#(As long as you tell me the name of your character and who you want them to be.)

[selfloverrrrrr]

Can you please write a tiger hybrid Gojo x deer hybrid female reader Noncon

Please please please please please please please please please please please please please please please 😭🎀💖😫

Lust~

Warnings : smut , heavy smut, unprotected sex, Noncon, Kidnapping, physical and emotional abuse, biting, size difference, Yandere Gojo, tiger hybrid Gojo, deer hybrid reader, stalking, protective, jealous, obsessive, manipulative....

( All characters are aged up/18+)

Minors Do Not Interact

Read the warnings carefully....if you don't like my stories block me not report

Y/n's POV

"are you the new girl?" I heard someone asked me when I entered my new college. I turned around and saw a girl with short brown hair, a cigarette in her hand. "Yes.... I'm y/n... and you?" I asked. "I'm Shoko. Nice to meet you" she said and gave me a hug. "Why are you so nervous? I mean you seem so nervous" she asked. "Oh nothing.... it's just....my first day" I replied.

"goshhhhhh.... you're nervous for that?are you kidding me? Don't be nervous... I'm here with you " she said with a bright smile. I returned her the smile. "Thank you so much " I said. "Mention not " she replied. We started walking towards our class. "So? What hybrid are you?" She asked. "Me? I'm deer..." I replied.

"oh the rare one" Shoko said. I nodded. "And you?" I asked. "I'm a cat" she replied. "Ohhhh... cool" I said. She smiled "yeah". We were walking through the corridor and heard a female voice "good morning, Shoko" she said. We both turned around.

There was standing a pretty girl. She had blue hair tied up in a ponytail. "Oh good morning, Mei-saan" Shoko said. Then the girl looked at me. "Are you new here? I haven't seen you here" she asked. "Yes she's new....her name is y/n" Shoko replied.

"oh... nice to meet you, y/n.... I'm Mei Mei" she greeted. "Nice to meet you too, Mei-saan " I greeted het back. Then we went to the class room. Mei Mei went to her seat. Shoko told me to sit beside her. I did as well. We were sitting there and talking with each other.

I felt like someone was starting at me. So I checked around me. I saw a guy with white hair and bright blue eyes. He was looking at me but when I looked at him he immediately looked away and started talking with his friends. I thought maybe he was looking because I'm new here but he seemed weird. I turned around to Shoko.

"um Shoko?" I asked. "Yes?" She asked back. "Who's that guy? The white haired guy...?" I asked. "You mean him?" She asked. "Yes" I replied. "Girl just stay away from him... he's an asshole. I don't know what all these girls sees in him. Do not talk to him. if he wants to get close just ignore him. Okay?" She said.

"okay... but why are you saying it?" I asked. "Okay lemme tell you... his name is Gojo Satoru. And the thing is he's the son of the biggest mafia here. Everyone fears him. He's strong tho... He does too many illegal things like his dad. And the worst thing is he's a tiger hybrid. And I'm suggesting you to stay away because 1. He's a dangerous mafia and 2. You're a deer hybrid which is tiger's favourite animal. And I know he'll definitely hit on you because as I said you're the only deer hybrid here. And believe me he's the worst guy.... I'm saying this for your safety, girlie" Shoko explained.

I was in shock after hearing that. "That's too much.... anyways I don't wanna get in any trouble. But he doesn't know I'm a deer hybrid" I said. "He's a tiger hybrid, darlo....he can sense anything and he can get any information he wants" Shoko said. "Okay okay.... just.... just gonna ignore him" I said. She winked at me.

When I looked back again I saw a guy entering the classroom. That guy was so handsome. He has black long hair tied up in a bun, sharp eyes. My heat almost stopped when I saw him. I looked back at Shoko again. "Girl girl girl.... who's that guy????" I asked pointing at the guy.

"don't tell me you like him" Shoko said. "Why??? He's so handsome" I said with a pouty face. "He is Geto Suguru. He's a fox hybrid. And he is Gojo's best friend. He may seem so innocent but don't believe him either. They both are dangerous" Shoko said. I sighed "fine" I said. Shoko chuckled.

Gojo's POV

It was again a normal day in our college. I went inside of our classroom towards my friends. "Yoooo" I said and hi-fied with my friends. "What happened, Sukuna? You seem off?" I asked. "Nah... I'm just kinda sleepy today" he replied. I nodded. I heard some girls laughing. Then I looked at the door and saw Shoko. I was about to turn my head back to my friends when I spotted another girl behind her.

I never saw her before here. Is she new here? God she's so pretty. Girls like her exist? I questioned myself. Her eyes are so pretty. I think she's a deer hybrid. "Yo boys.... who's that girl?" I asked my friends. "I think she's the new student sir was talking about yesterday " one of them replied. I nodded. Then Suguru entered.

"what y'all talking about?" Suguru asked. "That girl... she's new here .... she's pretty" I replied. "Oh .... Satoru gotta crush huh?" He teased. I rolled my eyes. When I looked at her again she was looking at Suguru. Does she like him? Who cares? I'm still gonna have her. "Btw I saw her talking with Mei Mei outside" Suguru said. "Mei Mei? That's easy now" I replied with a smirk.

It was almost a week. And she's ignoring me?! All those girls die to date me and she's ignoring my offers?! All those hints I'm giving her by putting flowers in front of her droom room door every morning and she's ignoring me? Ignoring the Gojo Satoru? Today when we were in our class I spotted Mei Mei and called her.

"what?" She asked. "You have to a work" I said. "What work?" She asked. "You know I'm throwing halloween party two days later? You have to take y/n there" I said. "Y/n? She has a crush on Geto" she said. So I guessed right. "Anyways why am I gonna do that? She's a deer hybrid and you're a tiger hybrid, she'll be scared of you" She asked. "100 k" I replied. "Your work will be done" she replied and I smirked.

Y/n's POV

It was the party night and I just got ready in the costume Mei Mei gave me. "Mei-saan don't you think this bunny costume is too revealing?" I asked. "Come on y/n.... you look sexy " she replied. "But-" I was about to reply her when she cuts me off "y/n.... believe me.... and we all friends will be there too" she said. "Okay then.... let's go" I replied.

First I spotted Shoko. She was in a cow girl costume. "Shoko, you're looking stunning!" I said. "Stop girl you're looking Fucking sexy!" She replied. "Do you think this is too revealing?" I asked. "No... it's fine... you look sexy.... revealing clothes suits you" she said and winked.

We we're having fun. Then after a few hours Shoko said she'll come back haibara her boyfriend is calling her. I said okay and went to the drinks counter.

Gojo's POV

I didn't noticed when y/n came in my party. I noticed her when I was chatting with my friends and I spotted her near the drinks counter. Fuck she looks so hot! How am I supposed to control myself when she's looking so damn. I think Mei Mei did a great job. "Yo Gojo, what happened?" Sukuna asked.

"y/n happened" I replied. All of their eyes went to her. "Damn....that bitch looks sexy" Sukuna same. I gave him a glare. "Chill I'm just giving a compliment" Sukuna replied with a chuckle. "Weren't you saying she has a crush on me, Satoru?" Suguru asked. "Yupp she does" I replied. "Fine.... lemme help you with your plan. Go to the balcony in front of your room after 5 minutes" Suguru said with a wink and I understood what he meant.

Y/n's POV

I was about to order a drink when a male figure came beside me. "Hello.... your name is y/n, right?" He said. I turned my head and saw Geto standing there. And oh my God. He was in a pirate costume and he was looking so hottttt. "Yes" I replied with a smile. Shoko isn't here that means I can talk to him for a moment.

"you're looking great" he said. "T-thanks.... you looking great too tonight " I replied. "Just tonight?" He asked tilting his head aside. I blushed. "N-No i-i.... I mean every day " I said. "So you do notice me every day?" He asked with a smirk. Then he chuckled. "I'm kidding " he said. "Wanna talk somewhere private? Too much loud music playing here" he asked. "Yeah sure " I replied. He took my hand and led me.

We were standing in a balcony and talking about each other. "Oh I forgot my phone.... can you wait for a moment? I'm gonna come back here" he said. "Yes yes it's okay" I replied. He leaves from there. And I was standing there and waiting for Geto to come back. I heard some footsteps coming. That means Geto is coming, right?

But my smile dropped when I saw who was standing there. Gojo Satoru. Why is he here. "You don't seem happy to see me here" he said walking towards me. My heartbeat was rising. "I-i... I should go it's already too late-" I said and tried to walk past him. But he wrapped his hand around my waist and pulled me against him.

"tsk tsk tsk.... not now" he said and picked me up with his one hand and started walking. "W-wait what are you doing!" I panicked. Then I saw he opened a room's door. "W-wait put me down...let me go" I said with panic. He put me down after he entered the room. That was a luxurious room. He locked the door.

"wait let me go outside" I said. "There's nothing interesting happening outside, sweetheart" he replied and started walking towards me. I started baking up. I felt like I am a prey. "Gojo P-Please stop there" I said. "Ah....so you finally took my name.... now call me Satoru not Gojo" he said.

He was now standing in front of me there's no way escaping now the back of my foot already touched the bed. My eyes filled with tears from fear. "P-Please" I begged. He pushed both of us on the bed. "Do you really think begging gonna work?" He said and chuckled. I struggled beneath him and tried to push him away.

I screamed Geto's name for help. "Getooooo please help me!!!!" I cried out. "Oh you think he's gonna come? That's funny" Gojo said and tore off my costume. My cries grew louder. "A deer hybrid in a slutty bunny costume looks great.... and looks even more great without them" he said with an evil smirk.

With that he pressed his lips on mine. I tried to push him away but his grip was too strong. I can't even move myself. He was kissing me too roughly. I couldn't breathe. He grabbed the hem of my dress and pulled it over my head which was already soaked with the rain water. My boobs bounced out. He looked at those with lust in his eyes. His eyes shined in the dim light. He didn't waste any time, crashed his mouth on my breast licking, sucking and teasing the nipple and squeezing the other one with his hand. I moaned in the sensetion. I grabbed his hair and tried to stop him by pulling it but it didn't even effect on him. "G-gojo stopppp" I screamed but he didn't stop. "It's Satoru, darling "

Then he took off my pantie. He looked at my pussy. He rubbed his finger on my clit and whispered " so wet. You naughty little slut, getting wet for me huh?". Then he licked my pussy. I couldn't help but moan loudly. He smirked at my reaction and undo his pants.

His dick sprang out. It was too big and too thick. "Look... this is what you have done to me..." he said while stroking his dick. Fear grabbed me by my neck. " G-gojo no no no... P-please no... s-stop" I begged but didn't even listen to me and slammed his whole dick inside me in one slide. I screamed. He didn't even give me time to adjust his size and started thrusting in and out roughly. I was through my legs with pain and begging him to stop. And he liked it so much. His thrust became harder and harder.

I clenched around him tightly and he moaned loudly " ughhhhhh....ahhh s-so...ahhhh....so f-fucking tight " he started rubbing my clit with his thumb and I bite his shoulder scratched his back to control myself. With a few more thrust I came. He was still thrusting roughly. I felt his cock pulsing inside me. I tried to push him away with all of my strength." Ughh...no no no no...ahhhhhh... I don't want this ..." I moaned. Suddenly I felt his teeth gazing at my neck. "No no no d-don't please don't Mark me please " I cried out. He just ignored my please and bite my neck harshly. I dig my nails more deeper into his back as he Marked me. He continued thrusting. Within a minute he came inside me I could feel his seed inside me. He pulled out. He fell beside me on the bed.

I didn't have the power to move or sit up. "Don't cover the mark tomorrow I want the whole college to see it...... and oh by the way your beloved crush Suguru helped with this" he declared. No that can't be.... Geto won't right? Gojo is just lying. I kept telling myself. "Good night sweetheart ~" he whispered in my ear as the night went blur.

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[waterlooletterwrb]

WRITE WITH ME!

I will start, and you can use the reblog to continue this story however you desire! The idea is that post by post we do a longer story (but if you wanna post your version somewhere else feel free to do so, you just remember to credit me!).

The One rule: You can't gender the Elf!Reader character.

If you need, add more warnings to your post!

OTP: Mairon (Sauron) x Elf!Reader

Universe: Rings of Power / Tolkien

Warnings: main character death, angst, blood, "you can fix him" plot;

Summary: You're the one who stole the Dark Lord's heart, yet you're dying in his arms.

A Forbidden Promise

"Don't go. I — I cannot follow you there. You can't go. You can't go." His voice was frenetic, desperate in a way the dark lord never sounded. How could he not be? You're dying in his arms, the only sweet touch, warmth, love he's ever known. And he will never be able to follow you to Mandos. "Please, I will never be able to go with you there, please."

His plea sounds like he wants to go tho. A begging, maybe the first time in more than two ages that Mairon of the Maiar actually regrets his choices. In you he found his perfection. And now he would lose it. Was that the vengeance of the Valar?

You raise your weak hand, resting it on this face. With your thumb you wipe one of the tears from his cheek. Even now he is as beautiful as the first time you saw each other.

"I — I will come back. For you, I will come back." Your voice is not much more than an whisper. Yet, somehow you make a disbelieving smile appears on his lips.

"Who would give up paradise for me? For Sauron?" The name disgust you as much as it disgust him, and your face probably shows it because he sighs. "If you're leaving me, at least leave saying the truth. It's too... cruel to say it. For I never hoped before."

That makes you give him a pity sad smile. Ignoring the pain, you do everything you can to raise yourself. He holds you tighter, his warmth is what you need to concentrate even when your vision starts to fade.

"Mairon, endanya¹. Hear the last words of the one who stole your heart." This make you see for one last time the sweet smile that he only ever directed to you. "As I promised once, I will never lie to you."

He presses his forehead against yours. For the last time you breathe the same air. "So I dare to command you, Mairon or whatever name you desire to hear now: learn to hope." I little cry escapes your lips, and you feel his hands tremble where he holds you, for a moment you lose your mind and all you can hear is the blood dripping. It's a shame, his always beautiful tunics will forever be stained within your blood now.

Even so, he won't stop holding you. So you do everything you can to reassure him again. He needs to understand, he must believe.

"Learn to hope." You mumble. "For I shall return to you."

You no longer can see or feel, your hand falling from his face is the first sign you went to the undying lands. But you were right. And Mairon, Sauron, does not let you go. He holds you tightly, in a crying so long it's impossible to believe that that destroyed and devastated being was once Morgoth's heir.

The grief is too much and, when he finally let you, there's no one to hear but the wind while he whispers:

"I — I'm yours to command, endanya. I will hear whatever name you call me. I will do whatever you wish. I will hope — I will hope for you."

A promise and a threat. Because in his soul he knows; you were the only one that could stop what's coming for Middle Earth. You were the only one that could stop him.

So now even the wind hopes. You need to return.

••••••••••••••••

Endanya¹ = if i did the word correctly it should be quenya for "my love/my soul", but in a deeper way of calling the one you love "your everything". In my mind, when Sauron says it he is also telling that the reader is his light.

[darkintrinsic]

Devil's Night | Bad Omens

adult content | minors do NOT interact.

One day I woke up and wanted to be chased to the sound of Milagre.

⋆ 𝐏𝐀𝐈𝐑𝐈𝐍𝐆. Bad Omens X Female!Reader.

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. It's devil's night and you've been invited to play. If you don't get caught by them, you win..

⋆ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆(𝐒). Foul language, alcohol consumption, masked men, stalking, reverse harem, why choose, taking turns, explicit sex, fear games, submission.

It's okay to not agree with the characters' attitudes during the fic. It's good to remember that the story is fiction from the author's sick mind and of course they will make dubious decisions according to my fantasies. Nothing is done to be compared to reality.

Devil’s Night.

The first time she heard those words, thought it was just another excuse for parties and excess, but here, in Detroit, it’s different. People speak of this night as if it were a tradition, passed down from generation to generation, almost like a silent pact that no one dares to question.

Yes, it’s Halloween Eve, but it carries a taste of danger that goes beyond costumes and carved pumpkins. It’s not about trick-or-treating; it’s more like… a rite of passage, where each person lets their dark side surface, testing their own limits and those of others. And the entire city, somehow, agrees to turn a blind eye to what happens in the shadows.

In the alleys and empty hallways, you can feel something waiting, hidden between the walls and beneath the fog that stubbornly refuses to lift. The seniors, of course, love it. They create challenges, make absurd promises to the freshmen, as if they’re initiating them into some ancient secret. But it’s not a secret; it’s more like a warning.

I don’t know exactly who started it—maybe some group many years ago, looking for a way to release their frustrations, or perhaps the city already came with this curse built in. But, either way, everyone participates, whether in the role of the observers or those who get lost in the night.

You were about to leave home, dressed up for another Devil’s Night in Detroit. Your friends had invited you over to drink a little before heading to the Lions' party, the fraternity responsible for the highest concentration of players that night. At first, you were ready to turn down the invitation, wanting to go straight to the celebration and get it over with once and for all, but seeing the flyer advertising the Geordin’s pub attraction made you change your mind.

Bad Omens was the main act in an intimate show, and you felt a bit excited to know they were back in town. It had been a while since you last saw them—if you weren’t mistaken, on the last Devil’s Night.

"Don’t tell me you’re not even a little excited to see him again…" Ash nudged your ribs with a playful voice, snapping you out of your thoughts.

"They’ve grown so much since the last time I saw them, Ash. They definitely have no idea who I am."

"And what if I told you that’s not exactly true?" Ashley’s glittering eyes blinked behind her long lashes as if she had some valuable information. She rested her hands and phone under her chin while watching you finish getting ready in the mirror. "I messaged Steve; we chat sometimes, and when he told me he’d be in town, I didn’t fail to mention your name…"

"I can’t believe you did that!"

"I scored us four VIPs tonight thanks to my shamelessness. No need to thank me, babe!" Ash winked and blew a kiss at her own shoulder, ignoring when you rolled your eyes at her boldness.

You didn’t want to admit it, but a strange sensation was building up in your stomach, making you feel cold with every step you took out the door. According to your friends, you looked good enough to draw a crowd to your feet, and deep down, you hoped they were right.

Geordin’s was, as always, sweltering, packed, and filled with people dressed up in Halloween costumes. You were just in a short black dress and heavy makeup—this date was special, a night for vixens to leave their homes in their smallest outfits, best heels, and bold eyes to be, for one night, what they longed to be all year.

At the bar, you grabbed a drink and walked with your friends to the VIP area near the stage. With each minute closer to the performance, your stomach grew colder, while your friends chatted excitedly beside you, never quieting for a moment. It had been a long time since you last saw him, and you tried your best not to expect him to remember any fragment of the past Devil’s Night.

“Welcome to the show of bad omens, my friends,” said the recorded voice from the speakers, making the crowd go wild.

The lights went out, and your body froze in place as the intro to the first song began. His voice was still unmistakable and unique, pleasing to the ear, even live, weaving together with the guitar and drum solos as if they were one.

When you turned to the stage, Noah was gripping the microphone with his eyes closed, and you allowed yourself to take in the melody, singing along with all your heart as you remembered why this was your favorite band. At the end of the third song, he glanced over the crowd as if looking for something, seeming about to give up, until his eyes finally landed on you.

A jolt of electricity surged from your legs, coursing through your entire body. Noah gave a brief smile and bowed his head, waiting for the next song’s intro. You knew the setlist, and this wasn’t one of the songs played at previous shows. In fact, you recognized it instantly; it was your favorite track.

Careful What You Wish For hadn’t been played in recent shows, but he knew how much that song meant to you, and he’d included it in Detroit just to show that he did, indeed, remember you. Something damp threatened to pool in your tear ducts; this song reminded you of moments you’d rather forget, moments the band had made more bearable to face.

As the final song ended, the lights went out, and the guys left the stage to the applause of the crowd. Your heart was still racing from the mix of emotions caused not only by the show, but by the series of subtle glances he had thrown your way during the pauses between songs. You bit your lip gently, gripping your glass a bit tighter, wondering if it could be a sign.

But you quickly brushed off that foolish thought and shook your head, dismissing it.

You and your friends finally arrived at the fraternity party, and all of you, including yourself, were buzzing with excitement to start the real celebration. Everyone was in costume, music was blasting, the smell of marijuana filled the air, and alcohol was flowing freely.

It seemed like the perfect night.

“I wouldn’t recommend drinking too much,” Ash warned, pointing at your glass as you sipped the colorful drink through a straw. “The games start in a few minutes, and you won’t want to be throwing up during the hunt.”

You laughed, remembering what happened last year when you mixed a few drinks with cheesy snacks, resulting in a puddle of vomit that took you home before you even considered playing the traditional hunt.

Every year on Devil’s Night, the Lions held a hunt in the Shadow Woods. The game involved all the guests being released into the forest, blindly searching to capture as many targets as they could until they reached the other side. With no flashlights or any source of light, identifying anyone became nearly impossible as everyone wore masks to hide their faces.

A certain chill lingered in your stomach, and a tremor in your legs threatened to shake your confidence, but you preferred to think it was because of the drink, not the fear of who your potential hunter might be. Your mind raced through quick strategies to avoid being caught, though not knowing the Shadow Woods at night made it all the more difficult.

With your feet firm on the earthy ground, you were as ready as the other competitors. You looked around, feeling adrenaline pulse through your veins, filling your brain like a song made to build tension until reaching its peak. You felt ready for whatever the night had to offer.

The whistle blew.

Your legs pushed you forward, running as fast as you could, straining your vision to dodge trees and jump over branches. You listened closely to the sound of dry leaves and twigs that snapped underfoot as the predators ran. All of them were desperate, hungry in their hunt for prey. At the same time, it felt frightening; it was exhilarating enough to make you push for more speed.

Energized, you glanced over your shoulder now and then, trying to detect any approaching threat, but as you pressed on, you heard fewer footsteps. Breathless, you slowed down and marked the trees with your fingers as you continued to walk carefully.

Your steps froze in place when you suddenly heard heavy breathing. The footsteps behind you moved over the dry leaves, signaling that your hunter was approaching stealthily, like a snake. Slowly, you realized your feet didn’t obey the commands in your head—they wanted to keep running, but your body remained there, unmoving.

He knew there was no point in running. He knew you were lost. He knew you didn’t want to go anywhere.

“Good girl.” His voice whispered close to your ear, making you jump in shock. “You didn’t let anyone else catch you. You waited for us like a good girl.”

“She knew that no matter where she hid tonight, we’d find her.”

“We always find you…”

Through your peripheral vision, you counted all four of them, gathered in balaclavas, closing off any way out. Swallowing dryly, you felt your breathing falter as they each took a step closer, forming a claustrophobic barrier around you.

“Now you’re ours.” Noah’s voice echoed in your ear as you felt the fabric of his balaclava graze your cheek. “Once you lose the game, you become our prize.”

A brief jolt made you sit upright when you felt something wrapping around your wrists; he was tying your hands together with a rope. The remaining length of material was used to fasten another knot around your neck, this time slightly tighter.

In your mind, there was no room for doubt, because you remembered the main rule of Devil’s Night. You were free to make your desires real for one night.

Why not surrender to them?

Slowly, Noah pulled you along the length of the leash, and stumbling a little in your own steps, you followed him. He exuded a scent of sweat mixed with Savage cologne; his arms were exposed by the black tank top, and he wore cargo pants and boots. Each determined step he took made you tense up, fearing what was to come, and the walls in the form of men surrounding you added to your apprehension.

Your steps halted when the tall man pulling your collar from the front froze in place. The forest offered little light, and thanks to the moonlight filtering through the gaps in the trees, you could see the intricate tattoo designs on his back, partly covered by his tank top.

A breath, subtle but present, brushed your ears with warm breath from behind.

"How about a game?" Folio’s voice was so soft it seemed to dance at a unique frequency. "We’ll ask a question, and for each wrong answer, you lose a piece of clothing."

"A game is only interesting to me if both parties are involved. In that case, what do I get if I’m right?" You dared to respond, challenging him with a side glance.

"Don’t act as if you don’t like the idea of not being in control for a few hours…" Folio taunted, stepping closer with a deadly step. His body was too close this time. "All you desire is for the reins to be in someone else's hands, just for one night, someone who knows your dirty mind well enough so you don’t have to spell out what you need. Am I wrong?"

You weren’t afraid of anything and made a point to shake your head in defiance.

"Wrong answer."

"Not at all!" you contested without much conviction. Deep down, defying him and contradicting yourself with feigned reluctance was part of your game.

The cold wind touched your back just as one of their fingers slid the zipper of your dress down, exposing your bare skin. Slowly, you felt the fabric glide down your body, leaving a trail of goosebumps wherever it passed.

You shrank a little, feeling a hint of discomfort when you noticed several pairs of eyes observing your exposed form, but a tug on the leash immediately made you lift your chin.

"Don’t you dare lower your head, darling" another voice murmured as a finger traced along your chin, the wetness of a tongue brushing against the skin of your ear. "Not when you have a body like this. We can savor you without even touching. Consider yourself a goddess, displayed for adoration and worship."

Gently, he slid his hand from your chin to reach your cold-stiffened nipples, slow circular movements warming your thighs as Jolly’s voice stimulated you, his hands exploring your body without any rush.

They wanted you to surrender.

Indeed, you were already theirs.

For just one night, you belonged to them.

In front of you, Noah watched you with a tilted head, as if watching an intimate moment of pleasure was amusing to him. He wrapped the excess of the leash around his hands until it tightened, lifting your neck up toward him.

In one last visceral glance, Noah pressed his lips against yours.

A fierce kiss, charged with desire pent up since the last visit, filling every corner of your mouth, leaving you wanting for absolutely nothing. Between breaths, you let out a contained, low moan as those hands moved from your chest down to your hips.

His fingers, when they found your entrance, sent a current of electricity through the rest of your body. Jolly was warm and soft as a rose petal, he tortured you with the slowness of his synchronized movements on your clitoris and during the kiss you held Noah's lips between your teeth gasping a heavy moan.

Noah smiled, feeling how his body twitched in his friend's hands, he released his lips and dragged them down his face, allowing his moan to reverberate through his ears more clearly.

Just when you were about to give signs that you were going to collapse under Jolly's fingers they suddenly stopped. You panted and wanted to show that you were disappointed, but you didn't have time, Noah pulled you by the collar and turned you so that you were facing away from him. A quick scream escaped your lips at the surprise of the impact of your hips against his, you felt his bulge harden and let out some air through your nose.

A soft hand ran its thumb over her face, a caress similar to the one she felt on her ass as Noah explored her. At the same time they used their thumbs, Noah lifted your dress until you were completely exposed to prepare you, he dipped his fingers in your wetness and seemed to delight in it. Their eyes were fixed on the man before them, gently brushing strands of hair away from his face and lifting his chin.

“Good girl, good girl.” he whispered, sliding his thumb into your mouth, without breaking eye contact, you sucked his finger slowly until you reached the tip.

You watched as Folio grunted and finished sliding his cock into his free hand and bringing it closer to your face, passing it across your lips slowly. You moaned from containing the desire to take him in at once, and from having Noah playing with his head at your entrance in rotating movements. Little by little you relaxed and used your tongue to greet him and a smile formed on your lips when you saw him sigh once again.

Folio grabbed your hair with a little force and demonstrating that the provocation had made him lose his mind, he shoved his dick into your mouth at the same time as Noah entered you. Your screams were silenced by Folio's cock, you used your tongue to drool all over the compliment and without the help of your hands that were trapped you covered his head with the roof of your mouth. As you sucked him, you felt Noah bump his hips against yours in strong thrusts, pulling the collar from your neck each time he penetrated and stopped with his rigid member inside you.

Your legs shook from the force he used, you pressed him against the walls of your pussy and heard him mutter yet another curse due to the lack of space. Her head didn't stop for a single second, going down and up, sucking Folio's cock while he helped her with his hand in her hair.

With each of Noah's thrusts, you felt Folio's cock tear into your throat and you dedicated yourself to not leaving a single space without the contact of your tongue. He pressed your head down more and you enjoyed the taste of the skin trying to contain the entire volume. Noah grew harder and harder inside you and in an explosion of sensations for a few seconds your legs seemed to float.

This was the effect of the devil’s night.

It allowed you to fulfill even your darkest fantasy.

For one night.

[anakinstwinklebunny]

teen dad sam monroe and reader would definitely argue when it came to naming the baby. i’m imagining it like that one scene from glee with quinn and puck, it would be a funny imagine.

Quinn: you wanna name our daughter Jack Daniel’s? she’s a girl!

Puck: Fine, whatever, Jackie Daniel’s

Author's note: it's so sam coded I fell in love

You were sitting across from Sam in your cramped, barely-put-together living room, surrounded by baby name books and crumpled scraps of paper covered in doodles and crossed-out lists. Naming your baby girl had become an all-out battlefield—and Sam was determined that his names were the best.

“Okay, hear me out,” Sam said, leaning forward with this excited gleam in his eyes you kept seeing for what felt like hours now. “How about… Raven Storm?”

You just stared at him, pressing your fingers to your sore temples. “Sam, she’s a baby girl, not a rock band.”

He shrugged, unfazed. “Yeah, but it’s a strong name. Memorable, you know? Like, people would be talking about Raven Storm for years.”

You sighed, trying to keep your patience. “Sam… please. She’s a girl.”

“Oh, okay, I get it, I get it,” He shrugged, leaning back in his chair. “Alright, then Maximus Danger Monroe.” he grinned proudly

You stared at him, raising an eyebrow. “Maximus Danger?” you echoed in judgmental tone

“Exactly. It’s strong, it’s powerful, it's cool. Imagine her introducing herself—no one’s gonna mess with Maximus Danger.”

you bore your eyes on him, already tired (yet surprised) of all the names he had brought up over the last hours “What? It’s amazing,” he insisted, folding his arms with a pout. “You don’t get it, these are strong names! They’ll protect her.”

“She’s a baby, not an action hero!” you replied, surpassingly trying not to laugh at his pout, his incredibly devoted expression. Yet, it's meant to be a girl, not an alien. "We are the ones who should protect her, not some weird name"

Sam rolled his eyes. “Fine, if you don’t like ‘Danger,’ maybe something more classic. Chardonnay.” He smirked, clearly testing you now

You sighed, counting to five in your head to ease down. “Oh my god.." you sighed "Sam,” you began again, slowly (this time), to make sure it gets right into his head “You want to name our daughter after wine?”

“No, okay, I’m serious!” he insisted “What about… Scarlett Raven Monroe?”

You shot him an exasperated look. “Sam…”

“Phoenix Blaze?” he added, trying to up the ante. “It’s unique!”

You buried your face in your hands, half-pleading. “Please, just one normal name. Something cute, simple. Like Lily, or Emma…”

He scoffed. “Lily? She’s gonna have enough flowers in her life. I’m telling you, we’re gonna regret not picking something that stands out.”

“Fine,” you said with a long sigh, trying not to smile as you leaned over and squeezed his hand. There was no way you'd fight him about the name - not with his stubborn character “We’ll work on a compromise then”

Sam smirked. “Good. I knew you’re smarter than this. But, you know, Phoenix is still on the table…" to which you shot him a glare

TAG LIST: @kingdomhate @divineani @haydensprettyprincess @skyguys-princess @catnipaddictt @heartscone @haydensbbg @inneedsoffanfics @jediavengers @literally-izzy @anisluvrgirl @slutforfinnickodair @xhunnybeeex @fuckmyskywalker @gallerygourmet @deceptiive @anakinskwkler @bimbo-baggins17 @cookybananas @emotionallybruisedx @diorvalentina @sevinax @throughparisallthroughrome @aniiuv @ritosparty @ninastyless @lily-strnlo

[tkwrites]

Okay I'm done now and heading to bed, one last question.

Can you name a favourite fic for each of the boys?

Hi my Lovely,

There are quite a few of your asks I haven't answered, but please know I'm not ignoring them. They'll just take a little more time to respond to.

I can tell you my favorite fics, though:

Matthew Tkachuk - Back To You because it's such a complete story. I love the way he and Jessie meet, lose each other, and then are thrown together by fate again. I also feel like I really captured that sassy side of Matthew's personality in this fic, which I was really worried about at the time I was writing it. This is also the story that I think would be easiest to flesh out into a full length novel.

Nico Hischier - I love all the parts of his story for different reasons, but I think It Doesn't Matter Part II is my favorite. I had actually written the whole sequence of nude sketches for another character, but ended up scrapping the whole story because I couldn't find any real conflict for them to resolve. When I realized I could use it for Nico and Lena if she was an artist, I was thrilled and got to work rewriting it for them. In the end, the only things that stayed the same were 5 of the 6 poses. Getting into and out of them changed, as did the characters relating to each other during them. I love all the longing and awkward tension between them in this piece, as well as how they finally end up confessing their love for each other. Finally, the culmination of all of their longing into the final sex scene? Chefs kiss.

Quinn Hughes - This one is so hard. I've written so much about Quinn and Sarah and I love all of the pieces for one reason or another. If I had to pick three favorites, they would be:

1). Five Days of Joy because I'm so proud of this fic. It took SO long to write, but I love the way it turned out. I love that we go through so many consecutive days and such a gamut of emotions with Sarah and Quinn.

2). The Second Time is Better because I love the portrayal of a more real first time. One of the things that drives me batty about romance novels is how the characters get together and always seem to have this instantly amazing sexual connection. No room for human failing or first time jitters. In reality, it takes time to build sexual chemistry and connection, and I went into this piece wanting to show at least some of that.

and 3). Second Nature because I think it has the prettiest prose. I still think this passage is some of the best writing I've ever done:

This was ultimate flirting in Quinn’s book. Something he knew he could do. When someone wanted to talk about music, or art or classic cars, he was a fish out of water. But talking hockey? He could do that all day long. Convincing someone to like the sport he loved so much? There wasn't a more ideal situation. 

“Oh, good,” she said, leaning forward to kiss him. 

This was a perfect evening. Casual and comfortable. Cooking for someone he - liked, and kissing her whenever he wanted, taking no worry of who might be watching. 

Letting himself get swept up in the kiss, he slid his hands over her hips and tried to commit her scent to memory. No matter what happened - though he was pretty sure nothing bad was ever going to happen with Sarah - he wanted to remember this. She smelled like a dream he’d had as a boy. Like vanilla and warm skin and fireside, summer nights. It was an outlandish notion, but he couldn’t shake it. 

All her life, Sarah had read stories about star-crossed, fated lovers thrown together by chance and circumstance and serendipity. But those were all just stories. Even when her grandpa talked about meeting her grandma - like they were always meant to be together, and just had to find each other to make it happen - it seemed like folklore. A tall tale he spun to make their love story seem more epic. 

After writing all this out, I realized perhaps you meant favorite writing from other authors. Let me know if that's something you'd like me to answer.

[t1ny-untitled]

TILL X GN!READER

「 ✦ ‧₊˚ 🎸 ⋅♡𓂃 ࣪ ִֶָ

- in this au, Till is in love(?) with the reader!yn and sang a different song in Round 2 in where he thinks you like (the aliens don't know it was someone else's song). He feels unsure of his feelings for gn!reader until he sang the song. -

- Warning; Till might be ooc(out of character) so I apologize if it is. If anything, feel free to give me some tips or things to improve this or any of my future fics, thank you! -

「 ✦ ‧₊˚ 🎸 ⋅♡𓂃 ࣪ ִֶָ

날 스치는 그대의 옅은 그 목소리

(That faint voice of yours that grazed me.)

내 이름을 한 번만 더 불러주세요

(Please call my name one more time.)

얼어버린 노을 아래 멈춰 서 있지만

(I'm standing still under the frozen light, but)

그대 향해 한 걸음씩 걸어갈래요

(I will walk towards you, step by step)

Still with you

0:01 - 0:18

Still With You - Jungkook

‧₊˚ 🎸 ⋅♡𓂃 ࣪ ִֶָ✦ 」

[Reader] has always been the person that Till admired a lot. Watching them from afar with admiration. Through his journey of learning the guitar, they were his inspiration and motivation to continue on. For him, his education, and for them.

You were his childhood best friend he never wanted to let go. You were too kind to him. To people. To everyone. He likes that about you. He couldn't even believe that he met someone so caring like you. It felt so unbelievable.

He just wishes to at least hold your hand, wipe your delicate tears when you cry, let you sleep on his shoulder for as long as you can, and talk to you for countless hours.

It breaks his tiny heart whenever he sees you with someone. He had always tried to impress you. He wanted you to be proud of him. To notice him. To care about him. He had always dreamed about that.

And this is finally the time that he can impress you. And he won't mess it up. He can't mess it up.

‧₊˚ 🎸 ⋅♡𓂃 ࣪ ִֶָ

Till was now against a guy—Acorn. A short brown haired boy who is just the same age as he is. He looked at the audience with confidence. He knew he was gonna win this round. With this song he prepared. For you.

Surely, the music started to play, giving a somewhat soft but electrifying memory with his guitar. He tried to do it as softly as possible but also enough to maybe impress you.

He struck a few tabs and some chords, bringing the microphone to his mouth as he sang, giving a slightly blocked sound to impress the audience as well

"날 스치는 그대의 옅은 그 목소리."

"내 이름을 한 번만 더 불러주세요"

"얼어버린 노을 아래 멈춰 서 있지만"

"그대 향해 한 걸음씩 걸어갈래요"

"Still with you"

He sang in a soft tone before striking a slightly louder and improvised melody. The boy looked at him, not even knowing where to start singing until he continued.

"어두운 방, 조명 하나 없이. 익숙해지면 안 되는데 그게 또 익숙해"

("Dark room, no lights. I shouldn't get used to it but I'm used to it again.")

He sang, looking at the ground for a brief moment to think about all the things he had with you before when the two of you were still kids.

"나지막이 들리는 이 에어컨 소리. 이거라도 없으면 나 정말 무너질 것 같아. 함께 웃고, 함께 울고. 이 단순한 감정들이 내겐 전부였나 봐"

("This quiet sound of the air conditioner. I feel like I'd really fall apart without this. Laugh together, cry together. I guess these simple feelings were everything to me.")

A gentle smile creeped up to his face, looking up. He felt conflicted by his unknown feelings for you. And he wanted to be sure...

"언제쯤일까 다시 그댈 마주한다면? 눈을 보고 말할래요."

("When will I ever see you again? I want to look you in the eye and tell you")

"보고 싶었어요"

("I missed you")

Suddenly, he felt a switch in his heart turned on. A feeling of his heart racing as he continued on the lyrics with passion. He hasn't felt something like this until now... It felt so nice, even.

The brunette looked at him, slightly panicking as he looked at his score compared to the gray haired one. He looked back at the gray haired, seeing how he was smiling genuinely. His collar was green, showing his positivity. Or even, motivation..

He really hopes you like it...

‧₊˚ 🎸 ⋅♡𓂃 ࣪ ִֶָ

"Till!"

A young child said, running towards the young boy—Till "Look what I made!" The young child said, showing him a little bouquet of flowers. You were smiling like a little kid, giving the bouquet to him. "It's for you!"

Till looked at the bouquet, feeling his cheeks burn beet red by the sudden gift. "W—why me?!" He exclaimed, looking up at you with surprise.

The young child looked at him, confused but also upset, thinking he doesn't like it "Why? Is it ugly?" You asked, looking a bit saddened as you looked down at your bouquet. He didn't like it when he saw you like that. He quickly patted your head, trying to calm you down "I—I'm just asking! I didn't say anything negative about that!" *He protested, hesitantly grabbing the bouquet and hiding it up to his chest "H—happy?!" He says, looking down at you and hoping you would be happy again

The little child looked up at him, and your face brightened. "Sing me a song" You stated, looking at him with a smile. You knew he couldn't say no... "A—ah... Hrgh..." Till grunted, feeling his face heat up and looked away, looking timid. "Fine...!" He said making you smile brightly and jumped up and down.

You sat on the floor beside him, looking at him as if waiting for him to sing. He couldn't concentrate properly on how focused you are to him but eventually, he started to sing.

"황홀했던 기억 속에"

("In the ecstatic memories")

"나 홀로 춤을 춰도 비가 내리잖아"

("Even if I dance alone, it rains")

"이 안개가 걷힐 때쯤 젖은 발로 달려갈게"

("By the time this fog clears, I'll run with wet feet")

"그때 날 안아줘"

("Hug me then")

‧₊˚ 🎸 ⋅♡𓂃 ࣪ ִֶָ

He didn't even realize that he was zoning out and his opponent—Acorn was already singing while he was distracted. He felt angered to the point he slammed his guitar on the floor. He wanted it to be him he's impressing you. Not the flat haired guy.

It still made him mad despite him still winning over the brunette. Now he had just killed his alien guitar. Ahh... But all he wanted to know is if you liked it or not.

He goes back to where he was, trying to find you to see if you paid attention to his performance. He just hoped that you weren't sleeping that time since you are a heavy sleeper... But luckily, when he came back, you instantly greeted him with a soft smile and waved at him. The only thing that filled his mind is that you liked it based on your small interaction with him.

Till looks at you, his face burning and his lips curling into a nervous and awkward smile before waving back. Now he finally knows what his feelings for you are now.

He wants to stay still with you

‧₊˚ 🎸 ⋅♡𓂃 ࣪ ִֶָ

[fanfics4all]

Tension

Request: Yes / No Ok ok ok first of all i am obsessed with your fics. Thank you sm for my other request it was amazing. So, this time :) Can you do a daryl dixon mutual pining but like angry sex. Dom daryl ofc. Like they have this unspoken thing going on between them and reader pisses him off so he kinda confesses his feelings in a smutty daryl way @madammarvellous-blog1

Don’t be shy, request things! <3 Have a nice day/night

Daryl Dixon x Fem!Reader 

Word count: 1992

Warnings: SMUT!

PLEASE DO NOT STEAL MY WORK, I WORK HARD ON MY FICS AND IT’S NOT COOL TO STEAL SOMEONE ELSE’S WORK! 

If you want to be on the tag list for anything (My series fics, specific character fics, or just all of them) All you have to do is send me an ask and I will add you! 

Masterlist 

If you enjoy my work, you could also show support by buying me a coffee! 

(Not my photo, credit to whoever made it!)

In the dimly lit confines of the abandoned building, everything felt electrified with tension. The air was thick with unspoken words and burning desire, and we constantly danced around that invisible wall that separated our true feelings and personas. I could feel the heat radiating off him as he glared at me, those stormy blue eyes sparkling with irritation. 

“What the hell do you think you were doin’? He growled, making my heart race. He’s always been dominating and assertive, the kind of man who didn’t just want me, but claim me. I rolled my eyes, trying to maintain my composure, but the tension was unmistakable. 

“I didn’t do anything, Daryl.” I shot back, my voice dripping with defiance. 

With one swift movement, he closed the distance between us, his presence overwhelming. It sent a shiver down my spine. His body pressed against mine and I could feel every hard muscle beneath his leather best. 

“You were reckless and could’ve gotten killed.” He hissed, breathing warm against my ear. 

“But I didn’t.” I smirked, pushing back against him, feigning innocence. I could see the flicker of raw desire in his eyes. He was losing control and he hated it. 

“Damn it!” He snarled, grabbing my wrists and pinning them against the wall above my head. 

“You think this is some fuckin’ game?” The heat from his body wrapped around me, and my breath hitched as anger and lust stirred within me. 

“That’s rich coming from you.” I scoffed. 

“You’re the one always bein’ reckless and shit.” He narrowed his eyes. 

“Better to be reckless than have a hot and cold personality.” His smirk faded from his lips, replaced by something so primal it made my body tremble. 

“You wanna know what’s cold, sweetheart? How long I’ve wanted you? How many nights I spent dreamin’ about tearing your clothes off and makin’ you scream my name.” He said, his eyes darkening. 

My heart raced as he slammed his lips onto mine, a blend of frustration and need. It was messy and breathless, tongues tangling in a passionate dance that ignited the flame burning in both of us. The taste of him was intoxication and I melted against him. Everything faded away but the way he was making me feel. 

“Tell me you want it.” He growled against my lips, his voice thick with need. 

“I want you.” I gasped. The last of his anger melted away, replaced by an overwhelming hunger. With a growl he lifted me effortlessly, my legs wrapping around his waist as he backed me against the wall, his body covering me completely. There was no more teasing, nor more attempting to drive each other mad. This was pure lust, raw and unfiltered.

“I’m gonna show you just how much I want you.” Daryl promised. His hands roamed possessively over my curves, squeezing and groping through my shirt. I let out a soft moan, arching into his touch as his hardness pressed against my core. 

“You’ve been teasin’ me for weeks.” He growled, nipping at my bottom lip. 

“Walkin’ ‘round in these damn shorts, flaunting this sexy body. You knew exactly what you were doin’, didn’t ya?” I bit my bottom lip, looking up at him through my lashes. 

“Maybe I just wanted to drive you crazy.” His eyes darkened even more than I thought possible. 

“Well, mission fuckin’ accomplished.” In one swift move, he ripped open my shirt, sending buttons flying. I whined at the cold air hitting my sensitive nipples. 

“Fuck, look at you…” He breathed, his large hands cupping my breasts, thumbs circling my pebbled nipples. 

“Gonna mark up this pretty skin, let everyone know you’re mine.” He ducked his head, dragging his tongue along the swell of my breast before drawing one nipple into his warm mouth. I tangled my fingers in his hair, holding him close as jolts of pleasure shot straight to my throbbing clit. 

“Please, Daryl… need you so bad…” I whispered, riding my hips against the bulge in his jeans. He released my nipple with a wet pop, smirking up at me. 

“Noy yet. Gotta make you beg for it like the needy little slut you are.” He kept me pinned with his body, reaching down and palming my ass, kneading it. 

“Beg me for it, baby, let me hear how badly you need my cock.” I let out a desperate whine as Daryl’s skilled fingers dug into the soft flesh of my ass. 

“Please, Daryl, need it so bad.” I begged shamelessly, too far gone to care about the desperation in my voice. 

“I’m yours, all yours! I need your big, hard cock stretching me open, filling me up until I can’t take it anymore!” He chuckled, the sound sending shivers down my spine. 

“That’s right, you’re mine now, and I’m gonna use this tight fuckin’ cunt however I want.” He punctuated his words with a sharp smack to my ass, the stinging pain blending deliciously with the pleasure. I yelped and writhed against him, my pussy clenching around nothing. He quickly ripped my shorts off but left my panties on. 

“Fuck, you’re drippin’ all over my cock like a good girl. Bet you look so pretty split open on my dick, tits bouncing as I pound into ya.” He captured my lips in a bruising kiss, swallowing my needy whimpers. His tongue pushed into my mouth, claiming me thoroughly. I moaned into the kiss, my hands fishing his hair, pulling him impossibly closer. 

“I’m gonna fuckin’ ruin you.” He promised as he broke the kiss. 

“Once I’m done with this sweet pussy, ain’t no one gonna fuck you again.”  He pushed my panties aside and pushed into my slick folds. I cried out as his fingers found my swollen clit, rubbing tight circles around the sensitive nub. 

“Oh God, yes!” I moaned, my hips bucking wildly against his touch. He worked me mercilessly, his fingers pumping in and out of my clenching hole. My wetness smeared over his fingers, coating them. 

“Fuckin’ hell, you’re so wet.” He growled. 

“Such a dirty girl, gettin’ this turned on where anyone could walk in and see what a desperate slut you are for my cock.” I could only moan, lost in the haze of pleasure. 

“Please, Daryl, I need more.” I begged, my nails digging into his shoulders. 

“I need your big, fat cock splitting me open. Fuck me senseless. Want you to fill me up until dripping with your cum!” He smirked, wickedly, pulling his fingers from my dripping cunt. 

“Beg me for it, baby. Tell me how badly you need my cock.” His fingers trailed teasingly along my slit, barely dipping inside before pulling away. 

“Come on, slut. Beg me like you mean it. Tell me how much you need my cock wrecking this tight little pussy.” I whimpered and squirmed against the wall, desperate for more friction. 

“Please, Daryl, I need it so bad! I need your huge cock fucking me so deep I’ll feel you in my throat… ruin me, please fuck me like your personal fucktoy!” I begged. He chuckled, giving me ass another firm squeeze. 

“That’s more like it. Such a good little cock slut, ain’t ya? Can’t wait to stuff you full.” He reached down and unbuckled his belt, freeing his massive dick from his jeans. His thick and heavy head was already glistening with precum. I licked my lips hungrily eyeing his impressive length. 

“Fuck, baby, you’re huge.” I purred, reaching out to wrap my hand around his shaft. 

“Can’t wait to feel it splitting me open.” He groaned as my hand wrapped around his throbbing cock. I squeezed and stroked his impressive length. 

“Fuck, that’s it.” He moaned. 

“Gonna give this greedy little hole what it needs. Gonna fuck you raw, leavin’ you drippin’ with my cum.” He promised, grinding his cock between my folds. 

“Yes, please fuck me!” I whined, my voice echoing off the walls. Daryl’s massive cock prodded at my entrance, the thick head nudging insistently at my hole. I pushed back against him, trying to force his cock inside. 

“Please, Daryl, I need it!” I begged, tears of frustration falling down my face. His hips slammed forward and buried himself to the hilt. I screamed in pleasure, my pussy clenching around his thick length as he stretched me out. 

“SHit, this pussy was made for my dick… fits like a fuckin’ glove.” He set a brutal pace, pounding into me with reckless abandon. The sound of skin slapping against skin echoed through the room, mixing with my moans and cries. 

“Take it, you filthy little slut! Fuckin’ take my cock!” He snarled, his fingers digging into my hips hard enough to leave bruises. 

My mind went blank. I was overwhelmed by the intense pleasure and pain of being so thoroughly claimed. All I could focus on with the delicious drag of his cock against my inner walls. The way he filled and stretched me so perfectly. I pushed back to meet his thrusts, my pussy greedily sucking him in with each snap of his hips. His thick cock drove into my tight cock with brutal force. 

“Fuck yeah, this pussy is mine.” He grunted, punctuation each word with a sharp thrust. 

“Gonna fuckin’ make you addicted to my cock.” I could only moan, my body surrendering to the relentless pounding. My pussy clenched around him, milking his length. 

“I’m yours!” I moaned. The wet squelching sounds filled the air, mixing with the slapping of his heavy balls against my clit. I could feel my orgasm building. 

“Please! I wanna cum on your cock!” I pleased desperately, my voice cracking with need. 

“Fill me up with your cum! I wanna feel you throbbing inside me when you blow your load!” His thrusts grew erratic, his cock piling and twitching inside me. 

“Gonna pump you full, fuckin’ breed this tight cunt. Make sure you’re carryin’ my cum.” He snarled, his grip on my hips tightening. With a guttural groan, Daryl buried himself to the hilt and exploded inside me. His thick cook erupts and floods my pussy with his cum. I screamed, feeling him cum triggered my own orgasm. He smashed his lips to mine to keep me quiet, my cunt spasming around him, milking him for every last drop as I shook in his grasp. 

Once we each calmed down from our orgasms, he set me down on my shaky legs. He looked down and my shirt and sighed. I looked down and giggled, there was no way I could go outside this building with a destroyed shirt. Daryl knelt and dug through his bag for a few moments, before standing back up and handing me one of his shirts. 

“You brought an extra shirt?” I asked, confused and he shrugged. 

“You don’t?” He asked and I rolled my eyes. 

“No, we weren’t supposed to be gone that long, just a day. Why would I bring a shirt?” He shrugged and shoved it into my arms. 

“Just fuckin’ put it on.” I laughed and took my broken shirt off before pulling his over my head. 

“Mind handing me the shorts you tossed somewhere?” He tossed them at me. I finished getting dressed and turned to find Daryl smirking at me. 

“What?” 

“You look good in my clothes.” He said and I blushed slightly. 

“You seriously blushin’ over that? I just fucked you against the wall and that makes you blush?” I narrowed my eyes at him. 

“Shut up! Man, you sure know how to ruin a good moment.” I grumbled, he pushed me against the wall once more. 

“Sorry, baby, I could always make it up to ya.” He smirked. He leaned down and captured my lips in a soft kiss. 

“Maybe later. The groups probably looking for us.” He groaned but nodded. 

“Fine, but I’m fuckin’ you again when we get back.” I laughed and shook my head. 

“Sure, baby.”

[azaharinflames]

I’m loving your theories on the whole BuckTommy (sorry Lou ilu but the name BuckTommy has stuck with me) arc. So I have to ask… why do you think people (read: fandom people) are convinced this is the last season? I really don’t see ABC/Disney undertaking this big of a show (money and following wise) and being like “yeah we’ll put time and effort into this production, but only for one season”

Thank you! Glad you love them, I feel slightly less of a clown when people understand how I think lol. Also - I was rooting for Tevan hard, and even Firefly, but I've accepted Bucktommy and now it has a special place in my heart.

As for your question... I think it all comes to change.

Let me explain. For shows to have a long life, they have to change. They have to evolve. We cannot feel as if we are tuning in to the same thing every week, especially when the same thing has long become boring. I will put Modern Family (my ultimate comfort show) as an example: the whole eleven seasons are of constant change. We are growing with the characters, we are happy, frustrated, sad, whatever, with their actions and choices. And because they are changing, we want to tune in next week to see what will be next.

911 has a severe issue of lack of change. The characters go through these cycles constantly; we said Buck was in a hamster wheel, but the truth is that every single character is in there, too. The writers are somehow unable to find new storylines or conflicts, that aren't what we have seen already, only this time with a new context.

This is partly the reason why so many people, and why a big part of the GA, latched onto Tommy and BuckTommy so quickly - because they were a breath of fresh air, and they felt like the much-needed novelty we were all expecting. If we don't have them, we go to the same repetitive stories - with Buck, but with everyone else, too, to be honest.

And if there is no change... people get bored. There are just so many times you can see Henren on the brink of losing their kids, or Buck trying to find the one (it's stopped being cute, especially when he just had the perfect partner for him walk away), Eddie being unable to move on or forget Shannon (because as much as he's 'better' - has he actually dealt with it?), Madney having either a kid storyline or a Dough-influenced storyline, Bathena having issues with communicating... eight seasons is a long time of this. And unless they change it up, just how much longer can they go? We joke about Grey's sometimes, but the fact is that they are constantly changing.

So. That's partly it.

But (without wanting to make this a whole novel), there were also rumors that some cast was hesitant to continue. Take this with a grain of salt, please, but rumor has it that Peter was kind of ready to walk away a while ago. He even has said in interviews he cannot do this for much longer, as 911 is a very exigent show to shoot. He even wanted Bobby to be killed off at the S7 opening emergency. Angela has also expressed a desire to be on Broadway, so that could also be conflicting. Again, take it with a grain of salt.

And as for ABC - you're right, they bought 911. But with the upcoming spin-off, one can't help but wonder if it is not complimentary but, rather, a substitute. Perhaps they are planning on moving someone from the OG there, who knows. The fact is that they managed to catch the audience's attention with the OG, enough that if they lose it but immediately have a variation of it, they might tune in. And this new show would be cheaper than OG is right now because let me tell you - it ain't cheap, as far as I am aware.

If you want my personal opinion on this - I am 50-50. I think it would be a very weird final season if this was the last, but I wouldn't be that surprised if we find out it is. I can see them going for a ninth season, but I cannot see them going further than a tenth, and that is being really generous. If they prove me wrong and are willing to adapt to change, I will happily eat my words.

PS: I do think if this is the last season, or even if we have it in the next couple of years, they could bring Tommy back (if they haven't yet), as a sort of rushed HEA. Kind of playing with the whole 'right person, wrong time', just bringing it to the right time finally.

Thanks for the ask <3

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[triglycercule]

if dust takes off his hood and scarf then nobody can recognize him. he has literally no permanent traits that make him recognizable (which actually kinds upsets me because,,,,, there is no physical representation of his character development from sans to dust BUT EAAHHHH whatever,,, we cope with it.) but in like a silly goofy comedic way. it's like perry the playapus ans dr doofenshirmst (incorrect spelling but only by societies standards)

dust with hood down and no scarf

killer: a sans?

he puts on the scarf

horror: a GENOCIDE sans???

the hood goes up

killer: DUST SANS AKA MURDER SANS AKA DUSTTALE SANS FROM HIT AU DUSTTALE?????

horror's skull breaks a second time on the other side from sheer shock

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[gingerbreadmonsters]

6k in and my head is about to explode. STILL not allowed to say what i want :(

[emosockrat]

Cherry bomb is robo rosey

Lazy art

ooooo!! These look so cool!!!!!!

I also think that robo rosey would be a great choice for cherri bomb.

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[luxrayz64]

I saw a post a while back responding to criticism of botw as being "a good game but not a good zelda game", and they responded with how the Zelda Formula was getting tired and stale and botw was a response to that, that it was meant to harken back to the original zelda game where it just drops you in and it makes you find everything on yr own. which like is fine and good and all but. you do know that the original zelda had 8 full unique (as unique as they could be on the nes) dungeons right. the original zelda game had dungeon items. they didn't need to take out one of zeldas defining gameplay aspects and replace it with the fundamentally inferior shrines and divine beasts. you can make a game non linear and refresh its gameplay without taking out one of the series' strongest aspects.

[wild-jackalope]

NSFW links

Including :: Satoru, Choso, Kento, Toji, Sukuna, Yuji, Megumi, Toge, Yuta.

warning :: everything sex.

note :: can you guess who my favs are? All characters are of age.

Satoru Gojo

how he moans — He’s so damn cocky and breathy. Gasping whenever you brush over his sensitive spots, deep chuckling at every cute face you make. You couldn’t make him shut up even if you wanted to, he’s always going to be in your ear telling your what a good girl you are and letting you hear just how amazing your pussy feels.

he just won’t latch off your tit — when you’re riding him he has perfect access to your beautiful tits, how could you expect him not to suck them? He knows you love it when he can feel your cunt flutter around his cock.

he can barely control himself when you first have sex — he’s been waiting so long to have you like this, sitting naked on top of him. He might usually be smooth but now all he can think about is making sure he gives you a good fuck.

vanilla — sometimes vanilla sex is the best kind. He just loves the sight of you riding him with he idly play with your tits. So what if he wants it all the time?

videos — Satoru knows how flushed your get when he sends you videos of him jerking off and moaning your name. He’s away all the time, so he knows it’s the best reminder that he’s coming back to fuck you soon.

joining the mile high club — you’ve fucked almost everywhere. Almost. A plane now happens to fall upon that list.

Choso Kamo

how he moans — chanting please and curses. He’s a sensitive man, so they come out easily when you fuck him. Even when he’s the one on top, driving his cock deep into your soaking chasm, he still moans sweetly. He just loves you so, so much and you make him feel so fucking good. He can’t deny you the sound of his pleasure even if he wanted to.

treating him well — he goes so red in the face when you kiss him while palming his dick. Each time your lips reach his neck he shivers, so happy to have someone treat him so well it’s almost euphoric. Of course he’s stuttering “W-What about you?” Just make out with him until he sees stars.

foreplay — feeling your naked body against his, having his hands slide through your hair and lips move fluidly against yours makes him yearn for you in ways he didn’t know was possible, sure he was already hard the moment you touched him but now he’s aching and twitching for you, leaking pre cum.

he’s so big, but you take him — Choso is always slow, making sure you adjust to the feeling of him being inside you. He kisses your cheek and neck, mumbling praises. ‘You’re too big, Cho.’ You grunt, holding onto his arm. He shakes his head, disagreeing. ‘You’re the perfect size for me, my love, you take me in so perfectly. So well.’

Kento Nanami

how he moans — so lazy and deep. He just can’t stop praising you, loves to tell you how perfect you are between aimless grunts and breathy exhales. He’s a composed man, always aware of how good he’s making you feel so he’s never too lost in his own pleasure to moan so loudly, he’s quiet (unless you’re sucking him till he cums down your throat, then you’ll hear the best of his grunts).

he knows exactly how to get you crying for him — He might never openly admit it, but Kento is obsessed with your meek little moans and he knows playing with your pussy is the best way to squeeze them out of you.

perfect house wife — domestic life makes his heart truely happy, so when he comes home to you wearing nothing but an apron it makes his dick happy too. He just has to touch you and tell you you’re the perfect wife.

playing with you in front of a mirror — he enjoys seeing you quiver and your face scrunch up when he toys with your pussy, in front of a mirror means he can see it all perfectly.

Toji Fushiguro

how he moans — you have to be doing one hell of a good job to get this man to shut his mouth and moan for you. He’s a dirty talker, not a moany little sub. Still, his grunts are quiet and gruff. He’s most loudest when he slides into your gummy pussy for the first time and when he cums inside you.

favourite position — he just loves to pull you onto his cock. After a while, your legs begin to shake so he has to hold you upright and that’s how he knows you’re about to cum. Missionary comes in close second, just because he loves to feel you claw his back.

hate sex — you’re both pissed at each other, so what better way to rid yourself of your anger than to fuck it out? Straddle him, don’t give him the chance to top you, slap and ride him till he cums. Then maybe he’ll learn to respect you more.

when he tells you to ride his face, he means ride it — his lazy ass still wants you to do all the work, rolling your hips against his stunted tongue. He’s grinning, loving the moans you work out of yourself.

the only time he begged for it — you had been sending him some pretty saucy picture whilst he was away. It had been weeks since the two of you fucked and he wanted to see more of you’re perfect body. ‘I want to hear you beg’ you sent, then received a video from him.

Sukuna

how he moans — deep, deep moaning. The type of moan that hides a growl in the back of his throat as it rumbles against your chest. There are times he can get a little breathy, but he’s confident and never loses his cool. He mostly talks you through sex, so you’ll mainly hear grunts between his filthy dirty talk. Sometimes you swear you can hear a bit of Yuji coming through when he moans.

learn to shut your mouth while he fucks you — he calls you brat for a reason, because you love to talk back. When his hand wraps around your throat, you only have room to gasp for breath which is how he prefers you.

gently touching you after sex — post-sex is often when Sukuna is the sweetest. He admires your body, gently grazing his sharp nails over your skin and watching you retract at the tickling touch.

messy sex — there have been times where Sukuna burns for you, needing you in every possible way. He needs your scent, your skin, your hair, your body, your voice. He craves you, leading to a rough and messy quickie that’ll leave you utterly raw.

he has no patience — sure, he might like the idea of watching your fuck yourself on his cock, but in practice you’re much too slow. He needs to fuck you at his own pace, not let you work yourself off agonisingly slow.

keep quiet, brat — you need to learn to control your voice, but no matter how many times he tells you off you just keep hollering his name. So he decides to smack his hand over your mouth to cover up the noise.

even when you’re on top, you’re still a bottom — you were so excited when Sukuna agreed to let you top him. Although you were suspicious that he grunted a ‘yes’ so quickly, you didn’t read too much into it. Only when he had your hands bound behind your back, fucking up into your cervix did you understand he would never let you dominate him.

Yuji Itadori

how he moans — loud and messy. Once Yuji feels your cunt sucking him in the rest of the world disappears. All he can babble out are swears and compliments on how hot you are, how good you make him feel, how much he loves you. If the sex is softer (which is hardly the case), he can maintain composure a little better. He still grunts and swears, but at least the neighbours won’t hear.

favourite position — the way your ass collides with his hips and the defined arch of your back is like a work of fucking art. The sound of your moans muffling into his pillow is something he thinks about all the time. He just hates that he can’t see your perfect face, so please look back at him while he fucks you.

He waited all day to fuck you — you had been riling him up since the early morning; grazing your hand over his thigh and crotch, texting him lewd things, whispering sweet things in his ear. The moment you two got home he cornered you from behind, pressing lustful kisses to your neck and stripping you of your clothes until you both were naked and he had laid you over him.

cant get enough of your butt — he just loves your curves, flat or fat he admires you either way. Planting sweet kisses and mumbling how you were ‘built to make him hard’, whatever that means. He just runs his mouth when it comes to your body.

loves seeing you have fun riding him — the way you playfully hold his hand while you grind into his hips, or the way you break into a laugh when he grabs for your boobs, he just loves to see you have fun, especially on his dick.

no condom? — he’s always forgetting to buy condoms, you guys fuck like bunnies, how is he supposed to remember how many you two use up? You refuse to have a pregnancy scare, so you’ll just fuck him over layers of clothes.

Megumi Fushiguro

how he moans — Megumi starts off pretty balanced, but when things start to get intense he fluctuates between high and whiny to low and gravely (he’s especially embarrassed about moaning so high, so he tries to hold it back). He also doesn’t particularly enjoy being vocal, but a few physical and verbal prompts from you will get him in your ear.

you asked so nicely — he tells you he’s close and that he’s gonna cum, and how could he resist the urge to fill you up when you ask him so kindly to cum inside you? He’s surprised, but when you beg again he knows he can’t deny your sweet request.

nervous to touch you — he isn’t used to much physical affection, but he wants to touch you so badly. He loves to hear your gasps when his hands start to wander, so despite not being exactly sure what to do he’s eager to learn and memories the feeling of your body.

so kind to your cunt — the way he drags his tongue across your wet lips, making his saliva mix with your slick and creating a sloshy noise each time he repeats the motion. His narrow eyes gaze up at you, watching you throw your head back before closing and letting his sense of taste take over.

fucking you slowly — he’s never ruthless, especially when you want him to be. He moves his hips at his own pace, playing with your clit and enjoying the way you squirm for more.

Toge Inumaki

how he moans — He makes up for the lack of talking by grunting deliciously each time you make him feel good. The louder he is, the better you’re doing and the closer he is to cumming. Even when the focus is on you he’s still making noise, grunting each time you grind against his tongue, or tighten around his fingers.

sucking you sweetly — it’s pretty clear Toge has an oral fixation by the way he sucks your neck, your pussy and especially your tits. He especially loves your boobs, so they get special treatment.

pause your game — ‘I’m busy’ you say, that is until he’s parted your legs, hot breath patting your clothes sex. You try to keep playing, just to tease him further but his mouth feels so good that you can’t help moan and watch him eat you out. You’ll finish the level another day.

payback — you come over to spend time with him, only to be met with the back of his gaming chair. You’ll just have to give him the same treatment he gave you when you were too busy for him.

helping hand — leaning against his naked chest, going weak against him as he rubs your clit, occasionally dipping his fingers inside your pussy.

Yuta Okkotsu

how he moans — loud, weak moans. He’s so sensitive, he can’t help but whine in your ear as you fuck him. It’s not like he’s embarrassed either, Yuta loves to lose himself in your pussy and let you know how good it feels. You tell him he deserves to feel this good and it makes him sob pathetically.

shivering underneath your grip — he’s just too sensitive, you might go slowly for him just so he can relax but your skin is so soft, you’re gripping him so firmly and your breath hits his cheek. It’s all too overwhelming that he can’t help but tremble.

next best thing — you weren’t planning to end up fucking Yuta, but the two of you had gotten so heated whilst kissing. Neither of you had brought any condoms, so you decided to give him the next best thing and grind your pussy onto his cock whilst he moaned your name.

you fit perfectly on top of him — nothing else can compare to your lips moving like honey against his whilst his cock sits safe and warm in your pussy.