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twentyfivemiceinatrenchcoat · 1 year ago

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A KITCHEN-TABLE KINDA LOVE ; SATORU GOJO

synopsis; satoru doesn’t quite know what love is supposed to feel like. but if it means coming home to you, it can’t possibly be that much of a curse.

word count; 4.9k

contents; satoru gojo/reader, gn!reader, satoru gojo vs. the mortifying ordeal of being loved, fluff fluff fluff!!, a hint of angst if you reeeaallyyy squint, gojo’s pov, the babygirlification of satoru gojo, i just think being babied would fix him <33

a/n; i wanted to write something for suguru or shoko but this man is genuinely holding my brain hostage atp so more satoru fluff it is!! physically i could write gojo angst yes but emotionally? imagine the toll…

when satoru steps over the threshold to your apartment, he’s downright exhausted.

it’s a heavy kind of fatigue, a little sickening. the kind that seems to sneak its way into his bones, crawl its way under his skin. dragging him down, down, down.

a yawn slips from his lips.

the mission itself wasn’t too tough — anything is a breeze for satoru gojo, that fact needs no elaboration. this one was just a little more taxing than usual, slightly more important, which meant he had to deal with the technicalities of it all. had to listen to the elders go on and on about the importance of discretion, about finishing things swiftly and efficiently, and something else he didn’t stick around long enough to hear.

and the curse? a small fry, really. nothing worth fussing over. but it was annoying, with that irritatingly effective barrier technique. how long did he have to stay inside that goddamn veil before it let him get close enough to land a hit? satoru doesn’t want to think about it, can’t be bothered to figure it out when all he wants is to collapse into the warm comfort of a soft mattress. all he knows is that when it finally lifted, the night sky was the only thing he could see. a vacuum of stars �� taunting in its perpetuity.

so, with all that being said; to say satoru feels a little worn out might be a bit of an understatement.

hair slightly tousled, eyelids heavy with sleep-deprivation, he slumps against the wall and allows himself to simply breathe. a soft groan flows from his parted lips as he stretches idly, a small respite for his stiff and achy joints, his tired muscles. it’s been a long day. but satoru still finds it in him to exhale a relieved breath, to drag his blindfold down to his neck and kick off his shoes.

because it’s been a long, long day — but now he’s finally home.

(not just a house, not just an apartment, but a home. a place of comfort and belonging. satoru didn’t think that was a luxury he would ever be able to afford.)

the moment he lets the door close behind him, a particular scent greets him. soothing in its familiarity, the only thing in his life that never seems to change; a blend between fresh laundry, and watered houseplants, and something that smells a bit like honey. maybe even sweeter than usual, though he chalks it up to his mind playing tricks on him.

it’s nice. so nice. coming back to something warm and real, a respite from his hectic work. a safe haven, of sorts, one that hasn’t been taken from him yet.

satoru likes to think of your front door as a threshold between realms, a gap between within and without. one is dark in its saturation, plagued by that never-fading smell of iron, while the other is simply warm. sacred, in its normalcy. everything looks just as it should, the same as when he rushed out this morning; a fluffy blanket haphazardly draped over the couch, that soft golden light streaming out from the kitchen, your shoes by the front door.

satoru blinks, drowsily.

wait.

(why is the kitchen light still on?)

as if his eyes could ever deceive him, satoru rubs the skin underneath them — blinking once, then twice.

yep — it’s still there. that soft fluorescent glow, a sight he’s come to associate with breakfast and dinner and a mellow kind of love, laughter shared over warm meals made by human hands. food tastes better, satoru has come to realize, when you have someone to eat it with.

ah, but it’s odd. did you forget to turn the lights off? that’s not very like you.

as if possessed by a strange, irresistible longing, his feet carry him to the kitchen in question. undeniably groggy, his uncoordinated steps riddled with fatigue, but the yearning in his chest compels him to move forward anyway — a kind of yearning he only fully understands when he enters the space, and sees you slumped over the table, a familiar flicker of cursed energy capturing his attention.

satoru stills, where he stands by the threshold between the kitchen and the living room.

everything looks the same as always — cookie jars placed on the highest shelf to give him an excuse to help you reach them, origami made from newspapers he never bothers to read anyway, a vase standing proudly on the kitchen counter, stuffed with fresh flowers he bought for you two days ago. the red roses still haven’t wilted, shining in the blue of the moonlight flickering in. good. they’re pretty, but maybe next time he should get you something more original. maybe some sunflowers, something that could rival the brightness of your smile.

do they even sell sunflowers this time of year? if you were awake, satoru would ask you, even though you always tell him to just google it —

but you're not awake. you’re fast asleep, cheek squished against the kitchen table, snoring softly.

satoru feels his mood lift at the sight alone, and suddenly he doesn’t feel as tired anymore. something soft sprouts in his chest, almost otherworldly, as he takes you in, stepping closer. almost giddy, just to see you up close.

you look so peaceful and relaxed, so content. elbows resting on the table as soft little breaths fall from your parted lips; he spots a bit of drool on the corner of your bottom lip, gaze fond as he wipes it away with his thumb. he can’t resist the urge to poke your cheek, and it makes you stir ever so slightly — lips curling up into something like a sleepy smile.

satoru grins.

(you’re so, so cute.)

despite his fatigue, he hears himself chuckle, all soft and amused and a little bit lovesick. it comes to him so easily, when he’s with you; that upturn of his lips, the butterflies in his stomach. satoru is still getting used to it. this cotton candy sweet, light as a feather kind of love. the kind that always feels like spring.

but with every day that passes, the life he has with you becomes a little easier to digest. his future with you becomes a little easier to visualize.

yeah, he thinks. he could get used to this. coming home to you.

a soft smile, as he exhales a breath, laced with exasperation. you really shouldn’t be sleeping out here, though. silly.

satoru leans forward, inching closer to your pretty, sleeping face — he almost feels bad, waking you up like this. but he wants to hear your voice so badly.

so he cups your cheek, cold skin meeting warm, his hands still lingering with the bite of the midnight air. his fingertips tingle, buzzing with the body heat that trickles from your veins to his — one single touch is all it takes for him to soften. the word that falls from his lips breaks the peaceful silence of the kitchen, breathing life into the moment. whispered into your ear, causing your brows to furrow as you gently slip from sleep’s embrace.

“baby…”

satoru is smiling, when your eyelids flutter open. a sincere smile, reserved for you and his students. bathed in the mellow hue of the kitchen lamp’s illumination, a soft glow curls around the strands of his white hair, creating a halo of artificial light.

blinking sleepily, you gaze at him in silence. something shines in your eyes, something satoru tentatively recognizes as adoration. and he gazes right back at you, with heavy-lidded eyes and a lopsided smile. teasing, lighthearted. thumb smoothing over the apple of your cheek.

then he grins, hopelessly endeared. ”hey there, sleeping beauty.”

for a moment, all you do is lean into his touch. a yawn tumbles from your lips, as you lift yourself up, snuggling closer still. “toru…” you mumble, voice a little raspy but still oh so sweet.

satoru doesn’t say anything. he simply takes you into his arms, gently, touch so very delicate — as if you’re made of porcelain. and you just let yourself fall into his embrace, while he tucks you under his chin, safe and secure. it’s warm, he thinks. it feels right. complete, somehow.

and satoru thinks to himself that this must be what love feels like. what it’s supposed to feel like, anyhow, all sweet and light. all good and normal, something you never have to question.

a cornerstone.

“you’re back…” you drawl, muffled into his uniform, arms sneaking around his thin waist to bring him closer. he strokes the back of your head, softly.

satoru’s chest rumbles, as he speaks, voice deep and a little raspy. soothing, a lullaby just for you. “yeah,” he hums. ”were you waiting?”

all you do is nuzzle further into him, into his chest, cheek smooshed right over his heart; breathing out a sleepy little mhm that has him going weak at the knees. lips curling up helplessly.

“i wanted to…” you continue, stretching your arms a little, trying to shrug away the remnants of sleep still clinging to your joints. “… but i fell asleep.”

satoru feels you move in his arms, until your jaw settles on top of his shoulder, followed by a chaste kiss to his neck. an exhale leaves his lips, something tender in the way his breath wavers.

“welcome home,” is whispered, muffled against his skin. a sentence he never wants to go a single day without hearing. “did the mission go okay?”

he plants a kiss on top of your head, speaking in a low tilt, reassuring. “it did. just took a little longer than i thought.” a soft inhale, as he basks in the scent of your shampoo. “i wanted to text you, but the veil blocked my signal. sorry, sweetie.”

another soft yawn, and a shake of your head. “s’ fine, don’t worry,” you murmur. ”i’m just glad you’re okay.”

satoru chuckles. there’s a fondness to it, light, and then there’s something else. something far more heavy — it rumbles through his chest, almost like a purr, or a soothing thunderstorm. he can only hope it’s enough to comfort you. “of course.” he says the words like they’re indisputable, like they’re written down in scriptures old and worn. cradling you in his strong arms, pulling you closer to his chest. hoping you’ll feel his heartbeat against you, feel that he’s there. “i always am, aren’t i?”

no answer. only a tiny hum, absentminded.

and satoru knows, deep down, that his words don’t mean much. that a part of you is always going to worry over him, no matter how many times he tells you that there’s no need. that he’ll be fine.

the thought makes him feel a bit guilty. a little sick to his stomach, at the thought that he’s a source of your anxiety, the reason you can’t fall asleep at night — but he’d be lying if he said it didn’t also make him feel kinda giddy. the thought tastes sweet, on his tongue, even though it probably shouldn’t. having someone to worry for you is a luxury, he’s realized. a luxury he has, now, one he hasn’t had since —

well. that’s neither here nor there.

(“be careful, satoru,” he recalls a kind boy saying.

but that was many, many springs ago.)

“oh, right.”

at the sound of your voice, satoru pulls away, ever so slightly, gazing down at you. “hm?”

with a single step back, you look up at him, tilting your head like a sleepy puppy. hands still resting securely on his waist, fingertips squeezing at his hips. lightly, affectionately. barely restrained fondness. ”have you had anything to eat yet?”

“yeah. got some takeout on my way back.”

satoru expects you to sigh in relief, at his instantaneous answer. you don’t like it when he skips meals, so these days he tries not to. even though he doesn’t always have the time to eat properly, and even though the sweets he chews on between missions make him lose his appetite. but he makes an honest attempt, for you.

someone worries for him. someone wants him to eat well. that’s more than enough motivation for satoru gojo.

but you don’t exhale, and you don’t look very relieved. you look… disappointed. eyes suddenly glancing down at the floor, lips curled down into a barely noticeable frown. “oh,” you breathe. “okay. that’s good.”

one second. then two.

satoru tilts his head.

“why?” he stops to think. maybe… “did you make something?”

a certain recognition flickers in the depths of your eyes, and satoru thinks he must be right on the money. chewing at your bottom lip, a little, you wait a moment before curling your fingers around his wrist — tugging him away from the kitchen table. satoru follows, pliantly, until you’re standing in front of the fridge.

“well, um… here,” you mumble, somewhat sheepishly. fingers tapping at the handle before pulling it open. “take a look.”

satoru watches as the fridge door opens, slowly.

he blinks.

the first thing he sees is a single slice of strawberry shortcake. the strawberry looks fresh, glittering like a ruby on top of the softly whisked cream — and layers of sponge cake, that look like they’d melt in his mouth.

and that’s not all. there are a wide array of baked treats stuffed into the cramped space, protected by plastic wrapping and containers. everything from cupcakes with too much frosting — just the way he likes them — to chocolate chip cookies that crumble at the corners, satoru never seems to run out of things to look at. colourful treats, lovingly made and sitting right in front of him. it’s like he’s standing in a patisserie. they almost seem to sparkle, in the peripheral of his vision; glimmering softly, tantalizingly, like something out of a dream.

childish. that’s what nanami and shoko always call him, and he always protests, but —

maybe they have a point, after all. satoru certainly feels a little childish, when he realizes his eyes must be wide and bursting with child-like giddiness. a simple kind of joy, at seeing the ample selection in front of him. especially after that tedious mission prevented him from getting any sugar into his system.

”i did my best,” you mutter, sharing the sight with him as your eyes trail over a pretty bag of pink and green macarons. ”dunno if they turned out any good, but… i hope you’ll like them.”

satoru’s gaze flits over to you.

he opens his mouth, and then closes it again.

”did you… make these?” a beat. ”for me?”

a blink. ”.. yeah?” who else would they be for?, your eyes seem to say. a little confused.

for a second, satoru can only stare at you. in complete silence, the tired cogs inside his head turning sluggishly as he thinks about the implications of that answer. and with a soft flutter, he feels his heartbeat pick up, warming him up from the inside out.

you made them. with your own hands. you made all of these and you did it for him.

for some reason, satoru finds it oddly hard to speak, like someone stuffed a bunch of cupcakes down his throat. it’s weird — usually he can’t seem to stop talking, especially not when he’s with you, but…

(something about this is just too tender.)

you must have been baking all day. no wonder the apartment smelled sweeter than usual, when he walked in.

as if itching to curl around one of the macarons, his fingers twitch, but satoru gulps and keeps them still. he wants to say something, anything, wants to thank you or ask why you’d spend so much of yourself on him, but satoru only stays silent.

and maybe it’s because he’s tired. maybe he’s just a little caught off guard. usually this wouldn’t be that hard to handle — he could just throw himself on you and shower you in kisses, show his appreciation with a flurry of dramatics and declarations of love.

but right now there seems to be a disconnect, between satoru’s mind and body. maybe the mission drained him more than he realized. or maybe it’s more than that, maybe there’s nothing he can say or do; what words could he even begin to use to properly verbalize the emotions he’s feeling right now? how could his touch ever begin to measure up to the sweet sensation unfurling in his chest?

the silence doesn’t last long. as satoru stands there and spirals, you speak up, most likely chalking it up to him being too sleepy to react.

��this mission was especially rough, right?” you begin, with a soft tilt of your head. a smile curls its way onto your lips, proud and sweet. sweeter than everything in the fridge combined.

one step, then two. you inch closer to him, until there’s almost no space between you — standing on your tiptoes, one hand on his shoulder and the other reaching for his head. smoothing down his tousled hair, fingers tangling themselves between the soft white strands and getting lost in them. and it’s gentle, the way you begin to pat his head, doting.

then you speak. ”you did well.”

and it’s such a simple thing to say. three words, three syllables, but the words just tumble out from your mouth so earnestly that satoru can’t help but still. his breath hitches in his throat, softly, barely noticeable, but it’s there. that surprise.

he never knows how to act, when you get like this. patting his head and ruffling his hair like he’s something warm and sweet and worthy of love. something delicate, and not the strongest man on the planet.

it’s so weird. you’re so weird.

(satoru leans into your touch without thinking, allowing his eyes to flutter shut.)

it’s perplexing, this feeling, and the fact that he can’t pinpoint why frustrates him to no end. isn’t this wrong? shouldn’t he be the one ruffling your hair, coddling you?

what formula is he supposed to follow here, exactly? should he tease you? pull away from your touch?

satoru wishes his six eyes could tell him the answer, but they don’t. they’ve never been very good with emotions, with things that aren’t directly tied to his suffering or imminent death.

(so ironic. all these eyes and nothing to see. they failed to see suguru’s silence, back then, and now they fail to see what reaction would please you the most.

really, such a worthless ability to love people with.)

no answer comes to him. so satoru doesn’t tease you, and he doesn’t pull away.

it does feel slightly wrong, though. like this feeling isn’t something he’s supposed to have, there must be some mistake, he can’t possibly be allowed to feel so loved — can he? having you bake him all his favorite treats, run your fingers through his hair. praise him for working hard.

really. isn’t he being too coddled?

(… but it feels so nice.)

satoru suspects that there’s a lot to love he might not fully understand, just yet.

maybe tomorrow, when he’s a little less tired, he can try once again to give you the impression that he’s perfect. that he doesn’t need affection, that he doesn’t crave your support or your touch. that he’s above all that, the strongest, someone for you to depend on.

depend on him, while he depends on no one. that’s the kind of existence satoru gojo is. that’s how it should be, that’s all he knows, but…

— ah. it feels really nice when your nails scratch his scalp like that.

and suddenly, that’s all satoru can think. no more pesky what-ifs, or second guessing every good thing he gets. right now, it’s just you and him. your fingers in his hair, his footprints in your life.

satoru allows himself to melt under your touch, almost meekly. leaning down just a little further, to make it easier for you to smooth your hand over his head. he nuzzles into your palm with a happy little exhale, and for some reason he feels sort of bashful.

try as he might, he doesn’t manage to successfully shoo the emotion away, so all he can do is hope you don’t take note of it.

and you just continue your onslaught of affection, now ruffling his hair with both your hands, like he’s a big puppy getting cooed over. satoru has a nagging suspicion that you might be getting a little carried away, but he doesn’t stop you. greedy, in the way he wishes your hands would never leave his hair. the way he hopes you’ll never be too far away from him to reach.

”such a hard worker,” you coo, and he feels himself grow flustered. ”my baby deserves so much love.”

”woah there,” satoru chokes out, grinning, desperately hoping you won’t notice the red tint to his ears. ”are you flirting with me? i have a partner, you know.”

a giggle slips from your lips, sleepy and amused. ”oh, do you?” one of your hands goes to cup his cheek, thumb caressing the edge of his jaw as you gaze at him fondly. ”lucky them.”

the grin you’re wearing is awfully bright. soft around the edges in a way that has him speechless, brain malfunctioning ever so slightly. satoru makes a mental note to scrap the sunflower idea — there has to be some brighter flower out there, one that can actually compete with your smile. sunflowers just won’t cut it.

but then you let go, and satoru gets broken out of his lovesick stupor.

when your hands leave his skin, his lips curl down into a soft pout. one he rushes to smooth away, before you can notice it.

you step back, failing to stifle a soft bout of laughter, but satoru knows it’s not because you saw it — he knows because your gaze is glued to his hair, and he internally winces when he thinks about how messy it must look, after your little bout of cuteness aggression.

(you really are weird, finding him cute of all things.)

he expects you to tease him a little more, but you don’t, turning away and tapping your fingers on the kitchen counter. ”if i’d known you’d be home this late,” you speak, stealing one last glance at the pastries before closing the fridge. ”then i would’ve waited until tomorrow. so you could eat them fresh.”

an apology rests on satoru’s tongue, but as if sensing it, you rush to reassure him.

”ah, but this is fine too! they should still taste good!” you turn away, muttering. ”… hopefully.”

then you nod to yourself, crossing your arms absentmindedly.

satoru looks at you for a second.

then he steps forward, unable to resist the temptation — tapping at your wrist with the pads of his fingers, before gently curling them around it, coaxing you into turning your head towards him.

the kiss he presses to your lips is soft, delicate. his fingers trace along your jaw, cupping your cheek and tilting your face up slightly, just letting his warm lips rest against yours. sweet and chaste. he sighs into the kiss, content, and feels your pulse pick up.

then he moves down to your jaw, slow and methodical — lazy kisses, sleepy but so full of affection. and little pecks, scattered all over your lips, your cheek, the tip of your nose.

you seem to melt a little, against him, and satoru relishes in it; his ability to make you relax. far more valuable than the six eyes, he would argue.

when he pulls away from you, with what takes tremendous self-restraint, he’s smiling. his gaze meets yours, layered over with pure adoration, blue eyes crinkling as he looks at you. as if you’re his entire world. the kitchen light embraces him, cascading down the contours of his face; the bridge of his nose, the curve of his jaw, his barely noticeable dimples.

and there it is, again — that flicker of love in your eyes, that adoration. as if you’re looking at a painting, something too beautiful for words.

(satoru hopes you can see that very same adoration, reflected in his eyes as he looks at you.)

after a moment, he leans forward, to rest his jaw on the curve of your shoulder. you stumble a little under the weight, caged in as his arms hug your midriff.

”god,” he sighs, breathless, heavy with giddy disbelief. almost whining when he continues, nuzzling into your neck as if to hide. ”why are you so perfect, huh? i don’t get it.”

at that, you huff out a laugh, an amused little breath. wrapping your arms around his neck and scratching softly at his nape. satoru shudders just a little, arms tightening around you.

”stealing my line…” you mutter, accusatory, smile laced over with a honeyed affection.

another amused breath, this time from him. this is one battle he won’t let you win. ”nah,” he grins, tugging you closer. ”’s mine.”

this is warm, he thinks. this feels right. complete, in a way that satoru never understood before you.

he could probably stand there forever, just basking in it. soaking up your body heat and the smell of your shampoo. until your warmth is all he knows, until he can never get your scent off his skin.

and satoru thinks that he could get used to this. a cotton candy sweet, light as a feather kind of love, one that smells like spring and tastes like strawberry shortcakes and feels like tight hugs shared in kitchens.

your love makes him feel so human. and it’s scary, terrifying even, but it's also too good to pass up. it’s worth the risk. so worth everything.

a yawn leaves your lips, suddenly. satoru feels you soften in his embrace, nuzzling closer to him, stumbling just a tad; he doesn’t think it’s fair, for such a simple gesture to make him as happy as it does.

”sleepy?” he coos, smile giddy and fond. ”let’s go to bed, okay? no more sleeping on the kitchen table, silly.”

a disgruntled little huff resounds throughout the air, as you let your arms fall to your sides. ”that’s on you,” you declare, poking the plush of his chest with your finger. ”i only fell asleep because you took so long.”

a teasing glint flickers in satoru’s eyes.

”wanted to see me that badly, huh?” he coos. you roll your eyes, and he pulls your cheek. ”that’s cute.”

”so what if i did?”

satoru stills. you’re smiling, a little mischievous, but mostly sincere. and it really is very unfair of you, he thinks — to do this to him while his guard is down.

but he manages to pull himself together, raising an amused eyebrow and booping your nose in a way that catches you off guard. blinking up at him, eyelashes fluttering.

satoru clears his throat. ”well, that’s sweet.”

then he turns on his heel, suddenly, and strolls over to the fridge. ”but you know what’s even sweeter?” he chirps, fingers curling around the handle as he swiftly pulls it open.

licking his lips, absentmindedly, his eyes trail over all the different pastries. so close yet so far, just out of reach; his fingers move forward, towards that mesmerizing slice of strawberry shortcake —

”— no.”

a hand settles on satoru’s waist, and tugs him away from his well-deserved prize. taking advantage of his momentary surprise, you close the fridge decisively, and give him an unimpressed raise of your eyebrow.

satoru whines, loud and grating. pouting sweetly, trying to make you feel bad. ”c’mon, just one bite —”

”no.”

”but they’re for me!”

”they’re for you to eat tomorrow. i was only gonna let you eat them tonight if you were on the brink of starvation, or something.”

”i am!”

”so the takeout was a lie?” you narrow your eyes at him, suddenly suspicious. ”have you been skipping meals, again?”

satoru pauses. weighing his options. ”well, no, but…”

”— then no.”

another soft whine. you turn away from him, when he tilts his head and gives you his best set of puppy dog eyes. in fear of giving in to them, satoru knows, as you have so many times before. ”please?” he tries, to no avail.

”you’re not eating sweets before bed, satoru,” you deadpan, and his smile falls further, exaggerated. ”and no, we are not having that conversation again.”

he can tell you’re trying to sound stern, but a giggle tumbles from your lips nonetheless, at the ridiculousness of the situation. keeping a grown man away from your fridge, knowing that he’ll wolf down every pastry he sees and get himself sick if you don’t. all while the man in question whines at you in protest, frowing so deeply, disappointment evident on his features.

(except satoru really isn’t very disappointed at all. like this, he gets to stare at your smile all he wants, after all; knowing you won’t notice it, too busy trying to keep yourself from giving in to his pleas.)

he tries again, one last time. just because he knows it’ll make you laugh. you do, a little exasperated, and satoru couldn’t be happier.

and he thinks to himself that if this is what love is, if this is what it’s supposed to feel like, then it can’t possibly be that much of a curse.

maybe he should revise the hypothesis, get a second opinion. he’ll have to ask you tomorrow, over pastries and coffee, and hear what you have to say.

as you both stumble to the bedroom, sleepy and a little delirious, satoru thinks that maybe this is enough; the lighthearted banter, the fond laughter. everything good and real and normal, within the space of your apartment, a home he never thought he’d have.

(and maybe, a second opinion isn’t necessary, after all. maybe it doesn’t really matter if love is a curse or not, as long as he gets to share it with you, like this.)

that night, satoru dreams. curled up with you beneath the blankets, limbs tangled together, as if he could never be close enough.

he dreams of kitchen lights, of sweet treats and warm hands. of spring breezes, and a love he’s finally beginning to accept for what it is:

good. wholly and thoroughly.

#i NEED to hold his waist btw idk if i made that clear. i need it like i need air to breathe. like why is it so tiny if not to be held by me #had to hold myself back like a wolf during a full moon from describing his waist in too much detail youre welcome #gojo satoru x reader #gojo satoru x you #jujutsu kaisen x reader #jujutsu kaisen #gojo satoru #jjk x reader

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ironunderstands · 3 months ago

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Double Indemnity, Spellbound and how a retroactive plot twist kicked the communities ass (which also has some VERY interesting implications for Aventio)

I had a very enlightening conversation on TikTok about the nature of these two romance/thrillers, and while unfortunately, I have no idea how to watch them, the plot synopses I’ve seen and analysis other people have made have caused me to come to this conclusion/interpretation of these references:

On the first viewing of the Double Indemnity questline, the reference to the DI movie is meant to be played straight, with Aventurine and Ratio being just as doomed to fail as they are in the movie, and their relationship as equally as toxic and fake.

On second viewing, it’s the complete opposite, and the track (and other movie reference) you receive at the end, Spellbound, proves it.

Let’s start with Double Indemnity.

Also disclaimer I’m gonna be over simplifying the plot/themes of these movies because a) both are singular references, DI is only referenced in the name of the quest itself and Spellbound is only referenced in a track you receive once you complete DI, and references this small probably aren’t meant to be anything more than a fun Easter egg for those who notice it b) this is hoyoverse they aren’t clever enough for that anyways c) the nature of references isn’t going to be having everything be the exact same anyways, so I’m just going to go with the overall interpretation of DI + Spellbound/their impact, picking the stuff which aligns with the actual plot of the DI quest, I don’t care what happens in one frame at 30:01.56 minutes in and neither do the writers

Anyways, how does the Double Indemnity reference on the first viewing seem?

On our first play through of the Double Indemnity quest, we are made to believe that Dr. Ratio and Aventurine do not trust each other, but they are begrudgingly working together for the sake of stealing Penacony for the IPC. Then, Aventurine makes it seem as if he wishes to use the singer Robin’s- also the sister of Sunday, the head of the Oak Family and the one they are negotiating with- death as a means to pressure Sunday into forking over some of the Family’s secrets, which Aventurine will then use against him in future negotiations.

With this setup, the Double Indemnity reference is a solemn warning- Aventurine and Ratio will fail.

You see, in the movie, Phyllis Dietrechson intends to kill her husband in order to earn the money from the Double Indemnity clause (which is a real legal thing btw!), roping in one Walter Neff when he falls for her. However, their relationship isn’t stable and in the end, Walter betrays Phyllis, ratting her out to the investigator Keyes, ultimately meaning they don’t earn the DI clause, also killing Phyllis in the process.

Hopefully you can already see where I’m going with this, but it’s time to draw some fun parallels.

Sunday is Keyes, Ratio is Walter, Aventurine is Phyliss and Robin is Phyliss’s husband.

Although Aventurine a) isn’t married to Robin and b) he didn’t actually kill her, he is the one who witnessed her “death” and in the first viewing of the Double Indemnity quest, we are made to believe he intends to profit off of it, although this time the payout isn’t money: it’s Penacony.

To do this, he enlists the help of Ratio- albeit not seducing him, but still convincing him to help nonetheless- and together they go to meet Sunday for negotiations.

However, Ratio “betrayed” Aventurine, ratting him out to Sunday behind his back and informing him of his plan, which mirrors how Walter confesses to Keyes. This results in Aventurine being sentenced to death, much like how Phyllis dies by Walter’s hand, Aventurine seems like he will die by Ratio’s, calling him a wretch before slinking off.

And there you go, their partnership is as doomed as the one in the movie, failing because their trust + love didn’t hold up till the end, a devious foreshadowing.

At least, that’s how it seems on the first playthrough.

Because Aventurine and Ratio’s plan SUCCEEDS.

And on the second viewing, knowing that the betrayal is fake, you realize they succeed because they do the one thing the people in DI (and I’ll get to Spellbound) DONT do- they actually TRUST each other.

Ratio and Aventurine’s plot is a success. And it’s because they deliberately made it seem like they were doing a Double Indemnity plot. Like they were going to make the same mistakes as the characters in the movie. Sunday falls for the false appearance hook, line and sinker, and that’s his downfall.

They win because they TRUST each other, you can even say because they actually LOVE each other, unlike the characters in the movie, where it’s more list than anything else. Walter and Phyllis don’t make it together to the end but Ratio and Aventurine DO, and they get to continue on with their lives because of it. The reference to Double Indemnity in this quest is genius because it works both before and after you learn the retroactive twist of Penacony. It makes you believe Aventurine + Ratio are doomed to fail, and it makes you realize they were always going to succeed, expertly dawning the false appearances Sunday expects from them, becoming literal actors playing out the roles of two people who will fall short due to their selfishness. Sunday believes he’s seen this film before which is why he BUYS IT, and god it’s just beautiful looking back on it. He thinks he’s Keyes about to uncover a dastardly plot to profit off his sisters death, and in turn he paints Ratio and Aventurine with the identities of those he believes would do such a thing, which they do their best to play into. Ugh it’s amazing.

And now, for Spellbound.

You receive this track after completing Double Indemnity, containing the description above.

Now, this is a reference to Spellbound, another one of Hitchcock’s films.

The main characters in this one are Dr. Anthony Edwards, a man suffering from amnesia, and Dr. Constance Peterson, a psychoanalyst who he was meant to replace, who discovers a dark secret about Edward’s while they fall for one another; he’s an imposter. He believes he killed the real Dr. Edward’s, but she thinks he’s just suffering from a guilt complex. Fake Edward’s goes missing, and the real Edward’s assistant arrived and informs them that he’s missing. She finds Fake Edward again, living under the pseudonym John Brown, and although he tries to leave, she convinces him to stay, telling him that with the help of her mentor, psychoanalysis can help recover his lost memories.

Through an incredibly complicated psychoanalysis of dream, Constance begins to uncover the truth- learning the person who believes himself to be Dr. Edward’s (and is using the pseudonym John Brown) is actually a man named John Ballantyne. Ballantyne accidentally caused the death of his younger brother in the past, resulting in his deep guilt, as well as recalling the location where the real Edwards died- skiing off a cliff to his death. With his memories, they find the body, but it has a bullet wound, so Ballantyne is taken into custody.

However, her boss, Dr. Murchison lets it slip that he actually used to know (and didn’t like) Dr. Edwards, and through another complicated sequence gets him to confess his guilt and ultimately kill himself, which frees Ballantyne, ending the movie with the two going on a honeymoon.

So, what does this mean in the context of the quest line?

Well, let’s say Ballantyne and Constance are representative of Ratio and Aventurine respectively.

“Every psychoanalyst must first have someone else diagnose them.”

If we read Aventurine as the psychoanalyst (Constance) and Ratio as the diagnoser/doctor (Ballantyne), it reveals an interesting interpretation.

That being that they knew the truth from the start/ they had already succeeded.

Or in other words, unlike in Double Indemnity, in Spellbound, they actually succeed.

In the film, Constance is the one doing the diagnosing, the one trying to figure out the truth, and you can see that in Aventurine pretending he’s trying to find out the truth behind Robin’s death. However, in the DI quest, it’s the opposite. Ratio’s as Ballantyne is the one doing the diagnosing for the psychoanalysist, Constance, or rather, Aventurine.

To diagnose someone, you must be very familiar with them, or at the very least the ailment plaguing them, and Ratio he knows Aventurine through and through at the start, and what plagues him (his own sense of meaninglessness) unlike the protagonists in Spellbound who despite falling for one another quickly, don’t begin being intimately familiar with one another.

In this way, they have already succeeded. Aventurine and Ratio already know one another, and while they might not know the reason behind Robin’s death, that was never what they were searching for in the beginning, meaning they effectively can skip through all the drama (aka the ups and downs of Spellbound, finding out the truth behind Robin’s/Edwards’ death), and reach their happy ending- a honeymoon; or in DI’s case, Aventurine attaining his cornerstone, and fulfilling his end of the plan.

Interestingly, Aventurine slots into the role of Ballantyne and Ratio as Constance equally well, with the phone call Constance makes to save Ballantyne being reminiscent of the note Ratio makes to save Aventurine, as well as Aventurine being the replacement, or in the sense, the one to find the truth about Robin.

Personally, I think Aventurine and Ratio are reminiscent of both the main leads in Spellbound, which is why it’s complicated to discern the meaning of the reference. Oh how I wish I knew what the original Chinese description for this was (if you do please tell me 🙏).

Is it just meant to signify them being in love? Is it meant to signify that they will succeed, due to how well they know each other? Is it both, which is what the inclusion of Double Indemnity (the movie) suggests?

Either way, it adds onto the already present idea that the trust between Aventurine and Ratio is what allowed them to succeed in Penacony, and that’s not just something expressed by these movie references.

Think Aventurines Eidolons: Stag Hunt Game and Prisoner’s Dilemma, both of which are game theories about trust. Or how Aventurine says that Ratio knows him best, or how Ratio entrusts Aventurine with close secrets of his, like him being the “Genius” of the council of Mundanites.

“Do you trust me?” “That depends on you.”

These are 2 lines in their 2.0 conversation that really stick out to me. Ratio will always offer his trust so long as Aventurine can prove himself worthy of it, and as we have seen, Aventurine always delivers, proving himself long before Penacony in the Final Victor lightcone, albeit in his weird homoerotic way.

Therefore Ratio will always trust him.

And because of that, they win.

Now whether you take the deep trust between them to be romantic or platonic, or infer the literal honeymoon at the end of Spellbound to mean something for Aventio, either way the feeling absolutely there, and it’s crucial for an understanding of their relationship.

Also damn, the retroactive plot twist fucking slaps.

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