behold. me coping with session 9 SL!shinyduo
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The crackle of a lightning strike hits at the exact same moment Pearl hears a resounding crack from her neck. After she had been shot by Scar, the impact of the arrow led her to stumble down the ravine beside Scar’s base, leaving her at the bottom of the pit.
Well, at least it was quick.
She finds herself lying on the stone ground, a view of a clear blue sky above her.
The only thing she could do was let herself breathe. (Do ghosts even need to breathe? Eh, who knows.)
Her eyes close as she builds a steady rhythm with the rise and fall of her chest, willing for the aching and exhaustion riddled all throughout her body to somehow dissipate.
Aside from the sound of her breaths, she can pick up Scar’s voice off in the distance. It doesn’t sound much like a cheer, or a cry, or anything— but then again, Pearl’s not in a fit state to focus on whatever he’s saying.
Instead, she tries to think back on everything that just unfolded, all the deaths, the hunts…the duel. The zombie that had been creeping towards Scar before Pearl warned him.
She sighs, “I swear, if he dies to a zombie, after all that…”
Now, she wasn’t really expecting a reply.
Especially not a reply from a voice that’s so familiar.
“I know, right? It’d be embarrassing for both of us.”
Pearl’s eyes snap open in an instant, as though the answer gave her a surge of energy, overpowering the waves of numbing pain.
“…Gem?”
She looks…just like she used to, when they were red…together.
Pearl blinks, trying to focus on the figure looming over her. It’s only then, that she notices Gem’s body is slightly translucent, allowing rays of sunlight to pass through.
“Hey, Pearl.” Gem extends a greeting they both know far too well. She crouches down, tilting her head. “Are you going to keep lying on the ground, or…?”
“I might.” Pearl chuckles. “It’s pretty comfy down here, actually.”
“I can imagine.” Gem shifts to sitting cross-legged next to Pearl, which prompts her to try and actually sit upright as well.
Pearl grunts when she finally manages to move, scooting over to Gem. Sitting underneath the shades of a bit of overhang of the earth above, they find themselves situated in a corner of the ravine, now further ruined with scorch marks and splatters of blood on the walls.
Despite the destruction, sunlight casts shadows of sunflowers into the chasm. It must be the ones Scar has around his base.
Silence follows. Pearl tries her best to stare only at the walls around, but she ends up glancing at Gem a few too many times. She hopes Gem is too preoccupied to notice. (Pretty slim chance of that happening, considering the fact that there’s nothing of interest nearby but them.)
Eventually, though, something in Pearl pushes her to speak.
“So,” Pearl starts, “what’s got you wanting to give me a visit? I thought you’d be with Scott and Impulse.”
Gem jerks up at the sudden question, then turns away from Pearl. “I— I dunno, I just… We died pretty close to each other, you’re the first one I saw.”
If Pearl’s head had been a bit more clearer, maybe she would’ve questioned why Gem was so insistent on not facing Pearl when she answered. Instead, she accepts the answer with a nonchalant “Ah, I see.”
“Well, I appreciate the company. And…” Pearl adds, pausing as the following words get caught in her throat for a brief second:
“I’m sorry.”
That seemingly got Gem’s attention, causing her to look at Pearl once again.
Just today, Pearl was met with those same pair of eyes on multiple occasions. For some, they sparkled with a sense of joy. For others, they held a flurry of panic behind them.
At this moment, they were glazed with a whirlwind of emotions Pearl couldn’t even begin to decipher.
Pearl can see Gem obviously struggling to find something to say, or to piece together the thoughts in her head. Either way, Pearl waits.
“When you— when Scar was coming for me, you asked me if I wanted to duel it out with you, with swords.”
Pearl nods.
“Why?”
It’s such a simple question, really. Pearl knows exactly why she did it. Just as she knows why she went into the End earlier in the game to fight the dragon, why she rode a camel with the same person who’s killed her twice, why she couldn’t get a successful ambush when she’d been in the siege against Gem and the Scotts.
What leaves her lips is not the answer. Not a clear one, at least.
(It’s never easy, is it? When Scar and Gem had begun fighting, all Pearl wanted was a moment to think. She didn’t know what to do, she didn’t know why she began shooting, she just didn’t know. She couldn’t decide.)
“You said you didn’t want a bow fight.”
“But a sword fight, Pearl?” Gem pushes on in an instant. “I know you, Pearl, I know you prefer using an axe.”
“I do, yeah.” Pearl doesn’t give away any more than that, choosing to give Gem a noncommittal response.
“So— If Scar hadn’t— If I agreed, you—”
“You probably would’ve kicked my butt.” Pearl admits with a smile.
Gem takes a deep breath. Then, in the quietest voice Pearl has heard all day, Gem asks, “And you would’ve been fine with that?”
(I would’ve been more than fine with it.)
“You would’ve beat me fair and square, I don’t see anything wrong with that.”
“But you—” Gem cuts herself off with a groan, growing more and more frustrated with Pearl’s vague replies. It’s no use when they’re both dancing around the topic, even though all Gem wants is to ask: would you have let me kill you? Could we have stayed friends? What went wrong?
Gem recalls Pearl backing away after one swing of her sword, when she was fighting Scar, she caught a glimpse of Pearl leaving the fight to them. She remembers how Pearl could’ve pulled out her bow, could’ve ended her right there.
(Do I forgive you?)
A breeze blows past the Sunflower Valley, leading the flowers above, along with their shadows, into a gentle dance.
Nearly every question Gem has dies on the tip of her tongue, leaving only one:
“What now?”
Pearl gives it some quick pondering, before stretching her legs out and bracing herself to stand. “I wanna check on Mailbox and Matchbox.”
“Then,” She helps herself up by leaning on a wall. “I wanna see if I can find my Mounders anywhere.”
Lastly, she extends a hand out to Gem. “After that… I think I remember Scott saying something about a spare camel around Etho’s?”
Gem returns the smirk on Pearl’s face with one of her own. “Are you thinking what I’m thinking?”
“The Murder Camel rides once more!” Pearl cheers as she pulls Gem up with her.
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lemon i hope you know (if you didn't already from your notification boom solely from me) that your prev hero au designs did something to me. fundamentally altered my brain somehow. im literally stuffing them in my mouth how did you do that
HHEELLLOOOO THIS WAS A LOVELY NOTIFICATION BOMB TO WAKE UP TO, HOLDING ALL THESE TAGS NEAR AND DEAR TO MY HEART
as for how (i'm seizing this as an opportunity to share a bunch of process work):
there was a butt load of trial and error
From what I can remember (this all started 3 years ago holy shit,,,) I worked on Kevin's design first. The only 2 ref images I've found are included in the screenshot, but I'm pretty sure I was looking at those in addition to all of the other Impa+Sheik designs from the games, OG Hyrule Warriors concept art for Impa+Sheik, and the Sheikah pages from BOTW's Creating A Champion.
here's Link's stuff and YIPPEE I HAVE HIS REFERENCE IMAGES 🙌🙌
(BIG BIGG shoutout to @/historyofhyrule btw for archiving so much concept art and everything from all of the zelda games. None of this brainrot would've been possible without them.)
butt load of trial and error cont. especially for the colour of his scarf omg (I was looking at some of the hero's garb colour variants from OG Hyrule Warriors, and was conscious of the two other scarf wearing Links in Zelda Not Canon)
I can't find Zelda's inspo/ref images either but I remember referencing Griffith and Casca from Berserk, Kushana from Nausicaa of the Valley of the Wind, Ashei from TP, some of the OG Hyrule Warriors concept art for Princess Zelda, and of course some of the other canon Zelda designs (ALttP, TP, HW, OoT, BOTW).
I'd say Kushana was and still is the biggest inspo for Prev!Zelda, even personality wise I find myself looking back to her and how she was in the Nausicaa manga and movie.
final design thoughts: I really REALLY wanted the three of them to look cohesive with each other SO,
I always carried over screenshots of the other members of the trio onto their individual canvases to make sure that any changes I made to one design didn't stand out too much from the others,
I'm also pretty sure I worked on Link and Zelda's design simultaneously, or at least flipped back and forth between them a LOT when doing their armour (I wanted it to be evident that they were produced by the same smiths of the royal family yknowww),
and finally I made sure there were a couple of shared colours between their colour palettes
Thankee Thankee for reading this far and I hope y'all enjoyed my process stuff :))!!!
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Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.
Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol
I put it under the read more for easier scrolling due to how long this post got!
I immediately noticed smth in the very first lines of the interaction:
Raven: "Hello, brother."
Qrow: "...Raven."
You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)
On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name
It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting
Qrow: "So, what do you want?"
Raven: "A girl can't just catch up with her family?"
Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."
Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment
Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind
Raven: "Does she have it?"
Qrow: "...Did you know Yang lost her arm?"
Raven: "That's not—"
Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist."
Raven: "I saved her."
Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."
Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board
Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point
Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?"
Qrow: "I thought you weren't interested in all of that."
Raven: "I just want to know what we are up against."
Qrow: "And which 'we' are you referring to?"
A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:
Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us."
Raven: "You're the one who left. The tribe raised us, and you turned your back on them."
Qrow: "They were killers and thieves."
Raven: "They were your family."
Qrow: "You have a very skewed perception of that word."
And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite
Bcus they have different definitions of family
Another thing to pin (I promise this will all become clear soon)
Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival."
Qrow: "I saw. The people of Shion saw, too."
Raven: "The weak die. The strong live. Those are the rules."
Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage."
Raven: "We couldn't have known the Grimm would set in as quickly as they did."
Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."
Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!
Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!
Raven: "If you don't know where the Relic is, then we have nothing left to talk about."
Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me."
Raven: "And why would I do that?"
Qrow: "Because without her, we're all going to die."
Raven: "...And which 'we' are you referring to?"
Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)
Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow
A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him
And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving
We've finally reached the end of the conversation. Now what does all of this tell us?
And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently
Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem
Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her
I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely
As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?
Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth
As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho
And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay
This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did
Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.
And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways
I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks
But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.
In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies
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