#like a typical japanese series

[redrobin-detective]

From the first moment I started Iruma-kun, I was fascinated that Iruma is only ever referred to by his first name. Pretty much everyone else in the series has a first and surname with the majority of people calling others by their surname. But everyone from family, friends, teachers, enemies calls Iruma by his given name. The non-canonical narrator outside of the story is the only one to call him Suzuki Iruma.

From a practical perspective, it makes sense not to give him a last name because names and titles have power in the Netherworld. Iruma is making a lot of waves and people might want to investigate his lineage if given a potential avenue and be surprised to come up blank. On a more personal note, Iruma’s parents sold him to Sullivan. By selling Iruma, they lost all claim to him and the ability to have their surname attached to him. Sullivan seems petty enough to refuse to acknowledge the names of people gleefully who abandoned their child alongside his precious grandson’s name. In the Netherworld, Iruma is only Iruma. He is a chaos causing young demon, the chair demon’s beloved grandchild, Clair and Azz’s best friend and so much more.

The Suzukis lost the right to call Iruma their own the moment they sold him.

[neo--queen--serenity]

I noticed that, in the English dub, the ADA refers to Tanizaki by his first name rather often. It's actually pretty rare to hear his last name in the dub, and I wish I knew why.

It can’t be for the simplicity of referring between him and his sister, since everyone calls her Naomi in both versions.

It’s not a logistical (“mouth-flap”) choice either, I’ve noticed them saying it even when a character is facing away, and their mouth isn’t visible, so it’s not that.

I admit that I do like the choice, since Jun’ichirou is the same age as Atsushi—who also gets referred to by his first name by the rest of the ADA. It follows the trend of calling anyone 18 and under by their first names, too, since this also applies to Kenji and Kyouka.

It may be a small change, but it’s a consistent one, so it had to have been a conscious choice.

[ozlices]

ok now that the rage is out, actual rational reason for why this pisses me off so much.

if my love & devotion to pandora hearts didn't make it clear enough, my favorite niche of media is alice in wonderland inspired works. if i know something is inspired by aiw, i'm gonna at least look into it automatically. dunno why, honestly. but, it's been like this since i was SUPER young.

that being said, im obviously p versed in alice in wonderland inspired media. i haven't consumed them all, i'm sure there's many i'm unaware of, but. i've consumed enough to confidently assure alice in borderland is the first time i personally have ever seen an alice in wonderland inspired media portray alice as a guy, while still having him be named alice.

and, like! it's honestly SUPER clever to get away with doing this by having alice be ryohei's last name instead of his first. because, obviously, 'alice' is not typically a male name. it can be bc gender is a concept yada yada, but. like. u get what i mean.

so, like. baring that in mind. if somebody who has absolutely zero concept of how japanese pronunciation works stumbled across alice in borderland, & watched w the english subtitles... they'd have no reason to question if 'arisu' is meant to be 'alice'. bc. why would it be? they're expecting 'alice' to be a female character.

& so, like. it honestly rly fucking sucks that this really interesting way of taking the alice in wonderland inspo & portraying its references as it does gets completely sacked & made out as pointless by having alice not be referred to AS alice.

& even more so bc additionally, the white rabbit is a woman in the show. so, we have these two prominent characters from alice in wonderland being swapped. but, like. that doesn't even get to be properly appreciated bc they don't let u know alice IS alice. it genuinely just comes across as 'huh, weird this show named alice in borderland, & that's v clearly inspired by alice in wonderland, has a MALE lead & his name is arisu. weird this aiw inspired media has no alice.'

tbh part of me wonders if that's why they decided to go w that decision. to blatantly erase how silently groundbreaking it is to have an alice in wonderland inspired work where alice is still named alice, but is a guy instead of a girl. the silent way that breaks down gender stereotypes and such. but, nope. that all gets lost.

fucking bullshit.

also yes ik im v stupidly passionate abt this, but again. aiw-inspired works is my FAVORITE niche genre of media ever. my favorite series of all time is literally an aiw-inspired work. ive never seen an aiw-inspired work do this. not saying no others exist, & if they do, pls lmk! but. yeah. it does suck the only example ik of doing this gets stomped by refusing to let alice be named alice.

[saiwestfield]

Been rewatching too much childhood anime and now all my ocs in my head speak Japanese

And when I try to imagine them speaking English they all speak in anime dub English😟

[yumeka-sxf]

Going by the official preview, I knew we were going to get a short mission involving Anya and Becky at the movies, but I was pleasantly surprised that Yor ended up joining them 😃 (along with Martha)

I had a feeling it would be the same movie Franky saw in the previous chapter! There certainly was a lot of kissing 😅

I like the little detail that Martha wears glasses when watching movies.

When Anya thinks of what movie they're going to see, in the Japanese version she mistakenly says ぎょじら ("Gyojira") instead of ゴジラ ("Godzilla.") One of the readings for ぎょ("Gyo") is 魚 (fish). So that's why it's a fish monster 😂

This scene was just so Anya. Never change, girl.

Another fun tidbit I just now noticed is that Becky calls Yor 師匠 ("shisho") which means "master/teacher" in a trainer to trainee relationship.

Poor Becky being surround by only abnormal women and unable to have the typical girlie talk she craves, lol.

But that's also what I like about Becky - she's still a good friend to Anya despite their differences in taste on...everything, lol. And even though Yor and Martha aren't like the women she idolizes in the movies and shows she enjoys, she can see their good qualities and still respects them.

I also love how both Martha and Yor are clueless about romance, for different reasons.

Yor is extremely inexperienced and flustered when it comes to romance, while Martha did try to pursue it, only for it to end in tragedy. My little headcanon is that, towards the end of the series, where Yor is struggling to decide whether to stay with the Forgers or not (either due to an identity reveal or some other reason), Martha is able to give her a "pep-talk"...convince her to follow her true feelings and find the romantic happiness that Martha herself wasn't able to attain in her generation ❤️

[hwaslayer]

vivrant thing (jwy) | three.

—SPOTIFY PLAYLIST / SERIES MASTERLIST

—SUMMARY: after getting into a little accident, wooyoung decides to do his sister a favor by pretending to be your date at the company summer party. as soon as the night ends, wooyoung would go back to his usual routine of hanging out with his boys, keeping his distance from committed relationships and being a typical brother to jiwoo. except, the favor comes with more than what wooyoung expects and he finds you occupying his mind more than usual. 

—PAIRING: jung wooyoung x f. reader

—GENRE: (18+ - minors dni) bestfriend’s brother au | fluff, angst, smut

—WORD COUNT: 6.6k

—CHAPTER CONTENT / WARNINGS: cussing, implied sexual content/mature language, dinner w/ yeosang!, feelings are laid out oof, alcohol consumption & slight intoxication, a bit more of jiwoo vs. wooyoung, use of pet names (princess, love, baby girl, baby), lots and lots of kissing, making out, mentions of marking, some dry humping, unprotected sex, slow sweet sex??, wooyoung pulls out 🫢

So, you agree to the dinner with Yeosang but you don't expect how terrible it ends up playing out.

At first, it starts off well.

It felt like dinner wouldn't be so bad, and you enjoyed seeing Yeosang being his usual self from the car ride up to the restaurant. When he pulls into a spot in the parking lot and helps you out of the car, there is a bit of a difference in Yeosang's attitude. He slides his hand into yours as he leads the way into the restaurant and as much as you adore your bestfriend, it feels incredibly unnatural. 

It surely doesn't feel like Wooyoung's, but you shouldn't be thinking about that right now.

He continues to loosely hold your hand until the host brings you to a table near the back end of the restaurant. You didn't think tonight's dinner would be so fancy, but you were in your business casual attire straight out of work; it ended up working out well in the end. You scoot into the booth, with Yeosang on the other side. He immediately orders a bottle of white wine, which isn't really to your liking as you've learned, but you'll make do with what you have— especially to get through this dinner.

You order appetizers along with your main courses, indulging in good conversation with Yeosang as he tells you work updates and how he's being dragged to this really important meeting over the weekend with the board of directors by his team lead. 

It's all good. It's all fun and casual, until it isn't.

Meanwhile, Jiwoo stops by her brother's apartment to drop off some sushi from his favorite Japanese restaurant. It's her way of saying 'thank you' without actually having to say it out loud.

"What now?" Wooyoung swings his door open to see his sister standing there with a bag of food.

"Hi to you, too." She drops it on his kitchen counter. "Bought you food from Sushi Kashiwa." 

"Aw, just say it." He pretends to pout while she gives him a disgusted look and unties the bag.

"No. Besides, I bought myself some food and am gonna enjoy it right here." She lays out the containers and grabs her own. "My friends decided to leave me out of a very important dinner tonight."

"What are you talking about?" He pops open the lid to his sushi container and wastes no time digging in.

"Y/N went to dinner with Yeosang. I guess to talk about stuff going on between them, I don't know." Wooyoung pauses mid-chew, the statement hitting him right in his gut. He's not sure why he's sad— maybe he's right after all. Maybe this just ended up being a temporary one night thing that would eventually wash away.

Sucks it doesn't necessarily feel that way for Wooyoung.

He can't assume, though. Hopefully, you're talking to Yeosang and giving him the honest 'i think we should just stay friends' talk instead of the 'let's just see where this goes' talk. He'd appreciate the universe if it could give him this one thing; he'll stop running his parents' last nerve and will never look at a booty ever again.

Maybe.

"Oh." Is all Wooyoung says before stuffing another piece into his mouth. "Why would you even be there, Jiwoo? That doesn't concern you."

"Anything with my friends concerns me."

"Let them talk it out without your loud, nosey ass interrupting." She rolls her eyes, scrolling through her phone as she also continues to eat.

"I haven't gotten any new texts from her. I wonder if it's going well. Maybe they're gonna explore this after all."

"Who says?" Wooyoung responds a little too quickly, a little too sharply, for his liking. His sister doesn't seem to catch on, though. That's great.

"I dunno, beats me. I'm just taking all angles into consideration."

"Stop projecting. She seemed to be pretty set on her decision at the party."

"You never know." She says in a sing-song tone that irks Wooyoung a little more than usual this evening. "You're right, though. She is set on her decision. I just hope he takes it well." She sets her phone aside. "Anyway. How'd you like the party?"

"Gotta admit, it was fun."

"You really looked like Y/N's date. I had a few people ask me if you two were dating."

"Uh, I mean I was her date? And why would they ask when I already told them yes?" He jokes, just to push his sister's buttons.

"No way." Jiwoo continues to eat away at her food, texting Hongjoong in the midst of it. "Y/N is too good for you."

"No one is too good for anyone. Don't speak on shit you don't know."

"I know her!"

"And I know her, too!"

"I know her the best." Wooyoung rolls his eyes.

"Still doesn't mean you know everything about her."

"Ew, why are you getting so defensive tonight?" He shakes his head, feeling the irritation within him grow the more Jiwoo presses it. He knows he isn't the best man to walk this Earth, but he also knows he'd be good to you. Good for you. He's been thinking about it a lot and he hates that he is— none of this makes sense to him, but he knows he'd be good.

"Don't you have to go see Hongjoong?"

"Once he's off, yeah." Jiwoo sips on her water. "What're you doing tonight? Getting into more shit with Choi San?"

"No, he's actually visiting his parents."

"Hm." She hums. "No booty call coming over?"

"No. Even if there was, you would not be getting that information." She scoffs.

"Grow up, Wooyoung."

"Grow up, Wooyoung." He mocks her. "Says the one who made the wild claim based off of nothing."

"You're so annoying." She tosses her sushi container into his trash before washing her cup of water. Despite their usual bickering, Jiwoo stays for a bit longer until Hongjoong texts her and lets her know he's finally off of work after putting in some overtime. Jiwoo helps tidy up Wooyoung's space before she's waving goodbye [aka flipping him off] and slamming his door shut. Wooyoung plops back onto his couch with the remainder of his food resting on the coffee table, scrolling through his phone. He goes through your texts, wondering if he should say anything or keep silent. He smiles to himself when he sees the pictures you've passed along from the photographer. He sees you've posted the picture with him on your Instagram and it tugs at his heart because not only do you rarely use Instagram, but you took that opportunity to post your pictures from the party— including the one where you've got your hand resting on his chest while he has an arm around you. He was happy to see you happy and comfortable. Having fun. 

You glowed. 

He'll never forget it.

—OLD TEXTS

you: hi! they uploaded the pics from the party!

you: *sends a group of pics at once*

wooyoung: yo goddamn!? we look good!

wooyoung: you look so pretty. 😍

you: 😀 stop !!

wooyoung: i'm so serious, good LORD. 😮‍💨

you: i'm blocking you.....

wooyoung: woah now, hey i'm kiddddding....

wooyoung: not really! but don't block me! i just can't help it!

you: you're too much 😂

wooyoung: can i post these?

you: go for it!

wooyoung: thank you ☺️

He sighs as he reaches the end of the thread.

He won't say anything. He'll let this unfold as it should, but it doesn't mean he can't be sad about it. Cause he sure as hell is and he's a bit anxious. Hopefully, you'll tell Yeosang the truth. Hopefully, you won't force yourself into anything you don't want or feel uncomfortable with.

As for you, the dinner really takes its turn for the worse after you and Yeosang eat away at your main meals, a pregnant silence falling between you two after a good hour of just talking and yapping away about life. You already knew it was coming at this point, you were just hoping you'd buy a little more time [as if you could put it off even more]. 

"So." He says awkwardly to cut the silence.

"Mhm?"

"Did you really enjoy the party?"

"I did. Did you?"

"Yeah. I just—" He looks at you with his head cocked to the side. "I was just surprised seeing you with Wooyoung." You pause before poking at your pasta and taking a small bite. 

"Oh yeah, it was relatively last minute."

"Jiwoo's plan?"

"Why do you say that? Do you genuinely think Wooyoung wouldn't go with me?" You ask, a little offended at the way he sounds cause even though it was clearly planned and arranged, the insinuation from Yeosang doesn't hurt any less. 

"No, not like that— I'm sorry, it came out of nowhere and caught me off guard. That's all." You cock a brow up. 

"It just happened that way. Wooyoung wanted to go and I wanted to go in the end." Is all you respond with, chugging your second glass of wine before pouring yourself more. You really don't like the taste of this white wine either, but you'll take it cause it's better than sitting here without an ounce of alcohol to push you through. Give you more courage to finish the evening on a decent note, to be honest. "I had a really fun time, regardless."

"I saw." He pauses. "I wish you would've at least told me instead of showing up like that." 

"I'm sorry."

"I think it's time for me to be honest and stop watching from the sidelines because I.. really like you, Y/N." His shoulders droop just as he sets his fork and knife down neatly onto the plate. You take the last bite of your meal before sipping on more wine to wash it down.

"I should have told you, but I didn't want to hurt you. Even if I did tell you, it wouldn't have changed anything."

"It wouldn't? Why wouldn't it have changed anything? I thought we might've had a chance." He's confused. He looks like he was expecting a completely different outcome, and that might've been your fault for not telling him right away. But, the moment is here now and you know you can't push it off any longer.

"No. I just.. I just can't, Yeo. I'm sorry." You barely get yourself to respond out of fear. You knew Yeosang wasn't the type to react— if anything, he'd be the most understanding. Though, it doesn't change the fact that you were still scared. You felt bad. You didn't want to hurt him, and you wanted to avoid this confrontation as much as possible even though you knew you needed to face it sooner than later. "I truthfully think we're good with where we're at, and I don't think we should mess that up. I love the way we are as good friends, bestfriends, and that's how I've always seen us." You can see the disappointment growing on his face every second, but he's trying hard to keep it under wraps while he briefly waves the waitress down for the check.

"C-can I ask? You can be honest." You silently nod. "Is it Wooyoung?" You shake your head.

"It was never about Wooyoung. Just us. Well, me. You're amazing, and you deserve the best. You deserve someone who is sure about you and who will reciprocate those feelings to no end. I'm sorry that I can't be that person, but at the same time, I know I can be your friend just like I always have been. That's what I can give you, and I hope you understand." You tell him softly. "I'm sorry." You repeat, feeling the tears brimming your bottom lids. "I should've opened up earlier. I really hope this doesn't change things between us."

"It won't, but I hope you understand it'll take me some time to move past it. I'm sorry for assuming or for— yeah." He shakes his thoughts away.

"Take all the time you need." He gives you a tiny, toothless smile.

"Anyway." Yeosang signs off on the receipt before tucking his card back into his wallet and standing. "Let's get you home."

"Okay." You shimmy out of the booth to head out of the restaurant. This time, Yeosang doesn't hold your hand. In fact, he trails behind you, keeping at a safe distance. You can immediately see the change— how stiff and awkward he's become. You don't blame him for it; he's hurting and you know he needs his space more than anything. 

You can't wait to get home.

The ride is fucking awful. It's the most quiet you've seen Yeosang. The most closed-off and serious he's ever been towards you. His hand is clutching the wheel tightly, but the music is comforting enough to fill the void. You continue to look out of the passenger's window, keeping to yourself until Yeosang asks about your plans for the rest of the weekend. There isn't much going on for you, so that conversation dies quickly. Luckily for you, Yeosang is about to pull up to your street. He stops the car by your building, shifting the gear to park before helping you out of the car. You give him a small, sympathetic smile before pulling him into a hug— giving his back a gentle rub.

"Sleep well, alright? I'll see you next week."

"You too." With that, he walks off, waiting until you at least unlock and crack your door open. When you get a whiff of your candle that you lit up earlier in the morning, you realize you don't really wanna stay home right now; to sulk, to drown in your thoughts alone, to have to listen to the loudness in a quiet space. So, you shut the door again, head back down the steps and walk to the convenience store nearby. You grab a bottle of yogurt soju, along with your favorite chips and strawberry cheesecake ice cream bar— plopping yourself down onto one of the tables right outside the store. You're quick to crack open the bottle and drink away, also eating away at the chips since you didn't feel incredibly satisfied with the dinner earlier. It might've just been all the emotions and tension in the air, but anywho, the chips and the soju taste better than ever. Sooner or later, you find yourself tipsier, cheeks lit on fire, hands clammy; barely hitting the halfway point with the soju bottle. You lazily scroll through your phone as you begin to eat away at the ice cream bar, revisiting those party pictures.

You wonder what Wooyoung is doing, but you shouldn't be thinking about that right now.

"Ugh." You whine and pout to yourself, pulling up your texts to see if Jiwoo can come to your rescue. You opted for listing Jiwoo and Wooyoung as Jung 1 and Jung 2 to keep it easy and simple; except, it obviously doesn't work well in this case when you accidentally pull up the text with Jung 2 instead of Jung 1 while you wipe away at the tears that suddenly begin to stream down your cheeks.

you: oof .... that dinner was kinda awful i feel terrible

you: kinda?! not even kinda it WAS awfullll

you: i'm sitting outside of our fav convenience store by my olace

you: eating strawberry cheesecake ice cfream!!

you: jiwooooooo

you: jung 1!!!!

Wooyoung furrows his brows at the constant dinging of his phone, unsure of who the hell could be blowing up his phone right now. He even sits for a minute, wondering if there's anybody he's pissed off in the last few days [besides his sister].

"Hm." He hums when he comes up with nothing, nobody. He picks up the phone and scrolls through the previews, chuckling to himself when he sees your name pop up on the screen. Clearly by accident.

you: jiwoo jung 1 pls help come to my rescue it was not good! idk if yeo n i will be friens still ☹️☹️☹️

wooyoung: sorry to break it to you sweetheart, but this is jung 2. 😙

wooyoung: also i won't hold it against you that i've been slotted as number 2 when i should be number 1 esp after the party. 🫤 but it's cool or whatever......

You squint at the brightness of your phone, slowly eating away at your strawberry cheesecake ice cream bar. You almost drop the damn thing when you realize you've actually been blowing up the wrong phone, horrified it had to be Wooyoung, too.

He must think you're a gem, truly.

He does, though. In a very good, non-sarcastic way.

you: omggg i'm so sorry wooyoung jung 2 ☹️

you: i mean jung 1 technically

wooyoung: lol no worries, don't be sorry. you okay?

you: yes but no?

wooyoung: stay put.

You cock a brow up in confusion, wondering if Wooyoung was telling you to stay put because he was on his way or because he just needed you to get yourself together. You listen anyway, sitting on the little chair outside of the convenience store, silently eating away at your ice cream with your phone lit on your lap. You completely forget about texting Jiwoo amidst all of this, assuming she's busy anyway. The wind is slowly picking up, cooling the tip of your nose and surface of your cheeks— settling the heat from the soju.  You shiver and run a hand down your arm, hoping the wind slows in between its waves. You continue to mindlessly scroll through your phone, even picking up your game of Wordle for the day. Just as you get lost in thought, a car parks in a spot in between your building and the convenience store. You look up as you bite into the last of your ice cream bar, hearing the muffled bass from the music in the car. Wooyoung steps out in a grey hoodie and matching sweats, a black beanie on his head. He approaches you with a small smile with his hands dug deep into his pockets, crouching to your level as he continues to look at you.

"W-Wooyoung." You hiccup as you sit on the bench, setting your trash down next to you. Wooyoung gives you a small smile, thumb wiping away at your tears.

"Wanna tell me why you've been out here eating ice cream alone?" He eyes your snacks of choice. "And.. a half bottle of soju and chips? I thought you had dinner with Yeosang."

"I did, and it was terrible and sad." You sniff. "Well, not the food. I just couldn't enjoy it as much. I even tried to drink that bitter white wine he ordered just to get me through."

"And you're drinking soju now? Really must have been that bad."

"Bad bad." You pout and he laughs.

"I'm sorry." He gives your thigh a gentle squeeze before patting it. "Come on, let's get you home." He stands, holding out his hand. You gladly take it in yours, his thumb swiping over your knuckles in an attempt to try and warm it up. He grabs the soju and the chips in his other, leading the way to your building. He quietly heads up the steps, stepping aside and letting go of your hand to let you open your door. When you step back into the warmth of your studio, you instantly kick off your shoes and slip into your slippers—lighting up your candle to bring more heat into the room.

"I'm gonna set your chips and soju aside." Wooyoung says, tightly tying your chips close so it doesn't get stale before setting your bottle of soju aside in the fridge.

"Thank you." You set your bag down and let out a sigh.

"Glad I was able to get you home safely." He chuckles a bit, jingling his keys in his hand. You don't want Wooyoung to leave, especially after he made the effort to get dressed and come to your rescue.

"Wooyoung?" He cocks a brow up when you turn to face him. "Can you stay?" He takes a moment before he nods, unsure how he could turn you down with you looking up at him that way. 

So innocently. So delicately. Eyes yearning for company you can be comforted with, need to be comforted with.

"Yeah, of course. As long as you're okay with me poking around and making some food." You giggle and nod.

"Go for it." You grab your pajamas. "I'm gonna take a quick shower. Feel free to get comfortable and flip through the channels." You turn on the TV for him before shutting yourself within the bathroom walls to shower and get comfy for the evening. 

As you shower and get ready for bed that evening, you hear Wooyoung humming and singing a Blackstreet song to himself in your kitchen. After brushing your teeth, you finish up the last of your skincare routine before heading back outside.

"Finally." Wooyoung turns over his shoulder and quickly scans you from head to toe. "I was getting lonely."

"I didn't even take that long."

"It was long. You and Jiwoo take the longest showers known to man." He frowns a bit, making you giggle to yourself. You plop on your couch, now in your oversized crewneck and pajama pants. You're no longer tipsy, probably a little too sober for your liking especially knowing Wooyoung is in your studio. You do find his company comforting, though. You feel bad he had to come and rescue you, but you'd rather be here than anywhere else after that dinner with Yeosang. You tuck your legs to your chest, flipping through the tv channels only to land on Kiki's Delivery Service. It's already 20 minutes in, but it doesn't bother you knowing the movie so well. Wooyoung is still going through your stash of food, pulling out a bowl of jajangmyeon. While he waits for the hot water to properly cook the noodles, he dices up some pickled radish and some cucumbers, and quickly boils two eggs to perfection. When the noodles are done, he sets everything into the bowl neatly before grabbing a cold water bottle and plopping onto the couch next to you.

"What'd you do today?" You look at him just as he starts digging into the bowl.

"Work. Then Jiwoo came earlier in the night with some food from my favorite Japanese spot."

"Sushi Kashiwa?"

"Aw, you know?" Wooyoung smirks.

"Because Jiwoo has mentioned it one too many times." You chuckle. "That's cute, though."

"She only did it cause she was waiting for Hongjoong to get out of work. And to kiss my ass about the party."

"And because she loves you." He fake shivers.

"Ew. Please don't say that again." He looks at you and you snort. "Want a bite? I made it for us to share in case you were still hungry." He edges his chopsticks your way, watching as you shake your head in response.

"I'm good. Thank you though, Woo."

"Suit yourself, princess. I whipped up a good one." You laugh, settling into the couch as you continue to watch the movie. Wooyoung catches you slipping your sleeves over your palms in his peripherals and although he's pretty warm and cozy in your studio, you must still feel cold. He hurriedly slurps up the remaining of the noodles before gulping the entirety of his water bottle down. He lets out a noise that makes you laugh, kicking his head back in satisfaction. "Damn, that was good."

"Glad you enjoyed." You poke his arm and he smiles. "Is this movie okay with you?"

"Yeah, of course. Can never go wrong with Studio Ghibli movies. Unless, you're down to watch something scary?"

"Never." 

"Why not? I'm here."

"But, whatever scary movie we'll watch, it'll live in my head for the next few days and you won't be here."

"I could be, you just have to call me and I'll come. Like tonight."

"Wooyoung." You pout. "Today's was an accident."

"So, you didn't want me to come? That's funny, cause I didn't see another text from you after I told you to stay put, baby girl." He smirks and you shake your head shyly.

"I'm sorry." You continue to fiddle with your sleeves.

"Don't be. I'm just teasing, I wanted to come."

"Thank you. I needed it." You finally manage to let out as you look at him and scooch a little closer. He gives you a tiny smile before shifting his attention back to the TV, the both of you engaging in small talk about the characters here and there.

At some point, Wooyoung subtly inches in and closes off any gaps, quietly slipping his arm behind you. You silently chuckle to yourself when you see him playing it off, acting as if he hadn't done anything to get closer to you. But, the whole thing feels.. nice. It feels safe. It feels warm. Wooyoung really isn't expecting anything out of this— he is testing the waters to see how comfortable you'd be with him, but that's truly it. That's the intention. Just to make you feel comfortable and better after tonight's dinner. He definitely wasn't expecting you to lean your head against him, snuggling up to him as closely as possible. 

"You okay? Comfortable?" He asks softly. You look up at him and nod, settling back into your position on him.

"Mhm. You're warm." He laughs a bit when he hears that, keeping you close. As the movie continues with the both of you watching silently, you find yourself shifting in your position; arm fully coming around Wooyoung's torso. He doesn't mind one bit. As a matter of fact, he loves that you've gotten comfortable enough to do so.

He drops his arm down from the edge of the couch, holding you from behind as the movie continues to play. He gently rubs at your side before his hand falls to your hips. You feel Wooyoung's hand gently squeeze at it before sneaking right underneath your sweater. You freeze, but more so because you're surprised by his touch— not because you don't want him to be right where he is.

"Are you feeling better?"

"I don't know. I just feel bad." You say, eyes still on the TV ahead while you slowly began to relax in his hold.

"You were honest with him, right?" Wooyoung asks as a simple way to poke for more information and get you to open up about dinner. "Wanna tell me how the dinner went?" He traces faint, soft circles on your bare side.

"I was, and I guess that's why I feel bad. It started off fine. We went to the restaurant and we were talking as we always do. Random topics, jokes, going on about life updates. It went downhill when we got our food. It was quiet for a little bit and I knew he was thinking about what to say or how to say it." You pause. "He asked if I enjoyed the party. I said yes, then he asked if it was Jiwoo's plan." Wooyoung cocks a brow.

"What'd you say?"

"I got kinda defensive." You sigh, leaving out the whole moment of you asking Yeo if he thought Wooyoung wouldn't genuinely go to a party with you. "But anyway, I said you wanted to go.. and so did I. And I had a fun time with you."

"Atta girl." He laughs a bit. "And then?"

"He apologized and said he just wished I told him instead of surprisingly showing up. Then.. he laid it out. Said he had feelings for me and couldn't watch on the sidelines anymore. He felt like there could've been a chance, which was probably my fault for keeping that door open for too long." You sit up and face him, Wooyoung's arm still lazily holding you from behind. "I told him that even if I told him about the party beforehand, it wouldn't have changed anything because I couldn't. I liked us the way we were and that we were good as bestfriends. He deserved someone who was sure of him and who could reciprocate his feelings wholeheartedly."

"Then, you didn't do anything wrong, Y/N." You shrug before subconsciously grabbing a piece of lint on Wooyoung's hoodie and flicking it off. 

"He asked something else."

"Which was?"

"He asked if this was about you, a-and I said no." You avoid eye contact and lick your lips out of nervousness. 

"I see." Wooyoung smiles a bit before shifting up in his seat to get closer to you. He leans his cheek onto the palm of his hand, his arm that was behind you is now on the back of the couch— elbow resting on the edge. "Why can't you look at me?" He smirks teasingly.

"I am." You look at him for a minute before shifting your eyes elsewhere in the living room. 

"Was it really not about me, hm?" He hums, brushing the hair away from your face and tucking it behind your ear. "You can tell me, love." He tries to pull you closer by the hand, and you let him.

"Can I?" His eyes quickly shift to the way you play around with his fingers.

"Course."

"Maybe it was."

"Just maybe?" He looks at your lips. "You think that's why you feel bad?" Brief pause. "That you might actually have feelings for me and you couldn't tell him that part?"

"Maybe." You repeat, his lips only inches away from yours. "Isn't that kinda silly?"

"No? I still don't think you did anything wrong, Y/N."

"Really, Woo?" There you go asking him so sweetly again. It's at this point when Wooyoung feels like he can no longer contain himself because you're giving him the answer he had been looking for; straight on a silver platter. 

"Mhm. As far as I know, you were honest when it came to him. What's between us is our business and not his." He says, his tone just barely above a whisper. You don't really know what comes over you, maybe you did have a little bit of liquid courage still running through your veins especially cause what happens next catches you slightly off-guard. You're so sure about your feelings for him, but unsure about Wooyoung's and how he even feels. This could all be a game that he plays, something he does with other women even if he says it isn't.

Guess it doesn't matter much right now. Can't, anyways.

Within the next second, you find yourself initiating the first kiss with Wooyoung; a kiss that feels long overdue. You lean forward and press your lips against his own soft, plump lips, quickly pulling back to get ready and apologize—

But, he doesn't let you. 

He chases after you.

He cups your cheeks and brings you back, thumb gently caressing the surface of your cheek. You haven't kissed someone like this in awhile, but with Wooyoung, it feels.. right. 

Everything about Wooyoung feels right and natural.

He tries to take it slow with you, even when you crawl onto his lap and wrap your arms around him. The kiss becomes more heated, lips bruising from the rising intensity, hunger. Wooyoung slowly slips his tongue in, and hearing a small whimper from you in response only has him gripping your hips harder.

He quickly learns he likes kissing you.

"Been waiting to do this." He says against your lips.

"Have you?" You ask, your tone filled with lust as you continue to peck him with small, repeated kisses.

"Just didn't wanna scare you away."

"You wouldn't have."

"Have to be extra careful with you, baby. You aren't just anybody." The pet name rolls off his tongue so easily that it makes your head tilt back as the desire builds. He continues to hold you close as you slowly roll your hips against him, Wooyoung now kissing your jaw before gently sucking and licking on the surface of your neck;

The column, your throat.

You feel him come to the base and suck a little harder, and you're hoping it doesn't leave much of a mark. If it does, it doesn't fucking matter to you right now— nothing does. Because all you want is for Wooyoung to devour you. To give you everything, to ruin you so good.

"Is this okay? I don't wanna do anything you're not comfortable with—"

"Keep going, Wooyoung. Please." You cut him off. It takes a second for Wooyoung to register your pleading, that 'please' being the one thing that flips his switch. It's not only a want, but a heavy craving. He's got some sort of eagerness to show you just what you've been missing.

"Hold onto me." He says, lifting you with ease as he carries you over to your bed and plops you onto the mattress. He slowly crawls over you, his warm, large hands now cascading up your sweatshirt. Your breathing hitches when he reaches just above your rib cage, and Wooyoung stops when he feels your body tense in his grip. "You sure you're okay?" He presses a kiss to your forehead, down to your nose, your lips. He looks you in the eye with slight concern, afraid of scaring you. The last thing he wants you to think is that he's purely using you for other reasons— when it's definitely more than that.

Wooyoung wants to show you, in case he's bad at voicing his feelings. Cause he can be, clearly. But, he could at least show you and take care of you properly.

"I am."

"You trust me, yeah?" You swallow the lump in your throat as you nod, continuing to keep contact with Wooyoung. "I'll take care of you as long as you let me."

"I want you to." This time, Wooyoung dips forward to lock you into another deep, fervent kiss. His hands are finally roaming further up; Wooyoung letting out a low groan when he finds out you're braless. His thumb swipes over your hardened nipple, tongues fighting for dominance while your hands are tangled in the ends of his hair. You toss his beanie off just as he starts to tug your crewneck over your head and you follow suit with his hoodie. He nibbles on your jaw just before sucking harshly on the skin of your neck. His hand travels down and slips into your pajama pants, fingers delicately rubbing at your clothed pussy that sends a million jolts down your spine. You twitch in response, and Wooyoung can't help but chuckle against your neck.

"So reactive." He teases.

"It's been awhile, Woo."

"And? That's fine, baby. Told you I'd take good care of you." He raises himself slightly to watch your reaction in real-time. "Does that feel good?" He asks, close to a whisper. 

"Yes." You bite your bottom lip and shut your eyes, sighing in satisfaction.

"God. Can feel how wet you are already." Wooyoung feels himself getting painfully hard against your thigh, imagining how tight you are. He doesn't wanna waste another moment, and he thinks he'll lose it if he isn't inside of you within the next few seconds. "Let's take this off, hm?" He hums, hands already tugging your panties and pajama pants down. "Do you have a condom?"

"Don't need it. I'm on the pill." 

"You're sure? I'm clean, but I'll do whatever you're okay with. Just say the word." He asks again to be extra sure.

"I am, I'm sure." You nod eagerly. The pill was mainly to help regulate your heavy, irregular periods, but you'd say you do appreciate it a little more now for this particular reason.

"You're so hot, jesus fucking christ." Wooyoung doesn't say anything else before he's keenly kissing you again, hastily getting out of his sweats. 

Sooner or later, the rest of Wooyoung's clothes are joining yours on the floor; Wooyoung not wasting any seconds reattaching his lips to yours after slipping them off. 

Wooyoung pauses when he sees you fixed on his length— eyes hazy and full of desire. It's giving Wooyoung the biggest fucking ego boost, but that's not important. He strokes himself a few times before lining up with your entrance. He slowly eases himself in, the both of you letting out lewd moans as you both adjust to the feeling. You're tightly wrapped around him and Wooyoung has to keep his composure as he buries himself deep to the hilt. Wooyoung keeps his pace slow and steady; forehead pressed against yours as he thrusts into you. It's nothing rushed, everything about it is slow— so tender, so careful. 

So safe.

"Wooyoung." You moan his name and his brain short-circuits every time you say it the way you do. On top of that, your little whimpers are doing a number on him, but he's trying to keep it together for awhile longer. 

"Doing so well for me, love." He gently bites your chin just as he slightly picks up his pace. He hovers a bit, lips coming back up to meet you in a sweet kiss. He holds it for a minute longer, tongue swiping over your lips as he rolls his hips into you. 

It's intimate. 

It's deep. 

It's raw. 

It's nothing he'd do to his booty calls, no. Everything about those moments are forced and rushed, the end goal having to nut as quickly as possible and get them the hell out of his space.

With you, he's loving every second. He wants to relish in the way your walls feel around him, wants to relish in the way your fingers thread through his hair, wants to relish in the way you kiss him so slowly, so passionately. Like every kiss holds the answers to the universe and you're afraid you'll miss a single detail.

He rests his nose, lips, against your cheek just as he releases a shaky breath, still taking his time as he works his way with you. He comes down to your neck and leaves feathery pecks against the surface while his body is pressed flushed against yours. He turns his head and you've fully wrapped your arms around him. The pace is perfect, with Wooyoung working his hips in circular motions just to hit you in all the right places. He praises you as you continue to moan for him, pretty little mewls slipping from your lips while he tells you how captivating, how angelic, you are for him.

How perfect you are for him.

You find your hips have a mind of their own, working to match Wooyoung's movements. You feel the pleasure building quick at your core, and you know it won't take long from there.

"Wooyoung— just like that, please—oh my god." You sob. While he continues to expertly thrust into you and keep you close, the friction against him causes the coil within you to snap harshly, nails digging deep into Wooyoung's shoulders while he thrusts harder, a bit rougher, to meet his high. 

"F-fuck, baby. I'm about to—" He moans a little louder when he feels you clench a few times around him from the aftershock, quickly pulling out and releasing onto your pussy and abdomen. "Shit—fuck." He pants, finally coming back down from euphoria to see how mesmerizing you look splayed out beneath him; white ribbons of cum painted on your skin. He's completely enamored by you. "Mm'sorry babygirl, let's get you cleaned up." You giggle and shake your head.

"Please, it's fine. Stop looking, you're making me shy again."

"Don't be. You look beautiful." He laughs, slipping on his boxers. "Let me clean you up." He runs to your bathroom to grab some wipes, doing a light jog to clean you up well. You grab your panties and your crewneck after he's done— throwing them on and snuggling under your covers. You fully expect Wooyoung to get dressed and leave [which would suck], but he doesn't. You quietly watch as he shuts off your TV and the lights, going to the bathroom for a quick wash up. Afterwards, he immediately slips underneath your covers right next to you, pulling you onto his chest.

"You're staying?"

"Why wouldn't I?" He chuckles. "C'mere." He pulls you closer. "Sleepy?"

"Incredibly." He smiles.

"I put in some work, huh?"

"Wooyoung." You pout, lightly smacking his chest.

"I'm just joking." He subtly bites his lip. "Can I have one more kiss before we sleep?" You lean up and peck him on the lips a few times, with Wooyoung holding the last kiss before pulling away. "Goodnight, pretty girl."

"Goodnight." You mumble, falling asleep within seconds as you cuddle snuggly against him. Because with Wooyoung, it feels.. right.

Everything about Wooyoung feels right and natural.

—TAGLIST: @asjkdk @interweab @woojirang @svintsandghosts @cheolliehugs @persphonesorchid @mxnsxngie @jycas @cowboydk @heyitsmetonid @ldysmfrst @intaksfav @wooyoungsbrat @hyukssunflower @yunhoswrldddd

[moonlitlillypop]

Ace attorney is a wild series. Ghosts are real but typically inadmissible in court, a killer whale and several birds are used as witnesses in separate instances. Phoenix's dead ex possessed a little girl in order to frame someone for murder. It's a Japanese game that serves as a critique of Japanese legal systems, so of course it takes place mostly in the US. Phoenix gets kidnapped to a town that thinks it's in the old times and witches exist (witches do not exist despite spirit mediums existing). Phoenix collects people with supernatural powers like he's playing courtroom pokemon. The pretentious stuck up prosecutor character is a fucking weeb. There's a Sherlock Holmes parody character who is an amazing detective, but he gets key details mixed up causing his deductions to be entirely wrong. There's a lot of liquids being thrown at people.

[musicalmoritz]

It’s canon Mitsuba’s gay?

I’m gonna use this as an excuse to yap because Mitsuba’s queercoding is either weirdly downplayed by fans or used solely for BL shipping purposes so I want to talk about it through the lens of what it means for his character, role in the story, and relationship with Kou

Yes, Mitsuba is canonically gay

Things don’t have to be explicitly stated in order to be canon, subtext is a major part of media analysis. This is something a lot of fans miss which leads to a misunderstanding of the source material. I do have some credentials for this, I’ve taken two undergrad college literature classes in which the subject of queercoding did come up multiple times. Meaning analyzing queercoding has literally gone towards my degree so I feel like my opinion holds some weight (not as much as that of an actual English major but yk I assume I’ve had more education on it than the general TBHK fandom)

There are multiple ways to queercode a character, sometimes it can be as simple as feminizing a man or masculinizing a woman. Though that method might be a bit outdated nowadays with gender roles becoming less strict, it’s still worth keeping in mind when analyzing queer characters. Another way is through romantically colored scenes with characters of the same sex, or by having them hint at disinterest in the opposite sex. Mitsuba checks off all three of these boxes and then some

First off, Mitsuba is attracted to men. This is made extremely obvious through his relationship with Kou but I’m gonna explain it anyways because unfortunately I’ve seen a lot of fans say they’re just platonic

Mitsuba and Kou went on a date. When this is brought up, fans typically jump to the excuse of “but Kou said it wasn’t a date,” which is where my American Lit class is going to come in handy. One of the major things we learned is that authors have to understand that everything they write has some sort of real world connotation. If you write a scene with a doctor, you have to understand that your readers already have preconceived notions of what doctors represent. You can choose to either lean into that or subvert it, but you have to be aware that as soon as a doctor enters the scene, readers have already made assumptions about that character

The word “date” is clearly being used in a romantic context here. When Kou texts his friends and brother about it, they all assume he’s talking about a romantic date. While in the actual context of the scene, Mitsuba and Kou aren’t quite ready to use such a strong label yet, the romantic wording here is still very intentional. AidaIro would not have labeled this moment as a date if they didn’t want readers to view it in a romantic light, because they understand that their readers are going to associate dates with romance. Japanese censorship is really strict, it’s hard to publish stories with explicitly queer characters unless the series is labeled as a BL or GL. And so Japanese manga writers often have to find roundabout ways to express that characters are gay without outright stating it- such as suggesting that they’re going on a date with a character of the same sex

In the printed volume for Vol.20, there’s an editor’s note that mentions that when Kou and Mitsuba are making plans to hang out at the school festival, it holds a romantic implication for the Japanese audience. Cultural differences are important to keep in mind, to western fans this scene might not raise any eyebrows but for its primary audience, it is confirmation that Mitsuba and Kou are romantic. I also find it interesting that the editor felt this context was important enough to warrant clarification

And frankly, their relationship doesn’t make a lot of sense if it’s solely platonic. Male friendship is something TBHK writes very realistically, the male characters aren’t as touchy-feely with their friends as they are with their female love interests. Yokoo and Satou don’t directly ask Kou how he’s feeling when they notice he’s upset, instead they give him a task to distract him- similar to how men in real life cheer their friends up through quality time rather than talking through their emotions like women do (not every man ofc but a good majority of them). When Teru is down, Akane doesn’t hold him and reassure him the way he does with Aoi. There are no grand declarations of ultimate “friendship” the way you see in fan servicy series like Haikyuu. Instead, he used his and Teru’s rivalry to indirectly motivate him to get his head back in the game. When Hanako is sad, Kou cheers him up by making donuts for him and then giving them to Nene so she can pretend she’s the one who made them. This is a very healthy portrayal of male friendship, and Mitsuba and Kou are nothing like this

Mitsuba and Kou both cry and vent to each other multiple times (the Mitsuba Arc, the Picture Perfect Arc, the Nightlife Arc), and instead of comforting each other indirectly they do things like offering to die for each other. You would never see Akane offer to die to make Teru feel better, nor would you Aoi and Nene or Kou and Hanako. It stands out so much from other friendships in the series, even Kou’s friendships with other characters. That is a conscious writing decision, AidaIro make a point to show Mitsuba as an exception for Kou. It’s worth noting that in the same chapter where Yokoo and Satou cheer Kou up indirectly, Mitsuba attempts to directly have him talk about his feelings

They’re also incredibly possessive over one another, in a way friends usually aren’t. When Kou was in the Red House, he was shown his greatest desires, and Mitsuba appeared in one of these. Kou said he knew Mitsuba would appear, which is interesting because at that point he had already picked up on the house showing him what he wanted. But what does he want? He wants Mitsuba to rely on him entirely, to be completely useless without him. He wants Mitsuba to be “no good without him,” to need him so badly that he begs him to die so they can be together. I’m not exaggerating, these are lines pulled straight from the chapter (paraphrased but still). Later on in the Nightlife arc, Kou breaks down when he discovers Mitsuba has been relying on Tsukasa for life-saving help. As for Mitsuba, he wants to die by Kou’s hands. He says it wouldn’t be satisfying if anyone else killed him, and that he would be happy if Kou were to be the last person he spent time with before he died. He tries to trap Kou in a picture perfect world just like Hanako does with Nene, because he wants to live a normal life with him. It’s also shown in one of the extras that Mitsuba cries when Kou ignores him

They’re also drawn very romantically, again we don’t see Teru and Akane this intimate with one another unless they’re fighting. We especially don’t see Kou this intimate with anyone other than Mitsuba, and while Mitsuba is sometimes clingy with Tsukasa we certainly never see him posed romantically with a woman. This comes back to authorial intent and real world connotations, AidaIro know that male friends aren’t typically this close, and therefore casual affection like this will be interpreted in a romantic light. We see them hold hands/wrists multiple times too, Kou gives Mitsuba a piggyback ride in one scene, and in ASHK they had a classic “pinned against the wall” page

I’ll also mention the AUs, because those indicate a lot about the characters as well. In Hanako-Kun of the Opera, Kou poisoned Mitsuba so he could take him away from the opera house and protect him from Tsukasa. He basically kidnapped him. He also stayed with Mitsuba at the opera house for a seemingly long period of time despite hating opera. Aaaaand they’re childhood best friends in this au and Kou took care of Mitsuba while he was sick

Then there’s the Ghost Hotel, where Kou is a werewolf who takes bites out of mummy Mitsuba during full moons. Despite this, the two appear to be friends and Mitsuba helps Kou out around the kitchen. Cannibalism is consistently tied to romance throughout TBHK, most notably with Hakubo and Sumire but other romantic pairings have cannibalistic moments or official arts. During the zombie mokke chapter, Nene panicked when Akane tries to eat her because she assumed it would put her in a love triangle with Aoi. So yeah, cannibalism in TBHK is directly tied to romance and we see that with Mitsukou both in canon and in this au. Speaking of which, I’m not even gonna get into the symbolism of Kou holding a heart out to Mitsuba. Connect the dots for yourselves

Now that we’ve got Mitsukou out of the way, let’s talk about Mitsuba’s disinterest in women

Remember how I said one of the ways queercoding is done is by having a character hint at disinterest in the opposite sex? Yeah, very rarely are we going to see a queercoded male character outright say “I have no attraction to women.” Instead they say they just never saw the appeal in dating, or that they never had time to settle down. In more obvious cases, we have scenes like Reiner from AOT joking that Ymir isn’t all that into guys

I couldn’t find the second scene but there are TWO extras where the subject of Mitsuba’s disinterest in women comes up. C’mon guys I’m trying not to be mean here but you have to be blind, oblivious, or in denial to not pick up on that. Whyyyyy would they mention Mitsuba not having a crush on any girls twice if it weren’t to suggest something about his preference?? Coupled with his appearance (which I’ll get to later) and relationship with Kou, these scenes carry a lot of weight. Even if those other aspects weren’t included, scenes like this would still indicate he has no interest in women (which would make him gay or aroace, though due to his relationship with Kou the aroace thing is kind of ruled out)

Compare this to a scene where Mitsuba thinks he’s being asked out by a man. He doesn’t say “hmmm nope no guys, I’m cuter than all of them~” he specifically says “I’m not interested in guys with lame earrings.” The way this is worded implies that Mitsuba is discussing a type, though it’s v much a comedic scene and we know from everything else that he absolutely does like guys with lame earrings, it’s still worded in a way that makes him appear queer. If he were straight, they would have had him say he’s not interested in guys at all (like Dazai from Bungou Stray Dogs, John Watson from BBC Sherlock, Finn Hudson from Glee, idk there are a lot of male characters that are explicit straight sorry for the crazy random list). Also note how he teases Kou about it, he knows that Kou is fond of him and doesn’t hesitate to use that against him (like when he was comforting him during the Nightlife arc)

They don’t go overboard with Mitsuba’s disinterest in women because, well, that’s not really necessary. Two scenes is already a lot, and he doesn’t have any romantic relationships with women in canon (even as a crush/a joke scene). It’s rare for TBHK characters to have absolutely no scenes expressing interest in the opposite sex, since the series is partially a romance. But Mitsuba consistently only ever shows interest in one man, and when girls are brought up he’s quick to brush it off. His mom did think Nene was his girlfriend when they met, but this was depicted as a very awkward and comedic scene. Because the premise of Mitsuba having a girlfriend is objectively hilarious

(Due to Sousuke’s young age it’s reasonable to assume he wasn’t out to his mom yet, he’s around the age where most kids are closeted. It’s even possible that Sousuke hadn’t come to terms with his sexuality yet, though it’s still a prevalent part of both his character and No.3’s)

Now let’s move onto appearances. I want to give a quick disclaimer, not all gay men are feminine and not all feminine men are gay. Androgyny is also very common in anime and doesn’t automatically mean a character is gay, but there are cases when it’s used for queercoding. Mitsuba is one of these cases

Mitsuba is a very feminine character, this is addressed as soon as he shows up in the manga. He was bullied for his appearance (and personality), but unlike his personality he never tried to change his feminine appearance. He kept his hair long, continues to wear scarves and cardigans and earrings. No.3 wears these things as well, and I would argue has a more feminine personality since he seems to be more open about his emotions and idk. I struggle to categorize feminine and masculine traits because imo that’s subjective but there are things society deems feminine vs. masculine. The problem is that I really dislike the whole “men are strong and women are emotional” thing but ehhhh I guess I have to talk about it for this. Hmph. But yeah although Mitsuba isn’t exactly the biggest sweetheart ever, he does act somewhat feminine compared to the other male characters (as I’ve said he’s p much the only man in the series who attempts to work through emotional conflicts directly)

Once again we circle back to intent, AidaIro know that a male character dressed in pink with pink eyes and long pink hair is going to raise some eyebrows. Even by androgynous anime standards, it’s a bit much. And good for him, although not all gay men are feminine, some are and that’s also fine. I can’t speak on how well he represents feminine gay men because I’m a lesbian but he does dress similar to some of the feminine gay men I’ve known irl (or slightly less feminine in some cases…I knew this one dude in high school who used to wear corsets to class and he was so badass I hope he’s doing well)

I could get into how Kou is a bit feminized too with the whole housework thing but this ain’t abt him. I will say that Kou is still a very masculine character but despite this his character is feminized in some ways compared to the other men. I’m not really here to discuss whether that’s good or bad, I’m just stating the evidence as it is, you can make your own conclusions as to how you feel about it

So how does being queer impact Mitsuba’s character arc?

When I get around to writing my analyses of all the TBHK characters I WILL be talking more in depth about the queer allegories with Mitsuba’s character but for now I’ll give ya’ll a quick summary. Supernatural characters have been used for years to represent queerness, the same could be said for villains and any character trope that represents a feeling of “otherness.” Sometimes it’s more broad like X-Men, where the superpowered characters are used to represent all types of minorities (though I believe X-Men is more closely tied to race, there are rampant queer themes as well). Then there’s books like Interview with the Vampire that get more specific with it, where Louis denying his “true nature” as a vampire is used as an allegory for him denying his queerness. Well I’m here to tell you that Mitsuba and Louis de Pointe du Lac are in the same boat

Mitsuba differs from the other supernaturals because he desperately tries to hold on to feelings of normalcy. He wants to be a normal human and live a normal human life. He doesn’t want to be othered, to be outcasted from society for something he can’t control. We don’t see Hanako, Tsuchigomori, Mei, or any of the other supernatural characters struggle with this. You could argue that Akane does but his situation is more related to learning to empathize with others than any internal battles within himself. Hanako may have moments of wishing him and Nene could have something more, but that’s more about romance than his identity.

This desire to be “normal” is unique to Mitsuba’s character, and it’s a very queer desire. Being an angsty teenager who hasn’t fully accepted themself yet and hasn’t realized that being queer is not only normal, but a beautiful experience. It’s also so interesting to me that as he’s trying so hard to be normal, it creates a push and pull between him and Kou. He wants to be normal for Kou but he also feels that he’s hurting Kou just by existing, that this could only end bad for him. Oh the inherent guilt of having your first gay crush and feeling like you're corrupting them hist for pining from afar

So, can you ship him with women? Technically you can do anything, shipping isn’t illegal and we all have free will. Should you ship him with women is more subjective, I personally think no!! Queerness is not just a sexuality, it’s an identity that deeply impacts who you are as a person. It shapes your experiences and your view of yourself, and in an allegorical way it has certainly done this for Mitsuba. Yes, bi people are queer as well and this is still true for them, but bisexuality is not Mitsuba’s experience. Mono-attraction exists and that specification is very important to gay men and lesbians. For some people sexuality is fluid and that’s beautiful, but it doesn’t work that way for everyone

Some queer fans don’t care if gay characters are shipped with members of the opposite sex, and they’re entitled to their own opinions. It makes me immensely uncomfortable tho, so please block me if you ship Mitsuba with women. That goes for any ships between canon gay/lesbian characters and the opposite sex. I respect people’s right to have opinions but that doesn’t mean I have to like the opinions themselves, and I don’t have to engage with anything that makes me uneasy. That goes for all of you btw, never let people convince you that you have to put up with shit you hate on the internet lmao, this is not real life babes. Block and move on

TL;DR

Mitsuba is too gay to function

[ilovejosukehigashikata]

Talking about Dragona's Pronouns

I've seen a lot of people talking about the confusing situation with Dragona's gender after reading Chapter 1. The translators are confused too! We don't have very much information yet. The pronouns used for Dragona in Chapter 1 of The JOJOLands are an educated guess that may change in future chapters. I personally have just been using a mix of pronouns to refer to them, but in official contexts I think it's best to avoid gendered pronouns for now.

The full explanation is under the cut. Spoilers for TJL #1!

Roge and I, the translators of We Need More Yankiis, decided to use he/him pronouns for Dragona in the chapter for several reasons:

The only person who addresses Dragona with gendered language is their brother, and there is inconclusive evidence as to what they identify as. We have no official word on what Dragona's gender is, only narration from Jodio's perspective. According to him, they "love girly fashion" and get breast injections. Dragona is also revealed to have a penis, but they use very feminine speaking patterns in Japanese, including the very feminine personal pronoun アタシ (atashi). This is typically used by women, but it can also be used by very effeminate men.

Jodio uses the term 'nii-san' (兄さん), translated as bro, to refer to Dragona. This is typically masculine. In Japanese, it's not always a statement on gender to call somebody by a term that doesn't match the gender they identify with - it can just be reflecting how they like to present themselves. For example, Japanese fans commonly call Ermes 'aniki' (兄貴) because she's a masculine woman. Still, it's much more likely that this is him thinking of Dragona as a man instead of just being a more unique use of the term.

Dragona makes no indication of being uncomfortable being called a masculine term. While I personally doubt this is the only pronoun Dragona would be okay being called by, they have a friendly relationship with her brother, letting him call them nii-san to their face.

The only other clear trans rep we've ever really had in the series is the prisoner seen in Stone Ocean. Jolyne is just amazed at how well a person can transition, but the doctor (who is already indicated as being a bit unpleasant) misgenders him and says he was given hormone injections.

I can't really make any statements as to what Araki may have in mind with Dragona, but I think this sums up what the situation is as of Chapter 1 well enough.

One last note: please don't worry about Dragona's name being an intentional riff on drag. Drag is spelled 'doraggu' (ドラッグ) in Japanese, but Dragona's name is spelled as 'Doragona' (ドラゴナ). I think he just wanted a cool name that was referencing dragons, which are spelled as 'doragon' (ドラゴン).

[kaizokuou-ni-naru]

apparently japanese fans were saying after 1110 that the "burden" comment comes of as arrogant and they tied it to some other weird phrasing sanji used this arc, like the way he talks to s-shark in 1065 and 1077, and how he called vegapunk something like "you insolent man" at the end of 1070. have you noticed anything like that during this arc? would you say that those phrasings are different from how sanji usually talks and are there similarities there to the arrogance with which his brothers talk?

i saw a few theories about this, and honestly, not really? nothing about the way sanji talks in this arc has stood out to me as like, more rude or arrogant than he has been previously in the series. i honestly think that maybe sanji's excellent character writing in whole cake island has just made some people forget that he has always been (and i say this with a lot of love) a huge asshole. it really surprised me that him saying something bitchy to zoro and zoro getting competitive about in return set off such a big controversy, because to me it honestly seemed entirely normal for the way they typically interact?

more seriously, i think a storyline about sanji actually being, like, somehow ontologically evil would go pretty directly against both his character development in whole cake island and wano and the broader themes of the story. sanji's personal subplot in wano was entirely about driving himself insane with anxiety over whether he was secretly evil or not; that really doesn't seem to me like something the narrative would turn around and validate after all that. i think sanji's terror about losing his capacity for emotion is likely way more grounded in his personal mental illnesses than in, like, any realistic possibility of that actually happening.

[venussaidso]

The Japanese movie My Girlfriend Is A Serial Killer has another nodal pairing where one person doesn't know they're with the so-called wolf; this time the Rahu-Ketu dynamic being swapped. Usually, the Rahuvian is the wolf in disguise. But this time, it is the Ketuvian.

Magha Sun Haruka Fukuhara plays the serial killer who dates the main character portrayed by Ardra Moon Yosuke Sugino. Although, initially, he acts like a fucking creepy stalker because of his infatuation with her (how he finds out that she's a psychopathic killer; also, yet again another example of Magha natives attracting obsessive people).

Also, Claire Nakti made a serial killer analysis nakshatra video and Ashwini nakshatra was the highest of all nakshatras; and the nakshatra lord that was the highest altogether was Ketu, following Venus (fire signs are generally the most violent). So, it checks out that the girlfriend would be casted as a fire rashi native.

There's a scene in the movie where someone warns him that a wolf will always be a wolf (signifying her nature) and that a sheep is still a sheep. Even after finding out she's a murderer, he still loves her and doesn't want her to get caught.

But forgetting the true nature of their dynamic, as his guard remains down, she stabs him in the end. Even after all this time of keeping him alive, the wolf still can't help but bite the sheep.

fan edit link

Now, Magha Sun Haruka Fukuhara stars in the new Netflix series Invisible Us, where now she's linked to a serial killer.

Ketuvians' ability to solve mysteries, connect dots and see detailed patterns that others tend to overlook is honestly so typical at this point. I'd love a to make a rundown video of Ketu-ruled characters brainstorming, figuring things and people out on the spot! Ironically they have more of a keen eye than Rahuvians... which is not ironic anymore (like wtf am I saying lol) as Rahu tends to have excessive thoughts and anxiety which makes it hard to come to the truth or make clear decisions. While Ketu pierces through the truth with its speed and detachment. A clear, detached mind is associated with someone who has properly balanced their Ketu. While Rahuvians need to integrate a lot of meditative tools in their lifestyle.

[weirdmarioenemies]

Name: Mr. Blizzard

Debut: Super Mario 64

Who ordered the Funny Snowman? Not you, because this is a blog and not a restaurant, silly! You are just so silly. But between you and me, I am a fan of Funny Snowman, so I will humor you!

Mr. Blizzard is one of the first snowmen to appear in the Mario series, and the one who would become the most iconic and recurring. This is something he should be proud of, since Super Mario 64 has a bunch of snowmen in it! But one of them based his whole identity around missing his head, and the other one is an entire location. Gimmicks that make them memorable, sure, but not very versatile for future use!

Mr. Blizzard's design really notably uses billboarding, the graphical trick where a sprite will always face the camera, giving flat circles the appearance of spheres in a slightly blurry 3D world. Snowmen are SO orbs! Some of the most orbs guys I can think of! It was a very good decision. Mr. Blizzard is honestly slightly unconventional compared to other cartoon snowmen, with no nose- nay, nary a carrot- and a simple line mouth, rather than the typical "series of dots" mouth that we know and love. Instead, it has a blank, autism creature face, with its eyes and mouth seemingly made of the same material! Mouth made of eye, or eyes made of mouth? You won't know until you kiss him on the lips!

Nowadays, Mr. Blizzard uses a new design, which I also like a lot! This time he has a scraggly mouth because he is, as I assume he would say, "not too sure about this one, guys". He now has snow buttons on his torso, revealing that he was previously NAKED down there, and he also wears a bucket as a hat! That's one of those things that's so common in Japanese media, but in Western media it's always a top hat. So funny how one cartoon snowman had such influence on media! The average snowman-builder is much more likely to own a plastic bucket than a top hat!

Mr. Blizzard's main Thing is his single arm, adorned with a cute little mitten, which he uses to throw snowballs. Do you think that's like throwing his own flesh? I don't think so. If clothing buttons and igloos can also be made of snow, I think snow is just the building block of a snowman's world. But still, imagine some cattle throwing delicious meatballs at each other. Messed up! How would they even do that with hooves? Would they use their tongues like slingshots? What was I talking about? Where am I?

Oh yes! I am in "Snow World". Mr. Blizzard is a recurring enemy snowman, but Mario's world is also full of morally neutral living snowman, who DO have carrot noses, thank goodness. These snomonculuses are obstacles on snowy Mario Kart courses, but it's kind of rude to refer to them as that. Is a pedestrian an obstacle to a driver? Suffer, vehicles, as I wield my high level spell called "right of way"!

In Mario Kart Tour, these entities are exclusively referred to as Snowpeople! Gender? They hardly snow 'er!

[chaos0pikachu]

Is BL Being Overly Influenced by Modern Western Romance Tropes?

Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...

(okay fine~~ lets actually do this)

TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb

I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.

It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.

Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.

I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.

Anyway, what we're talking about here is the concept of "media globalization":

"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)

"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)

Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.

Enter, Pit Babe.

Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.

Nah.

Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.

(what if you added furries into omegaverse? WHAT IF?? - Japan)

There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).

Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.

(look at the omega symbol on the cover loud and proud baby)

So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.

HOWEVER

Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"

(is that an omegaverse yuri novel I spy?? yes, yes it is)

When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).

Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???

Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.

(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)

Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.

Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.

So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.

Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.

"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)

HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).

And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.

Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.

In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.

This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.

It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.

My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.

Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.

John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.

Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?

YES.

I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.

It distills these countries down to static places that only exist when American/European audiences discover them.

BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.

Anyway James Cameron is a damn weeb y'all have a good night.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

[earthstellar]

Brave Bang Bravern!: A Review for Transformers Fans

I've seen so much about this on my dash that I had to give it a try, and I gotta say, as someone who hasn't watched any new anime series since around 2008 at the most recent and I also hate the fucking military, this is a pretty good show.

THERE WILL BE SOME MILD SPOILERS. Nothing major. I'm not gonna spoil anything critical or mention characters that are introduced later etc. At of time of writing, only 6 episodes have been released.

Understanding Genre: The Trailer is A Lie

Now, while there is a trailer here, I want you to largely disregard it.

Why is that? Well, we need to talk about the "big two" robot show genres in Japan, which are as follows:

Real Robot -- This refers to a typically military setting or other serious setting, in which robots are handled as realistically as possible in terms of how they work and how they are applied. There tend to be less individual/sentient robots and more "suit" type mechs right along side human-made, more realistic machinery and mech designs, although that isn't entirely unique to this genre. Usually this stuff is labelled as sci-fi/action outside of Japan.

Super Robot (THIS IS THE SHIT TRANSFORMERS FANS GENERALLY WANT) --Essentially borderline seemingly magical robots with their own rules and in universe backstory for how they work, which isn't necessarily tied to realism. Usually this stuff is labelled as sci-fi/fantasy or space fantasy outside of Japan, since a lot of these tend to be space robots. They can be "driven" by pilots or just straight up sentient robots who are vibing with some human companions, although it's not exclusively that. It can be both, it can be neither, but no matter what, Super Robot shows are less about strict realism and more about really cool shit with robots that are basically their own people and exist according to their own rules.

Now, the trailer for BBBB (the acronym for the show is based on the Japanese title, which is Bang Brave Bang Bravern) is a COMPLETE FUCKING LIE.

It wants you to think this is going to be some dumbass GI Joe shit.

While there are elements of dumbass GI Joe shit, this is largely just to set up the premise for why shit is happening in the first place, and to help introduce the main threat (alien space creatures with fucking light beam lasers) as well as bring in our main characters under the premise of everyone having to work together to address this alien threat to Earth.

What we care about here amongst Transformers freaks is gay space robots, and this show delivers.

Getting Into Bravern: First Episode, Mild Plot Spoiler Summary

It wants you to think this is a Real Robot show.

The first episode sets things up as though it will be a Real Robot show.

There is a threat to Earth, a mystery space alien mechanical enemy, and nobody knows what the fuck to do. A military exercise between multiple nations using Titanostriders (which look very much like Shiro Masamune Appleseed-style mechs, human made in nature) to practice battle drills who are now instructed to swap over to real ammunition and go to fucking town.

Nobody knows how to do that.

They're skilled with the Titanostriders, sure, but it turns into a shit show. The alien mechanical enemies are using fucking space laser shit, it's a disaster---

--And then Bravern drops in from the fucking sky and it IMMEDIATELY TURNS INTO A SUPER ROBOT SHOW.

There's a "get in the robot, Shiji" moment where one of the Titanostrider operators, Isami Ao, is encouraged by Bravern to get inside of him.

He does. And immediately has no idea what the fuck is going on, Bravern is largely in control, and starts to blast his own theme song inside his cockpit as diegetic music while Isami is generally losing his shit, as one might do.

Humanity's reaction to Bravern is Real Robot genre type, where it is handled seriously by all the characters and organisations involved in universe, however Bravern is very much a Super Robot genre character who brings more of a Super Robot energy to the show at large.

The serious elements are mostly balanced by how fucking silly Bravern is, and there are some excellent moments in this show (currently only 6 episodes have been released) which make it entirely worth a watch.

Fun Things About Bravern Himself

Braven is very, very, very gay for his pilot.

Chances are, you've seen the screenshots of some of these moments on Tumblr already, but the delivery of these lines is magnificent.

Bravern sings his own theme song. It's the voice actor for Bravern doing the vocals, and the song itself is reminiscent of 1970s orchestrated big band energy mecha themes. For Transformers fans, it has a very Transformers Victory theme kind of vibe to it.

You gotta hear it, it fucking rules. The album cover shows Bravern holding a giant microphone.

Bravern is generally light hearted, doing his best to motivate his pilot while not hesitating to enter the action and try to defend humanity.

Now, why does Bravern care about humans so much? We don't know, but we'll talk about some mysteries in a later section below.

He is surprisingly insightful at times, while also fucking around and enjoying himself. (You may have seen screenshots going around Tumblr of Bravern with a loop of hot dogs strung around one of his chevron points on his forehead. This follows a scene in which he wants his pilot to take a break and associate with his peers for once, as a way to relieve stress. So they go to a bar, it turns out reception is positive and someone even brings weenies out for Bravern since he's too big to fit inside, lol.)

Generally, he's a very interesting mech, because we have so little information about him. He's fun, and clearly vibing, but he's also borderline if not outright obsessed with his pilot and has unknown origins, which has lead to some darker interpretations and audience discussion.

A lot of people have compared Bravern's energy to Rodimus, and generally I would agree with that. He has his high-energy silly moments, and his more serious personal moments (primarily with Isami, but also with Smith), and I think these aspects of his character work well to create a fun mech with the potential to be deep in a believable and effective way, with an equal capacity for being a doofus.

Bravern is obviously the number one reason to watch the show for most people, and I would say that if you're purely here for a giant gay space robot, then this is going to be a decent watch.

The Military Sucks: There Are Militaries Involved Yet Somehow This Is Still Watchable

I hate the fucking military, so at least the military here is depicted in an acceptable way (so far, at least). In episode 2, they waterboard Isami to interrogate him for information he doesn't have regarding Bravern, which is a realistically shitty and awful thing for the military to do-- They don't sugarcoat how fucked up the military is. These people very much have the capacity to harm their own staff, and they will do so if it means they might get an edge over the enemy.

At the same time, the actual characters in the military are depicted as primarily doing this shit out of a genuine personal desire to defeat these horrendously destructive space entities, which have attacked at least some of their home towns and home countries, so it's more personal rather than purely being a military directive that people are being forced to follow.

In this way, it's not really realistic, but everyone is on board for their own largely humanitarian aid type of reasons (there is a mission which is basically just locating survivors of an attack and then getting the fuck out) which makes the military context feel less oppressive and shitty.

Part of why this is more OK than other military depictions is because the military forces involved here are international (collaborating to defeat a global threat rather than kill each other's civilians) and because the military is clearly losing this war.

Because it's an international effort, this brings more diversity to the show-- There's a surprising amount of English interspersed between dialogue in Japanese here and there, and the military board consists of representatives from multiple nations, including some Germans who at first believe Bravern is some kind of secret American operation, lmao.

Bravern calls the military out on its shit, and essentially tells the military board to stop with the suspicious infighting bullshit and drop the internal tension because otherwise they'll all die to this mechanical nightmare creature threat.

They actually listen, which means this is an unrealistic portrayal of the military, lmao. I think they struck a good balance so far between showing that the military sucks and has problems, while also making sure that you're not really cheering for any given military force, but rather, you cheer for individual characters who just happen to be stuck doing this military shit as a premise for anything to be going on in the show at all.

So it's not the worst when it comes to the military shit; At least so far, it's watchable, which as someone who passionately hates the fucking military, is surprising to me.

It's less GI Joe and more "we just needed a reason for these characters to be involved in this situation".

Of course, your mileage may vary, but personally I found it easy to tune out or just skip through any military shit that got grating and I didn't miss anything important by doing so. At the very least, you can skip around and ignore a lot of this stuff and get right to the gay robot if that's all you want to do. It becomes clear pretty quickly what's going on if you skip around a bit, so no worries there.

Fun Speculation: What is Bravern?

Only 6 episodes are out at the moment, so there's tons of shit we don't know yet.

Bravern has a notable resemblance to a type of enemy in the show, called a Death-Drive.

Death-Drives are mecha who are distinct from the "minion" type enemies (which almost resemble flying saucers with laser gun arms and light shields), and have their own unique character designs and names.

Why these things are here, how they are here, why they are interested in Earth, and everything else is currently unknown.

Bravern looks like he could possibly be of the same mechanical species, although we don't know if that's true (yet). He has abilities that the other mecha don't seem to have, but how far this goes and what it might mean is not yet clear.

Bravern also seems to have knowledge of human media (he references The Abyss at one point and he likes 3D printing figures of sentai show characters lmao), and was immediately able to speak to the humans using language they would understand, so it's unclear if Bravern may have been studying Earth for some time before his arrival or why.

He is obsessed with his pilot and cares for him so much that he extends some care towards others purely based on their relation to Isami as co-workers; Why? What makes Isami special?

How does Bravern know seemingly every human language? How does his piloting system work? How similar is he to the Death-Drives-- Are organic beings critical to them in some way? If so, why are the other mechs killing so many of us? (These are big questions especially by the end of episode 6, due to some spoilers and a spoiler character who shows up later.)

We know little to nothing about a lot of the key elements of the show, including any motivations for the Death-Drives or what they are, what's up with the fucking UFO looking laser things, etc.

There's more to speculate on, but that would be getting into deeper spoiler territory so I'm gonna hold back on that for now.

Summary: It's Gay and Cool and Has Interesting Ideas

Bravern's not the sole source of gay vibes in this show, but it's fun that he is also a source of gay vibes in this show.

The designs are great, the Titanostriders remind me of Appleseed style mechanical suit designs which is nice, the Death-Drives are super interesting, Bravern is fucking fabulous but he's not too goofy to take seriously, and the military is unfortunately present but it's clear that they suck and are generally losing (and since the conflict is not between different groups of humans but rather is about human collaboration to defeat a non-human shared threat to our entire planet, this goes a long way to make the military shit tolerable).

It pretends to be a Real Robot show but has so much Super Robot show sprinkled in that you might as well consider it a little bit of both which the show balances pretty well.

I haven't watched an anime since around 2008 at the very latest, so I don't know how this might compare to any other robot animes since then and I am certainly not an anime expert by any means LOL, but this has been a fun show to watch so far.

It does have its problems, of course, but if you can get past the setup for the first episode (when it's still pretending to be a Real Robot show), from the moment Bravern arrives towards the end of that first episode, the show gains momentum and starts to get interesting very quickly.

It has some issues. But we're only 6 episodes in, so at the moment, they have plenty of time to potentially address those issues and we'll see where things go.

I'd recommend it if you want to give it a try!

I think there's enough here to appeal to the usual Transformers crowd and you might end up liking it, or at least having fun while watching it in the background.

If you end up wanting to to tap out then no worries-- I think it's worth giving it a shot and if it's not your thing, no problem.

Each episode is around 25 - 30 minutes, so while the first episode might feel like a slog to get through because fuck the military, once Bravern shows up the show actually gets started and I wouldn't blame anyone for just skipping to that point in the first episode and going from there, because there's nothing in that opening that you won't be reminded of or be able to figure out. It mostly just sets up the intro to the human characters and the collaboration training session, introduces the Titanostriders as a thing, and you can always go back and watch that part later if you want to.

All in all, pretty decent! Obviously we're Transformers people so we're here for the robots, and the robots are interesting and fun, and that's all I need to have a good time.

Hopefully this was a useful summary if you're interested or have seen Bravern stuff on your dash! :)

Thanks for reading!

BONUS: I forgot to mention this somehow, but there's a lot of overlap between Transformers and other Brave shows involving actual Transformers re-used in Japan for these shows; There's a good video about it here on YouTube which explains some of this, but if anyone's wondering, yes Bravern has a grounder alt-mode and it's pretty cool. Will we get a transforming Bravern figure??? We can hope!

There's another video here which mentions some of the Transformers elements in other Brave shows/Yuusha, which might be interesting for those of you who are unaware. :)

[sparxyv]

Milena Student ID 💜🦅

I decided to finally issue a proper introduction to Milena Chase for you guys so she doesn't remain a face without a story any longer 😤

Thank you for the template @kiwiplaetzchen !! 🫶

Brace yourself for a big infodump - here is Milena's backstory etc etc 🫠

Family

Milena Jacqueline Chase was born in 1874 to a French muggle, Henri Marie Chase, and a Japanese witch, Miyuki Hoshino.

Milena is the oldest of seven siblings.

The Chase Family™ is extremely rich, like, buttloads of money rich. Coming from a long line of vintners, they founded one of the leading brands of the best quality wines in Europe, as well as owned a luxury hotel in central Paris.

Milena's grandparents on her mother's side lived in Feldcroft, and still do. They often watched over the Sallow twins after their parents death when Solomon was busy. (Milena does not know her grandparents. 👍)

Miyuki - Milena's mother - was a Slytherin in Hogwarts, and was friends with Solomon Sallow.

Life Before Hogwarts

Growing up, Milena and her siblings resided in their family's hotel in Paris, France. Since their parents were too busy with business and galas, they were raised by the housekeepers and servants that worked at the hotel.

Milena was homeschooled, undergoing typical muggle education with many tutors over the years. She gained a passion for learning early on, intensively studying practically anything that piqued her interest! (my little Matilda LOL)

Milena did NOT go to Beauxbatons, yet showed signs of magic very early on. The only reason she was aware of magic and wizardkind because of her mother's house elf, Teeley. (we love Teeley 🫶)

She had so much free time on her hands that she'd mastered and studied so many different things, making her a true jack of all trades! Some of these things include - Chess, fencing, horseback riding, painting, embroidery, baking, PLUS she's fluent in German and Russian (in addition to English and French).

Relationships

I'm planning on going more in depth with Milena's relationships in a series of separate posts so I'm just going to list her closest friends 💜

Sebastian Sallow

Anne Sallow

Ominis Gaunt

Imelda Reyes

Athol 'Mousey' McGregor

Samantha Dale

Amit Thakkar

Natsai Onai

Garreth Weasley

Poppy Sweeting

Sacharissa Tugwood

Richard Jackdaw

Personality

MBTI - ENTJ-A

Alignment - Neutral Good

I really think of Milena's personality as close to the in-game MC as possible, but I do tend to wander from that sometimes.. 😗😗

Milena always strives to help out people when faced with trouble, but never actively seeks out problems to solve - they just always seem to find her. Nevertheless, she always takes on difficult situations and rises to the challenge.

It helps a lot that she's very self-assured, something that came out of spending most of her childhood alone and taking care of herself AND others. That being noted, she's a natural born leader. Milena is assertive and logical and can easily adjust and adapt to many different situations - which makes her the perfect person to deal with a certain Slytherin boy who's emotions control him and not the other way around.. 👀👀

Milena is an ambivert. While she enjoys socializing, she's also comfortable being alone. She doesn't exactly prefer one over the other though. Socializing comes easy to her, and she has a secure attachment style when it comes to her relationships, never really feeling insecure about them or getting jealous easily. Milena tends to be more mature, and she never internalizes things when people are rude - but because she's so calm and mellow, people are usually either drawn to her or intimidated by her.

As a Ravenclaw, Milena is naturally curious! She's constantly on the hunt to learn new things, which is why she enjoys exploring outside of Hogwarts so much, taking in everything she can about the hamlets and just the Highlands in general. Her curiousity helps her find wonder in even the smallest of things. She's very open-minded, yet nearly always at least slightly skeptical when it comes to new things. She can be very opinionated, but is always open to other perspectives.

Milena is not one to be overly expressive with her emotions (but to be clear - she doesn't hide them either 😗), yet she does have a side of her that naturally comes out only when she feels comfortable. With friends like Sebastian especially, she feels like she can let loose and be more playful as well as a bit snarky/sarcastic.

Additional Fun Facts!

I've already mentioned this before - but Milena's absolute favorite things in the world are BIRDS. Birds of all kinds. She knows everything about every species, and I mean everything. And somehow, birds naturally flock to her like she's some type of woodland princess.

Milena's hair is NOT naturally curly/wavy, nor is it naturally auburn! Prior to Hogwarts, she used a charm to change her hair color, but it seemed to have some extra effects on her hair texture too..

Milena doesn't often speak French after arriving at Hogwarts, but since it's her native language, she finds it much easier to express herself in French even though she speaks near-perfect English. She also enjoys sneaking in French phrases to occasionally mess with Sebastian since he has no idea what she's saying 🥰🥰

Her love language is gift-giving, but when it comes to receiving it would be acts of service and quality time.

Is VERY passionate about potion-making.

Becomes an animagus in the summer before sixth-year, her animagus form being a giant golden eagle!

Already mentioned but she's quite fearless, except for when it comes to mooncalves. (She's more creeped out by them than scared of them, though.)

More of a dog person - Raphael is the exception 💜

Seeker for Ravenclaw in her sixth-year!

[yumeka-sxf]

Japanese Linguistic Observations in Spy x Family - part 2

Part 2 - Anya's "Anya-isms"

I think Anya has one of the most interesting ways of speaking out of all the SxF characters. But like with Twilight's dialogue that I previously discussed, it can only be fully appreciated in the Japanese version. Probably the most noticeable thing about her dialogue is how it's written compared to the other characters.

Written Japanese is comprised of three different alphabets: ひらがな (hiragana) and カタカナ (katakana), which together are referred to as "kana," and 漢字 (kanji). Kanji are the characters that hold the meaning of words, while kana simply represent the various Japanese syllable sounds and don't have any meaning on their own (much like the letters of the English alphabet). There are only about 100-ish total unique kana symbols, however, there are over 2,000 kanji in common use today. So Japanese children will start out learning kana and then learn kanji gradually during their school years. This is why Japanese children's books are typically written only or mostly in kana. This is also why manga and books aimed at a younger audience will have kana "translations" of kanji written above kanji characters, which are called furigana.

With that in mind, it's not surprising that all of Anya's dialogue in the Japanese version of the SxF manga is written entirely in kana. Even though using kanji in her dialogue wouldn't necessarily mean she knows kanji, reading a character's dialogue only in kana definitely gives off childish vibes – it conveys feelings of youthfulness and innocence, like "they're speaking only in kana because they don't know the kanji for these words…they're just a little kid, after all." At least, that's the feeling I get when I read Anya's dialogue. Though I haven't read enough manga in Japanese to say for sure, it seems like this concept of making little kids speak only in kana is not unusual, as there's at least one other example I know of: a manga from the mid-2000s called Yotsuba also has a titular 5-year old whose dialogue is written only in kana.

What's also interesting is that all of the other Eden kids speak "normally," using kana and kanji properly in their dialogue. This helps to convey the fact that, despite Anya being roughly the same age as them, their "rich family" upbringing has forced them to grow up faster. In the below panel, you can see how Damian's dialogue uses kanji (with furigana translations) while Anya's uses only kana, even for words that have kanji.

Interestingly, I found at least two cases where Anya does use kanji in her dialogue: when she's calling out the name of her big "Arrow of Light, Seize the Star" move during the dodgeball game, and when she calls out her "Lighting Bolt, Deliver my Aid" move when she tries to throw Yor's weapon back on the deck in the cruise arc. As you can see in the below panels, the names of these "moves" is written in kanji (with furigana translations). This makes sense not only because this is parodying shonen series where the characters shout out the names of their moves, but because it emphasizes how determined Anya was at these moments.

But going back to how Anya's speech compares to the other kids, another thing that stands out is that she speaks very "plainly." Her grammar is (mostly) correct, except for a few mistakes you'd expect a little kid to make. But she uses pretty much no colloquialisms, almost as if she knows the language but lacks the experience for using it in normal social interactions. I don't think this is unusual for a kid her age who's still learning, but it definitely stands out when compared to her classmates. For example, in the below panel, Becky uses normal interjections and other colloquialisms in her speech, like "ne" (ね), "wa" (わ), and "yo" (よ), which are all standard Japanese linguistic devices for softening or emphasizing your sentences. However, Anya doesn't use things like this in her speech. Again, this makes her speech come off as very plain and abrupt, almost like she's not a native speaker.

She also refers to herself in third person all the time in the Japanese version. In fact, I don't recall her ever using an "I" or "me" pronoun. I don't know why the English version of the manga doesn't keep this characteristic of her speech. I think it's very important in highlighting the childish aspect of her personality.

Putting all this together – the fact that she doesn't use typical colloquial speech and refers to herself in third person – really emphasizes the childish, naive, and almost baby-like nature of her character. I'm curious if Endo made her speak this way simply to show what a little kid she is compared to her classmates, or if it will somehow tie back to whatever roots she has in classical languages that he keeps hinting at. Regardless, as I mentioned in my full Anya analysis, what she lacks in speech and school smarts, she makes up for in empathy and resourcefulness.

Besides all this, Anya does make typical speech mistakes a normal kid would make, like mishearing words or saying things wrong. She mostly uses casual speech, but does try to use keigo (polite speech) on occasion, though not always correctly. For example, she says "ohayaimasu" (おはやいます) for "good morning" instead of "ohaiyou gozaimasu" (おはようございます).

But the most consistent "mistake" she makes (though it's not really a mistake) is what she calls Loid and Yor – "chichi" (ちち) and "haha" (はは) respectively.

Japanese has many different words for relatives depending on whether you're talking about your own relatives or someone else's, and whether you're talking to them or about them. "Chichi" and "haha" are the general, neutral terms for "father" and "mother," and are also used when talking about your parents to someone else. However, they're not used when talking directly to your mother and father. There are many other words for that, the usual ones being "o-tou-san" (お父さん) and "o-kaa-san" (お母さん), or some variations of these with different honorifics. Damian refers to his dad as "chichi-ue" (父上) which is very formal, while Becky calls her dad the actual English word "papa" (パパ) which is very informal and normal for kids to use. But again, "chichi" and "haha" are typically only used when talking about your parents, not to them the way Anya uses them. This started from the very first chapter where Loid asks her to call him something that sounds "elite." He originally suggests the very formal "o-tou-sama" (お父さま), but when Anya says "chichi," he doesn't bother to correct her.

Hearing a little kid call her dad and mom "chichi" and "haha" is kind of like calling them "my father" and "my mother" even when speaking to them directly – it's not wrong necessarily, just strange. But again, this serves to further emphasize the childlike nature of Anya's character.

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