#“don't exaggerate”

[briarmae]

I have autism and I'm touch repulsed.

My sense of touch is super sensitive. (Even though I have a pretty high pain tolerance, idk.) I base all my clothing choices first and foremost on how it feels against my skin.

Human touch is... awful. Skin to skin is even worse. If it's one of "my people," I can tolerate it. They now know that I prefer not to hug, and they wait for me to offer, or in rare cases, ask for one.

Crowds? I take anxiety meds and actively dissociate. Handshakes? Dissociate. People touch me without permission? Try not to punch them.

My family was fairly tactile growing up. They loved tickling. I would literally collapse on the floor crying. It was too much; it didn't feel like fun or whatever it is that people like about tickling. It felt more like pain.

I've tried explaining what it's like to people who are not touch repulsed. People on here will probably get it better.

Let's see... touching people makes me want to claw my skin off (it's somehow even worse if there's skin contact). Even when it feels less extreme, my skin is still crawling. I am constantly aware of every part of me that is touching someone else. It's too much, and then I get agitated on top of it.

Being touch repulsed with autism probably has a lot to do with me being asexual. I'm fine reading about sex (sometimes I even enjoy smut), I'm pretty uncomfortable watching sex in media, but the idea of ME touching another person, let alone naked... gross. Just gross.

[acorviart]

not to sound like a boomer, but I need some people to learn how to write emails in a semi-professional (at the very least) format so you're not cold emailing a business/potential employer/any other stranger about formal matters in the exact same way you'd DM a close friend on instagram

the formality/language can loosen up in the email chain once you've established a rapport and you match the other person if they're being less formal, but please don't have the very first email you send a stranger be written in all lowercase ultra-casual sms slang with no greeting or signature and a billion emojis

[rythyme]

a lot of the popular "queerbait" ships are just "these two characters are friends / they stood close together once" but every once in a while i'll stumble into an unfamiliar ship tag and see shit like "in episode 169 Scrungko gives Blorbis multiple prostate orgasms with an anal vibrator while pretending to date him" and like. idk what the hell is going on there. but if it's not queerbait then they just invented something even more insane. maybe y'all are right sometimes.

[laurellala-comics]

Examples below:

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[divineandmajesticinone]

she was truly ahead of her time

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.

[uncanny-tranny]

To any disabled person undergoing tests to find What's Wrong: I hope your results come back the way you hope and that you receive the help you need. I hope you are not denied care, I hope you are taken seriously even after this, and I hope that you will be taken care of compassionately

[mellosdrawings]

Do you think in the N2 Squad, Jamil will just randomly get a burst of confidence and flirt with Leona and Vil, just for them to turn it around on him and he then gets so flustered he enters Caterpillar Mode™️ (pulls his hood over his face) for a solid hour?

I kept this one in my asks for a long time coz, while I thought it was a good ask and wanted to draw something for it, I am also plagued with the terrible curse of being both aromantic and autistic and struggling a lot with the very concept of ~*flirting*~

So first, gonna thank @aria-faye and @the-fab-fox for their insights and having the patience to explain to me the big strokes of flirting.

And now, I'm gonna quote aria-faye word for word cause he explained Jamil's flirting perfectly well in my opinion :

"I feel like Jamil is just... bad at flirting. He can tease and joke and all that, but when he's doing it with the intention of flirtation, i feel like he stumbles. His version of intentional flirting would probably be just... being overly straightforward. Saying what he's thinking for once."

"I feel like Jamil isn't very charismatic when it comes to flirting, so he isn't saying it [compliments] in any sort of way. Just pointing out a fact, which, to him, is flirting. Because it's not something he'd normally say aloud."

"Here's the thing: I think if they played the flirting game, and if Jamil said something intentionally over-the-top, teasing flirtatious, they [Leona and Vil] would match his energy and do it right back. BUT Jamil would be equipped to volley that back over and over. It's not flirtation that gets him. There's an element of disingenuous in flirting. It's all exaggerated, a bit untrue. It's an act - a mutually agreed-upon act that everyone in the group enjoys, but an act nonetheless. And Jamil is EXCELLENT at acts. He's no blushing flower when it comes to flirting. He would take that stuff all the way to bed if that's where it led him. But compliments? He has no idea how to take compliments. He has such a low opinion of himself for so long that he never learned. Compliments are what make him blush. Not flirting."

"Like, Leona could be like 'Damn Baby, what does that tongue do?' And Jamil would immediately respond by purring 'Come here and find out.' But Leona being like 'You look beautiful today' would have Jamil like "Oh, um. *blushes, pulls hood over his head* Thanks, I guess.'"

"I think something else that would get him flustered is physical affection. Like he gets all hyped up to shakily hold their hands, and they immediately respond by kissing his cheeks and being sweet to him. That would make him blushy too."

"Flirting is basically just manipulation. Jamil knows how to do that. He's really good at that. It might surprise him at first, but if he's the one initiating, he wouldn't do it unless he knew exactly what he was doing. Flirting for real is kind of fake. A teasing dance you do to get to a more intimate set of behaviors. And Jamil is great at this kind of thing. There are a thousand ways to make him blushy if he's not initiating. But if he's initiating, that implies a level of confidence, so the options for making him blushy circles right back around to honesty."

"Leona and Vil flirt by antagonising each other, so it might take them a second to realize that whenever Jamil drops an Honesty Bomb on them like this and speaks plainly, he's flirting. But once they know, Jamil will never know peace again, because they turn it right back on him and compliment him honestly until he's curled up and hiding in his hood and begging them to stop."

(Yes we had a very long discussion about it x))

[anistarrose]

TBH the Wonderland twins could've gotten over all their unspoken narrative-haunting grief about their third dead sibling really easily if they'd just ever met Magic Brian. They would've loved Magic Brian and he would've loved them. New brother unlocked (evil German edition this time which honestly to them is an upgrade)

[fircyrk-na-kolkach]

guy who's seen 5 musicals: omg guys Wicked is so good

guy who's seen 55 musicals: the only people who've heard about my favorite musical are me and maybe actors who have played in it, and it hasn't been played anywhere for 40 years anyway

guy who's seen 150 musicals: omg guys Wicked is so good

[mistydragonflyart]

I wonder who he's waiting for...

I am obssessed with @neytui's fairy au that's been living rent free in my head and for this year I wanted to do something different. So I drew Jack as a winter fairy on the bridge that connects the seasons, like the one in secret of the wings.

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[sweatermuppet]

having no family christmas to attend because all your relatives are dead

[the-person-i-became]

The cameraman and Max? Two men with exceptionally fine taste in men. The way Max looked at Charles—like he hung the moon, invented happiness, and might just be carrying his baby—was outrageous. This man has attachment issues and separation anxiety, and they’re clearly trauma-bonded. and the cameraman was right there with him, zooming in on every look, every reaction, every moment between them.

Max might as well have been screaming, 'That’s my person!' With the way he stared, the cameraman clearly agreed because Charles got more screen time than anyone else. Honestly, who can blame them? Charles has that effect—on Max and probably on everyone watching at home. Fine taste, indeed.

[angstyvylene-i]

the Little