#(Though I can see how they in character would think otherwise)

[tooturtly]

Still on my locked tomb and feudalism bullshit, so here’s a discussion of John, and how I think he systematically uses the decentralized nature of the Nine Houses to avoid the realities of being God.

Essentially, what it says on the tin, but first, context. (Can you tell I’m somehow more unhinged now?). Feudalism is a political structure with a fair amount of decentralization of power. It usually came about in the past after a larger government/political system collapsed, such as Rome. Essentially, a King/Emperor cannot feasibly run large amounts of territory, with the citizens of those territories being from diverse backgrounds and customs, without a lot of loyal subordinates helping out. Enter the nobility.

The nobility do the work of running the lands so that the King/Emperor doesn’t have to maintain a large bureaucracy to, let’s say, collect taxes from each individual person, hold a census, or run a court of law. This does not mean the ruler gets to fuck off, they do have responsibilities to the realm, their court, their knights, and the nobles who support them. Some people have to like you to remain in power, otherwise you get assassinated.

So what does all this have to do with John? Well, first, I think it’s safe to say from what we’ve seen that the Nine Houses are very similar to a feudalist system. You have a collection of independent, semiautonomous populations that can generally keep themselves together. They have slightly different takes on religion, loyalty to the empire, and necromancy, but they are all unified under it.

Second, I think we can also say that John has a very specific perception of himself that does not always align with the reality. He wears worn, casual clothes that are not the type of thing anyone else wears, but includes a crown of infant bones. He has a casual, relaxed attitude, but also can pull out a speech about avenging death and fighting for the empire seemingly off the top of his head. He doesn’t want Harrow to treat him like God, yet also constantly quotes works from a world nobody but he can remember. His narration of his actions in Nona paint him as seeing what he did as something anyone would do, as not that bad, as the act of a desperate, passionate man. Yet he also rebuilt the world to make himself God and Emperor above everyone else, the head of a ten thousand year long grudge campaign.

The contradiction is inherent in his title, man who became god, and god who is man. Harrow especially points out moments where he seems mortal, human, calling attention to how he otherwise appears completely separate and divine.

John is a complicated character. People smarter than me have written more with better evidence laid out. What I’m trying to get at though is that, to me, John reads as a man who cannot view himself as having vast amounts of power over others on the regular. To a certain extent he has to view himself as ‘just a little guy’ so he doesn’t have to reconcile with the actions that have caused massive amounts of harm. He wants the Lyctors to be his friends and associates, rather than their boss.

The structure of the Nine Houses helps with that. He doesn’t have to regularly speak to the average citizen, or deal with the daily problems of the people and their Houses, or hell, even the people he’s conquered. Mercymorn says something in Harrow about how the Emperor’s seat is the Mithraeum, the place light years away from the people he is supposed to allegedly rule. The place only realistically accessible by traveling through the River, a feat only possibly by Lyctors (for the most part). And we learn that he’s only been away from that for 80 years, and he assumedly spent most of his previous ten thousand years there.

Because he is at the top of the power structure, he can lose himself in the bigger picture and forget about the reality, which is the fact that he is running a colonial Empire that requires the biological death of planets and people to survive.

[blurrilines]

Alright, it’s time I discuss Star Sapphire Bernard and why I think he would legitimately be a good fit for becoming a ring wearer (aka Blurri read a theory book on love and has a lot of feelings about Bernard Dowd and now the Star Sapphires could be written moving forward)

First let’s establish what makes a Star Sapphire chosen by the Star Sapphire Ring (bear in mind I am not a full expert and I understand that the Star Sapphire Corps have changed over time so I’ll try to be as up to date on their lore as possible). Star Sapphires are empowered by Love the way Green Lanterns are empowered by Willpower. They are typically portrayed as women scorned or someone who lost someone they love, and this event is what lead them to obtain their abilities, aka when the ring chose them and They chose to become a Star Sapphire, aka fight fear and hatred and give love.

However, It’s not exclusive to these events taking place the same way wearing a Star Sapphire ring isn’t exclusive to women, it’s just usually the case we see in most stories. This emphasis on choice is where I’m reminded of Bernard.

Bernard Dowd is someone who’s been hurt, both in a very literal, physical sense, as well as an emotional and spiritual one. Starting with the obvious Bernard was in a pain cult, where literal beatings were used to achieve “enlightenment” and so on, though for Bernard it was clearly something he felt he deserved, much like eventually becoming the cults sacrifice, which Tim fortunately intervened in. However, despite being rejected by his parents after coming to terms with not being straight and not having seen Tim in years, not to mention being deep in the cult that convinces him that beating will make the pain in his heart stop, he chooses to reconnect with Tim. And when freed from the cult’s sacrificial alter, he fights by Tim’s side to free not only himself from the cult but the others they indoctrinated.

Later we see this theme continue with Bernard talking about how he wouldn’t reject his parents if they decided to change their tune and treat him like their son again, even if it would be more than understandable for him not to. He chooses to see them as people who can change, and to love them despite the pain they’ve caused him, while still keeping his distance and not caving to their manipulation or demands. Bernard is someone who has been shown, in multiple ways, to already align with the Star Sapphire’s foundations of choosing to give love and fight against hatred - even when it would be the arguably easier option.

There’s also the fact that at this point there are currently no male Star Sapphires in their ranks, only male Lanterns who’ve briefly worn the ring. This would leave Bernard in a unique position as the only known male Star Sapphire, leaving for a new and interesting story to be told for DC. Bernard is also a character criticized at times for “only being a love interest” and being created as a supporting character to Tim, as was the case when he first debuted Pre-Rebirth. Turning that trope on its head by making Bernard a being literally giving super powers from the love he has, for Tim or otherwise, would be dope as hell imo, but that might just be me.

Love is sometimes defined as the choice to extend oneself to nurture another or your own spiritual growth (go read all about love by bell hooks for more on that). It is an action and a decision made the same as activating one’s willpower to achieve their goals. I think with this specification in mind we see how Bernard embodies this choice and how it could lead to him becoming a powerful member of the Star Sapphire Corps.

TLDR; Bernard is a character who is shown to already align with the core of what a Star Sapphire is (choosing love and gaining power from it) and it’d be cool if DC gave him a ring.

[dcdreamblog]

Hey there. I recently moved to Gotham for job related reasons. Thought I had a pretty good handle on the whole hero and villain thing down here, the Bats and their various enemies are the only ones anyone seems to talk about anyways.

So imagine my surprise when one day I'm driving back home and something that I can only describe as some kind of yellow and red demon lands right on top of my car hood before getting back up and leaping into the sky. look up and see what I think were some other ugly monsters or something firing down some magic stuff at em.

Got back home as quick as I could after that, asked a few guys I know at work what the hell it was about but they got nothing, but one of em pointed me to your blog. So Historian, you happen to know anything about yellow and red demons in Gotham?

First off you should probably contact your insurance about the car. Unlike the jokes made by people who don't live in superhero cities, or the fearmongering of idiots, insurance DOES cover "acts of superhero" especially if you live in Gotham. If they give you a hard time, reach out to the Thomas and Martha Wayne Foundation. Bruce Wayne LOVES thumbing his nose at oligarchs in these sorts of situations. As for the demon you saw, you are VERY lucky you only got a glancing blow from whatever the hell Etrigan got wrapped up in this week.

(A CCTV image showing Etrigan bursting forth from a burning warehouse)

Now you'll have to forgive me I only took a few occult related classes in college for my degree and my knowledge of the Arthurian Period is limited to how it intersects with my specialties but the basic rundown is this. Etrigan is a demon. Like from Hell (or some version of the Christian vision of same, how you feel like dealing with this information is down to your personal theology). He's on the higher rank of mid class demon from what I know, not any kind of ruler, lord or arch but a caste of warriors known as "Rhymers" (due to their distinct habit of every statement they utter having to be rhymed). (All of the information below has been run past my occult colleagues, I have those now, to make sure I am not summoning anything or offending anyone who would want to turn my intestines into snakes) Etrigan was something of a Monkey King figure, born as first son to the Arch-Demon Belial and the Serpent Queen Ran Va Daath he was too powerful to control even for Hell's bureaucracy and so he was placed under the control of the mortal wizard Merlin (who is his younger brother, long story, go read a grimoire). It was during the Fall of Camelot that Etrigan was bonded to the dishonored knight Jason Blood, I actually already did a dive on that some weeks back. Blood and Etrigan have been stuck together for the following millennia, Etrigan's instincts as a born engine of destruction kept in check by Jason Blood's honorable character meaning that most often the Demon has been set against creatures of his own domain in defense of mankind. Blood currently works as an Occultist in Gotham though he's very much a jet setter and can be spotted just about anywhere in the world there's mystery afoot. The advice I would give is DO NOT seek out any more information about this in person. If ANYTHING was left on your car (blood, fangs, scales, scraps of cloth) that you KNOW come from Etrigan or the other demon or can't otherwise identify. I have been tasked with giving you some instructions by my said occult colleagues. 1. Gather up as much of the mass of the object as you can.

2. Burn it, if you are religious, pray while you burn it. In fact, praying during every step of this disposal process couldn't hurt.

3. Gather up the ashes, wrap them in a burlap sack tied off with a leather cord (yes the material is important).

4. Place (DO NOT THROW) the bag beneath the current of cold, running water.

5. Wait for any bubbles or any motion within the bag to stop, anything that's drowning in there is not your responsibility.

6. Gently release the bag and do not take your eyes off it until it either hits the bottom or vanishes from sight.

7. Scoop up the water in a metal container with your RIGHT hand

8. Douse the spot you picked up the material from with the water. Do not touch, sit on or otherwise interact with the spot until the water has naturally dried.

9. If at ANY POINT these processes do not go as planned. If you notice signs of your car or home being rearranged without your knowledge. Or otherwise sense anything amiss, contact a licensed occultist from www.Shadowpact.org and follow any further instructions TO. THE. LETTER

10. Make a mental note that you do NOT fuck around with magic. Magic is NOT a joke or a scam. And the people who deal with magic are VERY well educated in how not to get themselves killed. YOU ARE NOT.

[darklightsworld]

So, about the new BeruBara movie in detail. I rushed to watch it, because the visitor present was the above genga copy <333 Pretty amazing, because even the exhibition last summer did not have genga copies in the goods corner (aside from the very expensive ones). In this sense I consider the price of the ticket well spent. It is shrunken to A4 (from B4), so I can even use it in class. Until now I only had a B4 original and several B5/A3 copies, and it isn't convenient to bring those to the uni. Anyway, I hope they will announce the week 3 present soon. I'm not so keen on the Fersen-Antoinette genga next week, but I would get that if the others aren't genga anymore.

This was the good, now onto the bad. It was bad, I was oscillating between cringing and secondhand embarrassment for a good part of the movie. One of the reasons in kind of subjective, but the bigger reasons are objective. First about the subjective: I don't like musicals. I already suspected from the trailer that they might go into that direction, because the theme song screams "musical song™️." That song is so bad too, and it also showcases the typical "let's throw English phrases into the lyrics, because they sound cool" attitude. But the thing is, Berubara takes place in France ^^; Anyway, I guess they might have gone into this direction, because Berubara has been a longstanding success with Takarazuka. Also something I'm not touching with a ten-foot pole. I'm not sure how Takarazuka fans liked the movie, but from an anime perspective, it was weird. This isn't Disney, anime rarely crosses over into musical, and even those instances aren't successful (I don't mean idol series, that's something else). Even this movie isn't actually a full-fledged musical, often it's like image/character songs sung by the cast added for certain reasons. This latter is also questionable, not all of the cast are nice to listen to... (see singer vs. seiyuu made to sing). The opening/theme song resurfaces more than once, and it becomes ridiculous when the uprising Parisians start to sing the same song used to welcome Antoinette in the beginning in a different arrangement. The song inserts are often used to rush through or gloss over things, but I will come back to this later. The symbolism used in some of these scenes is a mess too: art nouveau motifs for a rococo story... or the underwater imagery ^^;;;

Now, about the objective faults. This is not a well-made anime:

Visually, there are some/several money shots, but otherwise the sakuga is a lackluster. They clearly did not have enough money to make it movie quality. The visual style of the manga is old-fashioned, seen as kind of cheesy, and it has its fair share of parodies. It was a question whether the anime can honor this style without turning into its own parody. I don't think it always succeeded, hence my secondhand embarrassment. The musical parts also used a lot of bank shots in the name of "memories," so I guess those were also meant to save money.

The biggest issue is, however, the narrative. You could already see in the trailer that they would cover the whole story. Seeing that Berubara is a 10+ volume long series with 30+ years passing in the story, the movie was... ambitious, to say the least. Unfortunately the movie did not succeed to make it a coherent story. I blame the director too, because even though I think such a approach was bound to fail, it could have been better even among these circumstances.

The movie feels like a summary, or maybe a highlights reel, and I'm afraid it isn't understandable to those who don't know the story beforehand. Quite often the scenes are disjointed without any transition. Many subplots are only visually mentioned, and not even spoken about: the Dubarry issue appears during an image song, the gambling-Polignac-necklace affair during a narration (not mentioned by name), Jeanne does not appear. Rosalie appears in one scene, Bernard as well. Bernard gets named, but you may wonder why, because he does not become important for the plot. Robespierre is a single image too. I think they could have completely erased these, if they were reducing them to these mentions. They kind of feel like sending a message to fans that yeah, we know there's more to the story, but we don't have time to deal with them, so here, have some bullet points. I would have preferred a coherent plot instead... Btw, he noble thief plot is erased, André loses his vision in a different way. Girodelle asking for Oscar's hand seems so out of the blue, like, who were you again? ^^; Fersen is also dropped after they get together with Antoinette (except for a moment mentioned below). It is really bewildering.

As a fan you know what happens in-between, but if you don't know the story, it is difficult to understand the whys and hows. Btw, one of the worst gloss-overs is the Oscar in a dress scene (see above genga). Based on the movie it is already difficult to see where those feeling came from, but when she starts to dance with Fersen it turns into an image song of the four mains, and the unsuspecting viewer has no idea what happened there ^^;;; As mentioned, the musical parts had many repetitions, and with so little time to unfold any plot, they felt a waste of the little available time.

The characters feel very superficial because of rushing through the plot. If you don't know the story, you can only ask why this or that happened. Like, when did Oscar develop feeling for Fersen? And then for André? And so on. There is no show, only tell, and often not even that. Antoinette also loses later character development, and seems to be the selfish queen the French people paint her as. The plot starts to become more coherent after Oscar leaves the court, but even though there is character development for her, most of the political issues that influence her earn barely a mention. So yeah, superficial.

The story ends at the storm of the Bastille (iykyk), and the rest of the history is only narrated in etching style. I would have loved anime style illustrations.

These were the main issues I can remember off the top of my head. I think making a single movie out of this long story was an impossible undertaking to begin with, but it also could have been way better than this. More money for quality animation would have been necessary, also a coherent plot with more nuanced characters.

[magicanddragonsgalorebookclub]

ONYX STORM SPOILERS AHEAD!!!!!!

So fun fact about this book club blog - I created it because of Onyx Storm. I had just finished the book and the one girl who I knew was reading the series was ghosting me, so I was harassing my mother (as one does) and she suggested what became this.

Anyways. Needless to say, I have many thoughts and questions for the future of these characters.

I need more information about Brennan and Naolin. I really thought we were going to get more concrete answer and this book and then we didn’t (except for the mention of Brennan’s first love who was a rider a year or two older than him, which I was THRILLED about, but I want answers)

The obvious question: who is the brother at the very end? I am very much so in the camp of it being Bodhi, but I can be convinced otherwise

I need more bonding between Imogen and Violet because I feel like everyone else Imogen was close to is either dead/venin/Garrick (who is missing)

Capital Q Question: how is Violet going to handle her second signet? Xaden mentions that it’s a form of inntinsic, so it’s not like she can just tell people that it manifested, but people are going to question what her second signet is. Is she going to explain it off as her not manifesting a second signet because Andarna broke the bond? But then she showed up again, so that complicates things. I don’t know, but I guess we’ll see.

…This last thought scares me so much.

We’ve seen with Jack Barlowe that venin riders can have their bond with their dragon broken without them dying. This means that Xaden and Sgaeyl could theoretically break that bond without Xaden dying and this thought relies on Sgaeyl also not dying, but that’s a little more up in the air. So. Xaden and Sgaeyl’s bond is broken and both of them are alive. Does this mean that Xaden could theoretically die (in book five, I highly doubt that he would die in book four) without Violet also dying? I really don’t think that Rebecca Yarros is going to kill Violet, but Xaden doesn’t have the plot armor of the chain reaction death thing anymore and that SCARES me.

Slightly less worrisome follow up question though - what’s going to happen with Sgaeyl? She and Tairn can’t be separated for too long, so either she’s going to stay with Xaden and then just randomly pop up every week or so to say hi (TBD if Xaden would be with her or not, I truly do not know what Xaden’s going to be doing in book four) or she’s going to break the bond with Xaden and just fly around with Violet which, as much as that breaks my heart, I think it would be funny if Violet just ended up with three dragons following her around

I have many more thoughts running through my head (I’m already re-reading the book via audiobook), but that’s all for today.

[aikoiya]

Huh! Maybe it's just an American version thing? Though, if so, booo! Not nice Nintendo!

Also, oh my gosh, THANK YOU!! YOU'RE A GODSEND!! I've been losing my ever-loving mind!

Like, the fruit still has some of the most creatively bankrupt names I've ever seen, but at least I have a frame of reference!

And thank you so much for the link!!

Also, yes. Psychonauts is very interesting & a little bit crazy. Though, it also has some really dark stuff, but it mostly only turns up if you explore & go out of your way to find everything & 100% the games (which, to me, is totally worth it). But what I love is that the subtext sort of gives you insight into how the trauma of the characters affected them as individuals. Though, you also get a bit of a similar environmental storytelling experience from games like Persona 4 (with Shadows) & 5 (with Palaces). Both feature this whole “getting a look at one's inner world” sort of thing & I eat that stuff up. Though, you're not always gonna get things told to you explicitly. It's more so something you have to look around the environment. Or, you can watch analyses on YouTube. Always fun to listen to someone else's interpretation of things. Like, it even goes so far as there being a power in the game that can let you literally see how other characters view Razputin & I just find it super cool because almost every single characters, plus numerous animals, each see him in a way that gives you a bit of a hint as to their relationship with him & I love that!

Also, don't listen to Sasha Nein. Those lamps are beautiful & it's just his childhood trauma getting the better of him.

But, I'm not going to go too deep into it because I fear spoilers.

Hmm… Sounds promising. Whatever helps with the worldbuilding.

To be fair, the Door of Time would likely only open the once in order to let Link out, then would shut & be unopenable without the other stones & the song. (I mean, why wouldn't it have an automatic lock mechanism without the keys to opening it present? Similarly, it has to open from the inside, otherwise that's just shit building code.) As such, so long as Ganondorf wasn't literally there at the exact moment that Link was sent back & left through the door, I don't really see too much issue. And, my guess is that the time was specifically chosen because Ganondorf wasn't looking.

I will say that I do sort of view the Master Sword as being fairly important to how Link traveled in OoT, otherwise I don't think it'd be quite such a big deal of him utilizing the sword as a means of travel. This is part of why I hc the Master Sword's handle & the Ocarina of Time as both literally being made of the Timeshift Crystal from SS. Because then it gives a bit of “oh, I see!” To the whole thing. Otherwise, it wouldn't be so important for Link to pull the sword from the pedestal in order to go forward & for him to return it in order to go back. For all we know, it acts as a sort of anchor to bring his consciousness back to him.

So, yeah, I think you've figured out a cohesive means of explaining what went down in OoT that leaves as few wrinkles as I can see! 👍

Now, I can also sort of see the Triforce being somewhat unaffected by time too, but that's mostly because of its role as a representation of the literal creators of Hyrule's reality. So, to me, this means that it likely exists outside of time, at least to a degree.

Thank you! I really enjoy finding plausible explanations to things & I just really can't help but wonder who it was that built the qānat if that is, indeed, what allows that spring to flow?

Same! It would've been so neat to have a Farore centered game & I hope that, if they ever do remake the 2 Oracle games, that they take the chance to also make the third! Though, I think they should go with something like “Oracle of Mysteries” or “Oracle of Runes.” That way, there won't be any confusing it with Oracle of Seasons the way it would be with the commonly hc'd “Oracle of Secrets.”

Really? Hmm… I was thinking that it'd be the building itself, which would also include the restaurant inside of it, but I guess that the brasserie should have its own name, huh?

Let me give it a think… Maybe something with shells or pearls to represent being sort of the “jewel of Lanayru?” Maybe even have the food served in large, cleaned out clamshells? NO!! The shells of Shell Blades! With silver & nautilus shell wine flutes! Oh! I just found a picture of some that are near perfect!!

I think that I'd need to give the stems some pretty designs to spruce them up a bit. Though, nothing too extravagant. Just something pretty, but stylish. Like… Maybe make it look like the shell is being balanced on a spray of water, like from a fountain? Simple, but elegant. Though, they also NEED to have shell wine baskets on a sort of coral base.

Also, a single chandalier made from sea glass, pearl, nacre, & shell.

Anyway, what about la Perle de la Lune Brasserie du Clos or la Perle de Conque Brasserie du Clos? I was looking for a good reason to use moon, but I couldn't find the right place to put clair de lune. But I think this is fine.

Either way, I really like it! Plus, it can also be a reference to the Moon Pearl of LttP.

Thank you! Much appreciated! Always grateful for the gentle linguistic guidance!

Also, I had zero idea, but I now completely refuse to change it from Marée-Chant, because I love that not only did I somehow manage to make a pun, but also one that's super fitting! So, yeah. It is now an intentional pun! :D

True, at the same time, you could possibly try to find ways of spinning the Zelda sightings in a less jocose way. Oooo! I do know of a comic that shows a great way to depict the sort of havoc that the Yiga taking on Zelda's guise probably had on Link! Especially involving their hideout on the Great Plateau!

But it's a long one! Arggg!!

I'll come back with the link to it if I can! It's really good!!

Hmm… For the Hateno Village quests, maybe have Reede mentioning the increase in monster activity alongside the Gloom & the return of the Blood Moons & have him mention how he was keeping the election going in an attempt to try & help keep the citizen’s minds off of things. Possibly insert a bit of an undercurrent of unease that's most visible when no kids are nearby. But even the kids know that SOMETHING'S up, just not quite what, yet. Ya know? Possibly even have it so that Reede is sort of exaggerating his end of the Reede/Cece conflict for that reason. (Which, btw, I'd still keep the whole Cece Hat thing, but have it so Link absolutely roasts her regarding the hair & make-up choice. Like, shame her. Because, good grief Cece!)

Also, you may wanna consider having Reede set up a curfew, that way, you can maybe make the nighttime attack of the Stals on the Sun Pumpkins into a more serious issue. Like, it isn't just the pumpkin patches they're attacking, but the town itself. Possibly have some of the new militia set up at what's left of Fort Hateno to do what they can to curb the bulk of it? (Btw, why is there no Stalynel??? And, can you imagine actual elemental Lynels? And a Staltantula boss in the Depths? That'd not only be so flipping cool, but also complete nightmare fuel!!!)

But, regardless, if it was too peaceful for your tastes, try shifting the tone so that it's more of a strained, maybe even slightly delusional peace? Think about it this way, these people had been tormented by the Calamity for 100 years & only recently did that nightmare end.

It wouldn't be surprising if a lot of the civies tried to keep up a veneer of peace in a vain attempt to try & maintain hold on the fraying edges of that tranquility. (I think I've brought this up as a possibility already, just with Zelda...)

Now a dungeon in Necluda is an idea I can get behind! Love that idea!

Oh, heavens! Yes! Absolutely, same! Like, don't get me wrong. I don't mind strong women or tomboyish girls or maybe 1 or 2 strong women that aren't interested in relationships. But not the absolutely flipping wave of them that we've had lately! And, you know what? Yeah, I'm very similar. It's part of why I made my oc the way I did.

Actually, I'd like to bring up something that someone else mentioned a bit ago! Did you notice the hairstyles & designs of the Gerudo in TotK's past? If you notice, most of them weren't really very feminine. And, this suggests that they probably weren't dressing to “attract the male gaze.” But, (& this is me switching to canonical TotK game talk) if that's the case & the Gerudo had also been in a war with the other denizens of Hyrule before Rauru came like I theorize, then this makes you wonder how they were getting males.

Just something to think about. Like, I know what my theory is, but I'm not so sure how dark you wanna go with their portrayal. Because, trust me, I can go SUPER dark. 😈

I tend to think similar, personally. But, for me, I tend to look at examples where a singular old man defeats an entire professional women's soccer team IRL & think quietly to myself that, despite being much taller than most male Hylians, I actually think that a single well-trained Gerudo vai would only be around as strong as a single well-trained Hylian male. And, she'd likely need to utilize her greater height against him to win. But, once more, that's just me.

As for the Rito, I tend to think that the scales from Valoo was how the Zora were initially transformed & that this new design for them is just how they evolved afterwards. Not in that this is how they evolved after WW, as I know you're not going that route, but more so that maybe something similar happened that required some of the Zora to transform into Rito in your timeline. And then, after that initial transformation, generations pass with the Rito slowly gaining more & more bird-like features alongside the remaining Zora also further evolving.

And, I actually think it's a great opportunity to have the Ancient Sage of Wind, alongside the Ancient Rito being much closer in design to WW Rito, so as to showcase that there was a change. Same with the Ancient Sage of Water & the Ancient Zora being closer to either the OoT or TP designs. Or maybe even have Zelda discover that there were once 2 tribes of Zora with the Zora of the modern day being the descendants of both?

Remember that your gonna be sending the girl at least 10,000 years into the past. Also, something else to play with? The possibility of the Ancient Goron still learning Ancient Hylian, because they had only recently resurfaced from living in Gorondia. So, I’d like to think that they’d be learning the language.

Also, I totally see Zelda frantically creating a sort of underground study with a vault of specimens, including seeds, maybe even have a few smaller critters in containment cells? Ooo!!!

Oh, wait… I forget… You're not doing the Secret Stone thing, are you? If you were, I'd have suggested making it so the Stones just sort of enhance their powers & gives them a specific ability like the ones in the game, but that it doesn't prevent the owners from learning other abilities of a similar nature. So, I guess that what I'm saying is that Zelda could've learned how to use Stasis after lmastering Recall, ya know? Though, if you're having it so that the Sheikah Slate is still a thing, maybe you could make it so that she figures out a way to use the Stasis Rune to make those containment cells. That way, she can sort of… Oh, gosh! I think that I'm essentially creating an entire dungeon! One based on Noah’s Ark! But one that travels the sea of time! XD

What if that's the dungeon in Necluda?! What if it's this massive facility in the Necluda Depths that's essentially a massive museum, library, zoo, & botany vault! That's totally the sort of thing that Zelda would flippin' do!

Anyway, I get what you're getting at with not wanting to make the Gerudo outcasts, but eeeh… I dunno. I guess that I feel like they're outcasts anyway & that it's kinda because of their own choices. Like, just their culture as an all-female race that keeps their daughters seperated from their fathers is going to make them as such.

Though, for me, part of the reason for my depiction of them as being cursed is somewhat so I can have that curse broken eventually. Like, to me, it's really little more than an opportunity that I'm trying to use in order to highlight the fact that they once had even worse practices & that it resulted in karma coming to bite them. However, because of that & their humbling, there's supposed to be a slow progression of their depictions over the timelines being something like a case study in how all cultures, all societies, have black spots & things to be ashamed of. But that it doesn't have to be the end &, in fact, the Gerudo are much much improved. So, there's hope.

You know a sort of race wide redemption arc!

As such, my point in it is, I guess, using it as motivation for the Gerudo to improve as a people.

Also, & I know it was more of a joke on your part, but at the same time, if you do go with the idea that the Sand Goddess made Gerudo voe so that the vai only get something nice to look at every hundred years, then you should probably consider how that would affect the voe, as well as the overall perceptions of the vai towards males in-general because of it. Specifically, imagine it from the perspective of the voe. What if your creator made you to have no real purpose beyond looking nice? Imagine that your entire existence revolved around that alone.

Depressing.

And if this were how it was, then the default preconceptions of the vai would automatically be, "men only exist for the enjoyment/use of women." Like, not even for the sake of reproduction because, again, like you said, they didn't need men to reproduce. So, the voe wouldn't even really have that until after the Sand Goddess was killed. And then, well…

The concenssus would likely have become deeply rooted in their ideologies (case in point, that one OoT Gerudo who mentioned that she thought Ganondorf was the only man worth anything). Then, it might've eventually resulted in a culture of misandristic exploitation not unlike one particular depiction of the Amazons of Greek myth. Possibly even culminating in a few generations where the 1 voe sort of becomes what amounts to a slave king & the designated stud for that specific generation. Likely even acting as a kind of feminist reversal of the orientalist harem trope. (And yes, I am fully aware of how yeesh that sounds. Because it IS.)

Also, there's the question of if the Gerudo were made to never need men & the centennial voe was little more than eye candy, then why the legend saying that he was destined to be king? Why the worship in OoT? Literally, how did he get so bad in OoT, HW, & TotK???

Does the legend refer to a true king or more so a pretty figurehead in a pretty crown? Like, maybe he was instead meant to act as the Gerudo queen's handsome arm-candy? A trophy husband or a sort of proof of her legitimacy as queen? Maybe even it being said that a vehvi produced from 2 Gerudo was thought to be exceptional or usher in some sort of Golden Age for the Gerudo.

I'm not saying don't. Just... maybe be aware of the implications these sorts of choices have & prepare yourself accordingly?

And, this one is more out of personal curiosity than anything: What does this choice say about the Sand Goddess? What did the choice to create the Gerudo as nothing but women with only one male every century, where the vai, rather than mating with men, instead went to the Sand Goddess in order to reproduce: What does it say about her & her intentions?

Why did she decide this? Did she have bad experiences with males that led her to do this, possibly believing that she was sparing her creations from grief? Is she an example of a tragic biggot? In this case, a misandrist who legitimately hates males of any kind, believing that they were the source of all the ills in the world, & wanted to create a species where they were commodities & treated as lesser? (An example of Tragic Bigotry. A very interesting way to make the typical bigotry thing more complicated than just “bigots are just jerks, who cares why?”) Or did she do this so that the Gerudo would be forever reliant upon her?

While it may not seem important, you'd actually be very surprised how it can spawn new ideas to explore the underlying reasoning behind these sorts of decisions.

Heck, if you go the route of the second choice, that could easily end up being an underlying reason to why Ganondorf can almost never seem to escape from his role, because in this case (though she likely wouldn't have meant it as such), it could be due to the Sand Goddess' perception of men becoming the basis for Gerudo voes' nature. In such a situation, Gerudo voe would've been created to be subjugated. Otherwise, they risk becoming too ambitious & devolving into demons. Because it would literally be the subconscious belief of the Sand Goddess, which could’ve bled into her creations without her realizing it.

Now, again, I'm not trying to tell you what to do, but I think it's important to at least acknowledge the thought process.

And, one final thing. I don't know if you brought this up before, but I think it's something that you’ll likely need to keep in mind when characterizing your version of Ganondorf.

Namely, how much of the Calamity did he have control over?

And, I need to really bring this into perspective. This… it was absolutely horrific.

Judging by the population density map, the Calamity resulted in the deaths of upwards of thousands of people.

And that’s no small number. Castle Town was sundered. And 7 entire settlements were destroyed, leaving Central Hyrule completely unpopulated. And Deya was the largest of them, but according to what I’m seeing, literally no one survived Deya.

If that’s the case, then that doesn’t just mean soldiers. It means E.V.E.R.Y.O.N.E…

Like, just take a moment to meditate on exactly how utterly horrible that is.

That means men, women, the elderly, the infirm, children, infants, pregnant mothers. Yes, I know, it's horrible. But, it's also canon.

Like, & I'm really sorry for this, but I really do think that it very much encapsulates my thoughts on what happened in the Calamity. Guilty of Wrath

Warning, it's actually pretty graphic.

Like, for me, I just think that it's really important to really take in the full scope of what happened & to properly characterize the Ganondorf that caused all of it, to ask just how aware he was of it all.

Because, I'm seriously considering making this part of my official canon for Meeting One's Match. (Not the part where Link is dead, but most everything else? Yeah, though I'm thinking of letting Rauru take the place of Link in this. Let him be the petty one to deal the final blow to Ganondorf’s psyche. However, now that I'm thinking about it. I may make him backed up by Sonia & the other Sages, then just before they leave, the Sage of Lightning points behind Ganondorf & he snaps around… Only to be met with a veritable sea of spirits… And he's suddenly forced to acknowledge the sheer amount of death that he caused… Ooohoohoohoo! This reminds me of a REALLY amazing one-shot idea I had! But we can talk about that later!)

Like, in my interpretation of events, I'm sort of making it so that he doesn't really know. As in, he was sealed underground &, I guess, sort of allowed his Miasma to run wild with a mindset of “just break everything. Break all of their toys,” but he never really thought about the full concequences of that choice. Never thought of the implications of his own words in certain scenes or what their logical conclusion would be.

So, in my story, one of the final hurdles that he's going to need to face will, in a way, be himself.

As, I'm sort of going with the idea of how hatred is an insatiable beast that keeps demanding more & the more you feed it the bigger it gets until you suddenly realize that it's taken on a life of its own & you no longer have any control over it. And I guess that I feel like it's important to nail down whether your Ganondorf really knew what he was causing. Like, for me, if he knew & was aware of the full scope of his crimes & was… I dunno… unaffected by it, then I just don't think that having him care about the Gerudo will be realistic. Like, it takes a very specific level of psycho to knowingly commit that sort of just… Horror.

Like, the Calamity was outright a flipping genocide, man. The Guardians weren't stopping. They would've eradicated Hateno too, which would've, at the time, left only Shadow Hamlet, Lurelin, & Tabantha Village. And we don't even know if they would've stopped with Hateno. We don't know if they would've stopped until the only one left alive was Ganondorf himself.

So, I feel like it's kinda important to establish whether your Ganondorf was genocidal in a very literal way. If he was, then I just don't see much hope for him coming across as any degree of sympathetic.

@aikoiya The post was getting long again so here's a new one!

I knew you were going to answer that saying "this is unfair" isn't real life logic haha (and I agree that life hasn't been fair to Sky and Sun anyway). It's just that such an ending would probably leave me feeling unsatisfied and even a bit robbed, and I think it would require a lot of other changes to be made to the story in order for it to work properly. But anyway you're right, as things are now this would just be happening behind the scenes so what I'm saying doesn't really make sense. But just thinking about it changes my perception of SS in a way I don't really enjoy, so it's not a theory I favor.

Yes in that setting I'm pretty sure that the other Sun would not make herself known to Link and Zelda and would let them have their happy ending. But I think Zelda would likely suspect her existence and know that something is wrong. I guess even Link could notice that the Temple's doors are suddenly open and would ask Impa a few questions.

I had no idea Tingle called Farore the Goddess of Wind in WW, so I went on a little quest to see if I could find the same quote in the French version of the game. Apparently it's in Tingle's description of Outset Island and I never had the chance to play with the Tingle Tuner mode. I can't find the same quote in French anywhere and I don't even know if this was included in the HD remake (I guess I'll have to wait for a Switch version to find out… if they ever release one). This has me wondering if this quote isn't something exclusive to the English version, but I can't be sure and I'd like to know what the original Japanese text says. The French wikis mention that Farore is the Goddess of Wind in WW but don't provide any quote, it just looks like the pages were translated from English but that they couldn't find the same quote in French. It's really frustrating!!

Anyway that's a bit weird because WW already establishes Zephos as the God of Wind, and he seems to be a minor deity compared to Farore. The way I see it, wind is just the element that Farore tends to be associated with, and since a lot of myths might have been lost with Hyrule in WW this could just be a mistake on Tingle's part. I mean this is the game that gave us the Golden Triumph Forks haha.

I'm not limiting Nayru/the Golden Goddesses to a singular domain, quite the opposite ^^ To me Nayru being the Goddess of Wisdom includes different concepts such as order, law, science, magic, etc., and even time (since she's introduced as the creator of the world's fondamental laws), while calling her the Goddess of Time doesn't include all of that. That's why I wrote that I found it a bit restrictive. But sure she could have both titles, the same way Farore could be known most commonly as the Goddess of Courage and also called the Goddess of Wind in some situations.

Oh I didn't think of the blocks from OoT! I would say though that they don't really use any time powers, they're just random blocks that appear or disappear for some reason when Link plays the Song of Time (it's just as absurd as playing the Song of Storms to open holes in the ground haha). But yes they were blue and associated with time, and of course Nayru is too. The difference with Hylia in my theory is that Nayru created the rules of time (if that makes sense) among other fundamental laws, while Hylia's power specifically allows her to manipulate time and foresee the future. In a way I see Hylia as Nayru's spiritual daughter who inherited some of her powers over time (and that's why the color purple she's represented with is very close to blue).

The Master Sword has also been depicted as either blue or purple though, so that asks the question of the true color of all of these things! Nayru is definitely linked to time so it makes sense that the timeshift stones are in Lanayru (and Hylia also doesn't have a province named after her).

"From the edge of time" could definitely just be a poetic way to say that Hylia kind of recorded a message for Link before dying haha. But I find it interesting that she would phrase it like that, I like to see it as a clue.

Well if Zelda simply sent Link to a point further back in time, wouldn't there be two Links existing at the same time in the Child Timeline? But sure Zelda creating a brand new timeline also raises a few questions that kind of... make my head hurt. I'm not sure what happens exactly, I've always wondered! All we know is that Link finds himself in the Master Sword's chamber with the Door of Time already open, which hints at things happening in a different way this time (because he definitely doesn't have the three spiritual stones and the Ocarina of Time yet since this is before Ganon's coup, and the ending seems to imply that this timeline's Zelda doesn't know him yet). That's why I believe Zelda might have done something a bit more complex than sending him to a point further back in time, but there's no way to be sure. The Triforce of Courage is also visible on Link's hand during the ending, and we also know thanks to TP that the Triforce is still separated in the Child Timeline despite Link and Zelda preventing Ganon from entering the Sacred Realm this time. So maybe Zelda isn't able to change everything? It's complicated haha.

Anyway, whether OoT Zelda creates a new timeline or just sends Link further back in time, that's still huge time powers and that's not something Link is able to do by playing Zelda's Lullaby.

I also believe it is more likely that Talon inherited the ranch. True, Talon might not always have been so lazy, but maybe if that was the case the game could have hinted at hit. All we know is that he leaves his daughter alone with Ingo and only comes back after Link deals with the situation, which does not make him look so great. And he only promises to work harder after that.

I'm kind of bad with names so I'm impressed you're going through all of that trouble to rename the settlements!!

I haven't gotten to developping the technology that much yet, but I'm really interested in seeing what the different races could do with it! I love the idea of using the Sheikah to infiltrate the Yiga bases. I wish TotK had done something like that and shown the Sheikah helping Link that way.

Same, I was so excited when I heard about these pirates… and then so disappointed to find nothing more than a bunch of bokos with no backstory.

Vignoble is not related to noble (though I kind of make the association in my mind, especially since vignobles are sometimes called châteaux).

Yes I thought you could maybe use clos! Aquaticlos is funny, it can work! Though maybe you could use the same logic as for the raisins (I love this Raisins de Terre idea by the way, it makes sense!) and say that what the Zoras call a clos already refers to something that's underwater, since that's probably the case for most of what they cultivate.

I don't mind helping you with French, I'm glad to do so! You put so much effort and thought into this, it's really interesting.

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[brittlebutch]

sonic and snufkin actually kind of feel like very similar characters to me. holding hands over “my personal sense of freedom and dedication to making decisions based on what I think is right is what matters most, and if you’ve built some idealized version of me in your head then that’s none of my business and it’s not my responsibility if the reality of who i am lets you down in some way”. also the deep connection to nature and all.

[sibillascribbles08]

[horrendoushag]

I think you have an amazing point OP, though I don't think it's right to say that Dan isn't Danny. I do agree that he is majority Vlad, and that this should be addressed more often within the phandom (that would be super cool honestly), but as far as the writing in TUE goes he is definitely intended to be a future version of Danny and Plasmius.

To quote Dan when he returned to the past, speaking to Tucker: "In my weaker moments I sometimes miss your droll sense of humor." In that one line you can see both Danny, missing his friends, and Vlad, talking like a drama queen.

So what I would say is that while Phantom and Plasmius combined to create a new ghost, Dan as a person is not "new", he's not a different person, he's a future version of both Danny and Plasmius simultaneously.

Anyway good post. Team Dan-is-also-made-from-Vlad-guys-don't-you-remember-that-bit? ftw

About Dan

Something I would like to see addressed more in Danny Phantom fanworks, especially crossovers, is that Dan is not Danny.

Just to be clear, I don't mean that in a "Danny didn't take that path and didn't become that person" way. A lot of stories tend to refer to Dan as an evil version of Danny from another timeline, but that's not what he is.

Dan is not Danny.

He never was.

Dan is not Danny's evil future self. He is not Danny from an alternate Timeline. He is not Danny at all.

In Dan's timeline, Danny and Vlad both got split in half. The ghost halves of both merged and became Dan. Dan is a new entity who was made from half of Danny and half of Vlad. He is not a version of Danny any more than he's a version of Vlad.

Dan actually has more in common with Vlad both physically and personality-wise. Physically, Dan has Danny's hair color and face shape, but he has Vlad's eye color, skin tone, fangs, ear shape, and hair texture. Personality wise, Dan got Vlad's cruelty, ego, lack of empathy, some of his manipulative tendencies, and his flair for the dramatic. He got Danny's impulsiveness.

There are similarities between Dan's origin and the "evil future self from a bad future" plot that is so common in superhero stories, but that's not what Dan is. Danny doesn't exist in Dan's timeline. His human half is dead and his ghost half was part of the materials used to make Dan. This is spelled out pretty explicitly in the show. The Boo-merang doesn't track Dan because it's locked onto Danny's ecto-signature, not Dan's.

You could compare Dan to an offspring of Danny and Vlad. It would certainly be closer than calling him a version of Danny. That said, I think the better description would be that, whatever Frankenstein's creation was to the people whose graves Frankenstein robbed to make him, that's what Dan is to Danny and Vlad.

Danny's fears regarding the Dan timeline would not be about his own potential to go bad, but about Danny's friends and family dying, Danny being left at Vlad's mercy with no support system, and Vlad experimenting on him until the incident that results in Danny's death and Dan's creation.

I noticed that a lot of Danny Phantom and DC crossovers especially tend to simplify Dan into an alternate Danny who had a villain arc, and it occurred to me that a lot of people approaching from the DC side of things probably never watched The Ultimate Enemy and don't know the actual story behind Dan.

It's really too bad, because I think there's a lot to be done with it.

[i-starcreamed]

Hi!, can I get some headcanons of transformers one character being jealous and the reader teases them.

D-16, Orion, Sentinel, Badassatron, and elita.

TF-ONE X READER

I tried to make this silly I'm feeling silly...enjoy

Post includes all of above :3

D-16

Tries to act unaffected by it, but doesn’t make a huge deal

Usually

He’s usually nice about it

Let’s say a bot is being really friendly with you, they’re making you laugh and everything. D sees from the distance, then comes up to you. Placing a servo against the small of your back-frame. “Heyy what’s so funny? I want to hear too :)”

He’s forcing a smile so bad.

He’s harmless, man, he trusts you completely

If another bot is for real flirting with you though, he's going to be so passive-aggressive

It’s more like he wants ur attention lol

If you teased him about it he’s going to deny it so hard

"What? No, no no.. I’m not jealous..pfft"

If you’re extra sweet maybe he’ll admit it

NOO y/n.. I’m funnier than them anyway.. I’m cooler too..

Orion

Don’t get jealous often either

He trusts you, he’s trustful of most bots

He gets jealous when you don't give him enough attention too

You’ll be talking to someone and he’ll just be in the background like,

“I’m..Y/N? Hey I..y/n? Uhm..I'm..right here..”

He’s so awkward, he doesn’t want to be rude to either of you but he’s lonely!!

If you tease him about looking sad when you’re not looking at him all the time, he’ll softly scoff.

"Well...yeah. They were flirting with you.."

sad puppy eyes

"Orion..they were asking me about Sentinels speech yesterday.."

"Oh...sorry."

eughhh

Sentinel

Oh boy

It’s a mix of irritation and jealousy

Why are you looking at someone else! When you can be looking at him!

He might be an attention seeker. He’ll just say things to catch your attention.

“Hey sweetspark, come look at my new paint job!” He calls you over as you're busy talking to someone else, he looks exactly the same btw

If you teased him I feel like he’ll take it way too seriously

“Jealous? What is there to be jealous of?? I’m literally Sentinel??”

But then his insecurity starts

“Wait…do you like talking to them more?”

evil sad puppy eyes

He'll only be content if you feed him compliments. Also erm..never talk to that bot again

#toxic

If he can’t demote the bot he was jealous of, he’ll try to one-up them, otherwise they are FIRED

After he gets over it he’ll be extra affectionate. You also get affectionate when you tease him so maybe it’s not so bad after all

insert makeout session

B-127

Badassatron

He’s definitely a bit attention and touch-starved after being stuck in low levels for who knows how many years

It’s only logical that he’s glued to your side for the rest of your life

If he’s jealous it’s very obvious. He tries to do something to get your attention or awkwardly stands there

Hey y/n look at this! - Does a backflip and falls

Tease him about it and he gets flustered

"Whattt? No, I’m not jealous!" He lets out a cocky laugh

“Ok maybe a little..”

Kiss his faceplate all over and he’s yours

He's definitely the least harmful

If he's jealous about a bot he particularly dislikes or they're flirting with you out and about, he might be more passive-aggressive about it

"Hey don't mean to intrude or anything, but uh, I'm kinda busy with my PARTNER. And by PARTNER I mean we're together. Yeah, uh huh! So, if you don't mind, my PARTNER and I are going to ignore you now. Since we're y'know..busy being together."

Elita

She’s smug about her jealousy, but only you could tell

“No, I’m not jealous. What makes you think that?”

Meanwhile, she’s giving the nastiest glare to the other bot.

“You really need to stop bringing their hopes up. Did you hear the way they were flirting with you?”

“Elita...they were just thanking me."

“Don’t even look at them actually"

If you tease her, she either denies it or is very proud

Like yeah she got a little jealous, she has such an amazing partner and anyone in their right mind would see that too.

Or no..she's definitely not jealous. She's just speaking her mind

[kaissatou]

hii i just love any kind of dae ho or nam gyu smut lol!! i have no preferences i just very much am in love with these characters haha! thank u so so much i love ur writing!!!!

daeho as your boyfriend ♡

18+ under the cut .*･｡ﾟnamgyu ver here

Boyfriend!Daeho who is sososo clingy with you, always keeping a comforting hand on you & always ready to give you the most comforting bear hug at aaaalll times!! If he can’t keep he’s hands snug around your waist, he’ll make do with intertwined fingers, he thinks :(

Boyfriend!Daeho, who if your anything like me, (5’0) practically towers over you. He absolutely loves the height difference between you, but not in a teasing way! He just loves to be able to engulf your shorter frame within his own.

Boyfriend!Daeho who would also absolutely looove if you were taller, gazing at you as if you had hung the stars for him. Though when you’re hugging he’s still pick you up ^.^ he can’t help it!!

Boyfriend!Daeho who typically runs hot, like a living furnace. He becomes very whiny in the summer when you detangle his limbs from your own in the night, complaining he’s ’too hot.’ It doesn’t make a difference, because he’s pulling you back 2 mins later, silencing your sighs with a quick peck before gently tugging your head back down to its place on his chest.

Boyfriend!Daeho to me is SUCH a pleasure dom, his main goal being to please you ♡ though most of the time he’ll overstimulate himself in the process ^.^

From him being a marine, I head-cannon him to have preeeetty high stamina- meaning he can last a couple rounds without needing a break. However, if you’re still not satiated he’ll completely ignore his exhaustion for you.

We know he’s a yapper already, so when he gets pussy drunk he just rambles on about how good your doing f’me and just one more, baby, wanna make you feel so good- he’s a talker during sex, if you hadn’t figured. Linking back to how he overstimulates himself, you only realise due to his face being tucked into your neck, only clocking it when his rambles turn messy, and then into even messier whines and moans.

Boyfriend!Daeho who loves when you ride him, through you’re not doing much of the work, just sitting there and looking pretty for him, like he asked. He doesn’t want you to tire yourself out. That’s his job. He’ll control your movements, sloppy as he lifts your hips up only to drop them back down onto his messy cock, grunts escaping his lips of how good you’re doing.

Boyfriend!Daeho who is packing. When your jaw drops the first time you ever see his pretty dick, he’s automatically confused- he thought he was average? Your expression says otherwise. Boyfriend!Daeho who prepares you for him by eating you out like his last meal on earth, kissing your pretty little puffy clit until you cum on his tongue at least twice.

And when he thinks he’s prepared you enough, it’s still not enough to ease the shock from the biiiig stretch, his soothing words (although sweet), not doing much to ease your mind as he slowly slides in your gooey walls. Is it even halfway yet?

Boyfriend!Daeho whose mind goes blank the first time he gets the pleasure of bottoming out inside of you, his brain short circuiting. Oh, he’s rambling again. But you feel oh so good, so warm and hot, so sticky-

Boyfriend!Daeho who’s out like a light after aftercare, quiet snores as he holds you tightly in his arms, your face still feeling the pretty peppers of his kisses, your pussy still feeling the emptiness from his cock. He’ll make it up to you tomorrow. ♡

[slut4nicholas]

𝙊𝙃, 𝙁𝘼𝙏𝙃𝙀𝙍 𝙄 𝙃𝘼𝙑𝙀 𝙎𝙄𝙉𝙉𝙀𝘿 𝙄 | 𝙁𝘼𝙏𝙃𝙀𝙍 𝘾𝙃𝘼𝙍𝙇𝙄𝙀

a/n: i haven't started the show yet, so I'm not familiar with his character in this show. please forgive my cluelessness during this fic.

summary: the reader goes to the church to confess to the priest that she recently sinned. however, the father decides to have some fun of his own.

warnings: mention of religion, 18+, missionary, loss of virginity, oral(fem & m receiving) fingering, nipple play, praise kink, pet names like doll,sweetheart,baby, mentions of anal, spanking, degrading, corruption kink, almost caught

˖⋆࿐໋

growing up in a religious household, i have developed a deep appreciation for my catholic roots. whenever I feel overwhelmed by sadness, anger, or depression, I find solace in the church.

today i couldn't help but feel a tremendous amount of guilt. i found myself hanging out with a boy, and things got a bit physical. even though we didn't go too far, i couldn't help but feel ashamed. i had promised to wait until marriage, but these uncontrollable desires keep creeping up. i've decided to go to the church to talk to the father about my recent activities and confess my sins.

as i made my way to the church, i felt a mix of nervousness and anticipation. i'm meeting with father charlie, a young and attractive man who’s also the priest at the church, which is not something you typically expect in the church. i haven't had a chance to speak with him one-on-one yet, so im feeling a bit apprehensive about what our conversation will entail.

i open the big doors to the church to see it completely empty just to find charlie sitting down on one the church benches.

“hello there” he calls out.

"father, there's something weighing heavily on my heart that I need to share with you," i said as I hurried to sit next to him.

i can feel that irritating uneasy sensation in my stomach. I didn't even give him a proper greeting. the guilt was so overwhelming that it made me stumble over my words.

"what is it y/n?" he turns all of his attention towards me, his big brown eyes digging into mine, as if anticipating something significant.

“i don’t know who to talk to, i can’t talk to my parents about this especially my own father. i’ve been feeling really guil-“

he interrupted me with a gentle smile and placed his hand on my shoulder, assuring me that everything would be okay and letting me know that he was a safe person to talk to.

“father, i need to confess something. i kissed a boy, and he kissed me back. he started to touch me, but i stopped him. i made a promise to the lord, and i feel terrible for breaking it”

as the tears welled up in my eyes, i instinctively dropped my face into my hands, seeking refuge from the overwhelming emotions.

"hey, it's going to be okay," charlie said in a gentle, caring tone as he stroked my hair, trying to comfort me.

“now tell me, did you guys fuck?”

as those words reached my ears, i couldn't help but look up at him, shaking my head as the tears continued to fall.

oh no, i hope he's not going to make me feel even worse.

“no father i swear-“

"shh, no swearing in the church," he said, raising his finger to his lips with a smirk. the irony wasn't lost on him, considering he had just dropped the f-bomb.

it was so quiet for a whole minute, and I started feeling really awkward. i had come all this way hoping for some advice or comfort, but it seemed like he just didn't care.

as I stood up, charlie grabbed my arm, forcing me to sit back down. “i didn't say you could leave. where do you think you're going?”

he replied coldly, smirking, “always so forgiving. it's kind of pathetic”

i stared at him, utterly perplexed, not really sure what he was talking about.

“father, isn't forgiveness what the church is all about?”

“sometimes, but in this case, i really want you to show me how sorry you are. otherwise, you're just going to keep committing the same sin over and over again. you don't want that, right? you don't want your parents to find out how desperate their innocent little girl has become, do you?"

i couldn't believe what i was hearing from charlie. i never expected him to act this way, let alone say things like this. i was at a loss for words and didn't know how to react. all i could do was nod in agreement. the last thing i wanted was for my parents to find out.

“father, i think i should go”

"why are you suddenly so shy, doll?" his hand on my chin made me tilt my head to stare at him.

"you don't think i notice how you look at me during mass when I'm speaking on the stand? you've become so needy that you sometimes cross your legs to stop yourself from feeling those emotions you want to avoid so badly," he says while caressing my cheek, gently rubbing his thumb on my bottom lip.

"i know you think of me taking you to the point where you can't even think straight, cum dripping out of you while i use you for my pleasure. you don't think i notice that? the way you avoid eye contact with me”

“i don’t know what your talking about father”

charlie’s hand rested lightly on my thigh, sending a spark of electricity coursing through my body. as his fingers inched toward the top of my skirt, pushing the fabric up just a little, my breath caught in my throat. each slow movement seemed to stretch time, heightening my senses and igniting a thrilling tension i couldn't ignore.

it felt deceptively wrong—the kind of reckless abandon that sent a shiver down my spine—but the anticipation was intoxicating, and I craved more. my mind raced, caught between instinct and hesitation, as the warmth of his touch settled into a deep hunger, one i found increasingly impossible to resist.

i glanced up, searching his eyes for a sign, a cue that this was more than just a fleeting moment. we held a playful challenge, a promise of the passion we both knew was simmering beneath the surface. my heart raced with excitement and fear, the boundaries of right and wrong blurring into a sweet confusion. with every breath, i felt the world around us fade away, lost to the undeniable chemistry pulsing in the air. i didn’t want to stop it; I wanted to let go completely and dive headfirst into whatever was coming next.

“do you want this as much as I want this?" charlie's voice broke through the haze of my thoughts, causing my heart to race in an unholy rhythm. i felt his gaze resettle upon me, a weight both thrilling and terrifying. my mind was a jumble, each beat vying for clarity as i struggled to focus on anything but him.

his eyes—the deep pools of mischief and longing—held me captive, swaying me like a fragile leaf in a rising storm. the blueprint of his desires flickered behind those intense brown eyes, and my cheeks burned with a shameful blush. I could hear the hymns of the service fade into background noise, a distant echo that paled against the ferocity of this moment.

what was wrong with me? i shouldn’t be feeling this way, not here—certainly not in a house of worship. my skirt brushed against my legs, reminding me of the innocence i used to wear like armor, now discarded in the face of this ravenous yearning. charlie wanted me. craved me. it was a dangerous temptation that had taken root within me, whispering sweet nothings that urged me to give in.

the candlelit corners of the church bathed in shadows, the lure was overwhelming. each passing week at mass had been an exercise in restraint, a careful balancing act over a precipice of emotion. seeing him near the altar in his crisp shirt—as though god himself had stitched him together purely for me—seemed more sublimely wrong every time.

as his eyes swept over me, i wondered if he could sense the tension glittering between us, thick and electrifying like charged air before a storm. j licked my lips, torn between the sanctity of the aisle and the allure of his promise. "I need you, doll. I can't deny it anymore," he murmured like a sin freshly minted from temptation's forge.

i felt a tumultuous wave of conflicting emotions surging within me. the whispered prayers seemed empty as an overwhelming desire ignited like an uncontrollable inferno. "father” i gasped, but the air escaped me, filled with forbidden possibilities. despite everything, all i could focus on were his lips drawing nearer to mine, as if the world around us faded away, leaving only the intense magnetism between us.

in that sacred moment, beneath the flickering lights, surrounded by silence begging to be heard, we hovered on the brink of something vast and insatiable. would we give in? would grace curdle into passion? ignoring the whisper of consequence felt like my true struggle—should we tiptoe across this brittle line, or confess that hunger has only one unyielding answer? together.

as I processed what was happening, a surge of warmth enveloped me, and i found myself surrendering to the moment. his lips danced across the sensitive skin of my neck, light as a whisper but charging the air with electricity. a small moan escaped my lips, betraying the whirlwind of emotions stirring within me. i could feel his smirk, a secret shared just between us, brushing against my skin, simultaneously teasing and thrilling.

his hand roamed over my thigh, a firm yet gentle grip that sent a shiver cascading through my body. "that's it, such a good girl for me," he purred, his voice a low whisper that thrummed like a melody in my ears, both lustful and tender. each word dripped with a promise, igniting the fire kindling deep within me, blurring the boundaries between desire and surrender.

lost in this intoxicating closeness, i reveled in the sensations; the world beyond shifted and faded, leaving only his teasing caresses and the seductive intimacy that enveloped us—a balance of power and vulnerability, inviting me to cross the threshold into unknown territory.

"father, i really don’t think we should be doing this here. It just doesn’t feel right. what if we get caught?" i watched as charlie sighed, rubbing his forehead in frustration, clearly torn between desire and caution.

"you’re right," he replied, his voice low and raspy, "but it’s late, and I don’t think anyone’s going to wander into the church at this hour. just relax, sweetheart."

i hesitated for a moment, then nodded, the thrill of the forbidden sending a shiver down my spine. i reached out, intertwining my fingers with his, bringing his hand to my lips and sucking gently on his long fingers. his eyes locked onto mine, filled with a primal hunger that made my heart race. i could see it in his expression—the desperate need to claim me, to tear away any barrier between us.

the air was thick with anticipation, and i could almost feel the weight of his longing as he shifted closer, his breath coming in quick, shallow bursts. the dim light from the stained glass windows cast a soft glow around us, amplifying the intensity of the moment. i could sense the tension building, a thrilling mix of danger and desire, as he leaned in, caught in the magnetic pull that seemed to draw us together like moths to a flame.

we were on the edge of something wild and reckless, and in that sacred space, everything felt possible.

charlie withdrew his fingers, his intention clear as he replaced them with his warm, teasing tongue. it slipped into my mouth, exploring with a fervor that sent electric shivers through my entire body. he held my neck gently yet possessively, urging me closer, deeper, igniting a fire that burned between us.

i kissed him back with equal intensity, a thrilling battle for dominance that left us both breathless. the taste of him was intoxicating, a heady mixture of desire and urgency that made my heart race. every flick of his tongue ignited a wave of pleasure, pooling low in my belly and making it almost impossible to think straight.

the heat of the moment consumed me; i could feel my body responding instinctively to his every move. the sweet tension built inside me, and i knew i needed him—needed to feel him against me, to drown in that wild connection we shared. my panties were already soaked, a testament to the overwhelming desire coursing through my veins.

charlie pushes my panties to the side allowing his already wet fingers from my saliva to dance around my clothed heat growling like a predator hungry for its prey “let me show you how a real man is supposed to make you feel darling, those little boys wouldn’t know how to handle something so precious like you. i can make you feel so good you wouldn’t be able to walk straight for days”

as he pumps his fingers in out of me the sweet sounds filling up the quiet church was enough for the both of us to go crazy “more father please” he smirked at my neediness removing his fingers out of me putting them up to mouth to signaling me to suck the sweet juices off of his fingers then going back in for a quick rub of my clit

charlie stood up getting ready to unbuckle his pants but before he could even do that a voice filled up the quiet room which caused me to jump and act quick closing my legs and hiding my exposed area “father charlie i’ve been looking everywhere for you” an older lady shouts from across the room as she appears to be in desperate need of his help

he sighed and i took that as my sign to leave before we both do something we might regret later, charlie keeps his gaze on me the entire time “hi, ill be with you in a moment” he spoke up the lady stops in her tracks wondering what a young woman was doing here at almost midnight with the priest of the church she was curious but nothing crossed her mind as she was desperate to talk to the priest

charlie followed me out of the church closing the door behind us “this isn’t over sweetheart” he placed a kiss on my forehead as he walked back into the church.

˖⋆࿐໋

a/n: omggg i hope you guys like this!! i’ve spent almost a day and a half working on this just for you all especially the person who requested this, i will be making this into a little series since it was getting pretty long! anyways i really hope you guys enjoyed this, remember feel free to request anything!

[ozzgin]

Keeping the theme of literary yandere characters, I return with this Kafkaesque bizarrerie of a bureaucratic madman. content: gender neutral reader, kidnapping, absurdism

Yandere!Office Worker is a prim and proper young man. He's eloquent, well-mannered, and intelligent, albeit a little stiff in his ways. One can tell he enjoys rules and structure, perhaps to the point of absurdity - otherwise he wouldn't be such a great servant of the bureaucratic machine. Indeed, everything must go according to the established code of conduct; yet, the author of these instructions remains to be determined.

Yandere!Office Worker is convinced you must become his partner at once! Consequently, you wake up in a basement, though it's not the typical basement one would imagine when thinking about basements. The wallpaper is fresh and elegant, the little window bordering the ceiling allows for plenty of natural light, and the furniture is clean, luxurious, with a faint sterile smell to it. Of course, he cleans everything thoroughly every morning at exactly 7:45am, with the exception of your bed, as he does not wish to disturb your slumber.

Yandere!Office Worker listens to your horrified pleas with profound interest in his eyes. You're a tad annoyed by his sympathy. "Hey," you warn him, "you're literally the one who kidnapped me. Don't pretend you're not involved!" He gasps, his pale, slender hand clutching at his chest. Well, pretending to clutch, that is: he wouldn't want to wrinkle his buttoned shirt.

Yandere!Office Worker vehemently denies any kind of wrongdoing. No, no, you were not kidnapped. It's a misunderstanding! He has the paperwork, you see. Everything happened according to the law. If you do insist, he can call the Tribunal. They'll tell you it all happened officially and correctly. "What's this Tribunal you speak of," you ask with a skeptical frown. "Let me call them myself," you demand, "since you can't be trusted."

Yandere!Office Worker hands you the telephone with pompous theatrics. "You're in luck," he says, "they're only open on Thursdays and Tuesdays, but only if it's sunny." You rip the device from his fingers and dial the number. His own phone begins to ring. "Yes," he answers solemnly, "how may we help you?" You stare, bewildered, at the scene unfolding before you. "Are you mocking me? What's the meaning of this," you begin to shout, but he quickly places a finger over your lips. "Not right now, Darling, I have an important work call."

Yandere!Office Worker is a damned lunatic. You march towards the door and urge him to let you go. You have coworkers, friends, and family waiting for you outside. Your partner! This idea seems to upset him greatly, because he stomps his foot into the carpeted floor and gesticulates: "Because he lifted his skirts like this, this giddy goose," he cries out, "you chatted him up, dug your nose into the pretty words like a well-fed pig!" He grabs your hands with desperate urgency. "Won't you understand already? I'm your husband, I ought to know you better than all these strangers you speak of."

Yandere!Office Worker is rather convincing in his ministerial meltdown. You inspect the documents, putting each line under scrutiny. Finally, you click your tongue. The rascal has a point, after all, everything matches the paperwork. "No mistake," you confess, handing him the thick, leather-bound folder. "I suspected you'd come to your senses very soon," he beams. "Let's go upstairs, I'll make you a cup of coffee." You follow behind obediently. "I'd like-" you start, but he interrupts you. "Half a teaspoon of sugar, a little milk foam on top. Who do you think you're talking to, (Y/N)?"

[walpu]

pre-relationship stage with them

characters - Gepard, Aventurine notes- gn!reader, pining, light angst but mostly fluffy, a bit of hurt/comfort. I love blonde preservation men okay. no beta we die like the economy also this was written before 2.1 but I still think I kinda nailed it

Gepard

Poor poor Geppie.

He pines so much. Treats his love for you like a tender flower. Even his feelings for you is something so precious to him, he's happy to simply be in love with a person like yourself.

I feel like this poor man willd try so much to do everything for you without giving away how deeply he cares and how intense his feelings are.

"Aw, lil' Geppie, you care about y/n so much!"

"I- I do not. I mean, of course I do! But- There's nothing surprising about it. After all, it's my duty as a Captain to care about every citizen. And, of course, it's my duty as a friend to care about y/n.

Sure, Gepard. Sure.

He would never say something like this to your face though. After all, he simply can't lie to you.

Oh but how he adores you. His face literally lights up when he sees you, the most gentle smile blooms on his face when he watches you doing even the most trivial task.

Tries to act like his usual self around you but it's pretty evident to everyone that you're his weak spot.

Would gently scold you if you would ever put yourself in danger or break any rules.

If you get seriously hurt, would actually lose his mind. Would blame himself even if the situation has nothing to do with him. Beats himself up, asks for your forgiveness and does his best to help you.

Despite the popular belief that he would prioritize his work over his beloved, I don't think it's true. Sure, he takes his duties seriously, but he would always find time for you. Would make sure to see you at least two times a weak, would answer your texts and calls. If you need him, would certainly be right by your side. Even if it means he would have to work overtime later.

Tease him a bit and he's all red. Doesn't try to stop you though, secretly adores your attention.

Would be oblivious to the fact that you like him back. Like. Really dense about it.

He's just so used to giving, to protecting, he simply doesn't expect anything in return. He has silently accepted the fact that you may never love him back, but he will be there for you regardless of it, no matter what.

Plus, he feels like he may not be the one for you. Like you need someone who doesn't have to constantly put their life in danger, who can always be by your side, who won't break your heart. Because he's painfully aware that each fight may actually be his last. That he may not come back to you.

Speaking of that. He would make sure to say a proper goodbye to you before every battle or expedition. Nothing too sappy or depressing, he doesn't want to make you worry, after all. Would probably tell you to take care of yourself, to sleep well and to eat healthy food lol. He really just wants to make sure that he got to see you before heading straight into the battle.

If you're a Silvermane guard as well, would restrict himself even more, not wanting to use his position or to be pushy. However, would still be worried sick, even more so. Would still talk to you before every battle, asking almost begging you to be careful.

Loves giving you head pats.

Generally the goodest boy. Just make sure to make the first move because otherwise he would be satisfied with just being your loyal puppy.

Aventurine

Good lord.

This man is such a mess.

Be ready for a mindfuck but not because he's manipulative towards you or something like that but because there's so many layers of trauma in him.

You have to be patient with him okay.

I feel like pre-relationship stage would be so confusing to him. He had flings in the past, okay? Short ones, meaningless. Something to distress, to feel another person's touch, to feel some sort of connection, no matter how shallow it is. He knew he uses those people and that those people use him in return. Not once he asked them to be gentle or caring.

But with you it's so different. Doesn't matter if your relationship started sexually and developed into something more or if it was mostly platonic/slow since the beginning. He still feels something. And he's not sure if he likes it.

Sometimes it feels so good to be seen, to be addressed as a person, not just as a tool. But sometimes it scares him. After all, this man hasn't been vulnerable with anyone for a long, long time.

I'm sorry but I feel like he would try to pull away from you a bit after realizing how much you actually mean to him.

Oh but he will crumble if you reach out to him, okay? He simply can't ditch you like that, not when you see him for him and want him for him.

Even if it's scary.

Would slowly relax around you. Don't expect him to open up easily but still, the more time you spend together, the more his cocky mask will slip away.

Will randomly and out of the blue tell you small details about his past. You two may walk down the street together and he will see something that reminds him of Sigonia so he will share this memory with you.

It may be the smallest thing but it means a lot to him that you listen. Even this tiny moments of vulnerability are hard for him.

On the more positive note, he's so fun to be around. Would tease you and cling to you all of the time. If you tease him back, he would pretend to be offended but would actually enjoy the playful banter a lot.

Just don't tease him too much about him becoming more and more clingy with each passing day.

Spoils you rotten. New clothes, jewelry, watches, shoes, anything you may want or need. He still can't quite get rid of this idea that you have to be convenient for someone to be valuable. It's not like he's trying to buy your love but... Maybe subconsciously he does. Once again, be patient. This man is so used to the fact that all of his alliances are build on mutual benefit that it's still hard to accept that you're really here for him.

Spoiler even when he will feel more stable in your relationship and his mindset will turn more healthy, gift giving will still remain one of his love languages.

Just like Gepard, would care greatly about your safety. He may be careless about his own life but never with yours.

Loves, loves, loves physical contact. As I said before, gets very clingy, putting his arm over your shoulder or tugging on your sleeve. If he's feeling down, would crawl to you side and subtly brush his shoulder against yours or lean to your side. He may still have his confident smile but those small gestures show that he wants you to be the one holding him this time.

Invades your personal space a lot actually. Texts you constantly too lmao.

LOVES SILLY NICKNAMES. Would call you his dearest darling in the sweetest voice during the most inappropriate time and then laugh at your reaction. Would settle for something more casual like "baby" when he's not trying to be a pain in the ass. Still tries to play it off as something teasing. Deep down yearns to call you this without having to pretend that this is just a playful banter between two friends.

Oh and he would dance around the topic of dating, throwing hints but never having the courage to ask openly. So good luck with him.