#恋せぬふたり
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if you're looking for a warm show with aromantic and asexual adults that say they're aroace outloud and learn how to be a family w/out involving romantic feelings in a society that tells you such thing can't exist... koisenu futari is here for you!!!! 🥹💚💜
#koisenu futari#aroace#asexual#aroace rep#jdrama#japanese drama#japanese#aromantic#aromanric rep#asexual rep#恋せぬふたり#koisenu futari fanart#art#fanart#csp#artist#aroace art#aroace artist#family
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恋せぬふたり
Koisenu futari 🧡💛🤍🩵💙
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dailyasiandramas’ sunday throwback ★ [WEEK 25]
KODAMA SAKUKO KOISENU FUTARI 恋せぬふたり [2022] Dir. Doi Shohei
#koisenu futari#恋せぬふたり#kishii yukino#kodama sakuko#jdramaedit#jdramasource#lgbtq+#lgbtqedit#lgbtsource#asiancentral#asiandramasource#dailyasiandramas#asiandramasthrowback#throwback: gifset#ours#wocedit#japaneseartistsinc#dramasource#womenoftv
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恋せぬふたり (Koisenu Futari)
Après énormément de travail, Lupin Traduction vous présente 恋せぬふたり (Koisenu Futari)... en français !!
Oui, oui, la fameuse série japonaise de 8 épisodes ayant comme personnages principaux deux personnes aroacespec a dorénavant des sous-titres en français.
Pour les télécharger, vous pouvez cliquer sur ce lien pour utiliser google drive, ou ce lien pour accéder à la sortie github.
Rappel que les fichiers .ass que nous créons sont lisible avec VLC.
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As much as Koisenu Futari is a show about love, or the lack thereof, it also does show how it can show up in many ways.
The focus is aromanticism and asexuality, yes, but also, we see the different points of view of the people around and how they relate to those types of love.
We have the junior, who thought that there was a spark between them and instead of dealing with the rejection and misunderstanding like a man he just... took some time off work and asked to change departments.
We have Minori (the sister) who seems to live the perfect romantic life and is following what society (and her parents) ask of her, and at the end, despite her love and her dutiful follow of those rules, she's being cheated on and breaks from what society demands (the divorce).
We have Kazu, who sees romantic love in a very weird lense (in my opinion) but slowly, while still holding his ideals, he understands that others are not necessarily like him and not only he ends up by respecting them and more or less understanding them, but he also is a (somewhat) good ally.
We have Chizuru, who does love but is lesbian. She is bound (through her love for Sakuko) to suffer because of a love that cannot be reciprocated. We see her deeply love and feel, and yet we do not see this love being satisfied.
A good point here is that the blame is not brought to Sakuko. Chizuru clearly says that she, herself, is the one to love and the one to get away because she rather have a friend live her life without having to worry about something she doesn't care about than forcing an unwanted love on her (Sakuko).
We have Sakuko's parents too, who seem to live the perfect traditional life. The mother doesn't seem too old, which would suggest that she followed the advice she gave to her daughters: marry and have children young. And through the series, she shows rejection, because aromanticism doesn't fit her understanding of life, then a slight acceptation: she still doesn't get it and wishes for Sakuko to marry and have children, but she also understands that cutting ties with her daughter for not accepting her making her own choices is stupid at worse, foolish at best, especially since at the end she just wants her daughter to be happy.
Last but not least, we have Takahashi. He is the textbook of "older queer" as in he knows where he stands, he understands how he feels about what, he has a way to show and share his experience to others (the blog), he clearly is used (and bored/annoyed) by the world's romanticism etc and he had cut ties with his parents. We don't have much on the parents' thing, but, or he left them because he couldn't be bothered with them being such a pain, or his parents rejected him because he's aroace. Either way, he is a pillar for Sakuko while she goes through her own aroace journey.
So at the end, we not only have a show about aromanticism and asexuality, but we also see how this pressure, this allocisheteronormativity of society, makes it hard on everyone and not just those who do not fit/do not follow those invisible rules.
The aroace narrative is wholesome and very well done, but it would be foolish to turn a blind eye on those other details (and growth) of the characters, which makes this series punch you in the gut so hard.
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Ok so if we are counting the Rohan drama (bc of the inherently queer nature of jjba and Rohan as a character specifically) 4/4 of the shows I have watched that Issey stars in have had some queerness in them and im not talking like "i have head-canons about it" I mean FOR REAL
Koisenu Futari's Takahashi Satoru is actually for real aroace (seriously its like what the entire show is about, him and the other mc finding their way through life being aroace)
Rohan is well, Rohan (huge case to be made for him being pan or also aroace, and he's extremely gender non conforming that is not up for debate at all, even if its hard to pin down the man's sexuality- he's not gender conforming at all)
Hidaka (canon bisexual and the show deals with other queer themes in surprisingly tactful and respectful ways I was not expecting, and if I say any more it'll be spoilers, LOL)
And lastly Invisible is tricky to tell you about bc there is actually gay shit going on and also possibly more than one character but at least one of them is confirmed and if I SAY ANY MORE ITLL BE SPOILERS LIKE YOUVE NEVER BEEN SPOILED FOR ANYTHING IN YOUR LIFE YOURE JUST GONNA HAVE TO TRUST ME ON THIS ONE
#hey Issey-San you are the coolest wHAT IS GOING ON WITH THIS#how did i completely stumble upon like a treasure trove of stories with queer themes just bc of this one actor#rai rambles#takahashi issei#koisenu futari#thus spoke kishibe rohan drama#thus spoke kishibe rohan#heaven and hell: soul exchange#invisible#インビジブル#恋せぬふたり#岸辺露伴は動かない#天國與地獄~瘋狂的2人~#jdrama#takahashi satoru#shimura takafumi#hidaka haruto#kishibe rohan#gsm
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Koisenu Futari Review by a Fellow AroAce
Disclaimer: anybody commenting to tell aros and aces how to feel or their two cents on what’s wrong with us will be blocked right away. 🖤
2023 has just begun, and the calendar has already changed to the later part of February. It’s that time of the year again. I bet you’re thinking I’m talking about the infamous Valentine’s Day that has already passed 10 days ago. But no, I’m talking about Aromantic Awareness Week that spans from this 19th to 25th February, today. I’m mad amused that it falls in this so-called ‘month of love’. I’ve been awaiting it since last year to finally write a review for the J-drama Koisenu Futari, and I couldn’t ask for a better timing! Oh, love is in the air? I’ve arrived to spray anti-love aerosol! Right about when the others were busy posting in celebration of 14th February, I started writing this in order to make the existences of aros and aces known to more people. Beware of little spoilers here and there in the review. It’s no big deal though, watching the happenings firsthand is more important than the end results for this story.
Koisenu Futari begins with the fateful encounter of two people who feel neither romantic nor sexual attraction. Kodama Sakuko always feels out of place whenever the topic of romance comes up. It doesn’t help that she’s a grown up woman with a younger sister who’s already married and has a child. Her mother’s continual insistence for her to follow the same path soon makes even the time with her dear family feel oppressive. To make the matters worse, her coworkers harbor the same mindset, with seemingly no place for platonic mingling. Thanks to her job though, she crosses paths with the retail employee Takahashi Satoru, who happens to make an off-handed remark that there’re people in this world who don’t fall in love. It leaves an impression on Sakuko.
Meanwhile, she plans to share an apartment with her friend and move out of home to escape her mom’s nagging, only to be ditched by the said friend later because apparently she got back with her ex-boyfriend. Frustrated by her inability to fathom people’s fascination with romance, Sakuko searches on the internet about it in the hopes of finding something for better understanding. There, she discovers about aromantic and asexual people for the first time in her life, and feels a connection with the terms. She puts two and two together, speculating that the employee she met in the supermarket just the other day may very well be the one behind the blog post. Filled with excitement to finally stumble upon someone like-minded, she once again appears before Satoru to affirm her conjecture. As they get to discussing about their identities after the confirmation, Sakuko makes a bizarre proposition for the two of them to try living together and see if they can become a family without any romantic feelings involved, much to Satoru’s dismay. He reluctantly agrees when Sakuko manages to persuade him with the problems of both of their current living conditions along with the benefits they both get if she comes to live in his house. And so, the trial for two aroaces to become a family begins.
As someone who loves hanging around in the online aro and ace communities, and occasionally watches J-dramas, you’d probably expect me to have jumped onto Koisenu Futari as soon as it became available for the international audience. The truth is, I went back and forth for several months before finally sitting down to watch it. Because it revolves around a subject matter that’s very close to my heart and precious to me, I had all the more apprehensions that it might misrepresent us, dance around the concept of being aromantic and asexual without using the specific terms given it’s a Japanese production, and most importantly – an ending that wouldn’t be satisfying for the actual aros and aces. Let’s be honest, it’s difficult to imagine adult aroaces leading happy lives to their likings amidst the busybody culture. I’m usually all for pragmatic conclusions, but it was that one exception when I didn’t want a reality check.
Now that I’ve finished the full series, did my misgivings hold true? I’m not gonna dillydally and straight-out say it: absolutely… not! However, don’t take this to mean that it’s gonna be a smooth ride. Because from time to time, the turn of events will make you step back and think to yourself, ‘I don’t like this if it’s really going where I think it’s going’ or simply have qualms about how they’re gonna handle a certain predicament. That was the reason why I couldn’t pass a judgment on the show until nearing the end. Several incidents arise in such a short drama, and thankfully every single one of them got an agreeable closure in the end. With the last dilemma of Satoru following his dream versus Sakuko keeping their family together resolved, I must say that I couldn’t ask for a better finale. It’s hands down one of my favorites, the most fulfilling and gratifying ending in a piece of media.
Speaking of Sakuko and Satoru’s ‘family without romantic feelings involved’, which they like to refer to as “family (subject to change)” for the lack of better words, it can essentially be described as a queerplatonic relationship. I’m not gonna explain what that is for those who got a question mark over their head right now. You can check out this TikTok video that clarifies it better than I ever could in a few sentences (that one time TikTok became accurate and helpful). One thing though, take what I said as more of a headcanon than an absolute truth. Because it took me a while to take a step back and remind myself that a relationship is queerplatonic only when the people involved in it decide to define it as one. Otherwise, it’d be no different than alloromantic people forcibly claiming a non-romantic relationship is “romantic” regardless of the said pair’s negation just to suit their own fancy. But I’m pretty sure the real reason in the case of Koisenu Futari is because the term “queerplatonic” just doesn’t exist in Japanese, and they’re not familiar with this English word either. Yep, that’s one of my initial doubts right there.
It’s fine though, because the two fundamental and crucial terms are there at least. That’s right, the words “aromantic” and “asexual” have made their way into the Japanese vocabulary! Albeit, they’re said in the Japanesque style. Given how the Japanese people speak English words, I thought the abbreviations – “aro” and “ace” – would be pronounced as “âro” (アロ) and “ēsu” (エース). But they turned out to be “âroma” (アロマ) and “âseku” (アセク) instead, short for “âromanchikku” (アロマンチック) and “âsekusharu” (アセクシャル). Though, â might be the wrong phonetic in these cases. I guess I should’ve known, since Japanese people have this habit of taking English words and shortening them to their liking for convenience. Though, I’ve found that there is one actual Japanese word for asexual, musei (無性). But of course, it pertains to reproduction. And it’s no surprise either that there doesn’t seem to be any word for aromantic. Ah, the temptation I feel to crack the notorious ‘asexuals are plants’ joke right now…
Ahem! Forget that for now, because I’m about to impart an illuminating piece of information that I picked out thanks to Koisenu Futari. It’s revealed in one episode that in Japan, the very word for “romance” was conceived in the Meiji era (1868-1912), and the values associated with it were nonexistent prior to that. Doesn’t it almost sound like romantic attraction is a concoction of the modern period, similar to how queerphobics complain that aromanticism, asexuality and other queer identities are newfangled fads? When you put it that way without further context, it probably does. To fully understand what this fact actually entails, we need to elaborate on the said Japanese word, “ren’ai” (恋愛). Take this with a grain of salt as I’m not an expert, but from what I’ve gathered so far with my limited knowledge of the Japanese language as well as the culture, renai is more about the whole affair of finding a love interest, getting into a romantic relationship, and engaging in sexual activities than it is about the matter of attraction itself. So, in essence, it’s not opening up a debate as to since when the Japanese people have started feeling romantic attraction, but rather when the idea of pursuing romance came into being in the land. Having played otome games set in the Meiji and the consequent Taishou era (1912-1926), I can tell that taking a lover wasn’t a common practice back then. Sure, those aren’t the most accurate and reliable depiction of history, but when even dating sims can’t play it up, that speaks for itself.
Looking at Japan isn’t even necessary to recognize the veracity of the bottom line of this. Coming from an Asian country myself, once upon a time, romantic relationships were frowned upon like it was one of the biggest disgraces to ever happen to a family here, if not the biggest one. Nowadays, most families have grown to become more accepting of young adults getting into romantic relationships and marrying a partner of their choice, what with dating becoming more and more of a commonplace. It’d be fine if that was all there was though, but it has reached the point where I went to listen to a popular native podcast of ours around the time of Valentine’s Day, and it started with the anecdote of a high school guy asking around on social media if it was abnormal for him to not have a girlfriend yet, and if he should do something to find someone. The face I was making then was probably a sight to behold, since I instantly turned into a fine real life specimen of the “IGHT IMMA HEAD OUT” meme of Spongebob. That, my reader, is what we call amatonormativity.
All this fuss about being single isn’t so much about attraction as it’s about compulsively following specific customs just to fit in with everyone else (not saying everyone who desires a romantic relationship is like this), as if we’re all dolls with the same features, manufactured together in a set. If we’re really going with the excuse of loneliness, wouldn’t it mean the humans, living in the olden days when romantic partners weren’t prevalent and corporations didn’t promote Valentine’s Day for the sake of profit, were the loneliest of all? And if it’s because it’s in our nature to want to be loved and cared for, how come many of the present-day surveys and statistics tell us that humans are suffering from loneliness more than ever before as the time goes on, when everyone’s getting into romantic relationships left and right? Doesn’t it seem to say something about today’s attachments and connections that are so sought-after? You’ve probably heard of the saying, “gender is a social construction.” Now if I may, hoping I won’t be skewered and grilled for this, “romance” is a social construction. Emphasis goes to the quotation marks. It makes sense when you learn about all the different kinds of attractions that exist, and how they can be mutually inclusive when it comes to certain actions, varying from person to person.
I may have gotten somewhat derailed from the review, but it matters not. The focus of it isn’t just on Koisenu Futari being a J-drama, but spreading awareness about aromanticism and asexuality. Besides, I can imagine Satoru nodding in agreement with me and saying the same. Throughout the series, he often talks about amatonormativity with Sakuko and sometimes the others. That was a characteristic absolutely indispensable for him as well as the drama to be so relatable to the aros and aces. Screwing with rubbish societal norms isn’t enough, the need to rant about the dozens of distresses that suck the life outta us day in and day out is at the center of this ordeal. He’s an excellent embodiment of our thoughts and feelings. On the other side, Sakuko finds herself in messes that are the pictures of of our day-to-day troubles.
The pair’s contrasting personalities also create a great juxtaposition for two aroaces. From my observation, for Sakuko, her aromantic aspect is prevailing to her identity; while for Satoru, it’s his asexuality. Sakuko is amicable, social and cherishes those dear to her. Romantic interests of the others towards her, however, puts her at a loss. Her encounter and conversations with Satoru – who’s the only aroace she personally knows – helps her to gather her thoughts regarding her orientation and get better at dealing with those situations little by little. In turn, living with Sakuko and spending time with those around her gradually alleviates the emptiness in Satoru’s life left by the death of his dearest grandmother. He has always carried around regret in his heart for being unable to confide in the only person close to him about his identity, as well as his incapability to grant her a grandkid when he was her only family. After all, not only is he a sex-repulsed ace, but touch-repulsed altogether. To top it all off, the meddlesome attitudes and comments from his surroundings have him jaded, so much so that he doesn’t even want the understanding of others. When communication fails again and again because people refuse to see things from someone else’s perspective or just accept them as they’re due to their fundamental differences from each other, shutting them off may be the only option left. His no-nonsense, solitary disposition very much resonates with me, although personality-wise, I may or may not appear closer to Sakuko on the outside.
Setting aside the protagonists, I must bestow the titles of honorable mention and best side character to Matsuoka Kazu. Don’t get your hopes up right away though, because he’s gonna get on your nerves as soon as he gets involved with the plot. He’s the personification of the traits that make aros and aces roll their eyes, being insufferable at times. You’re probably gonna hate him, which you’re supposed to, until you start appreciating his character development. He goes from the greatest menace to the greatest supporter of Sakuko. Not to mention, I couldn’t have discovered the above-mentioned history of “renai” without him, since he’s the reason why Satoru goes off lecturing about it! Honestly, our lives would be much gentler if more of the aphobics could grow to be thoughtful of us like he does. Even Sakuko’s family members come around to a considerable extent. I was touched by her parents’ acceptance of her, albeit one outright and one reluctant. Meanwhile, her sister’s story is a good example of how life’s rhythm can be easily thrown off when it’s mainly build around just a romantic partner.
Keep in my mind though, this is a Japanese show, so it goes without saying that the narrative is going to follow the style of their dramas. The biggest complaint I hear in regard to J-dramas is that they contain too much of overacting, and I can totally see where it’s coming from. Koisenu Futari though, in my opinion, is the opposite of that. Subtlety is an integral quality of it, not that there is no exaggerated reactions whatsoever. Sakuko and Satoru in particular make these faint yet distinct facial expressions that seem to say more than their words. Their respective stars, Kishii Yukino and Takahashi Issei, were the perfect choices for the roles. Takahashi Issei’s acting especially feels like Satoru’s character was made to be portrayed by him. They even share the same surname and all! I was surprised and delighted to find out he’s the one who voiced Amasawa Seiji, the deuteragonist of Studio Ghibli film Whisper of the Heart. Acting is acting, I guess. As for the supporting cast of Koisenu Futari, the performances that stood out in my eyes were Sakuko’s longtime friend Kadowaki Chizuru, played by Kojima Fujiko, and Sakuko’s father Kodama Hiromi, played by Koichi Mantaro. They left an impression on me.
In spite of all the praises I’m singing about Koisenu Futari, I still can’t say that I’d absolutely recommend any and every aromantic and asexual person to watch it. This might sound like it came from the left field, but it’s actually for their sake. Because this isn’t as simple as a fantasy show or something where two characters are specified to be aroaces since they couldn’t care less about romance and sex. Rather, it’s a true-to-life depiction of the issues that come with identifying with these labels. The alienation and loneliness resulting from being “different”, falling apart of friendships due to romantic interest of the other party, vexation stemming from the inability to relate and thus empathize with those going through heartbreaks, aphobic belief that aros have it easy just because they don’t have romantic entanglements to worry about, family and societal pressure to get married and have kids, apprehension regarding the future that’ll likely be lonesome otherwise — all these difficulties experienced by aros and/or aces are remarkably brought out. In short, the plot is all about trying to navigate this world full of amatonormativity, heteronormativity and allonormativity. And as much as it feels great to see our representation, such a high level of relatability also means it can be triggering to see the exact same things that distress us in our everyday lives.
I, for one, was left overwhelmed by the very first episode. Sakuko’s excitement over the initial living arrangement with her friend reflects the deepest desire of my heart that has been there since forever. I’m definitely not the only one; for many aros and/or aces, it’s a situation that’s considered a dream come true. Except the ingrained relationship hierarchy, where romantic partners are put above everyone else, pretty much always turns it into a pipe dream. After finishing that episode, I had to sit in silence for a while, trying hard to contain my emotions. On top of it, what occurs between the two of them later hit too close to home, again. Watching it unfold almost felt like a personal attack, the thought ‘I’m in this drama, and I don’t like it!’ running through my mind all the while. However, I have to admit that the last scene of the drama makes it worth it. The image of Sakuko happily cycling down the road with the most heartfelt, carefree smile on her face screamed freedom to me. Then revisiting the drama in order to write this review aroused the displeasure in me along with the appreciation all over again. It’s really up to how much an individual viewer can take depending on their mental state.
For alloromantic and allosexual people though, I’d definitely recommend them to complete Koisenu Futari. Not merely because otherwise they’d be missing out on a wonderful show, but mostly because it’s important that they come to see things from aromantic and asexual people’s viewpoint. Of course, for one thing, you can avoid upsetting them and treat them right when you know better. Now, you may ask, what’s the odd of you running into an aro and/or ace when those’re such rare orientations? The thing is, many of us go through an identity crisis at the beginning because we’re never taught about the very existences of aromanticism and asexuality in the first place. It needs to become a common knowledge like homosexuality, bisexuality etc. Even when we do get to know who we are, we still feel the need to keep this intrinsic part of our personality to ourselves because of ignorant people’s hurtful attitude. So, if you’ve already proved yourself to be uncomfortable for the topic, the possibility of you being privy to the fact of someone you know being an aro and/or ace is very low in the first place.
This obliviousness isn’t harming only aros and aces though, it concerns you, and your near and dear ones, too. Why do I say that? Well, once you step into the world of aromanticism and asexuality, your eyes will open to a whole bunch of problems around us, as well as a whole lot of ways of life. Namely, the clutch that amatonormativity, heteronormativity and allonormativity have on us, and how liberating living can be if you get to defy them. I can’t go into the details of what they mean in this review. You can always search on Google and Tumblr to learn their definitions, etymologies and implications. All I’ll say is that the Four Horsemen (including platonormativity) of the ‘love and sex are what make you human’ bullshit go hand in hand with misogyny, sexism, toxic gender stereotypes, toxic masculinity, domestic violence, colorism, body shaming, ableism and many, many more severe social issues. It’s impossible to escape them so long as you live in the society. So when you really think about it, being aphobic is basically advocating for your own victimization and/or decadence. Although, I suppose something as ridiculous as aphobia prevails at all is because the mere existences of aros and aces challenge the beliefs and learning that alloallo people have nurtured throughout their lifetime. It’s human nature to feel threatened by something they don’t understand. But on the other hand, broadening your worldview with the aromantic and asexual perspectives serves to benefit you regardless of your orientation. Personally speaking, even if I don’t identify as an aroace someday, I’d still be grateful for everything I’ve been taught thanks to it. I wouldn’t exchange this experience and thought process for anything.
If there’s one flaw of Koisenu Futari though, it has to be its approach of aromanticism and asexuality being largely inadequate. The matters are explored through the two protagonists only, resulting in a limitation as to which facets of the orientations can be introduced to the viewers. There is this one time when Sakuko attends a gathering of aros and aces, but it’s way too short to put enough emphasis on the briefly discussed topics: the spectrums’ independence from each other, and the variation in individual preferences. That’s right, aromantic and asexual are the umbrella terms for two separate spectrums. You must’ve already noticed my continual usage of “and/or” until now, that’s because being a part of one spectrum doesn’t necessarily connote being a part of the other. Both of them also consist of a wide range of microlabels, and those’re contradistinctive at times. I daresay, compared to the entire populace of the rest of the world, I’ve witnessed way more diversity in these tiny communities that’re more or less close to the population of Denmark. A series could cast a dozen of aro and ace characters, but many of the particularities would still end up left out. Given the acute lack of our representation in the media, a complete drama dedicated to us is already an absolute blessing. Even just two characters, who’re gateway to the plain basics, are a great starting point. That’s all well and good, but the problem is that those who aren’t well-informed with the comprehensive nitty-gritties might develop a rigid concept of the identities, and thus question the validity of those of us who don’t fit the mold.
I’d suggest alloromantic, allosexual and questioning folks to take Koisenu Futari as a stepping-stone to learn about aromanticism and asexuality. Thanks to Kaizen Subs, it’s accessible for the international audience. They did such a fantastic job with the subtitling. I don’t wish to depreciate any fansubbers who pour so much hard work into voluntarily providing English subtitles, but I also can’t deny that I often come across translations that’re far cry from the actual speeches. I was afraid the same might happen to Koisenu Futari, especially due to the lingos in the aro and ace communities that’re foreign to the outsiders. It was an utter relief to discover that it wasn’t the case. In fact, I was pleasantly surprised to find somebody else’s style of translating similar to mine for the first time as a translator. Personal reflection aside, this is your cue to watch the drama. Visit this link to download the subtitles. Just rename the files corresponding to the episode file names on your device, and it’ll make the subtitles automatically show up on the videos when you open them, whether it’s on computer or phone. Oh, and where to find the raw episodes? That question’s a no-no in public, but here goes: Đ Ɽ ₳ ₥ ₳ ₵ Ø Ø Ⱡ
My only sincere request is for people to keep an open mind, about us and about the world. Koisenu Futari’s MyDramaList entry used to have the “naïve female lead” tag before, and that was more than enough infantilization of aroaces. Look at it this way, romantic and/or sexual attractions can be considered ghosts to us. Almost everybody around us claim to be able to see them, those who’re chasing after them. They ask us why we can’t perceive them. It’s because they only ever exist in the tales of others, not in our own realm, at least not without the exact same power. Maybe some of us have barely happened to encounter them at some point, but unsure of whether those’re actual ghosts or some other apparitions. Some can only see them once in a blue moon, under specific conditions. Some adore the idea of ghosts and their stories, regardless of their ability to sense them or the wish to interact with them in person. At any rate, we all belong under the hefty green or purple umbrella, or where they both blend in to take on blue, orange and yellow colors; our very own spaces beneath the rainbow.
It’s okay if you can’t grasp our hues right away. You can take your time. If it still doesn’t help, that’s okay, too. What’s not okay is dehumanizing or demonizing us. Don’t forget that humans are abusing and destroying each other in the name of love all the time. If you believe it’s a lie or an exaggeration, then open your eyes, strain your ears and take in what’s happening throughout the world. There’re more important things than love, attraction or even comprehension. Remember that consideration, compassion, communication and consent can go a long way to bring about happiness and peace in life. Also, please refrain from shoving “B-but aromantic/asexual people can feel romantic/sexual attraction and/or engage in such activities!” and other bigot commentaries down our throat. That’ll be all from me.
Happy aromantic awareness week! It’s coming to an end soon, but may the awareness stick around.
Headers' credit: theprideful
“amatanormativity will not save you" flag credit: rjalker
#koisenu futari#恋せぬふたり#Two People Who Can’t Fall in Love#aromantic#asexual#aroace#aro week#aromantic awareness week#aromantic awareness week 2023#J-drama#Japanese drama#takahashi issei#issei takahashi#takahashi satoru#satoru takahashi#kishii yukino#yukino kishii#kodama sakuko#sakuko kodama#review by shuu#actually aromantic#actually asexual#actually aro#actually ace#actually aroace
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Asian Drama Themed Valentines: 2022 Edition
Part: 1 | 2
#vday card#asian drama#Extraordinary Attorney Woo#Love Between Fairy and Devil#Crazy Love#koisenu futari#All of Us Are Dead#The Sound of Magic#Kdrama#Cdrama#Thai Drama#Jdrama#asian drama memes#asian drama themed valentines#valentines day card#vday card meme#恋せぬふたり#이상한 변호사 우영우#strange lawyer#unusual lawyer woo young woo#คินน์พอร์ช เดอะซีรีส์#苍兰诀#지금 우리 학교는#안나라수마나라
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Hi! Sorry to bother you, but I can't find koisenu futari raw eps anywhere, I wondered if you knew where I can find them?
No worries! Here are a couple options for the raws:
Direct dl
Nyaa tor if you're comfortable with that option
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I know the post isn't about this, but I wanted to share some canon aroace characters I've found out about recently that made me happy :> hope it will bring some joy to anyone who sees and watches the shows as well:
1) two main characters from Koisenu Futari: Both characters are canonically aroace (terms used in the show), the story centres around them forming a QPR. This became a comfort show of mine and I would 100% recommend it.
2) I just started the show, but one of the two main characters from Konya Sukiyaki Dayo is canonically aromantic (term used in the show). I'm unsure how it ends, so I can't say for sure if I would recommend it or not, but the story is about two (aro and allo) women living together and seemingly forming a QPR (?)
3) Fujisaki Nozomi (side character) from Cherry Magic (the jdrama specifically): this is a romance show, but I absolutely adored Nozomi's character and her existence in the story made me really happy (the term aroace is not used in the show, but the character expressed her disinterest in romance very clearly. She's also confirmed to be aroace by the writer, which I usually don't like being the case, since it's rarely ever actually communicated within shows, but I think Cherry Magic did it well :)) Fun fact!! One of the writers is also the writer behind Koisenu Futari
4) I haven't watched this yet, so I don't know how good the movie is, but the main character of I Am What I Am (2022) is also aroace :3c from what I heard, it's good though (might post an update once I watch it)
It’s crazy how many people just don’t understand why a lot of aro and or ace people don’t like that Alaster gets shipped. It’s not that hard to understand we don’t have a lot to let ourselves lose. I mean can you name 10 asexual characters? 5? Can you name two aro characters. There’s the guy from Archie who they made have a sex scene in a movie version. There’s a few books. I think a background character in Heartstopper? Do you see the theme here??? You’re all queer people, do you not get it? How it feels to have nothing? Is it so wrong to be upset that there’s finally an outwardly aroace person in popular media and instead of people embracing that they’re fighting on the internet about why it’s ok to ignore it? And I will never in my fucking life have anything against the people who are aro and or ace and portray him in THEIR experiences, even if it is a romance or sex favorable experience, but it is obvious that way too many of you guys are allo and it just leaves a bad taste in my mouth. I don’t even like him as a character that much, he isn’t even made by an aroace artist. The show isn’t even that fucking good, I just want to keep someone like me for once in my life. If there were a million other aroace characters I wouldn’t care, but it just hurts seeing erasure coming from my own community. It just sucks, man, I don’t know. It just sucks
#aromantic#asexual#aroace#koisenu futari#konya sukiyaki dayo#cherry magic#i am what i am#cherry maho#恋せぬふたり#チェリまほ
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🧡💛🤍🩵💙 恋せぬふたり
18/July/2024
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恋せぬふたり Koisenu Futari (2022) | EP 6
#koisenu futari#subs by kaizensubs#kishii yukino#takahashi issei#dir. doi shohei#jdrama#jdramasource#kf2022
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マジカルラブ - 黒沢心の声だだ漏れVer. (magical love - kurosawa's overflowing thoughts ver.) — full version
spotify
(lyrics & unofficial translation below, kurosawa's thoughts in pink)
magical love be with you
すげー可愛い すげー好き
suge kawaii suge suki
you're so cute, i like you so much
やばい めっちゃドキドキする
yabai meccha dokidokisuru
crap, my heart is beating so fast
指の隙間でチラ見 (最初はただ)
yubi no sukima de chira mi (saisho wa tada)
glancing through the cracks of my fingers (at first...)
僕にはもったいないって? (そばにいられたらって)
boku ni wa mottainai tte (soba ni iraretara tte)
aren't you wasting it on me? (being by your side...)
今までだったらそれで終わり (思ってただけなのに)
ima made dattara sore de owari (omotteta dake na noni)
if it had been before, this would've been the end (was enough for me)
一味違うthis love wow
hitoaji chigau this love wow
this love is different, wow
まさかこの年になってこんな
masaka kono toshi ni natte konna
i never thought i'd experience it at my age
初恋みたいな気持ちになるなんて
hatsukoi mitaina kimochi ni naru nante
this feeling that feels like a first love
ああ もうずるい
aa mou zurui
ah, it's just not fair
これ以上どうしろっていうんだよ
kore ijou dou shirotteiun da yo
if this keeps up, what am i supposed to do?
瞬間 近づく鼓動
shunkan chikazuku kodou
the moment i got near your heartbeat
聴こえた マジかよ マジカル!?
kikoeta maji ka yo majikaru
i heard them, it's for real, it's magical?!
ヤバイ 近いっ 可愛いーっ!
yabai chikai kawaii
crap, you're so close, you're so cute!
もう ムリ無理 見て見ぬフリ
mou muri muri mite minu furi
i can't keep pretending i don't see it
夢でも 胸高鳴り
yume demo munadaka nari
even in my dreams, it makes my heart race
運命変えちゃう love
unmei kaechau love
a love that changes destiny
君と 僕が? あわわっ
kimi to boku ga awawa
between you and me? i can't deal!
ハッピーエンドの途中
happi endo no tochu
on the way to our happy ending
焦る i want you (yeah)
aseru i want you (yeah)
i want you right now (yeah)
一緒なら越えてゆける
issho nara koete yukeru
as long as we're together, we can overcome it all
明日は七色 君と甘色 wow yes
asu wa nanairo kimi to amairo wow yes
tomorrow will have a rainbow, with you and the sweet colors, wow, yes
安達...
adachi...
四六時中 夢心地 (こんなに可愛くて)
shirokujichu yumegokochi (konnani kawaikute)
day and night, i keep dreaming (is your being this cute...)
そんなの聞いてないって (大丈夫なのか!?)
sonna no kiitenai tte (daijoubuna no ka)
saying things i've never heard you say (really okay?!)
想定外 好きが渋滞 chu (俺だけのものにしたい)
souteigai suki ga jutai chu (ore dake no mono ni shitai)
unexpected feelings stuck in a traffic jam (i want you to be only mine)
大胆不敵 this love wow
daitan futeki this love wow
this love is fearless, wow
これ以上好きにさせて
kore ijou suki ni sasete
why do you have to...
どうしようっていうんだよ
dou shiyoutteiun da yo
make me fall for you even more?
ああ このまま時が止まれば良いのに
aa kono mama toki ga tomareba ii noni
ah, i wish time would just stop right here
敏感 本音と嘘
binkan honne to uso
my sensitive true feelings and my lies
気づいた マジかよ マジカル!?
kizuita maji ka yo majikaru
you noticed them, it's for real, it's magical?!
ヤバイ 近いっ 可愛いーっ!
yabai chikai kawaii
crap, you're so close, you're so cute!
もう ムリ無理 見て見ぬフリ
mou muri muri mite minu furi
i can't keep pretending i don't see it
夢でも 胸高鳴り
yume demo munadaka nari
even in my dreams, it makes my heart race
運命変えちゃう love
unmei kaechau love
a love that changes destiny
君と 僕が? あわわっ
kimi to boku ga awawa
between you and me? i can't deal!
ハッピーエンドの途中
happi endo no tochu
on the way to our happy ending
焦る i want you (yeah)
aseru i want you (yeah)
i want you right now (yeah)
一緒なら越えてゆける
issho nara koete yukeru
as long as we're together, we can overcome it all
明日は七色 君と甘色 wow yes
asu wa nanairo kimi to amairo wow yes
tomorrow will have a rainbow, with you and the sweet colors, wow, yes
隣にキミの笑顔 (love is the magic)
tonari ni kimi no egao (love is the magic)
with your smile next to me (love is the magic)
yeah (love is the magic) oh
魔法が解けたって 大丈夫さ ふたりなら
mahou ga toketa tte daijoubusa futari nara
even if the magic is undone, we'll be okay as long as we're together
安達!
adachi!
幸せすぎてもムリ
shiawasesugite mo muri
i'm too happy, i can't handle it
未体験の胸騒ぎ
mi taiken no munasawagi
the apprehension of something unfamiliar
世界の数だけ love (あーっ) love (まって) love (もうっ) wow
sekai no kazu dake love (aa) love (matte) love (mou) wow
for every world out there, there's just as much of our love (ah...) love (wait...) love (jeez...) wow
大好きだ!
daisuki da
i love you!
初めてだらけのストーリー
hajimetedarake no sutori
in this story filled with our firsts
誰にも邪魔させない
dare ni mo jamasasenai
we won't let anyone interfere
特別以上の love
tokubetsu ijou no love
a love that's beyond special
愛しい 嬉しい 気持ち
itoshii ureshii kimochi
and the precious, happy feelings
ハッピーエンドの途中
happi endo no tochu
on the way to our happy ending
もう全部 i want you
mou zenbu i want you
i want you, all of you
一緒なら越えてゆける
issho nara koete yukeru
as long as we're together, we can overcome it all
明日は七色 君と甘色 wow yes
asu wa nanairo kimi to amairo wow yes
tomorrow will have a rainbow, with you and the sweet colors, wow, yes
magical love be with you
もう 幸せすぎる
mou shiawase sugiru
jeez, i'm too happy...
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This kinda feels like cheating because I haven't even bought this yet, let alone read it, but I recently heard about the book 独り舞 by Li Kotomi and it sounds super good! It's a gay coming of age story about an office worker who moved from Taiwan to Tokyo. I'm just so excited about the prospect of reading this that I had to shout it out.
I have read Kitchen by Yoshimoto Banana though, which is pretty much a modern classic at this point. It has a major side character who's a trans woman, but the book itself is more about grief than LGBT experiences in Japan, so I'm not sure if it's quite what you're looking for. (And if my memory serves me, I think it has content warnings for hate crimes. It's not described in detail though, I don't think)
I will not hesitate to buy a good Japanese LGBT novel if anyone knows any good ones. Last year someone on Tumblr brought up Koisenu Futari, and immediately on a whim I ordered the book, and it's still my #1 fave
#also i didnt know 恋せぬふたり was based on a book???? how did i not know this#i also read a bunch of lgbt manga (as in beyond bl/gl as well) so if you want any recommendations there ive got you#and seconding someone else's recommendation for しまなみ誰そ彼 but also expanding on it to say#kamatani yuhki is my favorite mangaka their stuff is phenomenal and most of it has queer themes#can you tell its been a while since i read Kitchen#it was like. the third novel i read in japanese so its been over a year at this point
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Thinking about how Chizuru says stuff like "I couldn't stop myself because I love him" and like,,,, she's lying, because she did not go back to her ex, and she's lesbian so she won't be with a man.
And with the way she said this line and the intensity of it, I feel like she's talking about Sakuko and not the imaginary boyfriend.
Chizuru loves Sakuko to the point that when she noticed that Sakuko would most likely never love anyone, or at least was absolutely not interested in love and was looking to live with her for the main purpose of getting away from all this romance nonsense, it hit Chizuru real hard. I mean, we've seen that in a later episode, but like...
Chizuru leaves in order to get away from Sakuko and the intense love she feels for her, so the line "I couldn't stop myself because I love him", in my opinion/understanding, refers to the fact that she loves Sakuko so much that she couldn't help herself to seek out that love and propose to live together, and then (when she noticed that it most likely would go nowhere) it refers to the fact that she had to get away from her because of that love.
And the pain she feels because of unreciprocated love shows even more with the next sentence being "There are these uncontrollable things that come out of nowhere!". And once more, it is directly related to the love she feels for Sakuko.
She cannot control who she loves (like everyone btw) and she got hit in the face with her love for someone who doesn't, cannot, love in that way. And we (through Sakuko) see her deal with that; with her feelings and with the unavoidable rejection.
And that is why Koisenu Futari is not a sapphic/lesbian show. Despite showing different types of love, this is solely a series about aromanticism and asexuality.
This is also part of why it's so good. The writer could've gone for some stuff like "QPR but from the vision of one of them, if it could be a romantic relationship it would be" and that would've suck big time. And yet, despite having two occasions to do that, it did not happen, and I am very grateful.
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Heyo! Have you watched Koisenu Futari (恋せぬふたり, Two people who can't fall in love) yet? It's a great series, just 8 episodes long! I binged it in one day :) [smiley]
It focuses on two aromantic asexual people living together. This is a little appreciation post, containing some thoughts that it evoked in me as an aroace.
If you don't want spoilers, please don't read!
It's so relatable how Sakuko keeps blaming herself all throughout the show… Insecurity stemming from societal expectations that dictate romance is for everyone, and that people who don't date are somehow "failing" in life; I think this affects allos as well.
When I broke off my romantic relationship, I too felt like it had been my fault, for not having been a good enough partner, for not being able to love them in the same way they loved me.
To finally learn that you are not "defective", that there's other people like you…! I love how the two MCs don't grieve their lack of attraction; Sakuko is perfectly happy discovering she's aroace. She and Takahashi are living their "best life" together.
Sure, many aroaces do wish they were allo, and that needs to be represented too, but this series to me really shined a light over why they want that: it's because amatonormativity is rampant in the world, not because lacking attraction is inherently sad. The main conflicts in the series stem from the clash between allo society and the aroace experience, after all. I think that's neat! It gave me a good dose of aroace joy—while still showing the hurts that come with it, realistically—and I really needed it.
I didn't expect her to come out to her family so soon, but whoa, that was intense. Her mother's negative reaction is what all people who exclude a-spec people from the LGBTQIA+ community should see, to understand that we face the same issues they do.
I haven't come out to my parents as aroace yet, and watching this made me realize how awful it actually feels to be in the closet. I somehow hadn't realized I am. I've always felt safe coming out to them as other things, as bisexual back in the day, and as trans non-binary.
It might be because my confidence disappeared when they reacted badly both times, but this coming out feels almost impossible.
Comparing it to coming out as bi, it's really not that different: if you're bi, you're promiscuous and date too many people; if you're aroace, you're a prude and cold-hearted. If you break away from the status quo, you're wrong either way.
But at least, most people do eventually understand the bi experience, if they understand same-gender attraction, and fuse it with straightness, even though it's a flawed method.
With aros and aces, instead, it's such an alien concept for an allo, which makes it way harder to come out and have to explain to them how to deconstruct allo-amatonormativity. It's exhausting. Thankfully, there's people like Kazu who are actually willing to learn about us. That gives me hope.
I feel like it's super eye-opening to find out the concept of romance didn't even exist in the past. Pretty sure that in Europe, it originated during the Middle Ages from the ideal of chivalry. So it's really just a social construct, and opting out of it shouldn't be so controversial!
It's just a set of pointless, annoying rules like having to kiss eachother, having to say "I love you", and doing it all a set amount of times, otherwise it's not good enough. What if we don't want to? What if it doesn't come natural to us? If it's just a social construct, fuck it, I'm not adhering to that! We do whatever makes us happy!
Even in the series itself, Sakuko too goes through a heartbreak, even if it's not the romantic kind: she valued her friendship and future cohabitation with Chizuru above all else, but Chizuru abandoned her, because of romantic love. It's not true that aroaces have it easy.
Like our MC, we have to deal with fear that we'll come off flirty when we're just being friendly, confusion over concepts that we feel we should understand, shame over the fact that we're different, fear of loneliness, frustration and pain that we'll always come second to our friends' romantic partners, or even trauma from a relationship or sexual encounter that we didn't really want. I could go on and on.
These last scenes really got to me. Especially the second one… I admit that I cried, when she had to turn her down, and it seemed like her aromanticism had ruined their relationship. It hurts that the way I am could seriously harm someone I care about. It hurts that most people work differently and that they can't help it, and that we can't help it either. I don't like being put in that position, to cause someone a heartbreak. I have with my ex, and had to watch them spiral down… It was horrible.
Still, I wouldn't change my orientation for the world. I'm confident in my identity, I love being aroace.
In the end, we can all reach our full potential, reach a point where we feel fulfilled and that we're living our best life, find ourselves a family if it's what we want, have our dream job and house. Being aroace doesn't condemn us to a life of unhappiness. That's what this series left me with by the end; it gave me so much hope for my future.
(I'm aware I'm coming off as a bit toxically positive here haha, sorry if I'm striking a bad chord; I'm just in a really good period right now, and riding this wave for as long as I can! Hopefully I can rub it off someone else as well.)
That said, I really loved this j-drama, it was funny and relatable and emotional, I wished it had lasted longer! It seems like the author isn't even aroace herself, so I'm amazed at how good the representation was! So much thought and research has gone into it, and it shows; the result is amazing.
Thanks for reading my scattered thoughts about this! 🧡💛🤍🩵💙
#koisenu futari#aroace representation#aroace#aroace characters#aroace positivity#aphobia#amatonormativity#allonormativity#aspec#aspec character#aspec positivity#aromantic#asexual#aromantic asexual#lgbtqia+#lgbtqia#queer#queer shows#queer representation#spoilers#canon aroace#aroace character#qpr#found family#coming out#jdrama#japanese series#japan#short series#sa mention
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