#((But he did it... he confided in her...))

[ghostbsuter]

He's hiding, the half collapsed pillar in an abandoned office building, halfway ruined and completely left to collapse in metropolis.

His core is pulsing, air freezing and eyes not focused.

Metropolis is big and bright.

There is no way they could get him here, not with kryptonian heroes at its beck and call. Danny saw Supergirl save the day, the big blue at her tail, saving civilians.

Danny followed the official daily planet channel and reads along every line Lois Lane and her husband, Clark Kent, write each time, making people aware of problems, and most importantly exposing people.

The rich and corrupted.

So yes, is it frightening? Anxiety filling? Putting trust into complete strangers in hopes they'd uncover the Guys in White if they appear in the city?

Yes, yes it is.

He hopes Jon, the boy he has been helping with homework in a cafe, won't miss him too much in case it does happen.

[ptieuca]

[forzathunder]

"I have many fears, most of them about Lucrezia." — Cesare Borgia (The Borgias, 2011-2013) + hints of insecurity

that she adores someone that much / if she will reject his dark nature and act of love and violence as Ursula did / if he truly is not part of her desires / that she easily forgets him

[m4rs-ex3]

callum feeling small and insignificant just being in the throneroom

vs callum practically kicking down the doors and waltzing in guns blazing

[bonefall]

Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("

Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(

And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.

And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.

What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.

And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.

But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.

[hephaestuscrew]

One of the many Wolf 359 script directions that is Important To Me is this bit from Ep15 What's Up, Doc?, which comes after Hilbert has been threatening to tell Minkowski how Eiffel ended up on the Hephaestus:

[bluespiritshonour]

Mai does figure into Zuko's redemption in a very subtle way by being neutral.

If she were actively prowar he wouldn't have felt comfortable voicing his turmoil in front of her and working it out loud. The fact that he still did it despite her being Azula’s bestfriend says he knows her views.

If she were antiwar... The effect would have been the same as what Iroh had on Zuko. Only he could change himself, no one else was gonna do it for him: hence it was important that he was separated from Iroh so he could forge his own path.

And without Mai being the only person he sought comfort from when his bad choices were catching up with him—he’d never really have processed it in a safe space.

I always like to think that in Ba Sing Se he was too much in survival mode—being given a chance to return home and then leaving it all behind was important because he needed to get down from survival mode and actually evaluate everything.

In The Beach he says that he should be happy that Ozai supposedly talks to him and thinks him a hero—except, his sour mood throughout the episode has to do with Ozai having gotten them out of the way. It wasn't that he had everything and realised it was hollow: it was more like he went back and realised what he was longing for didn't exist.

That explains him telling Sokka that his only regret was breaking up with Mai. He had to give up something to show that the right choice was the difficult choice and it sure wasn't Ozai’s love (which wasn't there. He comes to terms with the fact that it wasn't there). It was Mai’s.

[demonbarberofbeepbeep]

morning toddheads

[nevertheless-moving]

Hesina Willshaper AU

Step one canon divergence: Amaram's army doesn't do the kind thing. Kaladin's listed next of kin are sent a letter stiffly informing them that their son is a deserter and, thanks to the highmarshall's mercy, has been sold into slavery.

Step two canon divergence: a light spren has started following Hesina around.

The letter reaches hearthstone.

Hesina cries the bones of the first ideal through labor pangs. Their wretched diamond lamp grows slightly dimmer during childbirth.

Hesina and Lirin discuss if there's anyway they could possibly find their son and pay his slave debt. They're not optimistic.

Hesina talks with her lightspren.

Lirin and Hesina talk again about trying to find their son, now that Oroden is starting to be weaned.

Hesina appears to have grown taller. No one but the two of them seem to be aware but they're worried other future changes might be more noticeable.

Hesina and Lirin realize that she can mold rock as if it was clay with stormlight. A spark of hope for freeing their son emerges.

The two leave town.

They find a slave market in the nearest city. They see other parent's sons, but not their own.

Hesina swears to free those in bondage. Stormlight starts coming easier.

They make a tunnel. Rebellion follows. Lirin is horrified by the violence (the violence is not actually that bad all things considered. a couple guards dead. some bystanders frightened. Fair amount of property damage as they rob the military barracks food supply, steal every sphere that's not nailed down. and also steal the spheres that are nailed down. (Lirin won't admit it but the stealing from lamps part is kindof fun.)).

Many of those they freed flee. Some return to slavery willingly, scared of retribution. Many decide to follow the Radiant woman who has vowed to see others like them freed.

The group proceed to the next town. They find another slave market. They make a tunnel. There is more resistance than last time, clearly they were warned something might happened. Hesina kills a man.

Lirin is terrified by what his wife is becoming.

Hesina swears to shelter those without homes. The lightspren forms an unbreakable hammer, perfect for knocking crem free from buildings. And for knocking down men.

A now larger motley group seeks shelter in a mountain town razed in one of Alethkar's many skirmishes over the last decades. Hesina builds homes. Lirin begs her to stay here, to stop fighting before she goes to far down this path, not to go to war. The slaves they've freed are split, many wanting to stay, hide, some wanting to fight and free more, with a radiant at their head, there's a real chance to change things. Hesina lingers, practicing, spends some time falling in and out of shadesmar.

Lirin and Hesina separate.

Lirin stays with Oroden and the noncombatants. Hesina leads those who want to fight to another city, still trying to find their son, still trying to free everyone's children.

The town settles into a routine. Hesina and Lirin miss one another. This is the first time they've gone longer than two days without seeing each other in the last 25 years, and the two days was only when Lirin had to travel to where someone had overturned a cart on the road nearby and Hesina had to stay and watch the children, too young to travel. besides that, it had been every day. they keep turning to talk to each other.

While the army is gone, the free town is attacked by those trying to reclaim her property.

Hesina swims deliberately through shadesmar for the first time. reaches lirin just in time.

Lirin accepts that not fighting won't stop the violence. (It breaks him just a little bit)

Hesina shouts that one person's freedom ends where another's begins. She vows to fight against powers which would rather see their people in cages then homes. A thousand light spren rise up to grant her strength.

(yes I know she's moving fast through the oaths. but she's always been a thoughtful woman and she raised two children who asked difficult questions and now shes mother to another several hundred. honestly she had already worked through some of these concepts before they became actionable on such a grand scale.)

Lirin vows to support his wife through whatever trials the Almighty seems inclined to put her through.

The lightspren, who has started to get some memories back, remembers Oathgate Spren not terribly far from here by physical realm measurements, guarding a hidden human city

the stone remembers the way the radiants once traveled.

The path to a kingdom in the sky is slow — there are many cages to break on the way.

Kaladin doesn't know it right away, because people weren't exactly telling slaves about the freedom riots, but slave wagons start having harder and harder times reaching the shattered planes after him.

Someone mocks Lirin for having a wife so determined to pursue the masculine art of war. Lirin gets pissy and decides to show them by learning to read and write to help support the administrative side of his wife's kingdom wide asskicking.

The highprinces lead a fairly successful misinformation campaign about the slave riots, lots of accusations of rampant violence, the dregs of society lashing out, you can probably imagine

The ongoing rebellion is large enough that word trickles to the bridge crews, encouraging bridge four's hope for escaping, while also making it substantially more daunting, as the crews are even better guarded than canon.

Rumors of a female radiant swirl around. Most people assume it's a woman in shardplate with some sort of tunneling fabrial, which is still pretty crazy, but several major players Take Note

A very large and tired huddled mass of people reach Urithiru. there's just enough squires, and two new willshapers with their own oaths, to make tunnels through the shattered planes and reach the oathgate without being seen by the alethi armies

the parshendi army is another story, but some are willing to take a chance listening to the neshua kadal, and come with them.

The political implications of Dalinar freeing 1000 slaves is slightly more complex, especially considering the rebellions have been impacting Sadeas the hardest

About a week after being freed, Kaladin hires a spanreed intermediary to write home and find out if his hometown is alright (again, a lot of misinformation and rumors about the violence of the riots)

Is informed by Laral that his family left town looking for him shortly before the riots started, were presumed dead

Kaladin is under the impression that 1) his parents are dead because of him 2) the Rebellion is not the righteous fallback plan that he and the men were hoping it was.

Hesina has many reasons to go to the shattered planes. Nearest part of the trade network for food and necessary goods. Many slaves to be freed from there, and a part of her still hopes to find her son, even thought its been so long. Home of Alethkar's political leaders, the source of Alethkar's slavery.

I have spent. A LOT of time imagining many possible reunions between kaladin and his mom in my highly specific high oath hesenia au. She has a couple faces she could wear when visiting the planes. Brightlady. Radiant. Cagebreaker. Queen of Urithiru (not her real title, they're tentatively trying the Listener council model, but they know what the Alethi will understand). Even darkeyed mother, if she and Lirin approach slowly from a different direction. Honestly, pleased as I am with all of the above, a lot is flexible, the key here is kaladin going "MOM??" In some fashion One possible Reunion Here

Thank you @sorchasolas for conversation and the urithiru ideas and for leading me to actually write all this down <3

[kinokoshoujoart]

the coolest kids in forgotten valley!!☆

(…it seems there may have been a stretch of time where rock and lumina were the only kids in forgotten valley…🥲)

poseref

[aadmelioraa]

When your oldest brother dies on a religious crusade just as you feared he would and your father refuses to deal with his grief just as he refused to deal with it when your mother died (you were a baby btw) and then again when your other brother left home (because your dad was impossible to live with) and in spite of feeling entirely abandoned by your dad you use your newfound higher status to put yourself out on a limb in order to downgrade his punishment and that of your close friend despite grieving their involvement with the queen who led your brother to his death but instead of your father acknowledging your pain and your attempts to do what you believe will bring justice he lashes out at you by comparing your current position to the horrific way your mother died…just Eärien things

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[dearmahiru-archive]

i've been having brain worms about mahiru's relationship so i've been rewatching i love you to piece together day sixteen. this feels like a reach but i think a fight might've broken out between them.

first, mahiru boyfriend's house, birdcage, and carousel are all the same location─we know this because each one has the same couch, throw pillows, and table formation.

on day sixteen, mahiru excitedly prepares her boyfriend's favorite meals as a surprise for him. later, when milgram extracts mahiru's mind, we see a table with shattered silverware. then, mahiru fantasizes about her boyfriend coming back to life so they can share food together (notably, only mahiru is fed because when mahiru tries feeding her boyfriend it goes awry.)

though i don't believe her boyfriend was ever physical and broke the dishes, it's possible that he suffered from an eating disorder and responded badly to mahiru's attempts to convince him to eat. this is the reason mahiru's murder is portrayed as feeding him rats that she percieved as a gift to save him from starvation.

we also know that they've fought multiple times from mahiru's t1 song. specifically. theres this very moment in the second teaser where mahiru's screams at her boyfriend, telling him (paraphrased) "don't say you love me if you don't mean it."

which is insane because mahiru is a very forgiving person! she can turn a cheek to someone trying to kill her, laugh off those who trick her, call her stupid to her face, and says she's happy to fight with her boyfriend—lovingly referring to it as their break-up ritual—but saying you love her without any weight behind it? that's what sends mahiru right over the edge.

i think it's possible that mahiru's boyfriend reacted poorly to mahiru's "gift," and tried to console her by saying he loved her which made mahiru's upset, which then escalated into their final fight.

[honeynclove]

me after a long day being visibly alt and queer and yelling back at street preachers 😊😊😊

[molagboop]

Started March 5, 2022. Finished April 29, 2024.

Raven Beak's mother was a, uh. Character. In her twilight years. Very proud of her son, very competitive. She never lived to see him lead their people, but she was confident he had it in him.

[nachosncheezies]

People like Bill Jr. got all kinds of things wrong about Scully but probably none moreso than thinking it was tragic that Mulder was dragging her along on some descent into madness, when actually the real tragedy was how few of the people she loved ever realized it wasn't a descent.

(It couldn't be bc 1. it's not madness and 2. she was already there.)