied by a kicked puppy in every shot, maybe all of that's for a reason.

And that applies to the scene in Surfer Boy more than any other scene in the show, a scene that is supposed to be Mike's monologue to El... You mean a scene that directly parallels Mike's monologue to Will in s2?

When planning the end of s4, do we think the Duffers just decided they wanted this intimate moment between Mike and El to have Will in the frame behind Mike (visually piggybacking off of him, in an episode titled The Piggyback...) in almost every shot, including when he said I love you for the first time, for no reason at all? Or is it possible there was a reason for it? Just like there's been a greater reason for everything?

Like bro, I'm sorry, but even if what's being told in that scene is relevant, all of it still reads as either a lie, a partial lie, a lie of omission or a platonic truth hiding behind romantic phrasing: I don't know how to live without you = platonic (trauma bond), whereas I can't live without you/I don't want to live without you = romantic. The later is out of desire/want, the former is out of fear of the unknown.

The entire scene the lighting is blinking rapidly. And so the vibe they're going for here is uncertainty, which is quite odd for a love confession that's supposed to feel certain? Then we have El seeing all red the entire time. She's literally choking, hearing Mike struggle to muster up anything that could help her pull through, only to overhear Will calling Mike the heart, followed by Mike finally saying I love you????

And I guess according to the Duffers, nothing says true love like a love confession ending abruptly by a two day time jump...

Oh and how about, instead of them taking the time at the end of the season for El and Mike to have a private moment, where they could finally address their love for one another, let’s have them barely on speaking terms, and the one time they do talk, let’s have it be offscreen and mentioned in a private moment between Will and Mike, who in contrast to Mike and El, we're going to prioritize having a scene with them alone together at the end of this season...

In the last minutes, let’s have El look at Mike and Will, only to avoid them with visible annoyance. And THEN let’s show Mike visibly defeated by El's annoyance, instead prioritizing reassuring Will, aka his friend with whom he shares an I didn’t say it/ You didn’t have to bond...

I mean? Are we just not going to talk about it? The fact that I didn't say it/You didn't have to could pass off as a literal synonym for Show, don't tell...

It just kills me that even with all of that, the Duffers were like, You know what? Fuck it. Let's show them all the endgame couples lined up next to each other, with Will and Mike in the middle and El standing on her own in front of them. If by now they still refuse to consider it, after everything, this ending probably wont convince them anyways, but it makes for great rewatch value...

Seriously, if you're subscribing fully to the belief that what is being told is the whole truth and nothing but the truth (so help you god), then you're having to ignore all of that. And I can't ignore all of that, I just can't. Which makes it impossible for me to experience doubt anymore.

[scourgeblooms]

commander ⇾ wayfinder

[mildmayfoxe]

FOR CHARMERS TRICKSTERS CONMEN AND CADS: redux of a vintage pin in my collection 🃏 give em a little hint about who they're dealin with 😏😉 shop / patreon

[bread-that-draws]

The Lovers: Being at crossroads. Choices. Commitment. Falling in love. Harmony. Warmth.

The Lovers Reversed: Misalignment. Imbalance. Disharmony. Coldness.