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somnoir · 2 months ago

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first time giving a prompt

deaged!Danny (may include Dani, Dan and/or Jazz too if you like) given to Themyscira to be raised by Kronos (Clockwork). They were given a vague reason (they either might end the world or save it. kinda like the PJO Great Prophecy "to preserve or raze")

cause a boy/s is/are involved. They get sent to be raised by Diana instead

i just really want mom!Diana to happen

god I love mom!Diana so much! I need this woman to just pop up to the watchtower with her own baby and tell the others to fuck off cause, BATMAN HAS HIS BABIES I HAVE MINE!

Percy Jackson themes? Let's go!

Children of Diana - part 1

Kronos was always a mysterious and frightening figure in their stories. The father that devoured their children upon a prophecy of a throne to be taken by his child. Five had fallen into his stomach, Hestia of the hearth fell first, whilst Hades was the last to be eaten. Only by Rhea's cunning did their youngest, Zeus, survive his father's hunger and grow to be king.

But Kronos never truly stayed dead.

He was time embodied, moving with every universe, even as he melted away from their world and into another.

Hippolyta told her stories of Kronos, along with how she wished for a child and how her love for one allowed her to make Diana out of clay and give her blessing of goddesses to be a mother to a blessed daughter. Diana heard stories from her mother of everlasting Kronos who's name shifted with worlds, with his domain of time. How the titan has moved past from his children and embedded himself into the stars.

Diana heard of his stories but never in her lifetime did she expect to be met with that same Titan.

Her first instinct was to bow, to greet this almighty titan with the proper etiquette. But Kronos only smiled at her, snapping his fingers.

One moment Diana was Louvre, then next she was beside her mother in Themyscira.

"Diana!" Hippolyta blinked, bewildered to see her daughter before the atmosphere turned tense, cold.

Once again, the Amazons were graces—perhaps even cursed—with the Master of Time's presence.

"Kronos." Hippolyta sucked in a deep breath, her stance going rigid as she prepared to greet and attack their guest. "My lord..."

"Progeny of mine," Kronos wore a purple rone that shadowed his face, with a body that floated from the ground. In his hand was a peculiar staff with a glowing blue clock. "I have no trust in my children but... You Amazons are more sensible and responsible than my brats."

"Except for Hestia. I would trust her but she is too close to them for my liking." He drawled, startling Diana.

Hestia was the eldest of the traitors, the first to be eaten. She was still referred to as a traitor and yet there is evident fondness in Kronos' voice.

"Nevermind that." Kronos waved it off, "Pandora has claimed that you are trustworthy—" THE FIRST WOMAN PANDORA?! "So I shall trust you with this prophecy. Especially, Diana... Wonder Woman. You will prove essential to the fulfillment of this prophecy."

Diana's body stiffened, unable to help but grab her mother's hand. Blessed as she was, Hippolyta squeezed her daughter's hand, comforting and reassuring before they nodded and waited for the prophecy...

Kronos was smiling.

"From the death of youth, a monarch shall rise,

To fall, and rise again with time's reprise.

Brother and sister by the throne will stand,

Balance to bring, or doom to command.

Should the path be dark, the stars will weep,

For the universe's fate, the king shall keep."

Diana's breath hitched. The prophecy was... It was scary. She couldn't fathom it. From the lines alone, there was a possibility of the universe's doom... But it involves a king of sorts.

What did that entail?

Kronos was laughing now. "Be wary, Diana of Themyscira... The High King of the infinite realms and his siblings will arrive soon..."

"The infinite realms?!" Hippolyta almost looked faint.

"Yes. The king, his royal siblings the prince and princess have entered a new cycle. Their oldest royal sister is currently regent and unable to raise them in the realms."

Diana cleared her throat, "My apologies, but why is the regent unable to raise her siblings?"

"Regent Queen Jasmine Phantom died long ago. She is a full ghost whilst her siblings are epitomes of balance, both living and dead. As they are still very much alive, being in the realms for too long during their years of development is unhealthy for their constitutions." He explained, glancing at his staff.

"It is time."

Again, Diana was startled and almost lunged forward for more answers before her mother squeezed her hand again. Her breath caught, glancing back at her mother who sent her a warning glare.

"I wish you the best of luck, Diana." Kronos smiled, almost softly, "You will do well to raise my children. I am in your debt."

All at once, Diana was suddenly the mother of three and someone the Master of Time owed a debt too.

Diana had not expected to find three children in her home. Yes, she expected to find three individuals, but she had at least expected infants. Not three children who's ages varied.

"Hello..." The middle of the three said, blue eyes, black hair, scrawny and small.

"Hello." She softly said, looking around her apartment before crouching in front of the children with the softest smile she could ever give. "I am Diana. Could you give me your names, little ones?"

"Dante." The eldest of the three, with blue eyes that flashed red, grunted.

"Daniel but I go by Danny." The middle smiled, then gestures to the toddler that clung to Dante. "This one is Danielle but she likes to be called Ellie."

The girl waved at her, rosy cheeks with blue eyes pile her brothers.

"Clockwork said we had to come to you because our sister couldn't keep us in the realms. We're sorry for the trouble." Danny grimaces, genuinely apologetic and clasping his hands together.

"I told that bastard that we didn't need to be deaged or anything. But no! He kept saying that we needed a vacation or whatever." Dante scoffed, rolling his eyes before adjusting little Elle in his arms.

Diana saw the discomfort on the eldest's expression as he tried to adjust his little sister in his arms. She offered her service to him, gesturing for Dante to give the toddler to her, bur she received a growl and a glare from crimson eyes.

One of the boys was the king of the infinite realms turned into a child. The prophecy had clearly stated that the king would be joined by his sister and brother, so the possibility of little Ellie being the king was void. So it was between the boys then.

"Don't be mean, Dan! Miss Diana is already trying her best right now. I'll tell Clockwork and Aunt Pandora that you're being mean to their favorite." Danny snapped, swatting his brother's shoulders.

"It is alright, your majesties."

"Oh!" Danny flushed red, "No need for that. You don't have to!" He insisted, "I'm not king at the moment since Jasmine demanded we were given a break... I just didn't think that a break meant going through a new human cycle."

Diana's eyes softened, so Daniel was king. "I see... I do not mind being your caretaker, little ones. I have friends who have children, and I have found myself rather envious of them. Truthfully, I never expected to beae children myself but... My mother lost the ability to have one herself, and yet she made me from clay."

Dante nodded, "We've heard of your story. It's quite beautiful how your mother loved you so much, even when you were nothing but a dream... But she managed to make you reality with that love. It's quite inspiring."

Danny soon explained, "Our mortal mother died many years ago. She and our father were ghosts, citizens of the infinite realms before my siblings and I encouraged them to follow through with reincarnation. We would have had our eldest sister do the same, but she is more stubborn than our parents." The fond smile on his lips was one tinged by melancholy and longing.

Diana realized that these children were ripped away from what they called home, forced by their own sister for their sakes. Immortal monarchs were thought to be all powerful, undying and never needing rest.

Diana herself saw it as such, with how Zeus refused to relinquish his throne, of how his siblings and children attempted to usurp him the same way he did with Kronos.

But the royals of the infinite realms seemed to be of a different breed. The dead who were once mortal, living, before time caught up to them and their existences were given to the realms. That humanity seemed to be what made the Ghostly royals to be so... Extraordinary. Because it was clear to Diana that the regent Jasmine loved her kingly brother and royal siblings with all her heart. Especially when she was willing to sit upon the throne, carry the burden of monarch, for a life time. All because she wanted them to be given a chance at happiness.

Diana has heard stories of the realms, of how the previous king, a tyran named Pariah Dark, was defeated. Phantom became king through conquest and it was rumoured he had still been a child, still alive and only half dead, when he was given the crown.

"Well then..." She cleared her throat, smiling softly. "I hope that you will be able to live comfortably with me, little ones. I will not force you to see me as a mother, but I will do everything I can to be a proper caretaker. I will love and cherish you the same way my mother and sister did."

That statement alone seemed to have affected the three, enough that Dante relaxed.

The second time Diana tried to take Ellie from his arms, Dante sis not resist. He carefully tucked his sister into her arms, showing her how she liked to be held.

Ellie giggled, reach up to her and nuzzling her cheek against Diana's chest.

"Adorable." She whispered, kissing the little girl's forehead before turning back to her brothers. "May I know how old you currently are?"

"Physically or chronologically?"

Diana chuckled, "Physically."

"I'm ten. Danny's eight and Ellie's two." Dante explained, pointing to them each whenever he spoke. "But chronologically, we're around... Actually, I don't know. Time in the realms and time here is different. It's also different from our earth. So..."

"Ah, no need to explain if it's too confusing. I understand that time flows differently for everyone. Let us just say that you've existed for a few centuries, yes? Keep it vague for everyone else." Diana grinned, already thinking of how Batman would be utterly perplexed by that.

"Well then, let us get you settled in, yes? Unfortunately, I only have one guest room." Diana frowned, cooing at little Elle that tried to wiggle our of her grasp, "I was planning on moving soon since this part of Paris is a little too loud for me."

A little white lie. She'd have to ask Bruce for help of finding a new space in a short time.

The three looked suspicious, skeptical, and already feeling guilty. Diana was quick to act, ushering them to their rooms, asking them if they've eaten and what they'd like for dinner if not.

Aside from a new place, she needed to acquire herself some parenting books. Yes. Lots and lots of parenting books, especially if her children were eldritch beings.

Maybe Bruce had more experience in that field.

No, Diana, do not think like that. You're a mother now.

Especially when she was the mother of three while Bruce was only parenting one child. Though said child was now a rather rebellious fifteen year old.

Masterpost

#Children of Diana #I like WW's clay origin more than her being a daughter of Zeus #it shows that Hippolyta loved her so damn much that she made a child out of clay and was gifted life by the gods #in my au this lady is between 200 or 300 years old #that's reasonable in my head :)#Jazz saw her siblings slowly breaking down from being king; the time police; and ambassador of the realms #dan is time police and hates speedsters now cause theyre the ones he's trying to arrest #its part of his community service #ellie is ambassador because she gets to travel everywhere and make diplomatic relations for rhe realms #Diana achieved the status of mother #shes gonna be the best mom to her new ghost babies #The Phantom trio really miss Jazz but their new super mom is the cool lady that Pandora and CW are really proud of #Diana has had her babies for less than a day but if anything happens to them she'll kill everyone then herself #DICK IS STILL ROBIN AND FIFTEN!#So the rest of the batkids haven't been adopted yet #so #technically... Diana has the most kids #mother is motherinf by having the most kids first :D #tbh struggled writing their names a bit cause there were too many Ds #dpxdc #dc x dp #danny phantom #danny fenton

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beargregor · 29 days ago

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wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

#beargregor's property #limbus company #project moon #lcb gregor #something to bear in mind #beargregor's analysis #beargregor's theories #do i bother tagging both of those i feel like i do #oh also.#long post #sorry guys i promised i would try and stay brief when i set out to respond to this ask and before i knew it seven hours passed #my bad #does this give me normal gregor fan cred #i'm fully preparing myself to be screenshotted and posted to twitter or reddit with people making fun of my reading of him but idrc honestl #also i'm really hoping that LCB regular check up has donqui actually like #confront gregor about the fact that he was playing her in sansón's plays #i've seen people insinuate that any deeper reading to the roles they got in them is doing too much #and while i really don't agree with that just due to how much sansón fit the roles to be as cruel as possible to their sinners #i do think at the very bare minimum that the comparisons drawn between gregor and sancho are Very Intentional #despite gregor's supposed lack of proper Deep character moments people love to claim i really do think that we know a lot about him #significantly more than people think we do #just because so much of it has been told to us indirectly or has this aspect of plausible deniability to it #just due to gregor being the way he is #a lot of these smaller subtler details in his proper main writing get highlighted more in his IDs and EGO #like gregor's pettiness and grudge holding in AEDD or the aforementioned self-fulfilling prophecy-ness of priest and garden of thorns #anyway. that's it. gregor is fat by the way did i mention that. also very hairy. refer to my url for more details.#ignore how i just can't shut up about him i promise i'm normal. i promise it's over i can rant about him more another day. i swear.

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