#(and I REALLY hope i'm wrong)

[medinaquirin]

Every time somebody looks at the train of bullshit in my life and tells me "you deserve a break" the Universe gets the wrong idea and raises the mallet again.

[rika-mortis]

Accidentally saw some spoiler screenshots for the season finale yesterday and now after seeing the recent episode I DON'T LIKE WHERE THIS IS GOING FOR PERI

[dragondawdles]

did a piece in the LU server's gift exchange ! something of survival and reunions and smug little shadowguys

[bukashki]

Day 1 (slightly belated): Once upon a time

feligami february 2025!

[lynnetendo]

some sifs I drew from memory into my sketchpad while I was at a family meetup... i thought it'd be fun to digitalize the more original style ones with a pixel brush and the ones that were more my own artstyle with my usual brush (initial pencil sketch under the cut)

unironically, any notable change you see between the traditional sketch and the digital version only stems from the fact that i had no space on the real paper e.g. the sketches being repositioned or sif's hat not being curled downwards everywhere was because i could actually use the space better digitally lmao

[arscorpii]

these aerial shots of the streets in the scene where anthy was about to jump off a building in episode 37 remind me of a network of blood capillaries gradually flowing with some foreign substance (the way the red lines were drawn certainly resembles some liquid substance). the camera panned towards anthy from the 1st to 4th picture, and the streets gradually turned from pure white to white with some red.

before the suicide scene, utena and anthy were enjoying tea and cookies at akio's place, and they were wearing their school uniforms. anthy indirectly hinted at "poisoning" the cookies. in response, utena directly stated that she had "poisoned" anthy's tea. both accepted the poison into their systems (bodies) without any hesitation or qualms. noticeably, in this scene, utena didn't wear the rose crest ring that she took off at the beginning of the episode. i'd like to think of the streets gradually turning from white to flowing with red liquid as the visualisation of the poison they consumed in this scene gradually circulating in the system (via blood vessels and capillaries); thus, these points represented utena and anthy's bond/relationship with each other up until before the suicide attempt (white) and after (flowing with red).

up to at least the moment utena found out about anthy and akio at the end of episode 36, utena and anthy hadn't been honest with each other, despite utena saying to anthy that she could come to her if anthy had any problems, and that they can help each other through anything (episode 25). from the point akio began making bold moves in grooming utena (episode 30 onwards), which led to sexual assaults and rape, utena had started to keep things out of anthy's knowledge/unable to tell certain things to anthy.

a prominent example of this would be the scene in episode 36 where anthy asked about utena's whereabouts the night utena went to the dueling arena with touga. other examples are in episodes 30 and 35. anthy, on the other hand, hadn't been honest with utena from the very beginning. from my understanding, from both sides, the dishonesty with each other came from the dire need to preserve the sanctity/purity of their bond (and the despairing inability to open up about respective sufferings). both utena and anthy didn't wish to taint their bond with their ugly stories of truths. the situation was more adverse for anthy because letting utena know the truth could derail all of akio's plans.

(note the network of streets) with regard to the series, colour theories were ever-present in every visual aspect. white was equated to purity and innocence; red was synonymous with violence and danger. i think these meanings suited the visuals of the post-suicide attempt scene, the purity of their bond was incrementally coloured with violent truths from one another. moreover, i also think the post-suicide attempt scene further reified the cantarella scene. in other words, the post-suicide attempt scene was the more literal take/depiction/iteration of the cantarella scene (if that makes sense), with the visuals of the white streets flowing with red as the connecting factor between the two scenes.

the final visual of the "poisoned streets" before anthy urged utena to leave the school. the poison was freely and fully flowing through every street. throughout the suicide scene, utena and anthy were both in their sleepwear. this may connote a more vulnerable and honest disposition without any facade, as well as a better understanding and more equal footing with one another, compared to when they were in school uniforms during the cantarella scene. utena was also wearing her ring here, which may highlight her choice to play the role of a prince for anthy's sake to the end.

in addition, i think the streets flowing with poison could also be seen as a network of empty/dried blood capillaries finally flowing with blood; akin to a dead body coming back to life. after a person dies, the first visible change would be pallor mortis (within 15 to 20 minutes), wherein the body begins to pale because blood stops moving through the capillaries. with regard to this information, the visuals may indicate a sign of rejuvenation of the bond between utena and anthy after opening up to one another. the bond between them became more human, alive (flowing with blood), as opposed to being hollow (dried out blood capillaries; like death). to me, i believe both interpretations could work simultaneously for the visuals of the streets.

[gothamite-rambler]

Jason's days in the league of assassin's with toddler Damian (1 y.o.)

In the dead of night, baby Damian cried alone in his crib, haunted by a terrifying nightmare. No one had come to check on him and sadly, this was a common occurrence, as Ra’s didn't want Talia coddling the child too much. Jason, who had long since stopped fearing Ra’s refused to follow the old man's orders.

When he heard the baby's cries echoing down the hall Jason rushed to Damian’s bedroom. He entered quietly and instinctively scooped up the trembling child.

Jason (comforting the baby): Hey, you're okay. Don’t cry, you’re not in danger.

Baby Damian sniffled, wiping his tear-stained eyes.

Jason (rubbing Damian's cheek): Had a bad dream?

Damian, seeming to understand the question, nodded, babbling and crying. Though he was just a baby and Jason couldn’t decipher what nightmares his brother had, it was bad enough to see the child trembling in fear.

Jason: Yeah, I had a few bad dreams when I first got here. Night terrors, is a better word. They were awful, zombies, clowns, a guy in a batsuit, a demon woman, symbolic stuff. What does a baby have nightmares about?

He knew he was mostly talking to himself, but holding the scared little one softened his heart. Raising his foster father's secret love child wasn’t part of his plan for this new life, but right now, Damian was young and innocent, certainly not a brat, at least not yet.

Jason: Whatever it is, it’s got you trembling. I got you, don't mind staying here for a few minutes.

He gently wiped Damian’s tears while cradling him, pacing around the room. His rhythmic footsteps seemed to soothe the infant.

Jason: I don’t like that they just let you holler in a dark room until you tire yourself to sleep. Especially when I know those assholes are awake! Don’t say “asshole” Damian.

Damian babbled softly, staring at the ceiling. The tears hadn’t stopped, even with Jason’s comforting presence. Jason slowly paced around the room, keeping Damian in his arms.

Jason (speaking softly as he paced): I remember when I was little, my stepmom, before she was heavily addicted to drugs, used to come into my room and sing to me. She loved Elvis. I was more into Jimi Hendrix, but we got along despite this. Crazy, right?

Jason chuckled softly at the memory, though Damian didn’t quite understand why.

Jason: Sorry, went off-topic. She always sang the same song. She wasn’t the best singer, but it helped get me back to sleep... she had such a gentle singing voice. I remember the lyrics to this day. Maybe they’ll help you, or if not, you can just puke on me.

He glanced at the open bedroom door, then quietly walked backward and closed it, if he was going to sing to a baby in the castle of an assassin, he wanted some privacy.

Jason (in a tender singing voice): Wise men say, "Only fools rush in"… But I can't help… falling in love with you…

He picked up Damian’s baby blanket, gently wiping away tears as he sang.

Jason (continuing): Shall I stay? Would it be a sin? If I can't help falling in love with you?

Damian looked up at his big brother, his expression blank at first, which made Jason pause for a moment.

Jason (softly, doubtful): I’m not the best singer. You probably—

Damian reached up suddenly, placing his tiny hand on Jason’s cheek. Though he couldn’t speak, through his soft, trusting eyes, Jason understood, he wanted him to stay and sing.

Jason settled into a rocking chair in the room, gently rocking Damian until sleep claimed him.

Jason (singing again): Like a river flows, surely to the sea, darling, so it goes… some things are meant to be... Take my hand, take my whole life, too. For I can’t help falling in love with you.

Damian’s eyelids fluttered closed, his breathing slowing as the panic from earlier faded away, replaced by the comfort of sleep.

Jason: You know, I kill people. But I’m surprisingly good with kids. Is that ironic? Or am I just… an anti-hero? To be fair, I only kill the bad guys. Not you, though.

He booped Damian’s nose, making him giggle softly.

Jason (continuing to rock him): Don’t worry, I won’t tell anyone this happened, and you don’t let slip that… I’m starting to like you.

He sighed quietly, accepting that he might not be able to train Damian into a little assassin of his own parents. Damian still had a chance at a decent life. Though he’d turned cold to the world, Jason knew he wanted to be there for his little brother, until Damian grew into the mischievous kid then it'd be acceptable to pick on his little brother.

Bruce's baby (Jason's days in the League of Assassians and part time baby sitter)

Jason's days in the league with baby Damian (pt. 2)

Jason's days in the league with baby Damian (pt. 3)

Part 4

[oya-oya-okay]

I think I'll start being more restrained and not too outspoken, and I'll start sticking to the artist x follower attitude and nothing more from that

I'm tired of investing a lot of effort, attention and care in order to get another "betrayal" later or to realize that I really overdid it and I shouldn't have behaved like this

I put in too much effort and then feel ashamed, guilty, and maybe make a lot of mistakes

Thank you to all my beloved mutuals who call me friend or even big sister, I appreciate it and have warm feelings for you too, but I just don't want to go through the pain again. This doesn't mean that I'll stop interacting with everyone or anything like that, I'm just warning you that I'll be more restrained and I won't start a new close relationship

[catliker49]

BWAAH! I bring forth.. yumeshipping! (still hoping that's the correct term!) And a Puppetsona... that I may or may not touch up sooner or later!

[seventh-district]

Figured I'd try my hand at some Redacted character post/text edits!

[ 1 / ? ]

Credit to @/sainthowlzon for all the Listener icons, and to @/elisacaleisa for their google drive with all the canon icons!

(slightly alternative version of the Solaires' GC edit below the cut bc i had a lil too much fun with what Vincent would name his contacts)

[cescalovestowrite]

Hi hello, I have seen the “Odysseus can pose a threat to Penelope if he sees her being unfaithful” debate everywhere. But can you help me to elaborate how?

Hi, sure.

There are people who have expressed it way better than I ever could, but if I can be of any help I'm glad to. This is going to be quite long and hopefully not too messy.

Sources for the things I will say: Penelope's Renown: Meaning and Indeterminacy in the Odyssey and Penelope: from character to poetics.

The first thing to say is if you're asking me whether Odysseus poses a physical threat to Penelope (e.g. whether he wants to kill/be violent with her if she betrays him), then in my opinion there is no basis in the text to support this. This threat is never made explicit by him. Odysseus is repeatedly put in a position to think about a possible betrayal (especially when he talks to Agamemnon, but also for example when he hears the love story between Ares and Aphrodite while he is at the court of the Phaeacians) and he never expresses violent thoughts or intentions towards a hypothetical adulterous Penelope. And this is not an attempt to argue that "he's not like other boys" as I'm sometimes forced to read on tumblr, but it is simply based on the text we have. Moreover, Helen's fate seems to indicate to me that in the Homeric world forgiveness towards adulterous wives is at least conceived.

BUT just because there is no explicit threat of physical violence doesn't mean there isn't an underlying potential threat that all the characters perceive.

On several occasions the Odyssey tells the story of Agamemnon and how he was killed by his wife's lover with her complicity. This story is a great alarm bell for the characters, it is a possible plot twist that everyone must take into account. The comparison is immediate:

Agamemnon -> Odysseus

Clytemnestra -> Penelope

Orestes -> Telemachus

Obviously the fact that the stories can be compared does not mean that they can overlap. For example, Telemachus does not feel up to it nor does he seem so willing to take on the role of Orestes as avenger of his father's honor. If he did, he would not have the same reasons as Orestes to direct his revenge towards his mother. But be careful about this last point, because it is clear that Telemachus has some resentment towards his mother and that he perceives her as a threat. This is what Antinous tells him when they are in assembly:

"For I assure you that so long as she maintains this attitude that the gods have guided her to adopt, the Suitors will continue to eat you out of house and home. She may be winning a great name for herself, but at what expense to you!" (Odyssey book 2, Rieu)

So one consideration we can make is that the threat is not one-way. Penelope is herself a threat to Odysseus and Telemachus, and they are a threat to her.

Basically the characters' ignorance about Odysseus' fate (will he return or not?) in itself poses a threat.

In the absence of certainty, there is no right course of action for either Telemachus or Penelope. For Telemachus because:

1) If he faced the suitors alone it would be a suicide mission.

2) He perceives the threat that his mother represents as long as she stays in the house, but can he throw her out if his father is about to come home? No. (Also it seems to me that he is unhappy with the idea of ​​throwing her out anyway).

For Penelope because:

1) by postponing the wedding she is endangering her son's life.

2) if Odysseus is alive she is endangering him and she is also endangering herself by remarrying.

The threat exists because none of the three has all the information, none of the three already knows how the others will act. For Penelope the decision to remarry is the best if Odysseus is dead, but it is objectively wrong if he is alive.

So this is the potential threat, but we can't ignore the fact that in the end things go very differently for the ithacan family than for the house of Atreus. The Odyssey proposes the theme of the House of Atreus several times, only to then distance itself from it and propose an alternative. And since the question was specifically about how Odysseus reacts to Penelope's possible infidelity, I think it's right to focus on his actual behaviors as well, not just potential ones.

An important thing to keep in mind is: the rapresentation of Penelope as the perfect little wife who would never cheat on her husband is very imprecise. Penelope is a person whose thoughts are very difficult to know, and it is very difficult to predict her moves. There is not a single character that can explain with definitive and authoritative voice why she is doing what she is doing. This is continually suggested to us in the text. I will try to give an example that I think is very eloquent. Let's take the scene in which she appears for the first time before Odysseus (still in disguise): she tells the suitors that the time has come for her to get married and narrates that Odysseus had told her that she could/should remarry as soon as Telemachus got old enough. So she convinces the suitors to give her the classic wedding gifts. And then

The noble, patient Odysseus was delighted at her words, because she was extorting gifts from her suitors and bewitching them by her persuasive words, while all the time her heart was set on something quite different (Odyssey book 18, Rieu)

So he "knows" that she is making fun of them. But let's think about this for a moment. There are two possibilities: 1) Penelope did not lie about the story 2) Penelope did lie about the story.

If Penelope told the truth then it is not clear why Odysseus should rejoice. How can he know that her heart is set on something different? Is he rejoicing just because she is getting gifts? Or is it because of a sort of pride in the fact that she is so desired by other men (her value as a woman rises)? This second possibility does not seem to be suggested by the text in Odysseus' reaction, but I point out that this interpretation seems to be very close to Athena's plan when she arouses in Penelope the desire to be seen by the suitors. Athena seems to want Penelope to prove herself capable of bringing value to the home and value in the Homeric poems is measured in physical objects.

Or Penelope lied. If Penelope lied why should Odysseus rejoice? Penelope's lie could just be a little excuse to justify the long wait that now is finally over. It could be, in Odysseus' eyes, overwhelming evidence that she actually wants to remarry. Otherwise she would have invented something else.

Here my imaginary interlocutor brings up the concept of homophrosyne. Those two have the same mind and therefore must understand everything about each other, right? Personally, it seems to me that this implies taking the concept a bit too far, and above all it is not really supported by what happens in the text (why should Odysseus fall into the final trap of the bed if Penelope's mind has no secrets for him anyway?). Homophrosyne means that they have the same mind, yes, but in the sense that they are both difficult to read, very distrustful, cautious, liars and both always have more than one purpose.

The point is that Odysseus (and we even less than him in this case) cannot know what Penelope's true intentions are. He can know if she is lying and he can imagine what her feelings are (also because he has been reassured by Athena about them), but he cannot really know them. How can you easily know the heart of a person who always lies?

And be careful because the bow contest is the same thing, if not "worse": how does Odysseus know that she is not calling the contest because she has actually realized that it is better to remarry? After all, that is what her words suggest. Odysseus tells her that having the bow contest is a great idea (and in fact it is because he will have access to a weapon). Can he suspect that she has recognized him and is offering him help? In my opinion, yes, but it would still be a suspicion.

I've finished setting the scene, now I'm finally getting to the point:

What I find important to answer your question is not so much racking our brains to figure out how much Odysseus knew (or how much Penelope knew). I think it's important to understand how Odysseus behaves in his position of ignorance about Penelope's intentions. In my opinion, when Odysseus sees Penelope and then tests her, he is not particularly alarmed by the idea that Penelope might decide that she can no longer postpone marriage. When they talk to each other he tests her heart more than her intentions. He knows she is in a difficult situation and is very happy with how she has handled it up to that point. He is also reassured by the way she remembers him, by the strength with which she desires him. He knows she is doubting but he experiences her doubts as a challenge, because he wants to win her back, to prove to her that her feelings are not misplaced, that he is still worthy of her love as he was twenty years before. So let it be clear that Odysseus wants to test her and be tested by her.

As I already said Odysseus can't be sure of her true intentions and he knows that. That's why he is still in disguise. But the fact that they both lie to each other and don't trust each other right away is what will bring them closer again in the end. It's what they share.

So to answer your question: Odysseus and Penelope pose a serious threat to each other: they don't know how the other will act and must behave cautiously because of this. And it is precisely this that makes it even more incredible that in the end, without their knowing it, their minds are so in sync.

[fisheito]

before mirage of scales: I NEED YAKUYA EVENT

after mirage of scales: ah. um. i . i don't need yakuya event so much, anymo.re... hah..a...

[lemonyinks]

Because they are on my mind, please accept one of my favorite Wangxian moments of all time.

Chapter 87

In my opinion, this is one of the most important Wangxian scenes in the whole novel. It is very special to me. It made me tear up when I was doing my read through.

Time and time again, Wei Wuxian has fallen, he's gotten hurt, people have failed him. The people who were supposed to be there for him have either left, he's lost them tragically, or they've betrayed him at some point in his life. His life has been one of loneliness and loss.

He has never had someone who he could rely on so heavily. He has never had a solid safety net before, someone on equal footing to him that he could fall back on and rely on. If anything he has spent his entire life being a safety net for other people. He has spent his whole life being strong for others.

Now, however, Lan Wangji is that safety net for him.

For the first time in his life, he has someone to truly catch him when he falls. He can let himself fall and still be safe. That "thank you" isn't just about Lan Wangji catching him after he fell from the tree, its about everything.

[moongothic]

Madoka is the promise you won't turn from a child, full of hopes and dreams and the wish to save the world, into a bitter adult who just wants to hurt others and ruin people's lives

Madoka promised to be there for you to remind you of the person you wanted to be and to stop you from becoming what you sought to destroy

Madoka made that promise and became the very embodiment of it

[letmetellyouaboutmyfeels]

I had a lot of concerns about the writing direction going into the end of season seven. Hen's story line, Eddie's story line, and Bobby's story line all deeply concerned me. I thought none of them were good and that Hen and Eddie's were also particularly and thoughtlessly cruel. Then season eight was really bringing it back for me. I was having a good time, really enjoying it all, felt like the first five seasons again.

And now this.

Call me when Buddie goes canon, I guess.

[aseuki]

Posting it on main too, but here's my contribution to the @hoshinokaabi-secretsanta with a gift for @mastercrowned!! All of the given prompts were So Delightful, but in the end I had to go with drawing Morpho ordering a Kirby Burgie (or maybe 10) asdlkgjn

version without the text bubble under the cut!

This whole event was a Delight to participate in! Had I more time and energy I would have Defo scribbled out more, but for Now pls enjoy my Favorite part of the image that Unfortunately got masked by the completed piece which is.

Scrungle Dee