desperately need people to understand that alicent is a victim but she’s also an abuser and a perpetrator
that she actively makes choices to harm other women because of jealousy and envy and the greed deep in her bones because submitting to suffering didn’t get her what those women fight to grasp for themselves.
she is absolutely a victim, in show.
that doesn’t change that she abused rhaenyra and her children, her own son, most likely helaena given how she flinches every time her mother touches her, and is actively weaponizing the patriarchy of westeros against other women- rhaenyra primarily, but also mysaria and dyana.
she isn’t the moral, righteous force of good that even she thinks she is, she’s a wounded woman directing all of the rot, pain, and fury inside her at the wrong people and forces.
122 notes
·
View notes
the glenn macdennis comment hurt obviously but also so necessarily cause i’d gotten too delusional i was too obsessed with the potential final prize instead of fully enjoying what i love about what macden is rn which is the saddest awfulest gay tragedy ever written this is such a good catalyst for lowering my expectations and just living laughing loving in the doomed queerbait this is what shipping’s about what fandom’s about what life is about let us rest peacefully knowing that we absolutely will still get shit and it’ll be crazy and funny and sad but ultimately the power to make it beautiful lies with us. as the queerbait gods intended
58 notes
·
View notes
And another thing that gets me about the human condition is how we weren't even meant to survive this world alone - humans with humans. We chose to trust certain animals, to nourish them, to be symbiotic with them, to love them like we love ourselves. I think a lot of people talk about how selfish it is for humans to take advantage of animals, but I think that's too simplistic. It's closer to friendship - if you do not foster the relationship, then it simply won't go anywhere, and I think the implication that animals can't ever know anything for themselves, for their survival, is also human-centric and selfish (selfishness not inherently being a bad thing).
It's just nice to know that we want to be around people - we want to be around comfort and security and safety so much that we now have animals by our side. Every time I cuddle with my cat, I think that we weren't meant to survive this world alone; she is shaped to fit in my chest, and my arms were made to wrap around her.
169 notes
·
View notes
I've recently come across a couple of season 4 fanfics that dealt with the Chat Noir feeling left out and quitting thing and every time I read one I can't help but think "man did they chose the wrong side of the masks AND the wrong characters for this conflict. Chat Noir comes across terribly here". It's weird to see people try and justify his behavior and act like Ladybug was in the wrong.
Was Ladybug being the best friend ever? No, but friendship is secondary when they're wearing the masks. Paris comes first. Chat Noir quitting because he doesn't feel special enough is literally him endangering everyone he loves because his crush isn't paying enough attention to him and I truly can't tell if the show wanted us to feel like he was in the right or the wrong here. In Kuro Neko, Catwalker actually does acknowledge the lesson he needed to learn
There's nothing wrong with you. Maybe the boy who was Cat Noir was more sensitive than it seemed. But his feelings for you shouldn't force you to pay more attention to him than to others. You take care of everybody equally, Ladybug.
And Chat Noir apologizes at the end of the episode for causing Ladybug trouble, but the whole thing is incredibly lackluster. They don't actually have a meaningful conversation about why he was feeling that way and the rest of the season seems to present Ladybug as being in the wrong, especially the final! Trusting Alya leads to nothing meaningful and not trusting Chat Noir loses her the miraculous. Basically, I still have no idea what season 4 was trying to do with this conflict and it's been dropped forever now that Adrien is fully reduced to nothing more than arm candy.
HOWEVER, this basic setup could have been a fantastic b plot if the "Adrien doesn't feel needed" conflict wasn't a Ladynoir conflict, but was instead a conflict between Adrien and Nino. Move Rocketear up to earlier in the season and have the fallout from that be that Adrien's relationship with Nino is strained. He can still feel leftout because Ladybug has a bigger team now, but instead of him pouting about it and skipping fights, focus on how that need for connection has transferred to his civilian life, but he doesn't have Kagami or Nino now and he's lost. Then you can either have an Adrien and Nino b plot because that relationship needs more screen time OR you use this to make Adrien and Marinette start to grow closer because Rocketear's fallout is also Alya paying more attention to Nino. Then, when season 5 does the whole crush switch, it actually feels earned.
139 notes
·
View notes
Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡
So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.
At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.
Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.
I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.
So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.
If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.
16 notes
·
View notes
(NOT ATSV) my ideal miguel and miles friendship (bordering on enemies) dynamic is where Miles is sort of a Mean Girls figure where he’ll say the worst things to Miguel, who actually has no problems dishing that shit right back out, is usually too fed up or somewhere else mentally to reply. They fight a lot, more physically than verbally, usually in a slapstick comedy type of way. Miles is banned from Nueva York once a month and got a restraining order against Miguel in his own dimension. His parents fucking hate him and Miguel hates them right back. Rio has tried and failed to poison him via food and Jeff is considering hiring a hitman. Gabriel is beloved by them. Miles takes Miguel’s money at least twice a week to go spend it just because he can. Miguel has tried (and succeeded once) to get Miles sick with a future illness because he figured out the lesbian bar Miguel liked to perform at in drag. Miles has cried at least once in every room of Miguel’s apartment and Miguel has been confused on what to do each time besides an awkward hug and pat on the back. People are rightfully worried for Miles’s safety at least 80% of the time but when they aren’t they’re shaking their heads at the two’s antics. They need to be separated until they have a healthy “this is a grown ass man / this is stupid little girl i don’t like at work” relationship and it’ll take an act of god for either of them to realize their current one isn’t healthy at all and has extremely negative impacts on their mental state.
40 notes
·
View notes