#Momo: I have to kill them both

[mountpyro]

So...Okarun definitely has Thoughts about the Ayase family dynamic, right?

Every time I see Momo and Seiko interacting in the show, I can't help but wonder what's going on inside Okarun's head. Like, he heard Momo gassing her up when they first met and talking about how much she regrets her past actions while they were ghost/alien hunting--but then the first time he sees them together they constantly fight and call each other stupid/hag.

Whatever you think his home situation is, he has to find the dissonance between Momo's words to him and actions to her grandmother strange, and maybe even concerning. He probably hasn't said anything because:

He's an awkward fellow, after all.

He does see the moments where they stop pretending to hate each other.

But he definitely notices that things are strange; probably has already come to the conclusion that their current behavior stems from Momo's temper tantrum and years-long silent treatment. And the fact that both Ayase women seem to be allergic to talking about their feelings or apologizing.

So what if one day...he decides to meddle?

He definitely thinks it's not his place to do so, but at the same time he is falling madly in love with this girl. And her grandmother has accepted him into her home, feeds him, helped them both with their paranormal problems, and given him the first place that he feels he belongs in. He feels like he owes it to them to at least facilitate a better understanding between them. They both saved him--keep saving him--and he wants to at least save them from feeling like the only way they can communicate is with insults and bringing up the past.

However, doing something about a rocky relationship without making it worse is even harder than it sounds, and Okarun isn't exactly swimming in interpersonal relationship experience. He hasn't figured out what to do, and the only thing he has decided for sure is that he can't rely on their other friends for this task. They mean well, and most of them have more experience with making up with people than he does, but he thinks that they are a bit clumsy for something so delicate. So for now, he just tries to keep them closer together and distract Ayase-san when she gets a bit too vitriolic.

Meanwhile: Seiko and Momo are extremely grateful for the craziness of the last few months bringing them closer together than they've been in literal years, and have no interest in rocking the boat and upending all the progress they've made--even if they think things could improve more quickly.

Also they are a bit confused why four-eyes recently prefers to quietly hang out with Momo in the living room while Seiko watches her shows instead of letting her drag him up to her room like usual.

[keicordelle]

Momo confirmed: there can never be a Banri-centric three:vale

And actually, his logic behind this is really interesting. Because at it's heart, the difference is that with Banri, Momo could never have formed the same sort of codependent relationship that he does with Yuki. Banri is capable of taking charge and taking care of himself, and so Momo wouldn't feel the need to step forward and try to help him.

Hell, it's only after he realizes that no one's taking care of Yuki that he reaches out to him in the first place. Momo establishes very well in Re:member that he needs to feel needed and useful to feel loved, or to express his love, and Yuki lets him do that in spades. Banri, though. Banri doesn't need someone to dote on him (or at least so judges Momo) and therefore Momo's acts of service (his declarations of love) are unwarranted at best and unnoticed at worst.

Whether or not this is actually true is a whole separate question. Banri does seem to rely on Momo when he's helping them out backstage (Momo valiantly kills the dreaded spider for him) -- but he does it in a moderate sort of way, taking the time to make sure Momo's not overexerting himself (ie, when he's lugging around more equipment in one trip than he probably ought to be) and that he is generally taking care of himself as much as he's taking care of others.

But Momo seems to want someone who relies on him too heavily. He needs to devote himself fully and completely to another person (perhaps because he feels he can no longer fully devote himself to his own dreams, so he seeks some other outlet, someone else's dream to latch onto to replace that). He gets drawn in by Yuki's sopping wet meow meow nature and the fact that Yuki so clearly needs someone to take care of him, because Yuki is the only one who enables him to express his love in the way he wants to. Needs to, perhaps. Regardless of how (un)healthy that expression and the resulting relationship is.

That's why MomoBan won't work with just each other. That's why they need Yuki to draw them together: Momo needs someone who he can devote his everything to, and Banri can never be that person for him.

[lockefanfic]

Alarming

The following is 3.2k words of pure unedited filth that could be a part of the Business Trip storyline but could just be the product of an hour of BFH-inspired viewings of Momo’s most recent Strategy fancam but anyway here we go I put some words together I am writer I can write I swear -

---

You had a bit of a love-hate relationship with the iPhone’s alarm jingle. More often than not it was a source of frustration or anger, given its tendency to rip you unwillingly from the warm, comfortable embrace of sleep. It was too often a herald of reality, a reminder of adult responsibilities like spending the next eight hours exchanging your time for the money necessary to afford a cell phone alarm in the first place.

But these days you weren’t so upset at the familiar jingle and the way it interrupted your gaming session. How could you be, knowing what this particular alarm was for?

You quit your game mid-session, not even bothering to leave the match, leaving your virtual special operative frozen on its digital battlefield, an easy kill for some sweaty thirteen year old. Even before the console has fully powered down, you’re already on your way up the stairs to the bedroom.

Hirai Momo is waiting for you on your bed, wearing a silk robe that reached the top of her thighs and no further, leaving those long, toned legs of hers bare. She is on her phone, no doubt having just silence the same alarm notification as the one that brought you to her presence. With a wry smile she makes a few taps on her screen, likely placing her phone on Do Not Disturb. 

“Come here, then,” she says, casually, as though she weren’t inviting you into your bed dressed the way she was.

“I plan to,” you answer, earning a giggle from your wife as you rid yourself of your t-shirt and join her on the bed, crawling atop her.

She smiles into your kiss.  It is soft and intimate. Her lips are sweet and sticky and taste vaguely of the strawberry lip balm she loved so much. When the kiss finally ends the two of you stay there for a moment, faces inches apart. She smiles, and you do, and there is nothing there but love.

You kiss her again, this time more passionately. This time your tongues find each other, duelling between lips and teeth. Your arms wrap around your neck and she spreads her legs to allow you between them, your body pressing against hers and it all feels so soft and comfortable and safe. It feels like home.

You’re the one to break the kiss this time, and this time there’s no intimate, romantic eye contact. You dive instead into her neck, your lips and mouth finding all the soft, warm spots there that you knew she loved. She sighs softly, her cheek pressed against the side of your ear so the sound that leaves her lips heads straight into your ear. Wordless, breathless, hopefully the first of many.

You kiss a path down her neck, to those collarbones of hers, to the little dip between them that she’s told you the anatomical name of multiple times because you keep forgetting. Because honestly you didn’t care what some 14th century physicist decided to call it. You knew only that it was a part of Hirai Momo, love of your life, and that was it, that was enough. 

The silk of her robe stops you from going any further - a flimsy barrier but one nonetheless. You feel her hands lift your head from her upper chest until you are hovering above her, eyes finding and locking with their counterparts. There it is again, that perfect, intense intimacy; an intimacy you’d built over years of dating and a couple of years of marriage, the kind that allows you both the ability to communicate without words. She cradles your head in her hands and she smiles warmly and as corny as it might be there just aren’t any other words to describe it - your heart melts.

Her hands leave your cheeks, and without breaking your gaze she undoes the flimsy knot that keeps her robe together, pulling the folds apart to reveal her body to you.

You remember the first time you saw Hirai Momo naked, all those years ago. You hold that memory pretty close, honestly, because it was one of those moments in your life that you weren’t sure could ever be topped. She was a one night stand, then, the result of one too many glasses of old, expensive grape juice at a bar. That night you seared the sight of her in your mind because that was all she was, all you thought she would be.

Little did you know that she would be who she was, all these years later. You see her practically naked now beneath you and your reaction now is the same as it was back then - sheer, utter, awe.

She is perfect, as she was back then - all curves and valleys and muscle. She’s round breasts with tight nipples and she’s a flat, toned stomach and she’s long, perfect legs that go on forever and feel perfect wrapped around your head or your waist.

She’s as beautiful now as she was then. Even more so, honestly, because of what she is. Not some half-drunk, ill-advised one night stand with a co-worker, no, she is so much more than that. She is your wife, yes, but she is your soulmate, something you weren’t entirely convinced existed outside of fairy tales and silly romance stories written by amateur authors on the internet.

The smile on her lips turns into a giggle. “Stop staring,” she says, “and start fucking.”

It was just like her, just like Momo to turn an intimate moment into something a little less serious and a little more lewd. It was a defense mechanism of hers, you’d come to learn. She wasn’t the most open person with her feelings sometimes, not because she didn’t possess said feelings, but because she wasn’t quite sure how to articulate them. And so she often diffused those situations with humor.

You share a smile, but it softens quickly and becomes something else altogether. The humor becomes passion again. 

You dive into her body, first into those wonderful breasts of hers, so round and full and perfect. You take a rosy nipple into your mouth and Momo gasps in response, her back arching off the mattress, taken aback by the feel of your lips and tongue on her when she was expecting you to take the more circuitous route around her chest. Your other hand finds her other breast, not wanting to leave it idle, and soon her gasps turn into soft moans that fill the bedroom.

You take your time on her chest, knowing how good it made her feel, to say nothing of your own desires and needs. She had a body to die for but her chest was something special, and you had no trouble at all lavishing her round mounds and taut nipples with all the attention you both needed.

She’s a squirming, writhing thing now, her legs grinding against your crotch, searching for friction, for relief. Her thighs press against your hips and even while your mouth is latched firmly around a stiff nipple she grabs one of your hands by the wrist and brings it between her legs.

She’s wet and ready and dripping and you never, ever tired of the feel of her on your fingertips, so slick, so hot. You drag a fingertip from her base to her clit and she shudders at the feel of you.

“Fuck,” she gasps, the first full word she’s able to manage in a very long time. 

It turns into a longer, drawn out version of the same word moments later when your fingers slide inside her, only a single knuckle deep, two fingers wide. Stretching her, opening her, feeling her wet readiness on your digits. Your fingers continue the same languid pattern, starting at her base and sliding up her slit to her clit, circling the tender bud with your fingertips.

She moans, the sound soft and musical and causing your lips to curl into a smile around her breast. You release the tender bud from between your lips and look up at her, that same smile smug on your face.

“You like that, baby?” you ask - the most rhetorical of questions.

Her eyes, half-lidded in pleasure, tell you what her answer is. She backs up said answer by grasping your head again and crushing your lips with hers. If the first kiss was intimate and the second passionate the third is needy. She tells you with her lips what she cannot articulate with words. 

She breaks the kiss, and your heads hover inches apart, eyes locked on each other as your fingers play with the increasingly drenched flesh between her legs. She whimpers and sighs and moans and you watch all of it, watch every quiver of pleasure as it courses through her cheeks and lips. Her eyes shut and flutter open and remain half-lidded and sometimes her brow furrows as though she’s in pain or deep concentration but you know it’s neither, it’s pleasure, it’s wonderful and it’s taking over her body.

Her hand finds your forearm, her nails dig into your arm and it’s almost painful. 

“Gonna cum,” she gasps, eyes shut. “Gonna cum.”

“Do it, Momo. Cum for me,” you urge. You find her lips, give her a soft kiss, inhale the moans leaving her lips. Her hips buck, her thighs quiver around your hand. Your fingertips, incessant and merciless, continue to circle her clit, their pace neither increasing or decreasing but staying steady, just the way she liked.

When she cums it is a sight. Her back arches and her mouth opens in a scream that never comes, frozen open. Her nails dig into the skin of your forearm and the sharp pricks of pain are nothing compared to the pleasure you find in helping Momo find her own. You watch, enraptured, as her orgasm courses through her body. She’s quivering and sweaty and dishevelled. You never tired of it. Never would.

When she comes down from it her cheeks are flushed and her hair, her newly cut, blonde waves, cling to the side of her face by matted sweat at her temples.

“Fuck,” she gasps between her teeth. “Fuck.”

You smile. Her hand releases the deathgrip it had on your wrist and your fingers leave her aching clit. She brings your glistening fingertips to the space between your faces and she licks her slick juices from them.

“Fuck me,” she says, inbetween darts of her pink tongue that gather up the wetness on your fingers. “Cum inside me.”

“I will, Momo.”

She gives your fingers one last lick, releases your hand. The intensity in her eyes is clear.

“Breed me.”

What you would have given to see the reaction of your younger self if you’d told that poor schmuck that one day his one night stand would become his wife, would perhaps become the mother of his children. But here you are, and here she is, and you’re married and about to start a family.

You press yourself between her warm, spread thighs and bring your tip to her entrance. You slide your head up and down her slick lips and the contact rips wordless sighs from you both, sighs that turn into deep, primal moans when you finally slide inside her.

She’s wet and hot and tight and every possible adjective in the English language could not fully describe how it felt to be inside Hirai Momo. It felt amazing, better than any other physical sensation you’d ever known. Her legs close around your hips and her arms wrap themselves around your neck and you’re one being. You kiss her, deeply. Your lips leave hers and your faces hover inches apart as you begin to slide and out of her slick, hot cunt.

It’s soft and slow and passionate this time. You both loved the hard, rough sex - Momo herself had been ever keen on adding a hand wrapped tightly around her throat or handcuffs binding her wrists to the headboard - but now was not one of those times. Tonight was about more than that, and the conversation your bodies were having with each other made it clear what this night was really about.

She sighs and moans, wordless, breathless sounds directly into your ear. She loved her dirty talk, but much of it was absent tonight. Often sex in your bedroom was punctuated with filth or demands or name calling.

Tonight there are asks. Requests. Pleas.

“Fuck me, please,” she gasps. “Fuck me, give it to me.”

“I will, Momo. I will.”

“I’ve… I’ve been a good girl, right? I have. I want it. I want your cum. I need it.”

“What do you need, Momo?” you ask, another question that needed no answer. “Tell me what you need.”

“I want, I need,” she says, which were full, adequate sentences in and of themselves - but you knew what you wanted to hear. What you needed to hear.

“What do you need, Momo," you repeat, insistent. "Tell me. I need to hear it, need to hear you say it.”

“I need you to breed me,” she spits, breathless, desperate now, needy. “I want you to cum inside me, fill me up with cum-”

“Fuck, Momo-”

“-breed me, make me a mommy, leave a baby in my tummy baby, baby please-”

“Fuck,” you gasp, tearing your ear from her lips, as though you were afraid if she went on, babbling in your ear, that you’d cum too soon. But you wanted this to last, wanted to draw it out even longer than your usual sessions. You plant your palms on either side of her head and raise your upper body from hers. Throughout it all you are pumping between her spread legs, the silken, slick embrace of her cunt tight around your cock.

Detached somewhat from her, you watch with lewd fascination as her body is rocked by each thrust into her cunt. Her breasts - perfect, round mounds - bounce hypnotically, flesh soft and creamy, taut nipples still glistening with your saliva. Her abs clench and tighten, her thighs flex and work. Your gaze wanders further down, to the spread lips of her pussy, tight and wet and slick. Your cock glistens in the split seconds it spends outside of her body, catching the low light of the bedroom before it is inside her again.

When your eyes return to hers there is an intensity in them that takes you aback. Those were eyes you’d seen often twisten in pleasure, slave to her body’s whims, but now they are serious, intentional, even as they are occasionally shut or half-lidded by a sudden spike of pleasure. But they always open again, always find your gaze and hold it.

“Harder,” she says, the word half-moan and half-gasp. “Please. Fuck me harder.”

Your body moves of its own accord. Your hands, planted on either side of her head, leave the mattress. Sitting on your heels for a moment, you pull her body back towards you, embedding yourself inside her to the hilt and drawing a gasp from her lips. Then your hands find her knees, snaking beneath them and pushing her legs back against her body, folding her almost in half atop the bed.

You lean over her. She is bent in half and with her legs against her arms, knees almost touching her shoulders, she is helpless, unable to do much more than simply take your cock.

You fuck her. hard and merciless, your cock drilling into her body to the deepest parts of her. 

“Oh god,” she swears, “oh god, you’re so fucking deep, oh fuck, oh god!”

“Fucking take it, Momo,” you spit between gritted teeth. “Fucking take my cock, take my cum.”

“Yes!” she exclaims, the word leaving her mouth like some natural reaction, some primal response from somewhere in the deepest, darkest parts of her. “Fucking cum inside me, please, cum inside me and give me a baby, breed me, get me pregnant-”

“Jesus,” you hiss, your turn to swear. “God, Momo, you’re so-”

“Fuck, please, breed me, breed me, cum inside me-”

You groan then, something dark and guttural leaving your throat in reaction to the pleas of the needy young woman beneath you. Her cunt flutters and pulsates and every movement either of you make drives you crazy, chases sanity from your mind and replaces it with something altogether scary, something that makes you slave to its whims and desires - the desire to leave a part of you inside this woman, to make her yours in the most primal way possible.

“Momo, I-”

“Inside me, please, please, breed me please-”

“Gonna cum-”

“Give me a baby, breed me please-”

The sight, the feel, the sound - the connection - it’s all too much, and you bury yourself as deep as you can inside Hirai Momo’s quivering, trembling body and let go. Your cock pulsates and spills warm, hot cum inside her, filling her up, leaving her cunt slick and messy, making her yours.

You stay there, frozen, her body still folded in half, feet helpless in the air. Your foreheads touch, the contact somehow grounding the both of you, bringing you both back to Earth, back home. She is still a mess around you, the pleasure still coursing through her body. Your bodies work hard to feed starved lungs. Your sweat drips from your forehead onto hers, another mark of your bond.

You open eyes you hadn’t known you’d closed. And there she is, eyes already finding yours. The softest, most intimate of smiles finds its way onto her lips. You kiss her softly, your lips playing tenderly with each other as you slowly release her legs from her chest. She wraps them around your waist as you settle atop her, your half-hard cock still embedded inside her creamy, messy cunt.

When your kiss breaks you look at each other again, and when she smiles it’s a little softer now, a little less intense. 

“Wow,” she says, softly, thereby winning the award for the most understated reaction that night. It brings a smile to your face and it becomes a soft giggle that she returns. 

You slowly ease yourself from her body, both of you wincing at the loss of the most intimate of connections. You fall on the bed beside her and she cuddles up to your side, but not before finally ridding herself of her silk robe, now sweaty and messy and in need of a turn in the laundry machine.

You bring her close, and she nuzzles into your neck as your arms wrap around her. You feel her lips curl into a contented, soft smile to mirror the one on your own.

“I hope they’re all like that,” you say, softly, earning a soft murmur of approval from Momo.

“Me too. Doc says we should try every day for the next couple of nights, so…”

“Well if it’s doctor’s orders, I suppose we don’t really have much of a choice.”

Momo raises her head from your neck. Her cheeks are flushed and her eyes are tired but there is love there. There is love everywhere.

“Mmhmm,” she agrees. “I think we can find a way to make it happen, I suppose. So same time tomorrow?”

“The alarm’s already set.”

You smile. You bring her close. You tell her you love her. She does the same.

----

Author’s Note: This is completely unedited filth that you shouldn’t use as a measure of my writing skill because it’s trash but BFH! BFH! BFH!

Momo too hot.

[aeleif]

Momo and Okarun's relationship dynamic feels like a breath of fresh air.

Honestly, it feels so good to have the girl and the guy protecting and sticking up for eachother equally, instead of it being one sided, where the guy is protecting the girl all the time.

I like how they are both as equally silly and stupid as each other. It feels like such a realistic relationship for people their age.

I don't really ship straight ships bc they're usually quite boring to me (don't kill me). But there's just something about these two that I can't help but ship them and actually root for the relationship to go somewhere.

[wilcze-kudly]

Aang is great because almost every ship you can put him in instantly becomes top-tier.

Like:

Kataang- they literally make me cry every single time I think of them. Their love story is wonderful and genuinely heartwarming. It symbolises healing and peace for both of them and the literal world. He showed her the world and he's her biggest supporter and she always defends him and they find solace in each other because they understand what it's like to be the last of their respective kind. And they're each other's hope and just... ahhh. They're so much more than the vanilla hero gets the girl ship people paint it as. Haters stay mad or smth.

Zukaang- the symbolism? They're the actual Ying and Yang of the show! The Rozin parallels? Them standing in a vortex of rainbow fire as two dragons (the blue one like Aang's tatoos facing zuko and the other one, red like Zuko's general colour scheme facing Aang) forming a heart shape around them? Zuko was literally searching for Aang and found his redemption in Aang and Aang made him a better person and Aang is literally the only person who genuinely experienced Fire Nation culture before the war and he clearly values it and he's helping Zuko bring peace to the world and the nation...

Taang- The og tomboy x soft boy dynamic. He's literally the person that helped her free herself from her parents and Air is the element of freedom? And she teaches him when to stand firm like the Earth? And I love when they do synchronised earthbending it's so satisfying and they work so well together. Toph having lost her face in one of Aang's nightmares is also a nice parallel to Ummi and Kuruk. (One caveat though: i hate taang being used as a "get Aang out of the way" side ship to Zutara)

Sokaang- they kinda come out of left field for me but the more I think about them the more obsessed I become. It's all about a teenage boy who has been forced into a role that demanded way too much of him finally learning to trust and rely on others. It's about Sokka finally living out the childhood that he was forced to grow out of. Sokka also has such a cute bond with Momo and more importantly, Appa, Aang's animal soulmate. The fics write themselves.

Sukaang- ok, I know Suki and Aang barely interacted in the show but like Hear me out.Suki is so connected to one of Aang's past lives. And she saved Appa, which would totally bond her and Aang (genuinely distressed that this was never discussed in canon). And they both value a sense of community so much, and Aang was one of the people who inspired Suki to leave Kyoshi to help others. Plus, there could be some amazing Rangshi parallels if Suki became Aang's bodyguard instead of Zuko's, which could be very plausible.

Azulaang- I adore this ship because I genuinely think Aang could really help Azula find her redemption. Hell, he was so nice to her in The Search and she literally killed him. Plus I've already laughed about how it would absolutely kill Ozai. The mental crisis Azula would go through due to fallingin love with Aang would be hilarious, and also the guilt over everything she's done, as Aang's kindness makes her realsie she was on the wrong side this whole time. He's one of the only people who can beat her at her prime and he doesn't seem to fear her at all, which is rare for her. Aang could give her the unconditional love she so desperately craves and needs.

Maiaang- genuinely adorable to me. Other than the obvious grumpy x sunshine trope, Maiaang has a lot of potential. Mai seems to genuinely like Aang in the comics, which is really cute. I also think Aang would be able to help Mai express her more positive emotions, other than just anger. Also something about the girl who was forced to remain silent and passive her whole life learning to finally let go and allow herself to just live with the help of probably one of the most active and expressive characters of the show has me by the throat. Plus, he got along great with her lil bro!

Tyaang- They're so similar and cute and bubbly! They'd have tons of fun together and I just know Ty Lee would teach Aang some gymnastics and he really enjoy it! I think he can also find Ty Lee's chiblocking very cool, since it is essentially a great way to deal with a conflict without causing permanent damage. Very airbendery. Speaking of which, Ty Lee is also very airbendry herself. I can genuinely see her finding herself in Air Nomad culture and be excited to help revive it.

Onjaang- i just find this ship so funny because imagine being a random schoolgirl in the fire nation and not only rizzing up a demigod but rizzing that demigod up successfully. This ship can also go so many ways depending on On Ji's reaction to that random cute guy who threw a cool dance party is actually the Avatar, so it's certainly interesting.

Yuaang- the ultimate cinnamon roll x cinnamon roll ship. But more than that, there's of course the Yue becoming the Moon Spirit and Aang getting lowkey possessed by the grieving Ocean Spirit. There's Yue appearing when Aang needed her most, while he's stranded in the middle of the ocean and helping him. They both understand sacrifice and responsibility, and maybe they could comfort each other through it. Also Aang being the bridge between the spirit worlds and Yue being a Spirit could lead to a very interesting romance, depending on how much the Avatar could interact with the Moon Spirit.

Jetaang- ok, Aang was just as infatuated with Jet as Katara was, right? And I think Aang was heavily affected by Jet's actions and behaviour. Also Aang really not wanting to hurt Jet while fighting him (twice!) was really cute. And Aang helping Jet snap out of the Dai Li brainwashing could be a really cool ship moment the more you think anout it.

Teoaang- Honestly their little one sided rivalry at the beginning of the episode was really cute. And I think there could be some interesting symbolism between them. Aang symbolising the old and Teo symbolising the new. They compliment each other like that. Teo comforting Aang by showing him that the critters of the temple are still alive and well is also sweet. And Aang admitting that Teo has the spirit of an airbender is so sweet.

Kuzaang- they're adorable. I loved the comic about them. Aang calling Kuzon "Hotman" is really funny. Aang helping Kuzon make a bigger flame with airbending is also really sweet. I especially like this ship in combination with Zukaang. It's such tasty symbolism.

Aang may just be the most shippable charater of this franchise, argue with the wall. He's so filled with love I have no choice but to multiship.

[ecargmura]

Dandadan Episode 7 Review - A Mother's Love

If Episode 4 hasn’t put Science Saru on the map for high quality animation, then this episode surely did. I haven’t read the source material, but even as an anime-only watcher, I can definitely see the love and passion the studio puts into this. It’s crazy how a Japanese anime studio owned by a Korean person can make such invigorating quality.

The rest of the fight with Acrobatic Silky was animated well. I love how the kids outwitted her by running away just so her hair gets caught in the nook and cranny of the warehouse. Okarun manages to defeat her by going full throttle. However, their victory isn’t a happy one as devouring Aira caused her to die. Turbo Granny explained that since she’s an ordinary person, being devoured by a spirit would easily kill someone. I sort of like that detail, honestly. There’s no anime logic about how she could survive this. She’s dead and that is what the rest of the episode is about. 

What I also like is that seeing her dead easily causes Momo and Okarun to start doing what they can like telling Turbo Granny to call the ambulance and for Momo to resuscitate her using her psychic hands. Though, it does feel odd that a group of teenagers know how to resuscitate someone so skillfully, even if it’s an attempt. They’re both not doctors and are on the opposite spectrum of them. The only way she can be saved is having Acrobatic Silky connect her aura to Aira’s like connecting two cords together.

That’s where the highlight of the episode comes in the form of Silky’s tragic backstory. Man, it broke my heart seeing Silky’s life before her unfortunate end. She was a single mother working as a prostitute alongside several jobs in order to provide for her and her beloved daughter who was her entire world and her purpose for living. Her daughter was sweet in that she was essentially her light in her life. She worked hard in order to buy the red dress that eventually becomes what she wears as a ghost and she was also teaching her daughter ballet. The tragedy comes from debt collectors or mobsters coming in to assault her and then they later took her daughter away, which is severely tragic because the sequences of her life before the tragedy shows that her daughter just celebrated her fifth birthday. If the mobsters are related to trafficking, this means that her daughter’s fate became that of a trafficked child and that’s horrendous in itself. Also, props to Hina Kino for voicing the daughter. She's excellent at creating a child-like voice, especially with how she wailed.

Silky’s dance sequence before meeting her end was seriously beautiful, yet so tragic. The scenery with the starry night was gorgeous but Silky starts dancing. Ballet is an elegant, graceful and poised style of dancing and that’s how she decided to meet her end. The way it was animated was so gorgeous. Also, if you noticed, Silky’s dancing was used in the full music video of Dandadan’s opening song.

There are some people out there wondering if Silky’s daughter is Aira. She’s not. When Silky became a ghost, she could only stand listlessly until little Aira came and mistook her for her recently deceased mother. Realizing that she had a daughter, Silky latched onto Aira and decided to protect her until it became obsessive and psychotic. 

This sequence also showcases why Aira behaved the way she did earlier. She’s a narcissist primarily because of what her father had said about her needing to become stronger in order to let her mother be proud of her once she sees her again. That was why she developed a high self-confidence in order to one day show her late mother. She may have been insufferable before but the memories have completely humbled her. The way she hugged Silky just so she could have solace and not be forgotten in death was such a powerful scene. This shows that underneath her pompous attitude, Aira had a kind heart. My opinion of her instantly changed after this. Wow. I legit shed some tears.

I wonder if Dandadan’s story is just encountering a ghost or an alien and learning of their stories or what not. There doesn’t seem to be an overall grand scheme of things. I like that honestly. It’s just a story about kids encountering the supernatural and learning a lot of life lessons amidst the craziness. Please correct me if I’m wrong. Anyways, what are your thoughts about this episode?

[dovveri]

the right reasons

bachelorette masterlist - part 1 ▸ part 2 ▸ part 3 ▸ part 4 ▸ part 5 ▸ part 7

synopsis: final stretch of the season. home visits.

warnings: implied sex

w/c: 3.4k

a/n: apologies for late update i have been laid on my literal deathbed with sickness and the brain juices have basically run out for this series so this is a short update to get them flowing again and hopefully i can wrap it up soon 🙏 ty for the support as always!

‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅

the next few days are hectic with house visits. because of the contract you had both signed, and the fact that the entire nation has been invested with sana's journey to find love, it was a given that sana wouldn't be able to just drop out of show. that didn't mean she didn't try, in fact you had to pull her back from calling all the lawyers in the district to break her contract, insisting that it was fine to see the show through and that you were going to be there for her no matter what. it took a few more assurances, and a couple rounds of sex, kisses, and promised cuddles before she reluctantly agreed to continue filming the upcoming home visits.

jiwon's family was first. you had both met her younger siblings and her several nieces and nephews that were very young. they were all very sweet and it was adorable watching jiwon entertain the young ones.

fortunately, the classic 'father figure that gives the intruder the i'll kill you if you hurt her speech' wasn't present because it seemed jiwon served as that person for her younger siblings. though her younger sister was a little skeptical at first, she easily warmed up when she saw how great sana was with her kids.

sana and jiwon wrapped up the night with a private talk, one which sana didn't share with you, but you were learning to trust her, even though it still looked like she was dating 4 people and soon to choose the love of her life, you had to trust that it was going to be you after it all ended.

jacky's family was next except since most of his family was back in australia, you actually just had a nice dinner at jacky's apartment with eunji who jacky had nominated as his family stand-in. you had apologised profusely to eunji for not being a better friend and not being there for her on the night she was eliminated but she laughed at you and rolled her eyes, saying it was completely fine. she was also friendly with sana who was a little anxious seeing her again so soon after practically rejecting her on national television, but eunji was extremely cool, and they got along even better as friends.

if you ignored the cameras set up everywhere and the producers running in and out, it was a pretty normal night between 4 friends. you had enjoyed dinner made by both jacky and eunji, drunk soju, sung bad karaoke on jacky's home-installed karaoke television set, and played nintendo switch games all night.

in typical bachelor fashion, jacky and sana also had their own private talk on the balcony towards the end of the night, although it was a little silly watching the producers and camera crew figure out how to film it because it was a small apartment, meant only for jacky to live in, so the balcony was basically right outside the living room where you and eunji had stayed, trying not to look outside and give them their privacy while they were having their mandated talk.

then, the crew had surprised everyone with a flight to japan for momo's home visit. momo had greeted all of you at the airport in a traditional kimono and one ready for sana as well. sana had teared up seeing her and being in her country of birth again. the next few hours were a whirlwind as momo and her sister hana took you all for a tour of their home city, stopping by all the essential places to eat, take pictures at, and had even brought you to momo's old dance studio where they had readied a performance just for sana. the producers were very happy with the amount of content they were getting as you explored the city.

you could tell sana absolutely loved this date. the amount of planning momo put into it showed how much she wanted to impress sana, and how much she understood her homesickness and her love for her birth country. it was hard to be jealous of momo getting most of sana's attention during the date when sana was on the verge of tears at every new sight, sound, and feeling. and momo was a sweetheart anyway, always being inclusive of everyone, making sure she was there if anyone needed translation or help with anything, you adored her as a friend, grateful that she was able to provide this experience for sana during the stressful filming season it's been.

you ended the day at momo's house. you met her parents and although you were a little intimidated by her dad's buff physique, he turned out to be a big teddy bear who supported his daughter more than anything. both her parents were glad to be able to converse with sana in their native language, and easily warmed up to her because of the fact that she was japanese and communication was made a lot easier. you spent a lot of the dinner just watching them, only catching hints of their conversation from your select knowledge about the japanese language, but momo noticed eventually and tried to translate as much as she could which you appreciated very much.

it was only a little awkward when momo and sana went for their end of the night chat and you had to sit with momo's family attempting to make small talk with your broken japanese. it turned out okay when momo's mom smiled sweetly and brought out dessert, turning on the television and flicking to an episode of the bachelorette with japanese subtitles. it turned out to be the episode that heechul had tried to rizz up momo and sana using his almost offensive japanese, and you were all able to laugh as you tried to explain using gestures and your best attempt at charades exactly what type of man heechul was behind the scenes.

although japan and korea weren't far, the crew had let you had some time off in japan and granted a day off after filming the dinner with momo's family so that sana could go home and see her family as well. so that night you had taken the bullet train from kyoto to osaka and sana had held your hand, leaning into you as she talked through her childhood stories softly. it felt like it was just the two of you against the rest of the world.

the next day sana was positively glowing. she practically skipped around you in circles while she took you around her home town. it was clear she was loved and missed in the neighbourhood. sweet old ladies and old friends were stopping her everywhere, asking how she was, if she was going to move back to japan soon, everyone wanted a piece of her.

you had dinner with sana's parents who you'd met already when they flew to korea for sana's graduation. although there was still the language barrier, it was easily overcome when sana's mom started showing you albums of sana's baby pictures and pictures of her throughout her childhood.

sana had squealed adorably, trying to cover up her baby pictures and chasing you around the house while you yelled out comments while rapidly flipping through the pictures before she could catch you.

you ended the night collapsed on sana's bed in her childhood room, cuddled into each other. you never really decorated your room when you were younger, too repressed and focused on your studies to ever find the time or worth in doing so. but seeing sana's walls plastered with old japanese anime posters, idols, her ceiling dotted with glow-in-the-dark stars, and pictures of her friends and family everywhere, you can't help but yearn for the childhood you could've had if you had tore away from the books for a little bit.

you're both laid supine on the bed, looking at the imitation night sky sana has in her room, little do you know sana's gaze is focused on you instead.

"y/n?"

"hmm?"

"thank you for being here."

"are you kidding? i wouldn't be anywhere else in the world right now. plus we just got a free trip to japan, life couldn't be any better. i should be thanking you."

sana giggles and fully turns her body, facing you and draping an arm over your stomach. you have your arm under her neck, supporting it while she nuzzles into you.

when she starts playing with the bottom of your shirt, sneaky fingers sliding up and under it, you squeeze out a warning, "sana... your parents are literally next door."

you can feel her smirk against your neck as she starts leaving light kisses along it, and you're helpless, lifting your head slightly to give her better access.

she hums against you, "you can be quiet can't you?"

you make a muffled sound of protest, "your childhood idols and plushies are watching us right now."

you can't see it but sana rolls her eyes, continuing her way up your neck, "i lived out my teen years in here. you think they haven't seen me get off?"

you squirm at the thought, the image of sana under her sheets, trying to keep quiet while she touched herself to whatever fantasies she had at the time.

"you're thinking about it aren't you? how i looked- coming home after school- do you have a school uniform kink y/n? that's slightly concerning y'know?" she leaves a hot trail of dangerous kisses up your throat with each phrase, intent on driving you absolutely crazy.

"n-no!"

"mm okay." then her lips are on yours and really, you should know better than to alert her parents of your sexual proclivities but when sana's licking into you like that you can't blame yourself for not being able to think straight.

‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅

the final date is of course, with jihyo back in korea.

you were nervous walking in through the front door, the sight of jihyo's parents and her sisters, all familiar faces from when sana and jihyo used to host parties and get-togethers for the various holidays of the year.

fortunately, jihyo's parents and rest of her family were sweet enough to welcome the both of you with open arms. as if the breakup never happened. you gripped sana's hand tightly knowing she was probably going through a hellstorm of emotions right now, being in an environment that reminded her of the brokenness jihyo left her with.

what you did not expect was jihyo's ex-boyfriend to also be at the dining table, all smiles and big buff arms.

sana's hand tightened around yours at the sight of him, her eyes quickly flashing to jihyo with a mixture of hurt and disbelief. jihyo avoids her gaze, sitting down next to her ex-boyfriend instead.

you hear sana take a deep breath, composing herself before the cameras and smiling, you can see straight through it though, keeping her hand in yours when you take your seats at the table, glaring daggers at both jihyo and her ex.

it's clear the tension around the table is present.

jihyo's mom clears her throat, attempting to strike up a conversation, "so sana... it's been a while since we've seen you. what have you been up to?"

sana smiles politely, "well this entire show has been a pretty big thing lately. although i will say i was very surprised to see jihyo there on opening night. not as surprised as i am to see your ex-boyfriend here though." sana directs towards jihyo, a little harshly, stabbing her food with her fork.

"sungbin. it's nice to meet you." sungbin offers a polite nod, but keeps mostly to himself.

"sungbin is my best friend. i thought if y/n could go on this whole experience with you then it wouldn't be a problem if i brought my best friend along." her tone is cutting, like she knows something you don't. "besides... my family's already met you and given you their approval. i thought the whole point of home visits was to get to know people close to me and see if they like you?"

sana shuffles a little in her seat, her grip on you tightens. "right."

the table falls silent again, only the sounds of cutlery scrapping against plates able to be heard.

it's more than awkward and you can see the producers talking worriedly with each other, coming up with any ways to make this more entertaining.

it's jihyo's dad that clears his throat this time, "so sana... do you think you've found your 'one' on this show? i know jihyo is a contestant on your show but know we still care about you and want the best for you, even if that's not our daughter." he smiles kindly, while his wife pecks him on the cheek for his sweet words.

"dad!" jihyo startles.

"what? just because you decided to break up with sana doesn't mean we wanted to let go of her."

"yeah sungbin isn't nearly as good as you at super mario bros even with all those muscles." jihyo's youngest sister chimes in with a laugh, lightening the mood easily as you slip into old conversations and reminiscing better times. you can see the producers visibly relaxing as conversation starts flowing, but jihyo is still tense, unable to look at anyone except sungbin in the eye.

eventually the night leads you into board games with the family while sana takes jihyo outside to talk. you give her a reassuring look before she heads outside, sungbin gives you a strange glance but you don't bother paying him any attention. regardless of his presence, he was still a stranger to you.

you're celebrating your third pass by the go slot in monopoly when the argument outside starts to get louder and louder, able to be heard from inside the house.

"why would you bring him here!?"

"what do you mean why? don't tell me you haven't been sneaking around with y/n this entire time! you haven't even given this show a chance have you?! you haven't given us a chance!"

"jihyo i told you last time that we are over! we have been over for over a year now!"

"i apologised for that okay! i just thought- i didn't think you'd be the type of person to go on this show for the wrong reasons sana."

"what- what wrong reasons?!"

"you're not here to find love! you've had it! even when we were dating i always thought it was kinda weird how close you and y/n were!"

"what- what are you talking about jihyo?!"

"you know damn well what i'm talking about."

"i don't."

"the fact that you've been in love with y/n since way before we were dating sana."

"wh- what?!"

"yeah. i figured if you're not taking this experience seriously than i give you a taste of your own medicine. that's why i invited sungbin tonight. everyone talks about people only coming on these reality shows for their 15 minutes of fame, i didn't peg you to be one of them sana."

"i am taking this seriously! how can you tell me anything about what i've been doing when you've had tunnel vision this entire time? you've only been focused on trying to get me back after i already told you that we're over!"

"if you are taking this seriously then tell me you don't have feelings for y/n. tell me you're going to end up with one of the final four, it doesn't have to be me, but don't you think you owe it to the others who have been trying so hard to impress you this entire time to give it your all?"

"i- that's not for you to decide jihyo."

"you can't say it can you?"

there's silence for a bit, the muffled sound of sniffling. you can't help but feel like you're intruding, and the fact that everything was being filmed and recorded right now made it even worse.

you quietly slip out of board games night and head towards the producers.

"you're going to cut that out right?"

"sorry?"

"their conversation. you'll cut it out?"

"excuse me, who do you think you are?"

"sana's best friend. who cares about her and her national reputation as korea's most eligible bachelorette."

the producer sighs exasperatedly, "we'll see what we do in the final edits. no promises." he rolls his eyes and pushes past you to go talk to the camera directors.

you hurridely go outside to see sana sitting on the balcony, her head in her hands, jihyo looking out across the balcony.

"sana?"

they both turn to you, jihyo rolls her eyes predictably, scoffing and moving past you back inside. you take the opportunity to step outside and close the door behind you.

"sana sweetheart..."

sana's eyes are watery, barely concealed emotions rampant across her face.

"cameras." she gestures weakly around the balcony where cameras and microphones are still set up.

"let's go home then."

she takes a breath, nodding slightly and taking your outstretched hand, you squeeze it reassuringly, leading her out of the house and offering your goodbyes to jihyo's family.

rather than take the driver back to the bachelorette pad, you insist on driving and giving the driver the rest of the night off. that way, you can at least ensure the both of you aren't under the watchful eye of producers looking to make a buck off sana's misfortune for entertainment.

it also helps that you can take a detour and head to a late night ice-cream parlour you and sana used to go to all the time as college students.

you grin when you see sana's expression immediately brighten when you pull up into familiar streets.

"where are we going y/n?"

"somewhere as sweet as you."

"ice-cream?"

"mhm."

she squeals happily, hugging you and you try your best to return it with a laugh while you keep your eyes on the road.

you park and walk into the ice-cream parlour hand in hand.

sana beams when she walks in, excited to taste test all the flavours despite always getting the same thing every time. you let her be childish again to forget all the things jihyo's said to her.

once she's tasted everything you order your usual white crumble pistachio and strawberry yoghurt for sana.

as always, she has to try some of yours and you must try some of hers because she's tried yours so it's only fair. except this time she leans in to kiss you, the flavours mixing on your tongues, a sweet kiss with no cameras or pressure, a moment just for the two of you.

after you're both finished with your cones, she leans into you, placing her head on your shoulder.

"about what jihyo said..."

"it's okay sana. you don't have to explain anything. i shouldn't have been eavesdropping anyway."

she snorts, "well i mean- it's going to be broadcast nationally anyway."

"maybe not. producers said they'll take it into consideration."

"mm. i haven't- i don't-"

you let her think, placing an arm around her shoulder comfortingly, letting her come up with the words in her own time.

"i love you. i told you that already. i don't know for how long- maybe jihyo's right and maybe i've always loved you. that doesn't mean that- it doesn't meant that i haven't put my all into this right?"

"of course not sweetie. i don't know if it was the same for you but i didn't even realise i had romantic feelings for you until during this. in the beginning, i was completely focused on finding the person that would be right for you. and i think you were too. it just so happened that halfway through, we started- well i realised that you were it for me." you turn to face her gently, brushing a strand of hair behind her ear and caressing her cheek.

she rubs her nose against yours softly with a smile, "you're it for me too. i'll figure out how to get through the rest of the season, but i think jihyo's right in that i have to start being honest with the rest of the contestants. none of them deserve to be led on like this."

"i'm sorry i kinda fucked up this whole show for you."

she pecks you chastely, "silly... we wouldn't be here together or have realised our feelings for each other if this didn't happen right? we just have to be selfish for a little more."

you sigh against her, bringing her into a proper kiss, lips trying to convey just how much you felt for her.

[izvmimi]

cw: set in both past and present. goofy but a bit of fluff. reader has a specified quirk. suggestive near the end.

Concentrate. Stop being impatient. You’re applying too little power, you won’t heal anything like that; you’re applying too much power, you’ll kill them! Slow down. Move more quickly, the sick and injured will keep coming. 

You bite your lip and pull your backpack closer to yourself as you think back to today’s lesson, both mentally and physically exhausted from the day before you. These internships are meant to push the limits of your Quirks, and you can imagine that all of your classmates are just as tired as you, but it’s hard for you to reconcile the fact that an old lady who keeps candy in her purse and smooches indiscriminately to heal injuries should be such a hardass to you. 

The tips of your fingers still tingle with the aftermath of transferring so much electricity towards them. Today, she had you try to practice transferring all of your energy from your toes to the palms of your hand and back, consecutively, and you still feel wobbly on your feet as you make your way home. It’s dark now and you’re a little lonely walking home alone, but your thoughts will keep your company as you walk through the streets. 

Joining the hero class late, you simply have to work harder, that’s all there is to it, you think. You don’t have the flashy quirks your peers do, no extreme power without blowback, no endless ice or fire or weapons, no explosions or gravity manipulation, no animals to come to your aid or ability to disappear and slip away. 

You have to be creative with your Quirk as best you can if you want to be of any use. 

You’re about 15 minutes away from your home by now and check your cell phone. There are messages from Momo where she’s trying her hardest to convince you that there’s some utility in makeup commercials for the greatest good, and you try to placate her as best you can as the good friend you are. Your friend from the support course has also sent you a wide-eyed orange cat emoji with the aim to check in since you’ve been quiet and you smile and send a signal that you’re alive with a tongue out emoji. You look at your screen for a few more seconds and don’t get an immediate reply but smile to yourself anyway before slipping your phone in your pocket.

As you turn past an alleyway, the sudden crashing sound of trash cans and body weight against concrete startles you enough that you jump. You have a few seconds to decide if you want to see what’s happening before you convince yourself it’s an animal, but you hear a groan, and before you can make it around the alleyway, there’s yet another thud. 

When you turn the corner, you’re surprised to see Midoriya, face smashed into the wall, nearly ten feet in the air. He falls too fast for you to reach him to try to break his fall, but it’s broken by a load of bundled trash, possibly more than you’ve ever seen not disposed of in your entire life. Dumbfounded, you watch him frown but he doesn’t seem hurt too badly (at least, not as badly as you’ve seen him self-inflict before) and he barely even realizes you’re there, before he’s back to his feet again, staring at the wall pensively, eyebrows knit together as he’s lost in thought. 

He’s in his hero suit, and you wonder how long he’s been out here. Feet pressed against the pavement again, he bends his knees and you see sparks fly before he’s about to jump again, and before he can move…

“Uh… Midoriya? What are you doing?” you finally announce yourself and he freezes still like a statue.

The sparks stop immediately as he turns to you, and his face is redder than a strawberry, jaw slack.

“Oh! Oh my God! I.. uh…”

You blink. Midoriya is always somewhat skittish around you, and you do admit that it’s probably because you’ve been prone to mess with him and give him nicknames, but you’ve never harbored any ill will against it. In fact, there’s a sort of fondness you have towards him, ever since the sports festival. He always manages to surprise you with his resourcefulness even if he’s the polar opposite of you ability-wise - all power, no self preservation.

Still, this isn’t the type of surprise you anticipated. 

Midoriya is still staring at you, mouth agape as he tries to come up with an explanation, not having realized that you’re no longer interested in whatever strangeness he imparts to you as long as he’s okay. All you can think about now is the fact that your head has started to pound, so watching him smash his face into the wall a second time might be the least of your concerns.

But you have to be curious in some way if you’re still standing here at 9 pm on a weekday.

“I-I’m trying to figure out my Quirk…” Izuku says through nervous laughter. You nod slowly, looking at and around him.

“Looking for the light in a dark alley, I see,” you murmur. He doesn’t laugh, instead grimacing. You scrunch your nose a bit at the smell, inescapable, trying to be kind enough not to say a word about it. “It’s super late,” you murmur, then tilt your head. “Are you going to go home soon?”

Maybe walking home with a classmate might be nice, it occurs to you.

Izuku’s green eyes light up for just a moment, then he frowns. 

“I can’t-” he sees you pout before you even realize you are doing so, “-but I can next time! I just have to…” his voice falters as you shift your weight from one side to another then shrug your shoulders. 

“No big deal.”

You turn on your heels, a little slighted but fine. He’s nice to talk to sometimes but you could call your mom or another friend perhaps for company. Izuku is annoying anyway, he’ll probably find a way to aggravate you before you make it home and you’ll regret even running into him. Perhaps.

“I’ll see you around then,” you offer, waving impassively behind you as you walk away.

“B-be safe!” he calls out as you take your first steps away, and you keep walking, the sparks of electricity he generates again as he goes back to whatever desperate move he’s working out putting the hairs of your neck slightly on edge, light catching your peripheral vision.

You turn to him, and take the scene in again. The boy with the Quirk that grants incredible power with a blowback he still can’t withstand. Perhaps truly, he’s not the opposite of you, but complementary. 

He has a look of determination to him, you note, as he squats slightly, then leaps again, soaring high to the point that it’s almost graceful -  but then he hits the wall once more. He tumbles again into bagged trash, and you sigh. 

You’re exhausted but not so exhausted that you can’t help.

“Midoriya, don’t jump again.”

As his head snaps back in your direction, he seems shocked that you’re still there and you wonder how he has such singular focus. Before he can react to you, you end up palming his entire face, pulsing the rest of your energy reserves quickly into the bruised tissues before retracting your arm.

Izuku’s eyes are wide when he looks at you, but you can tell you’ve succeeded because the redness and tiny scrapes on his face have already started to disappear, even if you can’t do anything about his bleeding nose.

You should have thought about this, you think as you wipe your hands on the side of your pants.

“T-thank you,” he mutters. 

You offer him a smile. Either way it’s a form of training.

“Of course. See you around, dino nuggets.”

—

“You know, that was the first time you healed me, ever.”

Izuku remembers that night so many years ago slightly differently than you do, it seems. He remembers being less uninterested in your presence than you impart to him as you recount it, and tells you his heart thumped so fast with embarrassment the moment he saw you he might as well have been having a heart attack, and focusing on his goal of figuring out OFA was the only thing that kept him from dying of mortification on the spot. Your crush finding you crashing into a wall then garbage repeatedly at nighttime in a dark alley isn’t exactly a chivalrous look, and looking so pitiful he earned an unsolicited heal wasn’t exactly the way he tried to woo you.

But all’s well that ends well, no?

You giggle, letting small pulses of your bioelectricity relax the muscles in his back with pinpoint precision. Your fingertips continue to dance gently along his skin until the tension dissipates completely, and he lets out a satisfied sigh as they move gently to his neck, then tap gently at his scalp. 

“I probably could have been just a little more respectful of your dignity, but I think even back then I was trying very hard to suppress any positive feelings for you,” you admit. There’s no point in pretending now that your tender relationship is clearer than crystal, blatant for the world to see.

“And how did that work out for you?” he retorts as your hands run through his hair lovingly. 

You smile to yourself, letting your torso press gently against his back. Izuku’s laying on his belly and you were straddling him prior to this, having decided to bless him with a special back massage as a treat. Your husband always does his best, and doing his best has taken a lot out of him in the past few recent days, so this is the least you can offer him and you’re glad to do so. Both of you have grown stronger, smarter, and better at using your Quirks for yourselves, for society and for each other. It’s only natural that you’ve learned a trick or two.

“Terrible,” you answer.

You smile as your face presses against his upper back, letting your hands run along the length of his arms, more soft pulses of electricity passing through his skin. He shudders against your body and your heart practically sings with affection. 

“Terrible?” he tries to sound annoyed but his voice comes out higher than usual, riddled with relief.

“Yeah, I had no intention to fall in love with you. A huge fail on my part, actually.”

He chuckles.

“I guess it’s true that there’s a lot to gain from failure then.”

You hate and love that he’s always so good at redirecting and softening any of your playful resistance. Your hands tighten gently around his wrists.

“Are you mocking me, Izuku?”

His laughter rumbles through his larger body, the vibration running through all parts of you as you stay pressed together.

“Maybe,” he replies, coyly. 

“You know, in this position, I could make sure you never get up again,” you say in a honeyed voice. “You have a vested interest in being nice to me,” you tease.

Izuku moves a little too fast for you to keep up at times, and this is one of those times. Before you realize, your positions have switched, and now he’s on top of you, so close his forehead is pressed to yours.

He kisses just above your eyebrows, your eyes closing automatically.

“I’m always nice to you,” he reminds you, his voice soft.

You smile as they open again and you look at him. He’s far from the awkward try-hard boy he once was, and you’re far from the sometimes standoffish, other times overly yet hesitantly invested girl you once were.

You’re invested in him with full intention, just as he’s invested in you.

“You’re right. Thank you for being so good to me,” you reply softly.

And you’ll always be good to him.

[skullsgrowontrees]

Momo and Okarun are to me the ultimate pansexual couple because Aira having a crush on okarun and seeing momo as a rival is real and very much fine, but Aira having a crush on okarun and seeing momo as a rival as a way to push away a raging crush on her is even funnier in my mind. Jiji having a bit of a friendly crush on momo? Adorable! Jiji having a friendly crush on momo and then nosediving into a crush on okarun once he realizes how much of a great guy he is? Now that. That's what I want.

Even Vamola. I ABSOLUTELY read her as bisexual because if I was told I needed to marry the strongest person I could find and two badasses from another planet defended me from the people trying to kill me, Idk If I'd be able to stop myself from falling for both. They are just so incredibly pansexual to me. Such icons, I love them sm.

[tsukimefuku]

𝑺𝑷𝑶𝑶𝑲𝑰𝑵𝑲𝒀, 𝐀 𝐖𝐑𝐈𝐓𝐈𝐍𝐆 𝐀𝐍𝐃 𝐀𝐑𝐓 𝐄𝐕𝐄𝐍𝐓 !

SPOOKINKY 🎃 HERE WE ARE…

This event took a while, but finally, the SPOOKINKY EVENT is up to properly celebrate Halloween.

🔮 WHAT IS THE SPOOKINKY EVENT?

Why do we love Halloween and October? Because of the spookies and kinktober. So in the vein of joining both, the Spookinky event is born, my own lil’ Frankenstein monster.

This event will be divided into two fronts, which you may have already guessed: the SPOOKY front and the KINKY front.

🔮 WHAT DO YOU MEAN BY SPOOKY AND KINKY?

For the SPOOKY part of the event, writers and artists can make any piece of work related to horror, terror, suspense, satire related to these genres and/or homage works to classic horror media like movies, games, series, animes, etc.

For the KINKY part of the event, in the vein of kinktober, you can let your imagination run wild with those kinky thoughts and submit NSFW pieces featuring any kink you’d like.

🔮 WHAT IF I WANT TO MAKE A KINKY PIECE WITH THE SPOOKIES IN IT?

I haven’t forgotten about our monsterf friends <3 It shall be featured under SPOOKINKY submissions.

🔮 WHAT CAN BE SUBMITTED?

Fanfiction or original fiction; Fanart or original art; all of them as original tumblr posts tagged as explained below.

🔮 WHAT FANDOMS ARE COVERED?

Jujutsu Kaisen, My Hero Academia, and Heaven Official’s Blessings.

🔮 HOW DO I PARTICIPATE AND SUBMIT MY WORKS?

This is a Tumblr-only event.

For writers: send me a DM or Ask informing what you intend to write (provisional title, fandom for fanfiction pieces, characters and/or pairing). Ex.

Witchy business - Jujutsu Kaisen (Momo x Mai)

Good night - Original work (Vampire x Reader)

All writers works will get provisionally listed down below. When you post it, don’t forget to tag me (@tsukimefuku) and add the tag #Spookinky2024.

For artists: just submit your piece of artwork with a title until the deadline. Also don’t forget to tag me (@tsukimefuku) and add the tag #Spookinky2024.

🔮 WHEN IS THE DEADLINE?

October 31st. November 30th

🔮 WHAT HAPPENS AFTER THE EVENT ENDS?

This event will generate a MASTERLIST with all the fanfiction/original fiction and artwork submitted.

🔮 BASIC RULES

1. You have to be +18 to participate;

2. This deadline is not fatal but once I post the final masterlist, I won’t be changing/updating it;

3. Gore, blood, guts and everything spooky is allowed, however, tag your work accordingly. For writers, do it at the beginning of your post. For artists, do it in the post’s tags.

That’s it, my ghosties. Let’s have some treats and trickeries. ✨

SPOOKY 👻

Deadly Deals and First Dates - Jujutsu Kaisen (Shiu Kong x Fem!Reader) by @lazyjellyfish300

Penny Dreadful Series - Jujutsu Kaisen (gothic!jjk men x Reader) by @dreamingkitsunewrites

Mise En Place - Yandere!Nanami x Reader (Jujutsu Kaisen) by @sandsorghum

That's spooky af, honey - multi character x Reader (Jujutsu Kaisen) by @tsukimefuku

KINKY 🌶️

Whipped - Sub!Higuruma x Dominatrix!Reader (Jujutsu Kaisen) by @tsukimefuku

SPOOKINKY 🔮

Don’t cry. It’ll kill the mood. - Kenjaku x Reader x Sukuna (Jujutsu Kaisen) by @quinnyundertow

She drove herself to madness with a silver spoon. - Werewolf!Kusakabe x Witch!Reader (Jujutsu Kaisen) by @tsukimefuku

Heaven sent - Jujutsu Kaisen (Demon!Nanami x Angel!Reader) by @mysteria157

By the Gnashing of my Teeth - Jujutsu Kaisen (Wendigo! inspired Reader x Nanami Kento) by @rahuratna Part 1 | Part 2 (soon)

Hey Wolfmoon - My Hero Academia (Werewolf!Toshinori x Werewolf!Fem!Reader) by @actuallysaiyan

Crimson vows - Jujutsu Kaisen (Nanami x Reader vampire AU) by @pmpmyread

Dividers by @saradika-graphics

[dovkss]

bakugou using your mouth in the library during a weekly study date with your friends…

word count: 2.2k

warning: 18+; manhandling; blowjob (m receiving); degradation; slapping; public sex; possessive & controlling katsuki; choking & gagging; cum eating; yandere themes; poor eijiro once again :((

all characters are aged up !!

a/n: quick first drabble from my first story “dumb bitch” since a lot of you asked for a part two but I don’t want to do one, I’ll continue more drabbles from the story if asked ! enjoy ! (^_^)

You and the girls gathered at your usual study spot in the library on a quiet Saturday afternoon. You all were preparing for an exam and knew that studying together would help big time.

Kirishima was also there, like he always was. But he barely spoke. Ever since he discovered you and Bakugou on his bed, sprawled out like heathens, things were awkward to say the least.

You, the girl he’d cared deeply for, had chosen Bakugou over him, and it felt like a dagger was plunged into his soul.

He would think back to before everything went to shit. When classes for the day ended, he would see you leaning on his car when he'd go to the parking lot. You would greet him and lock your arm with his and you both made your way to the other side so he would open the passenger door for you.

You'd beg to go get ice cream or ask if he could take you home so you wouldn't have to take the bus. He would never say no to you, only nod like a dummy. It was like you knew the scent of your perfume made you irresistible to him.

When he would go to open the driver door, the handle would be warm from your ass. The day after the next, you would be back again to do the same thing.

You wanted to apologize to him, but was shut down by Bakugou. His nostrils flared and he rolled his eyes. "He'll get over it, stay away from him. Why? Because I told you to! Don't question me, you're fucking mine."

You respected his wishes, but you felt it was wrong.

You guys settled down at the spacious table, surrounded by shelves stacked with books, each section thoughtfully curated. They housed literary classics, contemporary bestsellers, niche genres, and even rare manuscripts. The atmosphere in the studying section was calm and serene. Soft whispers and the sound of turning pages filled the air.

You opened your rented textbook, and laptop, setting down your regular coffee next to them, ready to dive in.

"God, my head is killing me," Mina whined. Dramatically, she slumped over in her chair and rubbed her temple with two fingers.

"Still? It's been like a week," Momo asked.

"I don't know what's happening to me! Maybe... I'm dying..."

"Don't say that, death isn't funny."

"I never said it was, I'm being serious!"

"You're not gonna die from a headache, Mina. Stop being a baby. Maybe learn how to swallow a pill, it'll help."

Mina groaned and shook her head. "You know I can't do that!"

"Then stop complaining!" Momo snapped back.

You shook your head in disbelief. It seemed that the girls would always find something mundane to argue about. But that was just their dynamic. If there were a day they weren't bickering, you'd be worried.

You glanced up at Kirishima who sat across from you. His head was in his notebook; he was taking notes. You watched him, observing how he studied. His handwriting was a little sloppy, as he seemed to be writing fast. His tongue stuck out of the side of his mouth a little.

He was adorable when he was focused.

He looked up, meeting your gaze. You didn't look away. His red eyes glistened in the sunlight that came through the windows. You smiled at him, being sure to show off your pearly whites.

He sighed and went back to jotting down whatever he was writing. You frowned and opened your mouth to speak up, but you were suddenly yanked up by your arm.

You gasped and dropped the pen that was in your hand. You knew that tight grip of his, it never failed to make you shutter.

"Been tryna reach you for hours, y'know?"

You giggled. "Well I can't be available all the time."

Bakugou wasn't amused. His ears flushed in anger and his jaw clenched.

He dragged you out of the library, you winced when he tightened his grip on you. He was tall, his long strides made it almost impossible for your legs to keep up at a normal pace. Looking back, you were surprised.

Momo sat silently, taking a deep breath. Mina watched in confusion as to where he was taking you and wondered if you’d be back. Kirishima just stared. He seemed calm, like he wasn't worried.

He wasn't.

“Be right back you guys- ow!” You flinched. Bakugou had yanked you by your ear, forcing you in front of him so you couldn’t look anywhere else but ahead.

Leaving the study area, Bakugou took you to an empty part of the library, all the way on the other side. Furthest away from your friends.

He shoved you into one of the shelves and stood in front of you. He towered over you, his wide chest almost caging you in that one spot.

“You wanna embarrass me?” He asked, how voice low and intimidating.

You shook your head. “No… of course not, Katsuki! What did I do?”

His infuriated state didn’t subside. Your innocent question only intensified it.

“You should know better than to ignore me,” he said.

You shook your head. “I don’t know what you’re talking about but I’m sorry, okay?”

“You always have your phone on you, I’m not stupid.”

You looked up at him and wrapped your arms around his neck. “My phone is in my bag, we needed to focus for this exam and I didn’t want to get distracted. I didn’t mean to worry you… forgive me?”

He scoffed at your sudden change in demeanor. You looked at him with those eyes. The very same eyes you gave him whenever you wanted him to take care of you in more ways than one.

“What a fucking whore you are.” He spat at you, his hands running down the sides of your waist.

“You know me so well—after I study, you can come over. I’ll make it up to you!” You smile softly, biting your lip.

Bakugou didn’t react, he just looked at you. It was hard to read him. You were never able to tell what he was thinking. That’s what made him stand out to you in the first place.

“Why are you studying with Kirishima?”

Your eyebrows furrowed. “Well, that’s how it’s always been. I can’t really control if he’s there or not either…”

“Fucking figure it out. I don’t want you around him, if that means you have to kick those sluts to the curb as well, then so be it.”

He was serious. Of course he was, there was never a moment where he wasn’t. But he didn’t actually expect you to let go of Momo and Mina did he? Your best friends since… forever!

You frowned at his words and your arms dropped from his neck. You fiddled with the hem of your sweater and looked away from him.

When you didn’t give an answer, he brought his hand up to your chin, forcing you to look at him. “So what’s it gonna be?”

You were unsure of how to answer. Obviously, you weren’t gonna stop being friends with them. They were there first, it would be unfair.

“Why do you hate him so much?”

The grin on his face became more prominent. Slowly, teasingly, his hand smoothed down your hair before he pressed against the back of your neck. “Because he wants what’s mine.”

He pressed down hard, pushing you down to your knees. Your heart sped up when you realize what’s happening.

You blinked up at him, unsure of what he wanted you to do. You were also too scared. Your hands shook a little at the thought of getting caught. That would be a nightmare.

He tilted his head at you. “You don’t expect me to do everything, do you?”

You looked to both sides of you worryingly. “What if someone comes, and we get in trouble, or worse- suspended. Or even worse! Expelled! Oh my god, I’d be in so much trouble, my parents would kill me and I would be a disgrace and they’d disown me and they’d take away everything I have, everything I love, oh my god I’m gonna have a heart attack,”

Bakugou rolled his eyes at your nervous rambling, unzipping his pants and pulling out his hard cock. He slammed your head back on the shelf which shut you up immediately, his cock in his hand, he tapped your lips with it.

“Are you done? Needa’ use your mouth for something more productive right now.”

You closed your eyes, letting out jagged breaths, and nod submissively. He chuckled then forced his cock between your lips, putting his entire length down your throat.

Your squeals are muffled when he thrusts into your mouth. He explores your tongue and feels the inside of your cheeks. It made him crave you even more.

“Looks at me baby- aah, shit. Look at me when your mouth is full.” He exhaled.

You did as he said without question. One thing about Bakugou, his moans were gorgeous. They never failed to make you feel special.

It always sent shivers down your spine whenever his breaths let you know how much of a good girl you were being. Your nipples became hard, almost being visible through your thick sweater. The pain at the back of your head became a distant feeling.

The only thing you focused on was him. How good he was making you feel, and how you were doing the same to him.

His breath hitched as his thrusts into your throat became more powerful. His balls slapped against your chin and saliva spilled from the corners of your lips.

“Wider,” he panted. “Open wider… deeper…”

You tried your best to widen your lips more to his liking. But you were as wide as you could go, his cock was already forcing your mouth wide open. It was hard to breathe through your mouth and your jaw started to cramp.

He leaned over you, his arms and forehead resting on the bookshelf. You could tell he was focused, his expression was serious.

You felt yourself growing more wet when you began to gag on his cock. The lewd noises were a little loud, the thought of being caught scared you but you didn’t care about that now.

He moaned more, cursing at you under his breath. It was so faint, you couldn’t hear what he was saying. But you were willing to bet it was so hot.

Hs shoved his hand to the back of your head and began forcing you down on his cock. Your eyes shot close when you started choking on him even more.

His grip on your hair tightened and you could tell he was close. You tried to be good for him and just take it. But the roughness was too much to handle.

You whined and whimpered, but he ignored you. The only thing on his mind was chasing his high. You felt his cock twitch in your mouth and you moaned.

That set him off. His body jerked ever so slightly as he released down your throat. His gasps were soft and mixed with shits and fucks.

When he pulled out of you, a long string of his thick cum mixed in with your saliva connected between his cock and your mouth. He lifted it off his end and placed it in your mouth.

You prepared your throat to swallow before he caught it and flung his hand across your cheek, your head snapping to the side. You whimper and bring your hand to your slapped cheek.

“Don’t swallow until I tell you to.” He hissed.

You nodded and stood slowly, resting your head on his chest. He cleaned himself up a bit, putting his cock back into his boxers and zipping up his jeans.

He led you back to your friends and left without a word. You sat down quietly, grabbing your phone from your bag and rested your head on the table.

13 missed calls and 22 unanswered texts.

“What happened back there? Are you alright?” Mina asked. You looked up at her. She was worried, like usual. You only smile and nod.

“Are you sure? You look exhausted,” Kirishima added. You nod again, your tongue playing with the cum still in your mouth.

You felt your eyes ready to close so you can get some rest until you felt your phone buzz. You lifted it from your lap and unlocked it.

It was from Bakugou.

“Send me a pic of my seed in you. Then I’ll allow you to swallow.”

You cringed. What if your friends saw? What would they think of you if they knew what just happened?

But you couldn’t ignore him. You’d end up in bigger trouble later if you did.

You opened the camera app and turned the camera around. Kirishima was right, you did look exhausted. Your eyes were barely able to stay open, it looked like you had been crying.

You opened your mouth and stuck your tongue out. You snapped a photo of your expression and examined it before sending.

It was clear as day, the cum in your mouth. It was awfully abundant and salty. Having it in your mouth for longer than three minutes would surely make your breath stink like crazy.

You sent the picture to him and awaited a response. It wasn’t long before you got a reply.

“Disgusting whore.”

[smileposting]

one of the Big Hurdles for me when it comes to thinking about the drain is trying to strike that balance between "engages meaningfully with GGG's Overarching Themes" and "could plausibly exist in a saturday morning cartoon setting, goofs and all." with that said here's some of my favorite ideas i've gathered from both me own brain and mutuals on discord/bluesky. unless stated otherwise none of these are Necessarily meant to overlap with one another. But They Can.

though the environment is harsh and resources are scarce, drain society itself is rather mundane. the twist is that both the grove and the drain are convinced that the other island is the worst possible fate that could befall anyone ("i hear nobody ever gets to leave the drain" vs "those who leave for the grove never come back...") and the bonkers fucking yonkers geography going on between them does not help. should they ever make proper contact postcanon there will be a lot of initial confusion. this one came about from spitballing with my lovely mutual momo who is Not on tumblr but has made some beautiful art/exploration of drain environments.

my other mutual cici's brought up the idea of there being a Drain-Specific Branch of the bizzyboys meant to look after those still in the drain + the org As A Whole reforming into a sort of mutual aid/outreach program thing (or at least such a group being set up in their place) which i also think is cool. something something embracing one's roots/place of origin albeit in a kind of roundabout way rather than shunning them entirely. i also like the idea of like, the drain branch getting news of the disbandment of the surface branch and coming up to have, ah, some strong words with hector about how if he's really gonna turn himself around then he's gotta help them get their shit sorted, too. after all, every good grove citizen knows you don't maintain a paradise through being complacent!

i know i talk about the idea that the drain is the idea of oblivion/irrelevance made manifest to be like an inverse of the grove being all about preservation and archival and recordkeeping and history In General. but i'm about to do it again: i think there's something kinda beautiful n bittersweet about the idea of there being genuine communities that have formed among people deemed Forgotten. our environment may quite literally be out to fucking kill us and any progeny we may have in here but i want you alive and hey that's gotta count for somethin'. i think this also presents a cool lil moral conundrum that could be explored in postcanon fanwork. like from the perspective of someone who's like. ok well what if i don't want to be forgotten but i also don't want to uproot my whole goddamn house just to be remembered. what if i just want to fix my house. after all, isn't that just as metal as a mass exodus?

i don't really have an end goal here i just think fan speculation meeting worldbuilding is sick as fuck lol. what are y'alls favorite ideas for the drain?

[thr0wnawayy]

Who would the 10-13 1A members that died in the MLA be, if MHA had any actual stakes? I really liked your Kaminari idea, so I just wanted to explore it with you. It would have realistically made UA/the heroes look a hell of a lot worse and the villains look a hell of a lot smarter if they went for the angle of "the best heroics school in Japan is using child soldiers!"

I know for the heroes, it should have been Pixie Bob and Gran Torino in addition to Crust. Endeavor also should have died because it would have actually given the story actual stakes - Japan is now in shambles and the new #1 hero/heavy hitter is dead. Oh shit, what are they going to do?

Firstly I feel I should clarify that both 1A and B would lose some team members as both classes were thrust into war with basically no real training. Although for the sake of plot 1A would lose vastly more.

With that stated, let us begin.

I know for a fact that Koda is dead.

Truthfully, there is no way someone as bulky as him (with the addition of his poorly designed costume) would be even marginally capable of outrunning Shigaraki's Decay.

His quirk (Anivoice) gives him zero advantages and being in Jaku (a city under evacuation) would only add to this.

We also mustn't forget that the rubble by itself was also capable of disintegrating anything it touched. Putting all that together and given how close he was to "ground zero", his chances of survival are slim to none.

Additionally, everyone who found Midnight's corpse is either dead or brutally injured.

Midnight's body is isolated in a decently foliage heavy area, with plenty of hiding spots and vantage points making it all too easy to set an ambush.

Our merry band of MLA/PLF mercenaries simply have to bide their time, wait for the shock and horror to settle in and then strike.

Sero, Kirishima and Setsuna are easy targets (with Setsuna being the farthest from the bait) their backs are turned and mentally are either distant or "vacant".

If Momo didn't recover from her grief and get off the floor, it's game over.

However. She would likely manage to fend them off long enough to escape (thanks to her intelligence and dexterity), although not without some scars. (eyepatch momo, anyone?)

Mina might be able to hold them off due to her acid but will eventually falter because (as you mentioned) Aizawa's a shitheel.

That brings us up to 5 students so far (if we include Kaminari's death) that have died due to UA's (and the HPSC's) crippling negligence.

I'm a tad hesitant to add Tsu here but it's unlikely she'd survive. (even if she does survive the wave, she'd likely die in the crossfire)

Comicman, because yeah he's unimportant.

For the Villa Raid team it's important that we cut some heroes in order for this scenario to work.

Edgeshot is dead, likely fried to death by Electro-lite.

This would cause the raiding heroes to become discouraged and overwhelmed.

the MLA's gear is more than a match and combined with their years of fighting and tactical prowess. It's not even close.

Simply put; divide and conquer.

Mineta's dying for sure. His costume restricts his (torso and leg) movements and makes him standout like a traffic cone. That guy with holes all over his body is likely the one to snuff him out.

Ojiro is dead the moment the MLA members use numbers to overwhelm him, no amount of martial arts will save you from getting jumped.

Mines dies because his quirk (Twin Impact) suffers from the Flect Fallacy.(Overwhelming the quirk will break it). So pretty much any MLA member could be the one to kill him

That sets the score to 11 total student deaths (8 for 1A, 3 for 1B), not a good look.

We know the rest, Dabi kills Enji for good.

Skeptic publishes a video along with Dabi's exposé that reveals UA is using child soldiers and that the HPSC forged paperwork to allow this.

And the crowd goes wild!

The reactions would be brutal, national if not global criticism from every angle.

The entire raid and evacuation effort would be considered an immense failure, the villains remain at large to gather their numbers and most civilians would be left homeless and displaced.

The hero that everybody placed their bets on turned out be a child/wife beating eugenicist who bought (and later assaulted) his wife when she was only 17. Only to be killed off by the very child he left to burn.

The (global) outrage partially stems from the fact that if it weren't for Dabi, no one would have known otherwise .

The number 2 hero is an (attempted) murderer and seems almost irritated at Enji being outed, the world stage takes this the wrong way and opts not to aid Japan.* What pisses them off the most is his uncaring attitude.

Considering them a lost cause when Shigaraki not only breaks everyone out of Tartarus but also manges to kill AFO by sheer force of will (and wanting to see his friends live as they please)

Rei's speech/conference serves as the final nail. Going into immense detail of the pain she and her children suffered at the hands of Enji. (If their were any doubts Touya was her son, they were killed here)

When asked if anyone knew, she finishes her speech off with revealing that some heroes and staff knew about the abuse and chose to look the other way. Causing the room to burst into an uproar.

*(explaining why Japan was allowed to fester for as long as it did without intervention, something Hori failed to explain)

Parents begin pulling out their children in droves, not wanting to risk their kids getting drafted, others quit by choice.

Shiketsu and Ketsubutsu don't put their students on the front lines (they aren't stupid). The commission is unable to force them due to their, "unique" situation.

The heroes that quit are harshly criticized by the public and media (and usually fairly too), pointing out how shitty it looks (and is) for heroes to suddenly abandon them as soon as things get serious.

Class 1A is left to pickup the pieces with 8 classmates killed (+ Bakugo) the events of the last week have shocked them to their cores but perhaps there is hope.

Of course they're left to pick up their predecessors mistakes, again.

Midoriya would still go rouge, albiet he would stick to his principals. He's made a disturbing connection between Bakugo and Endeavor and it haunts him.

(I should add that Bakugo's death is portrayed for the selfish play it was)

Midoriya likely driven by the need to ensure that he doesn't lose anyone else. His anger at AM would probably stem from the fact that he is putting himself in danger for someone as "expendable" as himself.

I could see the two having a heart to heart that Midoriya is more than his quirk once he willingly returns.

Some additional information:

Bakugo dies permanently, because Edgeshot was killed by "Electro" earlier (even then I'm not doing the writing atrocity that is the "Jeart".)

For heroes I'd like to add Jeanist to the roster. Gigantomachia should have swatted him and his airship like a fly. This means the top 3 are dead, adding to the chaos. This also prevents the old-gen from taking up space.

The High-End Nomu beat the tar out of Miriko, leaving crippled at best and a paraplegic at worst. (That is assuming they don't kill her).

Fourth Kind is killed when, like Ojiro, he is overwhelmed.

Your absolutely correct, Gran Torino and Pixiebob are eliminated, joining Crust.

Twice actually lives, though I would keep that ambiguous until later, he wouldn't get out unscathed of course and would probably need to be put into a coma while his injuries heal.

Himiko's revenge plot now has additional stakes as she promises Twice that she will return to him. (before he's medically put under)

This also fuels the PLF + Spinner, vowing to do right by their ally and friend.

Dabi would have disfigured Hawks upon discovery of his attempt on Twice's life, no more cosmetic scars. Just good old fashioned brutality.

(The fear of losing Twice may have dug up the past memory of losing his mother after Enji drove her to the brink. As Dabi cares deeply for both [even if he won't admit it] ontop of the fact that it's a "hero" that's trying to take them and he betrayed them).

Overall this world is going to be one wild ride with a very different ending to what Hori gave us.

It is a story not of heroes and villains, but of ideals and goals. It asks the question:

What is it to save?

A few additional notes:

Momo would likely have a revenge arc as a sort of parallel between Izuku and Himiko. However it wouldn't be as bland as what we got in canon with Mina.

The mercenaries aren't mustache twirling supremacists, no. Here they're cold, calculated soldiers who are strictly tactical. Midnight was "nothing personal, just business" to them.

They serve as a dark mirror to Momo's shift in personality during the war, as Momo reverts to her initial cold confidant personality and kicks it up to 20 as she hunts them down.

Midnight's killer even points out midbattle on how Momo was sexualized and she doesn't even know it. Telling her at one point: "You may see them as an equal, they see you as a display"

The battle isnt treated as a victory either, while the Momo and her squadron win, the gravity of the situation isn't ignored and Momo actually listens to her opponent's critique.

[ugh-to-love-a-boy]

DATING SERO, MINA, AND DENKI WOULD INCLUDE!

DATING HANTA SERO WOULD INCLUDE

• Spider-Man kisses I know its probably over said, but he would tape himself up and kiss his s/o randomly.

• hanging out with the Bakusquad and being best friends with Denki and Mina, doing chaotic things that make Bakugo question why those are his friends.

• This man is a gentleman, so if you want to take it slow, he’s respectful and stays within the set boundaries. He would never ever force anyone into something they don’t want.

s/o,• If Mineta was caught staring or he heard him say something about his s/o he would probably tape his mouth shut and get either Mr. Aizawa or Bakugo to do something more,because cause he would probably just get his s/o and get them away from the pervert.

• As stated earlier, he stays within boundaries, so when it comes to PDA, he doesn’t really have a problem with it. He’s fine with hand-holding hugs and kisses if you are too great, but if you are not, he’s respectful of that and just sticks to hand-holding.

• Though I feel like he would definitely be affectionate, cuddles in the commons, watching movies with the bakusquad, or just in your room or in his, and forehead kisses are probably what he enjoys both receiving and giving, though if his s/o is too short, he’s okay with just hand kisses.

• and he probably gives you adorable little gifts, nothing costly, given the fact that you’re both just high schoolers.

DATING DENKI KAMINARI WOULD INCLUDE

• You would have to put up with his atrocious flirting skills, though after a while you’d think it’s cute how he still tries to win you over when you're already his and he’s yours.

• You now have a portable outlet anywhere you go. Your phone needs charging. He’s got your hearing aids. He’s got you literally anything that requires electricity. He would use his quirk for it.

• Now hanging out with the bakusquad is really fun. Being close friends with Mina and Sero, you would almost always be up to your weird shenanigans. Kirishima loves you and Denki together, but he’s running out of energy trying to keep Bakugo calm.

• If he caught Mineta, his (now former) friend, talking about his s/o, he would not be cool about it; he would most likely scream about it, getting the attention of half the dorms instantly, including Mr. Aizawa, who was not happy about Mineta yet again being a pervert.

• This man is a simp for his s/o, and he wants everyone to know they are his, so hand-holding and quick kisses throughout the day make him happier than anything.

• As stated above, he’s affectionate, so everyone knew you were dating within a couple of hours, but the poor Bakusquad had the worst of it; they had to see his flirting with you and the cuddling anytime they hung out.

• Now, when he’s nervous, it’s not very rare that he would accidentally shock you while holding hands in training camp. You were holding hands when the attack began, and he shocked you.

DATING MINA ASHIDO WOULD INCUDE

• late-night sleepovers Either she is sneaking into your room because she is bored, or you are sneaking into her room because you are bored.

• random shopping sprees with Momo and what you two can’t afford; that’s why you have Momo.

• Hanging out with the Bakusquad is a given, and being besties with Kirishima while things get crazy somehow means Bakugou doesn’t try to kill you two.

• skin care/self-care nights with the girls every week, just going over the random things that take place at UA

• Personal alone time is sweet; she is a very affectionate girlfriend, holding piggyback rides, kisses, and cuddling the whole 9-yard

• If she so much as thought Mineta was staring at her, she would threaten to burn his eyeballs right out of his body with her acid, and if she heard him say anything, she would threaten his tongue next.

• From her bubbly nature, she is friends with almost everyone, so with you together, you are also friends with almost all of Mineta and a handful of people from 1-B.

• You are always either hanging out with her or talking, and if you are not fine, it's not like a codependent relationship; you just bring out the best in each other.

[zutarasbuff]

I watched the Netflix adaptation of ATLA today and being a hardcore fan of the OG series who knows every nook and cranny of the ATLA world, here’s my unbiased and truly honest review (It contains both the negatives and positives of the series, so dear reader please enter to read at your own risk).

Firstly, let’s talk about the wonderful additions to the already magical world of ATLA.

1. The depth of the genocide

Well, I always wanted to know how the air nomads were suddenly wiped out and how it would have been for them? Why didn’t they resist? I got my answers in the first episode where we explore how the unhinged power of the comet was “actually” used to create a genocide on a massive level. Before that, I had only heard about it in the OG series. Those few scenes were so powerful that they had left me sobbing uncontrollably and Gyatso’s concern regarding Aang had me bawling.

2. Suki’s Characterization

In the OG series, we do find our Suki the fiercest warrior, but here in the live action, she’s an absolute goddess. She is perfect in every sense. She understands the responsibilities she has being a non-bender and is fearless. Her character is what I believe to be was the strongest one of all.

3. Graphics & Music

We never talk about a film by M.Night (that didn’t happen), but this one is really a visual treat for you can readily set yourself up for some mind-blowing bending scenes, plus the fight scenes are quite impressive. It seems that the VFX team had really done their homework this time. Plus, both Momo and Appa are so freaking cute. I loved the fluffy Appa. Good work over there. The revival of the OG theme is also a highlight plus the sun warriors’ chanting in the end is given a new but intriguing twist. The background music especially in scenes where Aang unravels his Avatar powers is mystical in every aspect.

4. Life in motion

I don’t know about others, but I have always been a sucker for animation as well as live-action where characters are operating even in the direst of the circumstances. Life is there and even after they know what happened a hundred years ago, they are still trying to believe and regain their past confidence. This is beautifully portrayed and I was very much impressed by the way people are continuing their day-to-day activities even in the middle of a crisis.

Overall, the series serves the purpose of an adaptation carrying its unique colors (at least better than the previous live-action disaster that didn’t happen).

Now let’s move to the bad side, and when I say it’s honestly what I felt, you need to take my word on it being a hardcore Atla fan.

1. Weak writing & lots of exposition

ATLA remains at a 9.2 IMDB rating even after years because of its writing, strong plot, and very few plot holes. This time, the writers are the real amateur ones. Despite adding more to the already flourishing universe of ATLA, sadly, they killed the quest of the viewer to find answers. There is too much exposition. It seems that every character just wants to see the end of the war and keeps on revealing things after things. Plus, some of the OG moments that were the soul of the series are not even included. The way Aang finds Momo and then decides to keep it with him as a last remnant of their bygone air nomad civilization is nowhere to be found. In fact, the replacement of Roku with Kyoshi is the biggest disappointment. I love Kyoshi like no one else but that was unnecessary as per the cycle.

2. Bland acting

Even the worst writing shots can be digested only if the acting appears real good. Sadly, this is another issue that I found with the NETFLIXED version. No doubt the characters must have done a lot of hard work for this, yet, they lack the expressive power. Gordon as Aang is super cute but the goofiness is not even there. Katara seems a nerd who doesn’t like to talk much even when it’s necessary and Sokka’s jokes are forced. Meanwhile, Dallas seems to save the day at one point, but again his over-the-top angry young man attitude ruins it for me. Maybe the actors will learn from the criticism in the upcoming season (if Netflix plans to go with it).

3. Major changes

Yes, it’s okay to change the narrative while you are working on an adaptation, but targeting the loyal viewers who are OG fans of ATLA means that you have to be very careful when you are trying to implement your changes in scenes that are the real soul of the OG. You can’t change the Omashu myth as if it’s nothing when we actually see even the cute animated version of the folklore. You cannot portray Roku more as a perpetrator of the genocide and Bumi as the evil king when in truth he’s the mad king who’s known for his genius ways of teaching. I hated that. Plus, reducing Zhao’s authority and taking Uncle Iroh’s sarcastic attitude is just meh. Mai again doesn’t even seem perfect as a cast. Jet is good as far as the aesthetics are concerned but Jet being in Omashu doesn’t even sit right with me. The amalgamation of multiple storylines creates so much confusion and this persists till the end.

4. Bending at convenience

We all know how Katara’s bending progressed throughout the first season and it’s little effort each day. However, in series, one day she’s unable to bend even a droplet of water and the next day she is capable of producing ice crystals. This was unacceptable for me because I was anticipating her learning strategies. Besides, Aang doesn’t learn much water bending throughout this season and in the end, it’s him being the savior in Avatar state. Thoughtless bending sucks despite the great VFX and that’s one thing at which you can’t convince me otherwise.

5. Forced friendships

We all know how it took some time for Sokka to embrace Aang as a chum. However, here Sokka keeps on calling him “the kid” and remains mostly alienated from Aang. Talking to Katara, then she also seems more interested in helping Avatar fulfill his goal than being with a friend. I hated the scene where Aang comes into the Avatar state and instead of hugging him just like in the OG series, Katara runs along Sokka and keeps on calling his name. How is that going to build any organic friendship? I think the first mistake began right from the very moment when Aang was taken back to Wolf Cove on a boat in his unconscious state. Upon opening his eyes, the first person he finds near him is neither Katara nor Sokka but a tribesman who’s playing guessing games. Writers were really high when they wrote that.

6. Lack of the four nations’ biodiversity

Maybe in live action, it’s difficult to create all the marvels of the four nations when we talk about their natural biodiversity. In the OG series, it is indicated by Aang that even after 112 years, he has still not forgotten the animals that define different regions in the four kingdoms and that’s exactly why he wants to finish those “important tasks” alongside saving the world. His important tasks included keeping a check on the natural biodiversity of the lands and exploring whether the Hundred Years’ War had not damaged the majestic animals. Actually, his first dialogue right after regaining consciousness is to go for an otter penguin’s ride with Katara. When I thought about that I felt that somewhere in Aang’s mind he was always connected to nature and that’s why he wanted to regain that connection by being an avatar. Sadly we never see much of the biodiversity but I hoped that maybe they will.

Also, how come Aang had that silent whistle for one hundred years when in the series he only discovers that accidentally? I missed the OG Yip Yip for our Appa. There are lots and lots of problems with the Netflix version, and no I am not being a nitpicker. I appreciate how the current creators credited the original ones, but now I know why Bryan and Michael bade farewell to this project. On a scale of 10, it’s a 4 for me or 4.5 if I am being too generous.

If I am asked to review the live action in a single line, I would only say this:

“The Netflixed ATLA makes you go back to the OG series and you end up watching the animation to give your mind a much-needed respite from a carefully crafted artistic disaster aimed at the sensationalized generation.”

[aangarchy]

Alright. I've rewatched the trailer like 20 times by now and i've been processing it.

First things first: anyone that's gonna talk shit about Gordon Cormier is gonna have to go through me first. I've only had Gordon!Aang for a day and a half and if anything happens to him i'll kill everyone here and then myself got it?

Just look at him! This is the exact big eared cute little kid i wanted them to cast for Aang. He looks adorable and honestly his outfit is growing on me.

The glowing arrow looked cool as hell. I like that the light spread through his tattoo almost like veins. I'm still curious on how the full avatar state is gonna look, how they're gonna get the glowing eye effect. Please don't let it look goofy.

Y'know what does look goofy?

Is it better than the m night shyamalan appa? I guess. Does that mean it looks good? Well.... at least momo sort of looks cute instead of some folklore nightmare like in shyamalan's version. But also you can tell in this shot in particular that it's very green screen-y

Then we go over to the bending, the limited shots we have of it. Mainly firebending was shown (a little airbending too but kinda hard to get a stillframe for that one)

Idk how to feel about it. In screenshots it looks alright but the shots while they were moving looked a bit off, especially the one where zuko's kicking. We only got very limited shots and that's intentional. I feel like the bigger cgi fails are gonna show up once we get the full show. If the bending looked good all the time i feel like they'd be showing it off by now.

What i don't like, is how apparently they're gonna SHOW Zuko getting burned. Like sure in atla they didn't bc kids show and Nickelodeon wouldn't allow it, and netflix can take darker turns if they so please. But i personally always felt that scene made so much impact because we didn't see it. Iroh is telling it from his memory and he didn't look when it happened, so we don't see it either. It's like a courtesy the show extends to both Zuko and the audience. We just hear the harrowing scream, and that's enough to know how devastating it is. I don't need a dramatic overlook so we can see the whole thing in detail, netflix.

Another thing is the hair in some scenes.

Daniel dae kim looked better in that promo photo, bc here you can just see how the bulky goatie was glued on. And then Sokka's hair..... where's the ponytail? It's laying completely flat against his head... why? Is it bc that's Ian's hair and they didn't know what to do with it? Literally get a comb and tease that bitch. This is like the complete opposite of Jackson Rathbone's hair in the shyamalan version, and somehow that full maybelline ponytail makes more sense than this sad excuse of a tail. Either way at least Suki looked dope.

Another thing i found weird about the trailer is the narration. I think it's either Iroh's voice or maybe Gyatso's? (I haven't heard Iroh's actor talk yet so idk, but it felt like it was being said TO either Aang or Zuko) but the lines they gave him... it felt like some weird mumbo jumbo tbh. Something something about the past and present being the same and it's up to us to know the difference and be the difference? It's saying everything and nothing at the same time and it felt kind of out of place. They're probably saving the iconic opening narration done by Katara for the full trailer (i hope???) but still they could have just gone with music, or maybe just a few iconic existing lines?

The music? Fire. Nothing needs to be added there. Was i kind of hoping for a different soundtrack? Maybe a bit. But am i mad? Not at all. They clearly took the nostalgia route with the more epic version of the avatar theme, and i can only respect them for that.

So far, very mixed reviews for me. I'm morbidly curious and very nosy by nature though, so i'm absolutely watching.